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Nat Lipstadt Mar 2018
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Dear New Poet:

Then I'm your man,
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Northern star,
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upon which all,
we, enthroned poets,
the world-over,
do rule

the honor you
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your very own
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your poem so fine,
I here now vow,
our embrace will
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give me this
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let us together
be terrific,
raise our glasses,
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toasting you  
all that mind and 
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my legs are as old as time, but,
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shock of white, a cain mark, wizard-wizened

but by the muscles
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my irrevocable promise

this,
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we both earn and make
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while we wait
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for all your good works,
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Blessed
are You Lord our God, 
Ruler of the Universe
who has given us life, 
sustained us until now,
allowing
the reader and the writer, to reach,
meet, embrace and
greet this day,
this new born poem,
with hallelujahs

                                         together
love to chat & encourage new poets
136

Have you got a Brook in your little heart,
Where bashful flowers blow,
And blushing birds go down to drink,
And shadows tremble so—

And nobody knows, so still it flows,
That any brook is there,
And yet your little draught of life
Is daily drunken there—

Why, look out for the little brook in March,
When the rivers overflow,
And the snows come hurrying from the fills,
And the bridges often go—

And later, in August it may be—
When the meadows parching lie,
Beware, lest this little brook of life,
Some burning noon go dry!
Gerry James Jul 2018
What is Poetry?
When your legs are numb,
Blood parching in your veins,
Throat choking from the pain,
And the fingers hitting the keys of the keyboard ceaselessly,
Trying ever so hard to create something impetuously,
Its poetry, you type.

When you dream of the possibilities,
And in what was once unimaginable,
You make the reader believe,
And change the way how their life, they perceive,
Its poetry, you dream.

When you play with words,
Just as an artist would play with colors,
To create a masterpiece,
That reaches the depths of the reader’s soul,
And burns them inside like coal,
Its poetry, you paint.

When you thread
Your fears, your desires,
Your insecurities, your pain,
All just to stay sane,
Its poetry you weave.

When your heart is melting
Like wax candles once lit,
And drops of tears smudge the ink,
To your knees you sink,
Its poetry, you bleed.
To all those out there who just enjoy painting their dreams with words that make it all seem so much more meaningful.
Andrew T Hannah  Apr 2013
Cyclone
Andrew T Hannah Apr 2013
The first thing I feel is warmth
A calm breeze blowing
And the feeling of being renewed

Then a blazing heat rises
Almost unbearable
Burning me, parching my throat

Another change to cooler temperature
Chilly winds blow
Dry leaves whip my face

Then all is frozen
Too cold to sustain life
The world becomes white

Endlessly spinning
Birth, death and rebirth
The earth forever caught in a cyclone
John Milton  Jul 2009
Lycidas
In this Monody the author bewails a learned Friend, unfortunately
drowned  in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy,
then in their height.


Yet once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
         Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
         For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven’s descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
         But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o’ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd’s ear.
         Where were ye, Nymphs, when the remorseless deep
Closed o’er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
         Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd’s trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera’s hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,”
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed.”
         O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune’s plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
         Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft,” quoth he, Rmy dearest pledge?”
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:—
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies’ sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers’ feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learnt aught else the least
That to the faithful herdman’s art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more.”
         Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf **** the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the ***** freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where’er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit’st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep’st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona’s hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
         Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves,
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
         Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.
Amy Lowell  Nov 2010
A Fairy Tale
On winter nights beside the nursery fire
We read the fairy tale, while glowing coals
Builded its pictures. There before our eyes
We saw the vaulted hall of traceried stone
Uprear itself, the distant ceiling hung
With pendent stalactites like frozen vines;
And all along the walls at intervals,
Curled upwards into pillars, roses climbed,
And ramped and were confined, and clustered leaves
Divided where there peered a laughing face.
The foliage seemed to rustle in the wind,
A silent murmur, carved in still, gray stone.
High pointed windows pierced the southern wall
Whence proud escutcheons flung prismatic fires
To stain the tessellated marble floor
With pools of red, and quivering green, and blue;
And in the shade beyond the further door,
Its sober squares of black and white were hid
Beneath a restless, shuffling, wide-eyed mob
Of lackeys and retainers come to view
The Christening.
A sudden blare of trumpets, and the throng
About the entrance parted as the guests
Filed singly in with rare and precious gifts.
Our eager fancies noted all they brought,
The glorious, unattainable delights!
But always there was one unbidden guest
Who cursed the child and left it bitterness.


The fire falls asunder, all is changed,
I am no more a child, and what I see
Is not a fairy tale, but life, my life.
The gifts are there, the many pleasant things:
Health, wealth, long-settled friendships, with a name
Which honors all who bear it, and the power
Of making words obedient. This is much;
But overshadowing all is still the curse,
That never shall I be fulfilled by love!
Along the parching highroad of the world
No other soul shall bear mine company.
Always shall I be teased with semblances,
With cruel impostures, which I trust awhile
Then dash to pieces, as a careless boy
Flings a kaleidoscope, which shattering
Strews all the ground about with coloured shards.
So I behold my visions on the ground
No longer radiant, an ignoble heap
Of broken, dusty glass. And so, unlit,
Even by hope or faith, my dragging steps
Force me forever through the passing days.
On the wind of January
  Down flits the snow,
Travelling from the frozen North
  As cold as it can blow.
Poor robin redbreast,
  Look where he comes;
Let him in to feel your fire,
  And toss him of your crumbs.

On the wind in February
  Snow-flakes float still,
Half inclined to turn to rain,
  Nipping, dripping, chill.
Then the thaws swell the streams,
  And swollen rivers swell the sea:--
If the winter ever ends
  How pleasant it will be.

In the wind of windy March
  The catkins drop down,
Curly, caterpillar-like,
  Curious green and brown.
With concourse of nest-building birds
  And leaf-buds by the way,
We begin to think of flowers
  And life and nuts some day.

With the gusts of April
  Rich fruit-tree blossoms fall,
On the hedged-in orchard-green,
  From the southern wall.
Apple-trees and pear-trees
  Shed petals white or pink,
Plum-trees and peach-trees;
  While sharp showers sink and sink.

Little brings the May breeze
  Beside pure scent of flowers,
While all things wax and nothing wanes
  In lengthening daylight hours.
Across the hyacinth beds
  The wind lags warm and sweet,
Across the hawthorn tops,
  Across the blades of wheat.

In the wind of sunny June
  Thrives the red rose crop,
Every day fresh blossoms blow
  While the first leaves drop;
White rose and yellow rose
  And moss-rose choice to find,
And the cottage cabbage-rose
  Not one whit behind.

On the blast of scorched July
  Drives the pelting hail,
From thunderous lightning-clouds, that blot
  Blue heaven grown lurid-pale.
Weedy waves are tossed ashore,
  Sea-things strange to sight
Gasp upon the barren shore
  And fade away in light.

In the parching August wind,
  Cornfields bow the head,
Sheltered in round valley depths,
  On low hills outspread.
Early leaves drop loitering down
  Weightless on the breeze,
First-fruits of the year's decay
  From the withering trees.

In brisk wind of September
  The heavy-headed fruits
Shake upon their bending boughs
  And drop from the shoots;
Some glow golden in the sun,
  Some show green and streaked
Some set forth a purple bloom,
  Some blush rosy-cheeked.

In strong blast of October
  At the equinox,
Stirred up in his hollow bed
  Broad ocean rocks;
Plunge the ships on his *****,
  Leaps and plunges the foam,--
It's O for mothers' sons at sea,
  That they were safe at home!

In slack wind of November
  The fog forms and shifts;
All the world comes out again
  When the fog lifts.
Loosened from their sapless twigs
  Leaves drop with every gust;
Drifting, rustling, out of sight
  In the damp or dust.

Last of all, December,
  The year's sands nearly run,
Speeds on the shortest day,
  Curtails the sun;
With its bleak raw wind
  Lays the last leaves low,
Brings back the nightly frosts,
  Brings back the snow.
132

I bring an unaccustomed wine
To lips long parching
Next to mine,
And summon them to drink;

Crackling with fever, they Essay,
I turn my brimming eyes away,
And come next hour to look.

The hands still hug the tardy glass—
The lips I would have cooled, alas—
Are so superfluous Cold—

I would as soon attempt to warm
The bosoms where the frost has lain
Ages beneath the mould—

Some other thirsty there may be
To whom this would have pointed me
Had it remained to speak—

And so I always bear the cup
If, haply, mine may be the drop
Some pilgrim thirst to slake—

If, haply, any say to me
“Unto the little, unto me,”
When I at last awake.
313

I should have been too glad, I see—
Too lifted—for the scant degree
Of Life’s penurious Round—
My little Circuit would have shamed
This new Circumference—have blamed—
The homelier time behind.

I should have been too saved—I see—
Too rescued—Fear too dim to me
That I could spell the Prayer
I knew so perfect—yesterday—
That Scalding One—Sabachthani—
Recited fluent—here—

Earth would have been too much—I see—
And Heaven—not enough for me—
I should have had the Joy
Without the Fear—to justify—
The Palm—without the Calvary—
So Savior—Crucify—
Defeat—whets Victory—they say—
The Reefs—in old Gethsemane—
Endear the Coast—beyond!
’Tis Beggars—Banquets—can define—
’Tis Parching—vitalizes Wine—
“Faith” bleats—to understand!
Thou still unravish'd bride of quietness,
    Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
    A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
    Of deities or mortals, or of both,
        In Tempe or the dales of Arcady?
    What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
        What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
    Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
    Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
    Thy song, nor ever can those trees be bare;
        Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
    She cannot fade, though thou hast not thy bliss,
        For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
    Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
    For ever piping songs for ever new;
More happy love! more happy, happy love!
    For ever warm and still to be enjoy'd,
        For ever panting, and for ever young;
All breathing human passion far above,
    That leaves a heart high-sorrowful and cloy'd,
        A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
    To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
    And all her silken flanks with garlands drest?
What little town by river or sea shore,
    Or mountain-built with peaceful citadel,
        Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
    Will silent be; and not a soul to tell
        Why thou art desolate, can e'er return.

O Attic shape! Fair attitude! with brede
    Of marble men and maidens overwrought,
With forest branches and the trodden ****;
    Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
    When old age shall this generation waste,
        Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
    "Beauty is truth, truth beauty,--that is all
        Ye know on earth, and all ye need to know."
harlon rivers Apr 2017
Earth Day, April 22, 2017  "give back to Earth",
as an "offering" for all the planet gives us.**
For Global Earth Day information visit:  http://www.earthday.org/


       Her ominous shadow
             shown a path
   far beyond the miles high
  a majestic mountain stood

   Silently climbing down
         million year old  
      steep canyon walls
               at dawn,
  each step chosen carefully
     coursing with purpose

    Finding a way forward
         was the only way
           to look back up
      river carved ravines
     where higher ground
              once stood

  Instincts drawn downward
       gravity feed towards
         the faint murmurs
       deep echoes tracery
   down sheer basalt cliffs

          Artesian waters'
       resounding gurgles ―
     bubble up to quench
     a lost soul’s incurably
   intrinsic parching thirst;
       to find an unfolding
       metamorphic peace
     in the trove of igneous
     fountain veins of earth

    There’s not need to wait
      on sunrise pathways lit ―
   there is no fear of gravity’s
     downward silent weight  
      nor burden to be borne

Listening beyond dark silence      .
      igneous bedrock roots
     beckon deeper expanse ;
  spirit realms of ancient souls
     whisperer like thunder
        to the soul of man ―

Awakening ruptured lifelines
    deep below earthen crust ,
    creations hidden essence
     eternally remembered
         by the light above ...



April  2017 © harlon rivers ... all rights reserved
deep artesian rivers flow
from the wellspring fountain of soul...
     homage to planet earth ―
Celebrate World Earth day ... April 22nd, 2017
scar Jun 2015
If the Tiber floods and the Nile fails to
If the overflowing mouth of Tamesis runs dry
If the weeping willow withers as the blackthorn breaks
And the regal golden eagle fails to climb in the sky

If the dried-up land yields a drought so parching
That the overarching urge is to drink yourself drowed
If the Dead Sea waters lose their saline flotation
And the carrion-grabbing vultures wheel in from miles around

Then Gethsemane's gates will crack open just a little
And the flowers of the garden will give off a sour scent
As their brazen roots recall the night when they were fed with blood
Dripping softly on the hallowed ground of dying man's lament

If the water rises slowly and yet still without abating
If it swallows up the chariots of sun and man and steed
If the kings step out and stumble to the grave, their destination
Will be broken, bold and cheerless: will be harrowing indeed.
And this place our forefathers made for man!
This is the process of our love and wisdom,
To each poor brother who offends against us—
Most innocent, perhaps—and what if guilty?
Is this the only cure? Merciful God!
Each pore and natural outlet shrivelled up
By Ignorance and parching Poverty,
His energies roll back upon his heart,
And stagnate and corrupt; till changed to poison,
They break out on him, like a loathsome plague-spot;
Then we call in our pampered mountebanks—
And this is their best cure! uncomforted
And friendless solitude, groaning and tears,
And savage faces, at the clanking hour,
Seen through the steam and vapours of his dungeon,
By the lamp’s dismal twilgiht! So he lies
Circled with evil, till his very soul
Unmoulds its essence, hopelessly deformed
By sights of ever more deformity!

With other ministrations thou, O Nature!
Healest thy wandering and distempered child:
Thou pourest on him thy soft influences,
Thy sunny hues, fair forms, and breathing sweets,
Thy melodies of woods, and winds, and waters,
Till he relent, and can no more endure
To be a jarring and a dissonant thing
Amid this general dance and minstrelsy;
But, bursting into tears, wins back his way,
His angry spirit healed and harmonized
By the benignant touch of Love and Beauty.

— The End —