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Raj Arumugam Sep 2010
1
*** dum da da ***
moom moom
swish glish
sa sa sa lum
hey, hey, hey
I’m coming there
where you are
with a he he he
and a hu hu hu
la, la **!**!**!
Who’s me?
I’m the superest-ever clown
I’m coming right now
*** dum da da ***
moom moom
swish glish
sa sa sa lum
hey, hey, hey
I’ll be there!

2
I’m coming with a lot of noise
I’ll come with laughs
and cheers
I’ll come unseen and with joy
hey! hey! hey!
you can start laughing now
O you can smile
come on now
la la la di di da da
sum sum sum
sim sim sim
I’ll be as good as dim sum!

3
*** dum da da ***
moom moom
swish glish
sa sa sa lum
hey, hey, hey
I’ll be like the moon
when I come
seen by the first humans
for the first time
and everyone looking in wonder and love
and laughing, laughing
for what else can one do
when there’s so much radiant lunacy?
ha, ha ha
he he he
*** dum da da ***
moom moom
swish glish
sa sa sa lum
hey, hey, hey



4
*** dum da da ***
moom moom
swish glish
sa sa sa lum
hey, hey, hey
I’ll flower there
right inside your hearts
like a smile, a laugh
a happy feeling you don’t even know is there
and then suddenly it’ll all blossom
in your skin and your face and in your limbs and organs
and you’ll all laugh too
and your neighbors too
and strangers too
for you are me and I you
and everyone too
hey, hey, hey
*** dum dad a ***
he he he he he he
Ha ha ha ha ** **
we’ll be laughing
we’ll be all laughing at one another
and we’ll be laughing at ourselves
for I ‘m coming
O I’m ever coming
superest-ever clown ever
like delicate music
like an exotic flower
and we’ll all laugh
like kookaburras
*** dum da da ***
moom moom
swish glish
sa sa sa lum
hey, hey, hey
for I’m the happy Universal Clown ever
just like you
just like me
hey hey hey
*** dum da da ***
moom moom
swish glish
sa sa sa lum
hey, hey, hey
Kilam TA  Mar 2017
Ember Moom
Kilam TA Mar 2017
We all have the power as individuals
To confront every injustice
To resist tyranny
So every ember moon
I look to the sky
Inspired
Prepared for every battle
And fly with those
Who look up for opportunities
And not down at misfortunes
So our fires continue, to burn
strong
Stephan Aug 2016


Blew a kiss to the moon
in the heavens tonight
As it wandered along
on its magical flight

Then made a wish
and if it does come true
The moon will deliver
my kiss to you
I
FATHER AND CHILD
SHE hears me strike the board and say
That she is under ban
Of all good men and women,
Being mentioned with a man
That has the worst of all bad names;
And thereupon replies
That his hair is beautiful,
Cold as the March wind his eyes.

II
BEFORE THE WORLD WAS MADE

IF I make the lashes dark
And the eyes more bright
And the lips more scarlet,
Or ask if all be right
From mirror after mirror,
No vanity's displayed:
I'm looking for the face I had
Before the world was made.
What if I look upon a man
As though on my beloved,
And my blood be cold the while
And my heart unmoved?
Why should he think me cruel
Or that he is betrayed?
I'd have him love the thing that was
Before the world was made.

III
A FIRST CONFESSION

I ADMIT the briar
Entangled in my hair
Did not injure me;
My blenching and trembling,
Nothing but dissembling,
Nothing but coquetry.
I long for truth, and yet
I cannot stay from that
My better self disowns,
For a man's attention
Brings such satisfaction
To the craving in my bones.
Brightness that I pull back
From the Zodiac,
Why those questioning eyes
That are fixed upon me?
What can they do but shun me
If empty night replies?

IV
HER TRIUMPH

I DID the dragon's will until you came
Because I had fancied love a casual
Improvisation, or a settled game
That followed if I let the kerchief fall:
Those deeds were best that gave the minute wings
And heavenly music if they gave it wit;
And then you stood among the dragon-rings.
I mocked, being crazy, but you mastered it
And broke the chain and set my ankles free,
Saint George or else a pagan Perseus;
And now we stare astonished at the sea,
And a miraculous strange bird shrieks at us.

V

CONSOLATION

O BUT there is wisdom
In what the sages said;
But stretch that body for a while
And lay down that head
Till I have told the sages
Where man is comforted.
How could passion run so deep
Had I never thought
That the crime of being born
Blackens all our lot?
But where the crime's committed
The crime can be forgot.

VI
CHOSEN

THE lot of love is chosen.  I learnt that much
Struggling for an image on the track
Of the whirling Zodiac.
Scarce did he my body touch,
Scarce sank he from the west
Or found a subtetranean rest
On the maternal midnight of my breast
Before I had marked him on his northern way,
And seemed to stand although in bed I lay.
I struggled with the horror of daybreak,
I chose it for my lot! If questioned on
My utmost pleasure with a man
By some new-married bride, I take
That stillness for a theme
Where his heart my heart did seem
And both adrift on the miraculous stream
Where -- wrote a learned astrologer --
The Zodiac is changed into a sphere.

VII
PARTING
He. Dear, I must be gone
While night Shuts the eyes
Of the household spies;
That song announces dawn.
She. No, night's bird and love's
Bids all true lovers rest,
While his loud song reproves
The murderous stealth of day.
He. Daylight already flies
From mountain crest to crest
She. That light is from the moom.
He. That bird...
She. Let him sing on,
I offer to love's play
My dark declivities.

VIII
HER VISION IN THE WOOD

DRY timber under that rich foliage,
At wine-dark midnight in the sacred wood,
Too old for a man's love I stood in rage
Imagining men.  Imagining that I could
A greater with a lesser pang assuage
Or but to find if withered vein ran blood,
I tore my body that its wine might cover
Whatever could rccall the lip of lover.
And after that I held my fingers up,
Stared at the wine-dark nail, or dark that ran
Down every withered finger from the top;
But the dark changed to red, and torches shone,
And deafening music shook the leaves; a troop
Shouldered a litter with a wounded man,
Or smote upon the string and to the sound
Sang of the beast that gave the fatal wound.
All stately women moving to a song
With loosened hair or foreheads grief-distraught,
It seemed a Quattrocento painter's throng,
A thoughtless image of Mantegna's thought --
Why should they think that are for ever young?
Till suddenly in grief's contagion caught,
I stared upon his blood-bedabbled breast
And sang my malediction with the rest.
That thing all blood and mire, that beast-torn wreck,
Half turned and fixed a glazing eye on mine,
And, though love's bitter-sweet had all come back,
Those bodies from a picture or a coin
Nor saw my body fall nor heard it shriek,
Nor knew, drunken with singing as with wine,
That they had brought no fabulous symbol there
But my heart's victim and its torturer.

IX
A LAST CONFESSION

WHAT lively lad most pleasured me
Of all that with me lay?
I answer that I gave my soul
And loved in misery,
But had great pleasure with a lad
That I loved ******.
Flinging from his arms I laughed
To think his passion such
He fancied that I gave a soul
Did but our bodies touch,
And laughed upon his breast to think
Beast gave beast as much.
I gave what other women gave
"That stepped out of their clothes.
But when this soul, its body off,
Naked to naked goes,
He it has found shall find therein
What none other knows,
And give his own and take his own
And rule in his own right;
And though it loved in misery
Close and cling so tight,
There's not a bird of day that dare
Extinguish that delight.

X
MEETING

HIDDEN by old age awhile
In masker's cloak and hood,
Each hating what the other loved,
Face to face we stood:
"That I have met with such,' said he,
"Bodes me little good.'
"Let others boast their fill,' said I,
"But never dare to boast
That such as I had such a man
For lover in the past;
Say that of living men I hate
Such a man the most.'
'A loony'd boast of such a love,'
He in his rage declared:
But such as he for such as me --
Could we both discard
This beggarly habiliment --
Had found a sweeter word.

XI
FROM THE 'ANTIGONE'

OVERCOME -- O bitter sweetness,
Inhabitant of the soft cheek of a girl --
The rich man and his affairs,
The fat flocks and the fields' fatness,
Mariners, rough harvesters;
Overcome Gods upon Parnassus;
Overcome the Empyrean; hurl
Heaven and Earth out of their places,
That in the Same calamity
Brother and brother, friend and friend,
Family and family,
City and city may contend,
By that great glory driven wild.
Pray I will and sing I must,
And yet I weep -- Oedipus' child
Descends into the loveless dust.
Starry  Sep 2019
A u t u n m moom
Starry Sep 2019
There
Is something
Calming about
seeing
Sliver of the
A u t u m n moon
RRaaccoonn  Jun 2015
Steed Man
RRaaccoonn Jun 2015
Dare try to pass I?
Golden child of Sun
Stone of Castle.
The jewels on your shields.

"Vandrick son of Malivent
Relieve thy strength
Lay out your lockes
Thee night has befell & the calm moom. "
glows on its herm.
Yellow Sun, poem
Akira Chinen Oct 2016
I fell asleep but couldn't dream
so I walked through the mist
and echo of a black blanket
under a starless night
I came across a nightmare
crying under a leafless tree
naked and exposed with
soft skin and milky breast
Her lips were the color of poison
but her voice carried
no trace of a lie
As she said all she had wanted
was to kiss the moom
under a dark magenta sky
She promised me she could lead me back to dreams
If I would just take her hand
and let her walk with me
So our fingers entwined
and we walked miles
of soft footsteps
and shy glances
She would giggle and blush
from time to time
It had begun to feel
as if she had lost her way
and our journey would never end
When she suddenly stopped
and motioned she had
something to whisper in my ear
I leaned in close and she laughed lightly and said
"Your clothes fell off sometime ago... we are both naked now, so this must be your dream... before you go may I ask of you one more thing?"
She stopped whispering and
moved her mouth in front of mine and said the last part with
her eyes...
I didn't know it then
but that would be
my last first kiss
and now I am the moon
hanging dreamless
in a dark magenta sky
Starry  Aug 2019
Ptsd poem 7
Starry Aug 2019
On the water
I find peace
In the air
I find zen
Driving and walking ruins
My moom

As i set on this boat
I meditate
Under the sun

What was I thinking about.
Mateuš Conrad Jun 2018
come:
   and of the few -
to join in, in the spectacle
              of humanity;
however many bones need to be
crunched, broken,
and allowed a  suffocation with
                                     to allow a flute
                                                    seer...­
               if only
the mortals didn't implant
                                  a "future" from
an immortal perspective...
there is a death-defying
act...
         it's called: a lie...
  much of my mortality
has been wasted on
               this puppet show
of claiming
to be part of, the events...
      i too, once, could reap
a shadow
of an impeding trot
as arriving at a "desired"
destination...
             old age is no
achievement within the confines
of the impeding death...
   but i do love how the dead
implore for a singing
encore,
        with epitaphs and
               asthmatic half-laughs...
king matters,
   while the very many
become the favoured few...
we can work with that:
   zeitgeist is apparently
an aphrodisiac:
to counter the "heilig"-geist
                                  momentum;
can't be too prudent to mind
nearing autumn,
  and the fallen prune...
    P.R.                  für sie (foor sigh,
in quasi-german, that's english,
which is the highest form
of saxon you'll ever have
a chance to experience).

     in the title, inclusive of the syllable
count, the counter with a
doubled-up: consonant...
                     matter, though,
isn't a problem...
           you can guess i've had
entertained a background
in chemistry...
                Na is no different
to sodium to me...
             liberal arts?
        social "sciences"?
               i have a fixation worth
an itch... then i'm reminded
of the 3rd party authorities...
        you know, that form of
an insatiable itch...
               something quiet relevanat
to improvising a headache,
   migrane, in mimic form,
second cousin, boring as ****,
but nonetheless utilised...

   ah... but poetry:
the candy equivalent to:
a sweet, said nothing...

            i like listening to
the jeff deist sanity...
                     you get the feeling
of actually wanting to wear
a crsip, well ironed,
white shirt,
          being able to, yourself,
manoeuvre donning a tie
           unlike it being a noose...

doubling on consonants?
   it's not exactly an english thing,
in how, western slavic is approached...
   ch' ch' chequers or chess?
     ****... called it drit in times of draughts...
or O...                the big moom
and the lesser whee,
   but more or less a concept
arrived to, from exposure to a pregnant
                                                        ­ woman...

         sh' sh': hushing the *******
narrative?
              not nice...
    counter with a noun...

                                  shish kebab'ah!

told you H was a vowel-catcher...
minus the laughter, + a sigh...
      
     unless that's macron-style-africaan...
i.e.
          doner kebāb...

                     reign / rain from
                                           above...

   i always loved juggling,
or tossing aside,
        inter-mingling the english
punctuation marks, with a complete,
absence, of "punctuation marks"
above, or below letters...

            sympathetic fren'cheese...
(whatever the "correct" spelling
is to boot, to market
equivalence) -
                     say ******* when
someone takes a photograph
of you and a bunch of ****-clinging
turds?!) -
                        
                  right.... who knows!

some consonants are not well
equipped with a quasi-syllable-invoked
doubling...
         verbum-intra has
                  apostrophes and diacritics,
primarily the former...
verbum-inter has
          commas, and allusion of
grandeour with colons, hyphens,
semi-colons and...
                 dot dot d... dotty: dittoing -
down-to-earth metaphors
without italics, or "air" quotes.

i still love the fact that rubber-ball
                , (comma) can jump and
attach itself to ceiling of a sentence
          and become an ' (apostrophe)...

because that's what existentialist
"mastered", or rather tried to exploit,
borrowing a re-framing of
the capacity of the metaphor...
                  with:           "                    "...

what the **** happened to
the good old days of fiction with
the gaelic narrative impetus
akin to a genesis of a paragraph,
beginning with a:

    -                      yes, a hyphen!

if it weren't for the exposure to
pedantry: making language encoding
into surd a technicality-bias
               for pedantry per se...
i really don't know,
what i would do...

                hyper-literacy is not some
teddy-bear you squeeze to get a giggle
from...
              i was never fond of
americanism's acronyms,
                      grafitti,
                or otherwise
the internet fission of hieroglyphics
through memes...
                        the: an image + a word...

what, if anything, can ever be justified
      as "self"-explanatory?!

it explains itself to a self?
        i think that's a rhetorical question...
point being:
              who governs it
in bypassing phenomenology,
  and attributing a self,
      to the confines of a noumenon?
Eygel  Apr 2020
Untitled
Eygel Apr 2020
Loneliness

Nights are covered with sadness
Even air brings loneliness
I feel how the cold breeze hug me so tight
And i can't resist to its pain and sorrow
Sky are getting dark and darker
I can't even seen the moom shining
I'm star falling and missing
I've been hopeless in any mercy
I look like crying wolf
Begging for attention and fondness
But In nights were no one can heard but me
The time quietly pass by
The truth is myself and i alone to this life
Zainab PM Aug 2020
Panting like a defeated wrestler
She stared at me helplessly
The tranquility of darkness
echoed her voice,she said:

Mom at an age of ONE
People sang lullaby,
To make me happy
They made funny faces,
to make me laugh...

Mom,at an age of SIX
I loved to wear the fairy frocks
Which was short and cute
But I understood
Shorter the length goes
There is more gain of attention

Mom at an age of TWELVE
I understood it's better
Not to talk to strangers
Our body entertain them more
Than our talks..

Mom at an age of FIFTEEN
I understood someone we loved
Soo much can leave us
With tears in eyes
Because we were not ready to share
Our photos in ways they want us to..

Mom at an age of eighteen
I understood
Sometimes love just means lust
And there is no ingredient of
Emotion in it...

Mom at an age of TWENTY ONE
I understood we are just a
Piece of flesh
That many people
Wish to tearup..


And today that lullaby
Is repeating in my ears
But instead of me they are happy
Instead of me they are laughing
Seeing me in half naked dress
I regret
WHY DIDNT YOU **** ME IN
YOUR WOMB ITSELF MOOM..!!

I sweated and woke up
AHH!!!it was a dream
I kept the hand in my Tommy and said
"I WISH IT WAS A GIRL"
not to hear these words
But to change the world for her
She will live
She will conquer..

— The End —