PROLOGUE

Umpteen billion years
Big Bang, supernova, gas
Brief eclipse of time

Gases swirling, fall
Sun and planets, water, goo
Brief eclipse of time

Another billion
life, amoeba, fishes swim
Brief eclipse of time

Movement, change and flux
slither, crawl, climb, walk and talk
Brief eclipse of time

Ra, Sol, Helios,
Mithra and the Mighty Eye
Brief eclipse of time

Life begins and ends
birth, joy, laugh, cry, death, and dust
Brief eclipse of time

Waves cleave seas, shores, skies
forever folding, pulsing
Brief eclipse of time


            CHRONICLE

The Mighty Eye begins to slip and slowly sink,
(unfocused, stained, diffuse)
while frizzled waves imbibe her searing tears,
with salted languid lips.

The Mighty Eye, now weary, thin,
is gazing through the frozen cracks,
as sundry straying clouds,
bloated,
sidle feebly by
and wax their billowed tracks
upon the heated sky,
and cool the rush of rolling waves
beneath the blotted sky.

The waves
(impaled on time and space inside me),
gently tumbling aging pebbles
and lifeless shells across the shifting sands,
seem unaware
as they once again arise
to greet the Mighty Eye,
to close the Mighty Eye,
to ***** the Mighty Eye.

But then again,
perhaps the waves are well aware indeed,
yet simply unconcerned
and feel no need to care.

For, as the frazzled froth is rushing forward
madly towards the sandy shores beyond,
before retreating slowly,
then careening brashly forth ahead again,
eternally,
it matters little if the Mighty Eye will cast
her blazing glance from high above,
or else retire for the night,
kissed sweetly by the liquid lips
of distant faithless waves
in a brief eclipse of time.

The trees, they hang in time and space around me –
trees, which in time before had swayed,
so gently tugged by ocean breezes,
trees, which in time before were lightly lit
with emerald tinted leaves,
trees, which in time before had reached to space above
with twisted tangled fingers,
grasping fingers,
fingers drenched with golden tears
shed by the Mighty Eye.

The trees, they hang in space and time,
benumbed and frozen motionless around me
chilled with rooted premonitions of the void,
their branches clutching darkness  
and their leaves foreboding doom.

The muted winds begin to whisper tales
of many frightened things,
which, with mournful apprehension
have hunkered down behind the haze
and ceased their joyful play.

And all the while dank shadows gaily dance
a dismal dance,
for their time is soon to come.

The fitful shore lies suddenly still.

Unfeeling stones and hollow shells,
are paused a little,
stalled,
and dropped haphazardly,
midst their mindless random journey,
now abandoned by the sea,

for fickle waves have slipped away
to greet a falling prey.

And as the Mighty Eye droops lower,
laminated molten lips
are pursed and pucker higher,
******* in the sky.

Within a trice the Mighty Eye
submits and squints, distended red,
perhaps tormented by fantastic thoughts
of imminent demise,
or else of being lashed beneath a lid
of distant faithless waves.

And as her dying flash dissolves,
two lurid lips arise,
three ***** lips -
a thousand parted limpid lips
which asudden,
though with little haste,
consume the Mighty Eye.

                   EPILOGUE**

The trees are now but lurking shades
amongst the murky shadows.

Relentless fog slips slowly by -
her floating tongues drip silence
as they slink like snakes in stealth nearby.

The lacerated faithless lips have once again returned
to kiss the vacant vapid shores
in a brief eclipse of time.

“Even the streets leading up to its outer barriers were roamed by gorilla-faced guards in black uniforms, armed with jointed truncheons.”
                                                    ­ George Orwell, 1984* (published in 1949)

Which brings us, of course, to the subject of torture since 1949.
Come with me to the Casbah, Babaloo.
We begin in the 1950s with the French in North Africa,
****** baguettes in Algeria,
Couilles frits, anyone?
Electrodes wired to Mustapha’s *****.
And "Bigeard's Shrimps,” as the bodies were called,
Dumped over the Mediterranean from aircraft,
All things considered a je ne sais quoi,
Though Camus and Sartre gave it a whack.

Then the 1960s: the CIA dabbling in mind-control and LSD.
Later, a Phoenix Program,
Very secretive, sympathies with the Cong required,
Various elders selected,
The village disinfected,
**, **, ** and a bowl of Pho.

Apartheid anyone?
Thirty years of South African terror & torture.
Torment in the townships,
Shaka Zulu gold and diamonds,
De Beers in Swaziland swing.

1971: riots at Attica,
Prisoners abused and tortured,
Rockefeller’s overcrowded slammer,
An upstate New York katzenjammer,
Nelson’s finger on the trigger,
39 dead and counting,
But who’s counting?

The CIA, back in the news in 1973,
Torture chambers under Chilean soccer stadiums,
And the Khmer Rouge:
Those Wacky Cambodians with skull racks.  
And let us not forget the British,
With centuries of colonial experience behind them,
Occupy six counties in Northern Ireland.
Finally codify the imperial process,
The Five Techniques:
Sounds like a Motown group,
Satin smooth colored boys,
But more method than music:
(1) Wall-standing,
(2) Hooding,
(3) Subjection to noise,
(4) Sleep deprivation,
(5) No food and drink.

And there’s a bunch of horrible ****,
We still don’t know about the Argentine ***** War,
And other Mai Lai-like,
****-fest massacres in Vietnam.

How about torture since 1984?
Abu Ghraib and Guantanamo,
Come quickly,
(www.prematureejaculatorsanonymous.com)
To mind,
As do US-sponsored rendition facilities,
Spread throughout the NATO alliance.
And closer to home, it’s never a dull moment in the 5 Boroughs:
Brooklyn, Queens, Staten Island, The Bronx and Manhattan.
Take your pick from Giuliani’s Greatest Hits,
Rudy Kazootie’s campaign of law and order,
Not necessarily in that order.
More awful than lawful,
A bathroom plunger rammed up,
The Haitian voodoo ****** of Abner Louima,
While he be handcuffed at a Brooklyn station house.
Or, the NYPD partying like it was 1999.
When in fact, it was1999,
And a curious death it was for Amadou Diallo,
Would-be American citizen from The Republic of Guinea,
(No connection to Italy or Italians),
Abner & Amadou: a pair of cautionary tales,
Either/or reflecting standard procedure for the Po-Po,
Time and time again from coast to coast.
Either/or: poor Abner, no Haitian Papa Doc.
Poor Amadou, on his way home from night school,
When police squeeze off 41 rounds,
Most of them in his direction,
Hitting him 19 times.
Just the facts, ma’am:
Diallo had reached into his jacket.
A trigger-happy police officer yells “Gun.”
A jungle warfare quartet springs into action:
Shenzi, Banzai, Ed & Zazu,
Four equally trigger-happy colleagues,
Empty their weapons.
No gun was found on Diallo,
Only the wallet he tried to pull out,
Containing his Green Card,
4 U.S. dollar bills;
And a laminated,
Credit card-sized copy of the U.S. Bill of Rights.
(I just didn’t know when to quit, did I?
The wallet was there with Green Card and the bucks,
But I made up the part about the Bill of Rights,
Trying to add poetry to tragedy, as usual.)

I don’t have to say much about Rodney King (RIP).
You watched it on TV a hundred times,
And a picture’s worth a thousand words.
Or ten thousand or a million, I suppose.
“Can’t we all just get along?” asked Rodney Glen King.

Last but not least there’s Kelly Thomas (RIP),
Another incidence of police insanity,
It was July of 2011 in Fullerton, California.
Thomas, a 37-year-old homeless man,
Schizophrenic, but unarmed,
Beaten to death at a bus depot,
During an altercation with six Fullerton police officers.
Read more: http://www.dailymail.co.uk/news/article-2019225/Kelly-Thomas-Poli­­ce-beat-taser-gentle-mentally-ill-homeless-man­-death.html#ixzz1e­3­4QnHtr

Mervyn Lazarus | Attorney | (www.mervlazarus.com) Police Brutality, Excessive Force and Jail Injury cases | California . . . Albuquerque

Jackie Chiles perfect attorney -YouTube, (www.youtube.com/watch?v=jpcEietIoxk) Nov 17, 2010 - 13 min - Uploaded by Kroeger22 All the scenes with Jackie Chiles from Seinfeld."Chiles is a parody of famed attorney Johnnie Cochran; both ... www.seinfeld.com

Perhaps the greatest torture of all,
Is that which artists subject us to.
Let us examine the case of Roberto Bolaño:
Roberto Bolaño, the great Chilean writer,
Tells a fabulous World War II story,
About a Spaniard--an Andalusian--
Fighting for the Germans against the Russians.
Captured by the Russians,
He is tortured for information.
The Spaniard speaks no Russian,
He knows only four words of German.
The Russian interrogators strap him into a chair,
Attach electrodes to his *****,
Attach pincers to his tongue.
The pain makes his eyes water.
He said--or rather shouts--the word coño.
It is Spanish for ****.
The pincers in his mouth,
Distort the expletive,
Which in his howling voice comes out as KUNST.
The Russian who knows German looks at him in puzzlement.
The Andalusian was yelling KUNST,
Yelling KUNST and crying in pain.
KUNST in German means art,
And that was what the bilingual Russian heard, KUNST.
“This ******* must be an artist or something.”
The torturers remove the pincers,
Along with a little piece of tongue,
And wait, momentarily hypnotized by the revelation:
The word ART had soothed the savage beasts.
So soothed, the savage beasts take a breather,
Waiting for some kind of signal.
Meanwhile, the Andalusian bleeds from the mouth,
Swallows his blood liberally mixed with saliva, and chokes.
The word coño,
Transformed into the word *KUNST,
Had saved his life.
It was dusk when he came out of the building.
Light stabbed at his eyes like midday sun.

So, it’s a fact that I love,
Truly love the simple blunt Anglo-Saxon expletive ****,
****: I pray that while I am being tortured some day,
I have the dignity to scream the word out loud.
And if I am screaming **** at the very end,
When my nervous system finally fails,
When I **** my pants,
When my pulmonic heart and lungs collapse,
Is that so bad?
Is that so wrong?

Do you realize that 1984 came--
Came and went, without any significant cultural hoopla?
The networks ignored it.
As did the cable pundits.
No significant comparative analysis between,
Orwell’s book 1984 and the year 1984,
Was broadcast electronically or publicized in print.
Steve Jobs got it, but as usual no one else did.
Mr. Jobs (RIP) did his best,
To mainstream its profound cultural relevance,
But ultimately failed,
Despite the $1.5 million he paid one of the networks,
To air a one minute nation-wide commercial,
During the 3rd Quarter,
Of Super Bowl XVIII,
January 22, 1984.
Despite Ridley Scott’s astonishing spell-binder,
His 60-second spot for The Macintosh 128K--
Still considered a watershed event,
And an advertising industry masterpiece,
…YouTube it and watch it.  (www.youtube.com/watch?v=Z8ji0B98IMo).
See the hammer throwing athlete chick,
See her fling the sledge,
That huge sledgehammer,
Smash into Big Brother’s flat screen face.
Despite Jobs’ global presence,
Despite Steverino’s unfettered microphone access,
Whenever he felt an oraculation coming on,
Despite everything,
He was unable to move the powers that be,
To either hype the book or the prophecy come true.

So, what’s my point? I have two.
First, in April 1984 the estate of George Orwell,
And the television rights holder to the novel 1984,
Considered the edgy Jobs/Scott commercial to be,
A flagrant copyright infringement,
Sending a cease-and-desist letter to Apple Inc.
And the advertising agency that produced the spot: Chiat/Day Inc.
The commercial was never televised as a commercial after that.  
Score: Lawyers 1, Artists 0.

My second point is that in November 2011,
The U.S. government argued before the U. S. Supreme Court,
That it wants to continue utilizing GPS tracking of individuals,
Without first seeking a warrant.
In response, Justice Stephen Breyer (one of the sane ones),
Questioned what this means for a democratic society.
Referencing Nineteen Eighty-Four, Justice Breyer asked:
"If you win this case, then there is nothing,
To prevent the police or the government from monitoring 24/7,
The public movement of every citizen of the United States.
So if you win, you suddenly produce what sounds like 1984 . . .”*

My third point,
(Yeah, I know I said two, but *******.)
My third point is that I’m just so ******* angry,
All the time, late and soon like Wordsworth,
(Was anyone more aptly named?)
I am angry about so many different things,
And every day that goes by I relate more and more,
To the thousands of Americans that occupied,
Zuccotti Park and Oakland,
And countless other venues,
Out into the streets.
Across the country.
Around the world.  
I am humbled by their courage and perseverance.
Yet, I am afraid for them.
I am made paranoid by the scope and power,
Of the government,
Of the ruling class that controls it,
And the technology they allow us to embrace,
Technology’s sinister potential,
Now that more and more knowledge and information,
Has been digitized,
Existing only in cyberspace.                                                      ­                                                 
What frightens most is the realization,
That anyone with a word processor,
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.
The scary part is—
Repeating myself for emphasis—
That anyone with a word processor
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.

Does anyone out there give a ****?
Does anyone out there share my nightmare?
Do it to Julia.
Do it to Julia.

Previous commemorative
                          memorials of positivity
     drown in radioactive slime.
    
   Disperse chi like flooding water
                              Contaminated, laminated with oily tears.

*"How is pain controlled?

Fold you up like unwanted fat
cook you into a rocky stew
placed beneath a mantle of ice
far enough away to be misconstrued

You are old laminated time
And pillowed rock of incomprehensible
Earlier than any lime
Or sand, or sediment, or any kind
You are the grandfather rock
of mine

When I step with my inconsequential feet
living but transiently
I cannot help but be erased
that even you hath but one resting place

All the plants
and sands
and ever since the very first
we have always been ******
to this earth
walking upon your bones
I am sorry we cannot do more
but you know your creator
Speak in the same language
in amalgamators
of which we have forgot
and for that I can say
we are envious; are we naught?

Build softly, and carry us upon your thick
crust like pizza dough, cooking
and you let it sit
Let us win, set us up
drift us apart, leave us crushed
build us,
make us,
break us,
fill us

I want to be restored into your
stony belt and be redeemed
I want to become my own atomic fossil
to connect with the universe through long-lost
plotholes
and once again
hear the story
as a young lad
the way it was meant to be told

I want to eat dinner with my grandfather again
my real sweet stony-chiseled cheeked
father again
to be loved a boy
and a girl
and the whole world
a soul touched back into the deep
left unshackled
by a ***** or a queen
please,
take me back soon
rather than let me turn into

Laurentia
or Baltica
or Gondwana
alack
smacked into new rock to form
Urals
and Tetons
and Moher
back

Carbonate or Silicate,
and the end its the same
It won't be the end
for that fate rearranged

To Be Continued

Try to praise the mutilated world.
Tweet the lies of love with lustful lyrics
Lustrously laminated by lives of the lost
Reluctantly remembering repressed memories
Hidden, but recovered.

Mutilation
Malicious mysterious misunderstood
Multiplying in the masses
Magnificent.

Praise
Powerful prideful
Portraying pure pleasure from answered prayers
Proposing purpose.

The world
And abyss
Empty like a full moon’s blank stare
Echoing ignorance.

Shall we challenge the Author?
Is authenticity virtuous?
The growth of an insatiable species
To be glorious, to be remembered,
To be continued

By day five
your mind has reverted
to a test channel out of signal–
there should have at least been some colors
but instead you’re left with static,
the visual sensation of a limb gone to sleep.
There is a slow haze
shuddering down the length of you,
and you have written masterpieces
you cannot recall the names of
while you shake your vision
back into your skull
from where it wandered off
with the cursor again.
Your knees buckle as you try
to stumble back to the living,
but it’s too late,
you’re out of minutes–

I exist out of force and because I can

I rule me KNOWING the end result

                  Defiance at all costs!

I struggle with a growl
          
                                     Reality never sidesteps my graces

    RAGE is too much like WORK

                                                        Crucify me while I take quiet revenge


Self satisfaction with a a touch of JOY

                                     YOU only wound me

Bittersweet Symphony on at HIGH volume

                                         NO TREBLE!!!

I laugh at your mortality

                                                                 And live rent FREE

                   In your head!

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