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Joshua Sanders Jul 2018
I want you to see these two
One is clever
and dark
The other is earnest
and bright

These two men struggle
against each other,
for the same goal

Dark and clever, Ish
Earnest and bright, Sen

Sen was always the strongest
They would drink together at the bar
and Sen would always fight strangers in the alley outside
Ish would light a cigarette and watch
pushing his mop of black hair
out of his eyes
and grinning

One night it was raining,
with violence in the air like static
electricity
Sen was drunk and the bar was empty
except for those two

Let's fight
Sen said to Ish
Okay

They went outside, in the rain, with lighting spreading through the concrete

Sen was stronger by far
But Ish was quick and graceful

Sen swung and missed
and again
and again
Ish waited
Eventually Sen slowed
Ish landed one on his jaw
He was so fast
Sen went down,
hard
But Sen didn't quit easy,
He got up and landed one on Ish's nose
It broke, blood flowed like a faucet
Ish took a knee,
and smiled,
Okay

Ish lit a cigarette and Sen helped him up
They walked to the hospital together
On the way Ish noticed that Sen was missing a tooth,

They walked together
each envious of the other
and the rain kept on
Ken Pepiton Aug 2018
A pocket of thought, ideas.
Impulses, has beens

epi-phenom-enal-con-currencies-synchron-icity
sorting places, thens and nows vying for attention

you see
we till stories in search of true tomorrows
not true
yesterdays (till, I said, not tell)
we **** the hard rows no one else will ***
so seed lies sown are never lies told, if the lies are never taught
or if the liars are caught before convincing the
intended crop to lie and swear a common liege Lord,
or die
for lack of knowing. Non-nascence, simplest
symptom to not see.
Whose death is yours to respond responsibly
to? My child's, or yourn?
In the early days, we knew less than we know now
about how knowing and growing were all
intended
to cost time. Ticks, ono motto whatever, the sound
gears and spiral springs pushing cogs
tick, one tooth tick at atime make

this rough, un polished, un glossed, is it wrong or

as I imagine a diamond in the rough must seem to a share cropper
experienced in diamond hunting, diamond prospecting,

prospecting expecting inspection to permit
seeing a 3.52 specific gravity,
specific
specify

species or spectacles,
spectators or special-if-eye-cation
value-en-abled. Weigh your mind in balance
with mine. I claim the mind of Christ.
What are the odds?

A wandering path, injoyable enable if-i-abble,
pacing is

everything, timing is everything, time is the test.

Time is the metagame.
Take your time. One word formed sylabble at a time.
Babble on, your confusion makes you mortal, to my mind.
Tick.
A quanta of time. Does time come in bits and pieces cernible,
but undiscernible from reality?

Babble.

Of course, time will tell. We learned that in our sleep, did we not?

Aesop taught us more than Moses, no,
Aesop taught us less than Moses.

But, we could learn to walk bearing the weight of knowing what
Aesop taught,
while we could not stand under the weight
Moses was said
to have taught.

Caught you, Jewboy. Whatchewknow?
The moral of the story.

THE IDEA is to win.
Beware the concision decision.
incisive devices, witty inventions.

Flip the shell, roll the bones, cast the runes and,
as luck might have it, die before your time.

Why factors are lies more oft than how factors.
Benefactors rule malefactors or
how or why would we invest our time in seeking reasons
to believe?

Is this the polished piece, the gemstone of specific gravity
(which currently means nothing to you. Here, you find too light
or too heavy, too weighty on the scale of specific value.)

Hard. Value hard, diamond hard, on Mr. Moore's scaled model of
Knowing exploding for reason's sake, raison d'etre, eh?
Too hard?
Not Mohs,
don't get me wrong.
We been Moore's law breaker all along.
We be manifested destinatory stories of heroes gone wrong.

Outlawed
knowing exploding to be reasoned with, by kind
children destined to become
written in stone, scarred by lies

Diamonds cutting diamonds, iron whetting iron
on eternity's edge.

Babylon, was it Bel's gate or fusion from below rising?

Magma fountains with diamond claws tearing the lands asunder
Is asunder still a word?, let me, allow me to define...
"into a position apart, separate,
into separate parts,"
mid-12c., contraction of Old English on sundran 
Middle English used to know asunder for
"distinguish, tell apart."
From <https://www.etymonline.com/word/asunder>
----

mumbler's humbler PIE, bowing before the knowers who
know nothing of my work.
Set apart, art thou holy aware?

Hermit me, meet the rest of me. The true rest that remained.
We live, you and I. Trust me, next is worth the wait.

Suffer needs no pain to make its point. Waiting is.

Grokk. WHO would believe that idea could live
through telegraphese to be tweet meets for the
Cosplay clans. How never grokked a rock,  why even less.

Strange, be not long in this
place. if
place this be. Odd
set aside
torn asunder
blown away.
Awake, little birdie, tell me true,
what's a man like me to do?

Did you meet the famous Mr. Blake?
I cleaned his chimney, way back when, chimbly's whut
we called em. Smoke stacks belchin' black
makin' black moths invisible to voracious
gulls.
Now the peppered moths are free
to be white-ish, for better or worse.

----

right, now, do right or

miss the mark,
the specific mark you made, maybe,
imagining, abstract obstructions missed
by the skin on Job's teeth as you run past

right now to more. You know?

----=

Story telling was the same as lying when I was a child, to me.

Telling stories was my gift I never took. Or am I lying? or mad,
in the old way.
Chaillot's rag picker was my best friend.

No noble thought ever found it's home in my head, once
I thunk it, it stunk to high heaven, for me stinkin' thinkin' it.

Po' ems sang sour to fiddles wit' one strang and drums with no
cymbals
Screamin' he owed m' soul the comp'ny sto' bang bang thud.

I died, he lied, and lived to tell this story, ****** if I know,
****** if I don't.

True as true can be. I am lost, but once was found,
lyin' rough, uncut in acres of unseen gems.
----
* Voltaire refused to teach me any thing I could not define:
late 14c., deffinen, diffinen, "to specify; to fix or establish authoritatively;" of words, phrases, etc., "state the signification of, explain what is meant by, describe in detail," from Old French defenir, definir "to finish, conclude, come to an end; bring to an end; define, determine with precision," and directly from Medieval Latin diffinire, definire, from Latin definire "to limit, determine, explain," from de "completely" (see de-) + finire "to bound, limit," from finis "boundary, end" (see finish (v.)). From c. 1400 as "determine, declare, or mark the limit of." Related: Defined; defining.

So, imagine facets unseen, I am at least a meme, a bubble rising on the tide. Think, as you will. Amen?
Incorporating radical (root-related) definitions via cut and paste is my way of acknowledging that I have no ex-uses left for using words in a wrong, thus lying, way. {checking my trail, seven years later, I am truly thankful for HelloPoetry and its contributors and contributions to my peace of mind.
Tom McCone  Mar 2014
the catlins
Tom McCone Mar 2014
dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into


balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.


out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.
thank you, if you made it all the way through :>
Ken Pepiton Oct 2018
This is not where this idea began but it ran and I

missed my mark. Mark sin.
-1 deficit reality quotientcy
currency.  Sure.
(Press Sure, to let the bursting pressure equilation expand at will)
Score.

That fine a level of reality
demands more attention than I have to pay.
Patient agent wait and not see or see if/then

you suffer, is there ought that I might do now
for you
that these words are not doing?
All I am is words, in a sence, sense, since

we come in threes, we are some of those sets of thoughts tangled in complexes
better left alone.

Untangling twisted knotted realities is what we do best.
We've been wadding up proteins,
since God knows when,

time's less twisted than people think it is,
but it is silly to imagine
time's arrow is a metaphor for these meta-gnostic moments.
Is it?

Apophrenia
or mere
Dejavu, you believe,
what if it is your memory lying by ignoring time
attention ratios determining the observations stored in HD?
What if it's just a glitch?
Blue screen of death.


If you suffer, is there ought that I might do now
for you
that these words are not doing?
All I am is words, in a sence, sense, since

we come in threes, we are those sets of thoughts tangled in complexes
better left alone.

Untangling twisted knotted realities is what we do best.
We've been wadding up proteins,
since God knows when,

time's less twisted than people think it is, but
is it silly to imagine
time's arrow is a metaphor for these meta-gnostic moments?

We come and go. To and fro up on the face

messengers bearing news in both directions, watch
the trickster, Jacob, in this story, he sees the messengers from
heaven bearing leaven thither and hither

upon the face of the earth.
the wrinkling mother, smiling now, chuckle head
I ain't no ***** saint.

Jah, I know. Joy is my dance, this is my song.
Is it good Grandmother?

---- on the porch facing my west gate ---

fences don't play exactly, out acted, the role of walls.

The idea that something
there is that does not love a wall,
has frozen my pond

the stillness beyond the sylvan **** crowned head
radiates through the medium of the message to me in time
to you.

Miles to go, you recall the feeling of feeling miles to go
before
I sleep.
That was yesterday, and you know yes ter everything's gone,
roar.

Aslan can pierce the barrier between mere Christians and me,
how would be fun to know, but
knowing why would help us keep the story interesting as life goes on

Who controls my peace?
Am I a mercurial sheen in between chaos and order,
chronus and zeus?
Could be, ya thank so, ye know so, less unlessed as

unlessing means nothing to you,
that means you are visiting here.

Visting whom, vis it ing whom?
Who's in charge, where's the power
short

age, wrinkles in time, rogue waves at the quanta scale,
we were dancing
with the thoughts emanating

from some IDW smart guy proffesing
Critique-technic-magi action, post mode'r'ism
at the point of Dada und Scheizkunst,
the unmass-queque,
the line of lies awaiting unbelief,
idle words lingering,
hoping
to be noticed and added back into the story book of life,

a simple wish.

It could be every child's, should we think that
if we can or may,

sometimes I'm still, and

confusion troubles the water,
it seems,
then another hurt is healed, another lie is gone and life goes on

we won again, this never gets old,
I do love my opposition,
pressure pump
pump pump. De-us-me-can-onbeoffbeyond

five years ago unmasking and rhetoric meant nothing to me
the purpose of learning forever and never
knowing anything beyond all things

our bubble is metastasizing, a mercurial film forms
informing us
in its reflection,

this is the ying yang thang in 3 or 4 d, HD+ chaos one half

order the other,
sharpest imaginable thing
me trick being mag ift just if eye winged show

how beautiful are the feet of them who bring good news,
you see, it flows, sweetwater flows
winged feet
whish through leaving, leavin' leaven…

unleaven that which has been leaved?
Fat chance, all who
eat this bread and don't get gas,
they are our same bread people. Companions.
Vectors of sour dough,
webs of fungal
axions
make a way
bore, pore, poor-with-us, pour

in to it ish, that idea, an opening through,
trickle down good gravity leveling stillness,
gentle rocking earth
roll round and round and round

the pythagorean version
of Euclid's point in his mother's story,

the point of this song? To know the point you must have been

to the point of in-forming the point on which we dance and you recall

we come in threes, and just, we are, just, if it, that idea,
rests in your
back roads, gentle on your mind. We make peace.

Being young is easy from my POV.
I've lived in my future for sometime now

I can't say how, beyond saying aloud, this was never hidden,
in my accounting of idle words I claimed,
upon hearing the stories each contained.

i'da swore i hear that wise *** o'balaam's abrayin'
Braindeem, deemed 'eem. Wham, uptheyhaid. Relig, fool,

or chaos wins and no hero ever lives again!
Drop anchor, wait it out.
let patience blow her nose, gnostic snot caught in the nets,

nonono nothing's wasted in patience work, we make glue
from gnostic snot that patience sneezes
when reality grows cold,

that has happened, you know, temperatures are just now,
oh, wait global warming, bad dam,

Script, bust it,
leveling is essential to eventual temperature
equilibrium.
The heat is on, the bubbles are forming, informing one to another
below the surface
greasy tension, slippery slopes putting pressure on chaos
to conform to the curve

Ying yang, mercury film upon the sea of time and the scene of chaos
in this bubble of all you can imagine real.

Hows' that feel? Why?

You want that? What are you standing under? Does chaos win?
You are, as we say, cognisic magi we-ified,
practical magic at
the moment
the point
is made, then the creation begins fractalling outward

and not before or is this all
unrolling ex nihilo, no magi ever knew…
come, let us reason together,

why am I empowered? To live, first thought wise, that's good but
evil forces me to think again and I see the pattern

life goes on, John Molenkamp, Sam, soldier 4,
(as the credits role by, the name catches my eye)
never in a thousand years,
'cept unbelievable is one of those lies I came to **** by strangling
on bile while
rescuing every idle word ever involved in the infection

from the point in the absolute center of the bubble,
objectively, you see everything
that is
seeable

but would good prevail if evil had no hope?

I know that one, yes. why?
evil has no mind, soul, some think--
same same medium message spoken spelled chanted danced
who care's?
*** 'er done. Life has a chaotic side, the churning creates

number one from none, the cult of one divides itself
go do be
we three we three we three a wavy song ding ****.

Aware? Awaken? Avowed-wowed-wit-wise,
fullcomp, retired
Peacemaker. Me.

All my hero's imagined or real, were Peacemakers.
Just now, peaceful now, mindful now
we remain
the same blessing promised in the package of yeses
stolen from Cain by his older sister, his
bride,
keep that quiet, eh?

Secrets made sacred, always
those are lies, no lie is of the truth,
all lies are about the truth.

What empowers you, poet or poetry? Right, you know,
God, good god knows, resentment lives in lies

the rotting idle words deemed curses at best, secret at worst,
those idle corrupting thoughts sparking as if absolute annihilation were thinkable by rational minds

of ---wait, there's arub, a sore
ex nihilo, the homeless wanderer screams,

"May the whole world perish, may you all go to hell,"

the mad man wept his hell, and imagined his curse,

not mine,
I don't have one. I did, but I went back so often to find pieces of my heart that now I have an Elysian network woven through All-hell, the big idea that broke loose infecting the mind as wisdom's leaven builds her womb
inhabitation
placenta
stem cell informing builders empowered, pressure empowered, what must be, but is not verse, versus
us, the we that be
we must
choose,

let this be, come and see,
life goes on.
Agree, or empower us as we bubble by and
takenallwecan expanding gobbling bubbles,
good
by ye.

Once we flushed the Dada poison and let mito mom
instill the patience gene with
epigenetic peace we can pass on with a touch or a word,

we've never woven lies for no reason,
if a rung breaks
and they can, last straw and all that weight,
you know,
Jacob's ladder is an escalaltor-ladder, wittily invented,
with knots and twisted fibers electricked,
there are automated steps, algoryhmes of reasons to repair the broken rung
with a reason to believe the rung has been repaired,
only believe, take a step,
re
paired again with the idea of meaninglessness masked in create-if-ity

good enough. okeh. don't believe lies.
Don't pass undigested lies to see if farts burn.
Listening to Hicks Explaing Post Modernism after watching Tenant's Voltage Within spark a fire. This reality is storyteller heaven.
soy sauce Mar 2015
at 11:11
like we usually do
we made a wish
but he has the flu
so we txted our wishes
I made a nice wish
but when I read his
he had said "ish"

bae cannot type
properly
he types worse than he plays
monopoly

bae still is sick
so my wish didnt work
I guess I can't be mad
that he feels like elephant ****
Donall Dempsey May 2016
A LATE 1962-ISH PUDDLE

It was a late 1962-ish
puddle.

A Curragh puddle
to be exact

but you
...wouldn't know that.

A moon had fallen
asleep in it

with scattered silver stars
nailing it to the ground.

I was 6-ish
by then &

had encountered more
puddles than you

could ever splash
about in.

But, this was
the first puddle

I ever
remember.

An Ur-puddle.

To the rest of the world
it was as if

it had never been &
existed only for me.

A robin stood
at my side.

Us both...staring at the puddle.

Suddenly the robin
made up its mind &

stepped defiantly
into this miniature ocean.

The robin stood on the moon
which shattered &

reformed itself about
its tiny feet.

It was the first robin
I'd seen

walking on the moon.

The puddle lived
inside my head

for many many
years until

these words came along
and took it away.

It was like the hand
of a man

long long before
history was invented

pressed against
the flickering cave wall

leaving a sooty hand print
in celebration of himself.

"This mark means
me!"

My late 1962-ish
Curragh puddle

and that robin walking
on a watery moon

is my handprint
on the cave wall

of my mind
in the long long ago.

I laugh at
the me-ness of me!
Vineeta rai Apr 2019
Ek ldki apne pure jeevan Me kya kya sehti hai ish kavita ke madhyam se batana cahti hu....

Waise to Laxmi, durga, saraswati kaha jata hai ladkiyo ko..
To kyu uske janm par mara jata hai ush masum ko....
Ladka hai to hamara chirag hamara vans aur ladki hai to sir ka bojh...
Jara yaad kro aise soch walo ladki na rahe to kahan se laao tum apna vans apna chirag...
Jo tmhe har khusiya De uski jra izzat ni krte....
Samjhte pair ki jutti **...
Are suno bewakufo...
Bina aurat aage ni badh sakte **....

Ladki ka to pura jeevan hi aisa hota hai... Ladki kabhi apna nahi soch sakti suru se maa baap Ka kaha manana aur fhir pati aur saas sasur ka... Apni khusiyo se jada pariwar ka sochna khud ki khwahiso ka Gala ghot sabki baat Manana....girls don't have life of there own... Chaliy aage dekhte hai.... Jb ldki ki saadi ** jati hai...

Ladki ko to suru se paraya dhan samjha jata hai....
Kyuki ushe vida hokr dusre ka ghar swarana hota hai...
Apni maa ka anchal chod...
Kai nae rista nibhana hota hai...
Kisi ki bahu kisi ki biwi kisi ki cachi 1000 riste bn jate hai...
Un sbko pyar se nibhana hota hai...
Ladki ka to naam hi tyag hai...
Kyuki suru se usne apni khusiyo ko tyagna sikha hai...
Kabhi maa baap ke majburi ke karan..
Kabhi society ke karan...
Aur fhir apne maa baap ko chod sasural jana hota hai...

Jara puchna cahti hu un ldko se... Kya tum apne maa ka saya chod reh skte **... Nahi na... To socho ek ldki kaise rehti hogi.... Wo tumhare liy apna har kuch chod skti hai... To kya tumhara farz ni ki uske khusiyo ka khyal rkho... Itna hi to ek ldki mangti hai.. Aur afsos tum log ushe wo bhi Ni de skte... Ldke bus apni jimmedari saupte hai apne faisle thopte hai... Ldki ke saadi ke baad to ushe apne mayke tk jane ka haq ni hota jbtk pati raazi na **... Kya ldki ki koi life hi  nahi...
Hum niyam to nahi badal sakte par itna to kar sakte hai na ki uske khusiyo ka bhi dhyan rakh ske...Kabhi socha hai ek ldki ke andar kitna kuch chlta hai par itne risto Me wo bandh kar kuch nahi keh pati.... Jara samjho ushe jo tumhe ache se samjh jati hai...
Tum kya khate **... Kya pasand hai... Kya kaam kb krte **... Tumhare kapde se lekar jutte tk har cheez ka khyal rkhti hai... Aur tum uska bhi khyal nahi rakh Pate...

Waqt chlta hai ldki maa banti hai....
9 mahine kya kuch seh ke ek bache ko janam deti hai....
Ush 9 mahine wo kis daur se gujarti hai wo wahi janti hai...
Sb kuch Sehti hai par chu tk ki aawaz nahi nikalti...
Aur ladki ka dard koi samjh ni pata...
Ek bache ko achi parwaris deti hai ushe Bada karti hai...
Ek ladki ki puri lyf ek battle field se kam nahi hoti...
Ladki janam se maut tak bahut kuch jhelti hai...
To apka bhi farz banta hai ushe samjhna....
Uski khusiyo ka khyal rkhna...
Ajj jada nahi ek baar Akele baith kr socha what a Girl do for uhh...
As a mother, sister, wife even ur girlfriend...just think ND try to understand her....
Ek khusi ushe bhi dekr dekhiy... Sach Me ldki ishse jada kuch nahi cahti...

Last Me itna hi kahungi...ladki dusro ke liy jeete jeete apna antim saans leti hai....
Pls I request to all boys and men.... Stop to hurt ur wife sister mother or gf just respect what they do for you.... And app bhi kuch krna sikho... Unke liy...
Three thousand feet up! Up the side of Mount Crumpit,

He rode to the tiptop to dump it!

"Pooh-pooh to the Whos!" he was grinch-ish-ly humming.

"They're finding out now that no Christmas is coming!

"They're just waking up! I know just what they'll do!

"Their mouths will hang open a minute or two

"All the Whos down in Who-ville will all cry BOO-HOO!"...



At the top of the mountain he untied his dog

From the sleigh. And the valley was filling with fog

As thick as the Who Hash he'd grinched just before.

He chuckled with glee at what was in store.

Now the Grinch grabbed the sacks from the top of the sleigh,

And with a mighty "HEAVE **!" he shoved them away.

The bags filled with toys well they weaved and they shook

With the weight of the things he so sneakily took.

Until finally momentum made things far less slow.

They fell 3000 feet to the jagged rocks below.

A sickening crunch and several sharp cries

At first startled the Grinch but caused him to realize

When he stole from the Whos down in Whoville his pride

Had gotten the best of him; he'd thrown some children inside.

He giggled maliciously, grabbed his dog Max

And got back in the sleigh, for he couldn't relax.

He had to go back, for his job wasn't done.

All the Whos down in Whoville, every last one

Every man, every woman, every daughter and son

Would be dead in their beds by the dawn of the sun.

The trip down Mount Crumpit was faster than up

As he growled to himself, "where's that ***** with the cup?"

He jumped off the sleigh, machete in hand

And marched straight into Whoville, whose gates could not stand

For the rage made him strong. How he hated the Whos

With their **** cheesy smiles, and their dumb pointy shoes,

Turned up noses and pigtails and hideous songs,

THE SONGS, THE SONGS, HOW HE HATED THE SONGS.

And now he'd make sure that the Whos sang no more...

At Cindy Lou Who's house he kicked down the door

And strode into the bedroom of Cindy Lou Who.

She woke with a start, murmured "Santa? That you?"

The Grinch, with a sneer, grabbed Lou Who by the hair,

****** her out of bed seven feet in the air,

And with two sharp knives pinned her arms to the wall.

Her screams roused her parents just down the hall.

They ran to their child to save her from harm.

The mistake that they made cost them each their right arm.

Writhing on the floor in their own ****** mess,

They looked at the Grinch in a state of distress.

"Why would you do this?" they managed to hurl,

"Please, you can **** us, just not our little girl!"

He listened to their pleas with a wry little smile,

He patiently heard them, then after a while,

He cut out their tongues with another sharp knife,

First of the husband, and then of the wife.

Then he turned to young Cindy with glee,

And hissed in her ear, "you'll do something for me..."

Cindy shook her head violently, but to no avail,

For the Grinch had the tongues on a rusty old nail.

He shoved them down her gullet. She started to choke,

Then she finally died, for the rusty nail broke.

He stepped over the body of mother Lou Who,

And the Grinch slithered over to house #2.

With this house he made quick work of the Whos.

He set them on fire to cure them of the "blues."

The blaze that resulted would spread down the street,

Drawing Whos from their houses like flies to dead meat.

A grenade waited for them in center of town.

A click, then a boom mowed, like, half of them down.

The other half attempted a weak attack.

With a Type-67 the Grinch kept them back.

The little Who children could do nothing but stare

In open-mouthed horror as the Grinch, without care,

Shot them down one by one till the snow was stained red,

And he would not stop firing till they were all dead.



And as the sun rose oe'r the grisly scene,

The Grinch drenched in blood of adult, child, and teen,

With a pentagram smack in the center of town,

And the tree in the middle would slowly burn down.

With the scalps of the Whos down in Whoville in hand,

The Grinch called his dog Max, who could barely stand

Because he was violently shaking in shock.

He could not even whimper, let alone walk.

Not a Who was left standing, not a song to be heard,

Save for that of a single Who bird

Which was quickly snuffed out by a single pistol round.

And after that there was not a sound.

The Grinch, his work finished, got back in the sleigh,

Cracked the whip over Max, and slithered away.

The last thing the poor town of Whoville would hear:

"If there's anyone left, well, I'll come back next year!"
Nigel Morgan Jul 2013
It was their first time, their first time ever. Of course neither would admit to it, and neither knew, about the other that is, that they had never done this before. Life had sheltered them, and they had sheltered from life.

Their biographies put them in their sixties. Never mind the Guardian magazine proclaiming sixty to be the new fifty. Albert and Sally were resolutely sixty – ish. To be fair, neither looked their age, but then they had led such sheltered lives, hadn’t they. He had a mother, she had a father, and that pretty much wrapped it up. They had spent respective lives being their parents’ companions, then carers, and now, suddenly this. This intimacy, and it being their first time.

When their contemporaries were befriending and marrying and procreating, and home-making and care-giving and child-minding, and developing their first career, being forced to start a second, overseeing teenagers and suddenly being parents again, but grandparents this time – with evenings and some weekends allowed – Albert and Sally had spent their time writing. They wrote poetry in their respective spaces, at respective tables, in almost solitude, Sally against the onslaught of TV noise as her father became deaf. Albert had the refuge of his childhood bedroom and the table he’d studied at – O levels, A levels, a degree and a further degree, and a little later on that PhD. Poetry had been his friend, his constant companion, rarely fickle, always there when needed. If Albert met a nice-looking woman in the library and lost his heart to her, he would write verse to quench not so much desire of a physical nature, but a desire to meet and to know and to love, and to live the dream of being a published poet.

Oh Sally, such a treasure; a kind heart, a sweet nature, a lovely disposition. Confused at just seventeen when suddenly she seemed to mature, properly, when school friends had been through all that at thirteen. She was passed over, and then suddenly, her body became something she could hardly deal with, and shyness enveloped her because her mother would say such things . . . but, but she had her bookshelf, her grandfather’s, and his books (Keats and Wordsworth saved from the skip) and then her books. Ted Hughes, Dylan Thomas (oh to have been Kaitlin, so wild and free and uninhibited and whose mother didn’t care), Stevie Smith, U.E. Fanthorpe, and then, having taken her OU degree, the lure of the small presses and the feminist canon, the subversive and the down-right weird.

Albert and Sally knew the comfort of settling ageing parents for the night and opening (and firmly closing) the respective doors of their own rooms, in Albert’s case his bedroom, with Sally, a box room in which her mother had once kept her sewing machine. Sally resolutely did not sew, nor did she knit. She wrote, constantly, in notebook after notebook, in old diaries, on discarded paper from the office of the charity she worked for. Always in conversation with herself as she moulded the poem, draft after draft after draft. And then? She went once to writers’ workshop at the local library, but never again. Who were these strange people who wrote only about themselves? Confessional poets. And she? Did she never write about herself? Well, occasionally, out of frustration sometimes, to remind herself she was a woman, who had not married, had not borne children, had only her father’s friends (who tried to force their unmarried sons on her). She did write a long sequence of poems (in bouts-rimés) about the man she imagined she would meet one day and how life might be, and of course would never be. No, Sally, mostly wrote about things, the mystery and beauty and wonder of things you could touch, see or hear, not imagine or feel for. She wrote about poppies in a field, penguins in a painting (Birmingham Art Gallery), the seashore (one glorious week in North Norfolk twenty years ago – and she could still close her eyes and be there on Holkham beach).  Publication? Her first collection went the rounds and was returned, or not, as is the wont of publishers. There was one comment: keep writing. She had kept writing.

Tide Marks

The sea had given its all to the land
and retreated to a far distant curve.
I stand where the waves once broke.

Only the marks remain of its coming,
its going. The underlying sand at my feet
is a desert of dunes seen from the air.

Beyond the wet strand lies, a vast mirror
to a sky laundered full of haze, full of blue,
rinsed distances and shining clouds.


When Albert entered his bedroom he drew the curtains, even on a summer’s evening when still light. He turned on his CD player choosing Mozart, or Bach, sometimes Debussy. Those three masters of the piano were his favoured companions in the act of writing. He would and did listen to other music, but he had to listen with attention, not have music ‘on’ as a background. That Mozart Rondo in A minor K511, usually the first piece he would listen to, was a recording of Andras Schiff from a concert at the Edinburgh Festival. You could hear the atmosphere of a capacity audience, such a quietness that the music seemed to feed and enter and then surround and become wondrous.

He’d had a history teacher in his VI form years who allowed him the run of his LP collection. It had been revelation after revelation, and that had been when the poetry began. They had listened to Tristan & Isolde into the early hours. It was late June, A levels over, a small celebration with Wagner, a bottle of champagne and a bowl of cherries. As the final disc ended they had sat in silence for – he could not remember how long, only from his deeply comfortable chair he had watched the sky turn and turn lighter over the tall pine trees outside. And then, his dear teacher, his one true friend, a young man only a few years out of Cambridge, rose and went to his record collection and chose The Third Symphony by Vaughan-Williams, his Pastoral Symphony, his farewell to those fallen in the Great War  – so many friends and music-makers. As the second movement began Albert wept, and left abruptly, without the thanks his teacher deserved. He went home, to the fury of his father who imagined Albert had been propositioned and assaulted by his kind teacher – and would personally see to it that he would never teach again. Albert was so shocked at this declaration he barely ever spoke to his father again. By eight o’clock that June morning he was a poet.

For Ralph

A sea voyage in the arms of Iseult
and now the bowl of cherries
is empty and the Perrier Jouet
just a stain on the glass.

Dawn is a mottled sky
resting above the dark pines.
Late June and roses glimmer
in a deep sea of green.

In the still near darkness,
and with the volume low,
we listen to an afterword:
a Pastoral Symphony for the fallen.

From its opening I know I belong
to this music and it belongs to me.
Wholly. It whelms me over
and my face is wet with tears.


There is so much to a name, Sally thought, Albert, a name from the Victorian era. In the 1950s whoever named their first born Albert? Now Sally, that was very fifties, comfortably post-war. It was a bright and breezy, summer holiday kind of name. Saying it made you smile (try it). But Light-foot (with a hyphen) she could do without, and had hoped to be without it one day. She was not light-footed despite being slim and well proportioned. Her feet were too big and she did not move gracefully. Clothes had always been such a nuisance; an indicator of uncertainty, of indecision. Clothes said who you were, and she was? a tallish woman who hid her still firm shape and good legs in loose tops and not quite right linen trousers (from M & S). Hair? Still a colour, not yet grey, she was a shale blond with grey eyes. She had felt Albert’s ‘look’ when they met in The Barton, when they had been gathered together like show dogs by the wonderful, bubbly (I know exactly what to wear – and say) Annabel. They had arrived at Totnes by the same train and had not given each other a second glance on the platform. Too apprehensive, scared really, of what was to come. But now, like show dogs, they looked each other over.

‘This is an experiment for us,’ said the festival director, ‘New voices, but from a generation so seldom represented here as ‘emerging’, don’t you think?’

You mean, thought Albert, it’s all a bit quaint this being published and winning prizes for the first time – in your sixties. Sally was somewhere else altogether, wondering if she really could bring off the vocal character of a Palestinian woman she was to give voice to in her poem about Ramallah.

Incredibly, Albert or Sally had never read their poems to an audience, and here they were, about to enter Dartington’s Great Hall, with its banners and vast fireplace, to read their work to ‘a capacity audience’ (according to Annabel – all the tickets went weeks ago). What were Carcanet thinking about asking them to be ‘visible’ at this seriously serious event? Annabel parroted on and on about who’d stood on this stage before them in previous years, and there was such interest in their work, both winning prizes The Forward and The Eliot. Yet these fledgling authors had remained stoically silent as approaches from literary journalists took them almost daily by surprise. Wanting to know their backstory. Why so long a wait for recognition? Neither had sought it. Neither had wanted it. Or rather they’d stopped hoping for it until . . . well that was a story all of its own, and not to be told here.

Curiosity had beckoned both of them to read each other’s work. Sally remembered Taking Heart arriving in its Amazon envelope. She brought it to her writing desk and carefully opened it.  On the back cover it said Albert Loosestrife is a lecturer in History at the University of Northumberland. Inside, there was a life, and Sally had learnt to read between the lines. Albert had seen Sally’s slim volume Surface and Depth in Blackwell’s. It seemed so slight, the poems so short, but when he got on the Metro to Whitesands Bay and opened the bag he read and became mesmerised.  Instead of going home he had walked down to the front, to his favourite bench with the lighthouse on his left and read it through, twice.

Standing in the dark hallway ready to be summoned to read Albert took out his running order from his jacket pocket, flawlessly typed on his Elite portable typewriter (a 21st birthday present from his mother). He saw the titles and wondered if his voice could give voice to these intensely personal poems: the horror of his mother’s illness and demise, his loneliness, his fear of being gay, the nastiness and bullying experienced in his minor university post, his observations of acquaintances and complete strangers, train rides to distant cities to ‘gather’ material, visit to galleries and museums, homages to authors, artists and composers he loved. His voice echoed in his head. Could he manage the microphone? Would the after-reading discussion be bearable? He looked at Sally thinking for a moment he could not be in better company. Her very name cheered him. Somehow names could do that. He imagined her walking on a beach with him, in conversation. Yes, he’d like that, and right now. He reckoned they might have much to share with each other, after they’d discussed poetry of course. He felt a warm glow and smiled his best smile as she in astonishing synchronicity smiled at him. The door opened and applause beckoned.

— The End —