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Song one
This is a song about tarzanic love
That subsisted some years ago,
As a love duel between an English girl and an African ogre,
There was an English girl hailing along the banks of river Thames
She had stubbornly refused all offers for marriage,
From all the local English boys, both rich and poor
tall and short, weak or strong, ugly and comely in the eye,
the girl had refused and sternly refused the treats for love,
She was disciplined to her callous pursuit of her dream
to marry a mysterious,fantastic,lively,original and extra-ordinary man,
That no other woman in history of human marriage ever married,
She came from London, near the banks of river Thames,
Her name was Victoria Goodhamlet Lovehill, daughter of a peasant,
She came from a humble English family, which hustled often
For food, clothing, and other calls that make one an ordinary British,
She grew up without a local boy friend, anywhere in the English world,
She is the first English girl to knock the age of forty five while a ******,
She never got deflowered in her teens as other English girls usually do
She preserved her purse with maximal carefulness in her wait for a black man,
Her father, of course a peasant, his trade was human barber and horse shearer,
Often asked her what she wants in life before her marriage, which man she really wanted,
Her specification was an open eyesore to her father; no blinkers could stave the father’s pale
For she wanted a black tall man, strong and ruggedly dark in the skin, must own a kingdom,
Fables taken to her from Africa were that such an African man was only one but none else,
His glorious name was Akhatembete kho bwibo khakhalikha no bwoya,
When the English girl heard the chimerical name of her potential husband,
She felt a super bliss in her spine; she yearned for the day of her rendezvous,
She crashed into desperate burning for true English love
With a man with a wonderful name like Akhatembete kho bwibo khakhalikha no bwoya.


Song two

Rumours of this English despair and dilemma for love reached Africa, in the wrong ears,
Not the human ears, but unfortunately the ears of the ogres, seasoned in the evil art,
It was received and treated as classified information among the African ogress,
They prevented this news to leak to African humans at all at all
Lest humans enjoy their human status and enjoy most
The love in the offing from the English girl,
They thus swiftly plotted and ployed
To lure and win the ******
From royal land;
England.




Song three

Firstly, the African ogres recruited one of their own
The most handsome middle aged male ogre, more handsome than all in humanity,
And of course African ogres are beautiful and handsome than African humans, no match,
The ogres are more gifted in stature, physique, eugenics and general overtures
They always outplay African humans on matters of intelligence, they are shrewder,
Ogres are aggressive and swashbuckling in manners; fear is none of their domain
Craft and slyness is their breakfast, super is the result; success, whether pyrrhic or Byronic,
Is their sweetest dish, they then schemed to get the English girl at whatever cost,
They made a move to name one of their fellow ogres the name of dream man;
Akhatembete khobwibo khakhalikha no bwoya,
Which an English girl wanted,
By viciously naming one of their handsome middle-aged man this name.

Song four

Then they set off 0n foot, from Congo moving to the north towards Europe abode England,
Where the beautiful girl of the times, Victoria Goodhamlet Lovehill hail,
They were three of them, walking funnily in cyclopic steps of African ogres,
Keeping themselves humorously high by feigning how they will dupe the girl,
How they will slyly decoy the English village pumpkin of the girl in to their trap,
And effortlessly make her walk on foot from England to Africa, in pursuit of love
On this muse and sweet wistfulness they broke out into loud gewgaws of laughter,
In such emotional bliss they now jump up wildly forgetting about their tails
Which they initially stuffed inside white long trousers, tails now wag and flag crazily,
Feats of such wild emotions gave the ogres superhuman synergy to walk cyclopically,
A couple of their strides made them to cross Uganda, Kenya, Somali, Ethiopia and Egypt
Just but in few days, as sometimes they ran in violent stampedes
Singing in a cryptic language the funny ogres songs;

Dada wu ndolelee!
Dada wu ndolelee!
Kuyuni kwa mnja
Sa kwingile khundilila !

Ehe kuyuni Mulie!
Ehe kuyuni mulie!
Omukhana oyo
Kaloba khuja lilia !
They then laughed loudly, farted cacophonously and jumped wildly, as if possessed,
They used happiness and raucous joy as a strategy to walk miles and miles
Which you cover when moving on foot from Congo to England,
They finally crossed Morocco and walked into Europe,
They by-passed Italy and Spain walking piecemeal
into England, native land of the beautiful girl.

Song  five

When the three ogres reached England, they were all surprised
Every woman and man was white; people of England walked slowly and gently
They made minimum noise, no shouting publicly on the street,
a stark contrast to human behaviour and ogre culture in Africa, very rambunctious,
Before they acclimatized to disorderly life in England, an over-sighted upset befell them
Piling and piling menace of pressure to ****,
Gripped all the three ogre brothers the same time,
None of them had knowledge of municipal utilities,
They all wanted to micturated openly
Had it not been beautiful English girls
Ceaselessly thronging the streets.



Song six

They persevered and moved on in expectation of coming to the end,
Out-skirt of the strange English town so that they can get a woodlot,
From where they could hide behind to do open defecation
All was in vain; they never came to any end of the English town,
Neither did they come by a tumbled-down house
No cul de sac was in sight, only endless highway,
Sandwiched between tall skyscraping buildings,
One of the ogres came up with an idea, to drip the ****
Drop by drop in their *******, as they walk to their destiny,
They all laughed but not loudly, in controlled giggles
And executed the idea minus haste.

Song seven

They finally came down to the banks of river Thames,
Identified the home of Victoria Goodhamlet Lovehill
The home had neither main gate nor metallic doors,
They entered the home walking in humble majesty,
Typical of racketeering ogre, in a swindling act,
The home was silent, no one in sight to talk to
The ogres nudged one another, repressing the mirth,
Hunchbacked English lass surfaced, suddenly materialized
Looking with a sparkle in the eye, talking pristine English,
Like that one written by Geoffrey Chaucer, her words were as piffling
As speech of a mad woman at the fish market, ogres looked at her in askance.

Song eight

An ogre with name Akhatembete khobwibo khakhalikha nobwoya opened to talk,
Asked the girl where could be the latrine pits, for micturation only,
The hunchbacked lass gave them a direction to the toilets inside the house,
She did it in a full dint of English elegance and gentility,
But all the ogres were discombobulated to their peak
about the English latrine pit inside the house,
they all went into the toilet at the same time,
to the chagrin of the hunchbacked lass
she had never seen such in England
she struggled a lot
to repress her mirth
as the English
never get amused
at folly.




Song nine

It is a tradition among the ogres to ****,
Whenever they are ******* in the African bush,
But now the ogres are in a fix, a beautiful fix of their life
If at all they ****, the flatulent cacophony will be heard outside
By the curious eavesdroppers under the eaves of the house,
They murmured among themselves to tighten their **** muscles
So that they can micturated without usual African accomplice; the tweeee!
All succeeded to manage , other than Akhatembete khobwibo khakhalikha nobwoya,
Who urinated but with a low tziiiiiiii sound from his ***, they didn’t laugh
Ogres walked out of privities relaxed like a catholic faithful swallowing a sacrament,
The hunchback girl ushered them to where they were to sit, in the common room
They all sat with air of calm on their face, Akhatembete Khobwibo khakhalikha nobwoya,
led the conversation, by announcing to the girl that he is Victoria’s visitor from Africa,
To which the girl responded with caution that Victoria is at the barbershop,
Giving hand to her father in shearing the horses, and thus she is busy,
No one is allowed to meet her, at that particular hour of the day
But he pleaded to the hunchback girl only to pass tidings to Victoria,
That Akhatembete Khobwibo khakhalikha nobwoya from Africa
Has arrived and he is yearning to meet her today and now,
The girl went bananas on hearing the name
The hunch on her back visibly shook,
Is like she had heard the name often,
She then became prudent in her senses,
And asked the visitor not to make anything—
Near a cat’s paw out of her person,
She implored the visitor to confirm
if at all he was what he was saying
to which he confirmed in affirmation,
then she went out swiftly
like a tail of the snake,
to pass tidings
to her sister
Victoria.


Song ten
She went out shouting her sister’s name,
A rare case to happen in England,
One to make noise in the broad day light,
With no permission from the local leadership,
She called and ululated Victoria’ name for Victoria to hear
From wherever she was, of which she heard and responded;
What is the matter my dear little sister? What ails you?
Akhatembete Khobwibo khakhalikha nobwoya is around!
She responded back in voice disturbed by emotional uproar,
What! My sister why do you cheat me in such a day time?
Am not cheating you my sister, he is around sited in our father’s house,
Is he? Have you given him a drink, a sweet European brandy?
My sister I have not, I feared that I may mess up your visitors
With my hunched shoulders, I feared sister forbid,
Ok, I am coming, running there, tell him to be patient,
Let me tell him sister just right now,
And make sure you come before his patience is stretched.





Song eleven

Victoria Goodhamlet Lovehill almost went berserk
On getting this good tidings about the watershed presence,
Of the long awaited suitor, her face exploded into vivacity,
Her heart palpitating on imagination of finally getting the husband,
She went out of the barber shop running and ululating,
Leaving her father behind, confounded and agape,
She came running towards her father’s main house
Where the suitor is sited, with the chaperons,
She came kicking her father’s animals to death,
Harvesting each and every fruit, for the suitor,
She did marvel before she reached where the suitor was;
Harvested ten bananas, mangoes and avocadoes,
Plums, pepper, watermelons, lemons and oranges,
She kicked dead five chicken, five goats, rams,
Swine, rabbits, rats, pigeons and hornbills,
When she reached the house, she inquired to know,
Who among them could be the one; Akhatembete Khobwibo
Khakhalikha no bwoya, But her English vocals were not guttural enough,
She instead asked, who among you is a key tempter go weevil car no lawyer?
The decoy ogre promptly responded; here I am the queen of my heart. He stood up,
Victoria took the ogre into her arms, whining; babie! Babie, babie, come!
Victoria carried the ogre swiftly in her arms, to her tidy bed room,
She placed the ogre on her bed, kissed one another at a rate of hundred,
Or more kisses per a minute, the kissing sent both of them crazy, but spiritual craft,
That gave the ogre a boon to maintain some sobriety, but libido of virginity held Victoria
In boonless state of ****** feat, defenseless and impaired in judgment
It extremely beclouded her judgment; she removed and pulled of their clothes,
Libidinous feat blurring her sight from seeing the scarlet tail projecting
From between the buttocks of the ogre, vestige of *******,
She forcefully took the ogre into her arms, putting the ogre between her legs,
The ogre’s uncircumcised ***** effectively penetrated Victoria’s ****** purse,
The ogre broke virginity of Victoria, making her to feel maximum warmth of pleasure
As it released its germinal seed into her body, ecstasy gripped her until she fainted,
The ogre erected more on its first *******; its ***** became more stiff and sharp,
It never pulled out its ***** from the purse of Victoria, instead it introduced further
Deeper and deeper into Victoria’s ******, reaching the ****** depth inside her with gusto,
Victoria screamed, wailed, farted, scratched, threw her neck, kissed crazily and ******,
On the rhythms of the ogre’s waist gyrations, it was maximum pleasure to Victoria,
She reached her second ****** before the ogre; it took further one hour before releasing,
Victoria was beaten; she thought she was not in England in her father’s house
She thought she was in Timbuktu riding on a mosquito to Eldorado,
Where she could not be found by her father whatsoever,
The ogre pulled Victoria up, helped her to dress up,
She begged that they go back to the common room,
Lest her father finds them here, he would quarrel,
They went back to the common room,
Found her father talking to other two ogres,
She shouted to her father before anyone else,
That ‘father I have been showing him around our house,’
‘He has fallen in love with our house; he is passionate about it,’
Akhatembete khobwibo khakhalikha nobwoya was shy,
He greeted the father and resumed his chair, with wryly dignity.


Song twelve
An impromptu festival took place,
Fully funded by the father of Victoria,
There was meat of all type from pork to chicken,
Greens were also there in plenty, pepper and watermelons,
Victoria’s mother remembered to prepare tripe of a goat
For the key visitant who was the suitor; Akhatembete,
Food was laid before the ogres to enjoy themselves,
As all others went to the other house for a brainstorming session,
But the hunched backed girl hid herself behind the door,
To admire the food which visitors were devouring,
As she also spied on the table manners of the visitors, for stories to be shared,
Perhaps between herself and her mother, when visitors are gone,
Some sub-human manners unfolded to her as she spied,
One of the ogres swallowed a spoon and a table fork,
And Akhatembete khobwibo khakhalikha nobwoya,
Uncontrollably unstuffed his scarlet tail from the trouser,
The chill crawled up the spine of hunchbacked girl,
She almost shouted from her hideout, but she restrained herself,
She swore to herself to tell her father that the visitors are not humans
They are superhuman, Tarzans or mermaids or the werewolves,
The ogre who swallowed the spoon remorsefully tried to puke it back,
Lest the hosts discover the missing spoon and cause brouhaha,
It was difficult to puke out the spoon; it had already flowed into the stomach,
Victoria, her father, her mother and her friend Anastasia,
Anastasia; another English girl from the neighborhood,
Whom Victoria had fished, to work for her as a best maid, as a chaperon,
Went back to the house where the ogres had already finished eating,
They found ogres sitting idle squirming and flitting in their chairs
As if no food had ever been presented to them in a short while ago,
One ogre even shamelessly yawned, blinking his eyes like a snake,
They all forgot to say thanks for the food, no thanks for lunch,
But instead Akhatembete announced on behalf of other ogres,
That they should be allowed to go as they are late for something,
A behaviour so sub-human, given they were suitors to an English family,
Victoria’s father was uneasy, was irritated but he had no otherwise,
For he was desperate to have her daughter Victoria get married,
He had nothing to say but only to ask his daughter, Victoria,
If she was going right-away with her suitor or not,
To which she violently answered yes I am going with him,
Victoria’s mother kept mum, she only shot miserable glances
From one corner of the house to another, to the ogres also,
She totally said nothing, as Victoria was predictably violent
To any gainsayer in relation to her occasion of the moment,
Victoria’s father wished them all well in their life,
And permitted Victoria to go and have good life,
With Akhatembete, her suitor she had yearned for with equanimity,
Victoria was so confused with joy; her day of marriage is beholden,
She hurriedly packed up as if being chased by a monster,
Kayla Lynn Oct 2010
I am not a poet
Because I don't have the
Vast vocabulary of most
And I can't tell you the
Difference
Between haikus and acrostics  
And I don't know
How many stanzas make up
A "good write"

I am not a poet
Because I'm a psychopath
And I sip my coffee
From the wrong side of the mug
And I open my banana
Upside-down
And I tangle my heart
Into knots on purpose
Despite it's resilience

I am not a poet
No, I'd like to think
That I'm the poem
But I'm not that either
I'm more of a chaperon
For life's chaos
I watch over the panic attacks
And I coddle the over doses

No, no,
I am not a poet
How can I be?
When I've been tipping
And tapping
My shoes in the hall
Just waiting for doomsday
I've just been hoping
Praying
For this to be simple
For the sky to come crashing down
Because then I can say
That the bills
The rent
The schooling
The mainstream *******
Was all meaningless

I am not a poet
Because I can't make a good
Rhyme
And I'm not as clever
As I used to be

I am not a poet
Because I often succumb to the
******* of others' words
Because I know that
They said it better
Than I ever could

And I am not a poet
Because I'd rather quote
Those before me
Than find strength in my own
Broken syllables

I am not a poet
But I am the raw
And deep
Bleeding sore on the side
Of your mouth
That you can't help but chew at
That you could never possibly
Ignore

I'm not a poet
Because these words
Really belong
To the wind
And my pulse rests
In the Earth's crust
And my emotions
Connect in the sky
And my fingertips
Are made from stardust

No,
I am not a poet


*Every atom in your body came from a star that exploded. And, the atoms in your left hand probably came from a different star than your right hand. It really is the most poetic thing I know about physics: You are all stardust. You couldn’t be here if stars hadn’t exploded, because the elements - the carbon, nitrogen, oxygen, iron, all the things that matter for evolution and for life - weren’t created at the beginning of time. They were created in the nuclear furnaces of stars, and the only way for them to get into your body is if those stars were kind enough to explode. So, forget Jesus. The stars died so that you could be here today.
—Lawrence M. Krauss
psychopath, chaperon, resilience, doomsday and *******.
For Can you spare a word or 5?

© October 2010 Sarah Lynn
Ayeshah Mar 2010
(Readers I been going crazy to write  like this for a long time so if it suxs  too bad lol please read its a bit long also 4 those who do ty for reading & commenting)
________________­_______________
She seen his stares since earlier in the ball room & during most of their acquaintance's growing up also when he'd visited her family at her home in Hampshire... She bluntly ignored his many advances while
at the Queen's Ball and she also publicly shunned him in front of  many aristocrats, He asked her even then to be his wife, She flat out said NO! with out going through the proper channels it  "*******" just wasn't done,  Her chaperon Lady Gideon was no where to be found so she did what she thought was best and walked away from him as fast as her small frame would allow.  

She did indeed find Lady Gideon in the kitchens with  the cook in the "Blimey!" broom closet. NOW on this night she'd truly become his and pay for her misdeeds & mistreatment's of him at The Queen's Ball...Duke Lincoln Pierre held his new bride Virgina Abagael Pierre  
tightly as he assaulted her mouth thrusting his tongue in her mouth- parting her lips in a seductive dance, as his hands moved lavishly up & down her buttocks, betwixt her bodice caressing her breast.

Lincoln tried hard to control his need for his new bride,  He was supposed  to be with his "mates" for another hour or so whilst his-  " well now" his wife's maids readied her for their marriage bed.
Lincoln couldn't wait & as he rushed his guest out the door not even
waiting for Jefferey his Butler to do so, He ran taking the steps two at a time, His need for Virgina was more then lust.  He wanted her ever since she shunned him at the Queens ball & as he visited her home--  watching her bloom into womanhood, Tonight she'd pay for his humiliations of that night at the Ball. He burst open the door and bellowed  for the maids to Get OUT!

At once they went running like rats. All except Beatrix stood her
ground and told him in not to kind-of words that  "She" had to prepare Virgina properly and He was acting reckless.
Beatrix  was his nanny & nursery maid, she was  also there when he first open his sparkling  hazel round eyes, God rest "Duckies" soul, His mum, she died in this same bed whilst she gave her last breath for this handsome devil.  His Da,  poor man was getting on in age and this was a wish he left in his will to be fulfilled before he died. "Lin" as she'd called him must fulfill but without scaring the poor chit off.

She unfasten Virgina's stays & hooks as fast as her old hands would allow, before she could help her out of her bodice  "Lin" ushered her out....Well she'd said her peace and exit Lincoln's rooms praying as she left.....
Lincoln kept  up his assault  while Virgina had a look of fear & misunderstanding in her mahogany sapphire eyes, Her small frame was shaking to her very core,  Poor chit but it couldn't be helped he was in a rush to be done with virgins and their silly concepts of love ex specially this "his" new prudent bride,  Yet he wanted to make her come alive, bring out the "bleed'in devil" of lust he knew was trapped deep within Virgina's un tapped core.
Lincoln teased and licked as he removed her clothing, ripping a bit of fabric in is haste, she kissed him back! Shocking his own sense of sensibility.

He picked her up splayed her on the bed and stared at her dark luscious Honey chocolate  creamy coco skin, it shined like a lovely indigo ocean on a summers night.
With carious longing and dread,
it was still an interesting moment Virgina didn't know what to do and as he capture her waist she felt  even more unsure, sensing a thrilling sensation wash over her,  Her new husband Duke Lincoln Pierre kissed her with un-abandon lust Virgina instinctively crawled up to the head board on the bed, as she did so her new husband reached for her in a blink of an eye she was caught in his steel grip, she cried out not for pain but because she had no ideal what he meant to do with her,

Lincoln laughed and made a tsk tsk sound as he pulled himself atop of Virgina.  "My Lady I beseech you please leave off I mean you no harm''
Lincoln proclaimed yet his meek smile said he was lying,
Virgina only stared with her mouth gaped in a perfect lush O shape.  
Her husband undone he own clothes  in a heated rush.  
Once done he stalked towards her kneeling on the bed.  
With Virgina's gaze fixed tranquilly on his stiff shaft, she looked at it apprehensively  she wanted to move away yet her limbs wouldn't allow her to and with banned tears threatening to over flow
she ****** in her breath as her capture Duke Pierre her husband climb a top of her.  

Little did her husband know she'd wanted  him all her life she longed to become his bride but she had no ideal it entailed this rough treatment of her person to gain access.
She'd sit with her own nanny "Liv" short for Olivia  
at Hyde Park watching as his carriage made it's rounds.  She dreamed even then to marry him, his eyes always laughing and He was forever teasing her when He'd visited  her "now" deceased parents lord Duke&Duchess; Harrisburg. She'd dream he were always saving her from dragons and evil villains.

But tonight he seemed the Villain.
As he touched creatively over her she felt flushed, his hands trailed down to her hairline where her tulip was hidden as he proceeded to caress her he felt for her budded rosebud playing teasing  rubbing his fingers with gentleness over her.
He continued until Virgina's head was thrashing wildly left & right on the pillow she was scared and shocked not knowing what was coming over her,  she wanted something--   this need that was growing  building within her, she didn't understand and it made her feel weak with a longing she couldn't comprehend, as he removed his finger & hand a light yet cool breeze cam through the cracked window causing the sensation to slowly subside Lincoln moved down trailing kisses as he went his mouth hovered mere inches above her tight yearning rosebud he bet down and tasted honey as he licked in an out of his new bride, sliding his index finger within her tight silt wile wrapping his mouth around her budding rose, he ******, gently  causing Virgina automatically to lift her legs wrapping her hands in his golden brown hair.

He felt her throbbing shaking and he wanted to laugh because of him she now new what it meant to be pleasured,  Virgina began trembling with a urgency not knowing what her body wanted just that she liked this feeling that washed over her from her toes up to her Honey dark coco head.  Her long brown auburn hair fell in waves of curls around her as she melted to her husbands ministrations.

Lincoln could barely contain his want and in his eyes His new bride was a wanton ready for plucking like a ripe strawberry, His little filly was bucking beneath his demonstration's.
He'd played with the God's wile tempting the devil & now there was Hell to pay...  Sadly for his new ****** bride he could no longer hold back, he wanted to consume her, his control was failing, wreaking havoc on his now intoxicating senses.  

Virgina bucked up towards his mouth letting out a seductive cry breaking Lincoln's last restraints  
He spread her wide held her fast
both his hand on either side of her hips as he lead his shaft within her lustrous wet inviting opening, moving in her swiftly as to not cause any more unnecessary pain,
He felt her maiden-head give way but it was to late t pause, he try not to move slow,
which with half in sympathy he wanted to stop his penetrating ****** yet his need for release in his new ****** brides velvet tight silt kept him urging forward deeper&deeper; within her tight walls.

Virgina let out a piercing scream as she also called out Lincoln's name twas an interesting moment when a fierce jolt consumed both occupants of this lovers den, she cried out as he ******'ed deeper still within his new bride....

No longer did he want to  punish her he felt something chip away at his heart releasing a need to want more then her body as they coiled becoming meshed together in legs & limbs traveling on waves of ******* bliss.
Duke & Duchess Pierre

Always Me Ayeshah
Copyright ©
Ayeshah K.C.L.N 1977-Present YEAR(s)
All right reserved
K Balachandran Mar 2016
Night appears in an avatar
of a sweet chaperon,
coming with a lovely dark gown
to dress the shy, blushing evening
cajoling her for a slow make over,
she implies, it's better letting
the will of darkness prevail.

Now she is a perfect charmer
night, lets her long dark tresses
loose, that flows in waves
down through her back and
caresses her rotund proud buttocks,
adding to her silent grandeur,
till the next spectacular day breaks.

Night is an ace  temptress
with full moon at her side
as an irresistible  magical charm
to sway even nature, catch
the sea in her net,
of attraction and makes it  dance,
bewitching night makes
the stars in her coiffure gleam.

Night is an agile courtesan,
having royal patronage,
eyeing you wistfully,
hellbent upon her this day's conquest,
her amatory skills one can tell
will be *****,she is classy nevertheless.
In her boudoir, women are salacious,
hungry men too dance to her tunes,
what you gain after a spirited
amorous duel, is the gift of dark eyed night.
Clay Face Apr 2019
Within this constriction
We define perfection

Perfection is subjection
Subjective is perfection

Dangerous is the definition
Disheartening is the caused segregation

Segregation then leads to dehumanization
Dehumanization brings a solution

A final solution

All from the definition
Of perfection
Of attraction

How beauty is the chaperon
For destruction

Is a cyclic maceration
Of the human condition

How repugnant and inane

Future and past is inundated by a dismal shroud

To be perfect is to accept those who possess your idea of imperfection

Stay open minded, avoid apathy, seek the uncomfortable

Let’s break the cycle
it made him feel old
     beyond even the years
          he was managing to carry
as he judged the children
storming the carriage
raucous in hi-vis
ever-ebullient despite
their chaperon's plea
to showcase successfully
their inimitable behaviour
only to be scuppered by
a locomotive
     lack of momentum
which did nothing to quell
their impatient effervescence

as the stationary train
     held by an unexplained
          flashing of red signals
awaited its onward journey
through yet another
outbound rush hour
not one single person
elected to sit next to
or even near by
that solitary man
wrapped tightly in coat
bedecked in hood and hat
hands deeply pocketed
and eyes half-closed
blind against his fatigue
and the low-slung sun

unseen by the children
until after their calming
the man appeared to them
     as one of those adults
          not to be disturbed
like their grandpas
deeply snoring on
those rainy Sundays
or their parents
finally at peace
after one of those
     wanton days
steering clear of limbs
and personal space
they are careful to avoid
any proximity to this
slumbering stranger
fearful of the wrath
of such an awakening

appreciating their caution
     unnecessary as it may be
through his squinted
obstructing view
unexpectant and unexpected
he found himself smiling
     at what he could see
     at what he remembered
and stirred playfully
settling deeper into
his feigned slumber
careful to avoid
confounding
any of those
childish preconceptions
Mohd Arshad Oct 2016
Walking through the dark wood
I much wonder what it feels to be
Like an orphan fawn in its density
When the situations are the kite in wire
And the wind too lashes with its leather
The fear of meeting with the howling lion
As it crosses the rivulet or is there
To slake its thirst in summer and in night
When insomnia strikes hard and no moon
Is to speak to or to chaperon to other side
How to find food and whence in the day
And if stumbled upon, the errants scowl
Too loud that it has to retreat for its breath
Life in the meadows too is confinement
When parents are lost and loss is eidal
Eidal is an Arabic word that means incurable
I


Souffle, bise ! Tombe à flots, pluie !

Dans mon palais, tout noir de suie,

Je ris de la pluie et du vent ;

En attendant que l'hiver fuie,

Je reste au coin du feu, rêvant.


C'est moi qui suis l'esprit de l'âtre !

Le gaz, de sa langue bleuâtre,

Lèche plus doucement le bois ;

La fumée, en filet d'albâtre,

Monte et se contourne à ma voix.


La bouilloire rit et babille ;

La flamme aux pieds d'argent sautille

En accompagnant ma chanson ;

La bûche de duvet s'habille ;

La sève bout dans le tison.


Le soufflet au râle asthmatique,

Me fait entendre sa musique ;

Le tournebroche aux dents d'acier

Mêle au concerto domestique

Le tic-tac de son balancier.


Les étincelles réjouies,

En étoiles épanouies,

vont et viennent, croisant dans l'air,

Les salamandres éblouies,

Au ricanement grêle et clair.


Du fond de ma cellule noire,

Quand Berthe vous conte une histoire,

Le Chaperon ou l'Oiseau bleu,

C'est moi qui soutiens sa mémoire,

C'est moi qui fais taire le feu.


J'étouffe le bruit monotone

du rouet qui grince et bourdonne ;

J'impose silence au matou ;

Les heures s'en vont, et personne

N'entend le timbre du coucou.


Pendant la nuit et la journée,

Je chante sous la cheminée ;

Dans mon langage de grillon,

J'ai, des rebuts de son aînée,

Souvent consolé Cendrillon.


Le renard glapit dans le piège ;

Le loup, hurlant de faim, assiège

La ferme au milieu des grands bois ;

Décembre met, avec sa neige,

Des chemises blanches aux toits.


Allons, *****, pétille et flambe ;

Courage, farfadet ingambe,

Saute, bondis plus haut encore ;

Salamandre, montre ta jambe,

Lève, en dansant, ton jupon d'or.


Quel plaisir ! Prolonger sa veille,

Regarder la flamme vermeille

Prenant à deux bras le tison ;

A tous les bruits prêter l'oreille ;

Entendre vivre la maison !


Tapi dans sa niche bien chaude,

Sentir l'hiver qui pleure et rôde,

Tout blême et le nez violet,

Tâchant de s'introduire en fraude

Par quelque fente du volet.


Souffle, bise ! Tombe à flots, pluie !

Dans mon palais, tout noir de suie,

Je ris de la pluie et du vent ;

En attendant que l'hiver fuie

Je reste au coin du feu, rêvant.


II


Regardez les branches,

Comme elles sont blanches ;

Il neige des fleurs !

Riant dans la pluie,

Le soleil essuie

Les saules en pleurs,

Et le ciel reflète

Dans la violette,

Ses pures couleurs.


La nature en joie

Se pare et déploie

Son manteau vermeil.

Le paon qui se joue,

Fait tourner en roue,

Sa queue au soleil.

Tout court, tout s'agite,

Pas un lièvre au gîte ;

L'ours sort du sommeil.


La mouche ouvre l'aile,

Et la demoiselle

Aux prunelles d'or,

Au corset de guêpe,

Dépliant son crêpe,

A repris l'essor.

L'eau gaîment babille,

Le goujon frétille,

Un printemps encore !


Tout se cherche et s'aime ;

Le crapaud lui-même,

Les aspics méchants ;

Toute créature,

Selon sa nature :

La feuille a des chants ;

Les herbes résonnent,

Les buissons bourdonnent ;

C'est concert aux champs.


Moi seul je suis triste ;

Qui sait si j'existe,

Dans mon palais noir ?

Sous la cheminée,

Ma vie enchaînée,

Coule sans espoir.

Je ne puis, malade,

Chanter ma ballade

Aux hôtes du soir.


Si la brise tiède

Au vent froid succède ;

Si le ciel est clair,

Moi, ma cheminée

N'est illuminée

Que d'un pâle éclair ;

Le cercle folâtre

Abandonne l'âtre :

Pour moi c'est l'hiver.


Sur la cendre grise,

La pincette brise

Un charbon sans feu.

Adieu les paillettes,

Les blondes aigrettes ;

Pour six mois adieu

La maîtresse bûche,

Où sous la peluche,

Sifflait le gaz bleu.


Dans ma niche creuse,

Ma natte boiteuse

Me tient en prison.

Quand l'insecte rôde,

Comme une émeraude,

Sous le vert gazon,

Moi seul je m'ennuie ;

Un mur, noir de suie,

Est mon horizon.

— The End —