It’s 6:15pm. Peter, Anna, Sophy and I are studying in the common room of our suite.

“We need to get serious,” Peter whispered, but there was no subject in the declaration, so I was left confused and uncommitted, “about getting serious,” he clarified.

“I’m not sure I can get serious about a guy who doesn’t separate whites and darks in the laundry,” I say, gently.

“No,” he said, shaking his head in brief vibration, “we need to get serious about DINNER.”

“Oh!” I said, maybe a little too relieved.

“Ha!” He chortled, “YOU overthink everything!” He said, nodding his head up and down to prove it was true. “And speaking of laundry,” he continued, seeing me start to open my mouth, “the other night YOU asked me if your pastel purple ******* should go with the whites or darks - so I must be an EXPERT!”

I laughed at the idea of his laundry expertise, sailing in from out of the purple like that, it was haywire. “Well,” I said, becoming introspective, “I didn’t know you’d hold onto that question like a grudge,” I said, in quiet, wounded accusation, “from now ON, maybe you should stay as far away from my ******* as possible.”

“What are you two grousing about NOW?” Anna asked, looking up from her computer. “You guys are like an old married couple.”

“True THAT.” Sophie said, like a judge right before knocking her gavel to finalize a ruling.

“We weren’t arguing!” I said, looking around confusedly. I looked at Peter, who was smiling broadly, “Were we?”

“Nope,” he said, wrapping his arm around me in a bearhug, “we were flirting.”

December 25 - 28, 2010


Stuck in Miami, Florida, because of bad weather in NYC.
Composed after reading the poetry of Campbell McGrath, who lives in Miami.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
­
electric pinpricks of
unfamiliar red and green lights,
bedroom traffic guidance
courtesy of a stranger's
tv and cable box,
an emblematic totem tonight,
of my physical dislocation,
reminders that I'm enslaved
by weather machinations.

I lay, resting uneasy,
in a strange bed,
one night too many,
snow storming in my head
snow storming up north aplenty,
a blizzard of ruminations are
my white coverlet,
while stuck in Miami.

faraway drifts have
force fed and freed
an imprisoned restlessness,
a multipurposed, slashing.

Miami midnight incision has
let out the bad humors,
let in an unfamiliar odor -
lechón asado,
which texts my Pharisee nostrils
in Cubano,
words muy ironico,
a single waking thought,
"who ya kidding?"

Everglades rain
imported from California,
recycles on rooftops,
thrumming a heart beating,
syncopated, watery refrain,
a regifted heavenly present.

the sound waves mark
as a barely undulating wave,
inside this super soaked brain,
that transforms wine into water
and scan lines into these letters,
"who ya kidding?"

all this exponential signage
of this NYC boy grousing, are his
defrocked muses annoying,
with a serenading blizzard
of one trick pony repetitions,
coronets trumpet his unmasking,
this essay, a revelation,
a product of their
harmonious discordancy.

a single note crowns his head
as he weeps whole food
organic, non-recyclable tears,
products of his new inquistional,
a self-inflicted interogatorial,
"who ya kidding?"

compiler of an
occasional talented catch phrase,
strung'em together like
cheap pearls,
pretensions of literary acumen
once populated his Id,
articles of spilled word *****,
but Florida rain has cleansed
his Northern haughty pretensions,
with an injection of truth serum,
a pharmaceutical wonder of
a local poison labeled,
"who ya kidding?"

A day laborer, nothing more,
rise up at five, brown bagged,
a client of Mammon's *****,
soul sagged, life hagged,
a sum of cultural cliches,
a cell phoned baby boomer,
a would be millennial,
constructed of paper mache,
who on occasion,
has been known to say,
"Let's play poetry today."

the poseur chokes
on this new poison,
delivered by unhappy stance
by the arrows of his
current misfortune
for he now suffers from
the deadly disease of
"compare and contrast."

a slim book of poems
of Campbell McGrath's
(his phraseology,
a veritable theology)
shoos the blues traveler,
over to a funhouse
where an honest magic mirror
cuts him down to size.

his poetic aspirations,
a residue of self-infatuation,
are summarily dismissed by
the truly gritty, quick justice
of a master poet's
"who ya kidding?"

so watch how a would-be
poet disappears,
in a barrage of bullets marked,
nevermore,
his dignity, more than hobbled,
his cheek, gone, gobbled,
his juice, a currency unaccepted,
his holiday present,
a ceasefire of conjugation,
a cornucopia of declinations

dare I ever write again?
who indeed, am I kidding,
other than myself?
I am an addict, not a poet.

The bedrock underlying much of Manhattan is a mica schist known as Manhattan schist.  Schist is foliated or layered in appearance. Quartz sparkles, micas, and amphiboles are primary minerals in schist. A melted rock, just like the city resting above, it too, a famous melting *** of humanity.

This one poem too, composed from pieces of other poems,
folded in layers of many others that melted together,
in harmonious discordancy

<~>

this glorious grime,
this delicious dirt,
stuff of my blood,
genes of my children's children inheritance,
of thee I sing,
in thee I revel,
of thee, I am composed

the city I love,
where I was born,
schooled and fooled in,
by many a woman

the city where I named
and raised my children

will probably die in
this city, and when
I am long forgot,
my name never uttered,
    who, will think of me?
Perhaps,
whenever someone says,
"he was such a rascal"

these tales I took,
some or all,
from beneath my skin,
where city streets grit,
was injected beneath my skin
and came with the title,
City Boy

so today, on a reborn street,
near tall towers no more,
I rest upon reconstituted speckled curbstone,
the city's lowered down ledges,
the city's lowered down-town boundaries,
constantly redrawn,  
but nonetheless, always rebuilt from their own
regenerated stony compost,
and the typical NY passersby doesn't even notice
a man, head in hands,
unsilently weeping, thinking that:

We lose or throw away so much we should have kept,
We keep so much we should have thrown away

street prowler, heart growler,
Art Deco lampposts,
the mountain range of east seventy second street,
begs the bagger's question,
each post
begging each other,
"from whence will come my inspiration?"

licked the stubbled sidewalks,
fell down into their living caverned cracks,
light needed, needy softly heated,
orange and green pizza neon signs,
saying here,
if you see upon what be,
these are your city's homeland colors of veracity

perhaps
NYC was model precursor
for our internet presumed-to-be-alive-but-who-can-say-for-sure
model for the world today,
where I know not my apartment's neighbors name,
yet carry his second child
in my arms,
when the fire alarm
summons us all to flee
to street safety...
and still only
"know" his child's first name,
and his father,
as Apt. #16D

all this exponential signage
of this NYC boy grousing,
are his defrocked muses him annoying,
with a serenading blizzard
of one trick pony repetitions,
their coronets trumpeting his unmasking,
*making this essay, his revelations,
a product of their harmonious discordancy

Sunrise was just a red line in the inky void, as Lisa and I reached the harbor decking stairs,
but at once, the brazen slash began widening, like a silent, slow motion explosion,  
thin, smoky wisps of cloud, like flammable tissue, prismed the stage light ignition.

bee-de-deep my phone chirped. It was Peter (my bf).
“Hey you,” I pronounced, as Lisa took off her left sneaker and shook it, upside-down.  
“How’s the harbor?” Peter asked. I glanced at my watch, it was 5:32 am in New Haven.
Peter must be at lunch (in Geneva) and tracking our morning run with the ‘Find My’ app.
“Beautiful,” I pronounced, “they’re really putting on a show.”
Of course, I meant the universe, the sun, the turns who were already at work, and Long Island Sound.
The gulls, perched on whatever, and grousing at each other, obviously haven’t had their coffee.
I read that AI had decoded bird talk and on a wire, they chittered, “Move over, you’re in my space.”

“Just wanted to say good morning,” Peter confessed, “Good Morning.”
“Good morning,” I wished back, “gotta go,” I replied, Lisa had finished de-pebbling her shoe.
“Yep,” Peter agreed, “Seee ya,” he quipped. “See ya,” I chuckled, smiling.
My watch asked, in my Air Podded ears, “Have you finished your workout?” because I was motionless.
I pressed the crown of my watch and slid the phone back in my pocket, our jogg’s only half done.

We began our harbor exodus, by turning our backs to the haven. It was already beginning to busy with boats.
We slipped on our hats and protective, polarized sunglasses as we began to run directly into the blazing sun.
.
.
Songs for this:
Sail on Sailor by the Beach Boys
Dancing in the moonlight by Toploader
Cold Heart - PNAU Remix by Elton John, Dua Lipa, PNAU

my pretentious voice doesn't match the noise in my head
verses etched as silken decoys unfurled by titanium recoil
hiding in the recesses of silent protocol's evasive gibberish
clamoring to speak the truth within history's chapters
my stealth commute from childhood to insanity
rewarded by awkward stares of disbelief and disgust
i've waded in the pool of denial's wavelengths
lost in aftermath's undertow of insolent impudency
i've tread water til i drowned an insignificant death
still breathing the vapors of past grievances
grousing under a tidal wave of crush'd soul's imperfections
breached in the indignity of transgression's metaphors
personifications of a role better left blinded by fear
than face the nakedness of turbulent truth

prolific bending( )you,re an over counter top
upper halfed
                                and i was tired knees
grousing with the unstable permanence of
weary laminate
with oral benedicting
a plush whip
                                                               of crashing plump
breaths

             on the alabaster cavalcade of your innerest thigh

i tend the heaving bloom
     of thy impossible salt

If you should come upon a painting by Mark Rothko in a museum -
I'll assume you are not one of those billionaires who has one hanging on the dining room wall, or hidden away in a secret room behind the bookcase -
but either way, do not just look at the painting or you will see nothing.
Well, except color. You will see color. Rothko loved color.

But wait a while and you will begin to hear it whisper its secrets:
How lives are layered upon lives;
how painful sacrifices
get buried beneath petty ambitions and lies
and joys and succes as well-
oh, and perhaps another layer or two of color.

Each generation scrapes the parchment clean
and blithely scribes new marks on its surface -
confident that they will not forget the lessons
that seem so absurdly obvious.

Empires disappear beneath overgrown vines
and dieties who, drunk on the blood of virgins
would feast on the hearts of conquered warrors
but now shuffle past each other
with oblivious nods, grousing about the food,
wait for the day someone remembers their names.

Listen and perhaps you will learn
how every layer of life is a forgotten secret
discernable only by its subtle influence
on the layers that are built up above it.

If not. There is always the color. Rothko loved color.

its throat is very

(the night)

whose fingers deeply grouse
in such blue as silken eve
the whole stack
of enduring
city

roar
and speckled
by the quiet of an alleyway
drenched in stillness whitely

stealing sudden magically
into a tightest yearning swallow

(feels as does and such as when
i think to think

i think as when
in Summer balmy please
skin to stick to skin

a flower just
its fullness to erode
the fever of its pollen

distilled erectly kissing
one unblemished lips

of night who when did
Grousing so bluely
its fingers                     )

Let’s make this one about you
I like it when you’re amusing
You can do that as often as you’d like
What you pack in my lunchbox is always tasty
Thanks for keeping the house clean

If we hadn’t met this would be a very different poem
I’d be grousing about not having met you
Well I’m glad that’s over
Do you want to go for a ride?
Good, get in the car

Whilom, sate taunted tortoise b' brook;
hoist'd hunger 'n haughty hoofs trod th' nooks
smothered stomach wrought foiled furrow -
sumptuous severity 'n grace glowed.

Thereupon eerie eyes espied;
bounty bowl ñ tide with salient sigh.
Apt acumen whispered t' him th' draw;
rustic rage rent b' pored passion's call.

Sewn strife b' haughty hurls was sore licked,
'n' wished h' th' tumbling tide would t' th' bowl spit,
but moist mirage choked worn wishes,
'til quethe sassy stream's ***** lips.

Anon, grew grousing nymph from waves,
wh' for bounty bowl (bruised brunch) had came.
        '20:07:16:14:51

He pulls up the stoop
the doors slide shut
the wheels turn

the silver cars lurch
the last whistle blasts

too late

there's no grousing
no second-guessing
and no need for tears

whit howland © 2020