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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
Reza Bavar  Jun 2016
Legacy
Reza Bavar Jun 2016
What is a Legacy
What's the equation that leads to the sum that is
A
Human
Life
The curtain draws as it must and
when it's done...
We spill out of this "Life" a grocery bag of idiosyncrasies, neuroses, hypocrisies, and other I-sees
What are we in the end but broken pieces of a puzzle we leave for others to assemble--who cares if the pieces fit.
Someone found a Kind word here
Another a Generosity
A memory of a Lie
Proof of a Cruelty
Acts of Humanity by a human being acting...
Who knows me well enough to define my Legacy?
Who else but "I"
I like spoken word poetry (a lot) and this poem works best if it's read in that type of tone.
Michael R Burch Mar 2023
****** Errata
by Michael R. Burch
I didn’t mean to love you; if I did,
it came unbid-
en, and should’ve remained hid-
den!



Less Heroic Couplets: Marketing 101
by Michael R. Burch

Building her brand, she disrobes,
naked, except for her earlobes.



Negligibles
by Michael R. Burch

Show me your most intimate items of apparel;
begin with the hem of your quicksilver slip ...



Warming Her Pearls
by Michael R. Burch

for Beth

Warming her pearls,
her ******* gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



Cover Girl
by Michael R. Burch

Cunning
at sunning
and dunning,
the stunning
young woman’s in the running
to be found **** on the cover
of some patronizing lover.

In this case the cover is a bed cover, where the enterprising young mistress is about to be covered herself.



First Base Freeze
by Michael R. Burch

I find your love unappealing
(no, make that appalling)
because you prefer kissing
then stalling.



Nun Fun Undone
by Michael R. Burch

for and after Richard Thomas Moore

Abbesses’
recesses
are not for excesses!



Less Heroic Couplets: *** Hex
by Michael R. Burch

for and after Richard Thomas Moore

Love’s full of cute paradoxes
(and highly acute poxes).

Published by ****** of Parnassus, Lighten Up Online
and Poem Today



Retro
by Michael R. Burch

Now, once again,
love’s a redundant pleasure,
as we laugh
at my childish fumblings
through the acres of your dress,
past your wily-wired brassiere,
through your *******’ pink billows
of thrill-piqued frills ...
Till I lay once again—panting redfaced
at your gayest lack of resistance,
and, later, at your milktongued
mewlings in the dark ...
When you were virginal,
sweet as eucalyptus,
we did not understand
the miracle of repentance,
and I took for granted
your obsessive distance ...
But now I am happily unbuttoning
that chaste dress,
unhitching that firm-latched bra,
tugging at those parachute-like *******—
the ones you would have gladly forgotten
had I not bought them in this year’s size.

Originally published by Erosha



Poppy
by Michael R. Burch

“It is lonely to be born.” – Dannie Abse, “The Second Coming”

It is lonely to be born
between the intimate ears of corn . . .
the sunlit, flooded, shellshocked rows.

The scarecrow flutters, listens, knows . . .
Pale butterflies in staggering flight
ascend the gauntlet winds and light
before the scything harvester.

The winsome buds of cornflowers
prepare themselves to be airborne,
and it is lonely to be shorn,
decapitate, of eager life
so early in love’s blinding maze
of silks and tassels, goldened days
when life’s renewed, gone underground.

Sad confidante of worm and mound,
how little stands to be regained
of what is left.
A tiny cleft
now marks your birth, your reddening
among the amber waves. O, sing!

Another waits to be reborn
among bent thistle, down and thorn.
A hoofprint’s cleft, a ram’s curved horn
curled inward, turned against the heart,
a spoor like infamy. Depart.

You came too late, the signs are clear:
whose world this is, now watches, near.
There is no ****** for the heart.

Originally published by Borderless Journal



Virginal
by Michael R. Burch

For an hour
every wildflower
beseeches her,
"To thy breast,
Elizabeth."

But she is mine;
her lips divine
and her ******* and hair
are mine alone.

Let the wildflowers moan.



If Love Were Infinite
by Michael R. Burch

If love were infinite, how I would pity
our lives, which through long years’ exactitude
might seem a pleasant blur—one interlude
without prequel or sequel—wanly pretty,
the gentlest flame the heart might bring to bear
to tepid hearts too sure of love to flare.

If love were infinite, why would I linger
caressing your fine hair, lost in the thought
each auburn strand must shrivel with this finger,
and so in thrall to time be gently brought
to final realization: love, amazing,
must leave us ash for all our fiery blazing.

If flesh’s heat once led me straight to you,
love’s arrow’s burning mark must pierce me through.



Plastic Art or Night Stand
by Michael R. Burch

Disclaimer: This is a poem about artificial poetry, not love dolls! The victim is the Muse.

We never questioned why “love” seemed less real
the more we touched her, and forgot her face.
Absorbed in molestation’s sticky feel,
we failed to see her staring into space,
her doll-like features frozen in a smile.
She held us in her marionette’s embrace,
her plastic flesh grown wet and slick and vile.
We groaned to feel our urgent fingers trace
her undemanding body. All the while,
she lay and gaily bore her brief disgrace.
We loved her echoed passion’s squeaky air,
her tongueless kisses’ artificial taste,
the way she matched, then raised our reckless pace,
the heart that seemed to pound, but was not there.



She Was Very Pretty
by Michael R. Burch

She was very pretty, in the usual way
for perhaps a day;
and when the boys came out to play,
she winked and smiled, then ran away
till one unexpectedly caught her.

At sixteen, she had a daughter.
She was fairly pretty another day
in her squalid house, in her pallid way,
but the skies ahead loomed drably grey,
and the moonlight gleamed jaundiced on her cheeks.

She was almost pretty perhaps two weeks.
Then she was hardly pretty; her jaw was set.
With streaks of silver scattered in jet,
her hair became a solemn iron grey.
Her daughter winked, then ran away.

She was hardly pretty another day.
Then she was scarcely pretty; her skin was marred
by liver spots; her heart was scarred;
her child was grown; her life was done;
she faded away with the setting sun.
She was scarcely pretty, and not much fun.

Then she was sparsely pretty; her hair so thin;
but a light would sometimes steal within
to remind old, stoic gentlemen
of the rules, and how girls lose to win.



Cold Snap Coin Flip
by Michael R. Burch

Rise and shine,
The world is mine!
Let’s get ahead!

Or ...

Back to bed,
Old sleepyhead,
Dull and supine.



Song Cycle
by Michael R. Burch

Sing us a song of seasons—
of April’s and May’s gay greetings;
let Winter release her sting.
Sing us a song of Spring!

Nay, the future is looking glummer.
Sing us a song of Summer!

Too late, there’s a pall over all;
sing us a song of Fall!

Desist, since the icicles splinter;
sing us a song of Winter!

Sing us a song of seasons—
of April’s and May’s gay greetings;
let Winter release her sting.
Sing us a song of Spring!



The Unregal Beagle vs. The Voracious Eagle
by Michael R. Burch

I’d rather see an eagle
than a beagle
because they’re so **** regal.

But when it’s time to wiggle
and to giggle,
I’d rather embrace an angel
than an evil.

And when it’s time to share the same small space,
I’d much rather have a beagle lick my face!

*

Over(t) Simplification
by Michael R. Burch

“Keep it simple, stupid.”

A sonnet is not simple, but the rule
is simply this: let poems be beautiful,
or comforting, or horrifying. Move
the reader, and the world will not reprove
the idiosyncrasies of too few lines,
too many syllables, or offbeat beats.

It only matters that *she
taps her feet
or that he frowns, or smiles, or grimaces,
or sits bemused—a child—as images
of worlds he’d lost come flooding back, and then ...
they’ll cheer the poet’s insubordinate pen.

A sonnet is not simple, but the rule
is simply this: let poems be beautiful.
Mackenzie Leigh Oct 2011
In a blanket of breath now pleasantly swathed
Our bodies made broken; prostrate in the fog
Exhumed from the boughs of tree-tops so balmy
On alabaster bones that tremble quite calmly
With thoughts of tomorrow, our miasmic today
That in wistful contemplation is thoroughly dismayed
Like the sullen, windy chimes of a church bell that rings
In the hardened heart of winter, on frost-bitten strings
Which frail, arboreal appendages, with nimble purposes pluck
To indulge the dulcet beds, in which our thoughts are tucked
In a licentious yawn that drifts, from scentless, sleepy shrouds
Like azure ships now sailing, through lofty, lilting clouds
Our pendulous hands still pawning these passionate decrees
With fervent fears to consummate your swiftly slumbered vestige
Atop my flesh, all slick with sweat, and in shadows sorely rapt
The mellifluous hum of reverent sight, through keyholes quickened pass
My heart is estranged from the banal constraint of this stagnant mortal coil
Held aloft in the piercing plea of love’s unbidden toil
All visions captive to the subtle sway of your chest now undulating
Like waves that crash, in rhythms vast; my thoughts, they are invading
Urgency deemed, from unconscious form, in sharp pangs of desire
The crease between your lips, the hand heavy on my hip: the nuances in which I am mired
The idiosyncrasies of you like a poem that is repeatedly folded
And jettisoned into my open mind, where these precious admissions molded
Taking form in tangible caress, to envelop with silken shivers
On the sill of windows wide where lonesome flowers withered
Thus proffered throat, in porcelain quiver, where stilted lungs concealed
In tear-wrought arrows, tempered and true, fly with errant zeal
To pin my ruminant heart upon this ragged, beggar’s sleeve
And chain my weightless body, from where it floats among the eaves
canto 1
I call her daddy my own. He felt nothing for her when the time had come for him to do something he fell and she felt nothing at all, nothing whatsoever. It is a cruel world, mateys, and the best thing you can do is curse God and die. Hard to ditch the pity act. Ditching is denying and there is much truth to the lie.

canto 2
Their eyes bubble in the open air, they fill to bursting and scrub until they scratch. **** drips. It's a sound that I will never forget. A sight that should be reserved for the dream world...a stench unrivaled.

canto 3
The Chinese bomber is persistent. One has to wonder why he bothers at all, seeing that his attempts have been futile up until the present moment. It's shoe week, so I guess he has his reasons. But this has gone on for far too long. If there were a way for me to stop him I guess it wouldn't hurt to try.

canto 4
Random parking lots and good God what have they done? I thought it was all over, these thoughts were through, these voices are mad. Usually it's not as upsetting. Your car door gets stuck, you know, it happens all the time. It happens every day, still you never get used to it, do you? You're always stuck inside that ugly mirror.

canto 5 (the "missing canto")

canto 6
I want to tell the world how good you are. Amazing and incredible. **** and *******. Talented and unrestrained. Honey nut Cheerios. You give it but I have a sneaky feeling you would rather be lost in a dream. A banal night vision. Comparably

canto 7
I want to make it better. I want to see you smile. What can I do? You are my own heart ripped from my chest and given wings to fly. Your smile is a lost treasure I would do anything to get it back to give it back to you, I didn't mean to take it away from you. You push me up against a stone wall and you don't even realize you're doing it. That my soul cries and prays for something real, for some kind of explanation or even an excuse would be fine right now. Instead I float. Not the way I like to float. I drift and crash, a dizzying spiral out of control, confused and dumbfounded by the realization that none of it means a ******* thing. What I thought was love turned out to be a jester's game, a joker's trick. You don't need me anymore.

canto 8
I hide myself behind a blanket of stone where you cannot spit fireballs at me without cracking an egg. Cold breeze tickles my news. It's not too chilly in this room. But the fireballs warm things up. "Blanket of stone"...what a stupid expression. Why do you have to be so hateful to me? How many times can a man say I'm Sorry without losing an eyeball?

canto 9
I have no right to feel the way I do. I don't think I can control it, though. This is one of the ****** up idiosyncrasies of my confused existence. Vanish without a trace and look for clues in the alphabet soup.

canto 10
Weariness is like a slug, a giant slug, a parasite infesting my body, hanging on and hanging out. A fire down below that waits for my imagination. My sleep patterns are getting ****** up but I'm not sure if I was sleeping or just dreaming I was awake. Under the impression that it doesn't matter? Well, you are a stone fool for thinking that way. You've never experienced the life-changer. Else you would know. But all I want to know is this: Why am I afraid of sleep?

canto 11
Things get slow. Patience is required, but I don't have any. Why does it have to be that way, o cruel dictator? You get a kick out of this ****, don't you?

canto 12
Spill your guts, maties, it's the only way you'll ever come out of this situation with even a shard of dignity intact. I know it's early and you haven't had time to adjust your eyes and your wrists for this delicate task. Go! Do it now before you lose confidence.

canto 13
We took a holiday and it was so nice. She stood there on that stage without a stitch of clothing on her voluptuous body. Baby, don't you let your hairdresser down

canto 14
Who doesn't love breakfast? Me, actually.

canto 15
I can't help it if I'm changing every day. Ask the question later, maybe my answer will be suitable. I don't think I can help you because I'm not like anyone you've ever known or will ever know or can ever know or would ever want to know and why do you keep wanting to know where I've been? I've been right here. Right where I've always been. Haven't moved a muscle.

canto 16
This is the 16th and I should be proud but the apathy seeps from my very pours. That little ******* was about to take a **** in the corner. When I picked him up to take him to the paper he dropped a couple of turds on the floor beneath me. I guess he couldn't wait.

canto 17
Sometimes things change so much that it's hard to tell if they're for the best or the worst. It is at these times that I enjoy a good evening on the water, enjoying my yacht and eating peanuts from another man's sack. Salted peanuts with pickled eggs and deviled ham with a side order of angel food crack.

canto 18
My wrist hurts and I've lost the will to **** socks.

canto 19
The lawn chair has been placed under extreme scrutiny. It's rocking motion is being scientifically tested and arranged for packaging. The physics of this miracle are in the process of logistical infiltration. You'd be surprised at how useful a rocking lawn chair can be in a world tangled in war. It's a good place to relax. For paranoids, that is.

canto 20
Bird feathers of a different post, it has never made a lick of sense and the promises made were broken. Who was that man in the bird suit? Why was he making all those funny noises? I'll have to investigate. Lawd have mercy I do believe I've **** my pants.

canto 21
Don't come crying to me if you feel misunderstood. I can read right through you and I know that all you're doing is fishing for a compliment. You will not receive one from me, Salty Dog, not because you don't deserve one. You probably do. But not from me. Perhaps you should take up your case with Hoda Kotbe. Who knows but that you might look really, really good on television. Just remember to feed the dog before you leave. He gets hungry. But he doesn't miss you. I don't mean to break your heart, but the rational man within me is very convincing when he tells me you are a real pickle.

canto 22
Those comments are found particularly offensive in light of the situation in the Gulf. You need to regulate your interest in beans. One day you'll fly to the Middle East looking for peace and all you will find are demons like the ones who raised so much hell in "The Exorcist". You don't want that, do you? Settle for Ranch Style and leave the diplomacy to the masters.

canto 23 (the "lost" canto)
I wouldn't wish this on a barrel full of monkeys. They say that time heals all wounds and I suppose it does. No "if"s, "and"s or "but"s. Don't believe me? Listen to 'em snarl. They're hungry for blood and sandwiches. I owe you nothing, so perhaps I'll send you a good time from New York. You gotta love a trapeze artist.

canto 24
I'm trying my best to change the world but the fact remains that the human race does not deserve the kind of tender loving care that I'm well known for. This holiday event will not include high temperatures or the kind of crap the weather people try to sell you.

canto 25
******* Valhalla. This is how it always seems to wind up, isn't it, Pinnochio? Just when you think things are getting better, BAM, ****** up again.

canto 26
You know you've reached a severe point of boredom when you switch to the Daystar Network and find yourself singing along to the bogus faith healers. Pecans on that one, please.

canto 27
Plug away, Sailor. Keep plugging away. When you get there you can say you plugged away with as much vim and vigor as a much larger man. Slough it off, O Great one. Keep sloughing it off. When you get there you can say you sloughed it off with as much skill and empathy as one might expect from a lizard. Or a monster frog.

canto 28 (the "twenty-eighth canto")
Come, look at my incredible collection of dice. Right next to my collection of mice. Next to that bowl of rice. Sugar and spice, everything nice. My head's full of lice. Don't think twice, just break the ice. Pup your puppy dog in the freezer.

canto 29
My toes are cold and so is my nose. I should be concerned with this situation but, strangely, I could care less. There are so many other, more important things to worry about. Like how many frosted flakes are in that box over there. And is there any milk left? And is it the real deal or that phony 2%? 1%? Skim milk is even worse. If it gets down to that point I'll save the money and use tap water. Don't think for a moment that I won't.

canto 30
Colored pencils expect risque answers to tame pencils. Unfortunately the quality of superior eggs is relative to the ice cream that has dripped down your shirt. You're starting to smell bad and I would highly recommend soaking in vinegar for an hour or six.

canto 31
There are times when I wish the planet would implode and **** every living thing into a void. I don't wanna die, but if I'm gonna I want everyone else to come with me. I'm tired of hearing about God's word. But even more so John Hagee's special gift for your love offering of any amount, the super duper Bible verse audio player, with selected passages read by the man himself. You can leave him behind.

canto 32 (the "same as the 31st" canto)
There are times when I wish the planet would implode and **** every living thing into a void. I don't wanna die, but if I'm gonna I want everyone else to come with me. I'm tired of hearing about God's word. But even more so John Hagee's special gift for your love offering of any amount, the super duper Bible verse audio player, with selected passages read by the man himself. You can leave him behind.

canto 33
Yazaa, yazaa, yazaa I told you I was gonna steal that car. You didn't think I had the guts, did you? But look who's laughing now! That guy with the big flower in his pocket must really feel like **** right now, realizing that his awesome vehicle is no longer in his possession. Maybe get an ice cream cone, maybe feel better.

canto 34
Come out of your hidey-hole, scurvy dog. Rat scabies be breathing down your neck and it's cold and old and you'll do as you're told. Pinch back that stray lock of hair, O Queen of Sheba. You shall spend the rest of your days parked on a green chariot overlooking Lake Erie

canto 35
You could have given me a reason for the season. Instead you had nothing to offer but a huge chunk of pepperoni that had mold growing all over it. Admittedly it was delicious but surely you could have come up with something a bit more expressive of the tender emotions I inspired within your fluttering heart.

canto 36
The prospect of a news reporter calling you a crack head based on information gleamed from your Internet social network profiles is quite terrifying, but when you tie the noose you might as well make sure it was time well spent. It's a shame you shaved your head because the painful truth is that now you bear a striking resemblance to Telly Savalas.

canto 37
Energy. That's what is required. And not just the kind of energy you can get from sugar, caffeine and butter. If it were that easy you could be **** sure that the Catholic Church would be the first in line to canonize it. They have a burning desire to fall off the wagon. "Which wagon?" you may ask. The one with the ice cream, of course. Don't be a fool.

canto 38 (a "short" canto)
If boredom is a sea in which one can easily sink into and drown in, I must be swimming the Atlantic.

canto 39
When the dog barks like that it's a sure bet that he's been neutered in the last few days. It's a sad and sorrowful sound that is only recognized by **** knockers in the deep woods.

canto 40
I could stare at the bars of this prison for the rest of my life. Okay, that's *******.

canto 41
Who was it that once said time is the only reliable concept in the universe? Oh, wait. That was me

canto 42
They tell you to wait. That's what it's all about. Wait, wait, wait, wait until I can almost feel my hair turning gray. The estimated time is currently number 7 the estimated hold time is 4 minutes, thank you for your patience. Well, you're welcome, comrade.

canto 42
I've only to surrender you to the world, lie down and wait for it to crush me.

canto 43
If I can only keep it together...if I can only hold it together this one time, I know the gravy train will come my way. Would it do any good to pray? This isn't the first time that enlightenment and illumination have reared their blessed heads. Would that I could live within them this time.

canto 44
Have I told you lately how much I hate to wait? Thinketh not that the Chair has lost it's financial imbalance, the very thread of chocolate that brought you here. It is still a very important and, some would say, a hot topic regardless of the amount of grime, sweat, blood and V8 juice is spilled on it's ivory shaped pear seat.

canto 45
The shadows turn into cloaks, dark itchy woolen capes that enfold the nothingness beneath them, the nothingness of being. You could have worked a little longer and a little harder on that one, amigo.

canto 46
It's been awhile but my wrist still hurts and I've written the word "moon" on the back of my hand with a Sharpie.

canto 47
I'm movin' this **** to WordPress. No I'm not. **** WordPress. Press WordFuck. Word FuckPress. On and on and on and on and not the least bit clever or entertaining. But I do like steaks.

canto 48
I swear to God I wish I had never taken that first hit of ****. Look what it's done to me. After so many years, I guess I was only fooling myself. Or maybe I was so dumbed down that it didn't seem to matter. But now things have changed. And I can do nothing about it. Dump a can of Campbell's Chunky Soup into a bowl, throw it into the microwave, let 'er go for three minutes, let 'er cool down in the oven for a couple more, stir in a quarter cup of Tabasco sauce, let 'er cool down for a little while longer, mix in a ****-load of Cheez-It reduced fat crackers and then go to ******* town. Go to ******* town, I say, **** the stoner days.
Kyle Andree Ore Sep 2013
Today’s generation breathes on superficiality. Always looking for someone who will make them feel good and look better, like a trophy they carry around. People are going crazy over a buff physique and luscious curves never knowing the real person behind the costume. Mind you, I am into looking good and am a love handle-hating man with a highly elusive six-pack abs but being superficial is just not what I was taught growing up. I was taught to look for substance and not just the stance. Know what I mean? What will you do after you got bored with her? After you’re through with her? You have nothing in common. What will you talk about? You just went after her to make you’re friends jealous, to make your status as a ladies man more credible, to make you look like a demigod and makes you more popular than before. All of these are false judgments about being with someone. There’s less love around my love handles now but character still matters to me. There are bad apples that we, Adams, shouldn’t be tempted, like the girls our mother warned us about. Like the woman who has more degree than a thermometer, not only bilingual but travelled the globe more than a stewardess. I’m not saying that they’re a no-no but they’re on the major league while you are on the little league. They will step on your ego like an elephants stampede and breathe life out your senses. My point is, be realistic. Get to know the person. Know what she wants. Know that women aren’t born with titanium-based sense of confidence and that insecurity will creep in her system. You know the classic: Am I getting fat? Is she hotter than me? Do I look old? You know how it goes. Insecurity has moved with time and even the modern woman remains vulnerable. Easy on the emotions ‘coz when it comes to sensitivity they’re the warden in this joint. So do your homework. She may be the world’s most desired model, capable of reaching a Ferrari’s top speed but she still needs assurance. Sometimes. Occasionally. Periodically. Always. Know that and you’ll be rewarded. Appreciate her. In any size or shape, spell it in front of her. Make literal or mental notes of the big and small deals in her life. And love the princess. Naturally. Stir, simmer and serve it steaming hot. Be patient. Watch her play. Laugh. Cry. See her at her worse. Take time to see her with her friends and family. These are the people she is most comfortable with and will make her act naturally. Don’t jump hastily into a relationship even if it’s the most logical thing to do. Prefer to be comfortable with each other idiosyncrasies included. Heed my word as your guide to a better you and a more blissful relationship, just in case. This will save you from heartaches and depression. And you will not end up seeing someone pull out the yellow card in the relationship and you won’t be making that 2 AM text messages and more importantly the 3AM breakdown.

Rushing in is like passing a busy intersection. You might escape some speeding junkies but you can’t dodge the midnight meat train when it marks you. You’ll end up on the pavement licking your wounds and wishing God will give you a second chance. When we let our emotions decide for us we might as well be a puppet. When we affiliate our need to be with someone with lust, which is insatiable, we will become uncontented. The process leading to forging an actual relationship with someone you were initially attracted to has changed dramatically. The days of long and winding courtship where we woe our object of adoration is gone. Today being intimate don’t apply to couples anymore. The pleasures of carnality are taking the world over and our concept of love is being shaped by ******* bunnies. The line separating love and lust is getting distorted and thinner. No wonder labels such as FuBu, FWB, PP (Pleasure Pal) and Rebound have gained pop culture concurrence. They simply mean consenting bedfellows who contend themselves that there is no ocean of difference between couplehood and ****** friendship besides the scope of emotions involved. Friends can. Especially when, lately, people have become savvy to the idea that *** does not ruin the relationship, which is now rendered all but platonic in an entirely emotional sense. There will be those who disagree and will protest but its making things more audible, making the idea spread like virus. The concept of a FuBu, FWB, PP or whatever you call it is inevitable for a variety of reasons. For starters lets say old school values have been exposed to be total fronting, hypocritical billboard signs of secretly debauched Puritans. Some just start on a harmless get together, a few chitchats, ***** and more *****. And when the night is over and it’s time to go home, some take detours and most of it leads to bed. An exception is on the rebound - dumper-dumpee. Rebound is trying to get back at your dumper, making them jealous or guilty. This involves an innocent victim who’ll fall in the trap of being played on. Believe me, you don’t want to be at the end of the rope. The emotion that comes with the need to be with someone is totally deceiving. Even if you and your date have gone out a few times (even slept every time you see each other) but neither one has confirmed that you are indeed dating, then don’t assume or you’ll suffer the embarrassment of your dating status being denied.

Relationships have drastically changed and this wave of change will press on, as the players get more adept at playing the cards dealt them. And even if the rules of the game have changed dramatically to allow certain breaches on morality, people have to be more cautious in making decisions pertaining to relationships. Never bite off more than you can chew. Or you can kiss your **** goodbye.
1.

When I
was young
I listened to
Billy the Kid

I galloped
across the
living room floor
giddy upping
in an ecstatic
square dance
with my beloved
America

excitedly
enraptured
boundlessly
enthralled
in youthful
zeal
ebulliently  
yodeling
hymns
whistling
reveries to
America’s
heroic prairie
songs

a precocious
kinder beaming  
moved and illumined
by the broiling fanfare
of trilling trumpets

to uphold the promise
I pledged allegiance
to diligent  work
galloping onward
on ponies of
reverent faith
respectful duty
playful engagement
and guardianship

2.

expectation
never fell short
of resounding
supranaturalistic
optimism

energising
the sweep of
a nation’s
self evident
exceptionalism

our democratic
vista stirred
and steeped

a nation of
wheelwrights
building
wagon trains
to traverse
stratified latitudes
with sturdy ladders
erected with common
sense sensibility
of hands to work
and hearts to God

earthen
yeoman
dancing in
wheat fields
threshing sheaves
of prosperity
their exertions
elevating
families
raising
a glorious chorus,
a peeling crescendo
of horns of plenty
splayed across
landscapes of
an ennobled
nation
placing fruits
of labor upon
ascendent
alters to
to receive
the anointing
of abundance

the lighted grace
of infinite possibilities
shines for a grueling
world listening to the
clamouring drumbeats
sounding in the hearts
of all grace anointed
republicans


3.  

No lullabies
no quiet moonlit nights
we ardently
dance on keys
boasting soul
filled dexterity
the quick self
assuredness
extemporaneously
jazz tapping
across bold
hidden rondos
grasping
transcendence
squarely set
in the minds eye
of unbroken resolve
our cool countenance
an unassailable
righteous destination

any
spare sweeping
plaintive introspection
lends space to
affirm
an
affirmation
beginning
with the individual
unum to e pluribus

solitary dancers
incorporated into
fully enfranchised
troopers

the gyrations
the rhythms and steps
of individuated melodies
join to form a harmonious whole
a beautifully woven consensus

this democratic symphony
perfected in an intelligent
choreography of
separate people
sojourning  
toward
a mutually
constructed
shared destiny

aspirational desires
call forth generations
of spirits boldly engaging
the challenges upholding
the rights and privilege
of all citizens
the celebratory harvest
of a new nations
natural law


4.

As a man
I cruise
along
Main Street
in a joyless
joy ride
gliding by
disassembled
factories
moldering schools
defunct governments

surveying the
demolished ruins
of cities,
the decrepit
wrecking ball
of history
is busy,
rolling through
towns
not worthy
of cast iron
destruction
forged in
foreign kilns

we built palaces
to democracy
in the tiniest hamlets
dotting the granges
wholly assimilated
into a national congress
of freemen

today our
congress
is scattered
dialog seeking
resolution is considered
betrayal to holy
partisanship...

selfish insistence
masquerades as
high ideals

portraiture
of obstinance
is a grotesque
reflection
of virtue

we have
reduced
the peoples
house

to a battlefield
for tribes…..

once freemen
now captives….

soulless ghosts
wandering lost
inside grand
rotundas...

mocked
by murals
and inert
granite statuary
howling
expiration dates
of timeless
psalms

sojourning
the trail of tears
drinking from bowls
of anguish

our only
respite
the silent
ruins we
find impossible
to leave

fear fills our bellies
rust stains our hearts
abiding acrimony
ain’t easily brushed
from dust laden cloths

the deconstruction
of dead cities, mark
expired civilizations
centuries in the making
hammered by the blows
of the mightiest blacksmiths
with precision and deft craft


5.

the spareness of
Martha Graham's set
frame black shadows
of fortitude

it always starts
with the individual

then surely
sure footedness
measured footsteps
boldly dance about
the lily pads
of the keyboard
a resounding ballet
the arms wave
like swaying stalks of wheat
but hurry to respond
opportunity knocks
conditions change
the group awaits
to be joined

my pirouette
remains my solitary mark
on the weaving spindles
crafting the mosaic
of a complex American
complexion

the possibility
the promise
laid before us
wheat fields
of democracy
tilled planted
attended

the wondrous yields of
an Appalachian Spring
the promise
hectare of grace
apportioned to all
citizens

the promise
harvest of liberty
freedom
of opportunity
all anointed
freemen
conferred an
amazing grace

civil discourse
was once spoken
we can learn the
lost languages again
sitting on the porch
with neighbors
sipping ice tea
sharing thoughts on
hot summer evenings
caring too care

but scoundrels
became heroes
we fetishized
idiosyncrasies
of insisted
entitlement

we ******
the whole by
exalting the part

we dare not condemn them
lest we condemn ourselves




6.

the west was once woolly wild
I hear the sweeping sound
of my youth rustle again
the dramatic symphony
of a brilliant people
filled with courage
undeterred optimism
claiming a continent
manifesting a new
Pax Americana
a century
of immigrants  

coming to integrate
coming to assimilate
coming to believe in the promise
coming to make a new promise

I came to hear Copland
when I was young

when America was young
when promises were made
and sworn by a brilliant
fanfare of trumpets

when America was young
Copland composed
when America was young
a promise was made

come forth brothers
come forth sisters
come claim
the promise
of a simple gift


Aaron Copland:
Billy The Kid

11/29/11
Oakland
jbm
Meghan O'Neill May 2014
I adore the way
Your form fills my mind
The way you kick open doors
Just for the hell of it.
Your smile is always a full on grin
With no exception.
Every time I see that expression
Fill your face
I am full
Of secondhand happiness.
I love it when you climb trees
Just for the hell of it
When you run into the woods
When you do what you want
Without worrying
What people will think.
When you wear forest green pants
And ignore the sarcastic complements
From the ****** girls
In the courtyard at lunch.
When you play your violin
Like a Stradivarius
And fill the practice room
Like a concert hall.
I adore the way
Your form fills my mind
And when I sleep
All I see are your idiosyncrasies
st64 Nov 2013
she didn't know..
until she knew
what a curve of learning!


1.
both college-students and real good-friends
he was a science-and-botany buff
            *and the mountain would get a taste of his cells

and she, student of philosophy and languages
            would hear the latent-message from a dozen sources


2.
they shared confidences to the other
things they never told a soul
            he also discussed his theories and science-experiments and projects and stuff
            she told him how slightly-uphill her lectures in Russian proved to be
they'd meet there every Monday.. under the campus-trees
with two hellish-strong espressos
        he remembered her chewy-doughnuts without any snow-sprinkles
        'cause she was given to these silly coughing-fits
        when eating peanuts and pulses
he teased her endless and ragged all her idiosyncrasies
they seemed closer than kin

yet he seemed to remain aloof when she tried to get closer
      he brushed off her advances
      and told her to get lost
then ran off with Lilian on Tuesday
then Zita next Tuesday
then Sumaya the following Wednesday
and Tarryn on Thursday after that
and so it went on for a whole while
the whole academic-year, in fact

yet still
      they studied together
      and swore in debates
      and met every Monday
oh, that was the one day he never dated


3.
on the first day of each month
he'd give her a beautiful clutch-pencil
its casing bled entirely in translucent-fuchsin
and told her to guard well context over content
she never understood this cryptic-crap
       but smilingly accepted each one
she thought them too pretty to use
       and kept them in a special-box
       yet her heart broke each time
he took out a new flavour-of-girl
and shared his tongue with
     Sally and Margaret and Lisbeth and Anne..
     some lasted days, others short-weeks
but they all fizzled out
like the pop that they swallowed
and she wondered if he would ever
              favour her with affection
              give to her what those lucky-gals got
              look into her eyes like that
              whisper sweet-nothings to her
why didn't he want her?

but he was brusque with her and abrupt as discordant-chords
he scolded her like uneven-bricks tumbling down
and yet, it was to her that he played
               his own alternate-ballads on his banjo
               i n t r i c a t e - b e a u t y like living-pearls on those strings
      he couldn't look at her, then
      too caught-up in sweet-delivery of song
and with his eyes closed, her imagination took high-flight
as she was able to stare at him, without fear
                           in wonder
                           in enchantment
and marvel at the mesmerising co-ordination of those busy-fingers..

others passed by, but he did not care.. so giving
she felt so unique
'cause she got what they did not
           unbreakable-bond of
            music and.. talk and.. those clutch-pencil gifts

and for his birthday, she gave him a two-tone pelargonium, potted in cream
left him wordless..


4.
it was near the end of November
(just like now:)
and he casually mentioned of going away
            a week-long hike in December
            with a girl in a group that he'd met, some Sarah or other
and something in her flared and she broke down..
                                                                ­went off the rails

he looked on aghast, in total silence.. half-perplexed, half-squinting
     which disquietened her far more than any outburst could have
he stood there before her, on that Monday
       in the beautiful mid-morning sun
she remembered, to the moment.. how the light caught his eyes
       seemed to be looking right t-h-r-o-u-g-h her
       and almost, she saw the tiniest-trace of something...
       struck by a touch of liquid-vulnerability in his being
but hooded-eyes quick again, typical-hider!

he reached into his backpack
****** her a clutch-pencil
which she almost rejected
but she calmed herself down
and he looked at her once
            turned on heel
and walked to his Beetle
rode off the campus
without looking back

and she kept on wondering what it was all about
       that silent intense-look


5.
news came of a group of hikers who succumbed
from high up
some slipped and
her acrid-tears were not the only to fall
upon learning......


6.
she ran back to her dorm
reached for his gifts.. in full-remorse
and clutching a pencil in each hand
she squeezed and accidentally pressed on the flick-top
and then...............
               (it came out)
i t . . . c a m e . . . o u t . . . ! !

never in her life would she be as stunned
as they repeated their message
     over and over
     in tandem audio-confusion
in all the tongues she had studied
she learns now
of the time he took to delve into her crap to relay his truth through his amazing-invention!


7.
at the interment, she couldn't speak
displacement dipped too deep
she took up one clutch-pencil
      and pressed on the top
      message loud and clear
custom-made brilliance direct from heaven's fingertips

the pall-bearers lifted him up
                 and
out of her life

now this roundabout-present lies in the velours-box
like he does in his



students of learning..
in book.. and in heart









S T - 25 nov 2013
sort of confusing day - yet, clearing tracks can be good thing, no?
yes!


the pen sure be mightier than the sword ~
but life is much like a pencil - ain't nada permanent :)




sub: beloved

father, beloved.. who will care for us?
when you depart for war tomorrow
against the people's will

mother, beloved.. we pray for you
your seven children miss you so
we seek your guidance now

children, beloved.. hark ye well
there be a place to go, when alone
to feed the soul.. go quietly - inside

it's simple-truth:
(when you fail to go within
you go without)
Sjr1000 Aug 2018
Friendships that go the distance
Make all the difference
Through lines of continuity
Lasting a lifetime.

Acquaintances come and go
They don't really know
Same team
Same office
Same school
All friendly and warm
But when you part ways
You'll never see them again.

Or there is the reminder
everyone is a hero in their own melodrama,
hurt feelings
falling outs
blocked
miscommunication
blame

Let's let'em pass

Friendships that go the distance
Seen you throughout, inside out
ugly and beautiful
Know all the idiosyncrasies
Know what to give for your birthday
Know what your all about
Willing to work it out

Friendships which go the distance
Are friends with benefits
Unconditional accepance.

Acceptance connecting
Both ways.

We can surely say,
It makes it all worthwhile
When you have friendships going the distance.
For my dearest David on his birthday, the friendship which is going the distance.
Kaity Nov 2017
Love feels like coming home
But I've found homes in many people
Every home I make is different, fit to hold the looks and laughs between us
Love is like taking a hot shower when the cold has seeped in from all of the cracks in your broken armor
After feeling like a dog licking at empty water dishes it's like realizing you have thumbs to turn on the faucet
It cannot be fit in a poem
People are not lists or metaphors but shelves of novels, walls full of paintings, flaws and idiosyncrasies.
Love is warm blood, messy mad hearts, and wild wolf loyalty.
It's faltering footsteps and tears after the moon has risen.
It's campfire pops and crackles, twisted bed sheets, and moments intertwined like fingers
Love isn't finding your way through a hurricane or boots stomping through a garden.
Love is like coming home.
Sjr1000 May 2015
Pharmaceutical Commercial

A senior serene woman
with blissful eyes
lays down in a garden of dandelions and kale
spreads her legs to the warming sun.
"Lack of desire? Ask your doctor about Libidothan.
Side effects may include:
Nose bleeds
liver damage
heart failure
marry your daughter
make you touch your toes
stand on your nose
Grows hair on your head
Gives you *****
Grows hair there too
Makes you feel so funny
like a long neck goose
make you shout out
baby that's a what I like!

Inform your doctor
if it cures you or kills you"


Phone Tree
"Please listen carefully for our menu has changed. Your business is very important to us.

Press one to speak with the universal complaint department.
Press two to find out the exact moment and cause of your death.
Press three to find out who your lover is having an affair with.
Four to speak directly to god or Santa
Five to speak to satan.
Please leave a message.

This voice mail is not monitored.

Have a nice day!"

Pastoral Chic
(On the label of chicken parts)

The McDougal family farm
set in the rolling green hills,
Petaluma California,
Where small towns know how to live,
And neighbors take care of each other,
Our family farm,
Five thousand square feet
of slaughtered chickens
feeling the love of what it means
To be in a family farmers tender care,
From our ****** floors
to your dining room table,
From our family to yours
with tender loving care.
(No antibiotics/gluten free/humanely destroyed)
Please feel free to add your own.
"Feel so funny. . ."  Jerry Lee Lewis/The Big Booper; Chantilly Lace/jp Richardson, 1958.
Kelley A Vinal Nov 2014
Here we are again
Humming songs
That we don’t understand
Everything in the world
In the universe
In the palms of our hands
Technologically advanced
Hop-skip-happy-dance
An industrial trance
To have seen the land
The world
The universe
Before our haphazardly
Set up idiosyncrasies
When the earth had nothing
But herself to please
What was it like?

— The End —