Atari clouds are digital ziggurats,
and rather minimal at that.
The sounds are Amiga.
Welcome to the eighties.

Your hair is big,
your clothes are odd,
and Nagel is a minor god.
Welcome to the eighties.

There is a plague
and ACT UP's rage,
but Reagan will not act his age.
For six years, he will say nothing.

Generation X gives birth to Y,
future hipsters to vilify.
All music is vinyl or cassette.
Rocks stars still wear epaulets.

There are two Coreys, podded peas.
Terrorists stay overseas.
Boy bands aren't quite yet in vogue.
Menudo carries a heavy load.

Ricky Martin is still straight.
Cimino ***** with Heaven's Gate.
Cindy Sherman is everyone.
Johnny Hinckley got his gun.

Welcome to the eighties.

For he's a jolly good fellow,

adorned in yellow and love,
it was hard to see his face through the smoke of a three blunt rotation, but I could feel his heart beating from across the trailer.

Worn out eighties music was the unofficial theme of the night and I think we lived up to the expectations Eddie Murphy set for his.

When I was young
My friends used to talk
About kingswood country
One friend used to say
You can’t take the kingswood
I polished the dashboard
No I am taking the Datsun
And I felt part of a group
Laughing at that tv show
In 2005 my aunty gave me
Kingswood country for Christmas
And I watched it imagining I
Was mucking with my friend
You can’t take the kingswood
I am taking the Datsun
You see I was enjoying
Walking down memory lane
With Ted Thelma Bruno Craig
And I hear pat saying
‘ I am like Craig ‘
You see Bruno stuck up for himself
I showed my friend the show
That boosted my mojo back then
Even now
Mojo is good an adult word for being cool
I feel I have man’s kid foot
It is not a disease it is a boost of mojo
I enjoyed catching up on kingswood country
It was part of the eighties
In which I listened to every eighties thing on
Like def leopard and cheap trick and  all the boppy music too
The eighties rule
Let’s turn back time to revisit the eighties
Goodbye Ross Higgins
Judi Farr and lex marinos

ballad
from the eighties
vibrates my car speakers -
for a moment I'm reminded
of you

Around the table,
Literacy discussion turned elitist...
Bemoaning some poor Johnny,
Son of a plumber who does not read
Beyond the practical need,
And has no desire to.

I stopped to check my sense of what I had just heard...
Was transported to a prairie farm;
Thought of my Father, then in his eighties
Who felt no need and no sense of loss
For not having read Shakespeare nor Kant
For missing Milton's Paradises and Hemingway,
For by-passing Black Elk Speaks and C.S. Lewis.

Every morning, he read his Bible;
Some nights he read the mail's
Motley collection of literature:
Ads and politicians and fanatics,
Demanding money and his time,
But mostly money.

"I don't have time to read!"
He'd shout when I suggested a novel.
What literature he had was in his head,
Poems memorized when he was a boy
In a two room school, or
His own lines, written as a young man,
Describing work and friends
Long distant now, but still alive
In memory.

Dad taught me how to read
In different literacies and different texts:
Nuances of sky to read the weather -
What chill or storm or drought was on its way
("Storm's coming, boys! Let's get that hay!");
Cows and calves and bulls,
(Which one was sick or well, dry or bred);
Ways to diagnose mechanical ailments
("Start with the easiest options first");
Metals, to know which welding rod applied
("Aluminum sags, and cast iron cracks");
Grain, rolled crisp between hard hands,
(a test of ripeness);
Cement, to blend the perfect mix,
("Clean gravel/sand, no dirt, not too much water!);
Conservation,
("Always keep some grain on hand" &  
"Keep your fuel above half-tank").

So many literacies...
Dad, the Master Reader of them all...
No wonder he'd no time for books.

Snapshot memories of are past
having so much fun with the hope that it would last
To my best friend Nan,
a beacon of light to a hurting world in need of love

To the truest friend I ever had
those memories by the stonewall
Started playing together as friends
She had blue eyes & long blonde hair

I had brown eyes and brown hair
roller skating on the sidewalk with the attached rollers with a key
Went down by the brook to catch poly wags
we both went to the same school

Having sleep overs was a blast
a secret passage to get to her father's soda shop
Taking ice cream and delicious candy
everything nice and dandy with Nancy

Yours was are youth to be captured with a precious smile
Cape cod trips when Nan would drive
going to a trip to Provincetown
watching the folks dive for money

Big ships coming to dock
the men would get the money in their mouths
The island we used to go
in a row boat along the beach

Looking for young boys and we found them
went to dances at the Bristol Boys Club
Doing the latest dance craze the Huck Buck
Boys wearing pegged pants and girls wore skirts

To cherish those lasting memories of a time ago
getting married
Nan had three children
Ann had six

To raise and cherish the family united in love
Today we are in are eighties
both with medical issues
Yet remained best friend's after all these years

Dearest reader,


My name is Margot Dylan and I am no longer a ******.

I stared at Dianne staring at Frieda Bentley, as she dragged on a Camel Blue and as I dragged my pen across my notepad. I sketched her figure as she walked closer to Frieda, dropping her cigarette on the ground. Frieda smiled at Dianne, as she stepped and twisted her shoe on the smoldering carcass.

And they looked at each other. Not like how normal people look at each other. And Dianne smiled. A smile that was not like any smile Dylan ever gave me.

I felt a hand on my shoulder, with ******* slipping to my collarbone. The ******* tapping belonged to a girl. The girl's name was Thora, a brunette that smelled like bubblegum and 'don't go'. Thora had something in common with Dianne: They both recently came out as gay. Unlike me, both family reactions were fairly positive. In fact, so positive that-What are you drawing?

"Margot?"

I paused, looked at Thora, and looked back at Dianne or Dylan Dunham. "That girl," I pointed in their general direction, as Dianne kissed Frieda on the forehead. Thora followed my finger in time for the kiss on the lips, "the ironic one."

Thora Nelson, daughter of Cameron Nelson and the deceased Geraldine Nelson, looked at my chin and asked, "Who is she?"

Thora's cotton-candy-blues met my puddles of mud, as I looked away, putting my notepad in my backpack. Before I zipped, I grabbed the lime green marker sleeping next to my pack of index cards. My teeth squeezed the leaf colored cap off, as I pulled out the fetus, smelling the aroma of non-toxic afterbirth.

I asked if she wanted a tattoo and she shrugged, "Oh no, you mean I get to choose whether you touch me or not?"

Lightly pressing the fiber tip to her arm, I glanced up at her and shrugged a bony shoulder, "Her name is Dylan Dunham. Well, it's actually Dianne. It's complicated. I used to call her Dylan. She used to call me Margot."

"But your name still is Margot," Thora informed as her eyes followed the acid-green ink trail.

"Some people change, some people don't," I said, with the cap held between my teeth.

I painted her arm in lime hope, by the soda machines. My eyes focused on her pores that I imagined swallowed dirt and bacteria from the side of my palm. I could feel Thora disarm me with her eyes, after I had disarmed her with my words. Her heartbeat echoed inside my grasp.

"I didn't know I was dating Leonardo DaVinci," the words flowing from her mouth.

"I am gay and Italian, so it's not like I was doing a terrific job of hiding it from you," I muttered as I finished and held her pale forearm and bracelet cuffed hand a foot from her face, "Look: it's us underneath a tree."

Turning and wrinkling her nose, she adjusted, moving her head back and forth. " Oh wow. Wow, wow, wow. Meta. So meta. So abstract. Brilliant in its simplicity, deconstructing the concept of natural complexity-"

"Shut up-"

"The tree looks like an umbrella. And we look like we have canes-"

"Those are our fishing poles. In that world, we are fishermen. Fisherwomen. Fishergals-"

"And my **** is too big and your ***** are too small and our smiles aren't big enough-well, at least mine isn't, I can't speak on your behalf," she finished.

Grabbing her arm, I looked at my masterpiece, looked at her, looked at it again, and looked at her again as her smile grew with every glance. "Well, I can see how it'd be up to debate, and you're right: very, very meta. But you do have a big ****, and I'm not one to sacrifice accuracy. Speaking of accuracy: as I look at this green ****, I realized I hit the mark by dating you. Honestly, your **** may have its own zip code..And...I'd like to be in its area? Please stop me."

Her chin touched her knee, as she doubled over, laughing. I played with her hair, wrapping her bangs around my fingers. As my hands were enveloped by her dark hair, I found a scar on her crown. I imagined Thora's milky-white fingers scrubbing through shampooed locks, trembling across the zig and zag of removed glass.

I imagined Thora Nelson, of Cameron Nelson and the deceased Geraldine Nelson, hearing sirens instead of water hitting the tiles. Her slumping to the floor, as lather and water runs down her face, each tear a memory of being dragged out of a steel ribcage, onto broken glass jungle pavement. It was too easy yet too difficult to imagine her staring at the steaming showerhead. It was too easy yet too difficult to imagine her reaching towards a metallic carcass growing in flames.

Her hand grabbed my leg and I saw her for what might have been the first time.

"Hey you. Listen. Are you listening?"

I nodded.

"I'm in love with you, Margot Dylan. Like, really in love. To the point to where I feel like I'm in a Jennifer Aniston rom-com. It's disgusting."

I didn't know what happened between my exploration of her hair and her pale face studying mine, but, before I knew it, my blood shook and barbed wire nerves orbited around pieces of my body.

The ricochet of a soda can smacking the mouth of the machine sounded. Time was either too fast or too slow, as I looked at Thora's cheap mascara eyes and chapped, soft pink lips. She was the type of girl that could make someone happy not to believe in god.

"And I love you. To the point to where I'd refuse Hogwarts because of not being able see you during the school year."

"How sweet, I know how badly you wanted to get into Ravenclaw," she smiled.

"Sacrifices must be made in the name of love, you know. And it ***** because you're not even my type," I admitted.

"Oh, how tragic. And what is your type, if I may ask?"

"You may, thank you. And the falling in love type," I'm an idiot.

"Could you be anymore cheesy?"

"Mozzarella."

She stopped and looked at me, "Hey, but really, I'm in love with you. It's real."

"I love you, too."

Her eyes were speckled,"You really love me, Margot Dylan? Because I'll believe you."

I leaned in, softly placed my hands on her cheeks, breathing the word, "Yes." I alternated between staring at her mouth and her eyes, as her lids began to drop.  My lips started to dab hers and soon grab, as if soft hooks grew out of and connected our flesh. I found the corner of her mouth, the summit of her cheek, and each crease in her lips. Nine or ninety seconds past before I stopped, pulled away, and looked into her eyes. "Hogwarts is overrated anyway," I lied. She laughed.

Her face was red, as she looked down while covering her face, "Don't look at me, I'm a dork. I'm being a loser. I'm infected."

"It's okay. You can be my infected dork and we can be losers together," my voice was a rasp.

"It really isn't. You see, my face always becomes extraordinarily red after I kiss or am kissed by someone, especially by someone beautiful. And it doesn't help that I've never been kissed by someone I love. And I've never kissed a girl before and I'm really glad you were the first, so there. Gah," her hands fenced her face,"I'm just going to hide behind these hands, don't mind me."

I was in love, "For how long?"

"Probably forever, I don't know. Or until the next installment of American Horror Story, I haven't made up my mind yet."

We heard Ms. Calloway scold Dianne about smoking on school grounds. I looked at Thora and the bell rang. Her hands slowly dropped, as everyone started to move in blurs. Bodies gaining more and more distance. Inches became miles. Feet grew into light-years, and, before I knew it, Thora kissed my cheek and said, "I hope I see you later, okay?"

My hand had something in it. My fingers unfurled and revealed high school origami. My name was on it, with a heart or a ****-I'm the artist in the relationship. I began pulling on *****, the tips of my fingers breaking the paper safe. So delicate must have been her mysterious movements.

I opened it.




A pebble flew from my hand and blipped off her bedroom window. Funny thing about bedroom windows, they look the same at 12:03 am. Or maybe they look a little different when the person you love is behind the glass, as you do an eighties-film-esque pebble throw. Before my next pebble hit the pane, her bedroom light came on.

Navy blue curtains disappeared to the sides as Thora came to the window and rubbed her eyes. A second later, she was gone as I imagined her sneaking past her father's bedroom, quietly down the stairs, and through the foyer. As I imagined this, I could hear the front door being unlocked and creaking open. I walked towards the porch and a yellow glow escaped with a silhouette living in it.

Thora's left hand is burnt, but I don't mind and I don't think I ever will. She held my hand as we walked through the threshold. At first I was nervous when I saw her father in the living room, but I instantly realized that he was passed out, as my eyes found empty beer cans sleeping beside him and around him.

"It's not like this every night," she whispered, "he just has trouble with certain months."

Thora tucks her toes when standing in place. When we were walking up stairs, I knew she would be embarrassed if I looked at her toes, so I kept my eyes on the second floor. I don't understand why she feels this way, though. She has very nice feet, and that's coming from someone who thinks feet are gross.

We walked past punched in doors adjacent to perfect picture frames. Her mother was a beautiful woman.

As we approached Thora's sticker-clad door, she turned to me and whispered, "You're about to enter the only place in the world I feel safe. So, please don't break my heart in it and please use a coaster."

My thumb kissed her smooth burn, as I took my first steps into her bedroom. The light-switch flicked and her room illuminated. There were movie posters hugging the walls, pinned to a bulletin board were pictures of lost people and found memories. She looked at me and whispered, "I don't know how to keep people."

We stood before the side of her bed and I looked at her smile, "You sure you want to do this?" Thora nodded and I reached towards her thighs to lift the bottom of her shirt. Lifting it over her head, I looked at her porcelain figure clad in black *******. I tossed the grey shirt onto her bed.

My eyes swam from her belly button to her *******. My fingers approached and stopped until she said it was okay. Tracing her curves, scars, and stretch marks, she pet my fingers. Thora glanced at my hands on her ******* and then at me, cooing, "I'm sorry."

My hands slid to her sides, "Sorry for what?"

She shrugged, "I don't know," her eyes spilling, "Sorry for this," she motioned at her torso as she stared at her bulletin board and then at me before looking away again, "I want to be perfect. I want to be perfect for you."

"Oh no, no, no," I asked for her hand and then placed it over my left breast, "Can't you feel how beautiful you are?"




Her arm was under my ******* and her hand was on my rib, occasionally running her fingertips across the bumps. She slept with her leg wrapped around mine, staying as close as she could to me. I looked at her, in her slumber, and left a faint, burgundy stain on her forehead. I reached towards our shins and pulled the black cover over our fused bodies.

I feel like I have been in a coma for seventeen years and I've just woken up. If I could, I'd stretch this moment over centuries and use it to smother wars. This relationship probably won't last past my senior year, but that's okay. It truly is.

In this moment, Thora Nelson is the love of my life, and, in ways I don't understand yet, that is the most beautiful thing in the world.



May the sun set in our eyes forever,


Margot Dylan

They all look so young and lively and free on the Berkeley campus
walking and smiling and dancing swing and exercising and studying in internet
cafes and along the college walk there are clubs: pre-dental society,
women engineers, others, worn signs that stay out all year long in California and wear well
like the Clinton/Gore bumper sticker still visible and affixed to the stop sign off Telegraph and I wonder when there will be an avenue called "Internet"
And along the walls of Cafe Mediterraneum are highlights of the sixties, photographed by the dead owner of the place and there are still students studying and wierdos and old people reading books but there is no inspiration here anymore
From my generation, the eighties there are no pictures, and none from the seventies either and from the nineties and this decade has come and gone without notice on the walls
because youth by itself does not renew and innovate and the pressures of culture are too strong to re-invent and
it's not like there's nothing wrong, nothing that needs to be changed in our world today if anything things are worse
but now youth is only thinking about youth and buying low and selling high and there is no more idealism, no more desire to rectify anything, only to establish oneself as part of the middle class or above and have a house and 2.5 children
when the world is quickly being destroyed now just not by war, or an atomic bomb
that would be obvious because it would be loud and white and then there would be darkness and drops of rain and devestation
but I think I want to drop an intellectual bomb on these young people and tell them to wake up and try to change the world again and stop watching Reality TV and
do something that will help the world and put your picture on the wall of the Mediteraneum because you are trying to help the collective good and not just feather your own nest and not just worship the rich and exploitive entrepeneurs and try to emulate them as we were told to do in the eighties because that is just selfish meaninglessness that can't keep being replicated in this world, because it can't withstand it
our land and water can't withstand this lifestyle and the dollar store selling cutesie things made in China are coming from child labor and blood money and this dollar store is on Telegraph and no one cares or notices not even the young,
as slave labor continues to produce goods, just not here, where you can see it
and even if you care about animals, you can think of two million cats and dogs torchured and skinned alive for their fur in China and you , Berkeley are wearing it onn your fur trimmed coats
There is an eeries silence on Telegraph now where there should be the aliveness of debate and not just to get ahead, but to give a voice to the voiceless and alleviate the real and obvious suffering in the world
So youth, you are not so young and fresh you are a dissapointment
you are cowardly, pondering your own navel
and submissive and I expect more
THIS IS NOT ENOUGH
change is frightening, but it is
the only thing
that will save us