There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours


He then realised what the date was . . . and slowly let his hands fall to his lap.

Light , curvy rays,
bending,
while traveling from air to water world.
My eyelashes - window wipers.
Crystalline lenses,
sending lovely
but blurry pictures
wait.. let me focus my retina,
underwater dream,
or is it really you?

Dark, straight silhouettes,
frightening,
falling from the busy water above
My chest - darkened vents
reaching far,
wanting lovely,
but faint pictures
I can’t wait any longer,
for the dark room to lighten
I need you to show me

I take a deep breath
And dive in again.
Debrees of scars
And piercing pain.
Your soul still mauve and blue.
I press my lips
respiring pure love into you.

Breathe your best
into the spine of my life
Expelling fortitude
And forgiveness
Hidden in this deep blue
Revitalized for the first time
This moment opened its eyes
to see the beauty
of what beneath the surface lies

Mashup

Part I (and there is a Part II & III)

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.

My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.

Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.

You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.

This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.

You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...

All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.

Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.

Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.

Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.

Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.

I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp

Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.

And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words

It’s New York Fashion Week, and there is a frenzy backstage as models are worked into their dresses and mob the assembled engineers for instructions of how to operate the technology that magically transforms a subtle gesture into a glowing garment suggestive of the bioluminescence of jellyfish. I know there’s not enough time for them to do their work. Almost instinctively, I find the designer and bargain for 20 more minutes.

While I wonder to myself how I got here, backstage at a runway show, I also know I am witnessing what may be the harbinger of how a fourth industrial revolution is set to change fashion, resulting in a new materiality of computation that will transform a certain slice of fashion designers into the “developers” of a whole new category of clothing. By driving new partnerships in tools, materials and technologies, this revolution has the potential to dramatically reshape how we produce fashion at a scale not seen since the invention of the jacquard loom.

The jacquard loom, as it happens, inspired the earliest computers. Ever since, textile development and technology have been on an interwoven path — sometimes more loosely knit, but becoming increasingly tighter in the last five years. Around that time, my colleagues and I embarked on a project in our labs to look at “fashion tech,” which at the time was a fringe term. These were pioneers daring to — sometimes literally — weave together technology and clothing to drive new ways of thinking about the “shape” of computation. But as we looked around the fashion industry, it became clear that designers lacked the tools to harness the potential of new technologies.

For a start, all facets of technology needed to be more malleable. Batteries, processors and sensors, in particular, had to evolve from being bulky and rigid to being softer, flexible and stretchable. Thus, I began to champion “Puck [rigid], Patch [flexible], Apparel [integrated],” an internal mantra to describe what I felt would be the material transformations of sensing and computation.

As our technologies have steadily become smaller, faster and more energy efficient — a progression known in the tech industry as Moore’s Law — we’ve gone on to launch a computer the size of a postage stamp and worked with a fashion tech designer to demonstrate its capabilities. In this case we were able to show dresses that were generated not just from sketches and traditional materials, but forward-looking tools (body scans and Computer Assisted Design renderings) and materials (in this case, 3-D printed nylon). At the same time, we integrated a variety of sensors (proximity, brain-wave activity, heart-rate, etc.) that allowed the garments themselves to sense and communicate in ways that showed how fashion — inspired in part by biology — might become the interface between people and the world around them.

Eventually, a meeting between Intel and the CFDA lent support to the idea that if technology could fit more seamlessly into designs, then it would be more valuable to fashion designers. The realisation helped birth the Intel Curie module, which has since made its way down the catwalk, embedded into a slew of designs that could help wearers adapt, interpret and respond to the world around them, for example, by “sensing” adrenaline or allowing subtle gestures to illuminate a garment.

As the relationship between fashion and technology continues to evolve, we will need to reimagine research and development, supply chains, business models and more. But perhaps more than anything, as fashion and technology merge, we must embrace a new strand of collaborative transdisciplinary design expertise and integrate software, sensors, processors and synthetic and biological materials into a designer’s tool kit.

Technology will inform the warp and weft of the fabric of fashion’s future. This will trigger discussions not just about fashion as an increasingly literal interface between people, our biology and the world around us, but also about the implications that data will generate for access, health, privacy and self-expression as we look ahead. We are indeed on the precipice of a fourth industrial revolution.Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | www.marieaustralia.com/black-formal-dresses

Life was amazing. Boats will fly causing mass transportation. Sometimes I think exclusively until I erupt through word Bothered, enlightened, and hungry watching gay cinema eating bananas but not ripe until next time I hate myself for liking weird cinema,  Striking matches without touching myself when hearing groans from my basement which come apart from the throat. Knocks, bangs, and poottitangs among our findings in  timely minute fashion.  The weather will forever be surpising under a burnt out hookers muffintop. Mashed feces under but over kinfolk of a studious wellbeing transcendence, stupendous sacred.

the perfect poem

would start by acknowledging its imperfection
and yet would bind the heart to listen
in any mood
any clime, any mind...

it would forgive contingent interruptions
in its contribution to evolution

and to grandly synthesize the facts,
it would pierce its central theme in one or so lines,
a one-stroke ******
embedded somewhere safe, an apex valley
of words and symbols to communicate
rather than excommunicate
or bemuse...

an accord of human
commonality,  invitation to wonder
or to leave off reading for later|

to wake or soothe to sleep,
it would be a poem you could wear into battle
or soft-intone to soothe a dying loved-one's breath.
the perfect poem would promise laughter
after every tear, catharsis guaranteed.
it would be godly and irreverent,
honest and veiled.
erudite, but conversational: a soul-mate in the etymons.
chalk-full of sultriness,
elementally seducing
with allure of verbal petrichor,
released from a long-awaited desert cloud,
dripping at the center aching...
and all wants fulfilled
(but for the other yearnings it instilled).

even a cursory perusing-over yields
a boundless sphere of cheer!
(you may not find it here, or anywhere)
an epic of haiku in casual/dress wear...
therapeutic, silent or aloud,
empathy in every line, attentive to the reader's work.
a collaborative lore
entwining evermore and more,
tolerant of others, wiser for their scorn --
it would shift its meaning, each read through:
twelve interpretations would do;
in fact it would take up residence in you,
it would help with shopping, too,
save the queen, start a culture all its own
a witness to atrocity and fame,
a judge of victors, the criminally insane,
an analgesic to the lame.
both densely, and loosely writ
it would be spontaneous, yet crafted by a practiced art.
it would rhyme, as if the muses commanded it to rhyme
contrived at the dawn of time
to be contrivance free...
for your particular ears, for your soul, right now
an ever-present origin of meaningfulness sent
like similes for your life only --
it would foster to create within itself
expression's manifold and measure,
in line with styles all in vogue
the global culture's wold,
hermeneutic gold.
it would be made of wood, and snow
of sun and space, the universe in tow.
it would spiral, dance and sing beneath its sounds
teach a novel lesson, for novel ears,
    each and every time
it would be memorized, and hung
glazed with caligraphic meditation
in a cloister boarding only **** monks,
it would bear no clumps.
it would smoothe out all the lumps,
it would offer more than i can say...
the perfect poem wouldn't even mind being thrown away;
it would come again some day.
in fact, on second thought, it may come a different way--
created in the fae-lines of the eyes,
the ears and mind: the double prance
of in and out and everywhere resize
the meaning-giving dance.

Most of my life, I’ve been a highly independent person and proudly so. I have grown myself up, travelled alone, personal decisions. I am even praised for being so independent. I can’t say I did not enjoy the glory. I have rejected my support system fiercely and craved the glory of independence.

Growing up and be independent! That’s all that has been a goal. I had made personal independence as my virtue. Independence from parents, from education, and when you have your heartbroken, independence from being in love. I hated the word “compromise” and the only way to achieve. Doing something all by yourself takes no compromising. I don’t have to think about someone else’s feelings, I don’t have to worry about their needs, I don’t have to take care of anyone but me. Now, this sounds more and more like selfish than independence.

I realise the bigger struggle is to collaborate and come to a solution where everyone has their needs met, to give as well as take. Now that felt like growing up, the test of real courage. Are we glorifying independence because we don’t want to take care of other people? Because everywhere I went, someone was telling me I needed to find my freedom. Everywhere I looked, I searched in vain for that independence I once had, finally having to accept I would never be an unemotional, unattached person again.

Maybe we need not be independent. Self-made Is so overrated. Nobody is. We need not be. Even world war was won by the alliance. We need 2 for a clap or make a life. You need light and day to survive, you need bones and muscles. The world is not singular, the world is not independent. Even earth is going round and round the sun with a crazy crush that it can’t collide into and it can’t move away from. Earth is so on its own, so much in its own, but its existence is a collaborative one.

I know now that I can’t go at it alone or maybe even if I can I don’t want to do this alone. I want to live a life with friends and family supporting each other through the good, the rough, and everything in between. And I want a romantic partner to experience life with me. I want to have support emotionally, physically, and financially a coexistence.

My feminazi is in admitting that we need more feminine collaboration than the masculine ideal of success and independence. I want to find that freedom of shared submission and being part of something bigger than self-sufficiency.

Consider some of the important attributes that will small and medium measured businesses consider when searching for document managers? It has to be safe and sound, successful, convenient to use plus multi-purpose, even though the ability to offer you a speedy returning about the purchase. Even so, most of all, the key function must be being able to become used to your unique requirements for each individual corporation.

In general, the particular scientific report associated with medium and small sort of companies (SMEs) is less than these involving more substantial size organizations, where the papers managing product is one simple device. Regarding SMEs, fraxel treatments continues to be 'widely unknown', even though it assures good profits within earnings.

A numbers confirm this specific to be a fact. A report made because of the Gartner Class signifies that records consume nearly 60% of paperwork here we are at employees, and also characterize nearly 45% of manual labor. Definitely, any time used on these kind of regimen and also ordinary responsibilities causes it to become difficult with regard to individuals in order to spend independently towards bringing in gain.

Small establishments are often a smaller amount passionate any time taking on doc management software, since they look at it as being a value as opposed to a great investment. Also, the socio-economic predicament potential customers most of these business men to imagine more details on tomorrow and less around the long-term potential. Mid-sized providers normally have a I personally.Testosterone. division which has a extra worldwide watch, in addition to functions the role connected with an inner systems professional, servicing the demands of each individual business enterprise component centrally. Consequently, these types of staff users are a great men and women to see by using in the process regarding using a whole new doc supervision technological innovation.

Innovate and also eliminate

In the existing situation, it is vital for businesses so that you can innovate. A good way involving achieving this is from skilled assistance, which will produce a point of view for any short for you to method foreseeable future. Most of all, it's going to display the corporation which owing to the report supervision system, the firm assets work extremely well inside a correct way.

Because of their portion, record technological innovation computer software establishments helps it to be the mission to indicate SMEs how forwards simply by aiding those to view doc administration less an obstacle, a possible technical challenge, or even to be a education problem for personnel. As a substitute, it ought to be considered a profitable business progress ability.

Each and every corporation have their perception of quantity are the excellent record managing application, contemplating its specific demands. Because of this it is absolutely essential intended for papers managers suppliers to adapt their solutions to your page for each firm.

In general

Unsurprisingly, it really is very important that this corporation re-think just what exactly its actual requirements usually are, as a way to find out what will be the ideal record managing program for the kids. Basically, we've got to define the requirements of each individual company with a unique time period, whilst simultaneously thinking about foreseeable future projections.

Having a perspective outlook plus concerning all organization techniques using their affiliated sectors in your mind is paramount to be able to figuring out exactly what technologies are right for every single business. That may be, seeing it an overall principle in addition to adding the organization staff while in the program implementation practice will make sure its success.

Obtaining analyzed the particular technological features regarding organizations supplying papers software, it is recommended that both parties possibly be adaptable, to create method for invention and also improvisation during the enactment process. At times, you may need alternative resources compared to supervision will often have planned.

Solve requires along with effective answers

Picking out the proper as well as a full record supervision solution is going to be an ideal advantage for the whole firm. Resolution vendors have to have an international perspective from the market circumstance as well as the unique desires of each firm. Furthermore, small and medium measured businesses don't have in-house expert consultancy, which means vendors have to be competent to supply these organizations exclusively what they need, put together with tech support plus routine maintenance tailored thus to their prerequisites.

A single solution that's becoming an solution to the cost-effective crisis intended for SMEs, will be the marriage connected with maintained communicating services. In reality, an investigation by way of talking to company IDC estimations this market to be aimed towards unified marketing and sales communications along with cooperation (You.Do.H.). Throughout the 2010-2015 interval, the particular data show the trend that'll be executed by simply medium and small scaled companies: freelancing methods in relation to unified plus collaborative marketing communications for a company, as opposed to managing these in-house, in that way lowering the cost of controlling and the actual system. Also, document control technology is adjusting to this innovative paradigm and file safes suppliers has decided to present their solutions and also document managers since 'cloud' solutions.


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