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Tawanda Mulalu Sep 2014
She captioned his heart like she captioned
her own pictures of herself:

seemingly profound but obvious
and unrelated to whatever
touch-screen-camera-phone-app filter she used
to unshade her blackness,
his blackness,
their blackness; with digital
skin-lightening cream.

As if to be dark was a sin.

And so she edited herself
to forgive herself.
Because Jesus had eyes the colour of her contact lenses.
Blue.

Because to be holy is to be arbitrary.
Because to caption his heart like she captioned herself
was easier than to just ask for his soul
through a no make-up selfie.

        Or whatever else she thinks is actually her,
        but still isn't.
Admittedly, a lot of cameras really don't do justice to us darker types... But still.

A friend of mine wrote a kind-of-response to this poem. It's really clever:
http://hellopoetry.com/poem/878005/shades-of-pain/
Erin Joan Jan 2014
Why does my heart freeze up
when
 I read words you’ve written?

How is it that

I can read writing 

that makes my heart press hard to escape my ribs

But yours liquidates my blood
Until my fingers go numb?

It’s like this

You’ve got a canyon filled with knowledge

On how to hurt

You’ve got a library filled with textbooks

On how to make a heart drop 

You’ve got a sky filled with rain clouds 

That drop tears you’ve inspired
into the eyes of others.

Everything you touch
is sent into a whirlwind orbit. 

You’re important

You’re dangerous

You’re vital

You are never merely an effect.
You affect me. 

Never forget that.
Barton D Smock  Apr 2014
captions
Barton D Smock Apr 2014
underling animals
in times
of quake-

slight
swellings

in brain
of maybe
one mole

bottled
now
for sea-

if on a baby
your hands
would be

so cute

but as
an adult

you glove them-

world as wheelchair
the wheelchair
from which

god rose-

as sporadic
surges

switch on
the sink’s
disposal

pull thorns
from the rabbits
you dream
Ndolo  Nov 2018
Deaf to Me
Ndolo Nov 2018
Buzzfeed. I love Buzzfeed. I love gossip. Buzzfeed is important gossip. Buzzfeed seems to be becoming more accessible to the D/HH community. I can watch it with accurate, in sync captions. It’s great. But for some reason, I can’t hear the video and read the captions at the same time. Puzzling. To me, you’re saying either I hear, or don’t hear. Either/or, your topics are all in the gray, yet I can only be deaf or hearing you say?

I’m in between, your words I need to see, the sounds I need to feel, the residual hearing gives me a taste of the message you want to convey to me.

Thank you technology for granting me access. Thank you humanity for blurring my view. Thank you Youtube for “speech-to-text” captions. It’s a work in progress that seems to work 0% of the time. Smart t.v.s and their hi def and their apps and music. It's so smart that the moment the HDMI cord marks the moment of completion, they never considered the hi def to to be as important as the captions are to the deaf. Sharp, pixelated images has nothing to do with the ability to hear. So Im sitting here, watching my smart tv without the captions wondering if they will ever understand the difference

Deaf and dumb. You’re either/or. Like the reason you didn’t understand can’t be attributed to the lack of paying attention. What’s wrong with you, you deaf or dumb? It's an oft-uttered phrase. Its a subliminal stereotype that bites me. The fact that it's in the same line as dumb, you gotta put let us know what you mean. You’re so deep in your conversation, like we’re not stuck in the dark ages. You didn’t mean that, yet it faze me. Everybody’s fighting back stereotypes, mine just happen to be a “melting ***.”
You’re so pretty for a black girl,
You’re so pretty for a deaf girl.
You’re so smart for a girl,
you run so fast for a girl.
You talk so good for a deaf girl,
you talk so white for for a black girl.
Yeah, I heard you. Inaudible. Selective hearing has its perks.

I’m offended that you’re offended by my lack of attention. Of my rudeness. Oh you’re doing me a favor? Sorry, I didn’t hear you. Whisper in my ear when I ask you to repeat----hello, Deaf here?
Yell to make up for my understanding----louder doesn’t mean clearer. Even talking to me in the dark, don’t even try  that. You’re blocking my sensory input.

Second-guessing:
-did my phone go off?
-did someone call my name? It’s too risky finding out, continues walking
-is my music too loud? Yes, no, maybe so? Yea? No music then
-home alone: what sound is that? My breathing, the wind, someone opening the door in the basement, never-mind that, I can’t hear it anyways.
-Is mom mad yelling or am I dreaming her voice...
-ice cream truck. Nuff Said
This is one of the few poems I have been able to write about my deaf identity. I found it very easy to write at the time, but have been struggling for years to explain on paper what being Deaf means to me. Still am to this day but will always continue to try.
Perched before the mirror,
my eyes open to see
the greatest of loves there in front of me

With a smile, a chuckle,
a nod and a wink
I’m falling in love above my bathroom sink

My ocular captions
are fixed in a gaze
and neither denies
our lust-worthy ways
Never before
have I seen such a marvel
Brought almost to awe
yet I recant such sparkle

For my status is equal
or better than such
I say with full modesty
(as if I must)
The greatness exuded
Displayed on both sides
It is something that I
and the other can't hide

All of those who now know
and all those who shall see
will admire and greet us
down on bended knee
Consternation displayed
only to be outdone
by illustrious gestures
to this royal son

But enough of the rest,
there is just you and I
“All of those poor, poor people”,
we say with a sigh
They will truly not know
what it is to be us
When you don't have to worry
And don't have to fuss

This supremacy life
is a difficult one
My heart would feel pity,
(If I had one)
Instead it’s disgust,
disdain and the like
The fuel that's propelling me
forward with blithe

Still across from me now,
a reverent sight
Another near equal
and one who just might
be the only one worthy enough possibly
To stand here beside me for others to see

They think they all know
but know nothing they do
It's the jealousy had by them
for I and you
They’re like chlorophyllic plants
Dripping in so much envy
They try and they try;
They try to prevent me

From being the greatness
I know I can be
If just given a chance
Then perhaps they would see
But alas, in the end
it doesn't mean ****
What I care for is me
Only me
and that's it

Except my love for you
It's so deep can’t you see?
It is real
I can feel it
I truly believe
Only you I can trust
The one person who matters
The one I turn to
when life breaks and it shatters

All others are pawns
I can move on the board
Sacrificial pieces
for falling on swords
No dispute; I am king
Come stand here with me
It’s us versus them
And trust me they will see

It might not be today
It might not be tomorrow
But it will be soon
when they join me in sorrow
Make all of them pay
For what they’ve done to me
For the pain they’ve inflicted
Their fault, you will see

Anything that I do
Even though I will try
They keep holding me down
No idea; Don't know why
They are all out to get me
So plainly can see
But one thing you won't see
is not the last of me

Here, take my hand lover
and come with me now
We'll go out in the world
and together show how
Their pathetic existence
can benefit us
We may step on some ants
But there's no need to fuss

The hole that is empty
That is our damnation
Use things superficial
Instant gratification
It's a short-term "fix"
But will make-do for now
In our path, leave destruction
This much I will vow

Happiness, thoughtfulness
or concerned empathy
Some examples of words
unfamiliar to me
Therefore, no one can feel it
Must feel like I do
Only then I'm complete
Feeling I belong too
Written: August 31, 2017 (revised February 3, 2019)

All rights reserved.
Leia R  Sep 2015
Captions
Leia R Sep 2015
Not in love

I may have been once

But I don't want to be

Anymore.
this was a caption on my Instagram today...
Nicole Bataclan May 2014
A sip of coffee
Disclosing my story
Pasting in this scrapbook,
All the photos of us
I took
Writing the captions,
I tear up with emotions
Eternity is a gentle caress
And I recognize
In the end,
There is nothing more
Real in life
Than
Momentary happiness.
Tom Leveille  Mar 2014
hallelujah
Tom Leveille Mar 2014
i am seven and in your living room
with antiques & photographs
of family that are more like strangers
and handshakes at christmas
there is a jar of circus peanuts by the armchair
and i remember being told that these are here because they are never out of stock
and that they are the only things
children will not want to take from me

i still do not like the color orange.
i am eight and round the bannister
to an upstairs that reminds me
of heaven in that
place i can't go sort of way & i am
knuckle deep in your pumpkin pie
wiping it on my uncles suede jacket
our hands still shake but the jury is still out
on if he looks at me and napkins the same
i hope you do not sleep
with my apologies under your fingernails
i will not say them out loud
i know i should have mowed your lawn
i should have been a home
for second hand smoke
if i could go back i would be your ashtray
i remember the day you forgot who i was
i bound into the room and throw my arms
around you like an armistice
and you ask who i am
we are not in church
but everyone stops singing
i am passed from child to child
while we all laugh
but my lungs feel like
they've been mugged in an ally
who's son does he look like, mom?
my father says like gospel
you pull on your cigarette
sip from your watered down wine and shrug
and i am neck deep in forgetfulness
i imagine alzheimer's
as being born again every day
so, we will spend ages
looking at captions to photographs
telling your stories to strangers
as my father begins to forget
and when i imagine probate
an unfamiliar hand unfolding a will
to be read to wayward angels
i want to burn down the house
and sleep in the ashes
Edward Coles Jul 2014
“You know the worst thing I ever saw?” He asked.

I sighed to myself, took another gulp of beer and fixed him with a look of half-interest. He was drunk. A complete ****-up and a bore when he's drunk. I don't know why I drink with him. That said, he probably thinks the same.

“What's that?”
“Bedsheets over the benches in the church yard.”
“Ye-what?”
“Bedsheets over the benches in the church yard. For the homeless.”
“The homeless. Right.”
“I'll get us another drink.” he says, “then I'll start where I left off.”
“Oh, good.”

He comes back with two bottles. We drink and we start talking about football. We're just about getting by before he raises his palm to his face.
“Aw, ****. I forgot, yeah. The worst thing I ever saw. I never told you.”
“You did. Bedsheets over the benches in the church yard. For the homeless.”
“Yeah yeah, but that doesn't really say much, does it? You're probably wondering to yourself why that would **** me off so much?”

Not really. He's the type of no-action, all-caring, bleeding heart that sits on his fattening **** every day, 'liking' rhetorical captions over pictures, and signing petitions to axe some ***** politician or other.
“I guess. Shoot.”

He shoots.
“I wanna burn down the churches. Seriously. Stupid ******* religious folk. I bet they go home and post pictures up of themselves, all busy in the soup kitchen, ladling minestrone into some poor *******'s styrofoam bowl.
“They'll never touch them. Always at arm's length. You don't wanna breathe in the pathogens of the anti-people...”
He slurred a little, went to carry on, but took another gulp of beer instead.
“What does that have to do with bedsheets over the benches in the church yard?” I took a gulp myself, this time watching him with a little more interest. Probably just because he looks like he could spew at any moment.
“You're not letting me finish...”
He finishes his beer, gets up, almost bumping into his piano-***-keyboard. He's off to the fridge again. I have a look around while he's out of the room. I can hear him ******* in the kitchen sink.

I've seen the place a million times before but it always has a whole bunch of new **** tacked up on the wall or else bundled in the corner. He's no hoarder, just gets bored and throws out all the stuff he bought the year before.
There's a framed picture of himself on the wall, cradling his Fender as if he's a master of the arts. It's signed, too.
I've seen him play. Probably will tonight. Wouldn't be surprised if he's written a protest song called: bedsheets over the benches in the church yard. The old **** can't even hit an F major with regularity.
He'd decided to put up his vinyl sleeves on the wall like a 17 year old would with an array of **** pop-punk band posters.
Blink and you might think he's the new John Peel or Phil Spector. Stare, and you'll realise he's twice as crazy, yet half as talented and half as interesting to listen to.
His room is like a CV to show to interesting, young indie women. Shame he's hitting forty now,and hasn't been to a club in about 3 months.
Last time we went he just sulked in the corner and got too drunk. He cried in the smoking area about his job before going round and asking attractive girls whether they think he's too old to be out. Most didn't even bother to give an answer. Probably best.

He comes back in with more beer.
“A-anyway...” He says, groaning a little like an old man as he settles back into the chair. “As I was saying...” he sloshes beer on the carpet, rubs it in with the heel of his shoe. He spits on the mark and then rubs again.
“What I was saying was that the church would be a whole lot more useful to the homeless if it was burned down. A condemned building is a whole lot more useful than being looked down on by holier-than-thou, middle-class, white Christians.
“They go home after an hour, bolt the church doors, and then watch TV in their brand new conservatories that they spend several thousands on. Just give the losers a place to shoot up and sleep in safety. That makes sense, right?”
“I guess so.”
I couldn't think of a change of conversation. So I just drank some more and pulled out a cigarette. It's nice to smoke inside for a change.

“It's a ****** ******* awful thing. If people were actually religious, they'd throw open their ******* doors for everyone. It's what Jesus would do, right?”
“Right.”
“He'd have all the **** in his bedsit, piled in like sardines, spreading TB like wildfire.”
“And that's a good thing?”
“Well, it can't be any worse, right? Sleep's important. I learned that the hard way.”

He didn't learn it the hard way. Not really. He's a self-motivated, self-harming insomniac. He spent his teenage years listening to bad music and staying up too late ******* over his French teacher. I should know, I mostly did the same.
He hit the **** pretty hard during college. Never really looked back until recently. ****** him up worse than you'd reckon. He couldn't sleep without the stuff. Man, if you'd have seen the poor guy whenever he couldn't get hold of some for the night. Eesh.

“...you know what I mean though? I'm sick of charity. Those fun-runs you get. A load of women in pink pretending that they care about breast cancer, before posting a million and one pictures up of them in ankle warmers and a kooky hat...”
“**** of the Earth.”
“Yup. Right up there with the women who have 'mummy' as their middle name on Facebook.”
“Yeah.”
“Honestly though, it's the laziest form of charity. Throwing a couple old, mouldy bedsheets out on some bird-**** bench made of wood and ancient farts...”
“It is pretty lazy.” I drank some more.

It was getting late. We swallowed three temazepams each, moved onto the cheap shiraz once we ran out of beer. We leant back in our chairs, barely talking and letting Tame Impala supply the conversation for us.

“You know what?” I ask, pretty much out of nowhere. His eyes have narrowed. He's not sleepy, just ****** on ***** and tranquillizers. He takes a moment.
“Huh?”
“From what you were saying earlier... you know, about the bedsheets over the benches in the church yard. For the homeless.”
“Yeah?”
“Well, why don't you?”
“Why don't I what?”
“Burn it down.”
“The church?”
“Well, you go on about being lazy and ****. Here's your chance. Help the homeless. Break the locks, pour the petrol, take out a few bottles of wine if you find any...”
“Now?”
“I guess so. Homeless folk are dying of pneumonia out there. Not a second can be wasted.”
“I dunno. I didn't mean I had to do it. I was just saying...”
“I guess they were just saying too.” I felt like I was being a ****, so I changed the subject to women I haven't laid.

I stumbled home leaning on my bicycle all the way. Daylight was just about visible off in the distance. I passed two homeless guys on the way back, gave one of them a fiver, the other one my big mac and the last of my cigarettes (well, leaving a couple for myself).
They said thanks, god bless you, etc, etc. I carried on walking.

I woke up the next afternoon with a mouthful of sand and in desperate need of a hangover ****. I hadn't shaved in about two weeks and there were dark circles under my eyes. I thought about going out to the diner for a full breakfast, but strange people were beyond me.
I ordered a pizza full of meat and grease and garlic sauce instead. I text him to see if he wanted to come over and nurse the hangover with a little ****. Watch a film. Get drunk again. He still smokes it on special occasions, and this ******* of a hangover was pretty **** special.
No reply, and I end up rolling up a joint for myself, smoking it by the window and watching the magpies peck around the grass. It's nice out.

The pizza guy comes. He's holding the pizza up like a map, calls out in a bored sort of voice: “Hello sir. I've got a large Palermo Pizza here, with a side of chicken strips and a can of Dandelion and Burdock?”
I say yes and he hands it over.

I tip him with the coins still left in my wallet from the night before, and he sheepishly says he picked up my post for me as well.
I look down at the pizza I'm holding, and there's a few envelopes that look suspiciously like bills, rival takeaway leaflets, and the local paper. I say thanks, give him the best sort of smile I could, and then close the door.
I turn on the TV. I forgot the England match was on. I turn over to something more interesting. There's nothing, so I switch back over. Before I open up the pizza, I take the paper. A small-town existence, nothing ever happens, but I could do with a new job.

The front page is on fire. A church has been burned down in the early morning. A forty-something man has been arrested and then taken to hospital for severe burns to the face. A load of children's art has been lost, along with countless Bibles, prayer cushions, and vaults of cash.
“****.”
I read through the article. The whole place was gutted. Nothing could be salvaged. Nothing could be redeemed. In the corner of the picture, through the red, green, and blue dots, I could just make out some bedsheets over the benches in the church yard. For the homeless.
I apologise profusely for posting up a short story instead of a poem. I wrote this in one go tonight and haven't proofread it. I had no plan, I just wrote until there was -something- there. I just wanted to try something different.

C
Margar  Nov 2014
Angie (13:13:13)
Margar Nov 2014
Long shot. Background: School At night. Dim lights. After dance.

Angie, Yanni, and Maria walk home, laughing and being jocular.

Maria, right. Angie, Middle. Yanni, left.

Angie
(joyous): That was just a-maz-ing! Did you guys have fun?
Yanaiz *(Bored face)
: Eh.
Maria: Yeah. (bored sigh) I guess that was fun. I'm really tired though. (yawns)
Angie: (Wears a happy facade.) So you guys want to come to the dance next month?
Yanni, Maria (vexed): Sure?
Yanni (says it in a long sigh): I'm pretty bored, let's change the topic. (not bored anymore, she was bored with the party talk but is now gleeful that they will change the topic) Okay? Okay.

Camera shot: Close shot- enough for the three girls' faces to show.

Maria (looking forward to any topic that doesn't relate to the party): Okay, what do you guys want to talk about.
Angie (sarcastic): I dunno. I just want to talk about Nash.
Yanni (jokingly mad): No, no, no, no, no. You say that word one more time girl, and I'll slap you.
Maria (somewhat exited): Let's talk food. No, let's go eat food. (eh face)* I didn't like the cookies.  Any suggestions?
Angie (hungry face): Ooooo. Corvette Diner.
Yanni (ambiguous)  : I love all food. I can go anywhere. But, yeah, that's sounds delicious.
Maria and Yanni do a hi-five.
Angie (as if Nash were there): I heard Nash likes that restaurant.
Yanni (annoyed, consternated): Will you quit it with that Nash Grier already? Enough is enough.
Angie (happy, anxious/eager): But, Oh. My. G--
Yanni (jocular, but mad): Forget him chicken fingers.
Maria (anxious, eager): Do they sell chicken fingers there? Ah (gasps). They do!
Yanni(joking): No? I haven't gone to that place or even heard of it. I just called Angie chicken fingers because she looks like one. Am I right? Angie, do they sell chicken fingers at the Ferrari Diner?
Angie (exited): Corvette Diner? Yeah!
Maria (anxious): I told you so!

They all start laughing on their way to the Corvette diner. Cars pass through.

With this, the (two) murderers, were behind them. Hiding.

They come up behind them. They girls turn around.

Video in slow motion when they face the murderers.

Screen turns black and the audience hears ****** screams.

Screen goes on again and the three girls are on the floor.

Screen goes black again.

Screen reappears and it has captions saying, "13 year, 13 days later, at 13:12 PM." Showing the clock changes to 13:13. where Angie's tomb lies. Video in panorama.

Realstic: Right after it turns to 13:13, exactly 13 seconds after, it happens. Builds suspense.

Wide screen shot. A lightning hits the tomb in the 13th second on the time.

Make Angie look like a ghost, faded picture.

Next shot:
Angie watches over where her friends are, (university) but they can't see there because she is a ghost. She talks to them but no one listens. She looks over to the people who ever bullied her.

Angie:(walks over) (whispering in ear of one of the bullies) I bet you never were sorry. (snickers) So why should I?

Angie pokes the bully and walks away.

Angie: (Careless laugh.) You better start saying you goodbyes. You will be gone at 13:13:13. No more, no less.

Bully looks around and spots Angie, but doesn't do anything.

Next shot: Bully's house. Picture focused on clock on counter, bully on background collapses at 13:13:13.

Video is close to ending...

Captions go on (two slides) saying:
1st caption: Angie finds one of her murderers 13 years later on a Friday...

2nd caption: She found the second murderer 13 years later, on the thirteenth day of October...


Last caption indicating end to the film-
They both died on the thirteenth second of the thirteenth minute of the thirteenth hour. The day Angie found them.....


While the last caption is on, audio says again in Angie's voice,
"I bet you were never sorry (pause), so why should I?" (laughs lightly)

The End, or is it?
Photography class script for Halloween. I'll be adding to this. Horror story. I will add the horror as time passes by. It's a script.


"Slogan"
You Won't Have Time to Blink. Once you see her, you you know your dead. Actually, you won't be able to think you are going to die. The one and only thing she seeks, is revenge over her murderers.

— The End —