late last night i walked alone along the desolate shore
of Monet’s pond at Giverny the pale moon
sometimes obscured by impasto clouds
the waterlilies those treacherous waterlilies
screaming in agony
Saskia, Rembrandt’s wife, was there
naked and weeping, her hair and body
wet and slimy draped in orange pond algae
Cezanne crouched nearby cursing and slashing canvases
with a butcher’s knife before tossing them into a fire
when he finished he made fierce love to Saskia
who sang an old Dutch love song as he did
Rembrandt was in deep conversation with Monet
in a puddle of passing moonlight
and didn’t seemed to mind, anything
to stop her endless wailing I heard him say
Monet says Titian’s mistress is now a mermaid
who lives beneath my betraying waterlilies which is why they cry
and why I keep painting them no one makes love like her
just look at Titian’s Madonnas
Van Gogh stumbles in from a dung-filled alley, bleeding badly
from the bullet wound in his abdomen,
where the rich kids from Auvers tormented and shot him
just for the fun of it, Vermeer bankrupt and gaunt
steps from behind a tree and asks if it’s suicide or the new art
Vincent says let the people believe that tragic ending
it’s a dramatic final brushstroke to my life even if untrue
but I love the blackbirds and my wheat fields and blue irises
way too much to spill my guts on them cadmium red maybe
my left ear lobe maybe but never my guts
where’s de Kooning anyhow he yells the *******
borrowed my paintbrush and never returned it
now I’ll have to paint with the tongue of Gauguin’s old shoe
Caravaggio floats by face up caressed by the wet palms of the weeping lilies
he’s burning up with fever delirious screaming
where’s my ship where’s my ship
they’re all on the ship my paintings
my paintings will redeem me the Pope knows
I only killed one man
Monet strokes his beard like Moses Rembrandt
says it happens to all of us even our wives and
mistresses perhaps it’s the lead in our *****
it’s not suicide it’s not homicide it’s the madness of living too much
Rothko appears, a translucent ghost inside a mist salving his slashed wrist
with Monet’s pond water Mark washing washing
the healing water the Giverny water dancing with pran the giver of life
that’s what Monet was painting at the end
using the palette from the other side
pran transmitted through the wailing
of the waterlilies the siren’s song
that lures artists to their death
and then washes them clean for the next go
to pick up where they left off, alone
with his whiskey bottle Jackson ******* hurls paint clots
at Rembrandt’s Still Life with Peacocks
those two dead peacocks they’re all dead peacocks
floating belly up under Monet’s footbridge
all the color gone from their plumage
drink the water Jackson or better yet
let Cezanne rip out your diseased liver
and wrap it carefully in a weeping waterlily
and float it out into the middle of the pond
where the forgiving moonlight and the mermaids
and Monet’s eyes now dim with cataracts
can help it filter out the poison of living
too much and then you too Jackson
will make painterly love to Saskia and she will
daub your diseased body in Titian’s blue
and her husband’s gold and Vincent’s sunflower yellows
and send you back into the world
where you will continue to splash us all  
as we lie flat on the ground hands and legs intertwined
our faces and bodies your canvas more willing than ever
Jackson, you’ll turn us into a unified field of smashed hues not just from here but from where you stand one foot on the other side
get us all raging drunk Jackson in that myth you longed for
splatter us in the tinted mess of the mystery you raged at
and had to settle for drunken oblivion instead
drink deeply the mystic-hued water of Giverny
Vincent and Paul and Mark and Jackson
and when you come back
spit it out on our parched souls

i.

impressionist,
where the grey
clouds and the blue
ice of winter
gather their ghosts,

winter, too cold,
too white, the
woodland hollows
dent,
summer love

discarded in
the frost,

the sky oaken,
the moon’s forget-me-knots
silvery dream.

ii.

clouds like wintery steel,
sunken, in a night pool,
the golds of my heart,

the lodestar gathers
moss and rook,
glimmers in a sky
of woven cloth,
her leaves, the trees
of winter,
her leaves, the dark
breath of the storm.


iii.

winter and quiet stars
brooding emperor
sleeping in the twilight
hour,
winter dreams of
strange ice caverns
where ice ghosts
dance with twisting
hair.

iv.

pond of ice,
snow bear,
snow dream,

sleep unwraps

wide avenues of
trees,

sleep, the dark girl,
the falling tide.

v.

twig breaks under foot,
earth’s thrones
settle in the lizardy light

the moon rises in the sky,
soft centuries of sky.

i.

under a flaming bridge
blue islands,
sky-stream of
light, as the tranquil
waters unfold,
dream of
visionary seers
and haunted rooms.

gold sun running
like a tide,
pads of echoing cloud,
reflections like
mirrors on
the hollowy
water.

ii.

oil on canvas
pond of daydream,
water wrapped in love
and flower.

sunken, bird of grey
wire, fallen stone,
rippling ghost.

iii.

flower of ghost,
ink lady of sapphire
melting and sinking
like lanterns
in a chine,
where the night
wanders and the stars
lean against the sky.

iv.

watery isle,
rivery summer golds,
trembling pond,
flower of the dragonfly
flower of white sun.

v.

shadows in the leaves
monet fire of gold,
strange indigos,
violet sky,
water-dragon of the pond
water-dragon of the flowers.

i.

the grey ghosts
water to the sky,
pond to the
breaking air,

the blues are
cloudy
islands and
stars, lily pad
gold-green
dream of monet-
light.

ii.

love drifts,
scurries over
the water like
a dragonfly,
her wings the light
flowing, melting
in its breathful
streams

falling
falling
in the delicate
colours of
spring with
its tide-like
ebb and flow.

iii.

i held you
close and you
were the
aching spring,
the bright
opals of the moon,

i held you close
and all i could see
where the blues of
the pond, the
snake-silver
stream of starlight
and flower,

you were the
aching bronzes
of the rivery
pools, the still
water's paradise
of blue and white.

iv.

capture me
in the cloudy
isles of
the bright
lilies,

i am the melting
light, the frail
bloom with its
zen-like peace,
church of quiet
air, hopeful stream
of ache and light.

v.

ghost-enamels
of impression,

silently, the sun
sinks and the golds
of spring blossom
like a spell.

The waterlilies
Float above graceful Koi fish
White and cherry red
Amongst ripples cast through ponds
Of alternate dimensions

Whilst white sakura
Flow like the wind through long hair
Outside car windows
During the sunniest days
Of an endless rain season

Clouds glide across sky
Like those wet waterlilies
In search of lost time
Yearning for life in the warm
Recesses of all-being

beauty is born
torn and tired
tirelessly turning 
into itself
she unfurls 
her long and shapely legs 
like a chain of
tibetan prayer-flags
waving to the Sun
immediately she begins 
to stage the play
that penetrates the heart 
with strong arms
and a silken mane 
the color of sea-spray 
her neck is the foam filled ocean 
and her ******* 
are coral reefs that protect
the polyps that cluster 
in her unfathomable depths 

modern day education
is beyond biased 
and most definitely broken
impermanent knots 
are haphazardly tied
to bind the minds
of dancing children
short-term memory
instigates a fleeting vision
some call it autism 
others prefer anarchy
a fear of growth 
or is it really indecision
that when you can no longer respond 
to life's most pertinent questions
with anything other 
than no thank you
eventually every syllable uttered 
becomes the stuttered sound 
of overly clichéd ambivalence
that frequently masks 
itself as wisdom


despite our higher self's 
best wishes
such limitless awareness
our very own bodhichitta
slowly becomes 
an interminable trickster
also known as Ego 
which incessantly repeats

phrases like 
i’ve earned these blessings
i've learned these lessons
aeons ago
therefore it is best to
meditate and inspect one's thoughts
on a daily basis
before all these shadows 
have a chance to grow and become
funeral wreaths
still the ego says
oh what fun it is to look at
the shimmering shawls strewn 
haphazardly like wedding veils
upon our watery souls
as if you and I were a couple of
Jackson ******* paintings


to heat the flame
inside the
limitless
space of your soul
you cannot
deny your heart
the swamps, vines, rocks and peaks
it seeks for eternity
the ancient trees drink light
and breathe out the heaviness
of splintered sight 
into the ephemeral night
divine breath
is calling you home
sounding trumpet flowers
daily...

gathering falling branches
and transforming sticks of palo santo
into star-studded candles
which permanently leave 
their ashen and iridescent marks 
like tattooed scars
upon the painted face of the sky

while angels fly
with flaming bundles of hair
weaving silent smoke signals
rising up from warm coals
the spiraling eyes of the spirits 
are alight with the embers of love
which impress their radiant etchings 
upon the daguerreotype of darkness' 
burning eyeballs


faceless in the heat
grief is asleep and dreaming
of justice
a curse on those 
who evade their emptiness
in culturally appropriated places
harboring...

regret like a fugitive 
such frustration that i wept
for the lack of fruitfulness 
******* the chords of love
slowly and gently she strums
her weeping guitar 
as if arrows and yarn
were woven into her arms
like baby blankets and bundles of cotton
naked and forlorn 
her hair worn short
still she swore that she could not rest
until all had sweat their prayers
through hollow caverns and windy staircases
her vision forever strengthened
by a ceaseless determination

balancing multiple lovers
is never an ideal situation
hearts broken and freedom falling
toppling down from heaven’s peak 
into these dusty old basements
just as we suspected
everything is resurrected
to time’s smiling amazement
both old ones and new ones
are reflections of truth
juniper sours
and blooming flowers 
of golden waterlilies 
poppies and sprigs of amaranth
jaundiced and porous
loquacious are the stages 
that we must pass through 
on our way to becoming 
dew drops and frozen apples


remediating all this concrete nonsense 
would be to our immediate economic advantage
these tragic promissory notes 
where landed lords of wealth 
have repeatedly replicated themselves 
upon trillions of meaningless pieces of paper
their stoically printed faces 
should not be readily trusted
nor traded or exchanged
for life's necessities
they are not only useless but truly 
dangerous
as they often claim
that they are only passing through
yet as each new day dawns
they are forever inclined 
to once again dine with you anew


bold in flesh and sinuous
only a moment before
the Sun shall bloom and whisper
with sleepy eyes
into yarrow flavored water
the secret of not knowing
the ancient face
of grandmother Moon speaks
through alabaster teeth
so intent on biting through sheets of
dawn’s iridescent sky
that the sounds of her words
are instantly drowned out 
by her tears
yet if you listen 
really closely like an owl
to the chorus of the night
you can clearly 
hear the forest echo

i love you

I still dream you hold my hand
as we walk across the pond.
but its surface was clean and unharmed by filth.

Your lungs were never deflated
and you would breathe so graciously.
I waited so long, my hair has grown
& your emerald eyes
had a lust for life.

I wish I could conjure your spirit when
they say how much they see you
in me.
But I'm left empty in the midst of all
they could never see,
I've grown up, but I'm never free
of the child you held in your arms.

I don't want to spend my life being haunted by a woman
that never fought her own ghosts.
Cancer is not a demon, it is an illness
and the zodiac you were born as
should be the only thing to touch you.
But still those weakened cells
took your body as their host.

Now I mourn you in the reflection of ponds
and wait for waterlilies to bloom in the place
of your face.

now I wait for your soft hands to hold me in your lap
and place a soft kiss on my forehead.

And when I think of my mother;
her poise and grace,
dresses of lace.
My desire for our souls to meet once more,
or to see your face in front of pearly gates.

—V.H.

How is it that I am now so softly awakened,
My leaves shaken down with music?--
Darling, I love you.
It is not your mouth, for I have known mouths before,--
Though your mouth is more alive than roses,
Roses singing softly
To green leaves after rain.
It is not your eyes, for I have dived often in eyes,--
Though your eyes, even in the yellow glare of footlights,
Are windows into eternal dusk.
Nor is it the live white flashing of your feet,
Nor your gay hands, catching at motes in the spotlight;
Nor the abrupt thick music of your laughter,
When, against the hideous backdrop,
With all its crudities brilliantly lighted,
Suddenly you catch sight of your alarming shadow,
Whirling and contracting.
How is it, then, that I am so keenly aware,
So sensitive to the surges of the wind, or the light,
Heaving silently under blue seas of air?--
Darling, I love you, I am immersed in you.
It is not the unraveled night-time of your hair,--
Though I grow drunk when you press it upon my face:
And though when you gloss its length with a golden brush
I am strings that tremble under a bow.
It was that night I saw you dancing,
The whirl and impalpable float of your garment,
Your throat lifted, your face aglow
(Like waterlilies in moonlight were your knees).
It was that night I heard you singing
In the green-room after your dance was over,
Faint and uneven through the thickness of walls.
(How shall I come to you through the dullness of walls,
Thrusting aside the hands of bitter opinion?)
It was that afternoon, early in June,
When, tired with a sleepless night, and my act performed,
Feeling as stale as streets,
We met under dropping boughs, and you smiled to me:
And we sat by a watery surface of clouds and sky.
I hear only the susurration of intimate leaves;
The stealthy gliding of branches upon slow air.
I see only the point of your chin in sunlight;
And the sinister blue of sunlight on your hair.
The sunlight settles downward upon us in silence.
Now we ****** up through grass blades and encounter,
Pushing white hands amid the green.
Your face flowers whitely among cold leaves.
Soil clings to you, bark falls from you,
You rouse and stretch upward, exhaling earth, inhaling sky,
I touch you, and we drift off together like moons.
Earth dips from under.
We are alone in an immensity of sunlight,
Specks in an infinite golden radiance,
Whirled and tossed upon silent cataracts and torrents.
Give me your hand darling! We float downward.

i daydreamt of monet at lunchtime
as i sat alone on the bench by the waterfall that marked the
and smelled the
and reminded me of the fact that

sometimes literal meaning is less important than the
smell of wildflowers and the and the way that under the hot july sun
the colors of the forest felt a little brighter
and my skin was more sensitive to the breeze than it perhaps would have been
had it only been sixty five degrees
and not eighty three.

and waterlilies are
,in fact,
a little more green than monet painted them,
and less blue,
but whatever.

or was it just that i hadn't eaten at all in two days
and that i was feeling a little light headed
and when your mind can't help but wander off on its own
then the way that the trees
and the birds
and the children
and the clouds and the sky reflect off of the water
start to remind you a little of monet

Ah, I'm red, red, red, red, red! Blush didst I odiously-heavily and gaily, soon as my cheating eyes caught t'at sight of thee! Yes, my dear! So splendid in thy furry, silky coats, ah! silver and red just like th' plentiful breaths of thy streaming innocent gladness; and so perfectly swimming in the oceans of thy handsome face. How profuse and miraculously stunning, like t'ose proud branches of th' juvenile brown verdure-clinging to th' wreaths of cloudy smokes, but still in possession of t'eir own light-hearted lives. How my pride, and weary confidence, sulkily musically leaned away and eagerly bubbled out of my entire conscience; ah, gasping for air then I ended up, unable to **** in th' very atmosphere of th' corridors in which I numbly stood. How I was incurably merged into thee, my love! But still-can't thou see it? My wit, oh, my absurd, haughty wit-and waning intellectual dignity, all were but worse and merely remnants of desultory shadows as soon as thou heaved thy shiny self into view; and straight away-ah! in th' one very blink of th' cautious eye of thee-my thorns of meek feelings were but cheered again with unseen crowns of white dew. Oh, querida! How I plodded about th' magnanimous region of our dwellings, yes-amidst t'ose chirping buds of waterlilies and lavender-like moors out t'ere-t'is morning, with thy image so clearly evoked within my chest, before satirically-and dolefully-giving up my fragmented efforts-as I found thee not, my love! But t'is tearful evening, o, as agitated, sombre and colourless as it would ever become, soon flashed into mine t'at wildness, and yet flirtatiousness-of thee, bathed in jubilant waters of light, and deafening storms-ah! t'ose torturous storms of benevolence, hysterical prudence, and ingenious salutations. Oh, how sure and convinced I duly am now-t'at thou art th' only merit and most precious gift I shall ever love, cherish, and care for. Thou art, indeed, th' sole man I want, and am ever desirous of, in t'is mortal world-for I consider thy love immortal, and secured, for me-ah, as it hath always been-just for me, love. I love thee-I love only thee, oh my, my darling! A prince, prince as thou art, shalt break t'ese weak, ye' icy stones in which I am enveloped-for all th' virtuous akin 'tempts hath all been wan and futile-and melt, melt safely t'is stern heart of mine so I canst cherish love again.

You found me
stuck staring
at rearview mirror reflections
of wintry, dusk intersections
of everything leaving me
all at once.
A forced exhale
of asphyxia caged
in collapsing lungs;
my mouth,
a fountain spring,
that coughed out
pools of blood.

I wish I saw myself
the way you saw me;
not a red traffic light
wounding speeding cars
on winding streets,
but an antique heirloom
priceless enough
you'd only wish
you could keep
in a heart-shaped box
you saw in dreams.

But, I'd cut my tongue,
paint my lips cherry shades
to blend with cells that'd stain
handkerchiefs you'd offer.
Make you believe
this isn't going to foster
because you are indecision,
unfinished watercolor landscapes
of summer forest fire skies,
a sun-kissed Pacific wanderer.
And I am true crime
untouched evidence of break-ins,
remains of faulty locks and lights.
I am mosaics misaligned;
static, seabed cracks
from forgotten fault lines.
Gaping fissures of sand,
and salt that won't let me stitch
frayed skin-deep fibres
barely holding me in.

Oceans would have to empty themselves
into whirring cyclones and high tides
for our selfish sense of touch to collide.
Ice caps would have to sink
deep enough to even bruise my skin.
And I wouldn't want to watch
more Shakespeare end
before it begins.

See, I am the one
with sharp edges,
but why
did you have to be the one
to clip my wings?

There is only an abyss
without a trampoline,
a safety net,
a bed of waterlilies,
I could fall in.
And I am so tired
of paradoxes
and ironies;
of always being wanted
by someone who doesn't even
want to be kept,
of always being mended
and then left
with more dislocations,
and fractures,
one after another
each taking longer to fix.

Now, in shapeless parcels,
without return addresses
sent out into the void
these words will echo
of love
I never intended to borrow,
and shadows
of false hope
you never thought yourself
capable of
giving away.