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Tantrums Of Genius
Tantrums Of Genius

Stay away from The - Mart

and it’s shopping cart

with a bad wheel,

Write on paper with

disbanded,forgotten

outlawed cursive,

not staring into

a computer with pop up adds

and trivial social media,

Have Tantrums Of Genius

Sip on a beer

or some wine

and close your eyes

in silence,

listen to the thoughts

twirl in your mind

like a Van Gogh painting,

paying attention to detail

as the thick blue colors

swirl into each other

creating a vibrant sky.

Listen to Mozart

softly inducing stimulation,

master’s calling through

space and time

telling you

of their frustration

in finding anyone

to listen to their message.

Read Ezra Pound

and all the others

the poet’s

who had the knowledge

the insight

to warn you of

a place with no creation,

filled with people

without imagination,

those who never had

Tantrum's Of Genius

Feel the emotion

as you start to pace

the floor,and look

out of a window,

and for the first time

realize that you

are surrounded by beauty

and you have ignored

every flower

and all of the color

that has not been recognized.

Maybe with anger

or with regret

have a

Tantrum Of Genius

As the truth

softly show’s itself

like gazing into

a Dali painting

slowly discovering

what it is you are looking at.

promise yourself

to often have

Tantrums Of Genius.
Bob B Dec 2020
On the first day of Christmas the White House gave to me:
An alternate reality.

On the second day of Christmas the White House gave to me:
Two NDAs and an alternate reality.

On the third day of Christmas the White House gave to me:
Three Trump steaks, two NDAs, and an alternate reality.

On the fourth day of Christmas the White House gave to me:
Four racist thugs, three Trump steaks, two NDAs, and an alternate reality.

On the fifth day of Christmas the White House gave to me:
Five hundred lies, four racist thugs, three Trump steaks, two NDAs, and an alternate reality

On the sixth day of Christmas the White House gave to me:
Six childish tantrums, five hundred lies, four racist thugs, three Trump steaks, two NDAs, and an alternate reality.

On the seventh day of Christmas the White House gave to me:
Seven Russians hacking, six childish tantrums, five hundred lies, four racist thugs, three Trump steaks, two NDAs, and an alternate reality.

On the eighth day of Christmas the White House gave to me:
Eight super spreaders, seven Russians hacking, six childish tantrums, five hundred lies, four racist thugs, three Trump steaks, two NDAs, and an alternate reality.

On the ninth day of Christmas the White House gave to me:
Nine COVID cases, eight super spreaders, seven Russians hacking, six childish tantrums, five hundred lies, four racist thugs, three Trump steaks, two NDAs, and an alternate reality.

On the tenth day of Christmas the White House gave to me:
Ten crooked pardons, nine COVID cases, eight super spreaders, seven Russians hacking, six childish tantrums, five hundred lies, four racist thugs, three Trump steaks, two NDAs, and an alternate reality.

On the eleventh day of Christmas the White House gave to me:
Eleven lawyers losing, ten crooked pardons, nine COVID cases, eight super spreaders, seven Russians hacking, six childish tantrums, five hundred lies, four racist thugs, three Trump steaks, two NDAs, and an alternate reality.

On the twelfth day of Christmas the White House gave to me:
Twelve new indictments, eleven lawyers losing, ten crooked pardons, nine COVID cases, eight super spreaders, seven Russians hacking, six childish tantrums, five hundred lies, four racist thugs, three Trump steaks, two NDAs, and an alternate reality.

-by Bob B (12-18-20)
Bob B Dec 2020
(This poem can be sung to the melody of "Tiptoe Through the Tulips" by Al Dubin and Joseph Burke.)

D.T.:
Tiptoe through my tantrums,
Through my tantrums--my reality.
Come tiptoe through my tantrums with me.

Tiptoe through my chaos,
For my chaos is a guarantee
If you stroll through my chaos with me.

If things do not go my way,
I'll try to ruin your day.

Don't try to boss me, double-cross me
Or defy me, if YOU do you'll be
Wrapped up in my chaos with me.

If you don't like what you hear,
That's tough 'cause I won this year!

Do what I tell you
If you don't you'll be up a tree.
So tiptoe through my tantrums with me.

-by Bob B (12-17-20)
Tantrums Of Genius

Stay away from The - Mart

and it’s shopping cart

with a bad wheel,

Write on paper with

disbanded,forgotten

outlawed cursive,

not staring into

a computer with pop up adds

and trivial social media,

Have Tantrums Of Genius

Sip on a beer

or some wine

and close your eyes

in silence,

listen to the thoughts

twirl in your mind

like a Van Gogh painting,

paying attention to detail

as the thick blue colors

swirl into each other

creating a vibrant sky.

Listen to Mozart

softly inducing stimulation,

master’s calling through

space and time

telling you

of their frustration

in finding anyone

to listen to their message.

Read Ezra Pound

and all the others

the poet’s

who had the knowledge

the insight

to warn you of

a place with no creation,

filled with people

without imagination,

those who never had

Tantrum's Of Genius

Feel the emotion

as you start to pace

the floor,and look

out of a window,

and for the first time

realize that you

are surrounded by beauty

and you have ignored

every flower

and all of the color

that has not been recognized.

Maybe with anger

or with regret

have a

Tantrum Of Genius

As the truth

softly show’s itself

like gazing into

a Dali painting

slowly discovering

what it is you are looking at.

promise yourself

to often have

Tantrums Of Genius.
Shazia ullah Jan 2016
My baby girl

My baby girl,
She doesnt speak to me
But i know what she says
I know what her gibberish means
I know why her tantrums are
My baby girl
Beautiful as anything ive ever seen
Maybe more
Innocent pure unique
My baby girl is special
Tom Leveille Apr 2014
let it not be confused
let no one else's name
ring throughout these sentences
let this be a hatchet
let me put this to rest
this is not a test
i don't want to think
about shipwrecks anymore
i am tired of folding apologies
into origami birds
and placing them
at the headstones to your tantrums
this is not is not geology class
these are promises
written on razorblades
      & if you are getting choked up
        then maybe you should be

maybe we should be buried
with our telescopes face down
my mouth is full of sorry
all for being honest
we are falling out of orbit
we are burning bystanders
so cast away your callous condolences
because no one is clapping
in this waist deep water
this is not a baptism
so do not tell strangers
that this was a chance to drown
any differently
i am not a catalogue
of constellations you cannot name
this is not mythology
so stop believing your horoscope
i am not a wishing well
i am just a wall for you
to paint post nuclear fallout & antonyms for catharsis on
we destroy the things
that are not ours-
the wanton ways
we embody wrecking *****
and then cry over the rubble
this is not a heap or a mosaic
this is leaping
off a thousand story building
with no one to catch you
at the bottom & maybe
that's why some quiet moments
are so fragile, maybe that's why butterflies have mimicry
your words are black powder
and poetry is your musketry
i guess that makes me your blindfold
Given the apparent magical surrealism that the months of April is the month of fate for and death of writers, artists, dramatis, philosophers and poets, a phenomenon which readily gets support from the cases of untimely and early April deaths of; Max Weber, Miguel de Cervantes, William Shakespeare, Francis Imbuga, and Chinua Achebe  then  Wisdom of the moment behooves me to adjure away the fateful month by  allowing  me to mourn Gabriel José de la Concordia García Márquez by expressing my feelings of grieve through the following dirge of elegy;
You lived alone in the solitude
Of pure hundred years in Colombia
Roaming in Amacondo with a Spanish tongue
Carrying the bones of your grandmother in a sisal sag
On your poverty written Colombian back,
Gadabouting to make love in times of cholera,
On none other than your bitter-sweet memories
Of your melancholic ***** the daughter of Castro,
Your cowardice made you to fear your momentous life
In this glorious and poetic time of April 2014,
Only to succumb to untimely black death
That similarly dimunitized your cultural ancestor;
Miguel de Cervantes, a quixotic Spaniard,
You were to write to the colonel for your life,
Before eating the cockerel you had ear-marked
For Olympic cockfight, the hope of the oppressed,
Come back from death, you dear Marquez
To tell me more stories fanaticism to surrealism,
From Tarzanic Africa the fabulous land
An avatar of evil gods that are impish propre
Only Vitian Naipaul and Salman Rushdie are not enough,
For both of them are so naïve to tell the African stories,
I will miss you a lot the rest of my life, my dear Garbo,
But I will ever carry your living soul, my dear Garcia,
Soul of your literature and poetry in a Maasai kioondo
On my broad African shoulders during my journey of art,
When coming to America to look for your culture
That gave you versatile tongue and quill of a pen,
Both I will take as your memento and crystallize them
Into my future thespic umbrella of orature and literature.

Gabriel Garcia Marquez, an eminent Latin American and most widely acclaimed authors, died untimely at his home in Mexico City on Thursday, 17th April 2014. The 1982 literature Nobel laureate, whose reputation drew comparisons to Mark Twain of adventures of Huckleberry Finny and Charles Dickens of hard Times, was 87 of age. Already a luminous legend in his well used lifetime, Latin American writer, Gabriel Garcia Marquez was perceived as not only one of the most consequential writers of the 20th and 21ist centuries, but also the sterling performing Spanish-language author since the world’s experience of Miguel de Cervantes, the Spanish Jail bird and Author of Don Quixote who lived in the 17th century.
Like very many other writers from the politically and economically poor parts of the world, in the likes of J M Coatze, Wole Soyinka, Nadine Gordimer, Doris May Lessing, Octavio Paz, Pablo Neruda, V S Naipaul, and Rabidranathe Tagore, Marguez won the literature Nobel prize in addition to the previous countless awards for his magically fabulous novels, gripping short stories, farcical screenplays, incisive journalistic contributions and spellbinding essays. But due to postmodern global thespic civilization the Nobel Prize is recognized as most important of his prizes in the sense that, he received in 1982, as the first Colombian author to achieve such literary eminence. The eminence of his work in literature communicated in Spanish are towered by none other than the Bible, especially  in its Homeric style which Moses used when writing the book of Genesis and the fictitious drama of Job.
Just like Ngugi, Achebe, Soyinka, and Ousmane Marquez is not the first born. He is the youngest of siblings. He was born on March 6, 1927 in the Colombian village of Aracataca, on the Caribbean coast. His literary bravado was displayed in his book, Love in the Times of Cholera.  In which he narrated how his parents met and got married. Marguez did not grow up with his father and mother, but instead he grew up with his grandparents. He often felt lonely as a child. Environment of aunts and grandmother did not fill the psychological void of father and mother. This social phenomenon of inadequate parenthood is also seen catapulting Richard Wright, Charlese Dickens, and Barrack Obama to literary excellency.Obama recounted the same experience in his Dreams from my father.

Poverty determines convenience or hardship of marriage. This is mirrored by Garcia Marquez in his marriage to Mercedes Barcha.  An early childhood play-mate and neighbour in 1958. In appreciation of his marriage, Marquez later wrote in his memoirs that it is women who maintain the world, whereas we men tend to plunge it into disarray with all our historic brutality. This was a connotation of his grandmother in particular who played an important role during the times of childhood. The grand mother introduced him to the beauty of orature by telling him fabulous stories about ghosts and dead relatives haunting the cellar and attic, a social experience which exactly produced Chinua Achebe, Okot P’Bitek, Mazizi Kunene, Margaret Ogola and very many other writers of the third world.
Little Gabo as his affectionate pseudonym for literature goes, was a voracious bookworm, who like his ideological master Karl Marx read King Lear of Shakespeare at the age of sixteen. He fondly devoured the works of Spanish authors, obviously Miguel de Cervantes, as well as other European heavyweights like; Edward Hemingway, Faulkner and Frantz Kafka.
Good writers usually drop out of school and at most writers who win the Nobel Prize. This formative virtue of writers is evinced in Alice Munro, Doris Lessing, Nadine Gordimer, John Steinbeck, William Shakespeare, Sembene Ousmane, Octavio Paz as well as Gabriel Garcia Marquez. After dropping out of law school, Garcia Marquez decided instead to embark on a call of his passion as a journalist. The career he perfectly did by regularly criticizing Colombian as well as ideological failures of the then foreign politics. In a nutshell he was a literary crusader against poverty. This is of course the obvious hall marker of leftist political orientation.
Garcia Marquez’s sensational breakthrough occurred in 1967 with the break-away publication of his oeuvre; One Hundred Years of Solitude which the New York Times Book Review meritoriously elevated as ‘the first piece of literature since the Book of Genesis that should be required reading for the entire human race. The position similarly taken by Salman Rushdie. Marquez often shared out that this novel carried him above emotional tantrums on its publication. He was keen on this as his manner of speech was always devoid of la di da.so humble and suave that his genius can only be appreciated not from the booming media outlets about his death, but by reading all of his works and especially his Literature Noble price acceptance speech delivered in 1982.
Under the sheets of emotional armor,
A shy little girl masquerades as a martyr.
She’s the Queen of Deceit with her lies getting smarter,
While every tale told draws her self even farther
From finding out why she’s emotionally bothered
By all of the men in her life: like her father
Who only was trying the best for his daughter
And striving to be something more than a pauper
But coming up short. Who knows how much harder
He’d try if she wasn’t an argument starter?
The guilt and the shame from the family slaughter
Has made her insane and continues to bar her
From finding out just what the world has to offer.

Luckily she won’t have to be here much longer;
In fairy-tale land, there's nothing can harm her.

She suddenly finds herself all alone
With nobody’s thoughts to address but her own.
This is the time when she’d pick up the phone,
Demanding a savior to hear her bemoan
About all the problems that she’s ever known,
But what she doesn’t know is a friend can’t atone
For the lack of a man with his patience to loan
To a lost little girl whose bad temper is known.
All she needs is a strong one that doesn’t condone
All the treacherous lies and the hatred she’s shown.
It’s hard to deny all the reaping she’s sewn.
She’ll have to tread soft lest her cover is blown
And everyone finds out she still hasn’t grown
Through the hundreds of tempers and tantrums she’s thrown.
Hopefully soon she can bury the bone
And calm herself into a nostalgic zone
Where smiles and candles were filling her home
And love and affection were all that was loaned.

Enlightenment comes when you realize you’re prone
To the wrath of the heartache that comes with the throne.
Damsel in distress
Christian Ek Jul 2014
The wait is an eternity like a mailed message.  
The excitement of opening you up and reading every little text.  
Your darkened ink hair dripping on my hands and I love the way you leave a flowered scent on them.
I play my favorite songs and I think of you.
The similarities we share lets me know the world is not vacant of awakened people.
I keep you in mind.
I keep you in mind when I scroll past one of your social media quotes and Like it.
You deserve my love, my unconditional love, my wild and passionate love, my fighting love.
I'm a clumsy mess, a reckless greasy rocker, a psychedelic wanderer but I'd gladly give you my best.
Dance with me on top of rooftops, in drunken heavenly ecstasy.
Playing music and looking into your eyes, you would read my soul and I would read yours and you would never ever feel alone again.
Breath me in, inhale deep, get high of me, smile, laugh, your my source of beauty.
Truth be told I don't want perfection, it's boring, I want you.
I want you with me when the apocalypse strikes.
I want you in the morning and in the night.
I want your angry tantrums because I know Life
And I want to heal you when you have them.
Athena, Otherworldly Goddess, Femenista, Mujer Guerillera, Gaia of Earth, I am your poet and you this poem.*  
** - your secret admirer
secret admirer lovers love women
Yesterday was your birthday

All day, my hands weighed me down

With the itch to text you to wish you a good day
With the need to grip a steering wheel, navigating me to your house
With the idleness feeling sinful as I wasn’t baking you confetti cake
With the feeling of being misplaced against anything that wasn’t your skin

To keep my hands busy I piled memory into a grinder
And
Ground
Ground
Ground

Turned the parts as if I was winding up a music box
Because this sound was full
In comparison to
The pit of my stomach that was still waiting to
Share your birthday cupcakes with you

When the flashbacks filtered into my brain
The high was pulled lower still
By the weight of my hands
So that all I could do was cross them
And pray a prayer worth all of the birthday gifts I’ve ever given

“Please, God, on this day make him forget himself.

Please, God, let him find a sweet tooth for things other than the melancholic poison he puts in his coffee

Please, God, let him not remember the time when he broke open too wide and let me slip out of him

Please, God, allow him to feel something, on this birthday, even if it’s just his birthday candle blisters

Please, God, give him his heart back, as it is buried in the past that I was never gifted to know

Please, God, let me not weigh him down with a guilt seed that would root him to a chapter in his life that he wishes he could rewrite

Please, God, let me stop dreaming of him.
I know what it means when I dream of someone.
I know it’s your way of wordlessly telling me I’m being thought of.
Do not let him think of me.


Please, God, fill the parts of him that his worker’s hands have carved out of himself so cleanly.

Visit the wounds that sit in his posture
Will his veins to carry his soul back to his heart

Remind him that his sadness is his own special brew
That he continues to sip at his leisure

Help him understand that feeling lonely
Comes from his own brain that remembers isolation better than love

Please, God, give him
A better year.
A good year.
A year when his time won’t be stolen by someone so insignificant
That he has to translate her words into the language of gibberish,
Until they mean nothing at all anymore.

Please, let him find someone.
Please, let that person captivate him.
Please, let that person know him.
Please, let that person sit in bed with him and feel their good fortune in their bones.
Please, let that person see the moon in his fingertips and realize that they can control the tides, if he wants them too.
Please, let him smile at this person, in ways that would be ugly in pictures, but beautiful in my memory.

Please, God, let that person be HIM.

Please, God, if you won’t cut the ribbon to the start of his new life, at least give him the scissors.

He will say “No, Thank you.”
He will say he does not need your help, because he knows the power of his paint brush,
and that he is too busy washing color out of his brushes to take hold of the harsh metal,
And then he will make confetti of your offer.
He will shred every pleasant thought that comes his way.
He will cut himself open and gaze at every beautiful thing, insisting he sees the wonder.
He will not see the wonder.
He will say he understands the things that live inside himself.
But he will turn their volume down
And tune deeply into the metallic music of sorrowful hollowness
He will go to extreme efforts to ignore the starting line that sits just outside of his comfort zone.

But, God, Please,
Send the trees to trip him
Make the animals chase him
Let him
Throw tantrums that are disguised as the silent treatment

But wrap him up in his ribbon, so that the only way he can move
Is forward.
Remind him that the scissors are always in his hand,
And he needs to learn that
They need not destroy.

Make the clouds rain on his new life,
And remind him that he has a knack for watercolors.

Lure him with oils
Guide him with spraypaint

This Year, show him the paint that
Will reteach color to him.

This year, let him understand that colors are bright,
But not the enemy.

Let him not fear red from the times that he bled,
Let him not cast away yellow, because the sun got in his eyes,
Let him not hate blue, because he almost drowned.

Build in him a reservoir for happiness, that could sustain him through this life that has already been too tragic.

God, on his birthday, please indulge these heavy hands so that they may not cross the fingers for his return,

Because God, it was not I who was born today,
And it was not me who was stiffed on birthday cake.

And though this prayer is selfish,
It is the only thing I can give him,
That he cannot refuse.”

And as I looked down to see my clasped hands, I couldn’t help remember
When one of them was yours.

And for my final birthday wish to you ,
I hoped that only your sleep
Could be relieved of the white knuckle tensions of restlessness

So that you may sleep, and know the peace that I felt,
When I slept next to you.



Happy Birthday,
I miss you.
Happy Birthday,
I’m sorry.
Happy Birthday,
This is selfish,
But Happy Birthday,
So were you.
I wrote this one a while ago, but have finally redrafted it enough to where I'm happy with it.
Mateuš Conrad Dec 2016
i write about these things,
because in all honesty?
they don't matter to me.

you can call it assimilation, then you'll call it
   i'm making a worded salad, so it doesn't really matter
whether i speak the language or not,
being native you'll tell me i have to be a diacritically
riddled over-laden version of you  nativeness...
you'll basically tell me i have to speak a worse-off
native than you didn't bother to grasp...
after that? i turn Sioux and scalp you.
  because that's what you deserve.
i could have come up against you
in the thick of night and turned you into a kebab,
and do you think anyone would have
cared? is it one thing to assimilate,
and another to assimilate into a skin-head culturalism
implosive that's brimming to the full with your patriotic
hopes as being acted upon? i can speak the perfect
English and still be more welcome in Scotland
than in Kent... but that will not not do,
not until i shave my hair off,
grow a beard, and runsack my skin
with quasi-Hindu ******* tilts...
           and when this foreign legion
of Swedish journalists bemoan why
their **** ain't where their heart is?
have you seen the *sienkiewicz"
trilogy of *potop
? you want history?
how about: in the beginning
there was an invading horde of Swedes
that tried to topple the proto-commonwealth
of Poland and Lithuania...
  even how much i cared to learn the tongue:
i'd be left belittled by ugly accenting
stereotypes...
                          i'd be Islam of drunk,
while the engineers would be left saying:
and unto us amphetamines,
and Mamelukes were never Egyptian...
because Egypt was what Egypt desired...
a quasi thingy... then i turned my ear
to Macbeth, and earned 70 years
and a Spartacus' worth of ears to my nearing 31...
                   i turned to Macbeth the theatricals
silences, and let, the music... play.
i can learn the language, but i am expected
to push the natives from a career of criminality,
i am expected to become the criminal,
i've learned the language beyond the natives,
what else?
   to learn the debasement of the natives akin to
every other culture? am i to become the
criminal statistic of the ruling political elite?
so they can "know" but that they merely quote?
   i owe my ode to Macbeth,
for Hamlet can become tiresome aligned with
Sisyphus in hell...
              we'll have builders by the end of
the debate...
     how much more do i have to learn?
is language not enough? then velkommen Syriac!
               is it not enough that i know the tongue?
must i be jeopardised by using it,
and say that universality is to be excluded,
simply because it does not abide by an utopian
ideal of pure English sprechen pure English?
         there are scapegoats to be festering upon
the spike that's readied to be fried...
but come on... is this deutschesprechen?
              it can't be! if i pretend to be Malcolm...
you pretend to be Duncan,
but nonetheless the speech makes us both truant
ghouls and guises receding
   into the demands of operatic - kindred to
Lady Macbeth (a protestant, or should she be
known catholic: McBeth) -
      as Glasgow religion of the coliseum of the times
testifies... celt and ranger... green & white vs. blue and
   black...
     lady mc.: what beast was 't thou,
        that make you break this enterprise with me?
(no matter if you killed a man, of whatever
stature he be worth, what beast are you to suddenly
cage my heart, when having agreed to make my heart
and feeling thus: storm the heights of Ben Nevis,
and descend as angrily as a woman might please,
  and with her whim, descend from the mountain
as if a mountain descends into desert?! what
courage, ye! to throw a woman into such woe
and leave a man's promise, the very least
a man can bestow upon this earth: but a woman
yet to come to correct!) so thus the elvish Anglican
was spoken, and thus continued:
- when you durst do it, then you were a man;
   and, to be more than what you were, you would
be so much more the man. nor time, nor place,
did then adhere, and yet you would make both...
  from his boneless gums...
nor have i understood Hamlet as the model student,
the puppet if not the mere mascot...
for the Freudian couch... then again i navigated
past Kant with Macbeth,
having yet to complete reading the critique...
       i took to maturity, and said
what others wished upon: there is true
adult agony in a well versed poetry...
       more so than adolescence in what's deemed
a maturation process...
             perhaps i should have served the concern
for Hamlet and laid bare upon the psychoanalytic
couch... but Macbeth: of said
sepia as copper, so said of woad as in aquamarine
surrender... led me to cite...
          for i was never bound to own the tongue
i would acquire... i was told:
   well, hello there, dishonourable squire...
ah... the queen's majestic airs...
    will make any Irishman desist from the republic's
gaze...
             and sloth in a respectably believed state
of consolidatory affairs under the kites of Yates...
   but never you mind the Silesian consumed
by former guardian of the coalmine...
or what L'vov wouldn't say in Ukrainian...
mind you Nevada and Lasso Vegan...
mind you that...  for that speaks biblical studies!
i will never assimilate, in that i will never be
allowed to own this tongue...
            and if i am allowed to own it...
i am but a furry-faced-bloat of faked pleasantries
   and closet nationalism...
        i wish i could own this language as if i
might own a typewriter... but i'm apparently
not welcome, by the pseudo-irish who
mediate the English assertion of the understanding
of the dover sieve...
                 ******* leprechaun mafia...
  paddy paddy oo too the butch-faced freckled girl...
   it's as if the Italians have Manhattan,
    and the Corke conglomerate prescribed
everyone a pint of Guinness rather than iron-pill
supplements...
                 well: and so the Titanic bellows
out an oceanic morse code of tantrums on
the accordions.
                      which sorta soothed the mermaids
digest contemplation for the vegan accomplishment
of shrimp... and over seafoods...
being digested.
         now i'm apparently not speaking English,
or i'm speaking English and i don't understand it,
or i'm understanding how i'm speaking English,
and how i'm supervising all things uranium
                               bound hallucinogenic...
or how, even though urbanity took off and
the countryside disappeared, you think you'll never
meet peasants in smirk attire to condescend you
gravity toward theatre or opera...
     but peasants are reall... you can recognise a peasant
the minute they don't recognise you insulting them;
it's a bit like telling a very witty joke...
         i don't get witty jokes because i tend to treat them
like a siegl heigl salutation...
   and i respect the memory of Octavian...
                                 it's the wittiness that comes into
contact with actually not telling a joke: and people
end up laughing... that's when you spot the peasants.
    so you see... i speak the ****** language,
but i'm sorta denied the access for drinking a cosmopolitan
at a Shoreditch pub...
                        which makes all arguments
for learning the language obsolete in terms of gaining
a "fair" advantage... and this is European to
European lingo...
        didn't i ask that Swedish journalist
ingrid carlqvist to watch the trilogy, including
potop about the war between Sweden and
the Polish-Lithuanian commonwealth, and ask her
about what's to be culturally inherited?
**** me... maybe i'm sleepwalking...
                     dodo zombified or something...
                                     oh wait...
                                         if ever there was a regressive
reparation policy in a country:
i'd hear: guilt from western countries taking the bribes
of the Marshall Plan...
      and overt pride from countries post-world-war ii
being prescribed communism, as a way to rebuild
their nations: for fear of having to commit to
hara kiri... or *******...
                                         as said: becoming
the easily bribed convenience...
                              the concept of assimilation
within the construct of selective migration has transcended
the mere acquisition of language...
  acquiring a language isn't enough...
         the reverse policy of colonialism is hushed-down
ethnic cleansing...
          which goes beyond language per se,
since it goes beyond dialect ex lingua...
              it is a necessitation of also acquiring
national stereotypes of unengaged in dialectics...
it is one thing to rhetorically assert a need to debate,
and another to understand that dialectics ≠ debate;
but rather a service to prompt and engage thinking,
rather than debating... dialectics is an art-form,
     it's intended to encourage thinking,
rather than the continuum of polarised / schizoid
debating: debates never accomplish a convergence...
whereas dialectics is intended to establish
a convergent pinpoint... as Socrates said unto the young,
so i find myself talking to old men and being
in accordance to have shared a park bench,
one sunny afternoon at the nadir of summer.
                why is it that acquiring language is not
enough these days?
       or why is it that a poor acquisition of a language,
or acquiring a language without correcting
accentuated stresses particular to a tongue
are given a freer access to labour, then
acquiring a language to a standardisation of
mimic localisation, and fence: a faking of
a faking (ad infinitum) or locality?
i.e. overly-successful assimilation?
             overly-successful assimilation is punished!
   it is punished by speaking as a fluent native
might... but having no discriminatory biases
that could enable one to be completely native...
and this is punishable!
             by a stance that it's a robotics project,
that one is nothing more than an a.i. enterprise...
even those dearest to me acknowledge me
as a robot... an a.i.,
           but they can't seem to understand that
artificial intelligence, and authentic intelligence
cannot be superficial intelligence of
natives... for the natives have a placebo
to what is otherwise a Pompeii resurrection
to the volcano-dynamic of analysing-ergo-synthesising
           ana ergo syn           which
constructs the opposite of thesis and antithesis,
given that the equation combines two adequate prefixes,
ana- and syn-...
                      "against" therefore "with".
isn't that how we cling to social pressures
or prejudices and still accumulate 8 billion examples
of a comparative e.g. that's a John Smith?
     i have yet to come across a contemporary that
might become as if fatherly...
   i just see opportunist buckling down the M25 of
encircling nothing more than a venture into
gaining a quick buck... and it could, it could
almost be sad... but it's not...
              it took me almost 13 years of synthesising
the English language: synthesising i.e.
mimicking - before i started analysing it...
      and when i say the groundwork for any
theory on the subconscious is to focus on grammar
and grammatical word interjections into
a Joycean stream-of-consciousness...
                              for that's worth the upper-tier
working from the sub-level...
                          of utilising language:
then the unconscious is far from dreaming...
it's equivalent in seeing how i acquired a language
at the age of 8 to synthesise / mimic what the children
around me were saying...
   but that it took me so long to analyse the language...
which the children around me acquired within
a reflexive bias to later strand such reflexiveness into
a divergence of calling their angular retraction
philosophy, linguistics, poetry, psychology...
whole all i had to do is to appropriate a reflective bias to
later strand such reflectiveness as to say:
of my mother i say polski, of my father i say:
             ojczym - and i can reflect upon him,
foremostly his diacritical lack of the wriggling-blagger's
economisation, when due coinage is needed.

— The End —