I don't know when it became
Such a game
To just communicate
With you
Some power play

But dang I'd choose
Cups and strings
And walkie talkies
Over this "thing"
Any day

The Night King Ego died...

The time, the place, the setting:

T'is some hour for sleep, prescribed,
For me, the reality of sleep, proscribed.

The strains of Bach's
Orchestral Suite No. 3 in D Major
Haunt.
Richard II's words
Give pause, precision refinement of my cause courant.

“No matter where; of comfort no man speak:
Let's talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the ***** of the earth”

Two am in New York, sleep,
As advertised,
Literally, a passing acquaintance,
Doesn't make it to
The side of the bed occupied by
100% of me.
Seems he went
From chimney to chimney
This past Sunday morn.
Not having a chimney,
He flue right over me.

No matter.
Company aplenty,
Ego and moi,
We, had a long talkie.
A bit of a wrestle, a staring contest
In a mirror, we watched ourselves,
In the pitch black
where clarity is perfect,
For nothing else exists,
But ego and me,
To distract us.

“I'll read enough
When I do see the very book indeed
Where all my sins are writ, and that's myself.
Give me that glass and therein will I read.
No deeper wrinkles yet? Hath sorrow struck
So many blows upon this face of mine
And made no deeper wounds?
O flattering glass,
Like to my followers in prosperity
Thou dost beguile me!”

Called my lawyer just now,
ordered her to commence
the divorce papers, serve them ASAP,
I need to rid myself of
My oldest nemesis, my oldest friend,
Mine vanity, my ego.

Let me explain
myself to myself.
You may tag along for the ride.

Writing is more important
than any of the individual
Five senses
That feed this addiction.
Without sound, sight, touch, smell and taste,
I can live quite well,
Thankee.

But ****** boy mind needs to write
Simple survival.
No write, no life.

But ****** bad boy ego is a curse,
A contaminate of each and every
Line, stanza,word and verse.

"Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnable, and humour'd thus
Comes at the last and with a little pin”

At first, for an audience of three
I performed,
Me, myself and I.

But the suckiness creepeth in,
and etches my distorted face,
Salutations and gradations,
demanding confirmation
Of Shakespearen magnification.

Do you like me?
Do you love me?
****** all.

Curse ye King Ego and your vainglorious occupations,
Divorce me, from the sad isle of
Self
Self worth,
Pride, vanity insurance,
The most deadly of the seven
Deadly sins.

Ego desperate in kind responds:

"I live with bread like you, feel want,
Taste grief, need friends: subjected thus,
How can you say to me, I am a king?”

Slime and slippery, want is what you feel,
Taste grief, need friends,
Sly devil, you twist thy cunning tongue,
The reverse, your plain meaning!
You need nothing but subjects,
In earnest and forever praise,
Absent them, you mood and whine,
A pretender, a poseur, a drug addict cursed!

Let us purpose to dispose of thy spirit earthly,
Slow starvation too good for you,
Poison, arrows, the hilt of my blade,
The neck, thine bowel,
Let me embrace,
Prefer your steel hot or cold?

If we both must expire, then it be so, for
My honor taken, my life forsaken,
My poetry in disrepute,
Until that day when I write for me alone,
And ally my scripts, in coffin, with me interred.

"My dear, dear Lord,
The purest treasure mortal times afford
Is spotless reputation; that away
Men are but gilded loan or painted clay...
Mine honor is my life; both grow in one;
Take honor from me, and my life is done."

I’d get a call over the walkie-talkie, write down what parts were needed, find them in the parts’ warehouse tent, load ’em up, and deliver them to the job site. It was pretty easygoing. In between orders I’d just sit in the air-conditioned truck, listening to Howard Stern and napping here and there. When I could. After a month, they hired another guy to be my partner. He was a computer programming geek, married with kids, and he had these stupid cartoon tattoos all over his arms. Japanese anime **** and Hanna-Barbara characters. The guy really got on my nerves, one of those know-it-all nerds.
Our boss was the biggest Native I’d ever seen. Looked like a Navajo Andre the Giant, only he had a big, black, handlebar mustache. Which as surprising, because, I was under the impression Navajo’s couldn’t grow ****** hair. He stood at nearly 6’6” with long skinny legs, a barrel chest covered in silver and turquoise jewelry. When he got angry, his eyes went wild, like fire raging out of control. Like the time I got the flatbed truck stuck on an embankment and the back axle snapped off. “******* JUNIOR!” he shouted. My old man was one of the foremen there, so everyone just called me Junior. Oh yes, my boss, Darren, was a scary guy to say the least. So me and my delivery partner were making a run to the jobsite one day, the radio blaring “Free Bird” by Lynyrd Skynyrd, just getting into the fast final part of the song. The good part. Right in the middle of the guitar solo, my partner changed the station to Nickleback, of all things. I quickly switched it back to the Skynyrd.
“What’s wrong with you? Don’t change it in the middle of “Free Bird,” I said.
My partner rolled his eyes and switched it back to Nicklecrap.
“Come on, get with the times, man. This is the new ****.”
“Yeah, **** is right.”
I switched it back AGAIN, but the song was ending.
“You made me miss the song, ya’ ******’ *****.’
“Why don’t ya’ just cry about it then?”
“*******.”
We delivered the parts and parked the truck back inside the parts’ warehouse tent. With no calls coming in over the radio, we cranked the a/c and dozed off to Howard Stern talking about an “**** ring toss” game they were going to play. I woke up an hour later to Darren’s angry voice coming in over the radio. “Where the **** are you guys? *******, we got parts that gotta go out. I’m headed to the tent …”
I looked over to my partner, snoring away in the driver’s seat. For a second, I contemplated waking him up. Then I remembered the Lynard Skynyrd/Nickleback incident, and I left him sleeping in the truck. I walked out of the tent, to the Port-John to take a squirt. When I returned to the tent, Darren was staring at my partner, who was still asleep in the truck. Darren’s eyes were big and crazy; he was furious. He turned to me.
“What the ****, Junior?”
“I’ve been trying to get him up, but he just won’t budge. I’m having to do all this work myself!”
“******* …” Darren said, with a heavy sigh, before pounding on the driver’s side window.
“Andy! Wake the **** up, *******! Junior’s carrying all the weight here!”
Andy did wake up. He glared at me, and I smiled back with a ****-eating grin.
You don’t ever interrupt The Free Bird. I don't care what your name is.

I love spending nights on the lake.
Once the oven-like sun disappears,
things get suddenly quiet, except for
the occasional hoot of an owl, crickets, frogs
and the soft lapping of the lake on the boat.

When the moon rises above the pines
the sky lights up, like a fireworks bloom,
its reflection is brushed, in scatters on the lake,
giving insubstantial moonlight a sharp substance
not unlike a fractured, undulating, glittery lace.

This evening, there’s a rumble, stage left, off to the west,
and a thunderstorm’s growl, like a wolf on the prowl.
The wind was picking up, so we began battening down,
stowing things in the galley and taking in the flag. The wind,
had become almost solid with its insistent and restless energy.

The question, with these daily, southern, summer thunderstorms
is whether you’re going to catch the edge of it or get the full onslaught. The doppler radar, of my iPad weather app indicated the monster was headed right for us.

Just as our phones, watches and iPads began chirping
with National Weather Service, “Severe Weather Alerts,”
Charles asked, “You two still want to stay?” His voice fighting
against the stiff wind as he watched the tall pine-tree tops bob,
like boxers, afraid of the far off lightning flashes in the sky.

“Of course!” I chimed in, wearing a grin, I LOVE boat storms!
“Lisa, there’s a storm on the way but we’ll stay on the boat, ok?” I asked, trying to English the question with both a sense of adventure and nonchalance. Lisa, of course, followed my lead, saying, “Sure.”
“It’ll be ill,” I assured her.

Charles nodded and leapt to the dock, replacing the gunwale rope lines with longer dock rods to distance and secure the boat (lowering front and back anchors too).

“We’re staying,” Charles walkie-talkie’d Carol (his wife) below in the staterooms where she was probably making the beds. “10-4” she replied.
I love her, she’s so game for anything. While Charles worked, Lisa and I sealed the upper deck from cockpit (helm) to transom, putting up sturdy plexiglass windows and closing the transom doors.

Charles came aboard just as we turned up the air conditioning and thick raindrops started falling. Having finished our work, we looked up and the moon was gone, hidden by dark clouds that writhed like some angry, mythical, steel wool animal.

The rain went from a delicate pitter-patter to a generous applause and finally, a steady torrent. We felt it initially pass over us from port (left) to starboard (right). The wind whistled, like a giant’s breath, rocking the boat, alternately, in two directions. It was wonderful.

The far-off thunder had become intimate, bomb-like and personal, with its Crack-k-KA-BOOM! Every time such a concussion rocked the air, the boat and our teeth, I cackled, with joy, like Poe’s Madeline Usher, the madwoman in the attic.

“HOW DO YOU LIKE IT!?” I yelled to Lisa, but she made an ‘I can’t hear you,’ sign. Carol, who’d been working the galley, produced yummy tuna-fish sandwiches, potato chips and milk. We played a dominoes game called ‘Mexican Train’ until the rain stopped, then we watched ‘Jaws’ on the fold-down TV. Lisa had never seen it!

The boat had rocked, lightning had flashed, the cutting wind howled and the thunder boomed, but it was the clawing rain, like a tiger trying to break into the boat, that made it an unforgettable night on the lake.

How can he be so cocky, fight like rocky
talking in morse code, like a walkie talkie
how can he be so cold, like an ice cube to hold
so bold like a robot that can't be controlled

how can he be so sarcastic, ******* spastic
no fantastic antics seen in plastic
won't bend and won't stretch like elastic
doing flips like a drastic gymnastic

possessed with true ability, like a runners agility
but no flexibility when it comes to futility
a never seen utility with no docility
showing capability, breaking through the fragility

I shrunk down
To be an equal of one of those little green army men.
Not one of the weaponized ones.
That one with the Walkie-Talkie
Everyone made fun of for being useless.

I stole his walkie-talkie, actually.
I was scaling your mountain
So I needed some sort of communication.

From the sheets, I rose.
Carefully, clumsily climbed up you
Mount Olympus for mortals.

I almost fell
I almost dropped my radio
I almost got lost in you.
But I prevailed.

And when I reached the top
I said "I claim this"
But I couldn't really claim it
Because I didn't have a flag
And how do you claim something without a flag?

And in a way I don't think I should be able to claim you
Because claim is a word for lesser mountains.
You cannot claim what wasn't created by you
Or name it.

But I was two inches tall
With a tiny green radio
That just kept squawking
"Are you there, C? It's me, Ego!"
So I tried my best.

I found -in the shadow of a
Crane rigged and ready- that
I couldn't help myself.

Took a ladder to the huge sphere
Of chipped and battered iron,  
And threw one leg on either
Side of the chain.

Sang leaning and rocking
Into the walkie talkie
As my foreman spat his
Coffee not to choke; laughing along
With Swedes, Polish, Lithuanians
And Norwegians alike.

Miley. Bringing people
Together.

Vast, empty, midnight hour,
hunchbacked lampposts glaring over parasitic black earth
choking its host.

A parking lot,
an ecosystem’s blemish—
hot tar seeping into the pores of the earth
like a stubborn blackhead in a lip line.

When no cars burrow into the blackened hide
like lice
the great absence of life
is an atrocity.

I imagine myself skateboarding across the tier
as the small town cops
watch languidly with vague interest—

A skateboarder’s paradise
where wheels and accomplice minds roll across celestial barriers
blasting infinite pulses
into the microcosm.

What greasy punks have their mother’s van parked here,
huddling by the heat vents
and jerking off into a Pringle’s can?

Empty parking lot
looks like a cemetery
filled to the brim
where headstones meld
over a mass grave—

delineated by white lines,
the apparitions of vehicles and their hosts
haunt the frozen space.

Another horrible excuse
to waste land,
a wasteland in and of itself
where Tom Eliot saunters aimlessly
and buries the dead.

The saddest sight to behold,
this vacuous parking lot
littered with stray shopping carts,
phantasmal plastic bags,
gum splotches,
***** stains,
candy wrappers,
cigarette butts,
used condoms,
lonely cops
and patient drug dealers,
ambulant skaters,
tired punks,
bored teenagers,
somnambulists,
stumbling drunks,
hunchbacked ***** lights
prying for life beneath its sallow gaze—

The air encapsulated within the perdition
stifling,
the pavement below stifling,
a constriction only visible
when emptied of its contents.

A cop wakes from their choking nightmare gasping
to find themselves trapped,
****** in this parking lot
where the walkie-talkie buzzes
with the weeping and gnashing of teeth.

The warehouse store
looming above the waiting room
lifeless, silent, dark countenance—
Big Brother sees all in the gaping maw.

Cascading before me,
stretching towards the highway passing by,
waiting for the panorama to finish scrolling,
the treadmill to cease its cycle—
all the while lamenting life’s absence
and reveling in the potentiality it possesses.

A GARLAND FOR NATIONAL POETRY DAY 2014

My Once and Only Garden

It’s no longer mine
But I pass it
Nearly every morning.
It’s untended,
Overgrown, autumned,
The camellia needs a prune,
The irises have gone;
The garden needs
A good seeing to.
A sad garden to pass
Nearly every morning.



The Chestnut Avenue

I came back to fallen chestnut
Shells, conkers, everywhere,
But the leaves are still
Thinking about falling.
No wind you see.
On other trees I pass,
The lime,the white-beam,
There’s a crinkly brownness
Scattered across the path.
So dry, no wind,
September sun.
The chestnut avenue
Has some way to go.
Wind, rain, frost perhaps
And the leaves will fall.


******* a Boat

There’s this girl,
A young woman really,
On a boat.
Not living on it yet
But plans are afoot,
Along with essential repairs.
It’s not ‘Offshore’
Like Penelope Fitzgerald’s
Boat on the Thames.
But in a quiet and placid mooring
On the River Lea instead.
I thought of sending her this book,
But it’s all about liminality,
People somewhere in between,
People who don’t belong on land or sea
. . . And the boat (eventually) sinks.


Still Waiting

We sat on the seat
Under a bower of roses
In the herb garden
And she talked in that singing
Way of talking that she does;
Such a tessitura she commands
Between the high and the low
With a falling off portamento
Glide - from the high to the low.
Her hair stills falls
Across serious freckles, auburn hair,
Gold with a touch of red
Like her mother’s only softer,
Like mine once was, and my mother’s too.
She has a slighter frame though,
and is still waiting, waiting
For a real life, a woman’s life.


Cyclamen Restored

I went away and left it
On a saucer, watered,
In a north light
Near a window sill.
Its pink flowers were *****
And nodded a little
When I moved about the room.

On my return it had drooped,
Its leaves yellowed.
There were tiny pink petals
Scattered on the floor.
I put the plant in the sink
For half an hour.
It revived,
And the next day
Seemed quite restored.


Driving South

Driving south through
Dalton, Shoreditch,
Hackney and Hoxteth,
The Hasidic community
Garnished the Sunday street.
Driving down the A10
South towards the city:
The Gleaming Gerkin,
the Walkie Talkie,
and further still,
a Misty Shard.

As a child, the buildings here
Were so much slighter
And a grimy black;
The highest then, the spires
Of Wren’s city churches.

Sundays to sing at ‘Temple’,
With lunch at the BBC,
Driving south from New Barnet
In my Great Uncle’s Morris,
Great Aunt Violet dozing in the back.


Gallery

Small but beautifully right
For her London show,
Good to see her surrounded
By tide marks from the shore,
Those neutral surfaces,
Colours of sand and stone,
Rust (of course) from the beaches
Treasured trove, metal
Waiting to become wet
And stain those marks with colour.


Ascemic Sewing

Having no semantic content
These ‘words’ appear on the back
Of a chequered cloth of leaves
Backed all black
Stitched white,
A script of a garden
Receding into
Trans-linguistical memory.


September Dreaming

Facing the morning
Above a barrier of trees,
Oaked, foxed, hardly birded,
I would  wonder while she slept
About the richness of her dreams,
Dreams she had spoken of
(Yesterday, and out of the blue)
And, for the first time, in all
These precious but frustrating
years we’d slept together,
shared together.
I had always thought her dreamless;
Too fast asleep to experience
Envisioned images,
Sounds and sensations.


Think of a Poem

She told me in a text about
Think of a Poem
On National Poetry Day
Just a week away.
That’s easy, I thought,
There’s always that poem
Safe and sure in my memory store
Once spoken nervously,
under a rose garden walk,
but there, there
for evermore . . .

Who says it’s by my desire
This separation, this living so far from you. . .


Missing Music

Today I read a poem
Called The Lute: a Rhapsody.
‘From the days of my youth
I have loved music,
So have practised it ever since,’
Says Xi Kung.

In his exquisite language
He then describes its mysterious virtues,
And all the materials from which it’s made.

How I miss my lute, its music,
And the voice that once sang to its song.


Drawing

I wonder if she’s drawn today,
And what? I wonder.
John Berger says:
Drawing goes on every day.
It is that rare thing
That gives you a chance
Of a very close identification
With something, or somebody
Who is not you.
I wonder if she’s drawn today,
And what? I wonder.

hyper-jinxed like an old talkie
scrap the fat off the cow!
swipe that smile off your face
to watch the sunset fade away.
batshit crazy
candidly rogue
an eventful leap from far fetched lore
gory details please spare me
a big fat ***** and a way to reap
the pretties from the twits.
but the lee-way from the stars beyond
sometimes gets trapped into hairy armpits.
then their neon pink hued blue eyed trolls
take their slippers to the snow.

rotting horse carcass.
green glowing filament by moonlight ******
& mistrust us.
radioactive drums of waste &/or dreams.
boys swimming.

fistfights at night
by headlight & tooth crackle. (spit) then bonfire pallets
lit & danced upon.
plumes
of gas-can outcries.

the days & abuelitas
& ghosts
pinched cheek - pinched cooler - grandaddy
on the grill.
his gasping yellow dogs.

judy is in the underbrush with a walkie-talkie
& a p.b.j.
desmond leaps from high rocks; he
descends into another world by way of molecular-mishap.
dove deep.
riding the portal boar.

wasps hover above spilt wine
& declare war upon brothers with b.b. guns
& firecrackers
& spf 50+. the saturday/sunday sagas
between beams of heat laughter breakdowns
to knees, to bees,
honey.

homecoming queen dead & wrapped
in plastic.
body found with
turtle bites.
fungi.
the slabs of granite.
old iron tractors bent & held by tree wives.
toast.
jam hewn hwedges of crisped bread.