Earthquake Poem
3/5/2014

What do you suppose an earthquake does?

Sure, there are the shakes and scares,
Seismic shifts accompanied by tectonic tears.
But ditch this global perspective,
Figure out what rips those ripples, detective.

Let’s see you pound at the ground.
Hit it hard, ‘til you hear a heavy sound.
Is that enough to fissure some asphalt?
Tell me, could you bring this spinning planet to a sudden halt?

I can’t say for sure, what an Earth-quake does.
Though I’ve been a victim,
Earth isn’t where my quake was.
An Earth-less earthquake,
On a planet whose name I’ve learned to forsake.

Wynn’s world wandered ‘round someone else’s orbit:
Drawn to its gravity like grapes grow on a vine;
Brightened by its solar system’s shining smile, so divine;
Emotional tides tugged in and out;
Guided by its mysterious moon’s midnight meandering about.

That’s right – an orbit with its own time flow.
Time that could stomp its heels and steal a spotlight,
Time that could manipulate a moment like jello, mayonnaise, or some other squishy substance,
Time that could crash course, while standing still,
Time that could reveal something you never knew.

What do you suppose an earthquake does?

A quake could be anything that makes you shake.
Think of quaking in fear, as an unknown figure draws near.
Think of a jittery heart, that’s been bit by a bullet.
Internal tears,
think of organs bleeding,
Think of needing,
solid ground,
but falling and time keeps stalling.

When a quiet little quiver promises to deliver,
its slight shock signal straight through the middle.
When a molten magma core fizzes its manic madness,
like a shaken soda.
When an epic eruption carries out its upward excelsior,
Rejecting the spinning without a stop.

Oh, the mountains will tumble,
The hills and valleys, they’ll crumble,
And gurgle in the raging rivers’ rumble,
As volcanoes churn out violent bubbles,
Stirring up all kinds of troubles,
For one person’s personal planet.

For one person’s personal planet,
These violent forces of nature can’t compare to an Earth-quake,
When the ground you stand on begins to break,
When you realize your senseless stability is fake.
When that little quake knocks your Earth awake,
It’s reality coming alive to take, and take, and take,
Because for love, you put everything at stake.

What do you suppose an earthquake does?
I’ll tell you – it leaves a wrecked world with a cracked core and scorched surroundings.
Just because.
Just because, love on Earth always comes with a quiet little quake.

Hi;

This is not a poem.

But given the infernal catastrophe that has befallen, I just think it is time for you Americans to listen to us people living 'out there'.

Here are my thoghts, that I submit to you with respect;


HAITIAN EARTHQUAKE: A HISTORIC MOMENT FOR AMERICA TO CHANGE ITS MISSION

Ayad Gharbawi

January 19, 2010 – Damascus, Syria


The recent Haitian earthquake is unusual in that it has destroyed the entire meagre ‘infrastructure’ of a so-called nation.
In fact, this 2010 earthquake succeeded in showing the world that the so-called ‘country’ of Haiti is nothing more than another piece of estate/land/property for a select, few oligarchs.
Anyway, the US response to this ecological/environmental holocaust that has befallen upon Haiti has been unprecedented.
America, under President Barack Hussein Obama, has behaved impeccably in Haiti.
The brilliance in Obama’s aid for Haiti is successful precisely because he has avoided previous attempts by the US to help on the basis of ‘humanitarian’ grounds, when those grounds happened to also include conflicts raging within them.
Obama avoided the mistake of getting America involved in a humanitarian crises that existed within a civil war – like what happened in Lebanon (1982-83), Somalia (1991-3), Bosnia (1995), Kosovo (1999).
I write this article because I, as an outsider, wish ardently, to speak to you Americans.
Today, you Americans have the choice: either to follow the militaristic, expansionist policies of the US President, Theodore Roosevelt, or you may follow the path of the first morally-guided President of the US - Woodrow Wilson.
I urge you Americans to leave all countries where there are civil wars – such as in Iraq, Afghanistan, Yemen and so on.
Let these countries do whatever their people wish to do against each other.
Instead, allow your great arsenal of democracy to help and intervene on humanitarian missions – in countries wherein there are no civil wars – such as you have been doing so magnificently in Haiti.
Use your power, your wealth, your US Army, Air Force, and Navy to help humans who need the helping hand of succour.
I tell you, that you Americans, once you adopt this peaceful, moral foreign; policy, you shall see that your enemies will fade.
Taleban have told you repeatedly, and have repeatedly contacted to you, telling you that they are engaged in an Afghani civil war. So why do you intrude?
Al Qaeda have told you repeatedly if you leave the Middle East, then they have no quarrel with you.
Why can you Americans not accept or understand that so long as you do not invade, occupy or create military bases in foreign lands, no one, and no organization and no party and no country will see you as an enemy?
This is a moment for you Americans do finally break off from the Theodore Roosevelt Principle (TRP) which is to attack, ****, slaughter and occupy any country you think is ‘worth it’.
And, at the same time, it is also a moment in history, when you can fully embrace the Woodrow Wilson Principle (WWP) of a foreign policy that is based on morality.
What you have done and what you are doing in Haiti is a pure act of WWP.
I believe the entire Third World applauds you and loves you for what your men and women are doing for the innocent victims of Haiti.
But, then, when other men and women, scream and shriek, saying: “Look at what these Americans are doing! They ****, butcher and ****** Afghans in order to support corrupt, drug dealing gangsters such as Hamid Karzai who, themselves, cannot control and, in any case, are not interested in ‘controlling’ their own country! So what else can you think of America’s real intentions?”
And what a good emotion-fuelled question, indeed.
What are you Americans doing fighting, losing American and Afghani blood in order to basically prop up and support criminal regimes such as the Karzai regime, whose only raison d’etre is to make profits through their various ‘business’ activities?
The more you Americans fight what are perceived as unjust, colonialist wars, the more you will create terrorists. It is a never ending cycle!
I argue and I passionately believe, that you Americans can do this. If only you US statesmen and stateswomen finally decide to adopt the beautiful, clean mantle of morality in your foreign policy.
Obviously, I do not have enough space to express my ideas and reasons. So, let me be clear: I am not advocating a slavish enactment of Wilsonian principles.
For, as an example, when Iraq invaded Kuwait in 1990, the US had to make a military move, because no country can allow a sick dictator to control so much of the world’s oil. There are clear instances when aggression abroad can seriously threaten US interests. But, in truth, the vast majority of the wars you Americans entered, were unnecessary: you did not need to go beyond the Yalu in 1950 in Korea; you did not need to enter the North-South Vietnamese Civil War.
Take Kosovo: yes massacres were committed on all sides. But you did not need to bomb Serbia. First and foremost, that should and must have been a problem for European powers to solve. Secondly, Kosovo was never vital for US interests. And the fact is, Kosovo could never be a so-called ‘state’. Today, it is nothing more than a geographical area run by warlords, drug dealers and other gangsters who each carve out their own territory. Was that piece of gangster-run land worthy of killing Serbians? No!
Take North Korea: let Russian, South Korea and Japan deal with that abnormal so-called state. Why do you spend money on your troops and camps there? It is not in your interests and yes, North Korea does not threaten you Americans!
The same goes for Iraq in 2003 – you did not need to invade that country for the simple reason that Baghdad posed no threat to its neighbours, and certainly no threat to Europe or to the US.  Again, you should have let the Iraqis themselves solve whatever problems they have on their fragmented plate.
You must see and feel that US lives are not expendable for pointless and futile foreign adventures.
America should help those who have suffered environmental catastrophes and who are in a war-free zone.
America should help stable, developing nations where accountability starts from Washington and right back in – Washington.
And yes, of course, America should only use its military might if it is directly threatened by any person, nation or organization.
And to reduce this hatred that has spawned against you: I tell you, a voice from a wilderness, one mute krill from amongst billions yearning for exactly what I yearn for, I tell you: remove your military bases from Europe, Japan, South America, the Gulf, and anywhere else. These military bases are seen by people as ‘evidence’ of occupation. You do not need to keep these costly outposts. Remove them. Reduce your military presence that, in any way, has no effect, except to increase fanaticism and anger amongst your people. This is especially so in the Gulf, where your presence angers the people – leave those countries and yes, you will then reduce your costs, which is obviously beneficial to you Americans.
Instead of military compounds and bases, why not enthusiastically create consortiums of companies to build American schools, universities, hospitals, housing projects and get involved in building infrastructure projects in nations that have good accountability, so no money is wasted and so can never go, instead, straight to the pockets of the leaders.
Build the world; use your superpower might to create hope in broken nations, and that effort will, in turn, build love and you shall see, your enemies shall decrease and your military costs will decrease and your building projects will bring you greater revenues.
The choice is yours: follow a Wilsonian foreign policy or a Theodore Roosevelt foreign policy.
I hope the Haitian earthquake catastrophe has shed some light on which path US foreign policy should take.

Ayad Gharbawi

Now when Jove had thus brought Hector and the Trojans to the
ships, he left them to their never-ending toil, and turned his keen
eyes away, looking elsewhither towards the horse-breeders of Thrace,
the Mysians, fighters at close quarters, the noble Hippemolgi, who
live on milk, and the Abians, justest of mankind. He no longer
turned so much as a glance towards Troy, for he did not think that any
of the immortals would go and help either Trojans or Danaans.
  But King Neptune had kept no blind look-out; he had been looking
admiringly on the battle from his seat on the topmost crests of wooded
Samothrace, whence he could see all Ida, with the city of Priam and
the ships of the Achaeans. He had come from under the sea and taken
his place here, for he pitied the Achaeans who were being overcome
by the Trojans; and he was furiously angry with Jove.
  Presently he came down from his post on the mountain top, and as
he strode swiftly onwards the high hills and the forest quaked beneath
the tread of his immortal feet. Three strides he took, and with the
fourth he reached his goal—Aegae, where is his glittering golden
palace, imperishable, in the depths of the sea. When he got there,
he yoked his fleet brazen-footed steeds with their manes of gold all
flying in the wind; he clothed himself in raiment of gold, grasped his
gold whip, and took his stand upon his chariot. As he went his way
over the waves the sea-monsters left their lairs, for they knew
their lord, and came gambolling round him from every quarter of the
deep, while the sea in her gladness opened a path before his
chariot. So lightly did the horses fly that the bronze axle of the car
was not even wet beneath it; and thus his bounding steeds took him
to the ships of the Achaeans.
  Now there is a certain huge cavern in the depths of the sea midway
between Tenedos and rocky Imbrus; here Neptune lord of the
earthquake stayed his horses, unyoked them, and set before them
their ambrosial forage. He hobbled their feet with hobbles of gold
which none could either unloose or break, so that they might stay
there in that place until their lord should return. This done he
went his way to the host of the Achaeans.
  Now the Trojans followed Hector son of Priam in close array like a
storm-cloud or flame of fire, fighting with might and main and raising
the cry battle; for they deemed that they should take the ships of the
Achaeans and **** all their chiefest heroes then and there.
Meanwhile earth-encircling Neptune lord of the earthquake cheered on
the Argives, for he had come up out of the sea and had assumed the
form and voice of Calchas.
  First he spoke to the two Ajaxes, who were doing their best already,
and said, “Ajaxes, you two can be the saving of the Achaeans if you
will put out all your strength and not let yourselves be daunted. I am
not afraid that the Trojans, who have got over the wall in force, will
be victorious in any other part, for the Achaeans can hold all of them
in check, but I much fear that some evil will befall us here where
furious Hector, who boasts himself the son of great Jove himself, is
leading them on like a pillar of flame. May some god, then, put it
into your hearts to make a firm stand here, and to incite others to do
the like. In this case you will drive him from the ships even though
he be inspired by Jove himself.”
  As he spoke the earth-encircling lord of the earthquake struck
both of them with his sceptre and filled their hearts with daring.
He made their legs light and active, as also their hands and their
feet. Then, as the soaring falcon poises on the wing high above some
sheer rock, and presently swoops down to chase some bird over the
plain, even so did Neptune lord of the earthquake wing his flight into
the air and leave them. Of the two, swift Ajax son of Oileus was the
first to know who it was that had been speaking with them, and said to
Ajax son of Telamon, “Ajax, this is one of the gods that dwell on
Olympus, who in the likeness of the prophet is bidding us fight hard
by our ships. It was not Calchas the seer and diviner of omens; I knew
him at once by his feet and knees as he turned away, for the gods
are soon recognised. Moreover I feel the lust of battle burn more
fiercely within me, while my hands and my feet under me are more eager
for the fray.”
  And Ajax son of Telamon answered, “I too feel my hands grasp my
spear more firmly; my strength is greater, and my feet more nimble;
I long, moreover, to meet furious Hector son of Priam, even in
single combat.”
  Thus did they converse, exulting in the hunger after battle with
which the god had filled them. Meanwhile the earth-encircler roused
the Achaeans, who were resting in the rear by the ships overcome at
once by hard fighting and by grief at seeing that the Trojans had
got over the wall in force. Tears began falling from their eyes as
they beheld them, for they made sure that they should not escape
destruction; but the lord of the earthquake passed lightly about among
them and urged their battalions to the front.
  First he went up to Teucer and Leitus, the hero Peneleos, and
Thoas and Deipyrus; Meriones also and Antilochus, valiant warriors;
all did he exhort. “Shame on you young Argives,” he cried, “it was
on your prowess I relied for the saving of our ships; if you fight not
with might and main, this very day will see us overcome by the
Trojans. Of a truth my eyes behold a great and terrible portent
which I had never thought to see—the Trojans at our ships—they,
who were heretofore like panic-stricken hinds, the prey of jackals and
wolves in a forest, with no strength but in flight for they cannot
defend themselves. Hitherto the Trojans dared not for one moment
face the attack of the Achaeans, but now they have sallied far from
their city and are fighting at our very ships through the cowardice of
our leader and the disaffection of the people themselves, who in their
discontent care not to fight in defence of the ships but are being
slaughtered near them. True, King Agamemnon son of Atreus is the cause
of our disaster by having insulted the son of Peleus, still this is no
reason why we should leave off fighting. Let us be quick to heal,
for the hearts of the brave heal quickly. You do ill to be thus
remiss, you, who are the finest soldiers in our whole army. I blame no
man for keeping out of battle if he is a weakling, but I am
indignant with such men as you are. My good friends, matters will soon
become even worse through this slackness; think, each one of you, of
his own honour and credit, for the hazard of the fight is extreme.
Great Hector is now fighting at our ships; he has broken through the
gates and the strong bolt that held them.”
  Thus did the earth-encircler address the Achaeans and urge them
on. Thereon round the two Ajaxes there gathered strong bands of men,
of whom not even Mars nor Minerva, marshaller of hosts could make
light if they went among them, for they were the picked men of all
those who were now awaiting the onset of Hector and the Trojans.
They made a living fence, spear to spear, shield to shield, buckler to
buckler, helmet to helmet, and man to man. The horse-hair crests on
their gleaming helmets touched one another as they nodded forward,
so closely seffied were they; the spears they brandished in their
strong hands were interlaced, and their hearts were set on battle.
  The Trojans advanced in a dense body, with Hector at their head
pressing right on as a rock that comes thundering down the side of
some mountain from whose brow the winter torrents have torn it; the
foundations of the dull thing have been loosened by floods of rain,
and as it bounds headlong on its way it sets the whole forest in an
uproar; it swerves neither to right nor left till it reaches level
ground, but then for all its fury it can go no further—even so easily
did Hector for a while seem as though he would career through the
tents and ships of the Achaeans till he had reached the sea in his
murderous course; but the closely serried battalions stayed him when
he reached them, for the sons of the Achaeans ****** at him with
swords and spears pointed at both ends, and drove him from them so
that he staggered and gave ground; thereon he shouted to the
Trojans, “Trojans, Lycians, and Dardanians, fighters in close
combat, stand firm: the Achaeans have set themselves as a wall against
me, but they will not check me for long; they will give ground
before me if the mightiest of the gods, the thundering spouse of Juno,
has indeed inspired my onset.”
  With these words he put heart and soul into them all. Deiphobus
son of Priam went about among them intent on deeds of daring with
his round shield before him, under cover of which he strode quickly
forward. Meriones took aim at him with a spear, nor did he fail to hit
the broad orb of ox-hide; but he was far from piercing it for the
spear broke in two pieces long ere he could do so; moreover
Deiphobus had seen it coming and had held his shield well away from
him. Meriones drew back under cover of his comrades, angry alike at
having failed to vanquish Deiphobus, and having broken his spear. He
turned therefore towards the ships and tents to fetch a spear which he
had left behind in his tent.
  The others continued fighting, and the cry of battle rose up into
the heavens. Teucer son of Telamon was the first to **** his man, to
wit, the warrior Imbrius son of Mentor rich in horses. Until the
Achaeans came he had lived in Pedaeum, and had married Medesicaste a
******* daughter of Priam; but on the arrival of the Danaan fleet he
had gone back to Ilius, and was a great man among the Trojans,
dwelling near Priam himself, who gave him like honour with his own
sons. The son of Telamon now struck him under the ear with a spear
which he then drew back again, and Imbrius fell headlong as an
ash-tree when it is felled on the crest of some high mountain
beacon, and its delicate green foliage comes toppling down to the
ground. Thus did he fall with his bronze-dight armour ringing
harshly round him, and Teucer sprang forward with intent to strip
him of his armour; but as he was doing so, Hector took aim at him with
a spear. Teucer saw the spear coming and swerved aside, whereon it hit
Amphimachus, son of Cteatus son of Actor, in the chest as he was
coming into battle, and his armour rang rattling round him as he
fell heavily to the ground. Hector sprang forward to take
Amphimachus’s helmet from off his temples, and in a moment Ajax
threw a spear at him, but did not wound him, for he was encased all
over in his terrible armour; nevertheless the spear struck the boss of
his shield with such force as to drive him back from the two
corpses, which the Achaeans then drew off. Stichius and Menestheus,
captains of the Athenians, bore away Amphimachus to the host of the
Achaeans, while the two brave and impetuous Ajaxes did the like by
Imbrius. As two lions ****** a goat from the hounds that have it in
their fangs, and bear it through thick brushwood high above the ground
in their jaws, thus did the Ajaxes bear aloft the body of Imbrius, and
strip it of its armour. Then the son of Oileus severed the head from
the neck in revenge for the death of Amphimachus, and sent it whirling
over the crowd as though it had been a ball, till fell in the dust
at Hector’s feet.
  Neptune was exceedingly angry that his grandson Amphimachus should
have fallen; he therefore went to the tents and ships of the
Achaeans to urge the Danaans still further, and to devise evil for the
Trojans. Idomeneus met him, as he was taking leave of a comrade, who
had just come to him from the fight, wounded in the knee. His
fellow-soldiers bore him off the field, and Idomeneus having given
orders to the physicians went on to his tent, for he was still
thirsting for battle. Neptune spoke in the likeness and with the voice
of Thoas son of Andraemon who ruled the Aetolians of all Pleuron and
high Calydon, and was honoured among his people as though he were a
god. “Idomeneus,” said he, “lawgiver to the Cretans, what has now
become of the threats with which the sons of the Achaeans used to
threaten the Trojans?”
  And Idomeneus chief among the Cretans answered, “Thoas, no one, so
far as I know, is in fault, for we can all fight. None are held back
neither by fear nor slackness, but it seems to be the of almighty Jove
that the Achaeans should perish ingloriously here far from Argos: you,
Thoas, have been always staunch, and you keep others in heart if you
see any fail in duty; be not then remiss now, but exhort all to do
their utmost.”
  To this Neptune lord of the earthquake made answer, “Idomeneus,
may he never return from Troy, but remain here for dogs to batten
upon, who is this day wilfully slack in fighting. Get your armour
and go, we must make all haste together if we may be of any use,
though we are only two. Even cowards gain courage from
companionship, and we two can hold our own with the bravest.”
  Therewith the god went back into the thick of the fight, and
Idomeneus when he had reached his tent donned his armour, grasped
his two spears, and sallied forth. As the lightning which the son of
Saturn brandishes from bright Olympus when he would show a sign to
mortals, and its gleam flashes far and wide—even so did his armour
gleam about him as he ran. Meriones his sturdy squire met him while he
was still near his tent (for he was going to fetch his spear) and
Idomeneus said
  “Meriones, fleet son of Molus, best of comrades, why have you left
the field? Are you wounded, and is the point of the weapon hurting
you? or have you been sent to fetch me? I want no fetching; I had
far rather fight than stay in my tent.”
  “Idomeneus,” answered Meriones, “I come for a spear, if I can find
one in my tent; I have broken the one I had, in throwing it at the
shield of Deiphobus.”
  And Idomeneus captain of the Cretans answered, “You will find one
spear, or twenty if you so please, standing up against the end wall of
my tent. I have taken them from Trojans whom I have killed, for I am
not one to keep my enemy at arm’s length; therefore I have spears,
bossed shields, helmets, and burnished corslets.”
  Then Meriones said, “I too in my tent and at my ship have spoils
taken from the Trojans, but they are not at hand. I have been at all
times valorous, and wherever there has been hard fighting have held my
own among the foremost. There may be those among the Achaeans who do
not know how I fight, but you know it well enough yourself.”
  Idomeneus answered, “I know you for a brave man: you need not tell
me. If the best men at the ships were being chosen to go on an ambush-
and there is nothing like this for showing what a man is made of; it
comes out then who is cowardly and who brave; the coward will change
colour at every touch and turn; he is full of fears, and keeps
shifting his weight first on one knee and then on the other; his heart
beats fast as he thinks of death, and one can hear the chattering of
his teeth; whereas the brave man will not change colour nor be on
finding himself in ambush, but is all the time longing to go into
action—if the best men were being chosen for such a service, no one
could make light of your courage nor feats of arms. If you were struck
by a dart or smitten in close combat, it would not be from behind,
in your neck nor back, but the weapon would hit you in the chest or
belly as you were pressing forward to a place in the front ranks.
But let us no longer stay here talking like children, lest we be ill
spoken of; go, fetch your spear from the tent at once.”
  On this Meriones, peer of Mars, went to the tent and got himself a
spear of bronze. He then followed after Idomeneus, big with great
deeds of valour. As when baneful Mars sallies forth to battle, and his
son Panic so strong and dauntless goes with him, to strike terror even
into the heart of a hero—the pair have gone from Thrace to arm
themselves among the Ephyri or the brave Phlegyans, but they will
not listen to both the contending hosts, and will give victory to
one side or to the other—even so did Meriones and Idomeneus, captains
of m

the earth shook the neighbors again today
but truly, i can't say that i felt it.
yours is the only one that still hits me.
your earthquake spirals through my veins
interrupting the day, awakening me by the night
i await the tremors with anxiety and need
disrupting intellectual thought, curving daily motion.
absence of your presence denies me
everything, yes, everything.
grasp ahold of me, my love, and shake me
shake me from the depths of this nightmare
return, return and make this right
troubled mind shrouded by memories
that which flow to my very core
this dark red heart beats for you
my courageous veins are your love's roots
weaving through flesh and blood
daring to grow more and more sturdy
your earthquake scares me, my love
for i cannot control it.
your memories will not crumble with the earth
shaking and trembling, i'll stand my ground
holy is your image, voice, and touch
hot is the molten passion, coursing through my young heart
rupturing from the only place that i know
your earthquake, my love, determines so much
faulty is the mind and brave is the heart
crazed intuition lurking from daily interruptions
my love, continue to shake my world
for i know you are still there
my love, continue to shake my world
for i know nothing else
if a day pass where i cannot feel that vividness
all will be forgotten. all will be dead.
my love, i beg of you---
send me that earthquake today.

my body shakes from the cold
that’s normal - at least its what i’m told
my whole body shakes
its like i’m an earthquake
an earthquake inside
waiting to break my mind
its so hard to tell
when i hear the bell
if all of this is truly real

Wait for the earthquake
She said follow me down
Wait for the earth quake
And ride it out

Which way is up
Am I still on solid ground
I've been searching for the answer
Since you've been around

I focus on you
But you never seem to notice
I'm lost in this feeling
And it's looking hopeless

So I take hold
Of as much of me as I can
Because I'm falling to pieces
As you hold out your hands

She said

Wait for the earthquake
She said follow me down
Wait for the earthquake
and ride it out

The earthquake in a dream is coming,
It's coming,
It's coming.
It clashes with real life,
It clashes,
It clashes.
It wakes me up,
It wakes me,
It wakes me.
The door is open,
It's open,
It's open.
Someone is there.
It's only Brook.
It's time to wake up,
It's time to get ready.
Soon I'll go to school.
"Did you notice that earthquake?"
Asked Brook.
"Yep."

Peri Kousmos became effective with the thunderous lightning and mighty deluges, huge exhalations of fire Spiritu et Igni began with all the beads from the bottom of the sea rising by the seven suns that were duplicated odd, and even on the firmament of Agios Andreas. It was three o'clock in the morning of the antipode, and a splendorous halo with seven satellites that had at their summit the tops of roosters on some resplendent rays, which covered the meridian of a Demiurge that existed erected and frozen, opened over paradise. on the Peri Kosmou or Reference of the World of metamorphosis. Spuriously the emanations of the pamphlet that began to move from its geological boundary were made where everything was silenced and bruised in the compact parts, with all the wandering parts that wanted to enter under the ***** of the islet that was becoming spiritually. The Necromancer Monograph or work was violently prostrated in the four elements of nature with the geodesy of Vernarth, towards the Mandragoron Surveying for when Vóreios slipped into Nótos when Borker and relaxed both senses, then Dyticá with the demiurge Leiak relaxed from the Equinoctial of the Aftó, to fork through the narrow spaces and finally rise in an eternal vertical, whose center was relieved of a non-bellicose admission in a tremolo that wanted to shudder and defer from an extreme like the Eplinctae that made them move obliquely, the Stymphalos came out from the meanders, then the Brastae earthquakes bubbled from the Notós de Borker when he held them on the straight that contorted on the lacerated ones, later with the observation shot of Theus when the subsidence of the ground with the Hizematiae held them evidently parapsychological. Vikentios did the logistics of bridging the lands that were opened and divided around the perimeter, Marie des Allées held them with great force the ground that naively used to quiet for ephemeral moments with the Astae earthquakes, until Wonthelimar appeared and became effective in the verticality that expanded when it sank due to its shaking with the Palmatiae, and finally Vernarth bellowed with disgusting gutturals so that they would react to the Mycetas earthquake, which was exhaled from disgusting visions of the Peri Kosmou evidencing incidental paragraphs of Apollo, which although he understood of analogous emanations that seemed to be demonic plasmas of the aldehyde in the Valley of the Pleisto close to the Phocis. The sublunar pretended to have tangible oracles through the gasifications of the original Epiclintae earthquake that moved them towards the meanders where the bronze birds awaited the precepts of the Saint to take an advance on the celestial kingdom. This implied that the nature of the Stymphalos would require the sensory stimulation of the golden cowbell of the *** to stimulate them in their gift of flight, with their heavy wings that rested at the right angle to later draw on the cavities.

The sky was beginning to disappear and in the fissures that the Dyticá de Leiak line leaned, the shores of the sea were rearranged to assist them by magnifying the supine lines with the vertical ones, within the microseisms that began to increase from the earthquake, avoiding breaking the surface who was still generously supporting them by the cross of Patras that was he bilocated with his five-meter golden cross, up to his goddaughter island with the little finger of the Apostle Andrew. From here in the surface of the earth would be ajar when cracked by the little finger of the Apostle, then he would leave in his hand a minimal piece of earth so that they could be preserved from the cataclysm, and be redeemed by the bronze birds. Only in this way was the revived earth aware of what was happening, and let it escape in the concrete stones that had evaporated from the apostle, only letting in some bursts of the Metelmi that interlaced by springs of the lusters of the sublunar cycle, which intermingled with the land and the ocean, and the fire with the scalded air. The rebellions of the Mega Seism transferred them in psychic divergences towards the Palmatiae earthquake, which recovered the edge of the pilgrims who did not manage to attend the course of the Mashiach holocaust when they were apprehended by this force of the Palmatiae earthquake on the path of Bethany. From the valley of the Pleisto the uproar effects of Golgotha were counteracted, and from Patras when the sense of the earthquake shone on Vernarth's Mycetias in the 70th Earthquakes with the reverberated waves that flared in the verb, and in the guttural lows that They freed themselves from the subsoil, when the substrates of the mother's possession forged discrepancies of order or Kousmos, having to be reissued with so much rapture and sordid frenzy of the verb that did not recognize him from the stench of the waves that rose from the creeping subsoil, like a cobra that smiled linearly through the eyes of the fire conjured by the infected, and with the disproportionate deviations of the adjective, where salvation was the correct invocation where it has not been seen in the pharynx of the cobra, which struck itself in the impetuous fierceness of the burning global balance. The Peris Kosmou or reference of the World was compared with the paragraph that the evangelizing writings indicated with the chromatic, and not with the adverb when the fiery red of the Mycetias Seismic went directly to his fetid belly with halitosis to fully protect the wounded and Marie des Vallés with the reasons for the vertical and horizontal movement of the “Brastae and Epiclintae”.

Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,
are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an

Thus, then, did the Achaeans arm by their ships round you, O son
of Peleus, who were hungering for battle; while the Trojans over
against them armed upon the rise of the plain.
  Meanwhile Jove from the top of many-delled Olympus, bade Themis
gather the gods in council, whereon she went about and called them
to the house of Jove. There was not a river absent except Oceanus, nor
a single one of the nymphs that haunt fair groves, or springs of
rivers and meadows of green grass. When they reached the house of
cloud-compelling Jove, they took their seats in the arcades of
polished marble which Vulcan with his consummate skill had made for
father Jove.
  In such wise, therefore, did they gather in the house of Jove.
Neptune also, lord of the earthquake, obeyed the call of the
goddess, and came up out of the sea to join them. There, sitting in
the midst of them, he asked what Jove’s purpose might be. “Why,”
said he, “wielder of the lightning, have you called the gods in
council? Are you considering some matter that concerns the Trojans and
Achaeans—for the blaze of battle is on the point of being kindled
between them?”
  And Jove answered, “You know my purpose, shaker of earth, and
wherefore I have called you hither. I take thought for them even in
their destruction. For my own part I shall stay here seated on Mt.
Olympus and look on in peace, but do you others go about among Trojans
and Achaeans, and help either side as you may be severally disposed.
If Achilles fights the Trojans without hindrance they will make no
stand against him; they have ever trembled at the sight of him, and
now that he is roused to such fury about his comrade, he will override
fate itself and storm their city.”
  Thus spoke Jove and gave the word for war, whereon the gods took
their several sides and went into battle. Juno, Pallas Minerva,
earth-encircling Neptune, Mercury bringer of good luck and excellent
in all cunning—all these joined the host that came from the ships;
with them also came Vulcan in all his glory, limping, but yet with his
thin legs plying lustily under him. Mars of gleaming helmet joined the
Trojans, and with him Apollo of locks unshorn, and the archer
goddess Diana, Leto, Xanthus, and laughter-loving Venus.
  So long as the gods held themselves aloof from mortal warriors the
Achaeans were triumphant, for Achilles who had long refused to fight
was now with them. There was not a Trojan but his limbs failed him for
fear as he beheld the fleet son of Peleus all glorious in his
armour, and looking like Mars himself. When, however, the Olympians
came to take their part among men, forthwith uprose strong Strife,
rouser of hosts, and Minerva raised her loud voice, now standing by
the deep trench that ran outside the wall, and now shouting with all
her might upon the shore of the sounding sea. Mars also bellowed out
upon the other side, dark as some black thunder-cloud, and called on
the Trojans at the top of his voice, now from the acropolis, and now
speeding up the side of the river Simois till he came to the hill
Callicolone.
  Thus did the gods spur on both hosts to fight, and rouse fierce
contention also among themselves. The sire of gods and men thundered
from heaven above, while from beneath Neptune shook the vast earth,
and bade the high hills tremble. The spurs and crests of
many-fountained Ida quaked, as also the city of the Trojans and the
ships of the Achaeans. Hades, king of the realms below, was struck
with fear; he sprang panic-stricken from his throne and cried aloud in
terror lest Neptune, lord of the earthquake, should crack the ground
over his head, and lay bare his mouldy mansions to the sight of
mortals and immortals—mansions so ghastly grim that even the gods
shudder to think of them. Such was the uproar as the gods came
together in battle. Apollo with his arrows took his stand to face King
Neptune, while Minerva took hers against the god of war; the
archer-goddess Diana with her golden arrows, sister of far-darting
Apollo, stood to face Juno; Mercury the ***** bringer of good luck
faced Leto, while the mighty eddying river whom men can Scamander, but
gods Xanthus, matched himself against Vulcan.
  The gods, then, were thus ranged against one another. But the
heart of Achilles was set on meeting Hector son of Priam, for it was
with his blood that he longed above all things else to glut the
stubborn lord of battle. Meanwhile Apollo set Aeneas on to attack
the son of Peleus, and put courage into his heart, speaking with the
voice of Lycaon son of Priam. In his likeness therefore, he said to
Aeneas, “Aeneas, counsellor of the Trojans, where are now the brave
words with which you vaunted over your wine before the Trojan princes,
saying that you would fight Achilles son of Peleus in single combat?”
  And Aeneas answered, “Why do you thus bid me fight the proud son
of Peleus, when I am in no mind to do so? Were I to face him now, it
would not be for the first time. His spear has already put me to Right
from Ida, when he attacked our cattle and sacked Lyrnessus and
Pedasus; Jove indeed saved me in that he vouchsafed me strength to
fly, else had the fallen by the hands of Achilles and Minerva, who
went before him to protect him and urged him to fall upon the
Lelegae and Trojans. No man may fight Achilles, for one of the gods is
always with him as his guardian angel, and even were it not so, his
weapon flies ever straight, and fails not to pierce the flesh of him
who is against him; if heaven would let me fight him on even terms
he should not soon overcome me, though he boasts that he is made of
bronze.”
  Then said King Apollo, son to Jove, “Nay, hero, pray to the
ever-living gods, for men say that you were born of Jove’s daughter
Venus, whereas Achilles is son to a goddess of inferior rank. Venus is
child to Jove, while Thetis is but daughter to the old man of the sea.
Bring, therefore, your spear to bear upon him, and let him not scare
you with his taunts and menaces.”
  As he spoke he put courage into the heart of the shepherd of his
people, and he strode in full armour among the ranks of the foremost
fighters. Nor did the son of Anchises escape the notice of white-armed
Juno, as he went forth into the throng to meet Achilles. She called
the gods about her, and said, “Look to it, you two, Neptune and
Minerva, and consider how this shall be; Phoebus Apollo has been
sending Aeneas clad in full armour to fight Achilles. Shall we turn
him back at once, or shall one of us stand by Achilles and endow him
with strength so that his heart fail not, and he may learn that the
chiefs of the immortals are on his side, while the others who have all
along been defending the Trojans are but vain helpers? Let us all come
down from Olympus and join in the fight, that this day he may take
no hurt at the hands of the Trojans. Hereafter let him suffer whatever
fate may have spun out for him when he was begotten and his mother
bore him. If Achilles be not thus assured by the voice of a god, he
may come to fear presently when one of us meets him in battle, for the
gods are terrible if they are seen face to face.”
  Neptune lord of the earthquake answered her saying, “Juno,
restrain your fury; it is not well; I am not in favour of forcing
the other gods to fight us, for the advantage is too greatly on our
own side; let us take our places on some hill out of the beaten track,
and let mortals fight it out among themselves. If Mars or Phoebus
Apollo begin fighting, or keep Achilles in check so that he cannot
fight, we too, will at once raise the cry of battle, and in that
case they will soon leave the field and go back vanquished to
Olympus among the other gods.”
  With these words the dark-haired god led the way to the high
earth-barrow of Hercules, built round solid masonry, and made by the
Trojans and Pallas Minerva for him fly to when the sea-monster was
chasing him from the shore on to the plain. Here Neptune and those
that were with him took their seats, wrapped in a thick cloud of
darkness; but the other gods seated themselves on the brow of
Callicolone round you, O Phoebus, and Mars the waster of cities.
  Thus did the gods sit apart and form their plans, but neither side
was willing to begin battle with the other, and Jove from his seat
on high was in command over them all. Meanwhile the whole plain was
alive with men and horses, and blazing with the gleam of armour. The
earth rang again under the ***** of their feet as they rushed
towards each other, and two champions, by far the foremost of them
all, met between the hosts to fight—to wit, Aeneas son of Anchises,
and noble Achilles.
  Aeneas was first to stride forward in attack, his doughty helmet
tossing defiance as he came on. He held his strong shield before his
breast, and brandished his bronze spear. The son of Peleus from the
other side sprang forth to meet him, fike some fierce lion that the
whole country-side has met to hunt and ****—at first he bodes no ill,
but when some daring youth has struck him with a spear, he crouches
openmouthed, his jaws foam, he roars with fury, he lashes his tail
from side to side about his ribs and *****, and glares as he springs
straight before him, to find out whether he is to slay, or be slain
among the foremost of his foes—even with such fury did Achilles
burn to spring upon Aeneas.
  When they were now close up with one another Achilles was first to
speak. “Aeneas,” said he, “why do you stand thus out before the host
to fight me? Is it that you hope to reign over the Trojans in the seat
of Priam? Nay, though you **** me Priam will not hand his kingdom over
to you. He is a man of sound judgement, and he has sons of his own. Or
have the Trojans been allotting you a demesne of passing richness,
fair with orchard lawns and corn lands, if you should slay me? This
you shall hardly do. I have discomfited you once already. Have you
forgotten how when you were alone I chased you from your herds
helter-skelter down the slopes of Ida? You did not turn round to
look behind you; you took refuge in Lyrnessus, but I attacked the
city, and with the help of Minerva and father Jove I sacked it and
carried its women into captivity, though Jove and the other gods
rescued you. You think they will protect you now, but they will not do
so; therefore I say go back into the host, and do not face me, or
you will rue it. Even a fool may be wise after the event.”
  Then Aeneas answered, “Son of Peleus, think not that your words
can scare me as though I were a child. I too, if I will, can brag
and talk unseemly. We know one another’s race and parentage as matters
of common fame, though neither have you ever seen my parents nor I
yours. Men say that you are son to noble Peleus, and that your
mother is Thetis, fair-haired daughter of the sea. I have noble
Anchises for my father, and Venus for my mother; the parents of one or
other of us shall this day mourn a son, for it will be more than silly
talk that shall part us when the fight is over. Learn, then, my
lineage if you will—and it is known to many.
  “In the beginning Dardanus was the son of Jove, and founded
Dardania, for Ilius was not yet stablished on the plain for men to
dwell in, and her people still abode on the spurs of many-fountained
Ida. Dardanus had a son, king Erichthonius, who was wealthiest of
all men living; he had three thousand mares that fed by the
water-meadows, they and their foals with them. Boreas was enamoured of
them as they were feeding, and covered them in the semblance of a
dark-maned stallion. Twelve filly foals did they conceive and bear
him, and these, as they sped over the rich plain, would go bounding on
over the ripe ears of corn and not break them; or again when they
would disport themselves on the broad back of Ocean they could
gallop on the crest of a breaker. Erichthonius begat Tros, king of the
Trojans, and Tros had three noble sons, Ilus, Assaracus, and
Ganymede who was comeliest of mortal men; wherefore the gods carried
him off to be Jove’s cupbearer, for his beauty’s sake, that he might
dwell among the immortals. Ilus begat Laomedon, and Laomedon begat
Tithonus, Priam, Lampus, Clytius, and Hiketaon of the stock of Mars.
But Assaracus was father to Capys, and Capys to Anchises, who was my
father, while Hector is son to Priam.
  “Such do I declare my blood and lineage, but as for valour, Jove
gives it or takes it as he will, for he is lord of all. And now let
there be no more of this prating in mid-battle as though we were
children. We could fling taunts without end at one another; a
hundred-oared galley would not hold them. The tongue can run all
whithers and talk all wise; it can go here and there, and as a man
says, so shall he be gainsaid. What is the use of our bandying hard
like women who when they fall foul of one another go out and wrangle
in the streets, one half true and the other lies, as rage inspires
them? No words of yours shall turn me now that I am fain to fight-
therefore let us make trial of one another with our spears.”
  As he spoke he drove his spear at the great and terrible shield of
Achilles, which rang out as the point struck it. The son of Peleus
held the shield before him with his strong hand, and he was afraid,
for he deemed that Aeneas’s spear would go through it quite easily,
not reflecting that the god’s glorious gifts were little likely to
yield before the blows of mortal men; and indeed Aeneas’s spear did
not pierce the shield, for the layer of gold, gift of the god,
stayed the point. It went through two layers, but the god had made the
shield in five, two of bronze, the two innermost ones of tin, and
one of gold; it was in this that the spear was stayed.
  Achilles in his turn threw, and struck the round shield of Aeneas at
the very edge, where the bronze was thinnest; the spear of Pelian
ash went clean through, and the shield rang under the blow; Aeneas was
afraid, and crouched backwards, holding the shield away from him;
the spear, however, flew over his back, and stuck quivering in the
ground, after having gone through both circles of the sheltering
shield. Aeneas though he had avoided the spear, stood still, blinded
with fear and grief because the weapon had gone so near him; then
Achilles sprang furiously upon him, with a cry as of death and with
his keen blade drawn, and Aeneas seized a great stone, so huge that
two men, as men now are, would be unable to lift it, but Aeneas
wielded it quite easily.
  Aeneas would then have struck Achilles as he was springing towards
him, either on the helmet, or on the shield that covered him, and
Achilles would have closed with him and despatched him with his sword,
had not Neptune lord of the earthquake been quick to mark, and said
forthwith to the immortals, “Alas, I am sorry for great Aeneas, who
will now go down to the house of Hades, vanquished by the son of
Peleus. Fool that he was to give ear to the counsel of Apollo.
Apollo will never save him from destruction. Why should this man
suffer when he is guiltless, to no purpose, and in another’s
quarrel? Has he not at all times offered acceptable sacrifice to the
gods that dwell in heaven? Let us then ****** him from death’s jaws,
lest the son of Saturn be angry should Achilles slay him. It is fated,
moreover, that he should escape, and that the race of Dardanus, whom
Jove loved above all the sons born to him of mortal women, shall not
perish utterly without seed or sign. For now indeed has Jove hated the
blood of Priam, while Aeneas shall reign over the Trojans, he and
his children’s children that shall be born hereafter.”
  Then answered Juno, “Earth-shaker, look to this matter yourself, and
consider concerning Aeneas, whether you will save him, or suffer
him, brave though he be, to fall by the hand of Achilles son of
Peleus. For of a truth we two, I and Pallas Minerva, have sworn full
many a time before all the immortals, that never would we shield
Trojans from destruction, not even when all Troy is burning in the
flames that the Achaeans shall kindle.”
  When earth-encircling Neptune heard this he went into the battle
amid the clash of spears, and came to the place where Ac