The bright death of a star
lights the black night from afar.

Astrologers walk from east to west
and follow the nova’s fiery arc.
The burst of white in heavens’ dark chest
gives sign of a birth, love’s new spark.

They walk on through sandy shards of this earth,
past broken glass of our days
to find the one whose heralded birth
gives hope that our world is reglazed.

Held in their hands are gifts replete
that tell what the child will become:
Gold for a king, sweet incense for a priest,
for a healer, myrrh that will scent his tomb.

And the lodestar that died
signals the birth of a child
whose death and rebirth
lit a new star on this earth.

Selah.

Each year I watch them travel in a snow globe
that hangs upon my Yuletide fir tree,
a glowing glass sphere where waters flow
’round these Magi walking magically free.

Week by week, winter
clouds shroud the sun, sullen sky —
Church arch, bridge to light

Sitting in the subway.
All fix their eyes on screens —
What does this sight convey?
Is this all that their lives mean?

I’ll take a stroll
through wintry night air
to free my mind
from its dark wisps and snares.

While walking in the night’s leaden fog
that weighs upon both eyes and mind,
a building emerges from dampening slog
adorned with columns of marble refined.

The fog oppresses all the known world,
with eyes and ears slammed shut by fear.
Its thralls have spread, its pall unfurled
to wring out all sense of what was clear.

And yet: Here rises
from black fog’s embrace
the lights of a campus
that spite fog’s dimming wastes.

Upon building’s brow, above the main gate,
two words inscribed. Letters gleam through gloom
and icy tendrils of iron mist’s weight:
“Auditorium Maximum” —

— the place of the greatest hearing.
If only this hall could vastly hold
the sum of all in fog a-fearing,
to teach each to hear and be thus consoled.

To live in more than piecemeal peace
in a heartily hearth-warmed hall
where all must learn the art of hearing,
to share in the greatest art of all.

Berlin, Berlin,
contradiction city.
Grey concrete hulks stacked around
old buildings rising pretty.
A never ending construction zone
that tries to top the past
while dancing ’round her history
whose pallor shadows cast.

The embers fade
from passing year
and turn to ash,
then disappear.

A span of time
that fades to black
now melts into
earth’s deepest cracks.

From murky fog
and blackest night
emerge first shoots
of new year bright.

Now from grey ash
of burnt-out past
the shoots are fed
’til new dawn’s flash.

At year’s knife edge
the night is long,
obsidian blade
cuts open new dawn.

The clock’s hands turn
and grasp the knife
to slice open the box
of a new year’s life.

And from the cut
the knife just made
comes ray of light
that glints on blade.

What this beam will bring?
I do not know.
But I’ll take some hope
and let light flow.

—

Photo here:
https://bsky.app/profile/jackgroundhog.bsky.social/post/3lem2baz3ks25