Submit your work, meet writers and drop the ads. Become a member
 
It has been one year
since my last haiku; one more
year spent trapped in skin.
I told him what it was to
tread water and he, for the
longest time, believed me.
My friend is a musician and
the instrument that chose
him is the keyboard, with
it's near infinite possibilities,
incarnations, iterations.
Different lives, so to speak.
It is a craft that as it is
learned learns you. Small
flash of contact. Text
message. Unreturned call
with voicemail attached.
We've learned to sing over
the phone. I hope that doesn't
ring flat.
Bag
For what it's worth I've come to find that people and things ****** over make like lead pockets. Old business is just old business and yet the mouth stays sour, curdles at its ends like milk left out. I wash my hair and wash it again.

How do you **** a city? Not a short-change of ideas or institutions. A city. People, granite columns. Street lamps. Long lines of wooden benches. Car horns.

Bags and bags of bug-out gear: drop point knife; feather-stuffed bedroll; one dozen pouches, depositories. The **** is the escape.

The drop point.

Some thing in all of us wants a way out. It aches for freedom. Messy, nasty freedom, sweet as it is.
Portions of this poem borrow words from various episodes of the TV series Mad Men.
No
We sully women who think,
unbowed and without corsets
to prop or hide whatever fuddle
we've told them exists.

We need not be told, all
of us. No is not an abstract
concept, it rides no waves
of uncertainty, no great barriers
or walls need of climbing.

Verily he told her she must
cover for not to be mistaken for
impious. Shell-shocked and
sullied she bides her time between
bites to plot her spiritual escape.
Set sun set
on this tired day
which is yet to
yield quick promise
of new light

Light seeps into
my window in
mornings like an
intruder wearing
steel-toed boots

I can't quite crack
my eyes from their
shutters shuttered
tight as fingers curled
in death grip

Gripping my sheets
I shake the sleep
off my bones to
find a new me
an old me

Barely breathing
of my own volition
until I am reminded
that I must indeed
breathe

Breath of Adam
and Eve or something
in-between it *****
and shivers like
shutters slammed shut

This is nothing new
as the sun will rise
and fall as it has before
and always will or
maybe it will break

Patterns are the
death of will
dying lilies of
too much sun or
too little

Set sun set
on this tired day
of bang and repeat
and give reprieve to
those of us

Left upright
14
Every song or sonnet
singular in its intricacy,
in time it becomes something
other, hyper-personal and resonant.
14 things may burst into millions.

13
Three times I've felt alone
this minute. I should stop tallying
hours in my schedule, messy
rubric.

12
11-years old and jumping off
mud-mounds, playing King of the
Hill. The strongest rises to the top.
The cleverest usurps.

11
One thing for certain:
we are human. We are
not human.

10
Six times in school I got
detention. It was often due
to my willingness to be a
follower, silly sheep to a
slaughter.

9
Five languages of love we are
sure of, no more so far.

8
10 tally marks looks a lot
like less. Some things, like
people, refuse to show their
face.

7
13 is supposedly an unlucky
number. At this age I uncovered
a part of myself I did not know
before. Discovery. This is luck.

6
A dozen is meant to represent 12
because it is simpler, same syllables
only one less letter, a convenience.

5
If you flip an eight on its side
you can see forever.

4
Seven times I've thought this poem
gimmicky.

3
[redacted for time constraints
and continuity]

2
The artist places her pen to
paper and borrows, not stealing
so much as salvaging, wrapping
old presents in neat new bows,
satin or silk or rough twine.
Nine variations on the same
subject.

1
Four lids harbor two eyes,
a galaxy, universe,
each hiding half a heaven
from view.
There lies a picture on the mantle
of my grandfather, my step-father's
father, clad in U.S. Navy fatigues
and grinning slightly, almost a
smirk. The year is 1960-something
as he enlists for Vietnam and is
shipped overseas on the USS
Corral Sea to load sidewinders
into fighter planes that ignite and
****. It happens so fast.

It happened so fast. Two months
of time reduced to blinks and
minute-long visits. This house could
be cold as Mt. Meru's peak and I
would hardly notice. The brain has
ways of placing things on autopilot.

His life has come to pass and I am
left to wonder. I am not sure I ever
truly knew the man. I heard stories,
his helicopter shot down in Vietnam,
his E&E; north of the ** Chi Minh and
how he owned a gun shop on Main
St. in the town I came to call home
before it was my home. I cannot hear
his whispering, small wind of existence
sidewinding away from me and my
youthfulness. In small time I've come
to find life is meaningful if you take time
to make it so.

The day of his funeral is beautiful,
sunny and mild and full of breeze.
The gas tank of my mother's car is
close to empty and I am worried of
worldly things, will we make it and
when can we fill up again. 21 guns
gives my heart a needed beating.
For Grandpa Cliff
Next page