Outside of a bar in a North Carolina strip mall, stone cold sober because I am scared to use my fake, I feel drunk as you sit next to me. Perhaps I am. I'd have to be to think maybe, maybe, maybe, when I know, I know, I know.

Your hand brushes against mine, and you're saying the most beautiful words I've ever heard, and the fire in my heart spreads up, down, left, right. But it cannot spread just four inches outside of my body. It cannot set you on fire, too.

We listen to each other and hear two very different things. You are birdsong outside of my window that I am eager to hear; I am traffic outside of your window you've learned to tune out at bedtime.  

If there are nine million bicycles in Beijing, then Beijing is my insides and bicycles are your name, because it is written on my insides nine million times. But there are no bicycles on Antarctica. There is no use for them there, just as there's no use for my name to be perched on a straight girl's ribs.

You tell me my weird hobby of listening to French rap music is awesome, that it's so cool that I'm teaching myself three languages, and that you want to be me when you grow up - I laugh, because you're several years older than me. Selfishly I catch every droplet of your praise.  I ruminate on it for hours, for days. It means more to me than it should.

My name sounds like a compliment from your mouth. I try not to say yours too often, so you don't grow tired of me being around. If I can't set your insides on fire, I want you to want to be my friend. Even that feels like I ask for too much.

In every scene, I see you in the foreground of the narrative. For me, it would be on honor to be one of your background characters. Narratives are richer with them anyway.

I look at you and you are the Harry Potter movie marathon I wait months for. For you, I am the 2 am infomercial you fell asleep to. But I don't mind half as much as I should. Even white noise has its place in someone's life.

Out here there are no hearthstones,
Hot grains, simply.  It is dry, dry.
And the air dangerous.  Noonday acts queerly
On the mind's eye erecting a line
Of poplars in the middle distance, the only
Object beside the mad, straight road
One can remember men and houses by.
A cool wind should inhabit these leaves
And a dew collect on them, dearer than money,
In the blue hour before sunup.
Yet they recede, untouchable as tomorrow,
Or those glittery fictions of spilt water
That glide ahead of the very thirsty.

I think of the lizards airing their tongues
In the crevice of an extremely small shadow
And the toad guarding his heart's droplet.
The desert is white as a blind man's eye,
Comfortless as salt.  Snake and bird
Doze behind the old maskss of fury.
We swelter like firedogs in the wind.
The sun puts its cinder out.  Where we lie
The heat-cracked crickets congregate
In their black armorplate and cry.
The day-moon lights up like a sorry mother,
And the crickets come creeping into our hair
To fiddle the short night away.

I felt a tree's heart one summer
Night after the heatwave;
The wood was damp where abandoned
Roots drew the cool groundwater, still
Trying to make cells, shade, and scent
As they'd done for more years than I
Walked by without pause,
Until the tree was gone.

May you find your Polaris
when fickle starfields shift
behind dry eyelids
no constant but movement
too deep for volition
no feeling, only the throb
of an unquiet pendulum heart
marking the numb, blind hours
between midnight and winter dawn