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Jonathan Moya Mar 2020
I lose one sock every other washing.
The wisdom of the washer and dryer
says that God is stockpiling the lost one
to be reunited with the other in heaven.
Does that mean those with perfectly
mated, never separated pairs, are
doomed to the spin dry of eternal hell?
But then, it’s Smart of God, not letting me
hop around on one foot in my nakedness.

Socks are greater than love.  
They remind us that things
lost will eventually be found,
show the foolishness of looking
back to see what’s coming.
They are reminders that
rain is the reason clotheslines
have disappeared.
Jonathan Moya Mar 2020
I don’t know if SEE ROCK CITY is
still stenciled in white on black
on old red barns along dusty Southern highways.  

The old black and white photos weren't arrows, more like anchored arks that floated  menageries of tourists to Lookout Mountain
to see miniature Fairy Tale Caverns,
villages of Mother Goose creatures,  
a Lover’s Leap with a view that overlooked
the borders of seven states on a clear day.

Hidden inside  was a falls that turned red, green, black, orange and holiday colors
on Valentine’s, St. Patrick’s, Halloween and Thanksgiving and Christmas.    

The last two miles were a treacherous thrill ride
up a snaking two lane mountain highway
filled with all the breathless ascent of a rollercoaster ready to be propelled at its zenith.

The tourist coming down, amped up on
on sugarcoated dreams, soda pop,
rainbow squirts and homemade fudge
dissolving like cotton candy in their mouths,
would dare the descent without a  
tap of the brakes, making it the only place
on earth where heaven could collide with hell.  
  
I’m sure those old barns have rotted down,
filling their fields in creosote abandonment.  
Perhaps the whitewash of time has eroded
ROCK and even CITY leaving the passing soul
wondering what there is left to SEE.

The dream still exists amidst fairy tale caverns and meandering limestone/sandstone trails
on the very top of Lookout Mountain
waiting for a family of woodpeckers
to roost in the metal SEE ROCK CITY
birdhouse hooked to the V of my old oak.
Jonathan Moya Mar 2020
Many say the last thing the dying see
is the flap of dove wings
or Jesus caressing their hair.
  
Her hallucinations were full of Him
smiling at her, speaking words
she could not understand.
  
And when I draped the
blanket over her cold feet,
crowned with the blue bruise
of all her past complications,
she was convinced I was Him.  

I played the game.  
“Hush, little one.  
I am here for you.  
Do not be afraid.”
  
I left for a moment.
I wept.
She had fallen asleep.

Before I could
return the next day,
she had passed.

Her eyes were closed.
Her mouth was a half smile,
as if she had heard a bell,
had tasted the sweetest thing.

I wondered what was that last
great thing she had heard or seen,
but she had taken her memory with her.
Jonathan Moya Mar 2020
Soldiers patrol Bethlehem now.

The Kaaba hosts no
circumambulating mustati.

The Ganges’ bathes
in its own sin and ash  
releasing no Moksha.

The Vatican quarantines
even  its Cardinals as
The Pope holds mass
to an empty St. Peter’s Square.

In Chicago, a 7-year-old girl named Heaven,
will not die today, not become  
the most expensive candy in the world,
as her mother watches her, the miracle of today,
walk all alone by herself to a closed sweet shop.
Jonathan Moya Mar 2020
the
   devil
         put the
              warmth
                          down south
                                             so man
                can call it
Paradise.
Jonathan Moya Mar 2020
How can I call myself a Boricua when I
barely know the Spanish for earth and sky,    
have no roots in the soil of Moroves,
no sense of San Juan’s flavors,
the warm Atlantic blowing Arecibo  beach,    
Ponce dancing in the Caribbean’s laughter—  
all memories stolen from postcards hastily
bought at the airport along with a  
tin of Florecitas by my mother returning home.

Those little flowers exploded suns on my tongue
and created colors, formed postcard dreams  
of forts, conquistadors, Taino villages burning
in flames rather than submitting to Spain’s sway.
I craved to be an archeologist reverently
dusting off the bones of my ancestors.
I wanted to be an artist, like my uncle Bob,
splashing faceless heads among yellow flares
devoid of black, red, no tint of sad back story.
I settled for being a poet, a painter of words,
a discoverer of the history of hopes.

There is a memory of the Rambler hitting a cow
on the dirt mountain road leading to Moroves.
The bovine sliding down the embankment,
nonchalantly getting up and going his way.
The Rambler’s front end forever stuck with the
impression of an angry bull welded in the grill.
Another of a drive to a carnival, sitting
in the cab of another station wagon,
stargazing the white half moons rising
from under the red halter of my cousin Anna.
A final one of my grandmother praying
the rosary while I stumbled to the outhouse,
spending the night on the swing under the porch
because I didn’t want to break her silence.

Cows, moons, prayers are my Boricua heritage.
I can’t translate the decimas of a jibaro song,
nor dance a merengue, a bomba,  plena.
I have no desire to eat sugarcane from the  stalk,
nor split the soursop for it sweetness.
I am lost in the winds every Boricua knows.
My memories are blown away in the hurricane.
I seek the solace of the first flight out
after the storm, sad knowing  that
I was not born, like every Boricua,  
from the roots up, to study the light of stars.
Jonathan Moya Mar 2020
My wife doesn’t allow me
to watch her when she cooks.
The dog is her silent admirer,
sitting patiently for crumbs.

So much of it is filled with the
aroma of her mother, Geri’s  cooking,
the recipes etched in memory’s stone,
rituals not shared with a family of men.

The scent of garlic and onions,
meat sizzling in a hundred previous
kitchens for fathers waiting at long tables
makes me regret that I am just a man.

My mother, Elsi was a lousy cook,
and my tias knew it, consigning
her to wrap the twine around
pasteles in their banana leafs.

Where Geri passed down her recipes,
Elsi bequeathed me her heart and
compassion sautéed in bitter-sweet
sorrow dusted with ‘Rican seasoning.

I think she saved a pinch for Krissy,
for succor is her strongest flavor,
and I feed off it ravenously when
I need the strength.

The scent of spaghetti squash
roasting in the oven fills
my imagination with the need
to eat, live beyond just sustenance.

I crave to know the secret of her kitchen
but she brings the squash to me
on a plate hot around the edges
and we eat it, contentedly on the bed.

One day, I will sneak into the cocina
and maybe cook a picadillo finer than
her great creations, doing it
like all men, strictly by the recipe.
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