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Wk kortas Jul 2018
He has taken rake and shovel in hand,
Taking advantage of the light,
Rare in these climes this time of year,
Still welcomed, though rendered severe
By the sun's reluctant trudge above the horizon,
The type which, sauntering through a window pane
(Falling upon a crucifix anchored above a cradle
Or some ancient, gilded frame
Containing a photo of some grandparent's wedding day,
Exploding into full undifferentiated diffusion)
May possess a dram of warmth, albeit resigned, nostalgic
A bittersweet reminder of what has gone by
(And in the shade, the air is filled
With the portentous chill of what lies a few months hence)
But there nonetheless as he tends to those final farewells
From the trees bowing to December's inevitability,
The droppings not the *******-esque bursts of October
(Those having been collected and consigned
To the normal corner of the back lot)
But dreary brown-hued things, not welcomed by eye nor heart,
Simply corralled perfunctorily and dismissed.
One could contend that such activity is unnecessary,
The mere vanity of all endeavor,
As the snow will come soon, and steady as well,
Performing the seasonal, cyclical function in its own time,
But he soldiers on nonetheless, a unseen one-act nearly-farce,
Painstakingly raking and bending and scraping
To leave his patch of green uncovered for a little while
Until the locking time comes to seal the earth's secrets once more,
To be revealed to those
Who shall receive the teasing ministrations
Of the fickle, fitful March equinox.
Mateuš Conrad Oct 2015
.let's begin: i've been watching youtube haemorrhage over the past few years (4 / 5 in total) and... i do still enjoy the sort of cabaret weimar associated with criticalcondition when comapred to beanie hat tim pool... sorry: i just like a bit of cabaret, i know that comedy is translated in the western lands by stand-up monologues, but in germany and poland: cabaret is the toy assurance to compensate the justifications for theatre or opera... i like criticalcondition, trans-, ******: my my, how did the chemistry prefixes of attachement groups of a benzene ring overpower bio-realism? imagine a blocked toilet in terms of hinduism / buddhism in terms of the metaphysics of reincarnation... well: metaphysics by their great culinary understanding implies: a return to the same debacle, perhaps only slightly elevated... we have already reached a post- gott ist tot scenario of metaphysics... gott is quiet apparent, since the ancient greeks believed that "shamed" men would come back as women: now? the women did a shortcut... they said: tod ist tot... wouldn't that be the case? a blocked toilet, well... if god has to die first, then death itself has to die, ergo: tod ist tot! ha ha... imagine... to think of the glamorous concept of eastern theology as nothing more than a plumber's day-shift... looks like the toilet is blocked... since... men are not spawning into female form after death, instead, deciding to spawn back into male form with a female "brain"... who is that god of mischief in hinduism? oh... look! Aditi! well it's not an isolated case, is it? i once picked up a thai surprise from a park bench, played her some jazz, ****** her in the garden... bangkok ladyboys are the duran duran of 1980s electro-puppy-pop! once god dies, death follows suit... after all... death is (a) shadow of (the) god... blocked toilet metaphysics, all the brahmin as running wild, naked, psychotic: but the lesser men were not supposed to know they were reborn into female bodies, there was that safety net in place to: let them reincarnate with an amnesia principle! what's happening?! the women are raiding up the ranks?! contrapoints compared to tim pool? sorry beanie-boy... you're not the beastie... quiet... i'd love to b.j. that make-up off from contrapoints... problem being... i love when a ****** speaks so much sense... but... hands... i find a woman's hands too be the most ****** aspect of her body... 4/5... that's a fraction... for my five knuckles in terms of hand size, ***** "envy" and what my five knuckles look like to a woman's 4? you get the picture... there is also another fraction... 72 genders?! wha-?! i see gender in the 3/2 fraction... a woman can satisfy three men... the ****, the **** the mouth... a man... can only satisfy 2... the **** and the mouth... oh... wait... 3/3... someone can be giving him a b.j. while he's giving him a b.j..... it's still a blockage of reincarnation though... the greeks believed the lesser man was to be reborn in a "lesser" body... ****, i always forget how the ratio works... i always think: 1 man has 3 options of entry, 3 women have 1 point of entry each... but fraction is wonky though... in that... a woman can entertain three variations of entry: mouth, ****, ****... but a man has to entertain two points of entry and one point of insertion... so the fraction still stands at 3/2... which makes the islamic celestial harem nonsense... unless equipped with an exess of res extensa ****** to satiate the hunger of 72 virgins... a ****** gambit if you ask me... 72 virgins sounds more like a headache than what Solomon forsake in owning for the queen of Shēba... king! Solomon! after all the *******, enough wisdom suddenly trickled into his head, and he chose the route of the monogamy of birds! mind you: whatever wisdom king! Solomon ever had to begin with... i would still favor king David... i like a man with a distrust of women and having an unadulterated desire for music as second to none medicinal property to cure existential ailments; i tried *******, no good... sure, great exercise... esp. with prostitutes... but an in depth analysis of the perpetuated banality of life and how to learn to masquerade it behind a veil of seemingly banal? a harem will not help, but music will. even nietzsche understood this... criticalcondition: i do actually fancy him it her they... she does have that: je ne sais quoi air... weimar cabaret "revised"... not quiet the switz cabaret dada voltaire... but all i know is the number of holes of points of insertion and the fact that i have hands the size that could hold a basketball in one... and how... oh, wow! i really came late to the asian fetish party late... here, have some grenades! **** ying, cat meng, na mu han, you mi, ni ye teng, ai sayama, hoshina mizuki, ayaka noda, (l)im ji hye, lie fei er, (barbie) ke er... ergo? this whole asian fetish scene? am i looking at dolls? i'm not even sure... am i white, by comparison to these procelain babushkas?! i'm not white: orange man bad! i thought so too: i'm... piglet! the i'm not white: these girls are... and the funny thing is, the "funny" thing, is? i don't have to see much more beside the cleavage or the ******* or the thighs to... hey! i'm a late bloomer to this asiatic fetish... side-tracked by the european transgender ******* and the thai surprise ladyboys... what is **** what isn't ****: that, really depends on how much you rely on your imagination... if a sight of white, porcelain cleavage gets you off... who the hell needs the whole "show"... after all... even the niqab is a game on how to arouse the male libido... it's pretty hard to be aroused by a fully exposed female torso like some maasai ivory beauty... then the "said" objects are more functional and designated for feeding purposes... than ***** *******... aren't they?! oh i can see a revision of the niqab... imagine this in saudi arabia... both the eyes are not hidden from view, as isn't the mouth! batman 2."oh"... oh i don't like these new communists in the west... white... priv. who, that japanese?! i'm not white, i said it already and i'll say it again: i'm not a porcelain doll! talk to the **** about white privilege... they're the ones with milk veils... my "white privilege" is only associated to having blond hair, green or blue eyes... it has nothing to do with... skin!

i’m suspicious of the ones that say: without telling the truth
we can moralise, by not stating the truth
we can allow ourselves falsehood in the prime
instinct to provide replicas of ourselves
without truth of two subject interacting,
but merely the truth of two objects interacting
reducible into the dwarf of darwinism
that speaks: over-sexualise and feel less encountered
by understanding the opposite!
so much is true in this era - with the english poodle
waggling in frenzies for the americans to spectate and applaud...
i’ve had to become a german in england,
the sort that might be liked by nietzschean arrogance,
but apart from that i’m working on how
certain people simply use words rather than letters,
how they can never use the shovels and pickaxes,
how this congregation of atheists at comic stand-up shows
is doing my head in: a theological mid-life crises,
this blatant take on theology using the logic:
from monkey you came, to monkeying you shall return...
now that trends like the crown all animals have,
all animals already unique do not need to replicate consciously,
but man is stumbling into wasting his conscious on replication,
on plagiarism... it’s so odd... so so odd! why would man
waste his consciousness to simply invoke replication?
where’s the self in that, the anti-frankenstein story so powerful
he does not wish to do anything other than marvel at
the connectivity of the bone to the nerve to the muscle?
the 20th century gave birth militant atheism -
the 21st century is labouring with a different kind of atheism -
the sort of atheism that says no barriers exist between master and servant
as between worm and pigeon - even though
the depression of the master is opposed to the servant’s depression
that he only spots analogues within the framework of
synonymity with other masters... ‘why are we so depressed?’
asked master a, ‘i have no idea,’ answered master b over lunch.
in the lower decks of the ship servant a says to servant b -
- ‘god, i rowed all day long, i’m so ****** tired!
no thought will keep me awake.’
- ‘that’s true, i’m knackered also, broken limbs of my effort
like a chestnut, no thought will keep me awake either,
lucky we exhaust the body.’
- ‘too true, with the body exhausted the mind is never disputed
never disputed by not having origins in thinking
but rather having origins in the body.’
- ‘verily, i rather our fate than the masters’ fate.’
- ‘why?’
- ‘as you said, our’s is the story of ****** demands,
their’s is a story of thought’s demands,
meaning they exhaust their mind in the accesses
thought provides, it’s like a secondary body we have no knowledge of,
they are exhausted by thinking because their body is not exhausted.’
- ‘makes sense.’
- 'hence their malady of melancholia and our as simple exhaustion.'
- 'where’s the buffer?'
- 'in the olympians, the discus throwers, the most positive lot, and due to this, the easiest
to break down from high positivity; they have no awareness
of complex thinking and are quickly undermined with all this sports’ psychology!'
- 'true to the burning tire... it's all dietary awareness and muscle bulk with them after a loss.'
- 'indeed, as our's is with aesop dreamily awaiting a freedom that’s an anarchy,as translated from aesop's fables into
spartacus' resolve.'
- 'ah yes, that old spartan revolt in the roman empire.'
so like i said, i do know that darwinism is the new super cool sensibility,
taking into account more than 10,000 years of history
and talking about it for 2 hours wishing that something
spectacular might happen tomorrow, or any other given day...
but like i said previously... darwinism just killed history...
outside the realm of journalism we’re talking millions of years...
so why would i give a **** if it’s a friday the 23rd of october in the imaginary year 2015?
well if you put crocodile into a pile of hyenas you’ll probably
get a a cuckoo mixed with a squid because of the beak shared by the two...
i know, atheism is cool, for now,
but when the quantum j provides the classical physics’ objects like jupiter
you’ll ask what the quantum of j is... and i’ll say... full-stop...
that’s because, perhaps, i never use language as:
copy - work - paste - with - copy - me - paste - on - copy - this - paste - one,
but rather...
w - grammatical arithmetic (g.a.) - o - g.a. - r - g.a. - k,
because no one can tell me that the letter j
is uniform in the context of i or k...
as the quantum phonetics of uttering the word
onomatopoeia... is no different from uttering the word bull...
so many variables of spotting the quantum physics
in pronunciation... so many varying levels of required energy
to utter j or k... onomatopoeia or bull -
so... what's the antonym of quantum - the maximum
amount of any physical entity involved in an interaction -
i know that poets speak of grains of sand = no. of stars
and that the mathematicians use the curtain of infinity
to digress... but finding the maximum will be harder
given that there will be no socratic knowledge to use as canvas...
i.e. nothing;
added to the fact that there’s a non-differential quantum
that makes ë and em almost identical in terms of the least energy used,
this humanistic paradox of bonding means there is no unique human
sound that doesn’t borrow another human sound to execute a phoneticism,
otherwise ë and em translate as eh and humming anti-treble of the lips, or finger licking mmm of kentucky.
actually... we have the opposite of quantum physics...
the body functions within an ~37ºC emission...
there are four seasons in a year... the earth's orbit is 365 days,
i just took all the known macro units
and consolidated them in the micro unit of joules undifferentiated
in terms of observable "energy."
Akemi Jan 2019
The Ache is leaving. Three years languished by dead end jobs, drugs and friends. Last week above a bagel store, the sun morphs mute amidst travelling clouds, indifferent fluctuations of light on an otherwise featureless day.

You arrive a tight knot of anxieties over a moment in time that could only have arrived after its departure. The Ache welcomes you into their sparse interior. You trace last month’s 21st across the black mould complex; navigate piles of stacked boxes, unsure if anything is inside of them.

“I always make the best friends in departure,” the Ache says, flipping a plushy up and down by the waist.

“Maybe you can only love that which is already lost,” you reply, with an insight a friend will give you a week later.

The acid tastes bitter under your tongue. Small marks your body bursting, a glowing radiance of interconnections you’d always had but only now begun to feel. The Ache follows suit and you sit on the couch together to watch .hack//Legend of the Twilight. The come up entangles you in the spectacle; the screaming boy protagonist, the chipped tooth gag, the moe sister in need of saving from the liminal space of dead code. You take part in it; you revel in it. Bodies morph on the surface of the screen in hyperflat obscenity, their parts interchangeable to the affect of the drama. Faces invert, break and disfigure, before reformation into the self-same identity form.

A month earlier, you’d hosted a house show at your flat. Too anxious to perform you’d dropped a tab as you’ve done now. An overbearing sensation of too-much-ness — of sickening reality — washed through the nexus of your being. You writhed on the ground screaming into a microphone as a cacophony of sounds roiled through you. Everyone cheered.

The floor rose later that night. A damp, disgusting intensity that triggered contractions in your throat and chest. Pulled to the ground, you fought off your bandmate’s advances, too shocked to express your revulsion and horror, to react accordingly, to reconstitute a border of consensual sociality. You broke free and slurred “I’m no one’s! I’m no one’s!” before running out of the room. Hours later, you tried to comfort them. Weeks later, you realised how ******* ******* that had been. Months later, you learnt their friend had committed suicide days before the show.

Back in the lounge, a prince rides onto the screen on a pig. You turn to the Ache and say “This is ******* awful.”

The Ache responds “I know right?”

Outside the world burns blue with lustre. The Ache trails you and falls onto their stomach. “Oh my god,” the Ache blurts, “this is why I love acid. Everything just feels right.” They gaze wistfully at the grasses and flowers before them; catch a whiff of asphalt and nectar, intermingled. “Like, gender isn’t even a thing, you know? Just properties condensed into a legible sign to be disciplined by heteronormative governmentality.”

“Properties! Properties!” You chant, stomping around the Ache with your arms stretched out. You wave them in the air like windmills. You bare your teeth. “Properties! Properties!”

“You know what I mean, right?” The Ache asks, pointedly. “You know what I mean?”

You continue chanting “Properties!” for another minute or two, before spotting a slug on a blade of grass beneath your feet. You fall to your knees and gasp “It’s a slug!”

You and the Ache stare at the tiny referent for an indefinite period of time, absorbed in its glistening moistures. Eventually, the Ache says “I think it’s actually a snail.”

You used to read postmodern novels on acid. You loved their exploration of hyperreality; their dissection of culture as a system of meaning that arises out of our collective, desperate attempts to overcome the indifference of facticity. Read symptomatically, culture does not reveal unseen depths in the world, but rather, constitutes shallow networks of sprawling complexity — truth effects — illusions of mastery over an, otherwise, undifferentiated and senseless becoming.

Then one day, the world overwhelmed you. Down the hall, your flatmates sounded an eternal return. As they spoke in joyous abandon you traced the lines from their mouths — found their origin in idiot artefacts of Hollywood Babylon. The joy of abstraction you once relished in your books took on an all too direct horror. You recoiled. You bound your lips in hysteria, for fear of becoming another repeating machine of an all too present culture industry. Better dumb than banal — better to say nothing at all, than everything that already was and would ever be. You cried and cried until everyone left — until you were alone with your silence and your tears and your nonexistent originality.

Dusk falls in violet streaks. You reach your room on the second floor of the building, open the bedside window and stick your legs out into a cool breeze. The Ache joins you. Danny Burton, the local MP, arrives in his van, his smiling bald face plastered on its side like an uncanny double enclosing its original.

“Hey look, it’s Danny Burton, the local MP.” Danny Burton turns his head. He glares at your dangling feet for a few seconds before entering his house. “You know, this is the first time in three years he’s looked at me and it’s at the peak of my degeneracy.” You turn to the Ache. “One of my favourite past times is watching him wander around the house at night, ******* and unsure of himself. He always goes to check on his BBQ.” You bounce on the bed in mania.

“See this is what people do, right?” the Ache says, mirroring your excitement. “Like, look at that lady walking her dog.” The Ache motions, with a cruel glint in their eyes, to the passerby on the fast dimming street. “What do you think she gets out of that? Doing that every night?” Without waiting for you to respond, the Ache answers, in a low, sarcastic tone “I guess she gets enjoyment. Doing her thing. Like everyone else.” The lady and the dog disappear beyond the curve of the road. Another pair soon arrives, taking the same path as the one before.

A few months back, you’d met an old friend at an exhibition on intersectional feminism. After the perfunctory art, wine and grapes, she drove you home, back to your run down flat in an otherwise bourgeois neighbourhood. She sat silent as the sun set before the dashboard, then asked how anyone could live like this; how anyone could stand driving out of their perfect suburban home, at the same time every morning, to work the same shift every day, for the rest of their stupid life. The dull ache of routine; the slow, boring death. You said nothing. You said nothing because you agreed with her.

“Life began as self-replicating information molecules,” you reply, obliquely. “Catalysis on superheated clay pockets. Repetition out of an attempt to bind the excess of radiant light.”

It is dark now; a formless hollow, pitted with harsh yellow lamps of varying, distant sizes. The Ache flips onto their stomach and scoffs “What’s that? We’re all in this pointless repetition together?”

You respond, cautiously “I just don’t think that being smart is any better than being stupid; that our disavowed repetitions are any worthier than anyone else’s.”

The Ache returns your gaze with an intensity you’ve never seen before. “Did I say being smart was any better? Did I say that? Being smart is part of the issue. There is no trajectory that doesn’t become a habitual refrain. When you can do anything, everything becomes rote, effortless and pointless.

“But don’t act as if there’s no difference between us and these ******* idiots,” the Ache spits, motioning into the blackness beyond your frame. “I knew this one guy, this complete and utter ****. We went to a café, and he wouldn’t stop talking about the waitress, about how hot she was, how he wanted to **** her, while she was in earshot, because, I don’t know, he thought that would get him laid.

“Then we went for a drive and he failed a ******* u-turn. He just drove back and forth, over and again. A dead, automatic weight. A car came from the other lane, towards us, and waited for him to finish, but he stopped in the middle of the street and started yelling, saying **** like, ‘what does this ******* want?’ He got out of his car, out of his idiot u-turn, and tried to start a fight with the other driver — you know, the one who’d waited silently for him to finish.”

You don’t attempt a rebuttal; you don’t want to negate the Ache’s experience. Instead, you ask “Why were you hanging out with this guy in the first place?”

The Ache responds “Because I was alone, and I was lonely, and I had no one else.”

It is 2AM. Moths dance chaotic across the invisible precipice of your bedside window, between the inner and outer spaces of linguistic designation. There is a layering of history here — of affects and functions that have blurred beyond recognition — discoloured, muted, absented.

In the hollow of your bed, the Ache laughs. You don’t dare close the distance. Sometimes you find the edges of their impact and trace your own death. All your worries manifest without content. All form and waver and empty expanse where you drink deeply without a head. Because you have lost so much time already. And nothing keeps.

Months later, after the Ache has left, you will go to the beach. You will see the roiling waves beneath crash into the rocky shore of the esplanade, a violence that merges formlessly into a still, motionless horizon, for they are two and the same. You will be unable to put into words how it feels to know that such a line of calm exists out of the pull and push of endless change, that it has existed long before your birth and will exist long after your death.

The last lingering traces of acid flee your skin. Doused in tomorrow’s stupor, you close your eyes. You catch no sleep.
“Self-destruction is simply a more honest form of living. To know the totality of your artifice and frailty in the face of suffering. And then to have it broken.”
Kara Rose Trojan Dec 2014
What’s the difference between hate and love
When they are two sides of the same blade.

Sharpened brandished waving wildly in ghost columns
against the disfigured, burning-white face of abrasion.
Then,
march home with square, taut shoulders – slightly bony –
Body swelled and puffed with
the blood-red energy of something desperate to naked pairs
ramming themselves against each other in an effort to
release.
These colorless concepts, abstract words
that hang in the air the same as
smoke-rings – ghost columns.

Could it give You a religion;
a belief that there is some guiding force in the universe
binding the two of you together by
touch, smell, scratching, grinding --
And he and You quelled
each other’s pleading prayers within
the folds of each muscles
the steeple of each elbow,
the hollow of each throat.

Some spiritualists call this the Kundalini – feel this world through a material base
A Love religion – fixing body and body together
because it’s the one thing that seems to make sense in this crude moment
when the ashes settled to fossilize inside
His and Yours brains.

“My God. His chest, his belly,
the riding and the falling, the moans.
How he clung to me, how he struggled --
Life and death! Life and death!”

The circle of arms is the gateway
to some emotional dry-heave:
the swelling, purging, and crashing
of grief, rage, love, and comfort
those same abstract, colorless concepts
teetering on the edge of a beaten-down slave gospel.

We can give our vegetables a gender:
Female onions. Peel only when ripe then
ferment in a closed plastic bottle.
Color sensations that can only pass between illuminated palms on an
angry evening.
Shakespeare’s Gloucester could only see this world feelingly, woman:
How will you cope after being blinded by his tears?
And when the ream is spent, write a poem on the back.

After your limbs searched for each other after years gone, searched underneath the covers for a comforting hand that could save the loneliness from shaking your souls out of your bodies?
When limbs stretched forward to hold both bodies together,
the backbones that ****** you both pressed against the skin --
The very skin that ****** you, too.
That dream baby bearing the handprint of his ghost --
his skin on your skin on baby skin
Against undifferentiated dark, it may glow beneath the cradle’s mobile.
“Another illegitimate black baby.” Let’s call it Smoke and Mirrors for maybe just a second.
Don’t pay attention to the swerve of small-town eyes.
Then, we can see the light through the parenthesis.
Call it the ghost of his Love. The ghost of meat love. Delirious brilliance.

Ghost of mouth-on-the-screen-door Love.
The same taste of nickels, of iron, of blood --
Leave the porchlight on if you want him to find his way back.
Hang the water-filled jar from the tree to ward away the evil ghosts.
Light it, love it, leave it. Light it, love it, leave it.
Who’s going to guide the insect-feelers
to the light
on the nights
When words split, scatter, and sift
into labor-streaked pyramids between these fingers?

Now do you know where you are? We see a little farther now, a little farther still.
Staked in fury, can we recognize red ants on a red ant hill, now?
Shrouded in a glory-cloud, at least you knew you fit somewhere.

As Women, We know the gospel well. A little farther now and a little farther still.
The maddening dances around *** and Song – it is possible for the rest of Us to understand
and know how You’ve been bleeding.
*The quotations applied in the poem are drawn from James Baldwin's play Blues for Mister Charlie in order to expound on the ambiguously defined struggle that Juanita, one of the Black students, encounters after Richard Henry leaves the bedroom in Act 2 and during the courtroom proceedings in Act 3. Faced with Richard Henry's impending doom, she mulls over how the lives of all the characters begin to intertwine and, ultimately, demonstrate the lyrical quality of grief individuals voiced during during and after the ****** of Emmett Till -- each with its own score, tone, and measure.

Blues for Mister Charlie is James Baldwin’s second play, a tragedy in three acts. It was first produced and published in 1964. It is dedicated to the memory of Medgar Evers, and his widow and his children, and to the memory of the dead children of Birmingham.“ The play is loosely based on the Emmett Till ****** that occurred in Money, Mississippi, before the Civil Rights Movement began.

While they’re out and dancing, Richard confides in Juanita about his time up North and how he became a ****** after encountering the jazz scene. Juanita and Richard share an intimate moment full of innocent nostalgia for their romantic history and cathartic awakening to the tumultuous circumstances for Black individuals in society.

After Richard is killed, Juanita testifies to Richard’s character in court. However, since Juanita has been to jail (for non-violent protest) and has had *** before marriage (with someone she loves), the racist white townspeople defending Lyle suggest her testimony is of no importance.
Aetheria Jul 2013
In your world there are magnetic lines that draw your needle North. Polaris and the Great Bear guide you home from clear moonlit skies, so that you may stumble into your hearth at night. I was told that in my heart was a compass rose, with a needle like yours, pointed and true. But my directions are undifferentiated. Ursa hides behind dark clouds and the magnetosphere is interrupted by the fiercest of solar winds. The needle fights to find North caught in an endless loop. The way home is unknown. But somewhere I know you are waiting for me to arrive, for the storms to pass. You would wait a thousand years. And though my compass is broken, I am reaching out my arms to find my way through the brush. And someday I will find you.
Mateuš Conrad Nov 2015
it was only the first screening of ex_machina,
but the words 'deus' and 'placebo'
were uttered after a walk of thus pondering:

understanding this movie requires kant's
critique of pure reason matter of frankly,
i lost the kantian concepts of *a priori
and
a posteriori using the cartesian method of understanding,
gravitating in my realm of understanding
almost unconscious why the cartesian uncoupling
of the kantian compounds is required:

invoking a purely cognitive aspect of analytical
and synthetic i took the temporal realm of
pre- and post-, which is respective of the definitions
of the above italicised -

when watching the movie... apart from the groovy
part where music has no central role as is usual
in all horror movies... the aesthetic of horror movies
has been cleaned up thanks to technology,
that knife into the chest like knife into butter
is perfect... the knife into the chest also perfect...
it's the robotic of man's daily routines done by a robot
that does the horror bit...
it's music replaced with claustrophobia,
the theory is mesmerising... generally speaking
phobias are tiny... and the horror scenario
losing focus in terms of music and instead
focusing on an expanding phobia, like claustrophobia
is a gigantic leap in the horror movie scene...
i wonder what the moving imagery of arachnophobia
would look like... without technological frankensteins...
a massive thematic move but still trendy with mary shelley's
original idea... more clean cut... no scar marks...
a beautiful frankenstein emerges...
but enough of that...

the kantian translated with cartesian methodology,
losing the a priori and a posteriori coupling
with analytical and synthetic notions -
like me when i first learned language,
21 years later i've just started the analytical procedure,
prior to these years, the cut-off point at 21
i was merely synthesising the language,
so well that i even managed to phonetically
strain my tongue to fake having a limousine
and a mansion and a horse... posh posing fake...
it happens - no geordie no scouser no cockney in me...
just mundane pure elocution to a ****,
harmless if i'm being honest -
but no, no no, i mean i had to synthesise the language
first, before i lost all possible synthesis of it
attributed to vocabulary... it's then that i started
to analyse it!

so this robo chic... i was thinking:
what's the analysis to synthesis ratio in her?
that must be balanced, right?
there are so many things to analyse in life:
all those biologists, chemists, forensic scientists...
but only one successful synthesis - almost
like free will that does not dare to conflict
with other possibilities...
there's no before / after concerning what one knows,
a symbiosis has to exist between these two things -
it's not that she's artificial, she's pure analytic,
she can't be pure synthetic:

deep blue is pure synthetic - he was given all
the possibilities of a chess mastermind,
he's purely synthetic, because the only thing
he can analyse is chess, and in only doing so,
he can only synthesise the authentic craft of
playing chess and nothing else, meaning he has
limited parameters -
but this robotic woman / frankenstein
would be lost in terms of pure synthesis, unlike
deep blue - she's pure analysis, meaning
the interaction is almost two dimensional,
meaning that if man questions his free will,
she would also have to do so...
i'm thinking analytical intelligence (a.i.)
either pondering suicide, ****** - morality
in total... and being drunk...

the same conceptualisation applies
in my own scenario, using the cartesian methodology
on kantian concepts i realised
my thought is an interchange of analysis | synthesis |
analysis | synthesis... this interplay
is staggering... first i cognitively synthesise
then i cognitively analyse, ping-pong.

i have no care for attaching a priori to
synthesis or a posteriori to analysis, or whatever
dogmatic building block is expected,
in the temporal sense i see the future
as ordained by the faculty of imagination
and the present as ordained by the faculty of memory;
in the present there's only this:
a lot of verbs, some which i can control, some which
i can't... depending on my noun bank account...
that same old fascination with flowers and
the complete and utter lack of apps. for deciphering
names of flowers...

but of course there's a moral to the film's plot -
it mentions consciousness and awareness to something...
a bit like man being conscious of his evolution,
hence the necessity of forgetting **** sapiens
and embracing deus placebo...
after all... it will please the vanity of man to
think himself a god...
and in so doing... craft the possibility of a deus sapiens...
a rational god... given that we're still monkeys
in spandex shooting bullets at innocent random targets
in the minority.

did i forget something?
four beers does the trick... i watched a great movie...
now i'm going to drink some whiskey
and paint my room blood red
donning a dracula bun of hair tickling with excitement:
but prior... if the universe is an undifferentiated substance,
say... water... i imagine the geometry of it's boundlessness
concerning the capillary effect of water...
what sort of geometric shape would allow the singularity
of the universe to provide the parabola of it
being in a tube of glass... in comparison to it...
i'm an indentation... i'm like mercury in similar circumstances...
hello big void... filled with aurora colours and magpies.
dj Mar 2013
a shadow geist
out of the passing of time
reaches in me
grapples my heartstrings
tugs me away like a
like a stranded coastliner
and as it goes, I go,

and as you watch
in the darkness of interstellar space
you dim
to all but a faint sparkle
undifferentiated from other stars
but I won't confuse or lose you
I'll remember you

Even if I don't
I'll make something up in
place of the memory of you

I can't help but feel sorry
where am I now
Mateuš Conrad Oct 2015
the “undifferentiated” ethnicity of western europe
is so ****** obnoxious,
i’ll sell this secret to the american youth,
they think eastern european people are as undifferentiated
as that quote about the chinese... ‘ah, but they all look alike,’
then i’ll make the romanians, the bulgars,
the poles, the lithuanians look alike and take london’s shard apart...
the western europeans think they have the eiffel they own romance,
the western europeans think they have the big ben they own all time,
this hope for a geographic orientation and bordering of
the a to z will be northern this time, no mention of syria or judea,
no mention of carthage,
i just hope the yugoslavs enter the realm and leave no blind spots,
they’re so obnoxious those western europeans collectivising ethnicities to a region,
let’s collectivise them as colonial labradors - so rich from the gold of africa
they need to leech on the least afraid of death in the cocoon of disabilities
of their own societies so that john pepperfork esq. the third
can shove his ***** into a dead pig’s snout at oxford,
let’s pay them back with smiles and nicely tailored suits...
and if that old testament story is true...
can the prince of wales please recite me the polish alphabet in full,
speak a sentence of the language fluently and without an accent?
because that would be hebrew for me of the mt. sinai identity vox par.
Anything visible, and
anything that can be grasped by thought,
is bounded.

Anything bounded is finite.
Anything finite is not undifferentiated.
The boundless is called Ein Sof, Infinite.
It is absolute undifferentiation in
perfect,
changeless
oneness.

Since it is boundless, there is nothing outside of it.
Since it transcends and conceals itself,
it is the essence
of everything hidden and concealed.

Since it is concealed, it is the root of faith
and
the root of rebellion.

As it is written, "One who is righteous lives by his faith."
We comprehend it only by way of no.
"Since I am Infinite Space, and the Infinite Stars thereof, do ye also thus. Bind nothing! Let there be no difference made among you between any one thing & any other thing; for thereby there cometh hurt."
~ Liber AL vel Legis (The Book of the Law) I:22
onlylovepoetry Jan 2018
from now on,
all poems will,
that yet reside inside,
shall be here inscribed

why?

the line between music, song, lustrous life and love is indifferent

do not misunderstand - indifferent is not meant as uncaring but more as undifferentiated and interwoven into a singularly

so oft lives de-track, de-tract as threads become frayed and
the dye color fades, but once loved, cold is an excised word
from life’s Merriam Webster rulebook

in all my pain and sadness the embrued, embered kernel
yet faint glows
off and on, even a glance somehow brings it back, for of all
life’s lessons learned in everything, loss and grief,
the single thread snakes back, and there is love in everything
and in every unborn scream and script

so a journey ends and commences
in the same locus and locale,

the quest;
search and seek that love seed*

for there is only love poetry
Anais Vionet Nov 2023
Lisa and I had a party to hit-up. I can’t stay inside all the time, not on a Friday night anyway and a rooftop is the perfect place to mull over big questions and get the freshest commentary about cultural phenoms - intermixed with music, absotively.

There were several, large, coolers crammed with canned martinis - everything from little Tip-Tops to Tiki-*** Mai-Tais and Triple-Spice Margaritas - this is a partizzle. I wasn’t out to drown my romantic sorrows, but I quickly reached fuzzy and relaxed - which is where I wanted to go.

A massive thumping began, ‘Pitbull’ began spilling from the speakers (‘la la la la’) and the crowd of about 30 reacted in a kind of whooping, group seizure. Lisa clutched my arm wanting me to ‘drop it’ on the dance floor - I could only read her lips - “Come ON,” she pantomimed, and I was ready to make that commitment.

We’re here at Melon’s invitation (a Yale PhD friend), undergraduates don’t usually hang out with graduate students, so it was special to feel welcomed at this off-campus link-up. We’re on the third-floor roof of an office building, under the stars.

The setup reminded me of a Brooklyn warehouse rave Lisa once dragged me to. Multicolored lights, strung every which way overhead, provided a festive air and a round stone fire-pit provided both heat and a light that flickered against every walled surface, evoking something cave-like, deep and primitive - a genetic, stone-age, memory perhaps.

When the beats finally let up, we’d danced-out about 10 songs. Lisa and I sagged into our lawn chairs - fanning ourselves even though it was a cool evening. Between tracks, there was a murmur of in-town traffic and people passing below, forming the undifferentiated buzz of nightlife. “I’m starving,” I told Lisa, who nodded, “Me too - poor planning,” she updogged.

Right then, Melon came over. Melon (real name Milton) is 6’3 and maybe 450lbs. He reminds me of John Candy, with his blonde hair, ever-present smile and colorful Hawaiian shirts.
“You’re giggin,” he said, Mai-Tai in one hand and a lady in the other.
“Thanks for inviting us,” I said, with a nod, “this is nice,” indicating the roof setup.
“Yea,” he agreed, looking around and waving his drink, in greetings, to arriving people.
“I have something for you!” I told Melon, pulling a small bottle of cologne out of my bag.
“Oh, my God,” he said, lighting up like a Christmas tree, “Tobacco Vanille! You shouldn’t have.”
“You said that’s your favorite, ya?” “Yeah, but..” he began.
“You helped us move in,” I said, “It’s a thank you - from all the girls (I lied) and it’s our party gift!”
“Wow, well, thanks Peaches,” he said, adding “you’re cracked,” and gave me a one handed hug.
“Food’s on the way” he said, and then, like he’d forgotten something, “This is Ellen,” he said, turning so she rotated closer.” We only shook hands and nodded, because the music started again.

Not two minutes later, the metal door to the stairs swung open and several guys came up with catering trays of life-saving Tex-Mex from ‘Tacos Los Gordos,’ a couple of blocks away.

“Maybe there IS a God,” I pronounced, unheard in the din, my stomach growling in anticipation.

slang…
hit-up = attend
absotively = absolutely & positively
partizzle = party
giggin = having fun, dancing
updogged = adding a further comment to a comment string.
peaches = Melon calls me peaches ‘cause I’m from Georgia.
cracked = crazy
Om
the jhoola is damp from
evening rains
still I enjoy swinging under
misty twilight skies
the moon beaming a toothless grin

Funny how it all feels so real
solid, permanent
I’ll always be Sonya ki
in this familiar body,
surroundings and place

I gaze at puddles
of silvery water glistening
over the garden beds
visions from the past float to the
surface
not too long ago I was living in
Arkansas, and before that the big apple
childhood memories of my mother’s
comforting voice and soft lap
eclipses the other images morphing
into a cascade of ever changing
ephemeral moments in time

If nothing stays the same then
what is it that resounds through
the hills and valleys of my being
like an eternal echo

That fixed point where the sun never rises nor sets
Splendor enthroned within
Immortal witness
Beloved

“Consciousness is neither inward turned nor outward turned nor both
It is not undifferentiated, it is beyond cognition and non cognition.
Not experienced by the senses nor known by comparison or inference,
incomprehensible, unthinkable and indescribable,
pure consciousness, the real Self, the cessation of all phenomena,
tranquil, all-blissful, one without a second,
this fourth state (Turiya ), the Atma (Real Self)
(Eternal Witness)
is to be realized”
~Mandukya Upanishad
Mateuš Conrad Oct 2017
what i've learned once treading on this path of the writing endeavour: i've become more of a stranger to myself, and a friend unto strangers; perplexing as it sounds, it nonetheless is the foremost acquaintance in experiencing, and fiddling with the medium.

which is, i dare say, so anti-socratic -
but the socratic method is all talk -
writing? hardly the reason to designate
a knowledge of a self -
primarily? a method of unknowing -
or, should i say: the nautical perspective
of searching unseen & unheard of sights -
perhaps even a 5 blind men's guess
at an elephant, or quiet simply:
mining; imagine, to the distaste of the local,
how a "posh" accent sounds in
essex, the land of dubious tongue-effigies...
how the english language *in totalis

looks like a disfigured tongue sculpture,
but if i were a native: there would be
no outsider ref. to cling to with
crab-like pincers,
                  or bullterrier jawline grip;
first you break the spirits, then you
settle on sniffing crushed ivory.
  and yes, i'll always think of the nigerian
chinua achebe calling joseph conrad
a "****** racist" - by now i'm past being
concerned being called out in some bogus,
if not macabre bingo game...
     that "label" is worth to me as much as
a hello, my name is... badge -
there's no honour in it -
           then again, i think about a white man
being racist over the spilled-beans of
looking at an albino... esp. one with an afro...
i have this memory, you see,
this mongrel of a polish girl in school,
art class, and she mentioned something
that still sticks to me like a leech...
no, not the similarity of south asian and african
noses, with the flattened lateral cartilage,
say any african and the malaysians...
this ***** dug deep...
    she said: oh, these poles don't have the perfect
african bone sculpture of the africans,
do they? what she meant, and yes, i agree,
was the not-so-protruding occipital -
yes, it's not as well "formed" as other skulls,
i guess that just adds to the pressure of
whatever the back of the brain is intended
for... a deformity? don't know -
                           what does that matter?
but these early quasimodo implants of perception
i.e. akin to the toothfairy / red dragon
start to bug you after a while -
      what's imperfect is celebrated -
and what's almost perfect: well -
that just goes into the dumpster -
   a pile of hot ****, a feast for fly dump of
concentrated maggot(s).
            which coincides with another thing -
i can stomach german existentialism,
   i can stomach the pish-poor french version
(compared with the richness of the russian
novel)...
i can stomach swedish cinematic take on
existentialism...
             what i can't stand is the english version,
i.e. primarily the aversion to the already
stated versions...
       english existentialism has become
a desperate cry - to me english existentialism
is not fit for conversation,
   it's not lecture and it's most certainly not
cafe talk, there is no: in the time & in the space
occupied...
                 english existentialism is
   non tempus non locus - sure, a precursor of
philosophy, but also the same mouth that
bites into a chicken bone with gums, but no teeth!
to me, what i hear is an existential blackmail,
   and the skipping rope chaos of moving from
the three prime pillars in the anglophone world:
evolutionary biology, the big bang and
(depending where you are): either the magna carta
or the declaration of independence;
   me? my universe began yesterday,
it will end today, and will begin once more tomorrow,
heri, nunc, cras...
            yesterday, today, tomorrow;
and frankly, i'll settle for that,
  but i'll also settle for akin to voltaire's observation
that the english are a nation of shopkeepers...
sure... and they're also the most ardent
naturalists.
              as we know french love pastry dough,
the italians love pasta, and the germans love metal;
further east it's ***** baby, *****.
    - a pole and a hungarian:
  bracia, do kieliszka, i szabelki (brothers,
  to a glass and to a saber).
              besides that?
(look, i have to make this quick, i've got
a mushroom soup going, but i'm missing white wine,
parsley and double cream for the main course
of mustard chicken - sarekpsa, dijon &
  bavarian
mustards) -
                      and further will a kettle or
a stuffed toy travel from china to anywhere in
the western world, than a western idea
to china...
     there are limitations on the export & import
of ideas...
              esp. those that have no ethno-centric
"importance", rather an ethno-centric
  trans-literary impotence...
                   sometimes language can't be managed
by a translation that's global / universal -
sometimes the black & white really does only
sink to the depth of skin...
     after all: a white psyche is not a black psyche...
there is no universally robust uniformity of
a psyche in either jungian or freudian sentiments,
black music i can adore above classical,
but i have, perhaps only one or two books by
a black author...
  will alexander & gil scott heron...
       and that's about it...
      hey, same ****, different cover elsewhere...
then again i double up on perplexity -
  if this medium is the undifferentiated balance
of extremes i.e. white in all and black in lack -
        what the hell could possibly be deemed
"racist" - notably the denial of one's nationalistic
struggle with the hindsight of that
current year, under either a tsar or a tsarina in
1857? and to think i loved a russian woman
once...                                    once is enough.
Mateuš Conrad Jun 2022
better than any hallucinogenic ingestion: whether that be acid or magic mushrooms... head traumas... ooh: those brain-"freeze" rattlings, like licking ice... like eating post-accident scabs... hmm... peanuts?! black-pudding?! oats?! i don't know... it's a mix of all... dry blood...

turns out we're all pink underneath...
even me: copper-neck sun-tan boyo come summer
turns pink skinned once he falls spectacular
over: face first: Lucifer's birth... stars dangling
awry out of constellation patterns...
moving... stars roaming...
             we're all pink underneath...
as i can attest: picking at my scar tissue / scab...
subsequently eating it...
   no... i don't care what the scientists might say
about eating your boogies...
i heard that one before... i also love the taste
of nails... i love the taste of female genitals...
esp. that of female genitals that have had
many ****** partners but are also ****-hygienic...
****-hygienic?! oh... right...
the types of girls you can have unprotected ***
with... knowing full well that they are prostitutes...
and still not contract any STDs...
             you put a ****** on my phallus
you might as well choke me during ******...

she wants to dance like Uma Thurman...
  mmm hmm... 4th day running... one song on repeat...

so the boiler buy comes round on time:
around 2 and 2:30pm... i switched on the t.v.
to watch some SW19 (Wimbledon, tennis,
i'm not going to be cryptic, let's leave it in the open)
my next door neighbour shoved a note
through my door... Dear Matthew...
scribbled like someone might with a crayons...
could you feed my baby tomorrow, Tuesday...
Bella... an white heterochromia beauty-freak...

so the boiler man came: handsome worth of
a **** and a ring attached to a ring-finger...
      £80 for about 15 minutes worth of work...
thank god he left a receipt...
    but my neighbour approached him: can you check
my boiler?
   her house? i love her to bits...
but... she? and Ed Gein... yeah... on par...
every time i go into her house to feed her cat
i'm actually trying to find myself...
oh... i know where the sink the cat food is...
i'm just trying to find myself,
   i.e.: i couldn't live like this...
              and i'm being: seriously generous...

so she approaches the boiler guy...
CAN WE STOP WITH THIS BICYCLE ACCIDENT
CRAP?! YES... IT'S BEEN A WEEK...
I'M HEALING LIKE WOLVERINE...
BECAUSE I'M A HYGIENIC-****...

but outright she calls me a sadomasochist...
PROMPT...
      i just need a girl to rest her head on my shoulder
sigh into me and i'm off... like a racehorse...
**** myself into her house...
meet her son...
  tell him: drop the Spanish... choose German...
it's more grammatically aligned to English...
he's on board... bring her homemade wine...
homemade banana loaf... cycle to her house at night...
drop her a Valentine's card through the box
and leave flowers on the porch...
          but in the end get rejected and feel like
i might have a heart's worth of a tonne of pebbles...
perhaps sand... i think sand trickles better
with the aid of a shovel when spreading it...
actually: no... better moving a tonne of pebbles
than a tonne of sand...

sadomasochist? am i thinking out-loud?
i know i am... but the question is...
it's actually a good question...
not Heidegger questioning history via historiology...
that's his buzzword in the black notebooks...
historiology this... historiology that...
no no...
                it's a chicken and the gg... egg story...

a e i o u M u o i e a...
                   a e i o u N u o i e a
     a e i o u R u o i e a
               a e i o u P u o i e a...

(we'll come back to this "problem" later on;
what has it to do with anything?
well... why do the Greeks have names for
their letters... while the Romans don't and didn't?
they "sang" their wording... PIZZA...
PAPARAZZI! AMORE!
    but i'm pretty ******* sure that if
the Romans plagiarised the Greek deities...
how Zeus became Jupiter... etc.
   then i'm pretty sure the Greeks plagiarised
the Roman way of the abacus -
how? how?! how could you use letters as numbers?!
erm... weren't the numbers already hidden in
the letters?! 8 in B...
                          Z in 2...
                                       7 in L or gamma before
a mirror...
                    1 in I...
                                   6 in miniscule beta b....
    5 & G are not facing each other...
II + III = V
                  shake shake shake III in Cyrillic...
3 otherwise... (

i lost the plot... hence the (          open to question:
where did i leave of off?!

ah... right... sadomasochism...

  the chicken and the gg... i.e. egg...
i know who came first historically... Marquis de Sade...
as i know that leopold von Sacher-Masoch came
later... historically... but... ontologically?!
ooh... that's a tough one...
well... no... it isn't...
             the inner drive of a youth in me that
once was... i found Marquis de Sade literature prior
to finding Sacher-Masoch...
            i learnt from a sadist what i couldn't learn
from a *******... because?! i guess i was inherently
*******... but not of a ****** nature...
to hell with being shamed sexually by a woman...
Venus in Furs the Velvet Underground sort of *******...
no! nein! niet! nie!

so... what came first? the sadist or the *******...
i know that historically the sadist came before the *******...
but within the sadomasochist complex:
S comes after M...
it could easily have been a maso-sadist complex...
compound of words...
never mind...

i think i first have had to experience sadism...
born with a hernia...
with a Chernobyl birthmark like someone clipped
an angel's wing... now a Cain's mark...
a nurse at the hospital tried to
choke me... enlarged me heart...
that's the myth...
        i was born as an abomination...

i love hurting myself... i'm sort of immune to
pain... immune when it is spectacular,
spontaneous... a Pollack / Kandinsky / Bacon
moment of contortions...
an implosion of time being undifferentiated
from space and space being undifferentiated
from time... relativistic squadron of magpies...
or... lonely seagulls flying in the night
trying to perch and be at ease
inland... on lamp-posts... looking for the hush
and hum of the battering waves of sea...

so who came first? the sadist or the *******,
ontologically, not historically?!
personally? i love to give myself pain
while giving others pleasure...
           leniency: even at work...
i like giving someone a 1h break while i only take
a 15min break...
and then watch... i love watching the guilt trip...
and falling into line...
ergo? i'm a passive sadist: i don't need
all the kink and ******* of ***-tripping...
i need subtle queues...
just give me a NIQAB and i'll work with it
like an artist with a canvas...

i already spotted the "agenda":
Muslim girls peering into a blonde moustache
and a brown beard... ooh... ooh...
why? how?! they're not looking at my eyes...
they're looking at my lips...
perfect mayhem! perfect!
   rubber-band stretching agitation!

of course they're fuckable... anything that moves
is... is...
                 Somali, Bangladeshi...
you name the hue and i'll compare that with
Caramel White Choc-Blocks...
         it's only the white girls...
that highest prize arrogance...
            the dilution "liquid"... of what? *****!
we'll all be Brazilian by the end of "it"...

lyrically: it's so wrong...
she and you...
i can't get YOU...
   what a pronoun confusion....
i can't get rid her HER...

new term:  TERRIBLE-ENGLish...

i love the song... but the language is the pristine
example of native-neglect...
well... it's H'american Ing-leash...
so... it's going to supposed to fail...

like overhearing two black guys talking
about racial stereotyping: how if you use
racial slurs in England at work you'll be excused...
how H'america is dangerous...
how England is salvagage ground
for racial minorities...

*******! you're pink just as me when
you bruise! what?!
      
i ******* hate the H'american accent...
it's like making a spaghetti Carbonara with
phlegm and snot without
any cream eggz or parmesan cheese...
no... like in Iraq or Libya:
your "empire" is not welcome here... *******!

great for culture... your culture is great...
your politics?! no, not so much...
sorry...

    why is it that we have ALPHA?
but only A in the Latin script?
why isn't it ebb but be for (B)?
why do we have gee and not egg for (G)?
err and not Ra for (R)?!
              el and not La for (L)?
why do so many consonants begins with vowels
rather than end with them,
when isolated?

that's why i adore Heidegger...
he always suggested: what is worth being questioned...
exactly!
         i already made a question:
why is the alphabet sorted so?
why not a e i o u b c... etc.?!
why are the vowels randomly placed among
the consonants?!
  the alphabet unravels into words and sentences
in the end... why not cook-up a revision
of QWERTY as an ability to type without
looking down at the keyboard?!
i'm sure the GP that retired that was
"curing" me was typing like a crow pecking
at crumbs of bread... digit-index finger...
look down: digit-index finger... peck... peck...
who the **** needs to learn the alphabet
when you have QWERTY?!

oh sure, sure... sure sure... the people are "literate":
no they're not... they are just about
able to read STOP and GO signs...
associate the colour RED with STOP
and the colour GREEN with GO...
thank god we're not trying some Mandarin experiment...
you get to look at enough people you
know that individuals beside the herd...
but when dealing with the herd: there are no individuals...
we're not talking about a wolf-pack...
we're talking about herding mentality...

on my QWERTY?
the A is completely eroded... it's the most used key i
apparently use... then again...
it's all about hand-placing...
so that you utilise all your fingers... including
you thumbs...
*** is typing... i can't imagine writing this much
having to scribble death-end-notes with
undecipherable handwriting...
                
digit by digit... letter by letter...
        because in the 1800s i wouldn't be a part-time poet...
i'd be a lumberjack and a a shepherd...
or: thereabouts...
          mind you? from what i've checked?
the supposed professional poets
on gate-keeper sites of poetry?
mmm hmm... they're sort of pretentious / ****...
aren't they?!

oh... right... now i know why the A is scrubbed out...
i've lost a lot of poems...
my fault... i forgot to
ctrl+A / ctrl+C / ctrl+V...
lesser lessons for the greater reasons.
irinia Sep 2014
every man has his island,
his hiding places projected out loud
with blood power,
vernacular dreams &
ventriloquist voices.
among other things, madness -
an optical illusion
what you see is what you are
or seeing is believing
insideman and outsidemen
undifferentiated
the room has one view
on patched windows
indesire cutting deserted canyons
for the self-acclaimed King
(indesire wants nothing but to be,
to make room for islands in reality)

“be good, otherwise Haruka will come
to take you away, my child”
(what’s in a name
Haruka is “from far away”)
but children very rarely draw lines
caught in the furious chaotic circles of the world
now that every action has a reaction
reality principle is just a skin
holding the inside out & the outside in.

everyman has his island
of vexed fantasies
look into your eyes from outside in
before you see that fire
or anything else,
see this
-the beautiful war-
jeffrey robin Aug 2013
For sale
..

We portray whatever it takes --

-

Go on alone
Be weak
..
We are too fragile to care

---

Hurt joy love hate
--

Merge together as a long afternoon merges faces and lives into a mess

Of
Undifferentiated  misunderstanding
--

But it's a game we win at the end we say

For we make up all rules

And we claim the mastery over Fate

-- so it goes and is

Betray  with a kiss

A fake smile

And a ton of hubris

And cold heartedness
Owen Phillips May 2013
Love's the base line
Let us be and what would we lack?
Love's no elixir nor intoxicant
Love's the pure undifferentiated state of joy
Love's where we go when we let go of ourselves
And we let go of our games and our desires
And our pasts and our futures and our fates and destinies
Love is tasting good food and chewing till it's paste and sitting back and smiling feeling it energize every cell
Loves hoping everybody wins the poetry slam
Because what good would it be to be in it for yourself
For one person
Against the universe?
None of us are opposed in love,
We are the unbroken chain
But every link is not connected to just
The link in front and the link behind
It is connected to every link at once
It is connected to every link ever forged with the blacksmith's love
The chain doesn't draw a line between us,
It wraps around us and ties us together
Oh love is all I knew before this poem
And love is the effortlessness of every word
Because only Nothing could be easier than love
And love is to BE nothing
Because who could resist such loving completion?
Nothing is the soul of the universe
And anything at all is Nothing but Love
Love is finishing my speech and sitting down because I'd rather hear yours
SassyJ Jan 2017
7 Millions spots of you and I
roaming in jungles and desserts
of the partitioned portions
back at the bone of humanity
speaking in voices as one
rolling as the dense population
seeking liberty and autonomy
failing as the world erodes
indecisive about the notions
of diversity and adversity
speaking in voices as one
in a world of words and verbs
freed of greed and misconception
in a field of broken chains
where truths are a daily meal
void of captivity and blindness
mysterious and unconsumed
undiluted and undifferentiated*  
*7 Millions spots of you and I
For all at HP. Thanks for the beautiful words. I relate to most people here, they speak of words and a language that I resonate with.

The last of Mohicans
https://www.youtube.com/watch?v=93wGaGFUnTs
no truth login Jul 2020
how can it be,
the mathematicians,
the statisticians,
can so well predict

the curvature of my day;
is my life so impoverished,
so undifferentiated, my course;
the climb, the leveling, the
ultimatum gliding, a summary
path to an unremarkable landing

probable outcomes of my
statistical profile so calculable;
my dreams, their peculiarities,
essences, massaged into conformity

hatch plot, deceive, it’s cool,
write a poem, unpredictable,
who could foretell, this scheme,
let’s keep a secret, tween us only,
cover the keyhole, so their eye
cannot peak inside the you and I,
two twice ten thousand indecipherable,
writer and reader, we one, inseparable

only we can decode the true meaning
Adam Schmitt Feb 2022
We're living a Dangerous Life,
tiptoeing on the Edge of a Knife.
What will come and take you in
The End?
Will it come from Behind
Or from Around the Next Bend?

Are We Here,
Really Here
Now?
...
The Everpresent Present

The Eternal,
The Undifferentiated,
dao
...
The Way of the Eagle
The Way of the Sun
The Way of the sweat
of the Toiling One.
The Way of the World,
The Way of The Track,
The Way of the Scorpion who rode
                                                    the Frog's back...

The Ways of Old We've left Behind
                          The Ways of New We must  
Now design...

The Laws of the Jungle
And the Laws of Gods
and Men.
The Laws of Those Whose Land
We're In.
The Laws of Physics and
The Laws of Time.
                   The laws of lawyers and
                                                      of Organized   Crime.

The Uncaused Cause,                                   

...

                 ­                   And                                  The Uneffected Effect.

The Unpolished Flaws,
And the Unfinished Project.

The Unwritten Rules and
The Unspoken Code.
The Unwitting Fools and
The Untraveled Road.

The Final Frontier,
And the Promise it gives...
The Things We Create
and the Life That Outlives...

The Dawn of the Century,
The Dusk of Mankind.
The birth of Something New,

Of a limitless Mind
                                              
                              Or is it really New?
Or was It done before?

And who is
the Ultimate Authority                          
on the Universe's lore?

And is Novelty
all that we aim to adore?
What about the Nothingness that came from
Before?
Did it have some Great Big Colorful Blob to explore?
Did We sunder the Stasis
forevermore?
...
Is there One God,
or an Infinitude?
...
What does it mean
to Truly Be

"The Dude?"

Or
Maybe the Many make up the One,
And from the One All
Things flow?
...
Have these Thoughts been Thought before?
How am I to know?
And
How about We Just Be
Good to Each Other
And
Help Each Other grow?
Just freshly written this morning. It is what it is. Depending on what your definition of is is
Mateuš Conrad Jun 2016
we were prolonged to systematise a seeking of fame because we failed to imitate the Chinese in populace... it's a fake examination of what's necessarily practised, we need the populace, not the idol... North Korea shares one proof the west shares too many, we need people able in the workforce and happy in the bedroom... not the other way round... the bedroom is godly privacy and not *******... get your heads straight! we were not taught to idol worship only because one died on a crucifix... can we at least reclaim the ******* bedroom while you're on your hands and knees? i guess not... **** 'em, get the shortcut out... yes yes, get the Niqab out, they won't learn otherwise.*

i know why the lone wolf howls...
the Arcadia stimulant, the anticipation
of a chase - i know why the lone wolf
howls - it's the perversity of
the herded sheep worth
adding to the equation as easy
target without a shepherd...
i know why the lone wolf howls
so adamantly suited to loneliness...
his heart the yeast of harvest
and the succumbing hearts akin, each,
the same wheat shafts, whatever haircut
whatever shirt, whatever need,
the consolidator of dead bodies,
the leveller - whatever you attempted
to make you different in life, made you
undifferentiated in death.
Wk kortas May 2018
i. “…THE SAME FORCE AND EFFECT AS AN ORDER OF FILIATION…”

She’d said she wasn’t expecting or demanding a ******* thing
(It’s probably your kid, she said, But I wouldn’t swear to it)
And his buddies swore he was crazier than a ******* rat
To even think about going along with the whole idea
After she all but given him a Get Out Of Jail Free card,
But he’d gone ahead and signed all the paperwork
Which, in the eyes of the state and the child-support folks,
Made him the one true father of this baby-to-be.  
He couldn’t begin to explain
Why he hadn’t fought the notion tooth-and-nail,
Save for the occasional muttered Baby oughtta have a father,
But there was more to it that; he had a vague notion
That knowing half of who you were was worse
Than having no knowledge at all, your whole reason for being
Becoming the exploration of odd hunches and unrealized fears,
The study of every man that crossed your mother’s path
In the hope (or, more likely, the absolute and utter dread)
That you were glimpsing a part of your genetic destiny,
Though such a line of thought was probably just *******,
A product of Genesee Cream Ale philosophizing.
When the time came, he’d agreed
(An idea which reduced his friends
To mute amazement and slow, sad head shaking)
To be present at the birth,
And, after certain undertakings
He’d just as soon not have seen were complete,
The nurse (saying It’s a boy.  A big, beautiful healthy boy.)
Handed him a black-mouthed, screaming little mass,
Fists clenched tightly, entire body tensed
As if it realized just how inadvisable the whole situation was.
Faced with this tangible evidence of his ostensible patrimony,
He found himself unable to say anything except
*******.  **-lee ****.

ii. As The Old Joke Goes, “In The Morning?  
*****, I Don’t Respect You Now.”

He had, of course, forgotten her name,
Assuming he’d ever known it,
And so it had been chica and hija and amada all night,
Though, to be fair, she couldn’t remember
If he was Juan or Jhonny or Jesus;
She simply remembered that he was Colombian,
All dark hair and bright smiles and quite tall
Although that could have just been a trick of the eye,
As his friends were all compact squatness,
Which she had pointed out  while they were dancing,
To which he’d subsequently horse-laughed out loud.
Chica, he’d fairly shouted over the music,
The best way to be good looking is to have ugly friends.
He’d come to Batavia to hunker down for winter
After the wineries had buttoned things up for the season,
Spending his time catching odd jobs here and there;
Anything to get by, he’d said with the most outrageous of winks.  
She’d had no intention, none whatsoever, of taking him home,
But anything to get by takes in any multitude of sins,
Venal and otherwise.
She woke up about two-thirty or so, all damp with sweat
And the remnants of *******,
To see him awake and getting dressed.
Before she could say a thing, he put a finger to her lips.
Shhh chica, he said softly and soothingly,
Like he was trying to hush an infant,
I got some stuff I really need to take care of;
Look, we’ll get breakfast, OK?
You know the Bob Evans out by the highway? Six o’ clock, eh?

And with that, it was a quick, almost brotherly, peck on the cheek,
Then he was gone, so stealthily that she was briefly unsure
That he’d ever indeed been there at all.
Breakfast, can you imagine she thought
As she rolled over to get some sleep,
Like I’m even awake at such an hour.

iii. We Don’t Ask For Directions, And We Sure As Hell Don’t Make Lists

There had been no blowup, no volcanic incidents of infidelity
No grotesque financial stupidity;  
The china and glasses had remained unbroken,
The plaster-and-lath not displaced
By the seismic slamming of doors.
It had been slow, subtle,
Like the slow unraveling of a thread here in there
Opening up a gaping hole in a old comfortable sweater,
Or how the unhurried seeping of water
Would occasionally cause an outcropping of rock
To tumble into the gorges over at Letchworth.  
Oh, there had probably been the proverbial last straw:
Maybe the new refrigerator that didn’t fit through a single door
In the entire house (and who in hell bought something like that
Without taking measurements anyway)
Or the foolhardy extended warranty on the Volvo,
Which had **** near a hundred and fifty thousand miles on it
And had no more trade-in value
Than a Matchbox miniature of the model,
But it any case, the immediate cause
Was probably more symptom than disease, anyway.
He’d packed a couple of bags with the basics
To ****, shave, shower and dress,
And jumped into the ancient but well-protected wagon,
Heading to God only knows where:
His brother in York, maybe,
Or his mom’s place way the hell up in Tupper Lake,
(Not that he had the stomach for the questions and sidelong looks That particular destination entailed)
But about ten miles out he realized
He’d forgotten his ******* bike.
****, ****, stupid **** he said,
Pounding the steering wheel in rhythm;
The notion of going back like some dumb-*** eight-year-old,
All hang-dog look and tail between his legs
Was not particularly appealing,
But the notion of having to **** time
Without the prospect of a bike ride
(Wind in what was left of his hair,
The barking in his calves as he climbed an incline,
The whole **** freedom of the thing)
Was simply too much to consider,
So he swung the car around and headed back.
She was, as he knew she would be,
Waiting in the doorway with the bike
(**** near sharing a brain after all this time, to be sure),
Her face hung with a look not really a smile or frown
Or anything that fit a definition,
But endearing all the same, and he heard a voice not quite his ask
Well, is it OK if I come in for a few minutes?

iv. The Bob Evans Out By The Highway

…the **** am I doing here anyway, she thought,
Staring down at the table, chunky taupe-ish coffee mugs
And logo plates, fine china for everyone and no one,
Set for two (she hadn’t ordered, she was waiting for someone)
The restaurant more or less empty,
Only the odd trucker or  some senior citizen
Who was still on rat-race time.
The clock had hit six-fifteen when she,
Eyes cloudy and threatening to ambush hastily applied mascara,
Was ready to flag down the waitress to let her know
That she was just a coffee, thanks, when he walked in,
No, burst in, like a madness of chrysanthemum
Where there had only been undifferentiated greenery
Mere moments before.
I’m sorry, chica, he said, bending over to kiss her cheek,
This whole life thing gets in the way sometimes, eh?
He sat down, slapping the table with both hands
Man, he said, all but snorting, I could eat a horse,
And what better place than this, mmm
?
Mateuš Conrad Apr 2022
title: cow borrow...
body: oranges smile.

https://www.unicode.org/L2/L2018/18323-open-four.pdfv(freeze: 444444444444444444444444444444444444444444444)

weak spot: Lao Che: Powstanie Warszawskie: the Warsaw Uprising... i tend to cry... when my heart constrict into being sized akin to a pebble... then: ah... release! tears! there: stands! a mountain! a monument of me!

i couldn't possibly give either the Hindus or the Arabs
credit for our modern numbers...
given the following rubric:

ένας: 1 - one - I - iota
δύο: 2 - two - Z - zeta
τρία: 3 - three - E - eta
τέσσερα: 4 - four - μ - mu... of h
πέντε: 5 - five - S - esse
έξι: 6 - six - b - ba-toom
επτά: 7 - seven - Γ - gamma
οκτώ: 8 - eight - B - beta
εννέα: 9 - nine - P - or rho
μηδέν: 0 - zero - O - omicron

the numbers were already here...
             "hidden" or rather... the Romans knew arithmetic
in the following fashion:

XI + IX = **
                
                  so... it was nothing new...
to have ascribed something numerical to what was
otherwise a letter -
a sound...                   hmm...

what of the Japanese?
               六 - or... ロク: which is six...

there's a reason why i won't budge on this matter...
i had one Egyptian fwend "friend" once:
what a disappointment he was...
like with most Muslim acquaintances:
the feeling of conversation soon turns into
a feeling of conversion...

               such nagging *******: always looking
for proselytes: who'd they'd treat as inferiors...
not even as Janissaries or Mamluks...
just... eh... some odd convert...

              obviously i didn't, convert...
but i'm looking into a second Islamic schism...
oh no... the Persians wouldn't bow to an invading
horde of Arabs: Muhammad was not a man
of his word... that chapter has been covered...

i'm looking for a second schism toward...
the Turks... spearheading it... with Hey-Zeus...
Isa... being... well...
        Ba'al Yatoosh... lord of mosquitos...
another day another reiteration of my conviction:
since i won't be siding with the Gnostics
when the proper **** hits the fan: proper(ly)...
i'm bailing out... on this whole history...
the Pontius Pilate stance...

            it's also called the waiting game...
my neighbour's son's wife is having a baby...
the waters broke some... oh... 48 hour ago...
but the national health service didn't intervene...
C-section phobia... ****'s sake!
get that tadpole out! imagine having a child
stuck in you for almost two days...
the waters have broken...
  where's the necessary lubricant for her to push
the baby out? why can't all births be done
via a C-section? eh?! costs too much?
what's so good with a natural birth...
by comparison to other mammals...
  we're pseudo-mammals...
you watch a birth of a gazelle... it just drops out
(the mare) like a diarrhea sludge of a serpent...
plop: and it's out...
******* "dyslexic" in its ability to stand up...
but hey presto!
                      it's blinking: so it's receptive...
but my neighbour's away... i was giving the duty
of looking after Bella... this white beau of
a heterochromia: so a Dawid Bovie type...
rebel rebel... doesn't know whether she's a meow
or a woof!
           i love my neighbour to bits...
but i walk in... first things first... my library shelf
is a mess... by my standards of cleanliness...
i walk into her house: shoom! i get the whiff!
i think i just walked into: a museum dedicated
to Ed Gein...
      i'm not even joking...
  i start looking for the cat... change the water...
add some extra dry-pebbles of food to her dish...
change the stale, dried out sachet
with two options: on the menu... some parody beef
and some parody salmon in: probably not so
parody jelly... pig brain remains gelatin...
which is good... i like being reminded...
whenever i think my life's ****** up...
someone else's is... more...
                hence the topic of jealousy disappears...
thank **** for this little...
i'll take these shoes, these socks...
   and... yes, thank you: ******* into the forest
come sunset...

because why is it, in Latin... that... letters do not
have names, akin to the Greek
"fashion" of naming A: alpha... and B: beta...
hell... I is not aye: a yes, affirmative but:
iota...

i might be drinking... i might be drunk...
but i still cycle like a madman through
the traffic... next time i give a ****...
i'll give a **** when a teenage girl breaks her shins:
folds her knees and says: i love you...
blue moon... i.e. that's never going to happen...

it has happened before: Nietzsche in the zenith
of his furore pretended to be a ******...
Polacks are the Frenchmen of the Slav...
yeah: #metoo... i sometimes forget i'm a ******...
i'm more prone to suggest myself as:
HERR SWAB! ******* schwabian!...
not the tourist elder Saxon that became the islander
Englishman... something more focused...
but i get it... i too get "confused" from time...
time... time... space...

but you can't really measure language... sounds...
not really... sure...
you can... elongate an omicron into an omega:
*** via through to pool...
that's an omicron to an omega transfer:
and... no diacritical markers were or are to be used...

as a microcosm of the totality of man...
as: but one... i.e. 0.1...
this implant in me: of the retrospective of man...
history... that... however written...
just... erases itself: because... nature...
doesn't allow for a celebrity horse...
or whatever... replica after replica...
no distinction: the authority comes from:
you will not keep an Alexander the Great for...
what nature allows... scheme... little man...
nature will soon yawn and settle the matters
into creating the replica of the vast void
above it...  the game is to replicate...
      
only now i walked around a supermarket...
whiskey: check... pepsi... check...
turkey steaks for the cats: check...
wow... such... such unremarkable people...
have passed through the membrane of time...
2 children, 3 children... most of which look:
underfed...
   oh so, well... moi..
             i tried to give a ****: once upon a time...
now? well... if i'm not getting any satisfaction...
what? marry a ******* gargoyle in the making?
she drops out two plump-plum-pig-cheeks
of babies and then what?! watch television with her
till we grow old and tired?!
oh **** no!
        make me a warm bath: i'll do the vein slitting
myself... at least when i'm alone
life remains bearable... interesting:
i get to surprise myself...
      sure... sometimes i **** prostitutes...
like a good Teutonic knight might...
                   but most the time...
spare me the ******* details... there are no details...
i stroke my beard pretending to be playing
a violin... it's not going to happen:
i have a blank canvas for company...
that's my epitome... and... probably a ******* epitaph...

but i will not, give, credit... to the Arabs... or the Hindus...
for... giving European numbers...
****'s sake! XI: 11: elven eleven!
people on this continent used to substitute letters
for: abstractions akin to: the necessity of numbers
to measure... space within space...
space counter to time...
  time and... whatever...
Meister Ronaldo Retardo: no... it's not going
to happen...
             i'm not going to allow these copper-necks
to have some up-right: we evolved prior to you:
sure... now you spend a winter in ******* Finland...
******* copper-necks...
can't call them "*******"... can't call them albinos...
those supposedly tanned people of the desert...
my my... 2000 years... you ever wonder...
why the Hebrews became so... ******* pale?!
oh sure sure... we inherited numbers...
but... with the letters we wrote...
we already had the numbers!

   let's have some... pseudo... insert burp:
something akin to the Copernican revolution
implosion...
                     ౺

      μ                           h

                   4: look left...

huh? because it can't possibly be
the 5th disengaging with the existence
of Poland...
like that... ha ha... joke... from 19th century
France...
Ubo Roi... by Alfred Jarry...
  ha ha! it's really funny now...
oh, don't mind me minding the English:
they are island dwelling folk...
half fixated on being Saxons: half fixated
on being Welsh: Celtic...
           never mind them... how England stated:
war against **** Germany!
but... but... last time i heard...
Polacks waged war on these isles...
in the spitfires...
  but what Englishman ever fought their
claims on the lands of Poland?
             mind you... it took **** Germany
combined with the effort of Soviet Russia
to conquer Poland... than it took for...
**** Germany to... conquer... France...
seriously?! France? the birthplace of Napoleon...
France wasn't conquered during the second world war:
France simply spread its legs...
it: capitulated...
the Palestinians have a term for throwing
children against grenades...
the same... the French: just throw easy *****
against anything that wriggles!

because it's funny now... the joke had to ferment...
all the way back from the 19th century...
i needed to feed my neighbour's cat...
walk into a... a... a... a ******* Ed Gein museum...
seriously... i spent the rest of the afternoon
pretending to be drunk... sitting it the garden
admiring the moon...
getting drunk on: how i ordered my household...
i'm drunk... on how... erratic... guillotine... prone...
some people are... sort of like:
   vlad: land-zurückgefordert!
but the Alfred Jarry joke is joke, right: proper...
did it age? really?
oh: the Polacks are king King John of England:
lackland hipsters...
the lesser Hebrews...
        now... oh now...
   hmm... France... post-colonialism...
the "history": how's that working with you?
if it's necessary: tear Ukraine into two!
i don't care... i'll be more than welcoming this:
Russophile attititude!
       it was a good joke... in the 19th century...
but... given France... and the 21st century...
post-colonial realities...
eh... i smirk...i'm trying ol find someone
under 5ft4... who's... greedy with canons!
Elba?! nice... pretty little island...
want to repeat history?!
          Alfred Jarry: ha ha!
who runs Paris, these days?
oh, wait... ******'s dead...
              i want to live in Tel Aviv....
or... like a lot of the Beatnik poets...
in... hubris...via: Tangiers...
                         funny joke... the French, though...
huddling... into shadows...
there's nothing to laugh about at...
is, there?
            
bewildering:
we have names for numbers...
but we don't have names for letters...
undifferentiated:
nouns conrta consonants...
1 is indivisible...
2 is...
   well... 1 is divisible by 0:
ergo 0.1...
            moons and monkeys and money...

time to pretend to have hair
and comb it...
such that is history that is France:
that is post-colonialism...
and... whatever the hell is allows...
let it... 100 years later... some variation of
a Reconquista?!
             great joke... the Polacks having
no land...
           like: you have a history or just:
the ******* architecture?
    it's not nice... seeing you being *****...
Charlemagne is... twisting... turning
in his grave... shouting via death:
death to all that live!
              ROT... and by now: rot is best.

no! nein! nie! niet!
numbers didn't arrive from India... via the Arabs!
we already had the numbers!
within the confines of letters!
*******... take your pride back to the camel jockeys
you were originally bound to be:
******* sand people!
  i can't fall asleep lovely bound to the temp.
of the equator... check me... come...
hmm... the northern bound... height...
come... the darkness and the silence...
and the coldness of Siberia! *******: Baghdadi:
ummah: chasm of wants... *******...

******* luxury of temp.: ******* inbreds:
me too... i'd love to **** my cousins!
i'd love to be a cousin ******.
Anais Vionet Apr 13
Peter (my bf) and I were in Paris, about three weeks ago (I was on Spring break, he was on vacation from work).
‘Headstart for Happiness,’ by ‘the Style Council,’ was playing low somewhere.
“This is the kind of starry winter night that guy from the Netherlands used to paint,” I observed.
“If you were writing about it,” he asked, “how would you describe it?”
“Imagine a deep, still blue, hosting a field of luminescent light scatter, and a bashful moon, low in the sky, as if it were hiding in the trees.” I guessed.
“It’ll moonset soon,” he said “within the hour.” he added.
“I never think of moonsets.” I said, looking at the sky like it was new.
“The moon follows the line of the ecliptic,” he said, as if that meant something, “more or less,” he qualified.
“To think I grew up under an undifferentiated sky,” I marveled.

When I’m with him, I can relax, I don’t have to be-on, he’s smart enough.
Of course, I’d come in handy if he went into cardiac arrest or started choking on something.

We were sitting side by side, outside ‘Le Café du Marché,’ a bistro near the Eiffel Tower. Our waiter,  Léo, had just refilled our coffee. It was 9:30 PM and we’d been at this table for about two hours.

We’d reduced the tarte-tatin to a few crumbs forty minutes ago, but Léo knows me and although they're thirty tourists in line for tables, he won’t rush us.

Like puppets dance, we often mimic lines - I don’t know why.
“I was stalking you,” I confided, running a finger along his long-sleeve shirt-cuff.
“I was stalking you,” He said. Our eyes were fixed on each other.
“No, seriously,” I said, moving in much closer, to be serious.
“No, seriously,” He deadpanned back.
“Then I caught you,” I went on, and I was very close now, our lips maybe two inches apart.
“No, I caught you,” he said, smiling as I got very close. “It was ****** Jujitsu,” he softly bragged.
“Wax on, wax off,” I said before I stole a quick kiss.

Peter was shocked, a scooch, by French teens.
If French teens have a crush, especially in Paris, it’s a ‘drop what you’re doing,’ snog-fest - between classes in the hall, on-the-metro, in a coffee shop or grocery store they go-all-in, because love must be stormy, urgent, tinchy.
Here’s a secret. Peter says, “You **** my face, like no one ever has.” It must be the French in me. Ha!

Of course, I learned all I know about love from Taylor Swift.
Let’s see, first, I must be willing to let down my guard - because love can happen at any time.
Love, at its best, is overwhelming, mistake prone, meaningful and powerful - but I can’t assume it’ll last, because my lover may have ulterior motives. I could be hurt or changed by the experience - but I’ll have the memories. Eventually though, I’ll heal enough to try again - with a new set of expectations.

Maybe I’ll even write a song or a poem about it.
BLT Marriam Webster word of the day challenge: Ulterior: motives kept hidden to achieve a particular result.

tarte-tatin  = an apple **** with caramelized apples on the bottom, flaky pastry on top. YUM
scooch = a little
stormy = extremely passionate
tinchy = twitchy, reflexive
Fay Grace Aug 2020
Its tickling me again
Its like a twine against me
Noises are everywhere
Everything seems to be talking again

Don't tell me she's here again
She's always here to embarrass me
Always against me
Fighting against my will

Schizophrenia who are you
Please let me be
Leave me alone

I want to be free
I want to be alone
Free from this cage

Voices are haunting me
They won't let me rest
I only need a rescuer
To chase this enemy away
Just leave me alone
anonymousthinker Jan 2021
Am I a plain being
that blends in with all
just another shade of grey
an empty call
for I feel unappreciated
unnoticed trying hard
for I am undifferentiated
feeling lost
just another broken shard
apart of something bigger
but sadly just as plain
like a dark rushing river
feeling all the same
empty, broken, boring
these things apply
lost, lifeless, mourning
the words just fly by
I try hard and what do I get
a colorless empty palette
a raindrop same as all others
uncared for tossed aside
just like all the others
a bleak being of wrong existence
a mistake made
erased indifferent
a failure a group of many
why there's too much there's plenty
then there are those good
who cast us shame
so perfect we are entertained
wishing we could just start over
life has no second chances
move over
it's a new generations turn
your done
look at your life you had no fun
your goals were never met
you see
there's too many of you and me
in truth were the same
but I'm just feeling plain
plain. plain. plain.
(conceived while in utero
which loosely summarization in toto
of this ordinary Joe Schmoe,
who did wade nine months for a roe
at mercy of obstetricians status quo,

giving me a jump start to blend pro
pen city utilizing both a very small oboe,
and comination cross bow
either plucking or shooting from off
     umbilical cord mocks nocks notched arrow.
          
Biological copulation draws, etches, fashions
genesis hewing, inscribing jeweled kismet,
legislating miraculous novitiate officiating
poignant outcome quintessential reproduction
seminarians theological universal vocalization

whittling ** xy yearning zealously, zestfully
aggregating begotten cell diminutive elementary
fecund gametes glommed gooey honied
insulated joined kindled live miniscule netizen
outlook plenti qualified readied simulacrum

thrumming undifferentiated voiceless wisp,
xpert yin/yang zygote (adroit bitcoin currency)
describing extemporaneous fusion generates
hormonal influx juices kickstarting life

manifold natural occurrence pregnancy
quilts rudimentary secrete tapestry until vicar
wizard yields zealous adorable biological
concatenation, derivative extrapolated

filigreed ****** helped induce jointly
knotted linkedin minecraft nascent
ovulation presaging quintessential
reproduction, sharing trimesters, umbilical
venerated womb yearning Zen.

Amazing baby, credit deoxyribonucleic
acid, enigma fantastically grand husband
injected jetted klatch, leaving microscopic
nothings, opportunistically pierced quarters,
readied shutterfly trap, ****** vibrantly
welded x2c yoked Zappa.

A bun cooks definitive enchilada, formula
generations hardy induce jimmied kin,
labored maternal newborn, one pricked
queue, randiness spurred ****** ubiquitously,
voyaged whimpering xing yelper zings.

Adoration bequeathed commencing doting
eyeing, fondling, giving heartfelt infusion
joyus kindred living momentous novel
offspring perpetrate quickening rapport

subjected treatment unequivically validates
wonderful Xit yolking bearable delivery
fostering  heavenly joy kneading,
legitimizing, masterminding nascent

ontogenesis pacifying quivering reverentially
terminating viability, where yips align  
crying embryo finis gestating heralding
jubilant loving natural parental reverence.

Reality inundates the full term off
spring upon a lifelong journey (initially as a
foreigner sans in utero), but willfulness viz
life source secures survivor against pinging

peccadilloes learning by trial and error to iron
out kinks as one among the human league
since modus operandi transcend encumbrances
triggers built in impetus to traverse potential

pitfalls along the space/time continuum trajectory
which adversity only serves to net greater strength
since that instantaneous and spontaneous bitmap
encoded upon conception.
Do we feel it when it all falls unconscious
What if all the mothers on the planet
Were ensconced into their hearts simultaneously
And if for a single moment
There was freedom from the tyranny
Of endless duties and responsibilities
Would it all fall apart at once

I beg your pardon
But tonight's sunset was one of the Sun's most fertile deposits
So what if we were to shun the day
And instead make love to the darkness of the desert
For the pheasant is my ancestral totem
And it is obvious in the moonlight
That you motion to me like a novice
For after you and I are seduced by the harvest
We can choose first among the stardust
Its true that all this was once our own garden
From a time when we first learned to become human
Until we eventually return to the understory
Of our aboriginal commonality

We are still happening
We are learning to shun acceptance
And make due with unexpected lessons
We are undifferentiated fantasy
In lands of cholera and chronic romances
We are far from perfect
But we still always try to do our best
And i don't expect you to protest anything

And if we dance for days against the apathy we make
And spray gradients of sound from our awakening
Into the pleroma’s defiance
We can try out our mouthpieces
And seek fingers of lightning
At a height quite defiant
Whenever we get uptight like a runway
Sundays are always smiling
And whenever we make love
We break records with our bodies
Against the conundrums
Of being polished too roughly
We funnel living diamonds
Into pipelines of supply and demand
Like cats and mice we chase trends around bends
Of commerce and economic insurgency
Mateuš Conrad Jan 2018
after having slurped such oysters
and mawled such mole-****
mounds - perfected the steak tartar -
it's almost inconsistent with
the fact that i can:
         welcome some sort of civility
in this fragile medium of writing...
i dare say: notably prostitutes -
Puerto Rican, Bulgarian or Ukrainan...
i might as well have
  soaked my mouth in a sponge
dipped in olive oil -
              and to even think it possible,
having slobbered in these
regions to then pry open an
                 Augustine repentance -
and claim a god,
          having stretched
                      beyond imagination
the do of invited crude...
       to keep a pristine mouth in
both affairs seems contradictory -
     i dare say:
          no lesser creature is accounted
for, other than in pure jest:
          better cloaked...
                   i can only fathom performing
oral *** on a woman when
first, able, in appreciation
                    of the fruit of Poseidon -
nice, tacky, it's not a case of
poetic wording,
      what, if not the grit of
   a hog's snout rummaging in filth?
there is a deep seeded melancholy
in these words...
          i am rotating on an axis
of unredeemable consequence...
                man the tool use,
         woman the floral imbue -
god at best no socio-political ideal -
rather the same stuff of
                    "encrypted" rudiment;
if i concern myself with god
i concern myself as performing oral
*** on a woman, and her onomatopoeia
resounds deaf in the ears of god,
for my tongue in her... ahem...
is the sort of tongue in the skull
akin to the undifferentiated
         claim of animal:
  due to ****** man is no more
than a wolf's creed -
     talk of man is akin to a cat
purring - while a cat's meow is
man's ****** -
           all is well, gott ist taub.
What is your weapon of choice
Go on you can tell me
I really don’t need to defend myself
Are you ready for a fight
Or a father figure to come rescue you
From tonight’s estranged entanglement
We shared our stories with the lightning
Broadcast on your stereos
The radio beckons us to listen
We are shifting into higher definition
Our ancestors bellow across the airwaves
We were framed and failed to recognize
The actual price we paid for our freedom
It's irrelevant and not reverential
To deny the light it's own fantasy of vision
We are deterred by sedentary slaves
Afraid of falling into better circumstances
Inertia is always the last man standing
I confess my ignorance to you again
It's a gamble or a preamble waiting to happen
Can you really imagine me taking your examples for granted
Taking time to untangle my differences
In atavistic states of participation mystique
And undifferentiated ecstasy
Mistakes are made too easily
At what cost are we lost to our friends and families
I believe in love at first grip
When your lips ripped me open
I instantly slipped into the hands
Of your embezzlement

— The End —