Dear Emma and the rest of the Sumatran orangutans of Chester zoo

To you, today was just routine. To you, in your bubble of a world, just another friendly face came to talk to you again. To me, this visit was bittersweet, in fact I would say 80% bitter. In seeing you, in meeting your gaze the guilt and shame ripped through me like like a tiger's claws. Ah yes, the tiger, 7 years have past since they had disappeared. People have all but forgotten already, there were plenty of tigers safely locked away right?
You probably don't know this and I doubt that you can read this, but I write this letter to you anyway, do what you want with the letter. Look at the photograph I have included of your Asian relatives that I took during my travels nearly 20 years ago. Or you could discard it, tear it, eat it I don't care as long as you receive this. For nearly 2 centuries your people have been captured and killed and we destroy everything you know. Our growing population pressurised us, we strove for urbanisation, painting a thin venire of chrome. Our colour of comfort, but we made it worse for ourselves as our most important livelihoods were replaced by dust villages and starvation. You were not immune to our pillage I'm afraid, from that first time Charles Darwin met Jenny our blessing became your curse. 3 weeks ago the last of your Asian brethren died. We saw your demise coming, some of us tried our hardest to halt or postpone it, setting up rescue stations and reserves. But the mindless machine wirred on, it wasn't until the last 90 miles of forest remained that the Indonesian bigwigs realised what they had done. In a blind panic they planted new tree seedlings, maybe somehow in the hopes that more bears, frogs, birds and orangutans would materialise from the roots? It was already too late but perseverance drove them to try everything. Everything. Nyaru Menteng offloaded their remaining 8 charges to Western facilities where artificial habitats had been created. The rest of them watched over and monitored the remaining native population, sending out vets and human doctors to keep them alive at all costs. I watched every second of it, followed the blogs and the news. It hurt so much I didn't think I could follow anymore, grief stricken with each "progression" but I was compelled to carry on. And finally, there was one.
A male, Gregory. He never grew his cheek flanges because he had no competition. No drive to find a mate. He knew as much as we did that he was alone. No one knew why they kept him there, all knowledge of reproductive biology was forgotten and replaced with superstitious magic. We kept him there, stayed by his side, fed him and doctored him until finally at the age of 39 he died of a heart attack. The news was like a punch in the guts for all of us. It was announced as breaking news all over the world, pongo pygmeus and pongo abeli officially extinct in the wild. A minority mentioned that many captive orangs still remained in zoos and sanctuaries and that we should not be so sad. But they were quickly shushed like an outspoken attendee of a funeral. Those remaining would not last forever either once inbreeding became too rife, plus, their artificial living arrangements meant these fat, shut in orangutans would live a second rate life, plagued by the same mental ailments that the rest of us urbanites suffer. They would never know the joy, fulfilment, danger, even, of the wild. And these zoo populations were like ghosts or holograms of what used to remain. 
I was afraid for the last 3 months to visit you again, incase you knew and you would turn your head away from me in disapproval. Your disgusted expression would render me speechless. But logic told me this would not happen and I had finally plucked up the courage to see you again. As always you brachiated towards the window and pressed your face against it while I talked to you and pretended to stroke your hair. You were oblivious and ignorant, I envied you. I cried and you wondered why, other humans understood and some looked forlorn themselves. I could see you and your granddaughter looking in concern at our apparent sadness. I tried to look brave for you, I played with your granddaughter as normal. 
Though I had no direct influence over your demise I feel just as remorseful as the loggers did, I was careless in my choices. Living such a sheltered city life and not realising until my second decade the true dangers facing you. I chose too late to be mindful of my grocery shopping, avoided palm oil, never watched films with trained animals in. My few actions made no difference, until very recent years I was still the minority. Don't mistake me for someone self pitying, I don't want you to think I was thinking only of my own feelings and being a martyr. If anything self loathing, I've always been a misanthropist but as of late I've abandoned my species altogether. Apart from my immediate family of course. You were not the only ones that went, Asian elephants too disappeared around the same time. Mackaws of South America have almost completely been depleted. The once hopeful 200,000 chimpanzees whittled down to the last 5000. Bonobos gone already from the wild since the last 100 were taken to sanctuaries and zoos to "rebuild the population" but there were very little captive bonobos to begin in. Gorillas: 1000 (only mountain gorillas are left, ironic isn't it? We focused so much on that one race we neglected the rest). African elephants: 4. Giraffes: 100. The list goes on. And we too, **** sapiens, the most numerous of large mammals are feeling the pinch. It started with Japan over 20 years ago, people retreated more and more into the office, no longer caring to build families and the population declined. The rest followed suite, bursting at the seems we could no longer steal more land for ourselves, more destruction meant less air to breath, less food. People have started to fight their reproductive urges, like the Japanese, retreating into a single life in a cubicle. Sitting by the screen. We are committing a species wide, slow suicide. I consider this a blessing, the rest of nature can finally get even. Some are scared and upset, others relieved. The divide is equal.
I have come to visit you every 3 weeks since I was 21, I am 40 now and in that seemingly short space of time I have seen the world change dramatically while you sit and climb and think your own isolated thoughts in your little bubble. 
Please accept my sincerest apologies. No matter if you read this or not. I am so so so sorry. On behalf of myself, on behalf of my species. Please forgive us.
Yours Sincerely,
Sophie

~Many people rely on the convenient, easy ways of living in this age of fast food, plastic packaging and rapid development. Most people do not care to see why they live the way they do or what it takes to live in such a way. Toxic pollutants leaching into our earth and water should not be worth the convenience! Third world women working in dusty, cramped factories to make designer purses for fifteen year old girls. Garbage is America’s biggest export and it ends up in China, on the coast of Somalia... anywhere that American citizens won’t be bothered to see it.

~What does it mean to buy a pack of plastic razors? Some metal, some chemicals, some plastic, more plastic for packaging. Use a razor a few times and toss it in the garbage. Somewhere, maybe at La Chureca, someone will pull the rusted metal and plastic from the landfill. They might make one US dollar per day collecting scraps of aluminum, glass, plastic and other scrap metals. What does it mean to wear deodorant? The plastic stick isn’t reusable. The ingredients are highly toxic. Aluminum-based antiperspirants have been linked to Alzheimer's and cancer. Soap comes in plastic bottles, coffee makers made of plastic, water bottles made of plastic… hell, my plastic shower curtain came wrapped in plastic packaging.

~Americans are lucky. Indoor plumbing with quality water. Green lawns and exotic flower beds. Buy and use, throw away and repeat. Big corporations pay off politicians to pollute. Industrial waste, land erosion, low air quality, pesticides. Why are we so quick to trust an artificial sweetener being promoted by a company that makes poison? They call you a hippy, a conspiracy theorist. They tell you that you only live once and to stop being so worried about it all. I ask them, how can you look away? Deforestation and destruction are all around. Those that profit are not concerned with what happens to the land after the loggers and miners have left the ground scarred and desolate.

~Modern living is a hoax. Yeah, you get around quick in your car but at what cost? Carbon dioxide, greenhouse gasses choking us and everything alive that lives with us and cannot speak. Can’t you walk to the corner store? Can’t you grow a few things in the garden or in the windowsill? When was the last time you saw a sunset and didn’t take a picture of it? Dairy cows packed together so tight they can’t turn around for your glass of milk. The disconnect is everywhere. Overpopulation. Overconsumption. People don’t care.

~They can choose. They can choose paper over plastic. They can buy a water filter instead of 20 plastic bottles. They can bike to work. Anyone can lessen their impact, anyone can think more deeply and live more sustainably. But we’ve made it so easy to be lazy. We’ve become so dependent that we’re forgetting to use technological gains to make the way we do things better. We’ve come so far that we’re forgetting what brought us here.

~

‘We are slaves in the sense that we depend for our daily survival upon an expand-or-expire agro-industrial empire – a crackpot machine – that the specialists cannot comprehend and the managers cannot manage. Which is, furthermore, devouring world resources at an exponential rate.’ Edward Abbey

‘In the developing world, the problem of population is seen less as a matter of human numbers than of western overconsumption. Yet within the development community, the only solution to the problems of the developing world is to export the same unsustainable economic model fuelling the overconsumption of the West.’ Kavita Ramdas

‘Water and air, the two essential fluids on which all life depends, have become global garbage cans.’ Jacques-Yves Cousteau

‘Globalisation, which attempts to amalgamate every local, regional, and national economy into a single world system, requires homogenising locally adapted forms of agriculture, replacing them with an industrial system – centrally managed, pesticide-intensive, one-crop production for export – designed to deliver a narrow range of transportable foods to the world market.’Helena Norberg-Hodge

‘Throughout history human exploitation of the earth has produced this progression: colonise-destroy-move on.’ Garrett Hardin

The head losing itself
A rainforest
Lake in the heart

Hundred tombstones
Named Narcissus
They Echo

Icy, bluish lungs
Pallid violet nails
Lips still yet loving

Salty bamboos
Necrophilic whistles
Siren's footsteps

Illegal loggers
Burying selves alive
Love, love that is

Poems about Flight, Flying, Flights of Fancy, Kites, Leaves, Butterflies, Birds and Bees



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true...

but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom, The Fabric of a Vision, NPAC—Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals (Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly—
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination—

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks and A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ——— extend ———
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ———— ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem I wrote in high school. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;

but when at last...
I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...
if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring—
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.
Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?
You watch it as it disappears;
its plaintive calls cut through you.
The indignant crows ignore you both:
the bickering, bantering multitudes.



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam—
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
—Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
—Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
—Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
—Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
—Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
—Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
—Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
—Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
—O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
—Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height—
our ancestors’ wisdom
—Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
—Yosa Buson, loose translation/interpretation by Michael R. Burch



Descent
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.
And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.
We are walking somewhere that her feet know to go,
so I smile, and I follow...
And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.
She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me
rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss—
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back—
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts—
this way and that...
Contentious, shrewd, you scan—
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty.



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?
What parodies of irony
does the jay espouse
with its sharp-edged tongue?
What instinctual memories
lend stunning brightness
to the strange dreams
of the dull gray slug
—spinning its chrysalis,
gluing rough seams—
abiding in darkness
its transformation,
till, waving damp wings,
it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.
And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf—
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain—
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works—
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence—one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving—immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,
and teach the pallid poem to seethe.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...
I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and—spent of flame—
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies—
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None—winsome, bright or rare—
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew—
each moonless night the nettles grew
and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same—
light captured at its moment of least height.
You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh—
but something more, made less. Your humanness
this moment of release becomes a name
and something else—a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Reading between the lines
by Michael R. Burch

Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.



Rilke Translations

Archaic Torso of Apollo
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

We cannot know the beheaded god
nor his eyes' forfeited visions. But still
the figure's trunk glows with the strange vitality
of a lamp lit from within, while his composed will
emanates dynamism. Otherwise
the firmly muscled abdomen could not beguile us,
nor the centering ***** make us smile
at the thought of their generative animus.
Otherwise the stone might seem deficient,
unworthy of the broad shoulders, of the groin
projecting procreation's triangular spearhead upwards,
unworthy of the living impulse blazing wildly within
like an inchoate star—demanding our belief.
You must change your life.



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



The Panther
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

His weary vision's so overwhelmed by iron bars,
his exhausted eyes see only blank Oblivion.
His world is not our world. It has no stars.
No light. Ten thousand bars. Nothing beyond.
Lithe, swinging with a rhythmic easy stride,
he circles, his small orbit tightening,
an electron losing power. Paralyzed,
soon regal Will stands stunned, an abject thing.
Only at times the pupils' curtains rise
silently, and then an image enters,
descends through arrested shoulders, plunges, centers
somewhere within his empty heart, and dies.



Come, You
by Ranier Maria Rilke
loose translation/interpretation by Michael R. Burch

This was Rilke's last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.
This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.
Completely free, no longer future's pawn,
I clambered up this crazy pyre of pain,
certain I'd never return—my heart's reserves gone—
to become death's nameless victim, purged by flame.
Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I'm lost. Nobody knows me here.



Love Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

How can I withhold my soul so that it doesn't touch yours?
How can I lift mine gently to higher things, alone?
Oh, I would gladly find something lost in the dark
in that inert space that fails to resonate until you vibrate.
There everything that moves us, draws us together like a bow
enticing two taut strings to sing together with a simultaneous voice.
Whose instrument are we becoming together?
Whose, the hands that excite us?
Ah, sweet song!



The Beggar's Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

I live outside your gates,
exposed to the rain, exposed to the sun;
sometimes I'll cradle my right ear
in my right palm;
then when I speak my voice sounds strange,
alien...
I'm unsure whose voice I'm hearing:
mine or yours.
I implore a trifle;
the poets cry for more.
Sometimes I cover both eyes
and my face disappears;
there it lies heavy in my hands
looking peaceful, instead,
so that no one would ever think
I have no place to lay my head.



Ivy
by Michael R. Burch

“Van trepando en mi viejo dolor como las yedras.” — Pablo Neruda
“They climb on my old suffering like ivy.”

Ivy winds around these sagging structures
from the flagstones
to the eave heights,
and, clinging, holds intact
what cannot be saved of their loose entrails.
Through long, blustery nights of dripping condensation,
cured in the humidors of innumerable forgotten summers,
waxy, unguent,
palely, indifferently fragrant, it climbs,
pausing at last to see
the alien sparkle of dew
beading delicate sparrowgrass.
Coarse saw grass, thin skunk grass, clumped mildewed yellow gorse
grow all around, and here remorse, things past,
watch ivy climb and bend,
and, in the end, we ask
if grief is worth the gaps it leaps to mend.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.
For fourteen years, he had not seen her
whom he first befriended,
then courted and married.
Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.
He never lost her; she only tarried
until he was able to meet her.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
—jarring interludes
of respite and pain—
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



The Quickening
by Michael R. Burch

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;
if shadows fly
moon-sickled skies,
while children toss their heads
uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;
if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams
of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise
to plague black nightmare skies
one night without disguise,
while children toss about
uneasy, full of doubt,
beware the devil's eyes...
it's Halloween!



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.
She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Describing You
by Michael R. Burch

How can I describe you?
The fragrance of morning rain
mingled with dew
reminds me of you;
the warmth of sunlight
stealing through a windowpane
brings you back to me again.

This is an early poem of mine, written as a teenager.



www.firesermon.com
by Michael R. Burch

your gods have become e-vegetation;
your saints—pale thumbnail icons; to enlarge
their images, right-click; it isn’t hard
to populate your web-site; not to mention
cool sound effects are nice; Sound Blaster cards
can liven up dull sermons, zing some fire;
your drives need added Zip; you must discard
your balky paternosters: ***!!! Desire!!!
these are the watchwords, catholic; you must
as Yahoo! did, employ a little lust
if you want great e-commerce; hire a bard
to spruce up ancient language, shed the dust
of centuries of sameness;
lameness *****;
your gods grew blurred; go 3D; scale; adjust.

Published by: Ironwood, Triplopia and Nisqually Delta Review



Her Grace Flows Freely
by Michael R. Burch

July 7, 2007

Her love is always chaste, and pure.
This I vow. This I aver.
If she shows me her grace, I will honor her.
This I vow. This I aver.
Her grace flows freely, like her hair.
This I vow. This I aver.
For her generousness, I would worship her.
This I vow. This I aver.
I will not **** her for what I bear
This I vow. This I aver.
like a most precious incense–desire for her,
This I vow. This I aver.
nor call her “*****” where I seek to repair.
This I vow. This I aver.
I will not wink, nor smirk, nor stare
This I vow. This I aver.
like a foolish child at the foot of a stair
This I vow. This I aver.
where I long to go, should another be there.
This I vow. This I aver.
I’ll rejoice in her freedom, and always dare
This I vow. This I aver.
the chance that she’ll flee me–my starling rare.
This I vow. This I aver.
And then, if she stays, without stays, I swear
This I vow. This I aver.
that I will joy in her grace beyond compare.
This I vow. This I aver.



Second Sight (II)
by Michael R. Burch

Newborns see best at a distance of 8 to 14 inches.
Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!—
encrypted signals, codes? Or ciphers, noughts?
Interpretless, almost, as his own thoughts—
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist—
this madness, this soft-hissing breath, makes sense.
Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?
He frowns at them—small gnomish frowns, all doubt—
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Incommunicado
by Michael R. Burch

All I need to know of life I learned
in the slap of a moment,
as my outward eye turned
toward a gauntlet of overhanging lights
which coldly burned, hissing—
"There is no way back!..."
As the ironic bright blood
trickled down my face,
I watched strange albino creatures twisting
my flesh into tight knots of separation
all the while tediously insisting—
“He's doing just fine!"



Letdown
by Michael R. Burch

Life has not lived up to its first bright vision—
the light overhead fluorescing, revealing
no blessing—bestowing its glaring assessments
impersonally (and no doubt carefully metered).
That first hard

SLAP

demanded my attention. Defiantly rigid,
I screamed at their backs as they, laughingly,

ripped

my mother’s pale flesh from my unripened shell,
snapped it in two like a pea pod, then dropped
it somewhere—in a dustbin or a furnace, perhaps.

And that was my clue

that some deadly, perplexing, unknowable task
lay, inexplicable, ahead in the white arctic maze
of unopenable doors, in the antiseptic gloom...



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



Poet to poet
by Michael R. Burch

I have a dream
pebbles in a sparkling sand
of wondrous things.
I see children
variations of the same man
playing together.
Black and yellow, red and white,
stone and flesh, a host of colors
together at last.
I see a time
each small child another's cousin
when freedom shall ring.
I hear a song
sweeter than the sea sings
of many voices.
I hear a jubilation
respect and love are the gifts we must bring
shaking the land.
I have a message,
sea shells echo, the melody rings
the message of God.
I have a dream
all pebbles are merely smooth fragments of stone
of many things.
I live in hope
all children are merely small fragments of One
that this dream shall come true.
I have a dream...
but when you're gone, won't the dream have to end?
Oh, no, not as long as you dream my dream too!
Here, hold out your hand, let's make it come true.
i can feel it begin
Lovers and dreamers are poets too.
poets are lovers and dreamers too



Life Sentence
by Michael R. Burch

... I swim, my Daddy’s princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down
to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers “precious son”...

... the Plunger worked; i’m two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i’m three; yay! whee! oh good! it’s time to play!
(oh no, I think there’s Others on the way;
i’d better pray)...

... i’m four; at night I hear the Banging Door;
She screams; sometimes there’s Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it’s great to be alive if you are five (unless you’re me);
my Mommy says: “you’re WRONG! don’t disagree!
don’t make this HURT ME!”...

... i’m six; They say i’m tall, yet Time grows Short;
we have a thriving Family; Abort!;
a tadpole’s ripping Mommy’s Room apart...

... i’m seven; i’m in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;
... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...
is that She feels Weird.



Beast 666
by Michael R. Burch

“... what rough beast... slouches toward Bethlehem to be born?”—W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking—
tiny orifices torn,
impaled with hard lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition...
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



America's Riches
by Michael R. Burch

Balboa's dream
was bitter folly—
no El Dorado near, nor far,
though seas beguiled
and rivers smiled
from beds of gold and silver ore.

Drake retreated
rich with plunder
as Incan fled Conquistador.
Aztecs died
when Spaniards lied,
then slew them for an ingot more.

The pilgrims came
and died or lived
in fealty to an oath they swore,
and bought with pain
the precious grain
that made them rich though they were poor.

Apache blood,
Comanche tears
were shed, and still they went to war;
they fought to be
unbowed and free—
such were Her riches, and still are.

Published by Poetic Reflections and Tucumcari Literary Review



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?
Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?
Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Photographs
by Michael R. Burch

Here are the effects of a life
and they might tell us a tale
(if only we had time to listen)
of how each imperiled tear would glisten,
remembered as brightness in her eyes,
and how each dawn’s dramatic skies
could never match such pale azure.

Like dreams of her, these ghosts endure
and they tell us a tale of impatient glory...
till a line appears—a trace of worry?—
or the wayward track of a wandering smile
which even now can charm, beguile?

We might find good cause to wonder
as we see her pause (to frown?, to ponder?):
what vexed her in her loveliness...
what weight, what crushing heaviness
turned her lustrous hair a frazzled gray,
and stole her youth before her day?

We might ask ourselves: did Time devour
the passion with the ravaged flower?
But here and there a smile will bloom
to light the leaden, shadowed gloom
that always seems to linger near...
And here we find a single tear:
it shimmers like translucent dew
and tells us Anguish touched her too,
and did not spare her for her hair
of copper, or her eyes' soft hue.

Published in Tucumcari Literary Review



Numbered
by Michael R. Burch

He desired an object to crave;
she came, and she altared his affection.
He asked her for something to save:
a memento for his collection.
But all that she had was her need;
what she needed, he knew not to give.
They compromised on a thing gone to seed
to complete the half lives they would live.
One in two, they were less than complete.
Two plus one, in their huge fractious home
left them two, the new one in the street,
then he, by himself, one, alone.
He awoke past his prime to new dawn
with superfluous dew all around,
in ten thousands bright beads on his lawn,
and he knew that, at last, he had found
a number of things he had missed:
things shining and bright, unencumbered
by their price, or their place on a list.
Then with joy and despair he remembered
and longed for the lips he had kissed
when his days were still evenly numbered.



Nucleotidings
by Michael R. Burch

“We will walk taller!” said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

“Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster,”
cried glib Punjab.

“After Y2k,
time will spin out of control anyway,”
flamed Vijay.

“My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space,”
spat What’s His Face.

“What does it matter,
dirge or mantra,”
sighed Serge.

“The world will wobble
in Hubble’s lens
till the tempest ends,”
wailed Mercedes.

“The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what’s the crisis?”
cried Bubba Billy Joe Bob Puckett.



All My Children
by Michael R. Burch

It is May now, gentle May,
and the sun shines pleasantly
upon the blousy flowers
of this backyard cemet'ry,
upon my children as they sleep.

Oh, there is Hank in the daisies now,
with a mound of earth for a pillow;
his face as hard as his monument,
but his voice as soft as the wind through the willows.

And there is Meg beside the spring
that sings her endless sleep.
Though it’s often said of stiller waters,
sometimes quicksilver streams run deep.

And there is Frankie, little Frankie,
tucked in safe at last,
a child who weakened and died too soon,
but whose heart was always steadfast.

And there is Mary by the bushes
where she hid so well,
her face as dark as their berries,
yet her eyes far darker still.

And Andy... there is Andy,
sleeping in the clover,
a child who never saw the sun
so soon his life was over.

And Em'ly, oh my Em'ly...
the prettiest of all...
now she's put aside her dreams
of lovers dark and tall
for dreams dreamed not at all.

It is May now, merry May
and the sun shines pleasantly
upon the green gardens,
on the graves of all my children...
But they never did depart;
they still live within my heart.

I wrote this poem around age 15-16.



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of “morality” around me.
Surround me,
not with law’s restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,
and not to fly to You, my only sin.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men—
men rejoicing to have known you
in the familiar manger’s cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright—
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope’s long-departed star!



Litany
by Michael R. Burch

Will you take me with all my blemishes?
I will take you with all your blemishes, and show you mine. We’ll **** wine from cardboard boxes till our teeth and lips shine red like greedily gorging foxes’. We’ll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we’ll eat cold Krystals as our blood detoxes, and we will be in love.

And that’s it?
That’s it.

And can I go out with my friends and drink until dawn?
You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we'll be in love, and in love there's no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust.

And that’s all?
That’s all.

That’s great!
But wait...

Wait? Why? What’s wrong?
I want to have your children.

Children?
Well, perhaps just one.

And what will happen when we have children?
The most incredible things will happen—you’ll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you’re too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat...



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,
... a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—
and mends his error.



Shadowselves
by Michael R. Burch

In our hearts, knowing
fewer days—and milder—beckon,
how are we, now, to measure
that flame by which we reckon
the time we have remaining?

We are shadows
spawned by a blue spurt of candlelight.
Darkly, we watch ourselves flicker.

Where shall we go when the flame burns less bright?
When chill night steals our vigor?

Why are we less than ourselves? We are shadows.

Where is the fire of youth? We grow cold.

Why does our future loom dark? We are old.

Why do we shiver?

In our hearts, seeing
fewer days—and briefer—breaking,
now, even more, we treasure
the brittle leaf-like aching
that tells us we are living.



Pressure
by Michael R. Burch

Pressure is the plug of ice in the frozen hose,
the hiss of water within vinyl rigidly green and shining,
straining to writhe.

Pressure is the kettle’s lid ceaselessly tapping its tired dance,
the hot eye staring, its frantic issuance
unavailing.

Pressure is the bellow’s surge, the hard forged
metal shedding white heat, the beat of the clawed hammer
on cold anvil.

Pressure is a day’s work compressed into minutes,
frantic minute vessels constricted, straining and hissing,
unable to writhe,

the fingers drumming and tapping their tired dance,
eyes staring, cold and reptilian,
hooded and blind.

Pressure is the spirit sighing—reflective,
restrictive compression—an endless drumming—
the bellows’ echo before dying.

The cold eye—unblinking, staring.
The hot eye—sinking, uncaring.



Open Portal
by Michael R. Burch

“You already have zero privacy—get over it.”
Scott McNealy, CEO of Sun Microsystems

While you’re at it—
don’t bother to wear clothes:
We all know what you’re concealing underneath.

Let the bathroom door swing open.
Let, O let Us peer in!
What you’re doing, We’ve determined, may be a sin!

When you visit your mother
and it’s time to brush your teeth,
it’s okay to openly spit.

And, while you’re at it,
go ahead—
take a long, noisy ****.

What the he|ll is your objection?
What on earth is all this fuss?
Just what is it, exactly, you would hide from US?



beMused
by Michael R. Burch

Perhaps at three
you'll come to tea,
to sip a cuppa here?

You'll just stop in
to drink dry gin?
I only have a beer.

To name the greats:
Pope, Dryden, mates?
The whole world knows their names.

Discuss the songs
of Emerson?
But these are children's games.

Give me rhythm
wild as Dylan!
Give me Bobbie Burns!

Give me Psalms,
or Hopkins’ poems,
Hart Crane’s, if he returns!

Or Langston railing!
Blake assailing!
Few others I desire.

Or go away,
yes, leave today:
your tepid poets tire.



The Century’s Wake
by Michael R. Burch

lines written at the close of the 20th century

Take me home. The party is over,
the century passed—no time for a lover.

And my heart grew heavy
as the fireworks hissed through the dark
over Central Park,
past high-towering spires to some backwoods levee,
hurtling banner-hung docks to the torchlit seas.
And my heart grew heavy;
I felt its disease—
its apathy,
wanting the bright, rhapsodic display
to last more than a single day.

If decay was its rite,
now it has learned to long
for something with more intensity,
more gaudy passion, more song—
like the huddled gay masses,
the wildly-cheering throng.

You ask me—
How can this be?

A little more flair,
or perhaps only a little more clarity.

I leave her tonight to the century’s wake;
she disappoints me.



Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable...
but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,
sometimes we still touch,
laughing, amazed,
that our flesh
does not despair
of love
as we do,
that our bodies are wise
in ways we refuse
to comprehend,
still insisting we eat,
drink...
even multiply.

And so we touch...
touch, and only imagine
ourselves immune:
two among billions
in this night of wished-on stars,
caresses,
kisses,
and condolences.

We are not lovers of irony,
we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves...

and so we laugh
at our predicament,
fumbling for the ointment.



Stump
by Michael R. Burch

This used to be a poplar, oak or elm...
we forget the names of trees, but still its helm,
green-plumed, like some Greek warrior’s, nobly fringed,
with blossoms almond-white, but verdant-tinged,
this massive helm... this massive, nodding head
here contemplated life, and now is dead...

Perhaps it saw its future, furrow-browed,
and flung its limbs about, dejectedly.
Perhaps it only dreamed as, cloud by cloud,
the sun plod through the sky. Heroically,
perhaps it stood against the mindless plots
of concrete that replaced each flowered bed.
Perhaps it heard thick loggers draw odd lots
and could not flee, and so could only dread...

The last of all its kind? They left its stump
with timeworn strange inscriptions no one reads
(because a language lost is just a bump
impeding someone’s progress at mall speeds).

We leveled all such “speed bumps” long ago
just as our quainter cousins leveled trees.
Shall we, too, be consumed by what we know?
Once gods were merely warriors; august trees
were merely twigs, and man the least divine...
mere fables now, dust, compost, turpentine.



First Dance
by Michael R. Burch

for Sykes and Mary Harris

Beautiful ballerina—
so pert, pretty, poised and petite,
how lightly you dance for your waiting Beau
on those beautiful, elegant feet!

How palely he now awaits you, although
he’ll glow from the sparks when you meet!



Keep the Body Well
by Michael R. Burch

for William Sykes Harris III

Is the soul connected to the brain
by a slender silver thread,
so that when the thread is severed
we call the body “dead”
while the soul — released from fear and pain —
is finally able to rise
beyond earth’s binding gravity
to heaven’s welcoming skies?

If so — no need to quail at death,
but keep the body well,
for when the body suffers
the soul experiences hell.



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya’s Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed...
My, that last step’s a leap! —
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Whose Woods
by Michael R. Burch

Whose woods these are, I think I know.
**** Cheney’s in the White House, though.
He will not see me stopping here
To watch his chip mills overflow.

My sterile horse must think it queer
To stop without a ’skeeter near
Beside this softly glowing “lake”
Of six-limbed frogs gone nuclear.

He gives his hairless tail a shake;
I fear he’s made his last mistake—
He took a sip of water blue
(Blue-slicked with oil and HazMat waste).

Get out your wallets; ****’s not through—
Enron’s defunct, the bill comes due...
Which he will send to me, and you.
Which he will send to me, and you.



1-800-HOT-LINE
by Michael R. Burch

“I don’t believe in psychics,” he said, “so convince me.”

When you were a child, the earth was a joy,
the sun a bright plaything, the moon a lit toy.
Now life’s minor distractions irk, frazzle, annoy.
When the crooked finger beckons, scythe-talons destroy.

“You’ll have to do better than that, to convince me.”

As you grew older, bright things lost their meaning.
You invested your hours in commodities, leaning
to things easily fleeced, to the convenient gleaning.
I see a pittance of dirt—untended, demeaning.

“Everyone knows that!” he said, “so convince me.”

Your first and last wives traded in golden bands
for vacations from the abuses of your cruel hands.
Where unwatered blooms line an arid plot of land,
the two come together, waving fans.

“Everyone knows that. Convince me.”

As your father left you, you left those you brought
to the doorstep of life as an afterthought.
Two sons and a daughter tap shoes, undistraught.
Their tears are contrived, their condolences bought.

“Everyone knows that. CONVINCE me.”

A moment, an instant... a life flashes by,
a tunnel appears, but not to the sky.
There is brightness, such brightness it sears the eye.
When a life grows too dull, it seems better to die.

“I could have told you that!” he shrieked, “I think I’ll **** myself!”

Originally published by Penny Dreadful



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.

Keywords/Tags: flight, flying, fancy, kites, leaves, birds, bees, butterflies, wings, heights, fall, falling

I sew therefore I am. This is what women do she thought, even with the television on, muttering and flickering in the corner. But its turning on was but a reflex action to being alone when she came down stairs after reading to her child, and the sitting room empty of his presence. Only the cats occupied her chair where she now sat and sewed.

For once her sewing pile had his nightshirt, a tear at the bottom, a missing button. It was old, well-worn, of a light blue stripe. That was what he wore in bed, and, as he invariably read to her each night, she would slip her hand inside the shirt, across his stomach to a place she had discovered at the top of his pelvis that seemed to be there for her hand to rest. One night she had felt the tear and thought, I must mend this.

She knew something of the feminist canon: Rozsika Parker's Subversive Stitch lay browsed but unread on her bookshelf. The impact of the book was enough: that the relationship between women’s lives and embroidery had brought sewing out from the private world of female domesticity into the fine arts and created a breakthrough in art history and criticism. She remembered writing that somewhere in a student essay. But mending clothes was hardly fine art. And then she remembered Sashiko, the ‘little stabs’, that functional stitching of clothes in Japan.

They had met at the station for a 30-mile train journey to a nearby city. It was a blue-cold December day and they had felt warmed by seeing from the train window a covering of snow on the ploughed fields. She had worn her grey coat with the green lining and an indigo blue-pattern scarf, a swinging denim skirt and orange-patterned top. Tights and boots. He: she had forgotten. Funny that, remembering what she had worn, but for the man she was beginning to feel so hopelessly in love with, and by the end of that day, hold in her heart, seemingly, for evermore, she could not remember. His old brown jacket perhaps . . . No, she couldn’t be certain.

He had loved the exhibition. It was an unencountered world, though he had experienced Japan, but not, as he said (at length), the rural fastness of an offshore island where women were loggers and men were firemen. It was the simplicity of the stitch that captured his attention, the running white-cotton stitch on the blue indigo workware, occasionally a red thread on a decorative piece – a fireman’s tunic. This was stitching about mending, reinforcing a worn area by stitching on a new patch, and in doing so novel patterns evolved, so novel that this traditional stitch became an inspiration for Reiko Sudo, Hideko Takahshi, and the cutting edge textile designers of 20C Japan. It was reuse that made sense.

He had loved the names of the stitches: passes in the mountain, fishing nets, the interlaced circles of two birds in flight, woven bamboo, the seven treasures of Buddha.  She remembered the proximity of him, touching his arm to show, and sometimes just to touch his arm – yes, he was wearing that old brown coat. It was before they were lovers, but she was sure then they were in love, and it seemed impossible and quite wrong to be in this large gallery, flowing too and fro, apart then together, apart then together. She thought: he knows how I want to be when looking at such things; I need space. And she supposed he needed space too because the moment they entered the gallery he left her alone. But that coming together was, and remained ever after, a warm thing, and she remembered that day being a little aroused by it being so.

Later, they had walked a short way from the gallery to a tiny cottage-like bookshop he knew, a bookshop full of impossibly large books on art and architecture. He had something to find: The Crystal Chain Letters – architectural fantasies Bruno Taut and his circle by Ian Boyd Whyte. There had been her favourite  Mark Hearld cards and his collaged pictures in the window. She went upstairs and knelt on the wooden floor to take out the books on gardens on the lowest shelves. The winter sun had poured through a nearby window, warming her face till it glowed. But she was already glowing inside. And he came and knelt behind her. He rested his head on her shoulder and she had turned and put her arms around him. They had kissed, a delicate, exploratory, yet to be lovers kiss that had made her feel weaker than she already felt. She knew she would remember that moment, and she had, here on her chair years later, now in a different sitting room from the one she had returned to that evening without him, returning to her husband and children. And she had missed him beyond any measure and written to him the next day, a letter written in her head before she had slept, and then the following morning, with the children at school, she had lain on her bed and calmly touched herself to remember his kiss, their kiss.

I sailed the fjords between Powell River and
Drury Inlet to beyond the Salish Sea.
The land itself spoke from mountains, water falls, islets
From bird song and bear splashing fishers
From rutting moose and cougars sharp incisors.
The place has a scale that needs no advisers
But in our bodies felt, sensed in our story talking.
The Chinese spoke of sensing place by the four dignities
Of Standing of Reposing of Sitting or of Walking.
Indigenous peoples of the passage added of Paddling by degrees
For the Haida and Salish sang their paddles to taboos
To the rhythm of the drum in their clan crested canoes.
Trunks transformed indwelling people who swam like trees.
First Nations marked this land, made drawings above sacred screes
As they walked together, to gather, share and thank the spirit saplings.
So Dao-pilgrims in the blue sacred mountains of Japan rang their ramblings.
Now the loggers’ chainsaws were silent like men who had sinned.
I motored now for of wind not a trace -
I could see stories from the slopes, hear tales in the wind.
Modern hieroglyphs spoke from clear-cuts both convex and concave.
Slopes of burgundy and orange bark shaves
Atop the beige hills, and in the gullies the silver drying snags
and the brilliant pink of fire **** tags
A tapestry of  times in work.
A museum of lives that lurk.
Once the logging camps floated close to the head of inlets.
Now rusting red donkeys and cables no longer creak,
Nor do standing spar trees sway near feller notched trunks,
Nor do grappler yarders shriek as men bag booms and
Dump bundles in bull pens.
The names bespeak the work.
Bull buckers, rigging slingers, cat skinners, boom men and whistle punks.
…………………………………………………………………….
Ashore to *** with my dog I saw a ball of crushed bones in ****
Later we heard the evocative howl of a wolf
And my pooch and I go along with the song
Conjoining  with the animal call
In a natural world fearsome, sacred and shared.
---------------------------------------------------------­---
Old bunk houses have tumbled, crumbling fish canneries no longer reek.
Vietnam Draft dodgers and Canucks that followed the loggers forever borrowed -
Their hoisting winches, engines, cutlery, fuel, grease and generators.
While white shells rattled down the ebbing sea.
Listing float homes still grumble when hauled on hard.
Somber silhouettes of teetering totems no longer whisper in westerlies
Near undulating kelp beds of Mamalilakula.
Petroglyphs talk in pictures veiled by vines.
History is a tapestry
And land is the loom.
Every rock, headland, and blissful fearsome bay
Has a silence that speaks when I hear it.
Has a roar of death from peaking storms when I see it.
Beings and things can be heard and seen that
Enter and pass through me to evaporate like mist
From a rain dropped forest fist
And are composted into soil.
Where mountains heavily wade into the sea
To resemble yes the tremble and dissemble
Of the continental shelf.
Where still waters of deception
Hide the tsunamis surging stealth.
Inside the veins of Mother Earth the magmas flow
Beneath fjords where crystalised glaziers glow.
Here sailed I, my dog and catboat
Of ‘Bill Garden’ build
The H. Daniel Hayes
In mountain water stilled
In a golden glory of my remaining days.
In Cascadia the images sang and thrilled
Mamalilikula, Kwak’wala, Namu, Klemtu
The Inlets Jervis, Toba, Bute, and Loughborough.

On old mainstreet, sits an old café,
Where home-town-grown musicians play.
Sometimes they like to change its name,
But the clientele stay just the same.
When times are tough down in the town,
You know you can’t get the Black Dog down.

Rednecks and faux-necks and used-to-be-loggers,
Crafters and rafters, and activist bloggers,
And poets and hippies and mystics and fools,
And outcasts from the secondary schools,
And gypsies too: you’ll find them here,
Drowning in local, hand-crafted beer.

At night, locals sip organic tea,
And turn up the menagerie
Of lights and mics from another age,
Pieced together to make a stage.
And there, the guitarists waste their breath
Beating the Same. Four. Chords. To. Death.

There are some new lyrics, there and here,
But all of them memories of yester-year:
A year spent in the same **** space,
With others who’ve never left this place.
They sing of their dear loves and pasts,
And how much longer the wandering lasts.

And on they wail, and on they moan,
And twang the antique, rustic tone,
But their faces show they like it here,
This breaking haunt of yester-year,
And after the set, they carouse with cheer,
And smile contentedly to their beer.

On old mainstreet sits an old café,
Where home-town-grown musicians play.
Sometimes they like to change its name,
But the clientele stay just the same.
When times are tough down in the town,
You know you can’t get the Black Dog down.

Here I have heard the terrible chaste snorting o hogs trying to re-enter the underearth.


Here I came into the curve too fast, on ice, and being new to these winters, touching the brake and sailed into the pasture.


Here I stopped the car and snoozed while two small children crawled all over me.


Here I reread Moby **** (skimming big chunks, even though to me it is the greatest of all novels) in a single day, while Fergus fished.


Here I abandoned the car because of a clonk in the motor and hitchhiked (which in those days in Vermont meant walking the whole way with a limp) all the way to a garage where I passed the afternoon with ex-loggers who had stopped by to oil the joints of their artificial limbs.


Here a barn burned down to the snow. "Friction," one of the ex-loggers said. "Friction?" "Yup, the mortgage, rubbing against the insurance policy."


Here I went eighty but was in no danger of arrest, for I was "blessed speeding" - trying to get home in time to see my children before they slept.


Here I bought speckled brown eggs with bits of straw ******* to them.


Here I brought home in the back seat two piglets who rummaged inside the burlap sack like pregnancy itself.


Here I heard on the car radio Handel's concerto for harp and lute for the second time in my life, which Ines played to me the first time, making me want to drive after it and hear it forever.


Here I hurt with mortal thoughts and almost recovered.


Here I sat on a boulder by the winter-steaming river and put my head in my hands nd considered time - which is next to nothing, merely what vanishes, and yet can make one's elbows nearly pierce one's thighs.


Here I forgot how to sing in the old way and listened to frogs at dusk make their more angelic croaking.


Here the local fortune teller took my hand and said, "What is still possible is inspired work, faithfulness to a few, and a last love, which, being last, will be like looking up and seeing the parachute dissolving in a shower of gold."


Here is the chimney standing up by itself and falling down, which tells you you approach the end of the road between here and there.


Here I arrive there.


Here I must turn around and go back and on the way back look carefully to left and to right.


For here, the moment all the spaces along the road between here and there - which the young know are infinite and all others know are not - get used up, that's it.


(c) Galway Kinnell, The Past

..for every bear that ever there was
is gone today for certain because
illegal loggers are flogging the guts
out of nature.

Resting couched and cross-legged
by the hearth at Old Faithful Inn
I read of fire-seared Montana.
My restive mind roams back
a century and a half
to when flames ruled Yellowstone -
cracking open Lodgepole cones -
spending seeds on blackened soil.

Youthful pines soared skyward:
tutored by seven score seasons
of showers, frost and sun
nourished by leaf-meal and char.

Then loggers came to notch their trunks
and sent them arcing to the forest floor.
Carpenters fixed them to the wall
where the moose head stares me down.

Montana pine cones crackle as I read.
After soaking rains have quenched the flames,
those seeds will rise to giant towers
before yielding to the whine of chainsaw teeth.

A gray haired man will enter
a rustic Montana lodge,
a coffee mug clutched in one hand,
the morning paper in the other
and sit fire-warmed by a granite hearth
set in a wall of Lodgepole Pines.

*January, 2007

the little tree
took root from
an acorn nut.

the years passed,
she watched the loggers
come and go.

taking her friends
and family off
on the big beds
of the timber trucks.

year after year,
season after season,
there she stood,
winter, fall, spring, and summer,
one slow grow.

first she was short,
barely a spurt,
then she branched out,
and up and up and up.

the trees stood
all around her,
so serious,
oh so silent company.

however,
never a mean word nor
loud shout was ever heard.

never any other music
but for that of the birds,
and the wind and the sun
and
the creatures walking the
woodland floor,
those traveling through to
far distant exotic lands.

at least she never heard
“girl, you are some fat tree.”
or was the target of any joke,
“when you sit around the house,
you sit AROUND the house.”

nor any
“you gotta do something with them leaves,
they are looking like a rat’s nest.
Oh i see, it IS a squirrel’s nest.”

or for a stray bump or large hideous growth
no one ever said,
“you better go get that removed,
that's one ugly lump!"

years and years passed,
her soul inside,
couldn’t be heard,
not a word.

then one day,
the fellows came through,
looking and measuring,
measuring and looking,
out came the chainsaw.

eyes alighting on she,
on all of her
tall, majestic beauty.
with swift, quick work
she fell,
down,
to the earth.

loaded on the flatbed,
chains wrapped securely around,
engine roared to life,
and she took off,
racing into the darkening night.

she knew tears did fall
as forests thinned
and were laid bare,
but all she could think,
all she could say,
was
“so long suckers!
i’ll see you on broadway one day!”

and so it became true,
her dream of yore,
it was finally in,
Radio City Music Hall,
she landed as the floor.

night after night
to her lasting delight
tap dancers tapped
making her sing
bringing out the music
in she
so previously
imprisoned inside,
for so long.

sanded and polished
varnished and cleaned,
her secret inner beauty
finally brought to life,
finally brought into the light.

she beamed and sighed,
every time a new star
stepped on to her,
to her extreme delight.

any day or night,
when every eye of
the house,
every one of the audience
was riveted on she.

oh what a thrill
when the Radio City Rockettes
did finally come out,
for only for she
could they dance
so straight,
so evenly.

Sometimes i look
at the woods laid bare.
my heart drops low
so sad i feel,
a tear spills out.

then i recall,
the tale of this tree,
the little acorn nut,
how a trip to
a city,
made her so
lastingly
happy &
so  very
pretty!

The careful moon maunders through the glass ceiling
on these long nights

when I try to alchemize my visions into ships.
I imagine the mist moping among the larches—

the dewy bark that wakes,
looking for shadows of loggers in the grey.

On cold nights like this I sleep beneath a sheet, sweating,
dreaming of China’s violet sky exploding with hues

of a butterfly’s paper wings.
The summer air crackles above the pale girl’s tent—

a counterfeit ankh hangs between
her naked, sagging *******—

and she sees the future in the reflection of her eye
on an Opinel’s blade—her iris wheezing into shapes.

She tells me there are gales ahead
like ones in schoolbook etchings of Poseidon.

Boys will choke on salt, she says,
or the ice will kiss the little princes to sleep.

But she coos how they look like dancers at a ball.
How many boys will be lost? I ask the girl.

All of them, she says with ***** on her breath,
but this won’t stop you, will it?

In my favorite dream yolk sizzles on a cast iron as mother sings.
My older sister laughs, cheeks full of sourdough and jam,

and father’s wet hair drips onto his paper—
the ink of little letters smearing into bare branches.

The dream helps me forget that rain never ends where I wake,
where guilt’s proboscis feeds on hardened veins.

To whomever’s my son, please don’t put me in an elegy
where the memory of me will rot like wet wood.

bless this restlessness
as it is success
but a mess none the less
I confess
when wearing a dress
there is no guess
just bad press and distress
impressed?
the need for rest seems
incessant and persistent
yet I remain resistant
by playing an instrument,
one reminiscent of distant
enlisted men
transitioning
to some sort of agricultural
based life of subsistence
subservient serfdom
on poor farms in Tennessee
with plenty of hens running free
and a still out back brewing grain whiskey
frisky miss’s with pesky kittens
rub dainty mittens
smitten with ripping the
cotton-topped children’s
collars and slipping dollars to poor
babies fathers
while bothering loggers
robbing old codgers –

I'm excavating your ribcage
Looking for answers
Of when things went wrong

I'm no mathematician or buddhist priest
But I'm really good at French toast
And overcomplicating myself

I convinced my coworkers I'm a vampire
Even though I'm vegetarian
The only kind of bloodlust I have
Is for loggers
(They took away my Mother nature)

I'm also really good at being over-dramatic
In a non serious way
You're wearing broken ankles on your wrists
How did those get there?

                                                         ­            Did you walk all over me
                                                              ­       With your hands
                                                           ­          Around my neck

Your hands were the noose that will pull the trigger and make me swallow all those sleeping pills so that people realize my pillows aren't made from the ocean

                                                          ­            You are that critical blow, K.O.,
                                                           ­            last breath,
                                                                ­      That push over the edge                                              

I'm really good at letting my
Scars be neon flashing lights
and/or ants that are
crawling,biting, poisoning
my memories

Letting my past,
                    Make me a Ghost of Today

I'm excavating your ribcage
And everything checks out
But I think you left your
heart at the train station

She buried my body at Loggers lake,
Her sweet revenge,
my bitter mistake.
The leaves were brown and yellow and red,
at the final place
I crashed my head.

Heart like wax thrown into a furnace, Bones as a tree in the loggers hand. So goes the peoples who’ve lost those they loved.

Rapid City wears its patriotism like a shroud.
Corner streets are populated with less than
life-size statues of past presidents
squinting at the distant Black Hills
where the grandeur of Mt. Rushmore
casually crumbles their bronze dreams.

Wax settlers, loggers and gold miners
stake claims with souvenir hunters
touring a mine, panning for fool’s gold.

In nearby Custer, 75 breaths  from Wounded Knee,
shops hawk Chief Joseph, Sitting Bull, Geronimo t-shirts
proclaiming them “ The Original Founding Fathers.”
Mixed in are those in star-spangled letters and fireworks
proudly streaming “Welcome to America. Now Speak English.”

Rushmore was dynamited from a cliff
by a creator who spent the rest of his life
erecting grand Confederate gestures
out of ****** Georgia quartz monzonite—
finished and opened 100 years to the day
after Abraham Lincoln’s assassination.  

Thirty minutes from Rushmore, existing in its shadow
on private land filled with dusty trails,
unfinished after seventy years,
probably still unfinished after twenty  more,
facing away from these great stone faces,
emerging from the side of great Thunderhead Mountain,

on an ivory stead with a mane of flowing river and wind,
exists the Oglala Lakota warrior Tasunke Witko
the worm of Crazy Horse the Old and Rattling Blanket Woman,
sibling of Little Hawk and Laughing One, memory of the spirit of
Black Buffalo and White Cow who walked with an Iron Cane,
all enclosed with him in this massive breath of white stone.

The history of this great Indian space stretches the land,
four times higher than the Statue of Liberty,
extending beyond the warrior frown, the pointing left arm.
The horse’s ear alone is the size of a rusty  reservation bus.
When finished it will be the largest sculpture in history,
bigger than the land, breath and all of Indian memory.

It was the Vision Quest of Chief Henry Standing Bear to show the whites that the red man had great heroes, too.
In a man named Korczak he found a kindred spirit,
a storyteller in stone, a survivor of Omaha Beach,
who when the first wife faltered, found a second
who gave him enough children to carry, sculpt the Bear Dream.  

The big chief’s face is still the only finished part.
Korczak’s wife and children toil with the rest,
struggling to capture the essence of a warrior
who never allowed his shadow to be snared
in the false glow of the white man’s light,
trusting only the rain beams that fall

onto his people, mountains, plains and buffaloes,
onto Paha Sapa, “the heart of everything that is,”
where the Lakota huddled while the world was created,
now a land of broken treaties and dying dreams,
drenched in the dust of tears underneath,
while this white face torn from red gazes East.

In the forest, there lives a tree,
its hidden well and hard to see.
Loggers came and chopped it down,
the surrounding trees all started to frown.
That poor lonely tree is now gone,
its now the paper that we write on.
In the ocean there lives a fish,
an endangered species on a rich mans dish.
Fishing boats illegally catch it with a net,
they get paid extra and have no regret.
This once thriving fish are dying out,
don't they know there are plenty of trout.
In the world there lives a person,
whose cancer condition is about to worsen.
The chemotherapy is not working,
death is now slowly lurking.
This is a disease that has no cure,
is there anything left that is pure.
With the way things are going,
there wont be anything left worth knowing.

darkness covers every invisible flower building a body of water towns have turned to ruins and dust A forgotten vehicles left to rest until one day a green stem arises once again turns into a magnificent flower and sits there everyday to every hour soon grow more until all that is seen is flowers in the bright grass plus the color green tree sprout and animals return and people are born to relearn Huts are made to houses that sheltered the people and little mouses huts turn into towns then to cities and then loggers get ready and down come trees grass and flowers soon nothing is left by the last hour people have gone and animals have died and once again God will cry over the land and bodies of water until one day grows a lonely flower

distant visions of dancing women
giving pause to the loggers
reeking of pine
wine glasses *****
and clinking friends make amends
sending bygones to faraway lands
bark chips in unkempt beards
appear in the florescent glow
to show a road map to the mountain
crags and snags left
for wildlife habitat
rabbit foot key chain bangs
the leg of a drunkard
who flunked out
yet runs the equipment of
a multimillion dollar outfit
no quit in the eyes
of men realizing self-worth
through **** of the earth
taped fingers set chokers snug
upon trees laid like rungs
up the barren hillside
fireside chats about bobcat tracks
and the rack on the elk that got away –

Horton’s Bend
Dave Davis-2013
Treat the earth well,
It was not given to you by your parents.
It was loaned to you by your children.”
Native American Proverb

Chapter 1
During the early part of the 16th century, the Spanish began their expeditions into the New World in their quest for riches in the form of gold and silver. It was a time of great competition between explorers attempting to be the first to expand the Spanish Empire. Famously Ponce de Leon discovered La Florida in 1533 which allowed geographers and map makers to better outline the coast which de Leon hugged during his travels. His perception that it was an island misled geographers for a number of years. Historic documents do describe a quest for a body of water which was known for a restoration of vigor but the Fountain of Youth was not a focus of de Leon’s. Upon learning of La Florida, further expeditions were made ready. Hernando de Soto’s exploration, which began in the vicinity of present day Tampa Florida in 1539, was a four year journey which provided more information about the strange new continent.
Other expeditions filtered their way into the southeastern United States. Expeditions such Tristan de Luna de Arellano traveled into the interior southeast from 1559 to 1561 including the chiefdom of Coosa in Northwest Georgia and Juan Pardo who led two expeditions into the present day Carolinas are also chronicled.

What a strange world it must have been having stepping into what they must have considered an undeveloped and tangled landscape having been at sea for months prior to their arrival. These new comers were warriors riding into a land of what they considered savages ruled by mighty chiefs. The chiefdoms were purposely distanced apart in order to ensure a semi peaceful relationship with nearby chiefdoms. Each principal chief or cacique lived in areas surrounded by earthen mounds and fortified walls with hand dug moats. These rulers were presented with gifts of corn, exotic materials from foreign lands, and other tributes by their subjects. During the past seventy five years, archaeologists have reconstructed the past life ways of these people through their excavations of village sites and burials. Coupled with the work of dedicated historians, we now have a better understanding of how these native peoples lived and died. We will never fully understand their world.
Theirs was a hermetic world which was provided all that was needed. Respectful of the land and its gift of life giving resources, the native peoples were dependant on the land which figured prominently into their spiritual being. Their needs were meager as they did not desire wealth or the need to satisfy a gluttonous royalty. The principal chief’s rulings were simple and they obeyed without question. He and the other leaders asked only what the earth would provide. Their only loyalty was to the ethereal gods and to the cacique who communicated the will of the Creator. In times of famine or strife, theirs was a community that continued to be self sustained as it had always been from birth to death. They must have considered that dark times had arrived with the new strangers. These interlopers were not here to commune but rather to bring greed and lust to their land.

Native American groups surely were frightened by the sight of an entourage of the bearded new comers. Dressed in quilted shirts with bright colored sashes with tall hip boots, their appearance had to be most curious to the natives. The presence of never before seen animals such as the horses bearing the soldiers were cause enough for the Indians to scatter from their villages. The horsemen wore the heaviest armor consisting of chain mail or if preferred a breastplate of sorts. Their weapons were a long lance in conjunction with a small shield. The foot soldiers wore peaked steel helmets along with quilted shirts armored with small steel plates and were equipped with sharpened steel weapons such as short double edged swords, halberds, and crossbows. Matchlock guns were also a weapon employed by the Spanish explorers. They were close combat weapons which would have to suffice since heavy artillery could not be used in the thick and tangled environment.
The Spanish found the New World to be a land of hardships when they depleted their supplies of foodstuffs between chiefdoms. This land proved not to be a place of abundant riches but rather difficult terrain for pedestrian journey. In order to supplement the Spanish took the stored food supplies that Indians had readied for winter. As Old World warriors, they had no hesitancy to threaten or harm when supplies were needed. Word of their arrival brought both fear and awe to native groups who were duped by the rich lies and gifts of the metal objects that was so foreign to them.
While the devastation of Spanish contact impacted native lives, it should not over shadow the rich history of these people. Prior to contact, they were thought to be involved in the construction of a society emerging from the chiefdom level. Their capability to understand astronomical constants, their ability to sustain an agricultural culture, and the art produced attest to a vibrant society that was merely unfortunate to be caught up in a dynamic European expansion that was inevitable.  
Their story is more than that of European contact as they dealt with pestilence, political instability, drought, and dwindling resources in large communal sites. It comprises a much larger picture from a story long forgotten in a language that will forever remain unknown. History is filled with the tragedies of conquest but this story does not end with the Spanish invasion of peaceful natives. It does not end at all because their spirit was stronger than any intrusion by the strangers. While much suffering has occurred from this contact, there was one group who managed to avoid conflict and quietly retain their heritage. Unfortunately time has left a ragged history with gaps that are not fully understood by those who seek wisdom from the past. No matter. Their intentions regarding history were never as strong as their passion for the land.

On an unknown date during the 16th Century in Northwest Georgia, a group of Spanish invaders made contact with a group of Native Americans who believe in the sacred ground they call home.



Chapter 2
Ronnie King sat on the tailgate of his 4x4 pickup and drained the last of an ice cold Budweiser that had been waiting on him all day. Ronnie kept a cooler full of cold ones for quitting time although he usually just drank the one beer before leaving for home. Working as a foreman on a timber crew, he was soaked in sweat and enjoyed just taking a moment to reflect on a day’s work. He always felt like a man who could tote a chainsaw for eight hours and deal with the elements was a man by God. The sun would be setting soon and he would talk to a few of the boys before they headed to the house. It also gave him time to unwind a little bit and to pick off the ticks that seemed to always be attracted to him. He sure hadn’t forgotten that bout of Rocky Mountain Spotted Fever that had contracted a few years back. He remembered well how dizzy he was that hot afternoon. Some of the boys had chuckled but nobody scoffed at his 107 degree temperature when he was checked into the hospital. Anyways this was the best part of the day and he always got to thinking about his life.

Ronnie loved his job and wondered how others could ever work inside all day. Hell, even if he was paid more he couldn’t really see the benefits of extra cash compared to working out in the woods. More than once he had paid attention to deer signs and had bagged some bucks that were the envy of his fellow workers. It was just a great deal to be outside. Sure he ached pretty good by the end of the week and knew arthritis was in his future but it gave him a great opportunity to do what he really loved: look for Indian sites. Ronnie had been just a boy when he found his first arrowhead down on the floodplain of the Coosa River which ran through his grandfather’s farm. That thrill was one that never got old for the young man. Those who are observant and willing to risk the mud never knew what they would find after a good thunderstorm on a freshly plowed field. As Ronnie grew to be a teenager he already had a collection of artifacts that the local museum drooled over. Other kids that were Ronnie’s age were busy playing football or were involved in some school activity. Ronnie was different and had little interest in neither scholastic nor collegiate pastimes. Once he finished his chores at home,  he headed for the river.

When Ronnie graduated from high school he got a full time job working at Patterson’s Logging. At 18, Ronnie was a tall man with a full beard and was often mistaken for someone much older. He never was a big talker or one to boast. Many at school thought him slow but that was where he fooled them and the teachers too. No reason to give your all since they would expect more anyway. Besides what would he do with trigonometry? He loved the outdoors and spent quiet evenings along the river banks staring at the ground in search of the history that he loved. Teachers didn’t spend much time on how Indians lived during the time that the mounds were being built. He enjoyed books at the library much better than any of the school books. In particular, he loved the book Sun Circles and Human Hands which had wonderful pictures of burials dug up during the WPA days. He did take the time to learn how the Works Progress Administration had been created in the 40’s and created jobs to work on the large dam projects that brought on some of the earliest organized archaeological projects in the United States. At night he would look at Sun Circles and gaze at the pictures of the excavated burials and all the exotic grave goods that had been buried with the interred over 500 years before. The well made pottery vessels had always been one of his favorite artifacts but he had never found a whole ***. Having spent time with different books loaned from the library, Ronnie know the difference between pottery sherds dating to the earlier Woodland Period and those that dated to the later Mound builders or what the archaeologists called the Mississippian Period. He also enjoyed the ornaments and jewelry found in the burials. The designs in the shape of woodpeckers, rattlesnakes, and strange squatting men with eagle claws were carved into shell gorgets that were found around the necks of the nobles of the village. He realized that not all graves contained abundant artifacts as some simply were just a prone or flexed body that must have been a common person. Ronnie knew that there had to be some schools here in the south where you could learn to be a paid archaeologist but who had money to go to college? Besides, they might want him to give up what he found. What right did a museum have to something he had found? No, that didn’t seem right at all.
Patterson’s Logging worked all over a tri-county area and allowed Ronnie access to private property that he could never get permission to walk over. There were a dozen men who worked for Patterson not including Patterson’s boy, Ricky, who had helped Ronnie get hired. Ricky and Ronnie used to do a little cat fishing on weekends. Kicked back with a six pack on a boat ramp, the boys used to fight off the bugs attracted to the lantern glowing bright in the middle of the night. They talked about girls they’d like to get a hold of and wishing they had money for a nice pickup. Ricky’s daddy made pretty good money but most of it was ******* in chainsaws and equipment for keeping the logs steadily flowing to the saw mill. Ronnie never told Ricky but he was **** grateful to be working on a crew at Patterson’s.

A couple of the men who worked for logging outfit were from Cedartown which was located south of Rome. They didn’t speak to anybody very often and pretty much kept to themselves. Ronnie didn’t know them but had heard them called Jarvis and Ladge. The crews had finished logging a section near Armuchee Creek where some county workers had been using bulldozers to prep the area for a bridge project. It was time for lunch so everybody got out their lunchboxes and sack lunches. Jarvis and Ladge ate quickly and headed out to the disturbed area to walk it over. Ronnie had already figured on going out there too but they had beat him to it. He just went ahead and watched them looking for a few minutes. Finally Ronnie headed out and walked around a little distance from them. They glared at him at first but didn’t make a ******* contest out of this patch of dirt. Having walked around staring at the fresh soil for a good ten minutes the three were somewhat close to each other so they stopped and everybody wanted to inspect what the others had found.
Ladge had found a few good sized flint chips and a broken tip of a point. Jarvis looked at him and said “Buddy you ain’t found **** look at this piece of pottery!” He held up a large thick rim sherd which had pinched marks all around the curved rim. “Nice one Jarvis” whistled Ladge. “That’s a Mississippian sherd, Jarvis” offered Ronnie. The others stared at him until Ladge said “Boy this ain’t Mississippi! You in Georgia.” Ronnie didn’t want to be a smart *** to the older men so he said “I been reading in some books on ancient Indians and the pictures showed pottery that looked just like that one that was near 500 years old.” “Huh” Jarvis mumbled “Well what do you think about this bird point?” It was a small triangular point no bigger than a thumbnail made of black flint. Ronnie hesitated a moment and told them “That’s a nice one but you know they didn’t hunt birds with those don’t you?” The men just shrugged and Jarvis said “That’s what I always heard them called……that the Indians used a blow gun and blew them through it”. Ronnie was a little more confident but with a little caution said “That point was used on a bow and arrow…..you know how most points you find have a stem on the bottom end?” Both men nodded with interest. “Well those were used on spears but this type was used on a bow….bout the same time as that sherd you found”

Ronnie thought he might be scoffed at but both men just shrugged and one mumbled “Well I’ll be ******”. Ronnie then realized that Jarvis and Ladge’s interest was just in one upping each other and it was something to do besides talking to the other loggers. “I’d like to look at one of them books you been reading…..I got something I found and want to know more about it.” Ronnie’s interest was peaked and asked “What does it look like?” Jarvis tilted his head a little while looking over at Ladge and said “Just bring that book of yourn’s when you can.” Ronnie took the hint and all three realized it was time to start on the next parcel of the project.
As the work week continued, the three usually sat together and formed a group of their own talking about artifacts away from the others. Ronnie brought one book in but it was from some work over in Alabama and didn’t have what Jarvis was looking for. One Friday after work, Ronnie was about to head home when Jarvis and Ladge asked him to take a ride down to Cedartown and look at their collection. The two had a little cabin out off of Chubb Road with a rusted 49 Ford sitting out front. A metal trash barrel smoldered in the front yard. Ronnie walked in the cabin and had to choke back holding his nose as it reeked of sourness. These two ol’ boys were true bachelors who were not ones to throw out clothes until they fell apart. It was just sometimes they didn’t feel like picking up anything from a pile that had lain in a corner for a couple of weeks. Jarvis walked to a chest of drawers and opened it and asked Ronnie to come take a look. Ronnie looked in the drawer and saw a collection of artifacts typically found in the area. The material ranged from large Savannah River points dating back some 5,000 years to more of what the boys had termed “bird points”. Ronnie picked up a partial *** with check marked stamping and smiled. “This is a nice one….I’ve seen fragments like this on the Oostanaula.” He added “It’s from what is they call the Woodland Period”. Ladge smiled a big toothless smile and proudly proclaimed he had f

There are thirty of us under a torn canopy
where the sound of wind blowing against canvas
assaults me as if I were being beaten. We will
soon ride into the hills and **** pine; to fell
the mighty as if the mighty are horseweeds.
Every callused man here  hates his weapon;
worn chainsaws that would make  better
tools to fight  wolves than walk the earth
clearing  stands of timber.
**************
Twelve of the original thirty loggers come back
for our 48th consecutive day; it rains as if  prehistoric
elk hover over the camp and **** a lake upon us.  Six men
go home within an hour because farming and stocking
cans of tuna at grocery stores appear more plausible than
wallowing in mire with saws, wedges, and chains with links
the size of your mother’s fist.  It is work and *******
every man  needs to eat or help feed a family.  The money
is not good, conditions like Czechoslovakia WW II.  

The six of us who remain, leave.

What is the air breathed in by the millionaire?
The same as inhaled by the slum-dweller?
The monopoly on air is great!
Or imagined?

A false dichotomy, a false pretense,
a logical fallacy, a paradox and contradiction. Linguistic sounds murmured and mumbled by orators and curators.

The breath of life is the worlds most beautiful gift, but also a mundane commodity,
It is in a perpetual state of being unwrapped and re-wrapped,
Transported by logisticians,
Prepared by makers,
Packaged by designers,
Consumed by the user,
Expelled by the waster,
Salvaged by the recycler,
Reminder of our life,
Reminding us of our mortality
Which we so frequently forget.

Breath is without choice,
We are unforced,
We flow the atoms inside us
Which our lungs are built to contain,
But particles need to be expelled.
As all good things must come to an end,
So must the ego we wish to contain.

Nature's masculinity is all too powerful, dominating the global hemisphere. His spheres of influence are enermous and his allies volatile.
Fire, metal, lightning, magma, stone, thunder.

An awesome feat,
We have learnt to harness electricity,
The ecstatic delight,
The shock of wonder,
We are galvanised into apathy,
Wired on our technology,
Device on finger,
We have yet to integrate the complex organic with the intricate artifical.

The technology of air is a great invention, invented by an invisible nothingness, an empty void of silence, a chasm of infitissimal unmeasurableness.
We have yet to harness this ancient element.

As we race about and fulfill our desires,
Humans, thought to be different,
No, we are a microcosm of repetition, a chain reaction, a catalyst of a parralel universe.

We have created our own branch of nature,
We are a branch hanging off the trunk
Our own pecking order,
We are not elemental isolates from the land which we once grew on.
Diamonds are made from carbon.
Flesh from cell.
Cell from atom.
Interconnected, neural and galactic.
The microscopic projections playing through our planetary minds:
Sharp as the claws of beasts.

The tiger rattles its chains,
Exuding its own glory,
Its notoriety known amongst
The lesser kingdom dwellers.
Is it moral to cease the latters' lives early on, severed by the hand of sentient and intelligent conciousness?

The grand old question proposed by philosophers.
To **** or to be killed?
To live or to die.
War or peace?
Answers and binaries, we rush in attempt to answer both,
The sedate and the anxious professors will philosophise,
Knowledge will reach the masses,
Ignorance remains.

Time will pass and death will come to all of us,
Mortality an unstoppable force,
an unstoppable ticking,
A machine in the clockwork of nature,
A cog that has been inhabited by life,
An abstraction colonised by thinkers and doers,
All on the same trajectory of the unknown.
Powerless and hopeless civillians, grasping and clinging desperately on an immense rocketship,
Fighting for survival.
Are we preparing for a greater good or a we headed into the dark oblivion?

The corporations too - perceived as more powerful -
Know they have land and
Ownership of property,
Exerting their will
In an extravagant and
Flamboyant fashion.
A luxurious and pompous display,
A model for citizens to admire

Sooner than we know,
The invisible does become visible,
The curtains are opened.
Even denyers become believers.
The windows of facades,
To be scratched. Will be clawed.

We lament and count our losses,
But the trees remain grounded,
Roots are always shifted,
Loggers cut down beasts of beauty,
All too common, there are all too many treefellings.
Her presence is sparse and dense.

We raise, we grow and then we prepare and consume.

Is it so strange we do this to eachother when we do this to nature?

In a internation that worships success and scolds failure, how can the failure be allowed to live?
He is at the mercy of the lucky,
he is at mercy to dissaproval,
he is at mercy to mockery.

The air she does not distinguish between worthy and unworthy, she gives lovingly to children of the earth.
Is it not time love ourselves to love eachother and love her back?

Is it much more powerful to imagine utopia than to disdain dystopia?
We are a dusty age that Mother blows away with her strength of love.

We forget her might,
Her fury, her will.
She: more powerful than all of us.
The earth can crack,
The skies will burn,
The seas will flood.

Our might is remembered by historians,
Our strength is revealed through leaders,
Our vulnerability is exposed.
Our secrets are brought to light.

We are as evil the land.
Life lived in the grey.

From my chair
Through the air
I want my info now
Truth or dare
I don’t care
Give me info now

Hip wired infolites
Something bout usage rights
Whereas my info wow
Flying flags ever knowing
Looking back never going
Here’s my info now

Meaning without content
Exists without it being sent
The contents meaning slowly dies
Contending feeds on sore full eyes

Mercy typo pings brindle blogger
Immortal mention 2 NSA loggers
Wikimaster with google goggles
Seeks truthess acknak for boondoggle

Give me just a little push
My parental burning bush
Life lite the snippet deluxe
Youtube the world gone amuck

thanklessly the bankers
of Wall Street
meet in discrete fields
just outside of Tupelo
plotting to further victimize
the middle of America
through interest rate hikes
and trickle down economic theory
clearly they only have our interests
in heart…
corporate hedge funds
send tons of
industrial sludge
to ponds near elementary schools
where the rules are
pick up your messes
I guess they skipped that day of class…
rash covered babies
with minimal lung function
sit at the crossroads
or junction
of a nation in transition
the plight of the people is lost
on the wealthy unregulated
impoverished men sit
waiting for a V.A. date
and the medication necessary
to combat PTSD and hold down a job
loggers with broken backs attack
environmentalists
for risking their lives to save
species…the flora and fauna
but the powers that be don’t wanna…
the United States needs a comma –

Where there is a will there is... a dead relative.

There is a light at the end of the tunnel... but no one has ever seen it.

Every cloud has a silver lining... the gold ones have already sold.

If a tree falls in a forest and no one is there to see it... the loggers make a killing.

It costs an arm and a leg... but its way cheaper than getting married.

You can lead a horse to water... just follow the stink of dead fish.

Is your glass half full or half empty... then hurry up its your round.

If the shoe was on the other foot... you would look pretty stupid.

Better late than never... especially if you only met her/him once.

Literally, loitering litter
leaves landscapes looking
like labyrinths leading lonely
lethargic lads lacking lustre
lame lamenting Lu Lu's Lingerie
laundered locally lampooning
looser's lost leaders landing
lecherous louts leftist ledgers
legacies legally legitimised
libellous loafers lobbying
locksmiths logically liaising
loggers longliners lubriciously
lucid lookalike lunatics luring
lasses lustfully locating low
level latino's lavatories.

These are prophetic poems and apocalyptic poems … poems about possible dark futures for mankind and the planet we depend on for life and sustenance. Are we condemning our children and grandchildren to live underground like moles, if they live at all?



The Vision of the Overseer’s Right Hand
by Michael R. Burch

“Dust to dust ...”

I stumbled, aghast,
into a valley of dust and bone
where all men become,
at last, the same color . . .

There a skeletal figure
groped through blonde sand
for a rigid right hand
lost long, long ago . . .

A hand now more white
than he had wielded before.
But he paused there, unsure,
for he could not tell

without the whip’s frenetic hiss
which savage white hand was his.

Originally published by Poetry Porch



Man Retreats into Savagery
by Michael R. Burch

What I ache to say is beyond saying―
no words for the horror
of not loving enough,
like a mummy half-wrapped in its moldering casements
holding a lily aloft.

No, there are no words for the horror
as an arctic wind howls through the teetering floes
and the cold freezes down to my clawed hairy toes ...

What use to me, now, if the stars appear?

As I moan
the moon finds me,
fangs goring the deer.



Milestones Toward Oblivion
by Michael R. Burch

A milestone here leans heavily
against a gaunt, golemic tree.
These words are chiseled thereupon:
"One mile and then Oblivion."

Swift larks that once swooped down to feed
on groping slugs, such insects breed
within their radiant flesh and bones ...
they did not heed the milestones.

Another marker lies ahead,
the only tombstone to the dead
whose eyeless sockets read thereon:
"Alas, behold Oblivion."

Once here the sun shone fierce and fair;
now night eternal shrouds the air
while winter, never-ending, moans
and drifts among the milestones.

This road is neither long nor wide . . .
men gleam in death on either side.
Not long ago, they pondered on
milestones toward Oblivion.



Davenport Tomorrow
by Michael R. Burch

Davenport tomorrow ...
all the trees stand stark-naked in the sun.

Now it is always summer
and the bees buzz in cesspools,
adapted to a new life.

There are no flowers,
but the weeds, being hardier,
have survived.

The small town has become
a city of millions;
there is no longer a sea,
only a huge sewer,
but the children don't mind.

They still study
rocks and stars,
but biology is a forgotten science ...
after all, what is life?

Davenport tomorrow ...
all the children murmur through vein-streaked gills
whispered wonders of long-ago.



Burn
by Michael R. Burch

for Trump

Sunbathe,
ozone baby,
till your parched skin cracks
in the white-hot flash
of radiation.

Incantation
from your pale parched lips
shall not avail;
you made this hell.
Now burn.

This was one of my early poems, written around age 19. I dedicated the poem to Trump after he pulled the United States out of the Paris climate change accords.



Evil, the Rat
by Michael R. Burch

for Trump

Evil lives in a hole like a rat
and sleeps in its feces,
fearing the cat.

At night it furtively creeps
through the house
while the cat sleeps.

It eats old excrement and gnaws
on steaming dung
and it will pause

between odd bites to sniff through the ****,
twitching and trembling,
for a scent of the cat ...

Evil, the rat.



No One
by Michael R. Burch

No One hears the bells tonight;
they tell him something isn’t right.
But No One is not one to rush;
he smiles on a bed soft, green and lush
as far away a startled thrush
flees from horned owls in sinking flight.

No One hears the cannon’s roar
and muses that its voice means war
comes knocking on men’s doors tonight.
He sleeps outside in awed delight
beneath the enigmatic stars
and shivers in their cooling light.

No One knows the world will end,
that he’ll be lonely, without friend
or foe to conquer. All will be
once more, celestial harmony.
He’ll miss men’s voices, now and then,
but worlds can be remade again.



Bikini
by Michael R. Burch

Undersea, by the shale and the coral forming,
by the shell’s pale rose and the pearl’s bright eye,
through the sea’s green bed of lank seaweed worming
like tangled hair where cold currents rise ...
something lurks where the riptides sigh,
something old, and odd, and wise.

Something old when the world was forming
now lifts its beak, its snail-blind eye,
and, with tentacles like Medusa's squirming,
it feels the cloud blot out the skies' ...
then shudders, settles with a sigh,
understanding man’s demise.



Lay Down Your Arms
by Michael R. Burch

Lay down your arms; come, sleep in the sand.
The battle is over and night is at hand.
Our voyage has ended; there's nowhere to go . . .
the earth is a cinder still faintly aglow.

Lay down your pamphlets; let's bicker no more.
Instead, let us sleep here on this ravaged shore.
The sea is still boiling; the air is wan, thin . . .
lay down your pamphlets; now no one will “win.”

Lay down your hymnals; abandon all song.
If God was to save us, He waited too long.
A new world emerges, but this world is through . . .
so lay down your hymnals, or write something new.



Styx
by Michael R. Burch

Black waters,
deep and dark and still . . .
all men have passed this way,
or will.

Originally published by The Raintown Review



Charon 2001
by Michael R. Burch

I, too, have stood―paralyzed at the helm
watching onrushing, inevitable disaster.
I too have felt sweat (or ecstatic tears) plaster
damp hair to my eyes, as a slug’s dense film
becomes mucous-insulate. Always, thereafter
living in darkness, bright things overwhelm.

Originally published by The Neovictorian/Cochlea



Beast 666
by Michael R. Burch

“... what rough beast ... slouches toward Bethlehem to be born?”―W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking―
tiny orifices torn
by cruel adult lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition . . .
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



Shock and Awe
by Michael R. Burch

With megatons of “wonder,”
we make our godhead clear:
Death. Destruction. Fear.

The world’s heart ripped asunder,
its dying pulse we hear:
Death. Destruction. Fear.

Strange Trinity! We ponder
this God we hold so dear:
Death. Destruction. Fear.

The vulture and the condor
proclaim: The feast is near!―
Death. Destruction. Fear.

Soon He will plow us under;
the Anti-Christ is here:
Death. Destruction. Fear.

We love to hear Him thunder!
With Shock and Awe, appear!―
Death. Destruction. Fear.

For God can never blunder;
we know He holds US dear:
Death. Destruction. Fear.



First They Came for the Muslims
by Michael R. Burch

after Martin Niemöller

First they came for the Muslims
and I did not speak out
because I was not a Muslim.

Then they came for the homosexuals
and I did not speak out
because I was not a homosexual.

Then they came for the feminists
and I did not speak out
because I was not a feminist.

Now when will they come for me
because I was too busy and too apathetic
to defend my sisters and brothers?

Published in Amnesty International’s Words That Burn anthology, Borderless Journal (India), The Hindu (India), Matters India, New Age Bangladesh, Convivium Journal, PressReader (India) and Kracktivist (India)

This poem returns an astounding 819,000 Google results for the eleventh line. That’s a lot of cutting and pasting!

It is indeed an honor to have one of my poems published by such an outstanding organization as Amnesty International―one of the world's finest. Not only is the cause good―a stated goal is to teach students about human rights through poetry―but so far the poetry published seems quite good to me.



What Immense Silence
by Michael R. Burch

What immense silence
comforts those who kneel here
beneath these vaulted ceilings
cavernous and vast?

What luminescence stained
by patchwork panels of bright glass
illuminates drained faces
as the crouching gargoyles leer?

What brings them here―
pale, tearful congregations,
knowing all Hope is past,
faithfully, year upon year?

Or could they be right? Perhaps
Love is, implausibly, near
and I alone have not seen It . . .
But, if so, still, I must ask:

why is it God that they fear?

Published in The Bible of Hell



Where We Dwell
by Michael R. Burch

Night within me.
Never morning.
Stars uncounted.
Shadows forming.
Wind arising
where we dwell
reaches Heaven,
reeks of Hell.

Published in The Bible of Hell



the Horror
by Michael R. Burch

the Horror lurks inside our closets
the Horror hides beneath our beds
the Horror hisses ancient curses
the Horror whispers in our heads

the Horror tells us Death is coming
the Horror tells us there’s no hope
the Horror tells us “life” is futile
the Horror beckons, “there’s the Rope!”



Deliver Us ...
by Michael R. Burch

The night is dark and scary―
under your bed, or upon it.

That blazing light might be a star ...
or maybe the Final Comet.

But two things are sure: your mother’s love
and your puppy’s kisses, doggonit!



Belfry
by Michael R. Burch

There are things we surrender
to the attic gloom:
they haunt us at night
with shrill, querulous voices.

There are choices we made
yet did not pursue,
behind windows we shuttered
then failed to remember.

There are canisters sealed
that we cannot reopen,
and others long broken
that nothing can heal.

There are things we conceal
that our anger dismembered,
gray leathery faces
the rafters reveal.



Liar
by Michael R. Burch

Chiller than a winter day,
quieter than the murmur of the sea in her dreams,
eyes softer than the diaphanous spray
of mist-shrouded streams,
you fill my dying thoughts.

In moments drugged with sleep
I have heard your earnest voice
leaving me no choice
save heed your hushed demands
and meet you in the sands
of an ageless arctic world.

There I kiss your lifeless lips
as we quiver in the shoals
of a sea that, endless, rolls
to meet the shattered shore.
Wild waves weep, "Nevermore,"
as you bend to stroke my hair.

That land is harsh and drear,
and that sea is bleak and wild;
only your lips are mild
as you kiss my weary eyes,
whispering lovely lies
of what awaits us there

in a land so stark and bare,
beyond all hope . . . and care.

This is one of my early poems, written as a high school sophomore or junior.



Polish
by Michael R. Burch

Your fingers end in talons―
the ones you trim to hide
the predator inside.

Ten thousand creatures sacrificed;
but really, what’s the loss?
Apply a splash of gloss.

You picked the perfect color
to mirror nature’s law:
red, like tooth and claw.



Is there any Light left?
by Michael R. Burch

Is there any light left?
Must we die bereft
of love and a reason for being?
Blind and unseeing,
rejecting and fleeing
our humanity, goat-hooved and cleft?

Is there any light left?
Must we die bereft
of love and a reason for living?
Blind, unforgiving,
unworthy of heaven
or this planet red, reeking and reft?

NOTE: While “hoofed” is the more common spelling, I preferred “hooved” for this poem. Perhaps because of the contrast created by “love” and “hooved.”



Modern Appetite
by Michael R. Burch

It grumbled low, insisting it would feast
on blood and flesh, etcetera, at least
three times a day. With soft lubricious grease

and pale salacious oils, it would ease
its way through life. Each day―an aperitif.
Each night―a frothy bromide, for relief.

It lived on TV fare, wore pinafores,
slurped sugar-coated gumballs, gobbled S’mores.
When gas ensued, it burped and farted. ’Course,

it thought aloud, my wife will leave me. Yours
is not so **** particular. Divorce
is certainly a settlement, toujours!

A Tums a day will keep the shrink away,
recalcify old bones, keep gas at bay.
If Simon says, etcetera, Mother, may

I have my hit of calcium today?



Imperfect Sonnet
by  Michael R. Burch

A word before the light is doused: the night
is something wriggling through an unclean mind,
as rats creep through a tenement. And loss
is written cheaply with the moon’s cracked gloss
like lipstick through the infinite, to show
love’s pale yet sordid imprint on us. Go.

We have not learned love yet, except to cleave.
I saw the moon rise once ... but to believe ...
was of another century ... and now ...
I have the urge to love, but not the strength.

Despair, once stretched out to its utmost length,
lies couched in squalor, watching as the screen
reveals "love's" damaged images: its dreams ...
and ******* limply, screams and screams.

Originally published by Sonnet Scroll



Stump
by Michael R. Burch

This used to be a poplar, oak or elm . . .
we forget the names of trees, but still its helm,
green-plumed, like some Greek warrior’s, nobly fringed,
with blossoms almond-white, but verdant-tinged,
this massive helm . . . this massive, nodding head
here contemplated life, and now is dead . . .

Perhaps it saw its future, furrow-browed,
and flung its limbs about, dejectedly.
Perhaps it only dreamed as, cloud by cloud,
the sun plod through the sky. Heroically,
perhaps it stood against the mindless plots
of concrete that replaced each flowered bed.
Perhaps it heard thick loggers draw odd lots
and could not flee, and so could only dread . . .

The last of all its kind? They left its stump
with timeworn strange inscriptions no one reads
(because a language lost is just a bump
impeding someone’s progress at mall speeds).
We leveled all such “speed bumps” long ago
just as our quainter cousins leveled trees.
Shall we, too, be consumed by what we know?
Once gods were merely warriors; august trees
were merely twigs, and man the least divine . . .
mere fables now, dust, compost, turpentine.



They Take Their Shape
by Michael R. Burch

“We will not forget moments of silence and days of mourning ...”―George W. Bush

We will not forget ...
the moments of silence and the days of mourning,
the bells that swung from leaden-shadowed vents
to copper bursts above “hush!”-chastened children
who saw the sun break free (abandonment
to run and laugh forsaken for the moment),
still flashing grins they could not quite repent ...

Nor should they―anguish triumphs just an instant;
this every child accepts; the nymphet weaves;
transformed, the grotesque adult-thing emerges:
damp-winged, huge-eyed, to find the sun deceives ...

But children know; they spin limpwinged in darkness
cocooned in hope―the shriveled chrysalis
that paralyzes time. Suspended, dreaming,
they do not fall, but grow toward what is,
then ***** about to find which transformation
might best endure the light or dark. “Survive”
becomes the whispered mantra of a pupa’s
awakening ... till What takes shape and flies
shrieks, parroting Our own shrill, restive cries.

Originally published by The HyperTexts



Veiled
by Michael R. Burch

She has belief
without comprehension
and in her crutchwork shack
she is
much like us . . .

tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief . . .

ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered . . .

and if you were to ask her,
she might say―
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,

and we might agree:
seeing her mutilations.



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.

Published by Katrina Anthology



Keywords/Tags: Apocalyptic Poems, Prophetic Poems, Future, Vision, Visionary, Omen, Omens, Sign, Signs, Climate Change, Global Warming, Environment, Extinction

It must have been hard to wake from a dream
Where he could do anything, even more
Than anyone alive, to realize then
That he could not move half his body still,
To wait to be transferred by his small wife
From bed to porcelain *** to lift chair-
Unimaginable loss of freedom
In a house he built from lumber he sawed
From timber he cut from a woods he owned.

I grew up there, by that same woods, deep and
Dark in the early morning light, snaking
Logs between still standing  oaks, looking up
For widowmakers, dead limbs that slaughter
Loggers, and over my shoulder for snags
That rear tractors or snap chains that become
Metal whips--so many dangers in that
Woods, yet I  felt safe, as his son, because
He had the confidence I wish I knew.

Eyes on the last days
the first of a few days,
a reprieve or reprise
it's still a surprise
and we
have to believe
that what comes next
will be good.

I'd touch wood
but the Amazon's
almost gone,
taken by loggers
who have flogged
off the future

touching plastic
isn't the same and
I can't swim anyway.

There will be a renewal
when nature spews out
the drivel
when new shoots push up
to the sky, but nearer to
the last day
I'd have to say
I won't be around to see it.

Another shirt sacrificed
to the grease-stain God.

Metal shavings glistening
in my beard,
danger tinsel.

Sparks emanating
from my aching grip,
I'm abrasive.

Eyes a-squint,
in lieu of
safety glasses.

Blood blister.

Hands rended
with numerous
nicks and cuts
all in various
states of healing.

Torn jeans,
blackened knees.

Another shirt
marked with grease.

Old Carolina Loggers
with run-down heels.

This outfit speaks,
I needn't say a thing.

Just a glance and
you know exactly
what makes me,
me.

Do not seek me
beneath the willow tree
that once bequeathed
her leaves generously,
the browning birthed from earth
that used to be a beautiful green sheen.

She is gone recently
and I am still grieving
the loss made by those thieving
loggers.

You may look in old books,
and find my essence in
the sentences therein,
such sweet blessings
that sang my mind into being.

But do not search the loud
obnoxious crowds
of crowing fools
who act like tools.
I will not be one among
them.

While they are sleeping,
I am awake dreaming,
and thinking;
Elusive to this abusive world.
So, you might as well
go find yourselves,
cause I prefer
to be an introvert.