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betterdays Apr 2014
i love you,
fresh from
the shower.
glistening and wet,
smelling of aftershave.
"coolwater" by davidoff.  often aslo sandlewood,
goat soap, from the local
farmers markets.

i love you,
dressed up smart.
in a brook's brother's way
dress pants and shirt,
blue linen vest.
johnny walker silk bow tie,
untied is best. then your twist,
(not as original as you think)
converse skaties, no socks
and  bone bleached cuffs,
turned up.

i love you,
in your work gear.
just come home,
you smell of sweat.  
clean and healthy,
always wood shavings
caught up, in your
unruly shaggy hair.
cargo shorts and
t-shirts,
that have seen,
many days of worksite wear.
size elevens in your hands,
those big feet and freaky toes
bare, ******* in the air.

i love you,
in board shorts and rashie.
rushing into the surf,
hand in hand.
with the energetic bundle
of love,
to which we gave birth.

it is not as though,
clothes made this man,
but boyohboy, you, frame them well.

it s the heart, the chuckle
the hands, the philosphy,
the clever, erudite, caveman,
the downright,
man-dumb bloke.
that endears, your heart to
mine.

it is, that you really listen
and take the time,
to make me feel and be,
phenomenal, wise, sensual
and beautiful beside.

i love you,
best, in my bed.
moving slow and sure,
undressed, silk and velvet.
as we express,
the reality of our love
and whisper words,
well known,
and cry to heaven above.

i love you,
then, here, now and eons
on.
even after the worlds
memory of us,
is  nothing,
dust upon the breeze
our love,
will carry, forth
stardust on heaven's winds
and cries of our love and ecstasy
will birth worlds anew
So it is eighteen years,
Helena, since we met!
A season so endears,
Nor you nor I forget
The fresh young faces that once clove
In that most fiery dawn of love.

We wandered to and fro,
Who knew not how to woo,
Those eighteen years ago,
Sweetheart, when I and you
Exchanged high vows in heaven's sight
That scarce survived a summer's night.

What scourge smote from the stars
What madness from the moon?
That night we broke the bars
Was quintessential June,
When you and I beneath the trees
Bartered our bold virginities.

Eighteen -years, months, or hours?
Time is a tyrant's toy!
Eternal are the flowers!
We are but girl and boy
Yet -since love leapt as swift to-night
As it had never left the light!

For fiercer from the South
Still flames your cruel hair,
And Trojan Helen's mouth
Still not so ripe and rare
As Helena's -nor love nor youth
So leaps with lust or thrills with truth.

Helena, still we hold
Flesh firmer, still we mix
Black hair with hair as gold.
Life has but served to fix
Our hearts; love lingers on the tongue,
And who loves once is always young.

The stars are still the same;
The changeful moon endures;
Come without fear or shame,
And draw my mouth to yours!
Youth fails, however flesh be fain;
Manhood and womanhood attain.

Life is a string of pearls,
And you the first I strung.
You left -first flower of girls! -
Life lyric on my tongue,
An indefatigable dance,
An inexhaustible romance!

Blush of love's dawn, bright bud
That bloomed for my delight,
First blossom of my blood,
Burn in that blood to-night!
Helena, Helena, fiercely fresh,
Your flesh flies fervent to my flesh.

What sage can dare impugn
Man's immortality?
Our godhead swims, immune
From death and destiny.
Ignored the bubble in the flow
Of love eighteen short years ago!

Time -I embrace all time
As my arm rings your waist.
Space -you surpass, sublime,
As, taking me, we taste
Omnipotence, sense slaying sense,
Soul slaying soul, omniscience.
Wendell A Brown Apr 2014
Your beauty touches of a stars heavenly radiance
For in your face is captured their celestial glow
In blissful pools of endless starlight splashing
And I alone my love will always deeply know

The value of your beautifully enchanting eyes
Which securely hold in bond my heart each day
In a powerless confinement of cupids sweet adore
Where my love easily grows in an abounding way

For deep in my dreams I have always sought
Your heart's love which daily endears my mind
For it has always been my heart's fervent desire
To of your sweet love belong an infinite time

For to serve the daily needs of your lovely heart
Each day  leaves my face with an enthralling glow
Knowing I will never have a single desire to depart
Those beautifully enchanting eyes who love me so.
Andrew Rueter Oct 2017
The Sun shines on my computer
Creating a protective glare
But night comes like an intruder
At pictures I begin to stare

After I view their portrait online
I want to see their body on mine
We talk all night
Until I see the light
That they're not that bright
Or that they like to fight

Desperation swirls
I enter a world
Where the randomness of human interaction
Meets the randomness of my attraction
And the low visibility
Endears no civility
Will I spend infinity
In this digital city?

The creatures try to hide
They scatter in the distance
They're not hard to find
When their profiles leave imprints
But the parasites are quick
And the scavengers stick
Vultures fly from iPad to iPhone
Leeches try to make my pad their home
Devouring me until I'm bad to the bone
Like the solicitous predators
Who act like creditors
And the sly foxes
Who claim they're locksmiths
They all have claws and fangs
They're all just jaws with brains
I play possum
Until I've lost them

When monsters are made from loneliness
They try to trick me with phoniness
They feel I wouldn't want us to be together
And they're probably right
Because all I want is to spend forever
In love's divine light
Nocturnal animals just want the meal
Of my motion
They don't want to honestly feel
My devotion

In the wild
I am a child
The creatures cut deep
They make me weep
Until I choose to sleep
But when I avoid their glance
I avoid love's chance
Can be found in my self published poetry book “Icy”.
https://www.amazon.com/Icy-Andrew-Rueter-ebook/dp/B07VDLZT9Y/ref=sr_1_1?keywords=Icy+Andrew+Rueter&qid=1572980151&sr=8-1
604

Unto my Books—so good to turn—
Far ends of tired Days—
It half endears the Abstinence—
And Pain—is missed—in Praise—

As Flavors—cheer ******* Guests
With Banquettings to be—
So Spices—stimulate the time
Till my small Library—

It may be Wilderness—without—
Far feet of failing Men—
But Holiday—excludes the night—
And it is Bells—within—

I thank these Kinsmen of the Shelf—
Their Countenances Kid
Enamor—in Prospective—
And satisfy—obtained—
H J St Aug 2012
Butterflies do stammer
on first dates.
Thinking of what,
What to say.
My head rambles.
My breath abates.
My voice scrambles.
My face straight.
I throw smiles of my youth
Tell stories wide and bright
My subtle lies of clean truth
With utter hopes to placate
My eyes dart, my breath aghast
This moment to be
of our future's past
This moment to be
of our first date.

We meet
We greet
We hide our anxiety
Wading through tension
Behind smiles and drinks
We tread lightly
With humorous winks
Passing off stories of our past
Sitting composed at full attention
I listen intently
But you catch me stare
Hmmm, with each soft word
We calm the air.

Anticipating discovery
I peek into you.
Opening myself
To reveal what's new.

You smile freely
Clenching fingers tight
Butterflies take flight.
Hoping what might
You peek into me
Saying no to what could be.

My head disappears.
My eyes dream.
My shiny veneer
Begins to hear.
A flutter begins flight
As I seek your light.
My chest slowly warms
To glows of moonbeams.
My heart slowly endears
As I faintly hear
My butterfly's subtle screams.

We attract hints of passion
By sharing what's true.
For all this fragile effort
I hope for date number two.
Enter the space to learn love, rehearse, practice, fail, discern, try, fall, walk, climb, ease, erase, trip, climb, impress, run, stay, stay in, center.
Trust the space.
11-08-2012.
K Balachandran Sep 2013
Slightly built, yet robust,
not frail, a daily jogger by choice,
shape conscious, proud-
about keeping the weight
in check, all these years,
articulates her feelings well
but, not the argumentative type,
this facet endears her to all,
keeps her Indian mind agile,
which reflects in her awareness
of eternity than here and now.
Takes oil bath twice a day, in keeping with
the true Malayalee spirit,
never a river in spate, yet
forceful and gushing in making heard
her opinions for others to consider,
from the first day of marriage,
unlike the demure Indian women.

None would doubt her might
that transcends the limits of material and physical,
hidden power sources are tapped at will,
cites her matrilineal heritage, that
stems form a long line of matriarchal grandmothers.

I can't imagine a day passing our premises
without she giving permission,
putting her signature,
all over each passing hour,
though we never keep a formal register for that.
Aren't we three, auxiliaries, the boys and I
in the orchestra named after this inveterate conductor?
Sweet to the core, but if needed
could be pungent, never erupts or go wild,
Smile is disarmingly gentle, yet
that firm answer, needed at the right time,
is never delayed.

Two adoring eyes flutter,
pledging support,
they never let me down, day or night.
a hand that gently touches, me
with the  fingers of reality.
when I dream in day or night.
Malayalee    - A person belonging to the southern most Indian State, Kerala, whose mother tongue is "MALAYALAM"(note the palindrome).As water is plenty here,  cleanliness is a near obsession for denizens of this land.
Swanswart Aug 2016
The bubbling bits, the melted crayons,
the wads of cellophane,
the loogie hocked up,
accidentally,
on the face of a loved one.  
the picture booth refrain.
The K mart moment, the screaming kid--
your kid (your screams) your blue light special in aisle
number nine, #9, no. IX.
The bar code ritual,
the magazines, the chamber, the Better Homes
and Gardens, the tomato worm majesty and sci-fi reality;
the 45 that skips, that skips,
that skips
the rubber cement execution.
The antiques, the answering machine genius,
the message,
the quit.
The key that would never fit
(even though it was really the right one after all.)
The said and done, the leftovers, the flat screen TV,
the belly in effigy, the remote,
the space in between
her ears and her heart.  
The cards, the paper cuts,
the canopy of foil on an ancient afternoon.
The bar room, the bare room, the broom swept
corner of the attic.  
The memories, the empty frame,
the carousel stare into the light.
the left behind,
the clouds in the sink,
the feeling you get
when you let
the microwave
be
a weapon.
Waverly Nov 2011
It's a cool place to meet.
25 cent wings.
Nice, tiny booths
Lit by tiny electric lamps
In the guise of candles,
That give everything a nice, golden glow.
It's a Corona light,
And Corona-colored light always makes me feel
at ease.

She pulls up in a silver acura.

Gets out of the car and I can
see her ***
from the front of her
as she syrups over.

She’s got on a Black tanktop;
black bra straps showing
against white-pink
puerto rican skin
all while holding up those veritable C's.

Her hips burst against
a
long, beige
d
r
e
s
s,                                                                                
and I'm wanting to slide my hands all the way up her shirt to that black bra, and snap it off.

We have conversations about feeling older than
eighteen
and twenty-one
respectively.

Our lips are saucy
and oily. Tiny chicken scraps
can be felt in our teeth.

"I just started reading Starship Troopers."

"Yea, I love that movie."

I've never seen the movie,
but it endears her to me

that she loves it.

"Do you have any plans?"

"Plans?"

"After college?"

I plan on finishing my wings
before you, then I'm hoping
you'll let me hold your ****.

"Not yet."

"You know I've read some of your poetry."

"What do you think?"

"I like it," She smirks,
uncomfortably.

She ladles a wing in a slick of sauce.

"Truthfully, it was too much for me,
you really shouldn't talk about things like that."

She brings the wing
to her lips
and smacks it down
with a loud ******* noise
of a working, pink tongue.

I’ve wanted to hold her **** ever since I met her.
Now I’m lost.
Because she’s got black eyes
and I’m not even thinking about her **** or her bra.


I start thinking about how white her teeth are,
and how much two people can never know about each other.
Andrew Rueter Jul 2017
We all joined the party as friends
But the moment we were invited
We started being divided
Our agency we lose
To words heard in pews
Or shouted on the news
My once loyal glance
Becomes a soiled trance
As we put pettiness on the pedestal
And yearn to meddle in the petals
Of the roses that were frozen
For the sake of the chosen
By fate
To be the life of the event
But when strife is their intent
I find myself incensed
With problems I invent
My faults won't relent
My incessant repentance
Falls on deaf ears
Contempt it endears
But if we followed those apologies
Discoveries would be made
That'd somehow effect friendships
And their limits would be endless
But this party has a temptress
Wearing shiny things
Like expensive gold rings
We lust for the material
Forgetting the ethereal
Love becomes imperial
As we try to conquer each other
With kisses that feel like punches
And punches that feel like kisses
We want to break out of our solitude attendance
And our validation relies on another's dependence
When the music at the party
Is constant
Creating a craving for company
But the noises of social interaction
Never matched the beauty of the music
As life is weighed down by banality
We look to it's finality
And wonder if the party could've been different
Without the nuisance of the Devil's imprint

Last night I had a dream about you
We were at an event
Kissing passionately
And just as I was about to go down on you
You looked away
And saw other people watching
You pushed me away instinctively
And as you looked down at me
I could see the love of my only friend
Disappear behind an expression between disgust and pity
Right before I witnessed our friendship vanish completely
I woke up
Next to a cell phone
Conveying your invitation to an event
Unaware of the nightmare event I just attended with you
Unaware of all the other slumber parties we've been to
Unaware every moment I spend with you is the event
mark john junor Nov 2013
the girl in room five fifteen
the royal roach motel
sitting with her box of crackers
in the setting sun
most of the time shes focused on the path
to the next drama free dream
but tonight shes putting on that red dress
and fixing up a confused face to put on
and picking up the keys to the kingdom
she strolls out the door
and up on  the avenue
shes a smile to thouse she endears
shes a shadow to thouse who dont
remember the first lesson of the road
you cant succeed till you have utterly failed
so i play her a soft song cause i know it must hurt
to be on that bitter betrayal with no way home
she toils into the night hunched over the table
to create a boxer to fight her demons for her
she makes him out of cardboard
and pictures pasted from magazines
but she is quick to judge
and kicks him out before he can say a word
so he sits quietly at the greyhound station
and crumbles slowly into his pretend memories
the girl in fife fifteen
royal roach motel
up on colorado boulevard
eating her crackers in the setting sun
waiting for her prince to rescue her
but he caught a train
and now hes in the california mountains
trying to be a better hippy
she knows she has nothing left but
the crackers
and the setting sun
i think thats a terrible way to live
but im not the one looking for perfection
in the baubles from the gutters
of colfax avenue
so glad left all that misery behind
goodnight my spanish bride of the winter
fare thee well
hope you find your kingdom
Faye May 2017
She didn’t just love his chubby cheeks
She loved every bit of him―
From his round eyes to his button-like nose
And his plump lips that form a dulcet smile

She didn’t just love his winsomeness
She loved every side of him―
From his enthusiasm to his warmth
And his soft heart that endears her

She didn’t just love it when he sings
She loved every sound he makes―
From his humorous screams to his sweet whispers
And his laughter that puts her heart into ecstasy

And just like that,
She didn’t just love those parts;
She loved him whole
Notus in fratres animi paterni.
                       Hor. Carm. lib.II.2.

A blesséd lot hath he, who having passed
His youth and early manhood in the stir
And turmoil of the world, retreats at length,
With cares that move, not agitate the heart,
To the same dwelling where his father dwelt;
And haply views his tottering little ones
Embrace those agéd knees and climb that lap,
On which first kneeling his own infancy
Lisp’d its brief prayer. Such, O my earliest Friend!
Thy lot, and such thy brothers too enjoy.
At distance did ye climb Life’s upland  road,
Yet cheered and cheering: now fraternal love
Hath drawn you to one centre. Be your days
Holy, and blest and blessing may ye live!

  To me the Eternal Wisdom hath dispens’d
A different fortune and more different mind—
Me from the spot where first I sprang to light
Too soon transplanted, ere my soul had fix’d
Its first domestic loves; and hence through life
Chasing chance-started friendships. A brief while
Some have preserved me from life’s pelting ills;
But, like a tree with leaves of feeble stem,
If the clouds lasted, and a sudden breeze
Ruffled the boughs, they on my head at once
Dropped the collected shower; and some most false,
False and fair-foliag’d as the Manchineel,
Have tempted me to slumber in their shade
E’en mid the storm; then breathing subtlest damps,
Mix’d their own venom with the rain from Heaven,
That I woke poison’d! But, all praise to Him
Who gives us all things, more have yielded me
Permanent shelter; and beside one Friend,
Beneath the impervious covert of one oak,
I’ve rais’d a lowly shed, and know the names
Of Husband and of Father; not unhearing
Of that divine and nightly-whispering Voice,
Which from my childhood to maturer years
Spake to me of predestinated wreaths,
Bright with no fading colours!
                                               Yet at times
My soul is sad, that I have roam’d through life
Still most a stranger, most with naked heart
At mine own home and birth-place: chiefly then,
When I remember thee, my earliest Friend!
Thee, who didst watch my boyhood and my youth;
Didst trace my wanderings with a father’s eye;
And boding evil yet still hoping good,
Rebuk’d each fault, and over all my woes
Sorrow’d in silence! He who counts alone
The beatings of the solitary heart,
That Being knows, how I have lov’d thee ever,
Lov’d as a brother, as a son rever’d thee!
Oh! ’tis to me an ever new delight,
To talk of thee and thine: or when the blast
Of the shrill winter, rattling our rude sash,
Endears the cleanly hearth and social bowl;
Or when, as now, on some delicious eve,
We in our sweet sequester’d orchard-plot
Sit on the tree crook’d earth-ward; whose old boughs,
That hang above us in an arborous roof,
Stirr’d by the faint gale of departing May,
Send their loose blossoms slanting o’er our heads!

  Nor dost not thou sometimes recall those hours,
When with the joy of hope thou gavest thine ear
To my wild firstling-lays. Since then my song
Hath sounded deeper notes, such as beseem
Or that sad wisdom folly leaves behind,
Or such as, tuned to these tumultuous times,
Cope with the tempest’s swell!

                                                These various strains,
Which I have fram’d in many a various mood,
Accept, my Brother! and (for some perchance
Will strike discordant on thy milder mind)
If aught of error or intemperate truth
Should meet thine ear, think thou that riper Age
Will calm it down, and let thy love forgive it!
Lyn Senz Nov 2013
My darling dear I love you
oh honey I've got it bad
but no more maybe baby
cuz I know that makes you mad

let's sit upon the sofa seat
I have something to say
I bought some bread
a loaf a wheat
that expired yesterday

and it makes me feel so needed
when you tell me what to do
your instructions have been heeded
please don't scream luv, I hear you

doll, your bossiness endears me
and your rudeness I deserve
and I love the way
you squint and say
what you looking at you perv

dearest pumpkin, let me say this
from the moment that we met
I have hungered for our first kiss
have you decided on that yet?

cuz your perfume wakes my senses
it alerts me when your near
sweets, I have no more defenses
just my quick reflexive fear!


©2012 Lyn
Chuck Jul 2013
Scientists say when the honeybees die, the people will die. That is horrifying. Not our imminent doom, but the extinction of the adorable honey bee. If you converse with these insipid creatures, you will discover bees are jocular and discerning creatures. They are sarcastic and even petulant, that I find to be risible.  Their immutable ability to enhance their minute brains renders their vocabulary elementary; however, their impish nature endears them to me. Honeybees aren't dying, but listen to their buzz closely, they may **** you with hilarity; at least, that's the buzz.
Mokomboso Dec 2014
We were working on a dream
Filled with curiosity
Rig up the computer, set the connection
The experiment was ready to begin
Desparate to talk with you, now we have you
Tell us eveything you know

All it taught us
All you told us
Was you know what we wanted and what it got you
As we sat fingers crossed

Every week every mother figure
Every lesson, every utterance recorded
Fluent in a language you didn't even need
Proficient in a culture so meaningless
Another week another teacher
All to lead up to this moment, the video starts
Your hands spell "hello", but we still don't know your thoughts

All it taught us
All you told us
Is that we approached this wrong
You only learned what endears, and won you skittles
And high cholesteral

Forgetting until it's late
How much more sense it would make
If we learned the words you already speak
To understand the world from which you hail
But now, the public are bored, and now you're stuck
In this limbo between the planets forever

All you taught us
All you told us
Is what we already knew
You'll never learn to be me
We don't want to learn to be you
Inspired by language studies done on non-human primates here they are taught sign language and keyboard symbols. Such as Kanzi (bonobo) and Koko (gorilla) and the late Nim (chimp.)
I hate May 2015
Girl sitting in the quarter moon
Foot dangling back and forth with a rhythm
Her hair blowing alluring the south monsoon
Fine lines and curves with grace in such precision

she saw her reflection in the calming blues of the sea
Through the vivid light of the lonely moon
Humming under the night sky that endears causing to lull
Swooning stars that gazes such beauty from afar

Shed all the splendour of her grace
As fine silks caress her porcelain skin
She lets her finger tips to kiss the nothingness
Fine lips with such curves, why so enticing?

Drowned by the musical eerie silence
She started to dance tiptoed in the lips of the sea so calm and peaceful
She turns around with such elegance
And flies like a delicate feather swaying in poise

Sweet beautiful ballerina,
Dancing under the moonlight
Deep shallow breathing
Giving delight, takes a bow under the heavenly bodies
just playing with my imagination
No specious splendour of this stone
Endears it to my memory ever;
With lustre only once it shone,
And blushes modest as the giver.

Some, who can sneer at friendship’s ties,
Have, for my weakness, oft reprov’d me;
Yet still the simple gift I prize,
For I am sure, the giver lov’d me.

He offer’d it with downcast look,
As fearful that I might refuse it;
I told him, when the gift I took,
My only fear should be, to lose it.

This pledge attentively I view’d,
And sparkling as I held it near,
Methought one drop the stone bedew’d,
And, ever since, I’ve lov’d a tear.

Still, to adorn his humble youth,
Nor wealth nor birth their treasures yield;
But he, who seeks the flowers of truth,
Must quit the garden, for the field.

’Tis not the plant uprear’d in sloth,
Which beauty shews, and sheds perfume;
The flowers, which yield the most of both,
In Nature’s wild luxuriance bloom.

Had Fortune aided Nature’s care,
For once forgetting to be blind,
His would have been an ample share,
If well proportioned to his mind.

But had the Goddess clearly seen,
His form had fix’d her fickle breast;
Her countless hoards would his have been,
And none remain’d to give the rest.
Keith Ren Aug 2010
I want nothing and all
I want throatchase and falls.
I want spiteful endears,
And ricochet tears.

I want colliders with nothing to lose.


I want crashes indebts,
And bombadier pets.
I want cleft incoherence,
And bookies for parents.

I want you to know how to choose.


I want pratfalls regarded,
And paradigms parted.
I want sickly verbatim,
And writings circadian.

       I want you,
            I want you,

I want you.
for the person I wrote it about
As thro' the land at eve we went,
And pluck'd the ripen'd ears,
We fell out, my wife and I,
O we fell out I know not why,
And kiss'd again with tears.
And blessings on the falling out
That all the more endears,
When we fall out with those we love
And kiss again with tears!
For when we came where lies the child
We lost in other years,
There above the little grave,
O there above the little grave,
We kiss'd again with tears.
And thou art dead, as young and fair
As aught of mortal birth;
And form so soft and charm so rare
Too soon returned to Earth!
Though Earth received them in her bed,
And o’er the spot the crowd may tread
In carelessness or mirth,
There is an eye which could not brook
A moment on that grave to look.

I will not ask where thou liest low,
Nor gaze upon the spot;
There flowers or weeds at will may grow,
So I behold them not:
It is enough for me to prove
That what I loved, and long must love,
Like common earth can rot;
To me there needs no stone to tell
’Tis Nothing that I loved so well.

Yet did I love thee to the last
As fervently as thou,
Who didst not change through all the past,
And canst not alter now.
The love where Death has set his seal
Nor age can chill, nor rival steal,
Nor falsehood disavow:
And, what were worse, thou canst not see
Or wrong or change or fault in me.

The better days of life were ours;
The worst can be but mine:
The sun that cheers, the storm that lours,
Shall never more be thine.
The silence of that dreamless sleep
I envy now too much to weep;
Nor need I to repine
That all those charms have passed away
I might have watched through long decay.

The flower in ripened bloom unmatched
Must fall the earliest prey;
Though by no hand untimely snatched,
The leaves must drop away:
And yet it were a greater grief
To watct it withering, leaf by leaf,
Than see it plucked today;
Since earthly eye but ill can bear
To trace the change to foul from fair.

I know not if I could have borne
To see thy beauties fade;
The night that followed such a morn
Had worn a deeper shade:
Thy day without a cloud hath past,
And thou wert lovely to the last—
Extinguished, not decayed,
As stars that shoot along the sky
Shine brightest as they fall from high.

As once I wept, if I could weep,
My tears might well be shed
To think I was not near to keep
One vigil o’er thy bed:
To gaze, how fondly! on thy face,
To fold thee in a faint embrace,
Uphold thy drooping head,
And show that love, however vain,
Nor thou nor I can feel again.

Yet how much less it were to gain,
Though thou hast left me free,
The loveliest things that still remain
Than thus remember thee!
The all of thine that cannot die
Through dark and dread Eternity
Returns again to me,
And more thy buried love endears
Than aught, except its living years.
Olivia Kent May 2013
In this land my poet lays,
Beside me now and then,
Where feelings meet,
My prince is dashing,
Moving fast, but always slow,
Crunching crashing,
Such impact,
Love collides!

Poets place their work with pride,
Feelings evicted from deep inside,
In love's perfect alliteration,
Escape to play in pastures new,
To share with many,
Or share with few,
Dragons slain in land of pain,
Again,
My poet fills my heart,
Endears me with his writes,
He is a mighty poet,
A duo of darlings,
Continually fighting to eternally write!

Kisses from a tranquil pen,
Contort with viral virulence,
Show darkness's in it's true intents,
In bright lights' revelations,
My poet,
He kisses me in person,
Now and then,
My heart and my soul intact,
For now!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Mateuš Conrad Dec 2016
it usually starts with a canvas of white,
frowned upon,
but later, the canvas endears
     and makes anyone the flag-bearing
idiot to ensure that everyone: keeps marching,
    rather than procrastinating -
on and on and on...
    it's not out of defeatism -
                           regardless -
can you imagine Hamlet meeting Macbeth?
    i do, pretty much all the time,
that's why i am not: matrimonial.
    i can't think of having a woman and then
think of providing her a kettle, or
an ironing board...
                           'tis music, that gratifies the soul...
there's no: more more more! in music,
there's either eloquence... or silence...
such as the pleb-kindred musings
of someone who inherited a soul in
a different tongue, and the same inheritor,
dragging such fakery into the abyss...
on a navy pattern patent of St. Andrews:
Aphrodite sat and whispered -
that her heart stopped beating.
  punctuation marks, eye... worth a measure
unparalleled in man to ditto in
a millimetre, centimetre, kilometre...
and so forth...
but diacritical marks! a hot bagel conundrum!
are punctuation marks kindred of
diacritical marks?
to my suspicion, they are...
    Cow Gate... Edinburgh, where the filth
throngs in abandoned churches...
and everyone gesticulates: to a haggis
we'll just juggle... pardon pairing
ol' mctweed - we'll just juggle.
thankfully the anglicans didn't anticipate
anything having worth beyond a comma
with what went above a letter, rather than
in-between words;
    maybe the semicolon is a clue,
as to why it wasn't translated into
               diacritics? the Greeks are utilising
the "squared" version of punctuation...
why aren't you?
    borrowing from German i see...
let's take a word from German and hyphen!
- - - - - - - - - - - - - - - - - -
               what's the word?
  don't know... any skilled cobbler would
tell you: hoof! you cranky ol' *****!
and when did it matter to be "hateful" of women?
well... when someone mattered in saying:
that man desires to pass on his genes.
****! was i ever so vain as to claim a need
for passing my genes toward a chronology?
then again... what's the most important
logical compound that saturates and signifies
existentialism? etymology...
why? well... etymology is an incubator module...
it constricts the eyes to see what's
fervent in claiming building blocks...
the rest is bound to the neanderthal wall
called: Israel here... Palestine with balaclava
over there...
        you gonna count matchsticks with
a neanderthal before you create a campfire?
flint-stones away! bazooka that array
of fireworks! soundtrack provided by
Handel!
    so can i sop? Darwinism has exhausted
itself... but etymology hasn't...
we know that by proximity-resemblance
we turned to ape to shake, the narcissus...
and a thousand ape-**** tantrums later
we're mobilised reason...
         fair enough...
i still think ape is not worth a question
about concerning diapers...
how did the **** and bladder muscles
devolve, for the tongue to evolve...
my goodness!
       a trinity, holy! and glorified on
the groundwork of leeches succumbing to penance
and dieting!
        we gave away the prowess of
       a sturdy ****, to invite a strengthening
of the tongue, and subsequent amusement:
homosexuality... kangaroo fight-talk.
      but it got me going,
watching 20 useful idiots, and etymology.
some words aren't really bound to etymology,
as one can say: diacritical marks ensure
  that words (not sentences) are prescribed
ciphers of punctuational demand... or rhythm.
       the title? the diacritical mark used?
      Denmark in polish: Dania.
  England in polish: Anglia.
                  Germany in polish: Niemcy.
   Dane in polish: Duńczyk.
an englishman (anglo) in polish: anglik
  a german in polish: niemiec.
  orthography is orthodoxy, a strict authority,
orthography stresses when an when
diacritical marks ought to be used,
so it all looks pretty, and well dressed...
what's the synonym of orthography translated
into post-syllable punctuation?
       a dependency to create fakes...
we create these punctuation marks by faking
a breath... or keeping one under water...
   ... = just an ambiguity of trailing whereby
neither . nor , nor ; nor : really matter.
       they are though, indicators in how
one could write a whole book whereby
punctuation marks don't exist,
               or at least a chapter, like Joyce,
and everything would turn out
to be a drumroll crescendo of applause...
but then again, insert but one diacritical mark
into a body of Joyce's Ulysses or Finnegan's Wake...
and the whole thing disintegrates...
  just one diacritical mark on a letter,
and as sure as ****... the whole poncy
artifice of not using punctuation marks is
double exposure as to not have used
diacritical marks, and exposed the world
to Australian, American, Canadian,
New Zealander, Irvine Scōtish and Velsh...
      sure, what's the big deal?
the very subtle way of saying ethnic cleansing...
     no, not a leftist sorta: oh deary me
type of Mary Poppins...
      it's crass, because it's lazy...
and the fact that English creates so much
diacritical diversity, is because it doesn't use
it when encoding... which makes it perfect!
for emoticons and acronyms,
   and all manner of linguistic mayhem!
it was only about syllables mate... to be honest,
it only took a comma above a letter to
say whether it needed pinching a higher-tier
of a sound that originated in a ch sound...
never mind you eroding your memory
to say cheap vs. Chopin...
         and there goes bilbo baggins...
                             in a shopping trolley.
A little girl, lonely and lost, draws pictures in the sand
Suddenly, a shadow of a little boy falls across her hand
His awkward smile endears him to her
His gentle words weld together
Until they draw in the sand, side by side
Laughing and smiling with care and with pride

But the girl is still lonely, the girl is still lost
The price of her heart comes with a cost
A single confession, on a white screen
Such a thing she could never have foreseen

The little girl tells a tale of sadness and woe
The little boy sits and listens to her lowest low
And then he has his own tale to tell
Of how an angel almost fell

A not-so-little girl, lonely and lost, draws pictures in the sand
Next to a not-so-little boy, with a quivering hand
The hand she takes and folds into her own
At last, she knows, she is not alone
Cathy E Hodgson Feb 2014
When night visits on tomorrow’s threshold
Dreams waver to sway with a gentle breeze
Storms in the distant clash with lightening
Green is hidden by stormy gray shadow

Earth moves with full moon in tow
Beaconing the sunlight to whisper
Oh yes, Enchantment endears wonders
Mysteries of love grow on a divine path

Harp is in tune with her enchanted finger tips
Spreading a song beyond in clear dew skies
Apple tree blossoms in spring with her coaxing
Birthing fruit of the earth, wrestling to belong

Darkness waivers to hold, sun kisses horizon
Sleep yawn takes shore with spuming echoes
Brightness blinds a seagull twinkling eye
Night is vanished as the Morning Whispers

© Cathy Hodgson
Darkling Aug 2015
Is it worthy? I asked
and truly meant - I
of such broad company
such grace in unsaid meaning and
interpreted thought
like scent on breeze, I am     reminded
of childhood aspirations
sponge like and decadent
to question
challenge
behold (en)
translucent
my id
in pigtails, hand upstretched to the
cookie jar
gleeful.

I blink - No.
I am Woman now
or so I should be
and stare, transfixed on the tile
eyes s l i d i n g s e e i n g ...
I remember what this feels like
I do - but the pen pauses
falters
Oh! the giving was so easy then
an abundant fountain
pure sweet
lilac & moss and then

No.
anger red heat rolling through
my gut
seared through
steaming memory -
this cannot be
scorched earth
baked clay, and my fingers will not
caress sweet soil when
scentless rock endears
nothing to me.
The recurring silence
had driven me to
apathy...

Yet now the air thins
I remember
the tangible
am I ready to give?
crouched low to the ground
give me
strength
wisdom
energy - to rise,
heat broils sweat in my eyes
or are they tears? -
flex, uncurl these fists to
mighty weapons of infinite power
and rise
heavy, leaden
with depth & purpose
so exposed
but divine with sweet understanding
complex thought
dusty breath caught - paused
and the liquid sky simmers above the
haze and filth
I reach
heat like honesty lashing at
my vision & thought
the deep pulse - heartbeat
ashes
at my feet

pause, inevitable.

so close!
fluorescent silhouettes
draw doubt
It cannot be
I’m not ready
to give
where is that innocent joy?
beyond double meanings
deliberate
unintentional
cruel device
eyes of steel - unblinking, omnipotent

I covet my prose
-a secret clutched to my heart,
hoarding it like gems
like desire and lust
to give
these thoughts ink
and substance
the ground keeps me close

I blink.

am blinded in the heat
of such fervent need
for release
beginning, rebirth
I remember how this feels
so sweet and pure
the need is
intoxicating
spun sugar
silver moonlight
on an ocean of
unsaid self

I rise - the Phoenix - I am
She. I am She
fleeting growing changing
veins are vines
burgeoning patterns on
unfurled wings scream
gold and blazon crimson
blood in the tears I have shed
sweet purpose - my only melody
gives me hope.

I take her tiny hand in mine
and am risen
                        once more.
If love is blind and knows not whom which it strikes, then why must man, being apt enough to choose who he loves for himself, have to deal with the events that follow? May it be turmoil, heartache, or treacherous endeavors, winning the heart of the one which he endears, even against all odds, is what is most important to him.
Ams May 2010
I grab your arm
in warm embrace
the smile of love
drawn on your face

In my hand
I feel its near
Your fragile frame
sinking endears

Static heartbeats
heavy breaths
hold my hand
you need some rest

Don't worry
it will be OK
Heaven's steps
not far away
Logan Robertson Aug 2019
Yesterday's fears
Are today's tears
As a gunman rears
On evil stairs
With evil stares
Taking flights of theirs
Three steps there
Racing here, and here
With madness 'tween his ears
He squeezes off any cares
Gunning the airs
For those lost in prayer
As cornered life's tears
At the face, his devil peers
Through a Walmart s lairs
To hells kin he endears
Twenty two pearls smears
Stranded for his wares
Such hatefulness, he bares
His manifest he cheers
Today El Paso spits his despairs
And the neverending nightmares
USA, and mass shootings spheres

Logan Robertson

8/04/2019
Once again my heart aches for the victims (22 slain). It's like we're running in circles from evil and it shouldn't be that way.
Emeka Mokeme Jun 2018
Always remember that,
just for today,
it is well.
Just live for today.
love for today.
Believe for today.
Dream for today.
Be Inspired for today.
Hope for today.
Change for today.
Be respectful for today.
Do the right things for today.
Laugh for today.
Embrace that which endears
your heart today.
Invest in yourself today.
Dare to do today.
Leave your comfort zone
and be that which you want.
Be gentle to yourself today.
Always be true to yourself today.
Today visit the elderly
and your grandparents,
they are and will be your ancestors.
Remember the law of amra,
be generous and give today.
Today be kind.
Treat the weak and afflicted
with compassion today,
you will find yourself
in their place someday.
Arise now today
and do that which you
have never done before.
Remember you did not fail,
just do it differently today.
God speed you today,
and always.
©2018,Emeka Mokeme. All Rights Reserved.
in the mountains of Tennessee*
a man yearns by night and day
he yearns for a woman
who is so far away

his yearning never abates
for her tender soft touch
he
waits and waits

within his core
the yearning for her is raw
every waking moment
it gnaws and gnaws

yearning for her body to be
pressed close to his heart
as its warmness of soul
endears in a loving art

he hopes one day
that the woman he so yearns for
will call upon his
desolate mountain door

the yearning
so
painful
of
loneliness
the yearning
is
filled
in
*emptiness
Kìùra Kabiri Mar 2017
The spire rises on high
To humbly hug heavens holy white sky
And from the sacred gothic cathedral
Bells ring with symphonic sanctimony-
The sweet angelic instrumental harmony  
And you feel the presence of descent God from your homes
You smell the inviolate incenses of the Saints from your louvers  
The frankincense fragrances of the Blessed from your windows beckon
And you aspire your children to serve in the church as your neighbours
Good examples they will always be to the civilized society

Time to time alone you send her and him to them
To selflessly serve Mother Church to earn endless blessings
And obediently ****** leaves as per commandments
“Obey your Parents for your days on earth to be multiplied;
Serve the Lord your God unreservedly-with all your all!”
In church the child spends her entire free time
In church ****** serves innocently-restlessly
In church the child does his-her all to avoid any blame or blemish
In church ****** endears all to avoid any bad reputation  
After all what ill can befall you if in the House of the Lord-the Psalm says:
‘Surely, goodness and mercy shall follow me all the days of my life!’

Dear innocent child, with a heart harmlessly clean
Does it know the monster is the wolf in sheep’s skin?
The perpetrator, is the priest-the sheep’s sheer shepherd
It is he who feeds on the fattened flocks of his Master’s fields
Unsuspecting, unknowingly he gets closer with him,
The priest, the sacred of peoples modest mediator
It is an old age adage in faithful ways of thinking:
‘Whoever gets closer to a pastor earns firsthand priority
To touch and share in his consecrated ointments!’

O my child, to darker places he is-she is sent
To collect vestments, ointments and sacraments
And quickly without resistance or hesitance
****** splints, timely and servitude is an altar’s teaching
Behind, swift too, the sinister minister-monster fast follows
And in darkness shush! He touches him-he touches her holy places
In return he/she is hushed with gifts of craved church’s wines and wafers

Confused-is this pastor N… really, or am I dreaming
Before long the child goes into silent phobia and depression
To who does he tell of the dark tales behind altars, vestry and sacristy
The man behind the Eucharist, the revered man of the church!
The blessed bass behind the mic, deeply unleashing
The Holy Ghost: “Bwana asifiwe, pokea Roho!”
To the convinced convicts-faithful brethrens is a satan, a monster
Is he who really touched and touches her in the wrong places?
It is he who forced into his baby’s brittle red bottoms
It is him who stole, vilely robbed his-her virginity and virtues

Who will listen to his/her sad story?
And it is the mothers-parents blame-consumerism connive
They are liars to tarnish the church’s good name
And when he says and cries and refuses to attend the Sundays services
The mother scolds him with felines’ violence
‘I am not raising pagans in my house,
It is either you go or go to serve the church!
Am I clearly heard and understood?’
O poor child, silent suffers this sacred soul!

With rigid society ready to absolve the ****** priest
With the parish ready to excommunicate the fighting family
With the church-Christ’s body-willing to go any extra mile
To save its priest and salvage its worldly rotting name
The state eager to close one eye and let the church rule
After all it is they that say-‘the church will outlast everything!’
The church is always innocent it can never wrong its attendants and congregants

Quickly the ******* priest is shuffled and reshuffled in all earth’s parishes
And the innocence stolen child is left alone to find its answers-
To sad solve and resolve its mysteries-objections, rejections and excommunications:
‘Who is God-who really is He and who are His consecrated men
And where was He while we were being ***** and molested
By the saints we thought sacredly serves in his vast fields!?”  
O *****! O sodomized! Sacred sufferings!

© Kìùra Kabiri. All rights reserved.

http://www.independent.co.uk/news/world/asia/catholic-priest-****-15-year-old-girl-kerala-india-mathew-vadakka­cheril-consumerism-temptations-***-a7613406.html?cmpid=facebook-p­ost
wordvango Jan 2015
I cannot find words to do justice Marge! I loved you fully, you taught me unconditionally!


And Thou Art Dead, As Young and Fair

George Gordon, Lord Byron (1812)


And thou art dead, as young and fair
   As aught of mortal birth;
And form so soft, and charms so rare,
   Too soon return’d to Earth!
Though Earth receiv’d them in her bed,
And o’er the spot the crowd may tread
   In carelessness or mirth,
There is an eye which could not brook
A moment on that grave to look.

I will not ask where thou liest low,
   Nor gaze upon the spot;
There flowers or weeds at will may grow,
   So I behold them not:
It is enough for me to prove
That what I lov’d, and long must love,
   Like common earth can rot;
To me there needs no stone to tell,
’T is Nothing that I lov’d so well.

Yet did I love thee to the last
   As fervently as thou,
Who didst not change through all the past,
   And canst not alter now.
The love where Death has set his seal,
Nor age can chill, nor rival steal,
   Nor falsehood disavow:
And, what were worse, thou canst not see
Or wrong, or change, or fault in me.

The better days of life were ours;
   The worst can be but mine:
The sun that cheers, the storm that lowers,
   Shall never more be thine.
The silence of that dreamless sleep
I envy now too much to weep;
   Nor need I to repine
That all those charms have pass’d away,
I might have watch’d through long decay.

The flower in ripen’d bloom unmatch’d
   Must fall the earliest prey;
Though by no hand untimely ******’d,
   The leaves must drop away:
And yet it were a greater grief
To watch it withering, leaf by leaf,
   Than see it pluck’d to-day;
Since earthly eye but ill can bear
To trace the change to foul from fair.

I know not if I could have borne
   To see thy beauties fade;
The night that follow’d such a morn
   Had worn a deeper shade:
Thy day without a cloud hath pass’d,
And thou wert lovely to the last,
   Extinguish’d, not decay’d;
As stars that shoot along the sky
Shine brightest as they fall from high.

As once I wept, if I could weep,
   My tears might well be shed,
To think I was not near to keep
   One vigil o’er thy bed;
To gaze, how fondly! on thy face,
To fold thee in a faint embrace,
   Uphold thy drooping head;
And show that love, however vain,
Nor thou nor I can feel again.

Yet how much less it were to gain,
   Though thou hast left me free,
The loveliest things that still remain,
   Than thus remember thee!
The all of thine that cannot die
Through dark and dread Eternity
   Returns again to me,
And more thy buried love endears
Than aught except its living years.
leona chaput Jan 2016
Healing that is the mercy from Jesus
Healing and mercy love everlasting
His power is enough to claim victory
Holding us firmly in the palm of His hands
Putting us gently down to stand
Before His throne of goodness and all
Look for and pray to the Lord
That is the miracle of God
Healing and wonders of peace
Coming from God to abide and leave
A promise of hope to know that Jesus
Is all that we need
He alone is the hope we have
In all of this world
Marvelous how the glory
Shines from heaven here on earth
Preparing our hearts to pray and believe
Knowing that we share the power
The healing and mercy so wonderful
Inspired and blessed in this world
He is the message and promise of hope
Marvelous to claim and to receive
Jesus who loves us
Endears us to be one with Him
bulletcookie May 2016
Make this writing live to tell
of feelings deep within this well
of wanting
Draw upon its line tied tight
and fill your draft with light
kiss drawing
Tell of heartfelt tale endears
sweet maiden's ear and hear
belonging
Hold tight to this embrace
cling and know this template face
besotted
"Love sought is good,
but given unsought is better
"

-cec

"Twelfth Night" - William Shakespeare
Mateuš Conrad Jul 2017
|
     brexit                                            |
             ­                                    visegrad group

both are parallel movements
   of kindred spirit -

    lay them horizontally
       calling the former (a) and the latter (b)
and you receive
   the algebraic definition
         that              a = b;

of course there's the difference in
                                       temperament,
as you'd expect -
                but let us count,

n. ireland   (slovakia)
       wales (czech republic)
  scotland (hungary)
           and england (poland)
...

p.s. notes, to return, post-pending:

heidegger's pondering V,
                   aphorisms 35 & 36...
     and the post-creative observation
concerning the germans,
   beginning with hölderlin (ö = œ) -
     i.e. how a poetic observation
concerning the germans within
the modern context of politics.

(a) aphoprism 35, ponderings V (page 240)

......
   ...... .......  ......
  ..........   ......   .......  ......  .

(b) aphoprism 36, ponderings V (page 240)

   )
         and to imagine, it was written in circa
late 1936...
                     given the current state
of affairs...
                the great thwarting toward
the paths of creativity...
           (this is not verbatim) -
where are the great sign of the thwarting?
  the clearest is in anxiety -
             in face of questioning -
  accompanied by a suspicion of all
   "anxiety": which translates itself
as the dreaful sign of impatience...
      i.e. avoiding the vocation toward
   translating an "anxiety"
           as the first stepping stone toward
a transition, akin to the first move
of a pawn on a chess board. (

and hasn't it come to this?
   the anxiousness of our modern youth,
for lack of a better word, i.e. youth -
                in accordance with some sort
of lack of a creative impetus -
         whereby anxiety can be seen as
an transitioning tool - to be creative,
is to constantly be anxious
-
              but to be creative, one has to treat
this anxiety as a flux -
                            hence heraclitus used
the river (if ever a metaphor were more
true) - rather than the sea -
        a man will always step into the same
sea, but in the same river?
                                           hardly;
it's hard to imagine that this observation
by someone coming out of **** germany
  in 1936... resonates as a "genuine" medical
condition in the anglophonic world...
         and that's to say, the superficiality
of certain alliances made -
   esp. that made by the act of creativity,
   and some mental disorder,
                         which is supposed to
be allied with an impetus to create -
         but can the other form of alliance
within the arts be rediscovered?
    i see one already, blooming -
take the invention of polyphony
                    by j. s. bach - and then translate
"polyphony" into literature?
   what do you get? well... the best example
           is w. burrough novel naked lunch,
and yes, the existentialist dittoing out a word
is a shortcut to a metaphor...
          but there's an essential component
allowing the two be comparable:
  namely? poly-   where as the former endears
a layering of sounds,
   the latter (known as the cut-up technique)
uses a venomous utility of layering
  by disorientation...
     with anyone who has an aversion to
the classical linear narrative, of say,
   a jane eyre novel... or has a.d.h.d. -
               they'll gollop the novel down like
      a turkey before christmas...
                    which then transitions into
painting, i.e. movements such as
  expressionism, post-impressionism -
etc.
Tina RSH Mar 2019
If life were a hundred years
I'd lose my name at the hand of time
and travel to the end of the world in advance
at the scoching border of hell I'd dance
to the delusion I was fooled to suffer
and glance back once more
to see I cannot ******* lover's lips
or let the majesty of a butterfly
steal my attention for eternity
I'd watch the gloom strip me off my shell
close to the border of hell
and ask if all along it were mine
can I then succumb in peace
break a ******* with God
and deride the masquerade he hosted?
that of which he always boasted!
But time and time again puts me to bed
with a mouthful of uncertainty
about the end of this entity
which I believed was me
or whatever me could be
life can embarrass time
and cease to age inside the corpse of years
or wilt the petals of a feisty poppy
That is the burden of those whom life endears
For that I sit here and wonder
why indeed did time go under?
NeroameeAlucard Jun 2017
Why is it that what i hate
About what i am
Is what endears me to others
Am i the opposite
Of what i was intended to be?
If so this practical joke
Has crossed the line from funny to cruelty.

I hate not knowing what to say
I hate my shy dispensation
But others love my pathetic attempts
As a presentable representation
Of a functioning human being
I'm not and that's no lie.

So where does anyone see any appeal?
Am i blind or do my very eyes lie?

— The End —