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Shofi Ahmed Jul 2018
On the edge, the living earth
dared to mimic Queen Fathima's worth,
the Queen of Heaven's grace and poise,
her footsteps, a blessed path of choice.
This way bedewed with divine light,
a numinous destination of sight,
graced by thousands of prophets of God,
a sacred path that all should trod.

In Allah's name, she descended,
on the Night of Ascension, her path transcended.
from the Night of Measures, she came,
her frame, heaven's dark matter, a mystery untamed.
A divine dot in terra incognita,
a fondly-folded bud where time doth bloom.
If one can see up to where it rose,
Paradise sways towards this uncharted way
the only guide, oft is a glimpse of Queen Fathima's eye!

The only asymmetrical golden ratio,
steps forth amidst the symmetrical prophet flock.
The earth makes way for her in awe,
as she moves in sequence with the golden lock.
Cloaked in mystery, she reveals
her unique, divine relation to the divine.
Makes measured moves at the forefront,
shining the light ever drawing closure to God.

She is so pretty and classy, a paragon of art,
a sunrise amidst the eternal night.
Her beauty is a burning fire in her shadow,
she is 'Zahra,' pure light, a luminary dynamo.
The only woman in heaven and earth with no shadow!

The great flock of women mirrors the earth,
following each atom on that angled girth,
aligned perfectly under the waxing full moon's worth.
As they approach the behemoth's might,
atoms beneath their skin explode in their finest sway,
and beneath Fathima's feet, vibrations take flight.

The ocean billows up, floating with the clouds,
Like choreographed dewdrops hanging low on the rose,
Ready to shower down on that hot spot like honey-drops.

Even the Moon on the horizon follows suit,
Ah, the lunar punter rows down, loves to sip in a drop.
the sleeping beauty wakes amidst the moonlit night,
silver dances in her eyes on every star in sight,
as the Moon sails down from its celestial height.
The seven seas sing out in the dark,
bubbling with exuberant fireflies' spark,
who gleefully rock the moonlit boat,
towards the cup of that pretty little drop.

Poetry in motion, the sea on the ground
a beauty reflected in the Moon on high
the storylines jump and dance around.
Painting the colors of the winds in the sky
over the shady grove, the rhythm goes on
rains down from the sky on that sweet spot
singing the sweetest of all title songs.

Never before was a woman a prophet of God,
but for the primitive woman, the leading lady,
the sharpest cut above the rest, the leader of the pack.
Sayeedatun Nessa, Queen Fathima,
Heaven holds no secrets, always an open mirror!

Secret is Fathima touched the bottom of the earth first
it's in her elements a pure unique one otherworldly love
the womankind scores that only entering paradise!
"There is no night, only déjà vu moonlight
the pious homemakers, these veiled tuberoses,
were hidden gems to the sublunary fireflies
who will be open moons in heaven's secret skies."
The Huris gaze upon mesmerizing beauty,
but their eyes turn to the real McCoy:
the women in paradise!

The universe debuts a primitive water dew,
Big Bang, soon Fathima drops in it her two hairs duo
enkindles the inner dark energy in the dark matter mole.
Absolutely pure, nature wakes up get the building rock
nothing like it never seen before, treasures in Earth's core.

The Queen's first impression hooks on
the motionless earth in the dew makes the first move
polished golden spiral is in bloom expanding ever more
the last thing the sun can't do can't take its eyes off
after the Big Bang big fireworks still (Ratqan) a black mole
thicker than the black moon, gravitates the cosmos! 

Walking in the dark ahead of the sun and the moonlight
one step up on that shady way the Queen cemented on,
perfectly circle pi-locks, the earth takes a Ma pause.
Until God willing Fathima's locks shall finally bottom in  
the long haul of time squeezing out paradise upside for good,
the heavenly Queen shines the light in the secret end of God!

The planetary ebb and flow are on the way heaven
the planet earth is the only steppingstone.
No matter how many times they try on
there will still be an unturned stone.
Until the very one, the original woman,
the Queen Fathima steps on.

Dots connect in her presence
the nadir and the zenith perfectly intersect
once for all that shall mingle in her perfect circle
without a labyrinth gap in the whole
making ‘As above, so below’ pure Scientia scenario.

Where the Queen stands on
heaven will open its grand door!
No more reverse engineering the original
God willing Fathima will step on
on the last turned stone.
From the very one greatest woman
paradise starts from there on
from beneath the mother’s foot!

She is so pretty and classy, a paragon of art,
a sunrise amidst the eternal night.
Her beauty is a burning fire in her shadow,
she is 'Zahra,' pure light, a luminary dynamo.
The only woman in heaven and earth with no shadow!

The great women flock mirror the earth
treading across every atom on that angle
perfectly aligned down the Moon.
Until those beneath the skin atoms
bang, explode, on approaching the behemoth,
the vibration beneath the otherworldly Fathima’s feet!

The ocean billows up floats with the clouds
like choreographed dew droops hanging low on the rose
just to shower down on that hot spot like honey drops.

Even the Moon on the horizon follows suit
ah, the lunar punter rows down loves to sip in a drop.
The sleeping beauty wakes up amidst the moonlight
silver dances eye on every star in the night
the Moon is sailing down.
The seven seas sing out in the dark
bubbling with exuberant fireflies
that would gleefully rock the moonlight boat
over to the cup of that pretty little drop.  

Poetry in motion is a sea on the ground
the same is known as the Moon in the sky!
The storylines jump ever more
on that way over the shady grove.
Painting the colour of the winds
the sky rains down on that spot
singing the sweetest title song.  

Never was a woman prophet of God
for the primitive woman the leading lady
the acute cut above the rest, the leader of the pack.
'Sayeedatun Nessa' Queen Fathima
heaven is no secret always an open mirror!
Secret is Fathima touched the bottom of the earth first
it's in her elements a pure unique one otherworldly love
the womankind scores that only entering paradise!
There is no night only Deja vu moonlight
the pious homemakers these veiled tuberoses
were the hidden gems to the sublunary fireflies
shall be the open moons in the heaven's secret skies!
Huris look on mesmerising beautiful
eyes on the real McCoy the woman in paradise!

The universe debuts a primitive water dew,
Big Bang, soon Fathima drops in it her two hairs duo
enkindles the inner dark energy in the dark matter mole.
Absolutely pure, nature wakes up get the building rock
nothing like it never seen before, treasures in Earth's core.
The Queen's first impression hooks on
the motionless earth in the dew makes the first move
polished golden spiral is in bloom expanding ever more
the last thing the sun can't do can't take its eyes off
after the Big Bang big fireworks still (Ratqan) a black mole
thicker than the black moon, gravitates the cosmos! 

Walking in the dark ahead of the sun and the moonlight
one step up on that shady way the Queen cemented on,
perfectly circle pi-locks, the earth takes a Ma pause.
Until God willing Fathima's locks shall finally bottom in  
the long haul of time squeezing out paradise upside for good,
the heavenly Queen shines the light in the secret end of God!

The planetary ebb and flow are on the way heaven
the planet earth is the only steppingstone.
No matter how many times they try on
there will still be an unturned stone.
Until the very one, the original woman,
the Queen Fathima steps on.

Dots connect in her presence
the nadir and the zenith perfectly intersect
once for all that shall mingle in her perfect circle
without a labyrinth gap in the whole
making ‘As above, so below’ pure Scientia scenario.

Where the Queen stands on
heaven will open its grand door!
No more reverse engineering the original
God willing Fathima will step on
on the last turned stone.
From the very one greatest woman
paradise starts from there on
from beneath the mother’s foot!
RAJ NANDY Jul 2017
THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI
judy smith Sep 2016
Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
RAJ NANDY Aug 2017
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
Anais Vionet Mar 2022
It’s a Monday. Capitalism and school have given Mondays a bad rap and we need to take it back. That would require a movement of some sort, too much, I suppose, with a WAR on.

I have the jitters. This morning was, well, Monday and I had a midterm - sort of. So it would’ve been irresponsible for me to take the time to straighten my room - I’m nothing if not responsible. But Peter’s here. It’s his first glimpse of my room and it’s a mess.
“There’s an underlying order” I assure him.
“There always is,” says mr. physics.

Anna had taken a (photo) burst of us - the modern equivalent of those childhood, cartoon flicker-books - to celebrate his first visit to our immaculate suite. Now she’s screen-sharing them on the huge common room TV. “You’re cute,” He says.
“Hurray for me, hooray for that,” I reply, “But I was thinking YOU’RE cute,” I say as I snuggle closer to him on the couch.
“We all love the sound of compliments slapping together,” Leong says, sarcastically.
“Find a communist,” I suggested to Leong, “they all study philosophy, I think.”
“You come into MY house..,” Leong begins.
“You come into MY house..,” I responded.
“You come into MY house..,” Anna says from the kitchen.
“You come into MY house..,” Sophy yells from her room. This could go on all night.

“The four reactions,” Peter says.
“He’s starting to talk physics again!” Anna says, narrowing her eyes on him, like a cat catching sight of a squirrel. Leong, yawns excessively, “Ugh! Make him stop,”
“All the forces that we experience every day..,” Peter begins. At first, I moaned as if I’d been told I was about to be waterboarded. Then I take action, rolling over and climbing on top of him, messing his hair and beginning to tickle him, “There must have be an off switch somewhere!” I exclaim.

Now everyone’s screaming and laughing, “Ok, Ok, I give up.” he says, then he pins my arms to my sides at my elbows - but before he can swing me off of him, I lean in and plant a sloppy wet lick on the side of his face. “H-Hey!” he says, wincing like someone avoiding a wild puppy. He was all askew by the time he swung me off onto the couch and fixed me with a concentration that suggested that nothing else mattered. Time seemed to stop and that moment was the first time I thought about kissing him.

Over his left shoulder Anna vibe checks me by making a moony love-face  - throwing in several puckery kisses. I’ve never seen myself in action, but a sharp, stinging sense of recognition told me that her impersonation was more accurate than not - and I snapped out of it. “What are we doing for dinner?” I asked, and the tension broke.
BLT word of the day challenge: askew: "out of line" or "not straight."
judy smith Sep 2016
Jonathan Saunders, the newly appointed presumptive heir to DVF, paid homage to the brand's heritage while showcasing his own vision during an intimate presentation Sunday at New York Fashion Week.

The Scottish designer took the reins as DVF's chief creative officer in May, but made it clear he's not necessarily filling Diane von Furstenberg's iconic shoes.

"It's just different shoes, you know? It's not like I'm replacing her in any way. It's just a different chapter for the company," Saunders said while insisting von Furstenberg is still very much the cornerstone of the brand.

Von Furstenberg, a Fashion Week staple, was not on hand for Saunders' debut presentation at a sparse industrial space in the Manhattan's Meatpacking District.

The collection played with bold colors, patterns and mixed textures.

Romantic florals paired with playful polka dots, and metallic dresses were adorned with fur wraps.

"I wanted the collection to be kind of this melting ***," Saunders explained. "Eclectic mixtures of different prints from different places and times brought together in one collection. I thought that was kind of an exciting way to start."

The signature wrap dress appeared throughout with fresh silhouettes and asymmetrical hemlines, including a structured kimono, a silky romper and a color-blocked scarf dress.

Sometimes the wrap was simply implied through cuts and movement on plunging blouses and sequined, layered frocks.

"It's more about taking it not so literally and just trying to transfer into a product that feels considered and modern and developed. A lot of the bias-cut dresses still have that same sense of ease, but they are pushing things forward," said Saunders.

Von Furstenberg is known for splashy fashion shows featuring celebrity-driven social media buzz. Last season's event included It Girls Kendall Jenner, Gigi Hadid, Karlie Kloss and Irina Shayk.

But according to CEO Paolo Riva, priorities have shifted.

"I think that the fashion show is trying to cover too many things: speaking to press, inviting celebrities, opinion leaders, bloggers and friends, and now see-now, buy-now. It's too much for one moment and because this is the first collection from Jonathan, this is a moment where we really wanted to have the opportunity to leave the noise out," said Riva.

Saunders' back-to-basics approach included one-on-one meetings with journalists, a simple display of clothes on racks with six models perched in the background.

"I think at the end of the day the customer is interested in clothes and I'm hoping we're entering into a chapter where all of the nonsense doesn't matter as much as having something that you just feel fabulous in," he said.Read more at:http://www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/vintage-formal-dresses
I’ll not take your time, beyond what the need,
To relate to you a story and deed
As there’s no one else to plea this decree …
For just I survived, don’t you see.

I’m an old man, with a mind full of mist
But details of that night in my mind still exist
As vivid and clear, both sharp and exact
No, no mist there – all of it’s fact!

When I was young, and adventure routine,
With excitement and newness still unforeseen
I was eager to spread my wings to the world
And seek more adventures as those wings unfurled

Within my long travels I happened to meet
Two other men, with friendships replete
One was named Beckett, the other one Flynn
And better friends there never have been.

Beckett was tall – an athletic type
While Flynn, the scholar, more of pinstripe
Pinstripe or athlete – it mattered not
It was our essence together and that which it wrought.

Engaged were we in all daring do
High on the mountains, and under seas, too,
We crossed dry deserts, and jungles of green
And other adventures there in between.

We’d been together, t’was our sixth year,
And still our adventures made us cohere
To every madness – to every rave …
Until we decided to enter The Cave.

We discussed the encounter and planning for weeks
And assembled equipment – some new, some antiques
Until at last the day it arrived …
And our excitement?  It still there survived.

The map we used, was bought from a guide
Who told my friend, Flynn: “Don’t go inside”
When he had learned of our journey’s intent:
To enter The Cave, and begin our descent.

The guides’ words, had given us pause
We had thought: What was his reason or cause?
But … dismissed were his words of advice
We had each other … and that would suffice.

With ropes and lantern-hats and other such gear
It was into The Cave we then disappeared.
The light from our lanterns speared into the dark
We spoke very little - made no remark.

Onward, downward, in blackness we went
Placing out markers for our later ascent
The sounds of our footsteps, and scraping of walls
Reverberated ‘round us – as echoed recalls

In about six hours, or maybe ‘twas more
We encountered water upon The Cave floor
And there all around were beautiful shapes
Never were seen such gorgeous landscapes

Stalactites, stalagmites and mineral mounds
And dripping water with its’ “plopping” sounds
Pinks, violets and shades of green hues
And small salamanders made their debuts

We found a small dry spot and then we assessed
This was a place we could stop now to rest.
I turned up my lantern, and took off my hat,
When Beckett said: “Hey.  Did you just hear that?”

I moved not a muscle, and my ears went to strain.
All I could hear were the droplets, like rain.
Then from The Cave’s bowels came a loud din
I continued to listen – then heard it again.

We looked at each other, but said not a word
Confused and startled by what we’d just heard
It wasn’t a moan, it wasn’t a gasp
But more rather like a guttural rasp

One thing was certain, it wasn’t of stone
That could create sounds while standing alone
T’was our discussion, from which to derive:
The source of the sound was something … alive.

Then from The Cave’s deepened black hole
Came again sounds from a source with no soul
The sound was menacing, and one I despise,
I watched the fear grow within my friends’ eyes.

Instinctively, we three then moved as one
In that instant – our re-ascent had begun
I had been last in the line coming down
Now I’d be the first to reach the “above-ground”.

Quickly my feet in the lead, lead the way
Flynn, right behind had nothing to say
My friend Beckett, brought up the rear
And in that position had the greatest to fear

The lamp on my hat pierced through the black
And I looked for our markers to lead us back
To save our strength, nothing was said
Again - the loud sound that filled me with dread.

The sound became louder and closer it be
And I moved faster through the black before me
I could hear Flynn’s breathing, so close behind
I tried to concentrate on the markers to find

Somewhere behind me, then snarls I heard
Loud and vicious, run together and blurred
Close … so close … the beast was so near
Adrenalin rushed through me to react to my fear

T’was then I was hit with an overpowering stench
The smell caused my stomach to turn and to wrench
The odor blew past me, and I knew t’was the breath
Of the Beast of The Cave – its’ oder of death.

I was near running, but down on all fours
Sweat was streaming from all of my pores.
Then I heard those terrible screams
The ones I keep hearing in all of my dreams

It was Beckett I knew in his shocked agony
Midst the snarled snapping of jaws I can’t see
I heard bones cracking and squishing of flesh
And the fear within me gave new strength afresh

My fingers were raw from grabbing the rock
But on moving forward my mind had its’ lock
My stomach still queasy from the stench of the beast
I knew it was finishing its’ beastly feast

I knew, too, t’was only a matter of time
When the beast would return - I had to climb!
I heard Flynn say: “IT’S COMING AGAIN!”
Again was a surge of my fear deep within.

I heard once more the beast from behind
And fought the panic taking over my mind
Something heavy struck against The Cave’s walls
The kind of sounds that ghastly appalls:

A scraping of talons of heavy clawed feet
Caused my heart to double its’ beat
I had the feeling that Flynn lagged behind
I screamed my urgings loud and maligned:

“Flynn!  Flynn!  Catch up to me!”
But took not the time to look back and see
For the beasts’ crashing against The Cave’s face
Told me it neared – and was re-gaining the race

My knee hit a rock, and my balance was lost!
I fell to the ground, and then feared the cost
In losing the time in scrambling free
Again sheer panic stabbed into me.

In less than an instant, Flynn was there too,
His face in my light was of a strange hue
And as he helped me get back to my feet …
Flynn turned around – t’was The Beast there to meet.

The stench overwhelming, but the sight was much worse
There standing before us: The beastly curse
Of overlapping scales in shades of dark gray
The rest of its’ body concealed in umbrae

But its’ eyes … its’ eyes … I’ll never forget
Rheumatoid yellow, and deeply inset
Its’ reptilian lids blinked just one time
‘Fore its’ lips peeled back - revealing the slime

Glistening yellow over dagger-like teeth
Then oozed from its’ mouth to fall there beneath.
The beast reared up, then we saw its’ claws
Sharp and deadly within its’ forepaws

Towering above us, no sound the beast made
On beams of our light had his gaze stayed.
Unexpectedly Flynn then turned and faced me
… With less blinding light, the beast could again see

Why Flynn had turned I never will know
For the beast bit him in two, at his torso
And I was looking at Flynn – direct in his face
When the beasts’ bite his life did erase.

I screamed, and instantly away did I run
Away from the beast, and dead companion
Through the price of Flynn’s life, more time had been bought
To reach The Cave’s entrance – the goal that I sought

Running wildly, several times did I fall
Toppling did not my mission forestall
The beast I knew still somewhere behind
Drove me on forward with my frantic mind

I heard its’ clawed talons scraping the wall
And prayed I’d not again stumble and fall
Then, up ahead, a small opening I viewed
And I saw my chance, with hope there exude

Twelve feet … six feet … then it was three
But the beast and its’ stench was there behind me
I dove through the rock opening, scraping my head
But better that injury than ending up dead

I was elated, and about to rejoice
I then heard a scream – it was my own voice!
In my leg erupted intense blinding pain
Looking down I saw the bloodstain

My leg, through the opening, still was stuck out
There was but split-seconds, before I’d lose it no doubt
I pulled my leg back, and in but a flash
My shoe was removed by a clawed talon slash

I crawled back from the opening, then I could see
My wound was deep, from ankle to knee
Then suddenly through the opening came
A clawed talon whose aim was to maim

I quickly withdrew out of its’ reach
As claws shot through the openings’ breech
The opening too small, for continued rampage
And the beast began then to voice its’ outrage

It’s deafening roars assaulted my ears
Echoed Cave chambers and in my mind did adhere
I began attending unto my grave wound
Knowing I now was no longer marooned.

T’was another hour ‘fore I crawled out The Cave
But many days ‘fore I’d shed the shockwave
Of what had transpired, and what I had seen
And my damaged leg was lost to gangrene.

Now sleep evades me, for my horrible dreams
Show beams of light, and unearthly screams
Of Beckett and Flynn and The Cave we were in
I know tonight, I’ll re-live it again.

So, now you’ve the story, you’ve heard the deed
I swear is the truth I’ve herein decreed
And Beckett and Flynn are enslaved in their grave
And I lost my leg to the Beast of The Cave.
katherine Aug 2021
loose gravel crunching loudly beneath me transposes
into the soft thudding of my feet against the soil.
the meadow, my old friend, greets me
with a whispering wind. we are both happy.

the sun dips just below the horizon,
watercoloring the sky in lilacs and siennas.
cicadas converse around me, as I am
but a guest at their lovely hillside home.

the cotton-swab clouds part, and the moon debuts.
she is pure, unsullied radiance. with the stars as backup,
and the sky as her stage, she pirouettes, beginning
her nightly routine. tears glide down my cheeks.

rich plums of dusk fade into the dark navies of night,
and my head sinks into pillowy grass.
my eyelids become lead, and the sandman arrives.
everything is quiet, and this peace is eternal.
this is the first in a collection of 10(ish) poems that show the speaker going from a happy, doe-eyed lover to a jaded, traumatized pessimist because of an abusive partner. oh, also! im planning a cool contrast where the first and last poem are actually describing the same scene, but the describing is being done by someone in two drastically different head-spaces. anyways, i hope you enjoy :)
carminayasmin Aug 2019
Extract the blood,
the metaphor for this euphoric movie I had directed under the fall of night, alone.
The film began to develop as the bottles began to pile
and thus I began to envision these delusions which I lust would become a reality.
We were a movie.
Especially when your smoke filled my mouth and you fed me love off of tables.
Made me hazy it smelt so gentle it burned so numb.
Tacky hands rode my skin,
engraving scars of diamonds.
My ego erupted; became so ******* rich.
Illusion said I could buy your love
but your eyes were guilty of unfazed.
Debuts don’t faze millionaires, we just look like more money.
Millionaires don’t watch our movies.
11 August, 19 03:37
Michael W Noland Dec 2012
Ambiguously, he was boggled, beguiled by garbled goggles while giggling out the squiggles, to wiggle the signals free.

Deliberately dallying in the Plato piety of proprietary philosophies, he, dastardly deemed, disaster to be, damaging, to the laughter in the chatter of the baggage handlers to another plane.

Manhandler of a plastered paradise, partly in slices, of silly little vices of sacrifices, that shall suffice with vice grips on the lips of the negative with the spices of nicety.

Lavished in lividly living uP the misgivings of lesserly lessons, blessing the blasphemy, in passionate tuck ins, snuck in, upon drunken hunkering in the bunkers of spunkier spiels.

Languid longevity's of luscious lettering, lest will we, count our kills, never ever to leave a life festering in lectured structuring, besting the busy debuts, of flukless frugality, lucidly, counting the calories of calamity, and randomly rhyming without reason in season-less rain clouds, only allowed to put the umbrella away, and fade in play to the part, where we impart patience on the persona from the coma of commonality.

Immaculately conceived, perceived as a ***** who adores hollow hearts, as we, haphazardly heap on the hilarity, in hepatidal waves, through fazes of the common wealth.

Smile in stealth, love no one else, but self and end up in health, at a lonely age in staged stimuli, reminding me why i'm alive, and not allowed to die, while on rewind through the hard times, to smile on the last lines of laser driven lifelines, laughing at the fragile signs on the finer wines, as they break on the bowes of holy boats in bouts against the sea.

Spewing randomly, he, finds satisfactory solutions to the strengthening of his constitution in loosened blue spells, to dispel his ruthless tendrils from your ears.

The fears fueling the finality in his fractured mentality of maniacal travesties laughing at me.

Its just me, unjustly adjusting for the combustion of the build.

Its lovely here.

Laughing in the lashes.

Signing my entrapment's.

Lapsing out the masses and forming from the ashes of smashed happiness, as it unclasps before my eyes.

Sometimes

It just feels right to be alive.
English Jam Jun 2019
Summer's here in all it's depression
Bound to make an impression
Pretty little leaves fall and weave into a pattern, so naive
Marigolds of black and yellow
Stopping to say hello
Old flames anew, the myriad of youth debuts, shimmering hue
Here they come to make it right
In this garden of delights
Colourful and young among a palette of sweet songs to be sung

Flowers assemble into a crown
Laughter rings all around
Eyes trace the rise of the wind, graceful and calm, as she flies
The innocence that went away
Has come back to play
Upon sunbeams, it seems they have flown right out of our dreams
Nature calls, ornate splendor
To it we surrender
Sunny craze lost in a haze, spurred out of celibacy, mellow laze

Nature has something to say
Sun has a brand new day
Laid back with ease, all that it sees it gives new life, honey bees
The bees are dying! They perform 80% of all pollination and they're endangered :(( Save the bees!

If you wanna know more about saving bees, go here:
https://thehoneybeeconservancy.org/how-to-save-the-bees/

Or alternatively, we could just **** capitalism and then live in the wild! With the bees!
Michael W Noland Apr 2013
Ambiguously, he was boggled, beguiled by garbled goggles while giggling out the squiggles, to wiggle the signals free.

Deliberately dallying in the Plato piety of proprietary philosophies, he, dastardly deemed, disaster to be, damaging, to the laughter in the chatter of the baggage handlers to another plane.

Manhandler of a plastered paradise, partly in slices, of silly little vices of sacrifices, that shall suffice with vice grips on the lips of the negative with the spices of nicety.

Lavished in lividly living uP the misgivings of lesserly lessons, blessing the blasphemy, in passionate tuck ins, snuck in, upon drunken hunkering in the bunkers of spunkier spiels.

Languid longevity's of luscious lettering, lest will we, count our kills, never ever to leave a life festering in lectured structuring, besting the busy debuts, of flukless frugality, lucidly, counting the calories of calamity, and randomly rhyming without reason in season-less rain clouds, only allowed to put the umbrella away, and fade in play to the part, where we impart patience on the persona from the coma of commonality.

Immaculately conceived, perceived as a ***** who adores hollow hearts, as we, haphazardly heap on the hilarity, in hepatidal waves, through fazes of the common wealth.

Smile in stealth, love no one else, but self and end up in health, at a lonely age in staged stimuli, reminding me why i'm alive, and not allowed to die, while on rewind through the hard times, to smile on the last lines of laser driven lifelines, laughing at the fragile signs on the finer wines, as they break on the bowes of holy boats in bouts against the sea.

Spewing randomly, he, finds satisfactory solutions to the strengthening of his constitution in loosened blue spells, to dispel his ruthless tendrils from your ears.

The fears fueling the finality in his fractured mentality of maniacal travesties laughing at me.

Its just me, unjustly adjusting for the combustion of the build.

Its lovely here.

Laughing in the lashes.

Signing my entrapment's.

Lapsing out the masses and forming from the ashes of smashed happiness, as it unclasps before my eyes.

Sometimes

It just feels right to be alive.
JS CARIE Jul 2019
(A gradual dream of more)

the Scale of Continued Practical Worth, is set...

one pan holds our Mind Born As Is
Dueling in the opposite tray, lay the Experienced Mind With Growth,  
beginning to tip into an immediate fluttering imbalance

Dissatisfaction debuts as
mid-crowning meets first breath
The pre-cradle screams
Run parallel with the desire for want

A leveled contentment
is laid out in a pasture of vast
to be taken possession of
Keeping forever,
within immediate grasp
Too tangible to breach  

While “the more, the better” is what is the vehicle driving us to this jaded result

We never stop striving for the bigger next better. So long as this goes on, comfort and contentment get lost in the past, as years blow away the life of ease
when and where we would have wanted for nothing
Jesse Davey Nov 2015
Disappointment.
I constantly feel it from you.

Hope.
I feel this each time. Will it get better? This reminds me that I love you, still.

Suffering.
To love is to suffer? No truer words have been spoken.

Desperation.
Yes, for when my love for you is unfulfilled. This feeling debuts.

Emptiness.
When you and I are not in each others arms, this emotion shows its ugly face.

Happiness.
A distant memory.

Love.
The only reason these words have been produced. The only light in this pitch black tunnel. The silver lining that may shine bright still. The supreme power that ignities my life. The eternal energy that fuels my happiness.
Dyrr Keusseyan Nov 2016
Minds Golden, Minds Open,
Heart's fulfilled, yet hurt and swollen,

I try,
others deny,
"failure viewed as our only progress"
Making sensible souls cry,

"Mind's are allergic, soul's anemic...
To any source of Wisdom, souls not in agreement,
Self: not viewed as source of achievement,
Ourselves of course, a source of Truth: never convenient.

Actors: our politicians, revering, of only folly,
Stalling our hopes, for a future of love & glory
Unwritten stories, none making the attempt,
Of Liking self, of loving self, all have sins to repent,

Histories shallow, written by dark lords of shadows,
Books for/by crooks, truth send to the gallows,
all deceptive in action and looks, all heart hallowed,
Down to flesh and bone marrow, even beauty, ugly and sallow.

All fighting, what for? what are these rivalries?
Tragedies, parodies, None perceiving our true enemies,
Salute, debuts, soldier fighting with honor,
Notes taken, yet truth forsaken, orders issued by monsters & robbers.

Sure let's us all slander, to any, if any, speaks of truth,
Markets, targets, to spread poison, sickness to our youth.
Send soldiers abroad, let's watch them fight as we rob,
Soldiers die, leaders never cry. They're Problem Solved!

Yet, among a few: fortunate Mind's Golden,
They look for apologies
for what seems like
centuries of
neglect,
but they'll end up with
apostrophe's
at bus stops to terminate
what had gone on,

but
now they can't wait
for the
penitent travellers
who hesitate
to sign on the line.

I will never kowtow
no way and
no how
will I go cap in hand
to those who confess
that they've ruled with an
iron rod
this land that I love.

If there's to be anarchy
then I say,
let the mad dogs free,
let them howl cheek by jowl
at the moon,

very soon and that'll suit me
we'll be on the scaffold or on
ITV
chancing the lights and the
knights of the camera
making our debuts
confusing what's wanted
by using what's not.

Get in everyone's face
make them remember you.

Speak as you find and
pay them no mind,
they're not listening
they're only pretending
and
hanging it out until
the last of you's gone

when it's the whispers
that shrink back at dawn
at
the rising of **** stars
you might wish
or wonder
what you were born for,

but somebody's got to be here to explain
someone who'll tell them about the mountain of pain
the tears that rain,

If not then for the grain of sand
the outstretched hand
or
the welcoming smile
it wouldn't be worth
my while
to continue
because
poetry is a poultice
to put on the eruptions
to cover the wounds
that repulse.
whispering wind Oct 2020
The cold winter afternoon

Born in daylight during the darkest season,  the child debuts themself to a room of a strangers and familiar loved ones who they knew but didn't know.

Born to a cycle of pain and restrictions — they will know their story like the lines in their hand.

A young mother and father with an older brother. Grandmas and grandpas all look to them. They signal the hope of our family tree. That they are a healthy baby, newborn and free.

Held by warm hands and wistful sighs, the anticipation broke like the amniotic sack. Fresh and innocent, they are the perfect vessel to hold our family story.

---

Mother, mother's mother.

Grandmother: the wisest and most shining example of care for others. Irish woman of tough skin and heart of gold. The rainbow surely ends at her chest. Child learns love from mother — to stick together and find trust in one another.

The stubborn stain on a white sweater.

Scrubbing no longer brings the fabric clean. Holding onto the stories of our foremothers — I remember her face, her breath, her love.

Gone too soon, but never forgotten. She grew up too fast to fill the space of her mother's care. Her sister too.

Such a pity how time has changed us so thoroughly.
Safana Mar 31
Never mean the carcass,
ruminating over the grass.
nostalgia, debuts and pass

what a bright union?

The memorable days
sparkles light in rays,
excitement in those days.

Today we gather
feeling ones like brother
in the office one we bother

Usman stand the U
Shu'aib as S to you
Auwal in A for you
Sadiq small S says
We pray the almighty
to bless the union.
intimacy

— The End —