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Anon C Dec 2012
The wind was a torrent of darkness among the gusty trees
The moon was a ghostly galleon tossed upon the cloudy seas
The road was a ribbon of moonlight over the purple moor
And the highwayman came riding,
Riding, riding,
The highwayman came riding, up to the old inn-door.

He'd a French cocked hat on his forehead, a bunch of lace at his chin,
A coat of claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle; his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark innyard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before the morning light;
Yet if they press me sharply, and harry me through the day,
Then look for me by the moonlight,
Watch for me by the moonlight,
I'll come to thee by the moonlight, though hell should bar the way.

He rose upright in the stirrups; he scarce could reach her hand
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the west.

He did not come at the dawning; he did not come at noon,
And out of the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching,
Marching, marching
King George's men came marching, up to the old inn-door.

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at the casement, with muskets at their side!
There was death at every window
And hell at one dark window;
For Bess could see, through the casement,
The road that he would ride.

They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"now keep good watch!" And they kissed her.
She heard the dead man say
"Look for me by the moonlight
Watch for me by the moonlight
I'll come to thee by the moonlight, though hell should bar the way!"

She twisted her hands behind her, but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness and the hours crawled by like years!
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it!
The trigger at least was hers!

Tlot-tlot! Had they heard it? The horse-hoofs were ringing clear
Tlot-tlot, in the distance! Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming!
She stood up straight and still!

Tlot in the frosty silence! Tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment! She drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him with her death.

He turned; he spurred to the west; he did not know she stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it; his face grew grey to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky
With the white road smoking behind him and his rapier brandished high!
Blood-red were the spurs i' the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.

Still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon, tossed upon the cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding,
Riding, riding,
A highwayman comes riding, up to the old inn-door.
I keep sharing songs but they are so beautiful I want people to hear them. This one breaks my heart. More Loreena Mckennitt. Originally by Alfred Noyes I did not know! So I must recognize him albeit Loreena sings it majestically!
A Child’s Story

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

Rats!
They fought the dogs, and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

At last the people in a body
To the Town Hall came flocking:
“’Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, Sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain—
I’m sure my poor head aches again
I’ve scratched it so, and all in vain.
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

“Come in!”—the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in—
There was no guessing his kith and kin!
And nobody could enough admire
The tall man and his quaint attire:
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the selfsame cheque;
And at the scarf’s end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And, as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”—was the exclamation
Of the astonished Mayor and Corporation.

Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout a Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out ‘Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce and inch before me,
Just as methought it said ‘Come, bore me!’
- I found the Weser rolling o’er me.”

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
“Go,” cried the Mayor, “and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”—when suddenly, up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest **** with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But, as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

The Piper’s face fell, and he cried
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head Cook’s pottage, all he’s rich in,
For having left, in the Calip’s kitchen,
Of a nest of scorpions no survivor—
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe to another fashion.”

“How?” cried the Mayor, “d’ye think I’ll brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling, that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by—
And could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain’s side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me:
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings:
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says, that Heaven’s Gate
Opes to the Rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six”:
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great Church-Window painted
The same, to make the world acquainted
How their children were stolen away;
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

So, *****, let you and me be wipers
Of scores out with all men—especially pipers:
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.
daniel f Aug 2013
On those drawn out summer evenings, all manner of characters would fill the coffee shops and spill outside. An interesting cross section of society would be provided for anyone willing to sit and watch, for an hour or two atleast. This particular evening will always stand out for me as representative of those carefree folly filled evenings. I was sat alone, with a copy of the evening news and an espresso across the street from a boisterous coffee shop which remained opened deep into the evening, long after others were closed. I often sat and watched people in those early few months, Id decided against socialising with colleagues. I would go to great lengths to prearranged fictitious plans and engagements in order so that I could sit alone each evening, pleasing myself. It's always far easier to enjoy food alone, without any distractions. After considering my options I settled for a steak, and a glass of wine. The waiter seemingly unconcerned failed to take note as I gave my order, with a shrug of his head he returned to the kitchen inside to place the order. The cafe I watched was perched almost perfectly across the street from the train station. As commuters and young couples in love poured out of the station, and onto the bright expanse which was the street before them. The popularity of this particular cafe is hard to convey correctly, it's frantic nature remained even on the bleakest of midwinter evenings. Now though months of bread and water were long gone, as seasonal waiters hurried arms filled will all manner of snacks and drinks.  All manner of agricultural workers would congregate in early march, eager to snap up work in the best hotels and cafes thus ensuring a healthy wage and generous tips. The waiters from the mountains always stood out. It was as if they retained the innocence of there previous surroundings, smiling all coy when taking orders from female customers. They retained the physical attributes of the mountains which they had left, towering above others and maintaining a mystique which often meant they would return in November with wives and child aswell.




By now it was half past eight atleast, and I had finished my steak and wine. The traffic was in the process of slowing down, although it was not uncommon here for traffic jams to form at any hour of the evening. Car horns echoed and ricocheted off old architecture which gave an impression of immense movement all around.  The owner was a beast of a man standing six foot high atleast, with a beard which gave away his rugged beginnings. It was impossible to estimate his origin correctly, Id always imagined he was from somewhere in Northern Europe although by now I had learnt that assumptions were the preserve of fools. He could most often be found pacing up and down the pavement adjacent to his cafe, smoking his camel blue cigarettes and staring deep into the night sky. As if preoccupied with some great moral dilemma this could go on for hours of end, without him breathing a word to anyone.  Under a great mane of curly brown hair, lay the most enthralling blue eyes imaginable. They had a softness which would not seem out of place upon the face of some Parisian muse. Although I must confess when first confronted with this gentleman an his almost childlike appearance, I was adamant I had him figured. He seemed the kind of man who blundered through life, although successful still seemed to be scraping an unenviable existence for himself.

By now I had stuck around long enough to get some feel for the pitter patter of life in just such a place. The transient nature of the customers ensured a bravado unseen in any old small town watering hole, women driven wild by spontaneous desire stared sultry at the mysterious visitors.
A crew of sailors who had no doubt been granted shore leave, and were soaking up the atmosphere just across the road from me. They could have been from any South American nation, or Spain. It really was impossible to tell from my distance, a few had clearly cultivated moustaches whilst at sea. It was common for sea faring people's to grow ****** hair in such a manner. Almost as if by magic, a story told by someone without a beard holds subtle undertones of irrelevance. I had learned this over the many months I had spent smoking and talking to locals, and travellers alike. I must confess I had fallen hook line and sinker, I was currently locked in the process of cursing my genetics and dreaming of a more rugged appeal.

By now the black coffees had petered out, and had been replaced by glasses and in some cases bottles of what I can only assume was Spanish red wine. The noise had steadily increased as the drinks flowed, and the crowd of sailors had gradually grown more and more boisterous in there escapades . A few feet away the manager stared intently at the revellers, as if the warn them without words of being too careless in a foreign city. The ever present owner done very little to deter the actions of the pack, who's numbers by now had been swelled from another dozen or so sailors who happened to be walking in the right direction.  The sailors leered shamelessly at the local women, whilst the more forward of them made there own advances. Still the manager stood smoking and staring as if to catch the sight of one of them. Now to the wary eyes of a man returned from a long voyage this would seem like a place, where desire became a priority above all else. This would be an entirely accurate assumption although, if the surface was scratched significantly an underbelly of immorality could be found. For the sailors though, whom were just passing through unlikely to ever return this mattered very little. There only concern was draining themselves on some unsuspecting women, or if so required a *******.

It's hard to say exactly how the altercation was initiated, although I suspect the cat calls of a few sailors had pushed one local over the edge. Whilst the promise of conflict ensured a crowd would gather the bar owner remained just away from the ruckus as if picking his moment. The sailors numbered in 20 or so, and fuelled by red wine and continental beer seemed more than willing to put up a fight. A waiter who had tried to act as mediator between the parties had given up, and left for the roadside and had lit up a cigarette. For a few minutes atleast it looked as though the scuffle would be forgotten and laughed about over eggs at breakfast. There was a barrage of shouting and pulling as the locals slowly lost their temper. By now many people had stopped to stare at the spectacle, this is where I must confess things got really strange. As I have previously stated I have no real idea what brought all of this on, that is to say I have no idea what set the process in motion. It was a well known fact that in times of violence the locals would protect each other with a ferocity and loyalty which could see the most able bodied men come unstuck. I had ordered myself a cream cake, and was skimming through the news from London when I heard a blood chilling yell. I spied the previously placid manager leaving the door which lead to his apartment above the cafe. With the confidence of a man without obligation he sauntered toward the group of sailors. I did not see the knife, I must confess I assumed this old man would take quite a beating at the hands of these sailors. Oh I was wrong, a young sailor fell to the ground silent, as his green shirt went claret with blood. In disbelief his comrades stood around, unsure exactly what to do. The crowd assembled gasped as if to share collective disbelief, the manager had managed to slip off somewhere without provoking any attention. Over the next twenty five minutes an ambulance arrived although I feel even the paramedics knew that this was more an exercise in keeping up appearances than saving any lives. They surely knew that there was very little they could do for this poor boy away from home. Police officers milled around, It was safe to say the bar owner would never be brought to anything like justice for this although, the general consensus was that anyone who got stabbed more than likely deserved it in someway or another. As for the manager  he had long been bundled into the back of some old pre war car and taken far beyond the cries and disdain of world weary sailors. No doubt to reappear a week or so later.
my ipad was running out of battery so I had to wrap it up
(Yes I am acutely aware of how terrible that makes me sound)
zebra Aug 2017
a black bat
hangs upside down
digesting a fly
his face almost human
a flying Frankenstein

he excretes
puddles of guano
like miniature buttered popcorn
a dark and wavy goulash
gods gift
to beetles and worms

dizzied overheated men look on
to an uproarious variety hour
of song and a high heeled kicks
inspiring
a tempest of throbbing
whisky drenched
folded ***** and cash

trouser trout fish,    
undulant
sexed up
tape worms for love
pulse the night
egging on bunny **** pom poms
devout finger puppets of Eros
for
shimmering ****** lipstick twilled vibratos

sequined tassel spinning areolas
and lavish come **** me dance girls
bring down the house in flames
making hearts apostate
clamoring
and melt men like steaming everglades

the bat
hangs from the chandelier
licks his black lips
and looks on to panorama of hieroglyphics
hearing music
a thunderous nonsense  

witnessing visions
of
flies, tasty white winged moths
and the thrill of screams
while biting the head off of another bat
in a claret stained red velvet cabaret
Sophia Apr 2018
how far must she travel
to rediscover
her purpose
her purpose
what a preposterous concept

neither rest nor return
are purpose

neither love nor hate
are purpose

neither this nor that
so then what
what is it
what is the answer
to this unquantifiable question

perhaps it rests
in the caverns of her dreams
in the caverns of her subconscious
synesthetic
mind
seeing colors for numbers
and mango puddles in the rain

it was always her imaginative spirit
that activated her forehead
which wrinkled with the tides of
hurt pain sadness glory god

and she was told
to soften that sternness
soften it until she was nonexistent

but instead she asked
what are these things
what are their purpose
besides drinking foreheads and wringing potential
and piping out excuses for this and for that
for crimson activities and
claret affairs
Terry O'Leary Sep 2013
MORNING HAS BROKEN
The men, in lines, ***** two by two,
forgetting all the women who
indulged them through a night of tricks
(their lips designed with crimson sticks,
their eyes a wild mascara mix)

and think instead on times ahead
when they’ll be gone, their bodies dead
(some rotting slow’, some mummified)
though once they were their mummy’s pride.

Attired bright in uniforms,
they strew their bombs in desert storms -
like melting sands, the sky deforms
with darkness, death - and doomsday swarms
through ravished lands where fires warm
the corpses, cold and puriform.

Their eyes flash forward towards the backs
of lucky ones who have the knack
of never being in the way
of bursts of bullets as they stray
(effacing phantoms faraway)
and dodging doom’s Redemption Day.

They’re wishing for a foggy morn
or best of all to be unborn,
and peering down to mark the sway
of wings in webs while spiders prey,

they wonder when their time will come
and they can cease their fleeing from
the sights they’ve seen, the deeds they’ve done,
the life they’ve lost, the death they’ve won,

then muse a while upon the child
they killed today when they went wild,
and when they’re finally reconciled
with broken bodies stacked and piled,

they ponder, does she have a kin
to curse them for their burning sin?

And if she does, will god reply
with tooth for tooth and eye for eye?

Or will her clan be mild and meek
and simply turn the other cheek?

2. MIDDAY MUSINGS
They’re counting steps to pass the time
and puzzle if they’ll reach their prime
or if instead they’ll serve the worm
their carnal flesh and aching *****

when soon, perhaps, they sleep in berth
provided by the chilling earth,
and fret about the fate they’ll find
below the stones that slowly grind.

And once or twice will come to mind
a sultry smile they left behind
(the distant past - a tepid trace –
another time, another place),
reflected in the gray grimace
that paints a frightened fading face.

And on they trek through guilt and gloom
to track their own and others' doom
and soon they’ll  grace another pool
with blood of other beings who’ll

inhale no more the evening airs,
unlike the wily Functionaires
who brutalize the fighting men
and send them far away and then

(relaxed, unwound, with victories made)
confer with sword an accolade
on those who’ve lopped bowed heads, with blade,
so someone bent must turn a *****

to hack a hole which then is filled
with all the cloven bodies killed
then cloaked with clay or loamy dirt,
as if to hide the pain and hurt.

3. TEATIME INTROSPECTION
Amongst the many are the few
who maim and **** and think it’s true
that purple war’s a parlour game
when really they’re submerged in shame
for crimes for which they are to blame
and can’t expunge with searing flame

while plodding through an endless time,
or pealing bells with holy chime,
or posing in a paradigm
where paradox and riddle rhyme.

And when they die (as die they must),
forevermore their putrid dust,
still soaked with gore and carmine lust,
will conjure thoughts of cold disgust.

And even though torrential rain
(which tastes at times like cool champagne)
can wash away the scarlet stain
which soaks the sands of god’s terrain,

it cannot ever cleanse the hands
that work the guns and burning brands,
or purge the throats that give commands
to him who never understands.

Nor can the raging hurricane
from blackened souls the white regain,
rescind the sins or void the banes
or loose the ****** from Satan’s chains
who line the pits of hell’s domains.

4. EVENING REFLECTIONS
When through the day to night they pass,
their eyes avoid the looking glass
displaying dim a pale phantasm
plunging deeper down a chasm,
surging through a blood ******,
smiling thin unveiled sarcasm

for the chances lost to taste
the many fruits that went to waste
when each was still a joyous lad,
who went to school and learned to add
and danced in rivers, barefoot clad,

attended church with mom and dad
(which tends the poor and cheers the sad),
to pray for good and curse the bad,
before, in war insanely mad,
he fought the fight (no Galahad)

by flinging flames and slashing throats,
immersing bods in  midnight moats
between the broken battered boats
where babes and booted bodies float,

and leaving bags of bones to bloat
in bullet-ridden overcoats,
and wondered if the goblins gloat
or spot (behind his eyes, the motes),

then strode away without a thought
that mortal lives had come to naught,
sedated by his conscience brought
to nothing more than dripping snot,
while Others sit upon a yacht
and pluck the eyes of fish They’ve caught,

for, when they die, fish seem to see
The Ones behind the tyranny
(with bellies round from gluttony)
in future dangling from a tree
(with leaves as black as ebony),
for that’s, They fear, Their destiny.

5. MIDNIGHT DREAMS**
At night the soldiers sometimes dream
of many things which make them scream,
like
                      floating down a gelid stream
             with burning flesh and cold ice cream
             upon their lips, which makes it seem
             as though their salt they can’t redeem
             when looking back at bold extremes
             of valiant warriors’ victory schemes.

Or ofter yet,
                      they sometimes meet
             a broken skull upon the street
             with gaping eyes, its mouth replete
             with swollen tongue that can’t repeat
             mere words of joy when lovers greet,
             or yell aloud or indiscreet’,

             or talk about the grand deceit
             of Those Who live on Easy Street,
             Who plot, destroy and overeat,
             while others bide beneath a sheet
             on bed of steely cold concrete,

             with final gift a flag or wreath
             that soon will wither like their teeth
             when once they’re settled underneath
             a mound of muck on mouldy heath,
             to lurk in Limbo Land beneath.

And ever more before they wake,
appear quaint dreams not quite opaque,  
like
                      upside down upon a lake
             keeps popping up a pregnant Drake
             who says “there must be some mistake,
             I only have a bellyache”,
             while high above’s a flying Snake,
             (a sight to make a killer quake).

             She cries aloud “for mercy’s sake
             your foresight’s blind, your wisdom’s fake
             the fragile bodies that you break,
             impale or burn upon a stake,
             then stack in layers like a cake,
             reflect a lust that death can’t slake”.

             And turquoise Turtles on the make
             (though taking time to overtake,
             each slurping down a chocolate shake)
             rev up to plead “let us explain,
             we think you men are all insane
            with morals thin as cellophane;

             for, peering through god’s window pane,
             we see quite clearly those you’ve slain,
             enough to fill the Dim Domain
             with blood and guts and tears and pain,
             Chimeras of a frenzied brain.”

             A worn and weary weather vane
             announces floods of claret rain
             that forty days and nights sustain,
             submerging mountains, raising Cain,
             while flushing mankind’s acid reign
             down nature’s evolution drain.

             The Serpent hails a hydroplane
             “because”, she hissed, “we can’t remain;
             behind the hill, the atom’s spark
             has vaporized the palace park,
             reduced to dust the Meadowlark
             and nullified the Rainbow’s arc”.

             And while the others hush and hark,
             a feline Toad begins to bark
             “This plane is certainly Boa’s Ark.

             Let’s flee the Human hierarch,
             forsake all Men to sate the Shark
             which swim within the Waters Dark,
             and purge all traces of the Mark
             in Eden when we disembark.”

             The beasts, in lines, by twos embark.

The dreamers wake, they’re staring, stark,
behind their eyes, a watermark.
Olivia Kent Nov 2013
Claret filled the bleeding heart.
Glass fragile.
Shattered.
Bread was broken.
Shared with friends.

In love of God.
A celebration of the gift given.
From the lord of all.
The gift was love herself.

Angels kisses touched the blessed.
Those who spoke the words of lords.
Love should be the celebration.
For without love.

No more children would be born.
Not products of imagination.
Products of blessed emotions evocation!
A gift of love's respect!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
From the agnostic one!
Tell me about the Ace of Wands!
Tell me about the Ace of Wands!

This has been poorly imagined I admit:
The sunny penthouse
Open to the breeze
which presses and sways
through the sliding glass doors

Upturned champagne bottles
set in buckets of melting ice
A crystalline view of the Pacific
Or dusky Vegas lights

Strewn silken sheets
A **** carpet you can grab on to
The myriad of variations under a rising Moon

Yet Leather and Ecstasy are no where to be seen.
And though I wasn’t thinking of Sardinia
or of the Amalfi
That is a great idea

ROMP
noun
1. a spell of rough, energetic play.
2. a farce.

Eventually
(An earth-sign cusp is slow no matter how much air)
Eventually
creeping into my mind’s eye
(Thank you Time)
was my dodging of the slow-moving bullet
Alas, the lumpy bed in Hollywood awaits
with serviceable sheets
Encased in variations on a theme of
brown everything
A soul death in faux wood paneling
Someone else’s earring on a
grubby carpet floor
that offers you
burns for your back that won’t heal so fast
if that’s what you want
There’s the opening of the door
on the purring refrigerator
to look at cold nothing
And think nothing
Cystitis is on its way
And yes,
Too much dust

Don’t get me wrong
I have no real issues with dust
I have stood
Alone in the semi darkness before
In such a living room
Staring at this luminous particulate
On album covers
and in the glare of backlit windows
Floating in a beam from
a ceramic thrift store table-lamp

I was on my way to find the bathroom
Where a pair of pink ******* lay
drying
in wait for
me

Bachelor dust
Is old
I can write my name with my finger
in that which rests
upon the turntable’s hinged cover
In case you don’t remember
What they call me

As I’ve said
I’ve got nothing against it
Ask the dust
Go ahead
Ask it
Resting quite comfortably
on the bookshelves
If there are bookshelves
As if it had
something to do.
I ask it why?

my invading molecules subdivide
and grow more comfortable

Dust?
Why do I smell the stench of
chaste virgins and ***?
The intoxicating odor of foxed letters from an epistolary exchange regarding:
One Fair Maiden and the Devilish Pursuits to  Compromise Her Virtue?
The Opinions and Observations of Fallen Fruit
Here: The woman and her only true
possession
And Here: The sticky absconder who smells of fish.
They meet.
She blinks.

The dust replies
It’s a simple plan:
The Dear Lady is to be led
Astray
by pretty words and unspoken indiscretions
her dowry in the end, useless
She’ll be banished to the counties
To be a governess
or the
Bored companion
of the only living relative who will
Admit her services
Unpaid in silver coins
He is Blind and his Cook has left
Dyspeptic
Disagreeable
Cheap
and Mean.

She is Ruined.
Perhaps she will escape
to Italy
and die
Alone
in the sunshine.

The dust tells me another story
The same century still
This time, a miscreant princeling
surrounded by Trifles
Picking up one bob and then another
Preoccupied by uselessness
Perhaps a strawberry
Perhaps more claret and his mistress’s left breast
Tonight will be the scullery maid
Who will lose more in the end
Than she could ever possibly imagine
Tossed out of the kitchens
to Providence.
God bless Her.

The dust tells me
It’s mercantile, my dear
It’s all transactional
But look at me
I’m here for a time but am easily
Agitated and
Airborne
Aeolian driven
Ever blossoming fugitive clouds of swirling devils
Interstellar Reflection Nebulae
As you can see
I’m never in one place
So I say keep it movin’.
Creepstar Mar 2016
Weaving little droplets of darkness into sub dermal layer
Pressing close but not too hard,assure each line's a stayer
Coulded claret brought forth from beneath
A work of art,to you I bequeath
Droop, droop no more, or hang the head,
Ye roses almost withered;
Now strength and newer purple get,
Each here declining violet.
O primroses! let this day be
A resurrection unto ye;
And to all flowers ally’d in blood,
Or sworn to that sweet sisterhood:
For health on Julia’s cheek hath shed
Claret and cream commingled;
And those her lips do now appear
As beams of coral, but more clear.
Marie-Chantal Oct 2014
It's an animal beastly thing wrapped up warm in stigmas headlines daydreams sleepdreams ice cream headspin. pain.
Sirens call in my upper chest or my abdomen, maybe. a ****** sea. fish of mens' hooks eels and seaweed wound around aorta blood pumping mind squeezing toes cracking new blister dried fluid. cracks and flakes a flushing cycle, not over the **** yet.
salty eyes heavy chest silver parcels unending quest not shiny particles. Head spin crack of dawn hey look the moon is gone. observed the craters they were my neighbours a hole in my heart like the one......
Don't play mean i try and try green bean carrot pencil brush pen, still here? Run! too hard. Curdling scream turns sour on my tastebuds my tongue has been dissatisfied. Add it to the list! lately I know these things should not have been acknowledged. Bed. No. Kitchen work? Yes. Hurts me through and through and I know it's because it is me and it cannot be handled but it settled in the pit of my stomach and it made itself a happy home. I HATE IT.

BLOOD:
juice
gore
cruor
claret
hemoglobin
sanguine fluid
clot
plasma
vital fluid


why would I ever use blood?

Porous salt bruises help mind chooses slugs and moths but i want insects like ladybird bees. Keep me weak and feed me lies because not once did you see me you only looked right past me. how does it feel, little peach, to be dishing out bowls of dinky lies. i ate it you were trusted you were good there's just so many people coming.

when the moon rises and the sky twinkles lights about you its easy to be sad but its time for you to *blossom
A total stream of consciousness. It is utterly lacking in another y structure or logical punctuation/capitalisation. I'd love to hear some feedback
Brian Oarr Feb 2012
Redds shine like new nickels on the dark river bottom,
salmon have returned to spawn the Deschutes,
navigating by primal memories written in DNA,
an internal Tom-Tom GPS wired in their brains.

Watching them struggle up the ladder,
consumed with a drive to leave offspring,
they are herculean athletes battling
the current and the inexorable pull of gravity.

Were these the fry I helped to seed four years ago?
A Squaxin woman told me once,
ghosts of her Coastal Salish ancestors
ride the salmon out to sea and home again.

Roe in these redds dream also of the sea,
their salty eyes and nostrils perceiving
spirits in secret claret-red kelp beds.
The waters ask only to be haunted again.
Unfortunately the restored run is in a precarious state and may fail. It seems that the water temperature of the Deschutes River is too warm due to deforestation and global warming.
Sylvia Weld Apr 2013
on a rainy day your body spread over a picnic table
like an egg yolk, and you swallowed the word profound
again and again.
someone from your past
has gone beneath the ocean, leafless
and you can hear the wailing from here to the saginaw
people begin to breathe blood: they’re choking up, soughing
“be easy buddy” and
“he wanted a black eye for prom so i punched him in the face”
flowers arrived at the door, a ghost, an ear of corn
while everything yearned tall: frames, shadows,
in st. louis you circle a bit of claret earth
spotting your sister’s face in the mirror, leaving linseed and shreds
i could never ask how you are.
the wail is a train whistle, i hear it pauses
for no softness of flesh, these midwestern daughters
she loved all living things.
imagine carefully painting a boat
a pencil in your teeth,
cutting through earth, the nantucket sound
you’re going to take your boat beyond
this firmament, you know, we’re all
waiting through this salty crush
sinking below a winter current
this is all yours now:
mainsail, rudder, hard-a-lee
you darling masters of the sea.

for PW and LE. goodnight.
Nigel Morgan Nov 2012
When he opens the door it is almost exactly how I have imagined it: the room and the person.

Without a word he takes me to the window directly, and there it is. He smiles and says ‘Am I not the most fortunate of Fellows?’ And, of course, he is. Who else could have taken rooms that look out on the great Oriental Plane of Emmanuel College:

A lado de las agues esta, como leyenda
En sui jardin murando e silencio
El arbo bello dos veches centenario
Las pondrosas ramas estendidas
Cerco de tanta hierba, extrellazando hojas
Dosel donde una sombre endenice subsiste.


(By the side of the waters stands like a legend
In its walled and silent garden, the beautiful tree
Surrounded by grass, interweaving its leaves,
A canopy where Eden still exists!)

He doesn’t provide the English translation of Luis Cenarda’s poem, but he probably knows it and can recite all eleven stanzas. If you had that view you’d learn it too.

‘I gather you’re a Cambridge man.’  he says. ’76 to 88 – I know Robin of course. He has new rooms since you were about, but says do look in.’

Yes, I’m a Cambridge man, but this was never my territory, never such gracious rooms, the floor to ceiling walls of books, the maps, the pictures, so many photographs, a traveller’s room. Indeed, on my journey here I found myself imagining this location and the man himself. I am not disappointed. He is my height, just under six foot, cropped hair, a slight beard, large eyes that rarely seem to blink; they take all of you in and hold your gaze. His clothes are unassuming – a blue sweater, proper trousers, Church’s brogues highly polished.

Thus, I am being examined like those landscapes he describes so well. He studies my personal topography. No pleasantries. ‘Lunch in the Common Room at 1.30. Let’s talk now.’ A glass of sherry appears. He perches on the edge of a desk, one of four in the room. A small table by the window is quite empty except for a small note book and framed photograph of his friend Roger. His muse perhaps? I know he swims too, and imagine him on a morning in early Spring heading for the Cam at dawn like Richard Hanney taking a plunge in his Oxfordshire lake.

‘Music isn’t really my thing,’ he says tentatively, ‘I love the chapel stuff, but I don’t do the background thing. I’m not like Attenborough who can’t take a step without being plugged into Bach. When I travel I like to hear the sounds around me. I think they are as important as the smell of a place.’

‘There’s this tradition of English composers painting landscapes in music. Egdon Heath, the Fen Country and so on. I looked at your recent essay on your Heartstone, how you’ve taken the fractal nature of the chalk landscape down towards Audley End as your canvas. It is beautiful there, seductive. I occasionally take the train to Saffron Walden and cycle the lanes.’

We talk about whether words in a musical performance need to be heard by the listener. ‘I can never hear them.  Do composers think people should hear them, or are they just a lattice on which to hang musical sounds? I wonder. Do you want those kind of words? Starting points for your imagination? No. Oh . . .’

I tell him I have to have clarity. I see music as a kind of additional commentary underpinning a text. As a composer I give it rhythmic space, a further and extra dimension. I place it in a field of time.  

He goes to a bookshelf and picks out The Peregrine by J.A. Baker. ‘You know this of course.’ I know this I nod. ‘A book which sets the imagination aloft, and keeps it there for months and years afterwards.’ I proudly quote (his introduction to the new edition). ‘Gosh,’ he says, ‘Nobody has ever quoted me before’. And smiles very broadly. ‘I think you’ve deserved your lunch’.

And so we go, past the Oriental Plane, across the Fellows’ Garden to the Fellows’ Common Room. In the December gloom we have rich Scots Broth, herrings with a course mustard dressing and salad, a glass of claret and cheese. We talk of China: his year in Beijing with expeditions to the northern Tai Mountains, the territory of my work in progress. ‘They are just like the Pyrenees only more so. Exquisite limestone forms, and in Autumn they are simply poems of mist and water. You are going to go there I hope before the tourists take over completely? The scenic mountain road is a travesty.’

It is time to leave: he to an afternoon of end of term tutorials – I to look in on Robin, who sees us at lunch and makes appropriate signs across the Common Room. ‘I enjoyed your letter’, He says ruefully, ‘You have very gracious handwriting, so unusual these days and a delight to leave lying on the desk. You know I insist that my students write their essays in their own hand. You should see the scrawls I get. But they learn. I gave one young woman one of those copy-books that Charlotte Bronte writes about giving her pupils. I got my act together when I first corresponded with Roger. His letters were astonishingly beautiful and one of these days they’ll be published in facsimile. Lui Xie says a well-written letter is the ‘presentation of the sound of the heart.’ What a pity you no longer write your scores by hand.’

I tell him I’ll write his score by hand if he’ll compose the words I seek.

‘We’ll see’, he says, and with a brisk handshake, he rises from the table, smiles and leaves.
Why is it that Poetry has never yet been subjected to that process of Dilution which has proved so advantageous to her sister-art Music? The Diluter gives us first a few notes of some well-known Air, then a dozen bars of his own, then a few more notes of the Air, and so on alternately: thus saving the listener, if not from all risk of recognising the melody at all, at least from the too-exciting transports which it might produce in a more concentrated form. The process is termed "setting" by Composers, and any one, that has ever experienced the emotion of being unexpectedly set down in a heap of mortar, will recognise the truthfulness of this happy phrase.

For truly, just as the genuine Epicure lingers lovingly over a
morsel of supreme Venison - whose every fibre seems to murmur "Excelsior!" - yet swallows, ere returning to the toothsome dainty, great mouthfuls of oatmeal-porridge and winkles: and just as the perfect Connoisseur in Claret permits himself but one delicate sip, and then tosses off a pint or more of boarding-school beer: so also -

I NEVER loved a dear Gazelle -
NOR ANYTHING THAT COST ME MUCH:
HIGH PRICES PROFIT THOSE WHO SELL,
BUT WHY SHOULD I BE FOND OF SUCH?

To glad me with his soft black eye
MY SON COMES TROTTING HOME FROM SCHOOL;
HE'S HAD A FIGHT BUT CAN'T TELL WHY -
HE ALWAYS WAS A LITTLE FOOL!

But, when he came to know me well,
HE KICKED ME OUT, HER TESTY SIRE:
AND WHEN I STAINED MY HAIR, THAT BELLE
MIGHT NOTE THE CHANGE, AND THUS ADMIRE

And love me, it was sure to dye
A MUDDY GREEN OR STARING BLUE:
WHILST ONE MIGHT TRACE, WITH HALF AN EYE,
THE STILL TRIUMPHANT CARROT THROUGH.
There was an old man whose remorse,
Induced him to drink Caper Sauce;
For they said, 'If mixed up,
With some cold claret-cup,
It will certainly soothe your remorse!'
Marshal Gebbie Apr 2011
I wanted to be there for Parsnips but time and  money availability have precluded it from happening. I cannot make it down for the funeral.

I f you would please pass on the following few words for me.

Parsnips was my mate, He was the epitome of a man from a different age.
He was wild and intense, dark of mood  and definite of opinion.

He was poetry in motion astride a good jumping mare, many a time I have seen him clear a seven wire fence with a good foot of daylight to spare.
His understanding of equine mentality approached that of witchcraft. He was capable of anticipating the  lashing hoof before the horse had formulated the thought, much less put it into action. He had NO patience with intemperate horseflesh. Many a frisky animal had second thoughts of misbehaviour after they had worn the thick end of a coarse rasp at close quarters.
Parsnip’s work was artistry, he was truly... one of the GREAT farriers.

The end of the working day would see Parsnips drown his sorrows in the demon ***.
This was the emergence of the dark soul who cast about for answers to impossible questions, who wallowed in the unhappiness of his failed horizons and the bitterness of his life’s disappointments. My mate Parsnips was not the easiest man to know in his dark moments. But a mate is a mate... you take the good with the bad.

And there were a lot of really good times... when a happy Parsnips had laughter in his eyes and a flash of excitement in his demeanour. I recall one such time when, on a wild rafting trip on a rampaging, flooded Mohaka river, The raft was marooned on a jammed stump in the midst of violent huge killer white water. Parsnips hung off a rope and with a look of wild joy on his face announced to his flabbergasted mates...”And I can’t even ****** swim a stroke!... fantastic. Needless to say he survived the trip and loved every moment of it.

I called to spend the afternoon with him a short time ago at the Rest Home. This was a shadow of the Parsnips I had once known. He was completely disillusioned with the hand fate had dealt him. He saw no future to speak of... He wanted out.
So I must say that I am not entirely surprised with the way things have materialised.
Parsnips usually arranged the system to get things the way he wanted them.

I grieve for the loss of my wild, intense mate, God knows there are few enough of them left.
Real people who live life in the black and white way.
Definite personalities who, for the good or for the bad, never ever leave you in any doubt as to where they stand in the way of things.


Fare well my old friend, I leave you with these words.

The Winds of Life
by Marshal Gebbie

The wind careers across the years
Gathering leaves and dust,
Sweeping lives before it
In cartwheels of redness and rust.
Epiphanous moments of magnitude
Through special occasions employ
The will o the wisp of everyday stuff
From sadness to anger to joy.

The billowing tumble of living
Through vaulting halls of trees
In the dappled light of sunshine
And green corridors of breeze.
The exquisiteness of living
When senses soar in the air
When the colours of being are rampant
And we savour each moment with care.

For the living time goes quickly
It flares and fades with speed,
‘Tis best enjoyed boisterously
With passion, love and need;
‘Tis best when tasted piquantly
Like a claret on the tongue
When you cloak the days with good things
And you hope your dreams die young.

Marshalg
@ the Gate
Mangere Bridge
29th January 2009
Jas Citrine May 2014
My soul whispered a secret to my heart,
It spoke of spilled blood upon a rose,
Rouged lips within the garden,
Drops of crimson liquid blush.

[CHORUS]
Nature’s beloved colour is green,
So red speaks of originality,
Blood is a passion,
Scarlet bleeding from thy own,
A claret sun dawning beyond,
Sanguine stained skies.

When the little cardinal sings sweetly,
A doorway opens I never chose,
Visions of a bloodshot key,
A lock rusted with dried blood.

A glimpse through the keyhole,
A pale forest awaits on the other side,
Showers of cherry blossoms,
Falling upon the snow.

Red berries bloom under crystal snow,
Glints of sunlight touch down,
Sparks of fire captured within,
Just beyond this rubicund door.

[CHORUS]

The dreams I am allowed,
Burn and scar my will,
When the door swings open,
Of its own accord.

Damask petals on the wind.
How warm and gentle that spray of blood,
Like a hundred tender kisses,
And the golden keys to Heaven.

I glimpsed the gules of true heraldry,
A suffused spirit at the dawn of memory,
Imprisoned by a cage of vermillion frost,
Warmed by a glass of spiced wine.

[CHORUS]

A roseate palace at the end of a long walk,
Painted titian by my tear drops,
Caress a florid complexion,
Carmine not my own.

Roan stones dusted,
By the fall of Angels light,
Make-believe incarnadine carpet of,
A mirrored auburn dusk.

I settle back into the maroon night,
The darkness flushed by concealed art,
Bay canvas touched-up with unreal imagery,
Indifferent to the passing of my former life.

[CHORUS]

Rubies fall from ruddy clouds,
These gems are not for me,
Reddened glass has come to pass,
The moment of my undoing.

[PAUSE (Epilogue)]

Red is not for me,
Red was not meant to be...
[Unedited / Un-extended Version; extracted from unfinished novel manuscript Blood Rococo, by Jas Citrine; Submitted May 24, 2014; Copyright 2014]

[Not finalized; it is written as a song for artistic effect; ten stanzas have been omitted]
I entreat you, Alfred Tennyson,
Come and share my haunch of venison.
I have too a bin of claret,
Good, but better when you share it.
Tho' 'tis only a small bin,
There's a stock of it within.
And as sure as I'm a rhymer,
Half a **** of Rudeheimer.
Come; among the sons of men is one
Welcomer than Alfred Tennyson?
Sara L Russell Oct 2009
In 4 sonnets, by Sara L. Russell
(aka Pinky Andrexa) 2/6/03

I

A vampire's spun of dust and frailty,
Condemned to shun the healing light of day;
No innocent first kiss for such as he,
No cross to keep his own demons away.

He's poised in shadow, by the lady's bed,
Fixated by her flawless, youthful skin,
Her fragile throat beneath her dreaming head,
Translucent, showing pale blue veins within.

"And will I lift the curtain of thy hair,
And on thy pale white *****, stoop to feed?
If thou wakest to find me sleeping there
Would there be retribution for my greed?"

She does not hear his whispered litany.
He stoops to feed, in silent ecstasy.


II

Her blood intoxicates him right away.
His head is reeling; he is feeling strange.
She's tasted claret earlier that day,
Surfiet of wine has caused her blood to change.

Inebriated now, he starts to yawn,
As gently, like a cradle, the room sways.
He's mindful he must not linger till dawn,
Yet down he lies and, dozing, there he stays.

Wild dreams of parties fill his sozzled mind:
Of sanguinary crimes, of flying free,
Of hanging upside down with his own kind,
In places that the sun will never see.

As if thrown from a lofty height, he lies.
Beside him, she has opened her blue eyes.


III

The lady does not turn her drowsy head
At first, but when she does, stifles a cry.
The ashen youth beside her appears dead,
With bloodied lips; until he seems to sigh,

Whereon his mouth curves into a half-smile,
His wanton eyebrows flicker as he dreams.
She settles down to watch him for a while,
How very dark and dangerous he seems!

"And will I lift the curtain of thy hair
And on thy handsome throat, alight to feed?
If thou wakest to find me lying there,
Wouldst thou be angry, or rejoice to bleed?"

Did I say that? She wonders, feeling odd,
She gives her new sharp canine teeth a ****.


IV

He wakes, looks up - and she is looking down.
Her wide blue eyes betray none of her fears.
He stares at her, his hand raised to his crown
(He's not had such a hangover for years).

Gaze locks to gaze; they cannot turn away,
He falls into her eyes, she into his,
Then there is nothing left to do or say
Until they have exchanged a tender kiss.

Now comes her father, thumping up the stairs,
The vampire turns, in dreamy half-surprise,
Lifting her up, and, overturning chairs,
Leaps to the window sill; fire in his eyes.

"You're mine now, little one"  She hears him say.
One more leap - and she's spirited away.
Would could I exchange a peach for my heart fair lady ?
For both are juicy and picked today ?
My heart beats and my peach is ripe and tender is it not
You would tell me ?
Of all the grocers fruit I could have picked did I choose at least one for you no fly had landed just for one second ?
As for my heart did I not rip it out of my chest and serve it to you
rich in the finest Claret  
likened only to a plum ?


Do you remember the warm ,
Beating ***** I gave you when we first met ?
How  it dripped with my blood ,
and you gathered it to your breast.  and said “ now you are mine “

I died that day ,
If I could have given you my lungs I could have told you !
and my ears so you might have listened ?
How  I wished you had ears to hear ?

Please if you read this come quick for I am alone sweeping up in
The potters room for what we tried to Mould  ,
together was always you’re Moore to my Swayze ,
now a ghost to our dreams shattered into a thousand pieces .
Yet if you just say the word ,
just pick up one piece could we not start again ?

Then meet me at the grocer , plum , pear , heart ?
Sequestered May 2016
Christened as black widow,
Baptized in the burning depth of hell;
She emerged from dark shadow
Into the light to entice with her spell.

Her gothic allure's mesmeric,
Bewitching lustful hombres with ease
Into enchantment most cryptic;
To drink from somber lubricious kiss.

Her explicit charm's accursed,
Venomous fang and tongue, irresistible;
******* the blood of lustfully lost,
To rejuvenate a splendor forever invincible.

Her claret lips, stone and rose bouquet;
Her sting of death they'll never betray...
Sand-crusted catacombs of dismembered dreams
Settle beside memories of the child who grew up

In rocky Harpswell, Maine. Not many beaches,
Only a foggy stretch beyond Morse Mountain --

But I used to stand ankle-deep
In the water, wait until my toes sank

Into crystalized Earth
And bubbles from Littleneck clams.  

I’d stand there until goosebumps spread upon
My blanched legs, rising up, up, like the artificial hills

Of Maya Lin’s Storm King Wavefield.
Now, when I lie alone,

Misplaced inside a vacant Manhattan studio,
I surrender to sirens and accelerated lives.

Peace comes in painting – thick oil,
Violet and claret on stretched canvas,

Depictions of neon signs and cityscapes,
Cheap t-shirt stands on street corners,

And 24-hour coffee shops with “specialty”
Blends in little white travel mugs – selling

To flocks of strangers, strutting like pigeons on cement
Sidewalks, pretending they belong.
anastasiad Jun 2016
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Laser Engraving Machine
Olivia Kent Jan 2014
I have a photograph of you.
A fatalistic image stuck in my eye.
Like a piece of ***** grit.
Sharp and caustic.
With acidic bite.
Picture ripped, torn into thirds.
Spread between you and I.
Via fantastic words.


His pessimistic transparency.
Shot him in the foot.
Foot dripped claret.
A carpet ruined.
Stained with blood of the obscene.

Nightmares melted into dreams.
Temperate,
Into honest evaporation dissolved.
In rebellion,my heart's released.
The compassionate one once more is free.
A rapid hummingbird.
Sweet nectar, pure extraction.

On the next day you are released.
For after your birthday tomorrow,
Darling I only pray you rest in peace.
The delicate flower washed away.
Free to dance and write and play.
Forever and another day.
Alone and sour.
A salty twang.
Goodbye my sweet,
All gone.
Bang!




By ladylivvi1

© 2014 ladylivvi1 (All rights reserved)
annh Oct 2021
i am over without the easy|
sometimes a cup without a saucer|
often shoes without socks|
but mostly i am legs running and arms whirling

in a hurry to escape the day|
in a rush to fill my head with bouncy thoughts|
in a flurry of wishing flat words into fantastic stories|
of turning grey into cerulean, and rust into claret

i am questions with more than one answer|
questions which play on my mind|
answers which go around and around|
like petals of eccentricity whelmed by an eddy|
and trying to escape the day in a hurry
‘For the circle is perfect and infinite in its nature; but it is fixed for ever in its size; it can never be larger or smaller.’
G. K. Chesterton
Mark Lecuona Dec 2014
I thought all of life existed in a smoky room
Confident men raising spotless claret glasses
Matches firing their dreams and memories
Until the last cigar reminds how time passes
And now where life has taken us
Is the refuge of sidewalks groaning under the masses
We long for those days of fearless bravado
While we wonder if meaning is buried under the ashes

— The End —