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Shakespeare says, "The world is a stage..."
But who gave me this play that has no page?
We are the playwright of our play.
God has given us the light for the way.
"Action!" Our feet stand on the theater,
Ready to perform, use all strength to do better.
The judge is sitting at the auditorium top.
Millions of mouths jazz for the artist of pop.
Their echoes can trick a lofty heart to fail.
But the dressed player will not be the tail.
Inspired by Shakespeare’s iconic line — “All the world’s a stage, and all the men and women merely players” — this poem explores the tension between divine purpose and personal responsibility.  

We are not just actors in life’s drama; we are the playwrights of our own story. With God as the light and judge, and the world as our audience, this piece challenges us to step boldly into our role, write our script with intention, and perform with courage.  

A poetic call to action for anyone who feels lost in the noise — reminding us that the stage is ours, and the script must be written before the curtain falls.

🎙️ This is part of the “HISTORY RECLAIMED” series — where poetry rewrites to build on ancient work.
In the new world of books,
Where the hungry mind's meal is cooked.
Laid ancient artifacts.
Golden treasure that the unborn yearn to behold.
This treasure caught my busy sight,
Which hungers for root of the rare gem.
My legs drove me here like a fast bike.
It covers 5 meters in a second,
Just to take a glimpse this diamond.
A mountain of books.
An ocean of map, a guide to today's writers.
Their quills had dried up long ago,
Yet their words still drip ink on our tongues.
Scrolls of Aristotle and Shakespeare won war.
The war against time that makes things lost.
Your words are not trend that are visitors.
But your ink is like the earth that never stop.
Your ink shine as though made now.
I use your ink in writing this scroll.
Ink men of today still drip your ink on their scroll.
Will our ink still shine if time tests the scroll?
In "The Ancient Ink", I pay tribute to the timeless voices of literary giants like Aristotle and Shakespeare, whose words continue to ignite the pens of today’s writers. As the debut poem in the HISTORY RECLAIMED series, this reflective piece explores the enduring power of great writing—how ink from the past still stains our present with wisdom, inspiration, and creative fire. With vivid imagery and poetic rhythm, the poem reminds us that while trends fade, true words endure. It is a call to every modern writer: draw from the well of ancient genius, and let your scroll stand the test of time.
"You are neither here nor there,  
How can you be successful?"—a voice in the air.  
It muttered once, but I heard it thrice,  
A haunting echo, not so nice.  

I reflect deep—could this be me?  
Is it instinct or a mind not free?  
Am I imagining things in vain?  
But he is right, and I feel the strain.  

Jack of all trade and master of none,  
But one who masters will inspire someone.  
Too many tasks leave all half done,  
While one at a time brings work well spun.  

All in one is same as nothing,  
But one in one births everything.  
I do not write this to condemn,  
You can succeed with more than ten.  

But purpose and vision must lead the way,  
Without them, you’re a leaf that sways.  
A man without vision is like a trash,  
Waved by the wind in a reckless dash.  

I’m glad I’ve found my voice at last,  
Through Poetry, wisdom shall be cast.
“The Voice That Spoke” is a soul-searching poem by Nigerian poet Osahenoma Favour Moses, born from a moment of internal reckoning. It begins with a haunting voice—an echo of doubt—that challenges the poet’s scattered pursuits across multiple creative paths: acting, preaching, storytelling, and poetry. Through rhythmic reflection and layered wisdom, the poem explores the tension between versatility and focus, urging readers to discover their true calling and nurture it with purpose.

This piece is more than a confession—it’s a call to clarity. It speaks to anyone who feels stretched thin by ambition, reminding them that success is not in doing everything, but in doing something well. With poetic precision, Favour casts light on the importance of vision, identity, and intentional growth.

“The Voice That Spoke” is part of his growing body of work known as Wisdom in Poetry—a genre where truth meets verse, and insight flows through rhythm.
I wanna eat your *****
I wanna die tonight
I wanna get wasted
I wanna start a fight
I wanna go to jail
I wanna get paid
I wanna **** your mom
I want retards to get laid
**** politics
**** words
I want to *******
To pictures of worms
I want to see Diddy get ******
I wanna see Sara Palin ****
I wanna light a smoke with Obama
I want a **** that’s ******* huge
I wanna do drugs
I wanna go insane
I wanna chill with Charlie sheen
And do a bunch of *******
I wanna streak in Area 51
So aliens can grow my ****
I wanna spit off the Eiffel Tower
Drink until I’m ******* sick
But all I’ll ever do
Is write this stupid poem
Maybe if I drink enough
I’ll die on the way home
God might love you!
Matt Jun 23
those are the options a boy is given at birth,
a choice between two evils—
for to be is to conform,
to choose the path of ignorance,
for to not be is to remove oneself,
to stray from the social norms,

To be is to blend,
to fade into a mass of faces that never ask questions,
to wear the uniform of comfort,
to follow the crowd without ever knowing why.
It’s to shut your eyes,
to smile and nod,
and pretend that you’ve figured it out
when the truth is you’re just drifting,
suspended in a current that leads nowhere.

But to not be—
to stand apart—
is to feel the weight of a world that cannot understand you.
It’s to be misunderstood,
labeled as lost or crazy,
but deep inside,
there’s a fire that refuses to be extinguished.
To not be is to question everything,
even your own reflection,
to challenge what is said to be true
and create your own truths,
even when it feels like you’re the only one who believes them.

And so the boy stands,
on the edge of these two choices,
each a path with its own promise,
its own cost.

To be is to live in a lie that everyone else accepts—
to wear a mask that fits just right,
but hides the person beneath.
To not be is to risk it all—
to tear away the mask,
to live in the rawness of truth,
to be exposed,
and to wonder if the world will ever be ready to see you as you are.

And so, the boy is left wondering
was he given two options at birth?
Or was the real choice always this—
to be neither,
to refuse the roles they've set before him,
and to create his own way,
somewhere between the lies and the isolation?

To decide not what the world tells him he must be,
but to question,
to carve out his own existence—
for, perhaps,
the answer lies in asking the question
again and again…
to be or not to be?
I've never been able to decide which path is easier, to be or not to be, and if ease even dictates the better path to choose.
Bekah Halle May 18
Nothing is constant;
Neither my sense of satisfaction --
or loathing?

Does that bring comfort?
A yearning? Distraction;
from and liberation!

If Shakespeare were here now, what would be his wisdom
In the times of 'Trending' like fashion;
Would 'star-crossed lovers' be a clickbait sensation?
I really did ponder this, sat on it for hours, put it on the shelf, dusted it off and had another rewrite.
S May 13
I thought that I was going to be swept off my feet,
having the wind knocked from my lungs,
feeling as enamored with you as I did almost ten years ago.

I was wearing that magenta color again, trying to be a version of myself from back then.

Spring and summer are not my seasons but **** when you reached out I knew I had to try.

I wanted to try.

I had reached a plateau of almost overcoming my self hatred and I wanted to be more confident, strong, dare I say appealing?

I felt as though I was at the edge of a cliff, a dangerous precipice:

What if it would be weird?
Really, it was more: what if he thinks I’m worse than who I was before?
Honestly, it was: what if he thinks I’m fat?

Worst comes to worst, I would just leave- vanish mysteriously without even saying goodbye.

When I saw you I felt so light, happy-
it was as if you were exactly the same.
I mean honestly you still looked so good.
I kept saying: “It’s like you haven’t changed at all”.

And you said: “I have been so worn down”,
And that shook me and made me really look at you differently.

You are such a humble person.
You are so interesting and insightful and talking with you makes me feel like I am meeting you again for the first time.

Seeing you again brought up so many feelings, but the strongest ones were that I wish I would have gotten to really know you back then instead of being obsessed with the idea of who you were. Or who you could have been to me.

I want to get to know you better, now that we both have grown into who we really are.

I’m proud of you.
You are proud of me.

Amazing what almost ten years can do.
What a wild ride this one was, strange how seeing someone again brings up so many feelings
Jenny Gordon May 4
...I'm all mixt up, am I?!



(sonnet #MMMMMMMMMCCCXXXI)


Sweet blue skies with soft gilded clouds t'avail,
Red Maples' baby leaves now flutter hence
So lightly, and how dandelions thence
With sunny yellow heads dot green lawns' trail
To yonder as songs flit and call like bail
From every bush, tree, covert, nook, a sense
Of all we cherished in that note, no scents
Of pine, fresh grass nor clover to inhale.
But how the lake now ripples as winds stir
Across its face, the sparrows gaily too
'Non calling as geese rest. If plovers cure
Night's blackness, how frogs chorus through
The welcome touch of chill. And Shakespeare, poor
As subterfuge, remains cloaked. What is new?

23Apr25e
Enjoy?!
Jenny Gordon May 4
...neither of us.



(sonnet #MMMMMMMMMCCCXXX)


She calls to tell me of the wondrous scents
Now wafting in from her oped windows hale
In clover and fresh grass, whose sweet detail
Is not, she sez, though that can't be pretense;
And I am glad for her. Wisconsin dense
In such is far too perfect. I'd avail
Me but I am in Lincoln's Land sans bail,
And country living hers, I've no defense.
Best friends now from a distance, what is poor
Is we can't hang out anymore. We knew
Such parties in the day, shared dishes fer
The fun of it, went groc'ry shopping too,
Together, and now only have as t'were
Our phones. Thou gav'st all, LORD, and we wait You.

23Apr25d
A diversion? Perhaps.
Jenny Gordon May 4
Ah, dearest Will, you win, hands down.


(sonnet #MMMMMMMMMCCCXXIX)


Dear William Herbert, Earl of Pembroke, they'll
Not know you as you are. Tis as fr'intents
You wanted; oer four hundred years quite dense
With progress have erased you; that detail
Used then to masque is all they know t'avail
Them of as, "in black ink [my]Love-" fr'intents
Not thee, "may still shine bright." Tis called pretense
Whenas I try t'acknowledge thee. I've no bail?
The "gordian knot" who set in place to stir
That world back then has worked so well, what's true
Is not known now. As for thy Love, in poor
Reply what Francis Meres knew shall not do,
You are a pervert now. Your love in tour
"May still shine bright," yet your Love is just who?

23Apr25c
See again David M. Main's Treasury of English Sonnets.
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