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"watercourse" poems
You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; ***** and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.
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4.4k
Letter
You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; ***** and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.
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44
She loves him in the way morning air keeps her eyes open In the way white daisies dancing through the wind In the way salt water dancing in her hair Or white sand that breathing under her feet She loves him in the way fresh berries picked up at 5 am in the morning Newspaper melted in one hand, chocolate melted in her tongue And there's a cup of hot tea with smoke billowing When sun shining bright on the summer morning And birds keep singing She loves him in the way tropical jungle that grows in her veins Wild yellow honeysuckle that keeps her imagination alive Or a field full of red poppies that blooms in her chest And a watercourse that flood through her blood She loves him in the way old songs that keeps her memories walk behind Or sounds of blue waves that running in her mind Smells of old library and fragile papers that makes her remind Of the way sunflowers kissing the sun, smiling to the blue sky And shooting stars falling down on a dark night She loves him in the way butterflies bottled in her stomach While cold night air whispers her name too much When pale moon light burns the whole city Ended with condensed vapor that ride into her nasal cavity But she doesn't love him in the way red roses blossoms in her heart Thorn of the red roses makes her lung hurt Because He doesn't love her back He never does That's the truth.
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Dec 20, 2013
Dec 20, 2013 at 9:37 PM UTC
she loves him in the way
He put a flint to the lantern once They’d walked across the crest, Were lost in a group of headstones that Lay hidden from the rest, And down in a slight depression he Lit up a certain tomb, Where the name of Elspeth Trelawney Was reflected in the gloom. Trelawney held up the lantern high While Corby held the ***** And Gordon Bracks with an old pick-axe Stood back, he was afraid. ‘I fear the spirits are out tonight In this graveyard of the ****** ‘Get on, and turn up the sod,’ he said, Trelawney forced his hand. The Squire was quiet and ashen-faced As the two had bent their backs, Corby tipping the earth aside Then standing aside for Bracks, ‘The earth is solid, it’s packed right down, We need to pick it loose,’ ‘Just do whatever you have to do, There’s little time to lose!’ The Squire had buried his Elspeth back In eighteen twenty-four, For seven years he had held his grief But he couldn’t take much more, ‘I have to see her again,’ he said, To kiss her pale, dead lips, To stroke the hair on my darling’s head And caress her fingertips.’ She’d taken the coach and four one day Way out in the countryside, The coachman, used to a horse and dray, Had begun to speed the ride, He whipped the horses and lost the reins As the coach began to slide, Tipped the coach in the watercourse Where Elspeth drowned and died. He hadn’t looked at his lover’s face Before she was interred, But tried to avoid the loss of grace In her face that was inferred. ‘I only want to remember her As she was in the flush of life, Not in the throes of death,’ he’d said When talking about his wife. They’d rushed to hurry the burial, On the day that she was found, Popped her into a coffin, then, Planted her in the ground, Trelawney later had agonised That he hadn’t let her lie, ‘I couldn’t bear her to be around,’ He said, with a tearful eye. But now he wanted to see her face, They lifted the coffin lid, While Gordon Bracks had turned his back To see what Trelawney did, The horror showed on the Squire’s face As he gazed into her eyes, For Elspeth lay in a bleak dismay As her fate was realized. Her hands were raised and they looked like claws They’d scratched at the coffin lid, The clumps of hair she had torn right out Was the final thing she did, And on the lid she had scratched his name In the torment of the ****** ‘Trelawney, may you be cursed by God!’ She’d scratched, with her dying hand. David Lewis Paget
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Jan 14, 2014
Jan 14, 2014 at 7:41 PM UTC
The Final Message
He put a flint to the lantern once They’d walked across the crest, Were lost in a group of headstones that Lay hidden from the rest, And down in a slight depression he Lit up a certain tomb, Where the name of Elspeth Trelawney Was reflected in the gloom. Trelawney held up the lantern high While Corby held the ***** And Gordon Bracks with an old pick-axe Stood back, he was afraid. ‘I fear the spirits are out tonight In this graveyard of the ****** ‘Get on, and turn up the sod,’ he said, Trelawney forced his hand. The Squire was quiet and ashen-faced As the two had bent their backs, Corby tipping the earth aside Then standing aside for Bracks, ‘The earth is solid, it’s packed right down, We need to pick it loose,’ ‘Just do whatever you have to do, There’s little time to lose!’ The Squire had buried his Elspeth back In eighteen twenty-four, For seven years he had held his grief But he couldn’t take much more, ‘I have to see her again,’ he said, To kiss her pale, dead lips, To stroke the hair on my darling’s head And caress her fingertips.’ She’d taken the coach and four one day Way out in the countryside, The coachman, used to a horse and dray, Had begun to speed the ride, He whipped the horses and lost the reins As the coach began to slide, Tipped the coach in the watercourse Where Elspeth drowned and died. He hadn’t looked at his lover’s face Before she was interred, But tried to avoid the loss of grace In her face that was inferred. ‘I only want to remember her As she was in the flush of life, Not in the throes of death,’ he’d said When talking about his wife. They’d rushed to hurry the burial, On the day that she was found, Popped her into a coffin, then, Planted her in the ground, Trelawney later had agonised That he hadn’t let her lie, ‘I couldn’t bear her to be around,’ He said, with a tearful eye. But now he wanted to see her face, They lifted the coffin lid, While Gordon Bracks had turned his back To see what Trelawney did, The horror showed on the Squire’s face As he gazed into her eyes, For Elspeth lay in a bleak dismay As her fate was realized. Her hands were raised and they looked like claws They’d scratched at the coffin lid, The clumps of hair she had torn right out Was the final thing she did, And on the lid she had scratched his name In the torment of the ****** ‘Trelawney, may you be cursed by God!’ She’d scratched, with her dying hand. David Lewis Paget
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73
Somewhere at the watercourse- Silvery brume. Shining through, like pulsing light- Golden iris are in bloom. Tongues of brazen flame- Snap their reflection against the lukewarm mirror- This is where order looms. Felicity- Serenity- Vestigial depression. Second guesses- Underwhelming quests in wrong directions. Oh elixir. Oh watercourse- Oh inanimate eloquence. How you tempt me with your evocative consonance. You remind me of a woman- Her husband and her son- To me you are a drifter- You remind me of the sun- You remind me of a king- of a man with sore eyes- Mourning late son. In the mornings sun rise. Watercourse watercourse- Lazy eyed shadow. Left handed perfectionist- Seething pale shallow. Watercourse watercourse- Your body feeds the worms. Your souls seams have torn. Watercourse watercourse.
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May 20, 2014
May 20, 2014 at 8:20 PM UTC
Morning sun, Mourning son
Snow cone twists Far ivory countryside Season’s change exists A stern mother nature’s pride Foothills that resemble cream pies Coating pointy flakes a mile high Birds take cover To find a feathery mother Try to resist nature’s feverish fight And hide from the silvery night   Moon beams its pearly opals Thru rainbow colored window chapels In the nest Little birds try their best Huddled up Till daybreak They might delight In the white sparkle sunlight Snowy course A bitter adventure for the strong farmhorse Powder puff It kicks it up like dust Spring a strong sense With snow that is no longer dense Temperatures waver An ice storm disfavor Crystal drops From frozen tree tops The chirps begin With a little more earthly spin Melting snow Begins to flow Moving water a strong force Becomes quite the Snowy watercourse
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Sep 10, 2018
Sep 10, 2018 at 8:20 PM UTC
Snowy Course
At midnight, out on the cobblestones There’s the sound of rolling wheels, And a shadow cast on a window pane From the road outside, it steals, A wagon, black in its livery, And pulled by a single horse, As black as the heart of the man that steers, Whipped up from the watercourse. From down in a tiny inlet, deep Enough for a man of war, A French corvette is lying, waiting, Just metres away from shore, It carried a cargo of brandy, wine, And cases full of tea, Smuggled into the tiny cove Its goods all duty free. Now it’s waiting upon the tide To turn the ship around, Its cargo gone in the wagon now, Headed for higher ground, And then the galloping hoofbeats echo Over the cobblestones, The crack of a couple of pistols and The air is filled with groans. The horse breaks free of its halter and The wagon rolls back down, It’s shadow passing my window pane A second time around, It rolls back into the harbour while I hear the boom of guns, Firing from the French Corvette As it hoists its sail, and runs. Once a year on the fifth of June And late into the night, Whenever the moon is lying low And casting down its light, I see the shadows and hear the sounds From that deadly time of yore, As the ghostly French Corvette departs And sails from the ghostly shore. And glistening out on the cobblestones There’s a dampness, looks like mud, That dissipates in an hour or two, A pool of the smuggler’s blood, I dare not go to the window, look, Or even open the door, In case I’m carried away by them From two hundred years before. David Lewis Paget
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Dec 7, 2017
Dec 7, 2017 at 1:51 AM UTC
The French Corvette
At midnight, out on the cobblestones There’s the sound of rolling wheels, And a shadow cast on a window pane From the road outside, it steals, A wagon, black in its livery, And pulled by a single horse, As black as the heart of the man that steers, Whipped up from the watercourse. From down in a tiny inlet, deep Enough for a man of war, A French corvette is lying, waiting, Just metres away from shore, It carried a cargo of brandy, wine, And cases full of tea, Smuggled into the tiny cove Its goods all duty free. Now it’s waiting upon the tide To turn the ship around, Its cargo gone in the wagon now, Headed for higher ground, And then the galloping hoofbeats echo Over the cobblestones, The crack of a couple of pistols and The air is filled with groans. The horse breaks free of its halter and The wagon rolls back down, It’s shadow passing my window pane A second time around, It rolls back into the harbour while I hear the boom of guns, Firing from the French Corvette As it hoists its sail, and runs. Once a year on the fifth of June And late into the night, Whenever the moon is lying low And casting down its light, I see the shadows and hear the sounds From that deadly time of yore, As the ghostly French Corvette departs And sails from the ghostly shore. And glistening out on the cobblestones There’s a dampness, looks like mud, That dissipates in an hour or two, A pool of the smuggler’s blood, I dare not go to the window, look, Or even open the door, In case I’m carried away by them From two hundred years before. David Lewis Paget
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49
There we were at the beginning of the world A forest redwood bay laurel A watercourse chiseled into the limestone of that ridge opening outward to the west and setting sun We were almost under water through miles, through layers of green We sat together listening as the alto recorder in my hand played on its own! A tune that called a mahogany-voiced bird to harmonize A tune that gentled the sun into the sea. A tune that wove together every instant of the days we had yet to live
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May 1, 2016
May 1, 2016 at 10:47 PM UTC
Santa Cruz Mountain Epiphany
The clock is endlessly ticking away its mournful song of the past Second by second, droplets of years ago stream down the watercourse of time They race by so hastily, not even the human eye can catch a memory that is enclosed in each droplet. For years, too many years, I have been granted to hold on to a few of these faint droplets. The foolish say there are always more droplets that will come Either from the blinding blue sky that cries from delight   Or from the shadows of it that come at night. But to me, no other droplet can replace them. Though the memory is weak, and the droplets are slowly leaking away through the cracks of my small fragile hands I fight; I fight with every pound of my heart to keep them alive. Though I have lost many battles, and much of my own blood to keep them hidden and alive, I know my waiting will pay off For these droplets of a distant memory, will someday be given back to the one who created it.... I don’t know for how much longer these droplets will last, but thy one who thought they have already escaped my life 10 years ago…. I am waiting for you.... ~ Cat's Shadow ///
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Jul 20, 2017
Jul 20, 2017 at 8:07 AM UTC
Droplets To Remember
‘Be waiting up at the window,’ said The note he sent by hand, ‘I’ll come and collect you at midnight,’ Said the note, ‘the way we planned.’ She heard the clatter of hoofbeats in The courtyard down below, And waved to him from the window As she seized her portmanteau. She quickly skipped down the staircase Holding both her shoes in hand, Trying to avoid the clatter as She raced down to her man, It only took but a moment then To seat her on his horse, And gallop out of the courtyard on Their way to the watercourse. A light appeared in an upper room And they heard her father roar, ‘By God, you’ll pay for your insolence, I told you once before.’ He’d promised her to a Banker’s clerk Who had paid him for her hand, Though she had said that it wouldn’t work, She had bowed to his command. But then the couple had plotted, He was sworn to break her free, ‘If anyone is to marry, it Will just be you to me.’ They headed down to the water where The sloop, ‘The Esperance’, Was waiting for their arrival Before sailing off to France. It took an hour to set the sails And wait for the tide to turn, They hid themselves below the deck In a cabin at the stern, But soon the thunder of hoofbeats said They must have been found out, For then they heard her father’s call, ‘It’s best that you come out,’ He ventured slowly out on the deck To reason with the man, Then saw the flash of the powder that Was loaded in the pan, The ball cut straight through his windpipe, Left him sprawling on the deck, While she was dragged from below, and screamed ‘All curses on your neck.’ He locked her into an attic room And he wouldn’t let her out, Though she would wail, and would scream at him, And curse and yell, and shout, She waited up till the early hours Then she set her room alight, The fire spread till they all were dead From that single candlelight. It sits as a blackened ruin now With soot on the standing walls, A testament to a daughter who Refused to be overruled, And still some nights when the moon is bright There’s a whisper, close at hand, ‘I’ll come and collect you at midnight, And we’ll leave, the way we planned.’ David Lewis Paget
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Dec 7, 2017
Dec 7, 2017 at 8:38 PM UTC
The Elopement
‘Be waiting up at the window,’ said The note he sent by hand, ‘I’ll come and collect you at midnight,’ Said the note, ‘the way we planned.’ She heard the clatter of hoofbeats in The courtyard down below, And waved to him from the window As she seized her portmanteau. She quickly skipped down the staircase Holding both her shoes in hand, Trying to avoid the clatter as She raced down to her man, It only took but a moment then To seat her on his horse, And gallop out of the courtyard on Their way to the watercourse. A light appeared in an upper room And they heard her father roar, ‘By God, you’ll pay for your insolence, I told you once before.’ He’d promised her to a Banker’s clerk Who had paid him for her hand, Though she had said that it wouldn’t work, She had bowed to his command. But then the couple had plotted, He was sworn to break her free, ‘If anyone is to marry, it Will just be you to me.’ They headed down to the water where The sloop, ‘The Esperance’, Was waiting for their arrival Before sailing off to France. It took an hour to set the sails And wait for the tide to turn, They hid themselves below the deck In a cabin at the stern, But soon the thunder of hoofbeats said They must have been found out, For then they heard her father’s call, ‘It’s best that you come out,’ He ventured slowly out on the deck To reason with the man, Then saw the flash of the powder that Was loaded in the pan, The ball cut straight through his windpipe, Left him sprawling on the deck, While she was dragged from below, and screamed ‘All curses on your neck.’ He locked her into an attic room And he wouldn’t let her out, Though she would wail, and would scream at him, And curse and yell, and shout, She waited up till the early hours Then she set her room alight, The fire spread till they all were dead From that single candlelight. It sits as a blackened ruin now With soot on the standing walls, A testament to a daughter who Refused to be overruled, And still some nights when the moon is bright There’s a whisper, close at hand, ‘I’ll come and collect you at midnight, And we’ll leave, the way we planned.’ David Lewis Paget
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65
My father told us the story of The time of his greatest pain, Back in the year of ninety-nine, During Victoria’s reign, He lived in a two-bed terrace, With a brother and sisters two, With gas lamps out in the cobbled street And nothing you’d call a view. ‘The windows were of a pebble glass That distorted all you’d see, And when it rained and the clouds were grained All these shades appeared to me, The lamps would cast a flickering beam On the movement in the street, To paint in shadows the local scene Of that place they called ‘The Fleet’.’ ‘I thought these shadows were passing ghosts Who had died and lost their way, Their shadows, caught in the pouring rain Coming back and forth all day, I little knew that my brother too Would be claimed before too long, Would add his tiny, flickering soul To the heart of that heaving throng.’ ‘For down below, a river would flow Underneath the Coach and Horse, The mighty sewers of the Fleet Followed that watercourse, The entrances were underground And the water in it foul, But floating bodies were often found And the sewer men would howl.’ ‘And Toby, our little Toby, he Would be sent along the street, He’d clatter along the cobblestones For a loaf of bread, a treat, He’d fetch a plug of tobacco for Our father’s pipe, of course, Collecting it from the barman there, Down at the Coach and Horse.’ ‘He’d toddle away, in light or dark, He’d go in the sun or rain, Whatever my father asked him do He saw no need to explain, And Toby went in the drizzling rain One day, for a quart of beer, I watched for him through the pebble glass But the lad quite disappeared.’ ‘All I could see were the moving shapes Of the shadows in the rain, Of ghosts, all huddled in coats and capes As they passed my way, again, But never a sight of our Toby, nor The quart of my father’s beer, We sent out a searching party, but He wasn’t to reappear.’ ‘We got in touch with the sewer men Who said they would search the Fleet, And try to find him before he flowed To the Thames on New Bridge Street, But all they found were a dozen dogs Along with a monster pig, Who all had drowned before they were found And Toby was half as big.’ ‘My father stood at the open door At the same time every day, Come rain or shine, he couldn’t divine Why Toby had gone away, But I can see, as if in a fit, A thing that should count the least, My father’s pipe, forever unlit, Still gracing the mantelpiece.’ David Lewis Paget
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Dec 29, 2015
Dec 29, 2015 at 2:42 AM UTC
Shadows in the Rain
My father told us the story of The time of his greatest pain, Back in the year of ninety-nine, During Victoria’s reign, He lived in a two-bed terrace, With a brother and sisters two, With gas lamps out in the cobbled street And nothing you’d call a view. ‘The windows were of a pebble glass That distorted all you’d see, And when it rained and the clouds were grained All these shades appeared to me, The lamps would cast a flickering beam On the movement in the street, To paint in shadows the local scene Of that place they called ‘The Fleet’.’ ‘I thought these shadows were passing ghosts Who had died and lost their way, Their shadows, caught in the pouring rain Coming back and forth all day, I little knew that my brother too Would be claimed before too long, Would add his tiny, flickering soul To the heart of that heaving throng.’ ‘For down below, a river would flow Underneath the Coach and Horse, The mighty sewers of the Fleet Followed that watercourse, The entrances were underground And the water in it foul, But floating bodies were often found And the sewer men would howl.’ ‘And Toby, our little Toby, he Would be sent along the street, He’d clatter along the cobblestones For a loaf of bread, a treat, He’d fetch a plug of tobacco for Our father’s pipe, of course, Collecting it from the barman there, Down at the Coach and Horse.’ ‘He’d toddle away, in light or dark, He’d go in the sun or rain, Whatever my father asked him do He saw no need to explain, And Toby went in the drizzling rain One day, for a quart of beer, I watched for him through the pebble glass But the lad quite disappeared.’ ‘All I could see were the moving shapes Of the shadows in the rain, Of ghosts, all huddled in coats and capes As they passed my way, again, But never a sight of our Toby, nor The quart of my father’s beer, We sent out a searching party, but He wasn’t to reappear.’ ‘We got in touch with the sewer men Who said they would search the Fleet, And try to find him before he flowed To the Thames on New Bridge Street, But all they found were a dozen dogs Along with a monster pig, Who all had drowned before they were found And Toby was half as big.’ ‘My father stood at the open door At the same time every day, Come rain or shine, he couldn’t divine Why Toby had gone away, But I can see, as if in a fit, A thing that should count the least, My father’s pipe, forever unlit, Still gracing the mantelpiece.’ David Lewis Paget
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73
limpid watercourse bird's melody soft wind in the trees the light side of the moon your mind, your body, you insanely beautiful the way you move your hands reminds me of the time we were free
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Apr 25, 2022
Apr 25, 2022 at 7:48 PM UTC
talking about you
Why do I have to feel? Feeling brings pain. Heartache pounds within the cage of my chest. Feeling brings confusion. What should be a clear reflection looks more like The cloudy mirror after a hot shower. Feeling is an ache in my bones Worse than the dew soaked English morning. Feelings reach for the stars Only to be an abrasion Like falling off my bicycle Feeling is the road rash of the soul. Nails along the chalkboard Screeching loudly enough to cringe Harpy feelings take vampire bites Draining life from heart and soul. Here I sit in the dark of night 'Neath the sullen icy gaze of Luna Contemplating the ravages of... What I feel Yet feel I will, Indeed feel I must... Inescapably ensnared by emotional ties, situations and other connections Sometimes not even breaking the surface The overwhelming watercourse Of feelings ... Impossible to stem Can't even put a finger in the **** to slow the torrent at times. Often, I don't even want to stop the flow, even when that would be the sane thing to do.
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Jul 15, 2019
Jul 15, 2019 at 2:45 AM UTC
Feelings, only f***ing feelings