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"vertebral" poems
This is a party for the old and wise a rave up with rich tea and biscuits all talk of many years past lessons I sit intently wanting to all learn In their austere faces I see the child within each such wise ladies that mother me give me freedom and never smoother me I keep to my cup of Earl Grey taking in everything they say maternal goddesses wise as Delphi's Oracle It's a vertebral feast to listen to history knowledge can make a man guided by women right By Christos Andreas Kourtis aka NeonSolaris
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Dec 17, 2013
Dec 17, 2013 at 6:26 AM UTC
Rich Tea And Biscuits
From the throne the broken and dying came to me twisting and contorted riving in agony dripping down dark stairwells to me their vertebral blooded end In the time of the lizard king so much ****** ****** has been committed even some of my own were poised to fight yet I told them to hold there ground and wait This never ending war this fight without retreat battle hardened with fight we sing to the defeat of the lizard king I kiss and tend the wounds of the fallen with all I have I heal them and give them love and when evil comes to my domain I will smite all their armies Sweet saviors I make in a blink of an eye words of the last I do sing by all I own all empires I will bring to the defeat of the lizard king By Christos Andreas Kourtis aka NeonSolaris
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Jun 1, 2016
Jun 1, 2016 at 4:05 AM UTC
In The Time Of The Lizard King
Our nights of assessing God, With our heads conjoined to the windowpanes, Our thoughts permeating throughout the glass. Two lukewarm coffees embellished the windowsill, The synthesis of our cognition and entwined fingers, The soft touch of shoulders leaning upon each other, Brought forth beatific vision, we saw God; His blemished flesh, the formation of his bones. It began, His vertebral column, intangible lights, the Aurora Borealis. His archaic vertebrae, stained in ethereal fluorescence; The curvature, swirling, as the Deity writhes in euphoria, A childish game, Our God, content in the night. His hands, formed from the dust of Bethlehem, Grains of sand corralling to form flesh upon the detritus of Rome. His Holy land, The Vatican; Structures of marble and stone, Merely his cupped hands, As his disciples' feet caress his palms. His organs; The planets in orbit; His heart, our sun. The rays of light that adorn our skin, Merely the palpitations of a hidden pulsating heart. his divinity, subject of uncertainty in the petulant eyes of his children walking in Terra Incognita. His skin, Lo, to the stars; Our hands yearned to touch the celestial freckles, outstretched to feel the fibres of God; And like our limbs, so did God outstretch, his flesh, but space; suffusing within the translucent contours of the cosmos. To be told we were made in the image of God, is to be deceived; Our childish conjecturing, truly a theorem to be displaced, Our augmented minds, illuminated; An aureole behind our heads, We became biblical as we touched lips by the mantelpiece.
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Jul 28, 2014
Jul 28, 2014 at 1:25 PM UTC
A God's Structure.
Our nights of assessing God, With our heads conjoined to the windowpanes, Our thoughts permeating throughout the glass. Two lukewarm coffees embellished the windowsill, The synthesis of our cognition and entwined fingers, The soft touch of shoulders leaning upon each other, Brought forth beatific vision, we saw God; His blemished flesh, the formation of his bones. It began, His vertebral column, intangible lights, the Aurora Borealis. His archaic vertebrae, stained in ethereal fluorescence; The curvature, swirling, as the Deity writhes in euphoria, A childish game, Our God, content in the night. His hands, formed from the dust of Bethlehem, Grains of sand corralling to form flesh upon the detritus of Rome. His Holy land, The Vatican; Structures of marble and stone, Merely his cupped hands, As his disciples' feet caress his palms. His organs; The planets in orbit; His heart, our sun. The rays of light that adorn our skin, Merely the palpitations of a hidden pulsating heart. his divinity, subject of uncertainty in the petulant eyes of his children walking in Terra Incognita. His skin, Lo, to the stars; Our hands yearned to touch the celestial freckles, outstretched to feel the fibres of God; And like our limbs, so did God outstretch, his flesh, but space; suffusing within the translucent contours of the cosmos. To be told we were made in the image of God, is to be deceived; Our childish conjecturing, truly a theorem to be displaced, Our augmented minds, illuminated; An aureole behind our heads, We became biblical as we touched lips by the mantelpiece.
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35
there is magic in concrete if you believe when you work the surface flat, in circles, the float tool buoyant on a gray puddle here’s the enchantment: with fingertips on the handle you can sense the wet concrete, the mojo like a sleeping wet bear solid in mass yet grudgingly liquid sort of bouncy as you stroke pebbles disappear, embedded the tool is ******* cement a final thin film, a pretty coat over guts of gravel and sand now hose the mixer, shovels, tools, hose your hands and boots as the water disappears, so shall you unless you scratch a name honor the skilled arms, the corded legs and vertebral backs the labor that shaped this odd stone sculpted, engineered implanted with bolts forgotten half-buried in dirt bearing our lives
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Oct 4, 2016
Oct 4, 2016 at 8:05 PM UTC
there is magic in concrete
You penned an unsealed note to yourself, Its Writer, Verse and Address were as one - A Wholly Poetic Trilogy. You were brave: Left your paper-lips wide open and Let the letters leak; Watched them run Into the grooves of the creased spine On the back of the pushed envelope you posted - Wounded origami angel wings Sprouting from the shoulders of your scripted self. You feel you were delivered to your pretty little house face-down, Desperate to fly but tied by glue to some side-table surface, An ornamental cardboard carrier-cherub, Smiling in the furnace, But unable to breathe... I read through the words you tattooed on to your feathers Again and again, From their bold beginnings To their ruffled dead-ends... ...ends which say: ..."Stuck"... Behind a parchment-brick wall... That's why I've picked up my pen - Cracked it open, Moulded its cascading ink into a ladder, So we can climb over And look at what's on the other side Of that stoney-faced page - See, its edges came unstuck: While you nested, and rested your eyes Your vertebral quill was effortlessly flapping, Whipping up a written wind with ease, Like second nature, A cathartic breeze Mutating the rock you carved on Back into a leaf once more, And turning it over... Letting it hover and settle anew. Now it's a hive of technicolour graffiti, Not a dead-end But boundlessly alive - It shines and thrives With designs Voluntarily plucked From the lucky minds you've touched. They bustle decoratively across its columns, And among them is this reply: You are now, always have been, And always will be: Not just the Writer, the Verse, and the Address... ...But all the happiness you inspire in others too... Because of who you are in writing, Because of who you are in life, Because of you. See, that Wholly Poetic Trilogy, It needs its Fourth Wheel to become Holy, To roll and rumble towards And crash through The gates of that pretty little cage. So, mould your beautiful ink into a key - It plays a minimalist melody, A ringing note of ignition. Push it, Turn it... And let's drive.
0
Nov 1, 2014
Nov 1, 2014 at 10:58 AM UTC
The Fourth Wheel
You penned an unsealed note to yourself, Its Writer, Verse and Address were as one - A Wholly Poetic Trilogy. You were brave: Left your paper-lips wide open and Let the letters leak; Watched them run Into the grooves of the creased spine On the back of the pushed envelope you posted - Wounded origami angel wings Sprouting from the shoulders of your scripted self. You feel you were delivered to your pretty little house face-down, Desperate to fly but tied by glue to some side-table surface, An ornamental cardboard carrier-cherub, Smiling in the furnace, But unable to breathe... I read through the words you tattooed on to your feathers Again and again, From their bold beginnings To their ruffled dead-ends... ...ends which say: ..."Stuck"... Behind a parchment-brick wall... That's why I've picked up my pen - Cracked it open, Moulded its cascading ink into a ladder, So we can climb over And look at what's on the other side Of that stoney-faced page - See, its edges came unstuck: While you nested, and rested your eyes Your vertebral quill was effortlessly flapping, Whipping up a written wind with ease, Like second nature, A cathartic breeze Mutating the rock you carved on Back into a leaf once more, And turning it over... Letting it hover and settle anew. Now it's a hive of technicolour graffiti, Not a dead-end But boundlessly alive - It shines and thrives With designs Voluntarily plucked From the lucky minds you've touched. They bustle decoratively across its columns, And among them is this reply: You are now, always have been, And always will be: Not just the Writer, the Verse, and the Address... ...But all the happiness you inspire in others too... Because of who you are in writing, Because of who you are in life, Because of you. See, that Wholly Poetic Trilogy, It needs its Fourth Wheel to become Holy, To roll and rumble towards And crash through The gates of that pretty little cage. So, mould your beautiful ink into a key - It plays a minimalist melody, A ringing note of ignition. Push it, Turn it... And let's drive.
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66
Pressures of Atlas ruin the vertebral Column geometry The circles weight stresses the cylinder to a breaking edge. A cut Math was wrong Angular and pathetic is this central pump. It leaks from the head gaskets when you add in ethanol It squeals out noises under the accumulated atmospheres CortiZol extends the impellers out till they scrape the walls interior Finally it's released blown out for keeps Can't take it back Neither can take back The pump withers Proteins shiver Brownian heat delivers Bellowing cold from a cosmos of foam Spine tattering morbid A decayed thought process that does nothing but jump Jumping and bounding conclusions that are meaningless regardless Atlas gave up and the world fell onto gravitys shoulders
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Jan 27, 2014
Jan 27, 2014 at 4:30 PM UTC
When Atlas Shrugs, You Know No One Knows.
Estoy solo en la oscura estación de metro de Fulton Street, Respirando el aire con olor a orina, Exhalando nubes de vapor, Un tren subterráneo se precipita a lo largo del anden, No se detiene, Muerde mis tímpanos, Con la percusión dolorosa, De miles de personas, Gritando en silencio, Yo no quiero ver, Yo no quiero ver, Yo no quiero ver, El aire avivado por cada vagón de metro, Me empuja, Propulsa el ozono y el olor de frenos quemados, En mis fosas nasales, Junto con el aire, Introducido a través de las rejillas de hierro, A lo largo de kilómetros de las aceras de Brooklyn, Llevando el olor de las llagas supurantes de una prostituta, Y los gritos de un niño hambriento, sin padre en pañales sucios, Y el gemido ronco de un concejal de la ciudad educando a un paje joven, Y el perfume barato de una niña de catorce años de edad fugitiva, Vendiendo su cuerpo por $20 en un callejón, Oliendo de comida china rancia y perros humedos, Y . . . Yo no quiero ver, Yo no quiero ver, Yo no quiero ver, . . . el olor de la sopa de repollo podrida, Y los restos rancios de un perrito caliente enterrado en chucrut, Y lirios putrefactos acostados en una alcantarilla, Todos agrediéndome, obligándome hacia atrás, Hasta que mi espalda presiona contra, Las una vez blancas baldosas sucias, que queman fríamente sus grafitis en mi columna vertebral: Dios está muerto, Asa a un judío, Los blancos chupan, Mata a los negros, Yo no quiero ver, Yo no quiero ver, Yo no quiero ver, El tren finalmente pasa, Sus ojos rojos retrocediendo en el túnel, Húmedo y oscuro más allá de la plataforma, Los gritos y chillidos lentamente mueren, Sus ecos aspirando detrás de ellos, El olor, De mi, Vomito, Caliente.
0
Nov 28, 2019
Nov 28, 2019 at 1:18 AM UTC
El Tren Subterráneo
Estoy solo en la oscura estación de metro de Fulton Street, Respirando el aire con olor a orina, Exhalando nubes de vapor, Un tren subterráneo se precipita a lo largo del anden, No se detiene, Muerde mis tímpanos, Con la percusión dolorosa, De miles de personas, Gritando en silencio, Yo no quiero ver, Yo no quiero ver, Yo no quiero ver, El aire avivado por cada vagón de metro, Me empuja, Propulsa el ozono y el olor de frenos quemados, En mis fosas nasales, Junto con el aire, Introducido a través de las rejillas de hierro, A lo largo de kilómetros de las aceras de Brooklyn, Llevando el olor de las llagas supurantes de una prostituta, Y los gritos de un niño hambriento, sin padre en pañales sucios, Y el gemido ronco de un concejal de la ciudad educando a un paje joven, Y el perfume barato de una niña de catorce años de edad fugitiva, Vendiendo su cuerpo por $20 en un callejón, Oliendo de comida china rancia y perros humedos, Y . . . Yo no quiero ver, Yo no quiero ver, Yo no quiero ver, . . . el olor de la sopa de repollo podrida, Y los restos rancios de un perrito caliente enterrado en chucrut, Y lirios putrefactos acostados en una alcantarilla, Todos agrediéndome, obligándome hacia atrás, Hasta que mi espalda presiona contra, Las una vez blancas baldosas sucias, que queman fríamente sus grafitis en mi columna vertebral: Dios está muerto, Asa a un judío, Los blancos chupan, Mata a los negros, Yo no quiero ver, Yo no quiero ver, Yo no quiero ver, El tren finalmente pasa, Sus ojos rojos retrocediendo en el túnel, Húmedo y oscuro más allá de la plataforma, Los gritos y chillidos lentamente mueren, Sus ecos aspirando detrás de ellos, El olor, De mi, Vomito, Caliente.
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51
joy is fleeting, an academic one, like colors in words, or the flavor of summer. a hushed lull, ever gentle breathing, propeller of hopes, up, hovering over petals; a floating kingdom of bones and abstraction. loneliness is a place for moonlight dwellers: risk takers, and ambitious, like waddling feet hanging off a cliff carry tales and stories and you won't find it. but baring phantom bruises is a sure pass. pride, a vertebral thing, essential to my being, a path i chose. honor, a glittering sun that i think is vital, a path not taken, but inherited. these are the bones that hold me together. time will eventually catch up to me only if i don't catch it first. im always only seconds late, but misses thousands of frames. so doubt, after all, is inevitable. i have to cut my hair shorter, because i have that choice. but why can't i paint my face a nice, warm smile when im possessive of my choices? i build these blocks that always tumbles over every time i get close to making it a reality it's a winning game, until it isn't, until it is. sheltered within the waves of procrastinated
0
Jun 16, 2020
Jun 16, 2020 at 7:14 AM UTC
then is now