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John Beetle Nov 2013
flesh crayons and acrylic paints

on the white cardboard

I see long leg dogs and paint ***** and

odd shapes in my head


I brush the flesh on the board


hard red colours

blackish brown

orange and mango and sky blue paint

gets on the tides of the carpet

what to paint next

I’m always drawing faces

ugly girls with love eyes

and the mole between the nose and the lip

small *******.


I should call my art UNSOBER Arte, I painted

being on something

the colours move and swish

they dry fast

it’s freak art

bad really bad art

I know you won’t somber to it

that’s fine.
******.
A symbol of denial, congeniality, and assurance of love;
the fate of maternity, motherhood, that is witnessed
and cherished from afar.
From a sacred little haven;
from a struggle of motherly defense.

O ******!
Temptations are to you never a bother,
in the tempests of lush dreams,
the draining of purity,
and veritable sensations.
Steadiness is your notion;
it barely leaves your mind
you may be deeply hurt
but never hurt,
you may be a stranger
but your grace is your power.

Truth that is unpardonable,
veraciousness at my simplest words,
clarity that is gleaming in your eye,
a token of pleasure but indestructible affection;
adorable as you are,
serenity is beyond question;
dreams are but inseparable from your docile life.
O ******, the sweetness and gentleness of thy eyes
are my irreplaceable silence,
my appraised soul,
and my most resolute
and irrepressible invocation.

O ******, one that is so rare a rose
Many as in the May-day dance are tainted;
marks of annoyance, omens of indulgence.
With hunger for nothing but moans;
unsober groans, and quickening breaths in paces of outward satisfaction;
intoxicated desires but unloving movements;
on the grounds for endless dancing;
there is the thirst for grips, the grossest of stateliness!
Voluptuous romance, perfidious touches, and
false-hearted toys!
In the wakeful dreams of which
I long for you, a handful of thy chastest kisses!
I pray for your hands, so delicate
as mine, how they shall fit into each other!
I long for your lips, your spotless, uncorrupted cheeks,
My demand is for your hands;
for sanity, and sincerest cordiality
Despite of my guilt and former unconsciousness
I shall amend my grief for you,
for you only,
for oureth perfect, unconquerable happiness,
and the union of our souls
in a day of holy matrimony.
Anna Starr Apr 2017
i like it when we drink

the scent of sweet alcohol,
rockets burning through my chest's atmosphere
my head in outer space
i watch you
set aside your branches
as i take pleasure in your fire.

narrow your already narrow lids,
turn the edges of your lips,
tilt your head as your hair slips.
lured and leashed,
that smirk.

*Oh God, that smirk.
uncharacteristically posting non-sad poems who am i
Glottonous May 2015
I remember your breathtaking portrait.
Your eyes were horizon-blue, awake and ignited in love with a modern man.
In a modern era a love so hot you’re prepared to grieve it 
for the rest of your life
Just to dance in its fire until it fades.
You burst forth and lit the fuse,
Loving hot and working feverishly to emerge and
Forge futures for your daughter and I.
But her father burnt out young,
And his ashes lured her into a shivering, toxic sleep.
In that future she also loved a man she would widow young.

She has felt the cold fire of snow on her face
Passed or thrown out onto the ground
But I can’t tell you if she ever felt that love again.
I won’t tell you about all the cats and dogs she slept with
Or how she threw me and threw at me and all through me
To the sheriffs in a wild state.
Then, with you, she lost love in the last person who loved her.
Her voice cracked and shaded when you couldn’t remember her name.
She drowned both of our spirits and we slept poor, wet, drunk.
These decades have tired her body
And I refused to allow its cold hollow eyes near mine.

Asleep, I consumed myself with the loves of men and the grief for each love.
I ate and breathed men and fever-dreamed through relationships.
I aimed poisoned golden robes at lovers thrown with a motor’s velocity
And then ran loud red lights smoldering through hot teared eyes
With the unsober intention to silence us both in the burning frost of February.
Hate veiled all reason and hystericized my being and thirsted for more:
More prohibited liquor than I could ever nurse it with
More pills than the pock-nosed doctor would give when he
Sliced open the belly of a howling wild animal mother me.
Many more.

And when I died I awoke in ice and raged my way to the surface of the Styx.
It was there I emerged warm and wet next to a modern man who reminds me of you.
I fell and I rose through our molten love and forged myself within it.
We, in a worn and unwealthy future still love and work for our unborn daughters
As hotly in dynamic color as you did in crisp black and white.

Through him and through you I can love her again.
And when our daughter bursts through, undrugged and undoctored,
She will incite her own century’s hot voltaic Spring,
In a pyrotechnic era of alive and alert daughters,
Gaining ground and dimension and speed,
Because she will know our love.
I wish you could see the horizon in your daughter’s eyes
When she sees our yet unconceived apple of discord.
I hope the warmth will awaken her, and she will emerge and forge herself
And know again the good rage of a fiery and awake love
Worth grieving.
A personal  poem.
Justin S Wampler Aug 2016
Leave the lights off,

and chase the moon

for the sun will come

way too ******* soon,

just lie down with me,

let us pass the time

just as will time

pass us by.

Now we're older
yet still unsober
and those sacred
days are over
that we used to
spend alone or
just trying to
find a lover
to share the
night with
under covers
far too tangled
and disordered,
but now the nights
are so much shorter
because we are
getting older
each and
every
day
Partys for couples new lovers and just friends.
Music to fill the night the streets of New york
breath life to old flames keeping even jaded souls warm.

The lonley gather round the TV.
sharing a glimpse at something we all yern to have.
And from the up high the streets seem magic tonight.

the soudtrack of the night will echo
into are hungover minds with a painful yet happy reminder
of last nights celebration.

Late night lovers will smile and go there awkward ways.
So many acts in so many different plays.
creeping back to are corners in lastnights suit and tie.
Tight little black dress kiss worn lips
acting happier than two kids ragged in need of a shave
you with hair in a mess.

And for friends that gather to relive not so real
past glory.
The pages are left to the writter.
To add to lastnights not so original story.

As the barflys gather to battle another unsober day.
I watch this first new day anew.
Take a sip from my flask and thank the lord
for one more year with you.

And tonight I say to you all raise that glass.
kiss that stranger you know so well.
Laugh love and live.
And thank whomever ya choose weve made it through another
year to tell.
Amanda Starr Sep 2013
I want to forget about the distance, if only for an instant.
I want to feel your lips on mine, even if its a lie.
Every time I feel dizzy, faint
In my head leaves a beautiful picture to paint
I want to feel your chest on my head, forever. Like you said
I want to know if your words were true.
when you said " i love you"
I want to know, is it time to let go?
Should i try to forget?
Was my heart the bet?
Your random whispers in my ear
"I'm always here, I'll always be near
Was it all a lie?
Is it time to say good bye?
You always told me, I was meant for thee
Did you mean it at all?
Would you catch me if I fall?
You left without words, you got a mate in return
Are we actually over?
forever unsober
Do I have to move on?
I might not be that strong
I can't let you go, as you already know
Forever I'm yours, no matter the scores
Duncan Brown Sep 2018
A door is never open
It's always ajar

A song is never sung
(except by fools
who insist on interrupting
the sacred business of drinking)
It is only heard
In the distance.

A glass is never empty
It's just lonely.

Friends are never a friend;
They're only the next act
Of treachery and tragedy
(Doesn't that sound poetic)

Poverty is the person
Who stole your prosperity.
Prosperity was a similar
But infinitely less honest
Kind of thief
Charity is the one true thief
I'll drink to that
(Truth be told, I'll drink to anything)

Oh dear God stop me
From ever becoming religious
You owe me at least that much
IOU a Jack, a Jim an' a Johnnie
(That’s Daniel’s, Bean an' Walker
to the unbelievers among your flock
of sad unsinners)
Being unholy is kind of cool
Holiness is in the concept
Religion’s got nothing
To be holy about
It’s an empty glass.
Drinking's got spirit
Dear God of mine
Make mine a double
I'll believe in you twice.

(Thank you, Janis. Why don’t we jack that Mercedes Benz you keep singing about? You can drive an' I'll be your loveable but inadequate companion, just like Gabby Hayes. I can’t do Tonto. The Noble Savage is beyond my range an’ anyway, you won’t wear a mask. The world is full of lonely rangers, but how many wear a mask? Maybe we could go to Mexico an’ I'll apply for the Cisco Kid's job. He wears great hats. I'd look cool in a hat like that. Is he any relation of Billy...?)
  
Loneliness in a glass
It's an urban myth
An’ a rural hype.
Drinking's only a curse
Morality is a disease
Curses are like glasses
You can lift them
Ever tried to lift a disease?
Aphorisms; don’t we just love 'em
Especially when we hide behind 'em.
(Is The Lonely Ranger
An aphorism in the making?)
They're a sign of conversational fear.
An’ fear is just a sign of itself
When it's got nothing else
To be fearful about
I think I'll have another drink
Before I start talking about Fitzgerald
And Malcolm the Vulcanologist.
Good word, vulcanologist
Impressive in the right company
Must remember to use it again
On the next innocent abroad.

Nobody loves you when you're just a poor drunk. A few people love you if you’re a clever drunk. But everybody loves you if you're a rich drunk. You've got a friend in every pocket, and that's what friends are for. Your relatives live in your wallet ‘an we're not talking photographs here. You can only trust your enemies. They at least will be true to themselves and as treacherous as only an enemy can be. Truth be told, there's truth in wine, but a sadder truth is: we all tell lies. The wine just makes them more delicious. We can all drink to that. The rich are never drunk, just unsober. Only the poor can be driven mad by drink. (It's the only experience of being chauffeur driven they'll ever have.) The rich are merely inebriate and eccentric. Class and euphemism are always so reliable. It’s a very rich language we have here; in every sense.

Especially when we talk in clichés
Even with perfect strangers
(Why are strangers perfect?
Are they some kind of deity?)
Clichés are a wonderful thing
When you have four fingers
Of blessed rye in your hand.
‘Only the good die young.’
That’s a great ole cliché.
‘Been down this road so long
It looks like upper street again’
That’s an even better one, I think
Bob Zimmerman’s brother in law
Didn’t get ‘round to being related
According to the romantic plan
“That’s not a cliché, that’s an
urban myth”, said the stranger
When Dante met Janis it was
Downhill all the way for them
Thank you, John Milton
Where would hell be without you?
In ever decreasing circles
You might say, an’ then again
You might not bother to say anything.
Intellectuals are sometimes lonely.
Perhaps you don’t speak to strangers
Even perfect ones in dark glasses
Who are unafraid to look in mirrors.
Let me buy you a drink in a darker glass
Did I tell you, me an’ Janis are
Heading down Mexico’s dusty way?
Elvis and Marilyn are living there
They were secretly married even
To each other's each other self.
They were all set to become
The King and Queen of America
But the constitution wouldn’t allow it.
Norman the Mailman’s going to write
(That’ll be the day dream all believers
Try to avoid believing in too much)
A bestselling an’ hard hitting novelty item
About it all, with the built-in revelation
That their kids were kidnapped
By all those dead Kennedys and ……
Is the floor getting closer or am I collapsing?
An’ what did you say
Your name was, Mephistopheles?
That’s a cute name. But why are you
Smiling at me in such a strange fashion?
Make mine a double; what’s your poison?
Ambrosia Lin Sep 2016
the smell of beer covers me
and I’m flushed with anger
thinking to when it was “we”
my flesh feels like rug burn
my eyes, sinking like anchors

my head spins and spins
deep in my skin I feel
nothing but numbness
my mind will never win
this constant battle with
my intoxicated thoughts

nothing around makes sense
to an unsober mind
yet for just a few seconds I
don’t have a single thought
in my whirling mind
and I feel bliss, remembering
why I decided to pick up
the green can to begin with

a.d
Emery Iler Jan 2019
Butterflies are drunk
of that I'm sure
They toss and tummble in the air,
dramatic acrobatics shared,
with on lookers in delight
As they sway and stumble in heaven
so pleased are they,
that too I'm sure
Merry in unsober stupor pure!
I could be so happy too
if I could get half so drunk on life
Duncan Brown Apr 2018
A door is never open
It's always ajar

A song is never sung
(except by fools
who insist on interrupting
the sacred business of drinking)
It is only heard
In the distance.

A glass is never empty
It's just lonely.

Friends are never a friend;
They're only the next act
Of treachery and tragedy
(Doesn't that sound poetic)

Poverty is the person
Who stole your prosperity.
Prosperity was a similar
But infinitely less honest
Kind of thief
Charity is the one true thief
I'll drink to that
(Truth be told, I'll drink to anything)

Oh dear God stop me
From ever becoming religious
You owe me at least that much
IOU a Jack, a Jim an' a Johnnie
(That’s Daniel’s, Bean an' Walker
to the unbelievers among your flock
of sad unsinners)
Being unholy is kind of cool
Holiness is in the concept
Religion’s got nothing
To be holy about
It’s an empty glass.
Drinking's got spirit
Dear God of mine
Make mine a double
I'll believe in you twice.

(Thank you, Janis. Why don’t we jack that Mercedes Benz you keep singing about? You can drive an' I'll be your loveable but inadequate companion, just like Gabby Hayes. I can’t do Tonto. The Noble Savage is beyond my range an’ anyway, you won’t wear a mask. The world is full of lonely rangers, but how many wear a mask? Maybe we could go to Mexico an’ I'll apply for the Cisco Kid's job. He wears great hats. I'd look cool in a hat like that. Is he any relation of Billy...?)
  
Loneliness in a glass
It's an urban myth
An’ a rural hype.
Drinking's only a curse
Morality is a disease
Curses are like glasses
You can lift them
Ever tried to lift a disease?
Aphorisms; don’t we just love 'em
Especially when we hide behind 'em.
(Is The Lonely Ranger
An aphorism in the making?)
They're a sign of conversational fear.
An’ fear is just a sign of itself
When it's got nothing else
To be fearful about
I think I'll have another drink
Before I start talking about Fitzgerald
And Malcolm the Vulcanologist.
Good word, vulcanologist
Impressive in the right company
Must remember to use it again
On the next innocent abroad.

Nobody loves you when you're just a poor drunk. A few people love you if you’re a clever drunk. But everybody loves you if you're a rich drunk. You've got a friend in every pocket, and that's what friends are for. Your relatives live in your wallet ‘an we're not talking photographs here. You can only trust your enemies. They at least will be true to themselves and as treacherous as only an enemy can be. Truth be told, there's truth in wine, but a sadder truth is: we all tell lies. The wine just makes them more delicious. We can all drink to that. The rich are never drunk, just unsober. Only the poor can be driven mad by drink. (It's the only experience of being chauffeur driven they'll ever have.) The rich are merely inebriate and eccentric. Class and euphemism are always so reliable. It’s a very rich language we have here; in every sense.

Especially when we talk in clichés
Even with perfect strangers
(Why are strangers perfect?
Are they some kind of deity?)
Clichés are a wonderful thing
When you have four fingers
Of blessed rye in your hand.
‘Only the good die young.’
That’s a great ole cliché.
‘Been down this road so long
It looks like upper street again’
That’s an even better one, I think
Bob Zimmerman’s brother in law
Didn’t get ‘round to being related
According to the romantic plan
“That’s not a cliché, that’s an
urban myth”, said the stranger
When Dante met Janis it was
Downhill all the way for them
Thank you, John Milton
Where would hell be without you?
In ever decreasing circles
You might say, an’ then again
You might not bother to say anything.
Intellectuals are sometimes lonely.
Perhaps you don’t speak to strangers
Even perfect ones in dark glasses
Who are unafraid to look in mirrors.
Let me buy you a drink in a darker glass
Did I tell you, me an’ Janis are
Heading down Mexico’s dusty way?
Elvis and Marilyn are living there
They were secretly married even
To each other's each other self.
They were all set to become
The King and Queen of America
But the constitution wouldn’t allow it.
Norman the Mailman’s going to write
(That’ll be the day dream all believers
Try to avoid believing in too much)
A bestselling an’ hard hitting novelty item
About it all, with the built-in revelation
That their kids were kidnapped
By all those dead Kennedys and ……
Is the floor getting closer or am I collapsing?
An’ what did you say
Your name was, Mephistopheles?
That’s a cute name. But why are you
Smiling at me in such a strange fashion?
Make mine a double; what’s your poison?”
Julianne Jul 2020
Can you believe it?
I still love you.
Five bottles down,
And I still love you.

Can't count the years anymore.
I don't know what to do.
My brain is high, unsober heart,
How will I unlove you?

You poisoned me,
Still hexed.
What's the antidote?
I wanna be sober.

**** this feelings,
I want a cure.
Please help me,
I'm overdosed.
Cole Jul 2021
Up in my head.
Floating in the clouds.
Nowhere to go.
Nowhere to be.
Wish I could just be let free.
Eleven years later I’m thinking it’s still the easiest way out.
Easily misplaced and replaced.
Misunderstood.
Just trying to find a place to hide in this hood.
Home isn’t a familiar term.
What is home?
A safe place to hide.
I’m dying inside.
Unretrievable.
Completely deceivable.
There ain’t no place to hide from this.
Can’t even mentally escape myself.
Not unless I choose the unsober path.
It’s an unbreakable cycle.
Ocean rises above me.
There’s no stopping the current from taking me under.
Let the ocean take me
Or swim into it to find an escape?

— The End —