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David I Phillips Mar 2010
Colourless, white and grey
The snow,
Outside, cold, blinding, unfriendly.
Inside grey.
Grey walls, grey floor, grey ceiling,
Grey faces, grey eyes, unfriendly grey
And cold.

Four a.m. breakfast.
Porridge, fish broth and bread.
Judges, priests, high-ranking officials,
Jews, writers, dissenters,
Now a series of numbers,
Queue wearily for their food.
Work Team C.S.S. Building

They eat, without sound, without taste, without pleasure.
Grey soup, grey porridge, grey bread.
The priest mumbles some prayers,
The judge sits upright – elite.
The two Muscovites talk politics.
All Citizens of the Socialist State.

Four-thirty a.m.
Twenty degrees below freezing,
The work party is counted out,
Five, ten, fifteen, twenty...
Citizen Guard count carefully now
....twenty-five, thirty, thirty-five...
Count one short Citizen Guard
And you’ll fill the gap yourself.

Eight guards, armed and warm,
Two dogs, hungry and wild.
Five abreast we march,
Hands behind backs, eyes forward.
A step to the right or left
And you’re dead, shot
Or torn to shreds.

Five-thirty and we arrive.
It is the site for the new power house.
Counted again, guards posted
And the team leaders take over.
Citizen guard discards his cigar ****
And two men fight to retrieve it;
The snow claims it first.

Fire made and water boiling
We mix the mortar.
Building blocks piled high
Trowels at the ready,
Work rate fixed, we begin
And heaven help the man
Who fails to pull his weight.

Trowels glide over steaming mortar,
Just a thin layer,
Put too much on and come the summer
It will all just melt away.

More mortar, more mortar for number two.
More water! Hurry man, hurry
The boiler’s running dry.
More wood! More wood!
No, not coal,
We want fire not smoke – no wood?
Then pull down the stairs.

The sun is overhead.
It is one o clock.
I remember reading where the Americans
Believe it is Twelve Noon when the sun is high!
Ah! If the Soviet Government says it is one
Then by God, whilst you’re in Russia
It’s one.

Time for rations.
It’s a good job the porridge has no taste
Because it looks alarmingly vile
But it fills your guts
And while you can feel it
Weighing heavy as you move,
You’re contented.

Of course there’s no nourishment
To be got from it,
We’d be better off eating grass!
And so we would,
If there were any.
I’ve lost three teeth in eight years
Through crunching this bread.

Break over, back to work.
Stoke the boiler,
More wood! More water!
More mortar for number one!
You lazy sons of lice.

It’s getting darker.
The wall is now at chest height,
We’ve done well
And we got good rates.
It’s getting colder now,
The nightly lowering
Of the temperature begins.

They count us out again.
Why I don’t know,
Where would we go?
What would we eat?
You could walk for a week
And still see nothing but snow;
Like as not you’d be dead by the first night.

Isaac is limping.
I saw him earlier,
His big toe was swollen black.
I saw him lift the trowel
And heard the dull thud
But I couldn’t watch.
Crazy Jew!
He’ll get ten days if they find out.

Ten days! That’s a laugh.
Two out of three die by the first night,
They just freeze up
Like wet sheets left out
In a frost,
Stiff as boards.
Crazy....

Now we’re running!
Are they mad?
Why are we running?
Copjezc, why are we running?
The maintenance group returning?
God no! If they get there first
We’ll get no supper tonight
Ruin you *******, run.
A night without food,
Half of us will be dead by morning.
Run! Run!

I hear screaming.
It’s the dogs,
If I turn my head
I can just see without slowing down...
Isaac!
Crazy ******......

Come on feet run, run,
Run or be dammed.
We’re going to make it.
Poor Isaac. Still he’s out of it now.
Come on citizen guard
Count us in – we’re hungry.

Ten o clock, supper.
Fish broth, porridge and bread.
Red faces, sparkling eyes,
Tired but warm.
We worked like hell today
And been fed three meals.
Time for a smoke.

All in all it’s been a good day.
I stole an apple,
Found a piece of metal
From a guard’s buckle,
It’ll make a good knife.
Yes! If the next five hundred days
Are no worse,
I might even start praying again.
Another live peformance poem.
A-Artifacts of long ago they're ever searching out
R-Relics in the Earth's soil layers interred deep
C-Curios from cultures past they're excavating out
H-History is alive in the things buried so deep
A-Abroad and at home their trowels seeking out
E-Enlightening the world with fragments of the deep
O-Open our eyes to the objects they shovel out
L-Lasting stories of past societies entombed down deep
O-Ongoing discoveries made with what they dig out
G-Great civilizations lie in quietness beneath the deep
I-Interesting journals and facts these specialists put out
S-Saving the ken of ancestries which are lodged deep
T-Times way back in eons past to-day bought out
S-Surfacing from the ground out of a sleep most deep
People coming by with tins of food and towels
Newspapers, toys and blankets, and little plastic trowels
I don't understand the reason they are coming
We're a charity, we don't need this stuff
But, still they keep on coming, bringing food by the truck
There's tins, and bags and skids
There's enough towels for turban training in British Columbia
And papers, lots of newspapers, tons of newspapers
But, we are a charity looking for donations
This doesn't make sense, all of this animal product showing up
Until I checked my email.....
**** I hate auto correct on the phone
I told people we hoped to increase last years donations
And hit a grand total of 101 thousand
Thanks to my Iphone...we sent out a message
that we had a grand total of a 101 thousand dalmations
God, I hate auto correct
ghost queen Jul 2020
Séraphine, Vignette nº 7, Le Cercueil

I was on the phone talking to the museum. Ground-penetrating radar had found what looked like a coffin at the Lutetian layer, and they were in the process of digging down to it. I was telling Sylvain to use the new 4K video cameras to record every detail when the doorbell rang. I’d left the door ajar, knowing Madame Pinard, the concierge was bringing by an adjuster to inspect and cut a check for the repair of the leak in the ceiling that had washed away chunks of plaster, now laying on the hardwood floor in the bedroom, exposing the wooden rafters of the attic.

“May we come in Monsieur,” she shouted from down the hall in the foyer. “Yes, Madame, please come in,” I shouted back, with more exasperation in my voice than I wanted to express. “I am on the phone with the musee Madame, please show him to the bedroom.”

I saw Madame and the adjuster come in out of the corner of my eye and turned my head to see them as they walked the stairs to the bedrooms. The adjuster was not a man, but a woman, which was surprising in France. The first thing I noticed about her, was her wide round birthing hips, what the kids, called thick. She wore a long-sleeve white silk blouse, black pencil skirt, and the traditional, obligatory Parisian back seamed stockings. I didn’t make out her face but caught sight of her red hair tied in a tight bun on the back of her head, and the milky white skin of her neck.

“Damien, are you listening,” said Sylvain, the dig manager on the other end of the line. “Yes, I replied, “l was distracted by my landlady bringing an adjuster into the apartment. Yes, I’ll come down as soon as they leave.”

After a few minutes, Madame and the adjuster came back down. The adjuster walked into the foyer to wait. Madame came into the living room and said she’d have a crew out tomorrow to start repairs. As madame turned and walked down the hall, I got a better look at the adjuster. She was pure Celt, with red hair, white skin, dark brown doe eyes that looked black, high cheekbones, and the sharp straight nose of a Greek statute.

Besides her stunning beauty, I noticed her necklace, a traditional golden Celtic torc, which signified the wearer as a person of high rank. I’d never seen a person wearing one. I’d only seen one on a statue, The Dying Gaul in Le Louvres. How so very interesting I thought to myself.  

As she was talking to Madame and turning to leave, she made eye contact. She tilted in acknowledgment and goodbye. I nodded back and she was gone. I wished I could have gotten a chance to talk to her, maybe even ask her for an aperitif at the corner bistro. Oh well, c’est la vie.

-------

I went to the dig at the La Crypt at 12:30-ish talked to Sylvain for a bit and went down to the lower levels to see it for myself. The area was gridded out and several cameras on tripods were recording. The team was within centimeters front the top, and so put down their trowels and used a high-pressure water and suction hoses to remove the rest of the topsoil. The top came into view, the excess water was ****** away. Sponges were used to clear and clean away the mud.

The stone was obviously Lutetian limestone, finely sanded and polished. The lid was craved, which first glance, looked like Norse runes and one Celtic knot. “Take pics and send them to religious studies,” I said half to myself, half to Sylvain. How strange to have Norse and Celt iconography together I thought to myself.

It was late when I exited the metro station. The air was bitterly cold, my breath appearing and disappearing around me like a mystic cloud.

I was tired, exhausted from digging, and was seeing things in the corner of my eye that I chalked up to aberrations of a fatigued mind. That is until I walked past the Boise de Boulogne. In a dark recess, along the tree line, I saw what looked like a faintly glowing woman in a white dress. My first reaction was horror, remembering all the monster movies I’d seen as a child. Then quickly, my adult mind kicked in and rationalized it away as an artsy late night photography session, which is common around Paris. The sting of the cold refocused my attention and I hurriedly resumed my walk home.

I was tired, muddy, and had to take a shower before throwing myself into bed. I showered, dried off, and pulled back the new, thick duvet I’d bought for winter. The moon was full, beaming softly, barely illuminating the dark bedroom, as I cracked opened a window to let a small amount of fresh cold air into the humid stale room.

I slid under the duvet. I liked the cold, it reminded me of camping in the mountains with my old man and being snug in our down sleeping bags as we talked half the night away. I quickly fell asleep.

I half awoke, sensing a presence. I opened my eyes and saw a woman, ****, standing at the end of my bed, enveloped in a faint blue luminescence. She looked at me with big doe eyes. I watched her watching me, trying to figure out if I was dreaming or not.

She crawled on to the bed. I couldn’t feel her as she made her up the bed. She straddled me. I saw glint around her neck and saw she was wearing a torc, and realized who she was.

Her face was centimeters from mine. Her eyes burned with ferocity, intensity, and anger. I looked back up at her, fear welling up inside of me. She looked down at me. Her penetrating eyes, looking into my soul. I could feel her in my head, my mind.

She felt my fear, and without a word, just the look in her eyes, reassured me, calmed me, and my body and mind relaxed as if a nurse had given me a shot of morphine.

She touched her lips to mine, and felt the heat of her beath, smelled her dewy scent. I didn’t move. I knew I was prey. I knew what she wanted, and let her take it.

She slid her tongue into my mouth, and I gently ****** on it. She ****** up my lower lip, biting it playfully. She tasted sweet, fresh, like spring water. I couldn’t get enough of her. I wanted more. I kissed her harder, deeper, and felt myself slide to the edge of sleep, no longer sure what was a dream, or what was real.

She pulled back the duvet, grabbed my ****, and stroked it till it was painfully hard. She kissed it, put it in her mouth, and ****** it. Her head bobbing up and down. She’d stop, bite the head, and use her teeth to scrape up and down the shaft till I winched and yelled out in pain.

I started to moan, my body tightening, and arched, thrusting deeper into her mouth, coming as she raked her nails hard down the side of my chest. To my surprise, she didn’t spit out but swallowed my ***, licking excess from around her lips.

--------

I opened my eyes and was blinded by sunlight streaming in through the open windows and curtains. What the ****, I thought to myself, I never sleep this late. It was always dark when I wake. And the birds, chirping in the trees outside my window, were loud, and grating on my nerves.  

I slowly got out of bed. My body ached, my lower lip hurt, and my **** was sore. I grabbed my **** and immediately released it in pain. It was raw as if I’d had ***. I was definitely confused. My eyes darted from side to side as I tried to make sense and remember last night. I left the dig, came home, showered, and went to bed.

I trudged to the kitchen and made coffee, all the while, racking my brain for some clue as to why I felt like ****. I poured a cup, leaned back on the counter, and sip the coffee. I shook my head, placing my hand on my hip, and felt a sharp burning. I looked down and saw blood on my hand and side. I went to the bathroom mirror and saw fingernail marks down both sides of my chest. I just stared.

I had no idea, no clues as to how these happened. I jumped into the shower and washed off, bandaged up the bleeding scratches with paper towels and tape, dressed, and went to the cafe at the corner.

Despite the cold, I sat on the terrace, ordered coffee, bread, butter, and jam. I looked at my phone. It was 8:08. I looked at my text messages and emails for some clue as to what happened last night.

Breakfast came, and I sipped the coffee, staring out into the street. The waiter walked past me. “Oui madame, what would you like this morning,” he said. “Cafe et croissant,” she said. The waiter turned and walked back inside. I turned my head to the side for a quick look and blinked twice. It was the redheaded adjuster from yesterday.

“Bonjour M. Delacroix,” she said. “Bonjour Madame,” I instinctively replied. There was an awkward pause.  “I am Brigitte, Brigitte Dieudonné,” she said softly.

We small talked over breakfast and when I tab came, paid, and said, “I headed to the office.” “It is the weekend monsieur. “Yes,” I replied, “I work at an archeological dig on Ile de la Cite. The crypte.” “I am headed that way myself, do you mind if I walk with you,” she asked.

We walked to the metro station, down the stairs, through the turnstile, and onto the quay. The train came, the doors hissed open, and we strode in. The train was full of Chinese tourists and it was standing room only. I grab a pole and Brigitte did the same as she squeezed up beside me.

The train jolted forward and Brigitte bumped into me. As the train smoothed out, she kept leaning into me. Her derriere in my crouch. I could feel her body through her coat. I was getting turned on. As the trained curved around a curve, it rocked back and forth. Her *** bumping and grinding against my now hard ****. Could she feel my hard-on through the coats? She half-turned her head a gave me a coquettish smile. She knew I thought to myself.

We exited La Cité metro station, on to Place Louis Lépine. Before I could say anything, she said she’d like to see the dig. “Sure,” I said, and we walked to the La Crypt. We walked down the stairs to glass doors and pass the touristy exhibits and displays, to the back, behind the green painted plywood wall. Sylvain and several grad students were standing over and around the coffin. Two of them were in the pit setting up a portable x-ray machine, one with a still camera, another with a video camcorder, and the rest looking down at their tablets.

Brigitte and I walked to the edge. The coffin’s lid had been clean. The runes and Celtic knot were clearly visible. “Danger, death, mother,” Brigitte said. Sylvain turned his head, and said, “she is right, danger, death, mother according to the religious studies guys.” “How do you know that,” I asked. “It’s in all the teenage vampire movies,” she replied grinning.

“The top one is an inverse Thurisaz, which is means danger. The second one is an inverse Algiz, which means death. The knot is Celtic for mother, and the dot in the heart means she had one daughter,” Brigitte said trailing off.

“It looks you’ve got it under control Sylvain. I have an appointment. Brigitte can I walk you back to la place,” I said.

We walked to la place and stopped at the metro entrance. “Can I have your number,” I asked? “Yes, you may, if you promise to call monsieur Delacroix,” she said smiling girlishly. She took my phone from my hand and typed in her number and dialed. Her phone rang. “I have your monsieur, Delacroix. A bientot,” she said. We did la bise and she was off.
Geno Cattouse Nov 2012
Sitting in a chair counting spots that passed before my eyes.
The insect smiled and said "hold still" i missed one.
They swirl this way and that.
dont move    Please. be still.

Not an  easy task
a fever of 104.2
could you.                  I think that I shall never see
                                    a poem lovely as a tree.

Sitting on my blanketed chest
The insect did his best to sing me a lullaby.
his breath was horrendous but he meant well.

He stroked my burning cheek and
changed the cool washcloth regularly
on my aching head.
Then turned my pillow to the cool side again.
There my friend.

He scuttled under with me and snuggled
his hairy legs were itchy and rough.
small price to pay.
eh wot.

Oh yes we have no bananas
We have no bananas today.

Captain if we keep pushing her like this
she's gonna blow.

We regret to inform you that
the price of tea in China is now
High as gas in California.

Chicken broth he brought  
with a silver spoon to boot
The insect waited patiently
as I swallowed then spooned
the next load in.

"Here let me wipe you chin."

Ladies  and gentlemen and all ships at see
The Hindenburg has landed
oh the humanity.

This is not the end
No not the beginning of the end.
But more, the end of the beginning.

Help me up Mr Checks. I think I gotta ***.
Oops forgot to raise the lid.
Mr Checks. Can you have room service come up.
we need more Trowels. Uh towels.

Stop hogging the remote.   Where's mom
                                              Have you seen my Teddy with one eye missing.

To bed to bed
You sleepy head .

Tarry a while said slow.
Put the *** said greedy glut
Lets stuff before we go .

Mr  Checks.
All hands on deck.
We dont have enough lifeboats sir.
The iceberg is  sky blue and beautiful dont you agree.

What do you do with a drunken sailor
early in the morning.
                                                               Heave ** and up she rises
                                                               Early in the morning.


THIS FEVERISH DREAM TO BE CONTINUED.
John Stevens Feb 2012
"Papa. Read my the four little pigs and the BIG BAD POUF." With emphasis on the big bad "POUF", we begin the fascinating journey of the pigs and the rehabilitation of the "Pouf".

My granddaughter (age 2) loves the story and when ever we come to the Big Bad she says the "POUF" part. It rather sounds like a French pastry.

The fourth pig, as everyone knows, is Momma pig, she sent the defenseless little pigs out the door with a warning, "the BIG BAD "POUF" likes to eat little pigs." Seems to be a common malady of "Poufs" and Humans.

The BIG BAD "POUF", we are told, watched from the top of the hill where he lived. He was a considerate "Pouf"... letting the little pigs build their straw, sticks and bricks houses before offering to be a building inspector to test the strength of straw and sticks. The "Pouf" condemned the first two houses... huffing and puffing and all of that. All the hair on the little pigs chin could not stop the tinsel strength test performed by the Big Bad "Pouf".

Everyone knows that brick is stronger than straw and sticks but we have a Big Bad "POUF" that begs to differ.  Consequently, he ends up in hot water, much like Humans who make bad decisions.  Not the brightest and smartest choices made in Pig/"Pouf" Land.  At least this pig did not put the lid on the *** and have "POUF" for lunch.

The "POUF" became a reformed "Pouf" staying on his hill top.  No more Big Bad for him.  Kind and gentle. A NEW "POUF"!

Now 60 years ago the Building Inspector in this story got into hot water and became the lunch of the brick house pig. The other two pigs became lunch of the "POUF" but I suppose I will not be telling that to my two year old any time soon.  

There are many versions of the story. Things have changed over the years.  The Three Little Pigs live happily ever after and the "Pouf" now stays up on the hill and is a GOOD BOY.  Getting into hot water can be a life changing moment... provided the lid is NOT put on the kettle.  Moral to this story... stay away from pigs who carry hammers, trowels and squares. Or.  Don't be a blow hard.

(c) 02/14/2012 by John Stevens
Bed time stories are a must and the "Pouf" gets a lot of mileage.
Lawrence Hall Mar 2017
Tools of the Patriarchy

Fence pliers, claw hammers, crescent wrenches
Nail sets, c-clamps, wood planes, mitre boxes
Come-alongs, White Mule gloves, ball-peen hammers
Jumper cables, wood planes, mill bstrd files

Plumb bobs, twist bits, cross-cut saws, ripping saws
Tire irons, air compressors, pressure gauges
Brace-and-bits, drawing knives, pneumatic jacks
Cold chisels, clamps, mortar trowels, channel locks

A twelve-hour day plus d*mned low pay, you bet!

And

A work ethic, knowledge, muscles, and sweat
MV Blake Mar 2015
Vocal silence
Does for an
Argument make.
You hide behind your belligerence;
With mortar of icy rage and
Stones of cold indifference,
Laid with trowels of denial,
Lobbing nothing wrong
Like fury-fueled firebombs
Then you run a mile.

It's not a war,
It's a conflict.
I'm hunting through a jungle
Of stone-walled edicts,
My defensive guns laying ammo
On metaphorical trees
Guilty of hiding the dead.
A bunker deep enemy,
Safe in their concrete head.

Hunting a deserter
Who spent a lifetime
Learning camouflage techniques,
Sulking under cover,
Lining up their gently angry shot
For when the cross-hairs meet.

I would call you out,
But you would only go in.
It's like fighting a shadow,
My silent twin;
Naturally nurtured
To hide behind benevolence
And fight a cold war.

I warn you, it's growing thin.
janice chinn Mar 2017
Don't  you love those lovable guys
Tanned and loud surrounded by flies
Trowels flying, hammers thumping
Music blaring lots of swearing
They love the summer and love the sun
Love to show off their builders ***
But don't  you love those lovable fellas
Who work up a sweat
While we sit cool
Under our umbrellas
E A Bookish Feb 2016
This is not a new day, this is a day gone bad, rotting and stinking like putrid death, but repackaged, perfumed, and sold like cheap ***, for dimes or a sense of certainty or just company,

Surrounded and Alone-
The essence of city life

Out of windows, dusty, and brushing cotton flakes out of hair
In a cold room there is so much to do, like breathing,
Running hesitant tongue over stoic teeth,
Why use it? When communication is fraught with shipwrecking maelstroms of miss-understanding, miss- understood and miss-interpreted

                                   -heavy headphone armour on,
Check.

But what is sung is wrong, pursued by romantics old and new, this modern age is fractured and cannot be seen by a mirror unbroken, while comedy halls are bursting at the seams with self deprecation and I laugh at everything I don’t understand, and don’t understand why I laugh but-

But I’m fond of morbid irony: is it possible to commit suicide accidentally?

I ask the Eternal Cockroach as it salvages waste and it rolls its Eternal eyes at miss-placed Inconsequence. It rolls its eyes and sees the bottom of my shoe and ***** off to cockroach Hell or Heaven while the crushed and oozing carcass stains my sole.

And I don’t care if I asked a question or wanted an answer or, in the end, what I got at all.

Forget the bridge; I’m flying over this-

A poem, played out on stark eyebrows and two fine forehead lines, then quirked, ruining a long lamentation’s worth of time, to say nothing of the ruminating circle, the square that fits in it, those fine fired diplomatic lines, deluxe and then depraved and then forgetting what that means.

If anything at all

A New Year I don’t know what to do with, an old expectation I still harbour, though here ships can only be wrecked and left unrepaired save for chewing gum and spit.

Baby faced innocence wrinkles faster than hands in tepid bathwater; here,
Skin crawls with the tactile hallucinations of a spider’s breath; evaporating

The words, which are always contested even by themselves, that remain seated on a reluctant tongue, everywhere, where echoes of watercolour paint and bolognaise sauce compete for existential poetic perfection, here,

There, on cracked amber shores, ancient icons and ancient dramatic dreams, tumbled shreds of history textbooks and photographs combine into nostalgia, ready to catch a hot wave and jump into another word-

The essence of speech, like bread and potatoes, is starchy blandness- the plaster base of meaning, waiting for the frieze,

Really, it’s a tasteless memory that supports the world in its frame, in its seams, and cracks before it compromises-

I do not compromise, not because I am the best but because I fall apart without myself, and any compromise will mean death and that arduous reinvention of the smile, the hand, to wield pens and stroke guitar strings and make gear changes and fidget with hair and with fingers express urgent ideas in the shape of air,

Here,

The hollow house has already been burnt out, but an X was marked, so let’s ruminate around it still, and still before we pounce

On anything that gleams, anything that shines; hunt with snout in trough for lost treasure, those things that gleam and shine-but it’s a hoax

As fox masked bourgeois wolves run behind backs and pinch backsides and pick pockets. Steal pocket lint and ticket stubs and laugh, waving miss-fortune in faces, equally lost in the search for the words of missed discontent, but with money and our pocket lint and ticket stubs to forget it-

Until it just stops: Reach out, and bash them on the head- or start a civil war, it’s not always a choice, but now it yours-

To swing lavish hips in the garbage of history, or not

Don’t want or need to know what made this: put up a sign for the archaeologists of the future: don’t dig here, nothing worthwhile here, take the trowels and brushes and theories of Diffusion or Constructed Hegemonic Discourse (though Gordon Childe may stay for Tea, tea, that most holy incarnation of caffeine)

And go.

There’s nothing that one could want here that isn’t already known; when weeping, when looking in a hotel bathroom mirror and pulling at hair and eye sockets in mad disorientated frustration-
So,

I’ll be East of Eden, looking for East of Ordinary (if anyone cares) dropping and rescuing causes like pebbles and shells on foreign shores,

Sure, I don’t know what to think, but I’ll feel it anyway,

Spitting in open mouths next to ancestral verse, no reverence for irreverent history or this,
these narrow doorways and double standards are doing heads in;

shrink it, trim this mental overgrowth, neo-liberalise this stress, just privatise it all, and it becomes

Decrepit disconnections, miss-spelled and miss-meant; missing a lucid neologism and marvelling at its absent meaning. See, all there was to believe in was a circle pit that spun forever and insistent chords and the increasing pressure that ended in a broken nose;
                                                who knows?

Revelation: maybe I quirked that eyebrow, and disbelief simulated stimulating dreams-

I’ve seen promises made out of diamonds, wood, gold, amber, spit, so don’t ask me to repeat myself or this, to diagnose or understand it-

I’m sick with everything I cannot count or count on, things accidentally found and purposefully misplaced. I could lie and it would probably mean the same thing anyway,

See, there’s nothing new to see, to this or me,

This is not a new day, but one wasted in a cold room.
C S Cizek Dec 2014
8:55 A.M.
Wednesday,
December 3, 2014

Eyes dry, stagnant like a box fan
in a windowless room in summer.
Del Monte plastic blades—black
on the serrated side—dice rotting
pizza tomato trash air.

Stomach like a battery acid pond.
Flannel, Dockers, hair slicked
tight like road signs, tossing oyster
crackers to acid ducks. The sky's
on fire.

Clouds textured like *******
and never-ending like Escher.

Jet planes carry ***** comatose
patients into the sun to burn
out like a light bulb
a few flickers of life gone.

Hands dry, faulted like missing
bathroom tiles at Exxon-Mobil/
Sunoco/Shell beneath the metal
sink where crabgrass sprouts
from the cracks like

cheap caulk from Second-Hand Hardware.
Bent nails, rusted patching trowels,
ants in the quick-dry drywall mix.

I'll never reach Nirvana.
Olivia Kent Nov 2013
Tell. me you love me again.
As you run your fingers through my hair.
While touching your temples with my pen.
As I touch yours with new born grace.

Once kisses of power.
My heart was devoured.
Blood flow blue.
Royal blue my lord.

I shall write my words for you.
As I write my words for all and sundry.

The girl whose heart turned cold and blue.
In a mismatch of a hotchpotch.
Of gobbledygook mistaken.
On a crisp cold winters day.

She begs for nothing.
Nothing at all.
Perhaps pride came before her fall.
Her fall from grace entirely dropped.
Discarded in dreams puddles.

Her poems now extended.
Too many months descended.
To put my words in consonants and vowels.
To fill the cracks with trowels.
No, not mine you fool.

Words are my nourishment.
Sometimes my punishment.
As the book of revelations.
I lay open.
Not signalling Armageddon.
Nor the end of my world.
Without you!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Ummm ! To love eh! What a dream!
CC Capie Dec 2015
im alive
im sleeping on a roof right now
in my dream i stand
in my dreams i spend most of my time thinking
sane beauty
*****
cut
fade
angels pray
driving home
my path is perfect
swallow loose bolts
weighed down by crosses
my crutches
shifting
getting sweaty
sweet odor
barely born waiting
strong gaps end
a big gun going
crushed by lead
fresh loving numbed
tried tight
bitter falls spent falling
gaze constantly
mistakes eventually
perfection is nostalgia
a mad scene with important colors
darker cool shades of summer routine
a small orange
think its called a tangerine
you melted trying to understand me
puppets control the telescoping cathedral glass
we are wooden
i am holy benedict
existence overrun
you'll try a new direction
holy benedict patron
12 minutes
11 moments



walking frigid down the crest of a wave
kept spinning deeply free
i am green and red and yellow
holding hands with elves on daytime trowels
on shoals of sandy beaches creaking
creeping deathly towards peaches hidden meaning in my mind
help me say peace and green lively words
heavens receipt
he owes you a lot more than his life
eternal sin wrapped in a rapture unfurling
you kept passing saturn underneath the no and yes
david started to say before you cut him off
safe bridges cross memories corner
painted a house insane colors
too bright for morning eyes or evening skies
tomorrow is mist
their heads are held on tightly by glues brought in by alien exporter importers in the late early century of passing grace
passing tightly daily ladies keep spinning ten fer a dollar
filled to the brim
fix the wide hook looked deeper for a picture of my childhood reflected on my sneakers floatng in argyle lake
stuck in the slots of a bridge passing
sleeping tv
Elaenor Aisling Mar 2014
Carve out the marrow in my bones
and plant a flower there.
Split my ribs for fence posts,
empty my skull for a watering can.
Use my hands for trowels,
plunge them into the earth.
I shall be pushing daisies
come the first sign of spring.
Yes, I am aware this sounds a bit like a bad plot for a CSI episode. No, that is not the intent.
Robert C Howard Jun 2016
Garden Avenue Driveway*

They pulled up at 7:00 with spades, trowels and hoses
      and a spinning truck full of concrete soup.

Then as precisely as an olympic fencing team
      six men with well toughened and tanned biceps

drove the liquid rock down the chute
      and into the the “two by” forms.

Then with rhythm as fluid as a *corps de ballet

      they poured, smoothed, spread and coaxed the mix

in to a concrete lake as smooth as glass.
      and the morning’s deed was finished.

They hosed down the chute and walks,
      packed their tools and vanished by 9:00

leaving their concrete sheet cake
      to bake in the hot Illinois sun.
spysgrandson Dec 2017
passionate peach, the cream acrylic on their wall
filling the textured grooves the trowels had left

almost pink in morning light, taking on the color of
the fruit at eventide, when incandescence reigned  

when fireplace flames flickered, the wall became a fickle facade:
gray in shadow one moment, pale peach the next

his favorite chair sat there, where she thought it looked best,
a worn rocking guest in a room filled with modernity;  

that is where she found him, slumped over, eyes agape
blue metal gun in his lap, where it had landed

after the dead journey from his mouth, after he had
squeezed the trigger but once

painting the flat wall behind him with hues of crimson,
cherry, and bits of white  

what queer shape this scattering had made, she thought;
surely not a visage, though it appeared so  

as she watched in paralytic silence while strangers
washed the gore from the wall  

leaving but a black hole where his rich red legacy
had left its beguiling design
John Lock Feb 2018
Stark on the Wilshire skyline
Lean the monoliths of mystery
Marshalled by the Heel Stone
Sentinels guard the secret
That mocks the mind of man
~
Huddles of academics
With puny trowels and theories
Probe the dusty chalk lands
Scratching for the key
That picks the lock of time
~
Come, you followers
In your robes of worship
Circle round the blue stones
As ghosts of the ancients
Dance in the Pagan fire.
As we await the arrival of our concrete truck,
jovial, trivial, almost painful small talk is being made.

But then we hear and can visually see our concrete
truck largely coming down the road.

The uncomfortable, insignificant chatter has ceased.

A more serious tone has overcome the crew.
I point to my bottom (my ****) to signal to the driver that I want him to back in.

Truck has been backed in..

  
Now the driver steps from his cab with the loud roar of the mixer mixing, almost similar to the sound of a jet preparing to take off.

The driver asks, "how many chutes" ?
I reply, "all of them please, and then lets look at your slump".

My crew now begin an almost involuntary impatient pacing.

Its what we do when concrete arrives.

Some light cigarettes.

Some tap their floats or brick trowels on steel pins to clean them.
Some like me begin to stretch.

As I see the concrete come out of the back of the mixer I say to the driver " 9 gallons of water please ".

As the mixer mixes the pacing almost becomes an annoyance but has to be done to expend the nervous energy.

The driver now back in the cab of his truck,
I say to him "okay, back her up".

We begin our pour.

The concrete slides down its 4 chutes.
I say to my crew "pull up that wire mesh,
raise that expansion joint,
knock that concrete down, please".

The crew,
although friends always talk about me,
the foreman,
its part of concrete life.

They utter to each other "why is he dumping so fast,
why is he dumping so high" ?

"I'll make him shovel this concrete back if he keeps dumping this way".

Mind you, they all think they know more than you apparently,
but they don't have,
want,
nor can they do
your job.

Organized,
respected,
money making foreman
do not grow on trees.
They are unique and
hard to find.

Half way done with our pour I gesture to the driver in a drinking motion ,
"more water please driver, 4 more gallons please".

The mixer roars once again.

My crew catches their breath during this final chance of doing so.

I say to the driver, "okay, lets go, pull up and begin discharging".

We finally get to the end of our pour.

Sweat pouring off of every brow...
every chin.

T-shirts saturated in sweat, we gather ourselves to now provide the finish product, "the finishing process".

After the finishing is done we all stand in the street at the foot of the driveway and commend one another on a job well done.

I say "looks good men , a job well done" !

That uncomfortable trivial painful chatter begins once again till we depart for home.

Till tomorrow when we do it all ,
all over again but only this time with a new ...story for
annoying chatter,
a few more aches and pains....
a few pounds lighter....
and a few more blisters and callouses.



written by yours and everyone's "concrete poet"
I saw my heart dancing
in the park wood today
She was dark
and lithe
and graceful
She is dark because I am
discovering Her still
and am not completed yet

It's an archeology of the heart
I practice
The inner eye caught
the nuanced landscape
which foretold the fossil
With careful strokes
respectful of the treasures
within me,
I clear away
I clear away
My trowels: feelings
my brushes: tears and laughter

As they are cut away
from ego sediment and stone,
my fossil pieces
fit in place
and lock together the puzzle
that I was
that I was
It is a re-membering I do
because
because
I saw my heart dance
in the park wood today



c. 2009/2017 Roberta Compton Rainwater
sparklysnowflake Apr 2019
can i ask you–
            my last request
            ill ever ask of
                        anyone
will you
            **** everything i was
            leave no molecule of ink or
                        inkling of madness

burn all my poetry
            and swallow the pathetic pride
                        escaping in the fumes
scrub my skin
            boil down all the feathered hope you can find
                        it is the only half-decent detergent for tear-stains
            scrape until i glow
wash out my throat
            bleach the mold with indifferent silence
                        if you lay it thick enough
                        the words should lose their sticky grip on the walls
            and drown my lungs in perfume
use forks and trowels fashioned from steel apathy
            to pick out the overgrown weeds rooted deep
                        in every crevice of my brain
            dig out the parasitic seedlings of poetry never written
                        plans never executed
                        fantasies never realized
                        words never understood                        
                        storie­s never told

            **** them all
superglue the shards of whatever is left
            so she
                        will never know enough
                        to care
and bury me
            in the clothes she touched
                        when she told me
                        she loved me
AU
Kenneth Brackney Dec 2017
This is a Poem
because it rhymes.
The muse’s threads have woven them
where nothing else but sorrow survives.

This is a Poem.
as old and as true as the sky.
Words from muses below them
let no others survive.

A very Generic Poem
as Generic as untoasted bread.
As low as where the ships stow them
spun just as blankets from a thread.

A very plain Poem
as plain as a white piece of paper.
As potatoes in the gardens that grow them
the trowels extend with their taper.

A substantially unimportant Poem
as substantially unimportant as a fruit fly
as the Marine’s obstacles that slow them
as the silent pained one’s mute cry.

This poem means nothing.
It doesn’t even have to rhyme.
As long as it is cutting
it will remain till the end of time
I wrote this poem to represent my own mind. It's repetitive, contradictory, and includes a quote from the Jungle Book (line 6). It's simple, and not my best, but I figured "why not?".
Joe Jul 2023
Old moss doesn’t notice spring
The seating had been chairfully arranged
A garden is a wild place
The final frontier
Though we try to tame it
With glass houses and trowels
It will always be free
Neatened perhaps but stubbornly free
S R Mats Nov 2023
On the dry and empty ground
Covered in stubble brittle and bleached
Nothing exciting could have ever happened
In this barren place.
 
Yet, there, beneath them lay clues all around
Pointing to the ancient just within reach,
By an inquiring mind who goes out to seek.
They were men of that sort on bended knee.
 
The wastes between the Dead Sea
And beyond the Gulf of Aqaba pleaded,
"I am lost, come find me."
So, they unpacked their shovels, brushes & trowels,
At the foot of sandstone cliffs and started to dig.
 
Together with the Bedouins, the group slept on
A ground covered in their robes.  Strewn about lay
Piles of black ****, byproduct of copper smelting
Beckoning.  So, they ate the unleavened bread,
Just as did the freed Israelites who were fleeing Egypt. 
 
But then, of course.  Nothing ever happened here.
Alex McQuate May 2022
Sitting on the porch,
Drawing from an ice cold bottle,
I think back to my childhood,
Tyler Childers yodeling into this pre-summer air,
I'm drawn back to when I was six...

My father's father babysitting me,
Taking me for a walk through his garden,
Filled with carrots, tomatoes, and onions
Which he tended to every day,
I remember asking him what it meant to be a hard worker.

He paused to look at me,
In that way he would,
His face seeming to scrunch in on itself,
And after a moment,
As it always would,
Would return to it's natural state.

He told me to wait there,
And was gone but a minute or two,
He came back with a bucket and some trowels,
And had us digging up the veggies he grew.

It felt like hours to my children's mind,
But was probably only a minute or two,
The bucket was filled,
He paused in his labors,
And told me to give him my hand.

His hand dwarfed my own,
Dispite it being ravaged and shrunken with age,
He held my hand up for inspection,
And with a slight grin,
Turned to show me what he saw.

It didn't appear to be anything to me,
Just some dirt and grit on my hand,
Until he explained with wise words,
"A hard worker ends his day with dirt under his fingernails, Louie, that's all that needs to be seen",
And with a nod,
We went inside,
To wash up for chili and franks.

I never knew that he was sick.

Fast forward a couple of years,
And I'm playing in the creek of my childhood home,
Looking for snakes,
And enjoying the day,
My mother came out,
Looking upset,
And called me in,
That we were going to go see Grandpa,
And with that my heart soared.

It didn't soar long.

He looked so small,
In that sterile hospice bed,
But as children often are,
I was oblivious to the situation,
And ran up to his bed.

He was so weary looking back,
Ravaged by cancer and time,
His face a roadmap of hardships,
Of trials sustained through the years,
But not seeing this then I ran up to him,
I smiled and said,
"I'm a hard worker Grandpa, just like you said!"

Adorning the undersides if my nails,
Black from creek mud and grime,
Some life returned to his dying eyes,
And dispite not being able to speak,
It didn't matter,
No words needed to be said.

It was the last time I saw him,
So long ago it seems,
But that old man taught me a good lesson,
That I won't ever forget.

Being brought back to the present,
Bone tired after a 12 hour shift,
I look at my hands and grin,
Grin at the carbon encrusted nails and oil stained creases.

The signs of a hardworking man.
D Becker Nov 2019
You call when I’m reading
(Every article, like I’m in prison,
Something about rifles and cartridges)
Even in second language jokes
You’re the best part of their day
You talk of Abaco and water
Anne and the Mud
I can only say
It washed over.
I wake in the night
And my mother’s up
With a light cane thumping and florescent lighting.
In the early morning I *** outside
Relieved by open space
I pull the arrows
I list groceries
It’s the best part of the day.

The feedback of his hearing aids
The forgotten novel
Solitaire
The lightly fondled newspaper
What’s your mother doing?
Did your Dad go back to bed?
What day is it?
They mostly miss each other
When death idles under the carport
When the starving aren’t hungry
I miss them too
While she was forgetting
And he was dying

I remember when my grandmother died
My father, aunts and uncles around her
A minute in the bedroom
A hug, sudden
Death crisp as a *******
But this, it’s not you
The table you made was there, and here
Refinished
I’m not sure how to clean the pellet stove
I hug your wife
The ballot issues alongside her coffee
“Oh, ****!”.  Just vote yes.
Toasted banana bread
As I stand at the bedroom door
Checking for signs of life

She asks me who your wife is
Who your brother is married too
Who am I
Marriage is a fading order,
My kids don’t know.
After 66 years of her own,
Now my mother doesn’t either.


I stop for fossil fuel
For the long-handled sponge and squeegee
Radio whites talking Jesus between scans
My sister caring, weary, crying
Competency smiling
I lean there
Eat raisined grapes, frog eye salad, boiled egg
You sit bedside in my brace
With alabaster thighs and raspy breath
You want to write checks
You guess to stay in bed
I don’t know what death is
But I want it for you

My hunger is a coated almond
Next to your pill box
Only Monday is empty
You thank me, not knowing about tomorrow
Creases in the carpet, shrinking
You’re the smallest of the nesting dolls
You want an Oregon pill
Not what Tuesday offers
Your disappointment breathes
I wonder about your loving God

I have a birthday card
Still blank
Don’t know if you’ll make it to Friday
Doubt you’ll breathe enough to wake
wake enough to read
What to wish for you
I wish for the end
I scribble deep breaths

We came, somehow all of us converging
They came, and wrapped your body
Wheeled it out the front way
The bed changed, a meal shared
Lives diverge again
For six decades
We had you
To gather around
To go first
I’d like to miss you
But you’re still here…
What day is it?

Cookie crumbs and flower petals
Sympathy cards when death is over
Moments when you miss him so much
His ashes noticed by parcel post
I clean the pellet stove
I rummage in his drawer
For a T-shirt
In your overheated house
Stain of glue
So like mine
Home where you were

I took some nails, washers, some trowels
Rags, wing nuts, his stuff
You think I’m as obvious as lasagna
But I’m more than layers
Today I found the post office
Took the box marked
Cremated remains
She put the canister
Behind the chrysanthemum
Blooming in November
I stretched on the floor
She on the couch
We napped
Had ravioli for dinner

— The End —