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Toni Seychelle Jun 2013
The sun is setting on a hot day, he hides coyly behind tall sycamores, his reflection playing on the undersides of trees on the riverbank. His warm breath is the breeze that kisses my cheek. The river carries me on, over pebbles and rocks below the glassy surface. Dragonflies dart around, flying gems that glisten in the sun. The heron, with diligent patience, hides seamlessly in the trees awaiting his next meal. He takes off when I get near, his frame is much larger in flight. The sweetness of honeysuckle is thick in this warm air. The trees on the riverbank are laden and dripping of the sweet flowers. As I gently glide through the water, the waves lap against my boat, almost making the sound of kisses. This is my river time. All these beautiful things, I love. There is passion in Nature, it is in birdsong and in the breeze. It is in the river as it moves along and the swaying of the trees. This is where I breathe.
I love kayaking.
Blameless as daylight I stood looking
At a field of horses, necks bent, manes blown,
Tails streaming against the green
Backdrop of sycamores. Sun was striking
White chapel pinnacles over the roofs,
Holding the horses, the clouds, the leaves

Steadily rooted though they were all flowing
Away to the left like reeds in a sea
When the splinter flew in and stuck my eye,
Needling it dark. Then I was seeing
A melding of shapes in a hot rain:
Horses warped on the altering green,

Outlandish as double-****** camels or unicorns,
Grazing at the margins of a bad monochrome,
Beasts of oasis, a better time.
Abrading my lid, the small grain burns:
Red cinder around which I myself,
Horses, planets and spires revolve.

Neither tears nor the easing flush
Of eyebaths can unseat the speck:
It sticks, and it has stuck a week.
I wear the present itch for flesh,
Blind to what will be and what was.
I dream that I am Oedipus.

What I want back is what I was
Before the bed, before the knife,
Before the brooch-pin and the salve
Fixed me in this parenthesis;
Horses fluent in the wind,
A place, a time gone out of mind.
Lawrence Hall Jul 2021
Lawrence Hall
Mhall46184@aol.com  
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

                                    D­ressers of Sycamores

                 “I am a herdsman and a dresser of sycamores”

                                          -Amos 7:14

Amos speaks blunt truth in humility
And being commanded from the fields to the roads
To remind us of our duties to God and His People
Is a disruption, not a promotion

We all dress sycamores in our own ways:
Carrying groceries, tending the sick
Plowing a field, repairing a broken truck
Mending a fence, taking a child to school

We should listen to Amos and to ourselves
For our service is noble if for the King
A poem is itself.
bike's rusted chain
against the walls of my childhood
a new family lives inside
but what they don't see
are the notes of cardamom and burnt orange
rolls of film that my parents and I left behind
capturing sneakers over gravel
along the east river
toward the steel Hell Gate
as dad jogged beside me
his caramel skin
against the sycamores
my first time learning how to ride
they don't feel the bruises and scrapes nor
taste the paella we shared for dinner that evening
they only see what we gave them,
an empty house with matte finish
In these rapid, restless shadows,
  Once I walked at eventide,
When a gentle, silent maiden,
  Walked in beauty at my side.
She alone there walked beside me
All in beauty, like a bride.

Pallidly the moon was shining
  On the dewy meadows nigh;
On the silvery, silent rivers,
  On the mountains far and high,—
On the ocean’s star-lit waters,
  Where the winds a-weary die.

Slowly, silently we wandered
  From the open cottage door,
Underneath the elm’s long branches
  To the pavement bending o’er;
Underneath the mossy willow
  And the dying sycamore.

With the myriad stars in beauty
  All bedight, the heavens were seen,
Radiant hopes were bright around me,
  Like the light of stars serene;
Like the mellow midnight splendor
  Of the Night’s irradiate queen.

Audibly the elm-leaves whispered
  Peaceful, pleasant melodies,
Like the distant murmured music
  Of unquiet, lovely seas;
While the winds were hushed in slumber
  In the fragrant flowers and trees.

Wondrous and unwonted beauty
  Still adorning all did seem,
While I told my love in fables
  ’Neath the willows by the stream;
Would the heart have kept unspoken
  Love that was its rarest dream!

Instantly away we wandered
  In the shadowy twilight tide,
She, the silent, scornful maiden,
  Walking calmly at my side,
With a step serene and stately,
  All in beauty, all in pride.

Vacantly I walked beside her.
  On the earth mine eyes were cast;
Swift and keen there came unto me
  Bitter memories of the past—
On me, like the rain in Autumn
  On the dead leaves, cold and fast.

Underneath the elms we parted,
  By the lowly cottage door;
One brief word alone was uttered—
  Never on our lips before;
And away I walked forlornly,
Broken-hearted evermore.

Slowly, silently I loitered,
  Homeward, in the night, alone;
Sudden anguish bound my spirit,
  That my youth had never known;
Wild unrest, like that which cometh
  When the Night’s first dream hath flown.

Now, to me the elm-leaves whisper
  Mad, discordant melodies,
And keen melodies like shadows
  Haunt the moaning willow trees,
And the sycamores with laughter
  Mock me in the nightly breeze.

Sad and pale the Autumn moonlight
  Through the sighing foliage streams;
And each morning, midnight shadow,
  Shadow of my sorrow seems;
Strive, O heart, forget thine idol!
  And, O soul, forget thy dreams!
Auntie Hosebag Nov 2010
Stage Design/American Drama


Down front on America’s stage—
awash in a universe
of light arranged by
the ultimate technician.
Come closer.  Anticipate
spectacle.

First sun-splash
on these shores fashions
fool’s gold of surf that heaves against
foam-smoothed, lobster black,
slick rock beaches of northern Maine/
bubbles about black rubber boots of men in boats—
another day, another dime,
shivered away in ancient rime—
adrift in fog on the black
                                          glass
                                                   harbor
                                                               surface.

Grand Canyon sunrise
          EXPLODES
               copper and white/
                    orange and green/
                          blood red/
over many thousand pounds
of brash brown
        dirt—
in every direction/especially down.
       Soldierly shadows armed with swords
       of slivered sunlight hack through scrub
       like so much meat, to each day’s final
       battle at the canyon’s rim/
while a mile below the torment
called the Colorado
turns silver and gold,
black, blue, and
thundering
mud.

Louisiana bayous trickle chlorophyll caramel over twisted hickory sentinels, monumental elms and sycamores—even the alligators.  More mystery here than far-flung nebulae—and everything fighting back ***** green kudzu.

The Badlands of South Dakota, striped like the surface of a ***** peppermint planet—sizzling in the sun, bone cold in the shade—knobby tan canyons wrapped in ribbons of rust that dribble sounds one can neither recall nor reproduce.

Same phenomenon frames dawn over spongy folds of tall green cilia ocean called simply The Plains.
Kansas, Nebraska, horizons so far away thunderstorms creep along like dark, threatening slugs.
Distant night fireworks laden with punishing hail hide tornadoes and winged farmhouses in the horizontal gloom.  In the morning—those sounds again.  Critters?  Wind.  Ghosts, maybe.

Spectral mists of the Great Northwest cloak clear-cut sores on Nature’s sacred,
fragrant, deep green shores, falling steep to the creamy Pacific.
Light's a plaything here.  Big Sur
renders color to gem, sparkles
down the coast
to rusty Golden Gate and grimy LA,
where the sun goes down brown
and the rain shines
like gun metal.

Georgia soil—
homicidal redheaded cousin running loose, looking for trouble—
grows swampy hardwood groves/
leaves hung limp from humidity/
masking antebellum secrets/
offering sanctuary to voodoo practitioners and moonshiners alike.
Magic, danger, ******, and ghosts
of slaughtered slaves wander tight-packed old-growth forests.
Some say the soil is red from ancient conflict,
unanswered pleas for mercy drowned
in the drenching rains
of hurricanes
strayed north from the Gulf of Mexico.
Others claim tears of countless mothers will never leave
Civil War blood completely dry.

Northern New England foliage--
master maples drunk on fresh cider/
psychedelic finger-paint exhibitionists high on
the year’s last harvest,
intoxicated by Nature’s largess/
symphonies of scarlet, tangerine, lemon, even purple--
regal birds migrate over lakes so blue
you could chip your teeth on them,
and a diehard hemlock conducts its final green opus to a sea of primary colors.

Iowa is quiet and corn, obscuring whole towns and the lives held captive therein.  All the green on Earth is planted here; all the sun, all the sapphire sky feeding knee-high-by-July crops, bleaching spare white churches, white picket fences, white-on-white generations and all their vanilla dreams.

Linger beneath Montana’s cobalt crystal canopy to know why it’s called Big Sky.
Stark, Crazy Mountains chase stuttering clouds above treeless, tumbleweed towns,
bathed in the same blues as Wyoming, blown through a wild man’s horn.

A wink of sunlight
mirrored in unseen peaks
perhaps hundreds of miles away—
snow so white/Rocky Mountains so hard and gray—
behind a universe of wheat flatness beckoning the eye to infinity, slowly,
slowly, the Continental Divide rises
from the horizon like a monster parade balloon filling with gas on another continent.
The Flat Irons--majestic stone slabs lounging against Boulder's nearby foothills--
were cursed by ancient observers.
One peek at their precarious slopes compels you to return.
Been back three times and I’m still not sure I believe it.

Southwestern deserts’ blaze,
haze, and halo—spotlights hot,
focused on towering sandstone totems.
Deep gashes of flowering canyon, adrift in the flat and barren,
rage water, mud, and death during summer storms.
Scrub and sand, dust and desolation, land unfit for demons.
Get thee behind me, Arizona.

Endless, straight, lonely two-lanes
carve the lunar landscape of west Texas
into parcels of wasteland, miles marked by
bleached carcasses of ranch animals
and their predators, some hung
on fences as a warning
that people really do
live there.

Cities have their place,
                    their places,
                    their placement--
but my heart can’t pound to the beat of traffic
like it does to waterfall spray.

Turn your back to the fire in sufficient twilight and a mountain range sharpens into a line—
coyotes prowling, howling on the perimeter.
To spy on a wild animal lost in thought.
The sight--and sound--as swans alight or leave a hidden pond.
Northern lights and swamp gas,
everywhere the stench
of Earth.

This
is what matters—
all around us—
this alone.

Not politics,
not religion,
not countries.

Just this—
stage.
This is about the fifteenth iteration of this piece.  It keeps shifting from prose to poem and back again--or worse.  I lost control of it long ago.  Please help me rein this ***** in.  Workshop?
Nikki Giovanni May 2013
walking down park  
amsterdam
or columbus do you ever stop
to think what it looked like
before it was an avenue
did you ever stop to think
what you walked  
before you rode  
subways to the stock  
exchange (we can’t be on
the stock exchange  
we are the stock  
exchanged)


did you ever maybe wonder
what grass was like before  
they rolled it
into a ball and called  
it central park
where syphilitic dogs
and their two-legged tubercular
masters fertilize
the corners and side-walks
ever want to know what would happen
if your life could be fertilized
by a love thought  
from a loved one
who loves you


ever look south
on a clear day and not see
time’s squares but see
tall Birch trees with sycamores  
touching hands
and see gazelles running playfully  
after the lions
ever hear the antelope bark
from the third floor apartment


ever, did you ever, sit down
and wonder about what freedom’s freedom
would bring
it’s so easy to be free
you start by loving yourself  
then those who look like you  
all else will come
naturally


ever wonder why
so much asphalt was laid
in so little space
probably so we would forget  
the Iroquois, Algonquin
and Mohicans who could caress  
the earth


ever think what Harlem would be
like if our herbs and roots and elephant ears  
grew sending
a cacophony of sound to us
the parrot parroting black is beautiful black is beautiful  
owls sending out whooooo’s making love ...  
and me and you just sitting in the sun trying
to find a way to get a banana tree from one of the monkeys  
koala bears in the trees laughing at our listlessness


ever think its possible
for us to be
happy


Nikki Giovanni, “Walking Down Park” from The Selected Poems of Nikki Giovanni. Copyright © 1996 by Nikki Giovanni.
CH Gorrie Jul 2012
Around me architectural mastery:
sycamores, embankments, enduring ionic pillars.
I round a walkway bordered by trees,
enamel thawing, gliding off their low leaves.
Beneath the late-May’s pounding sun,
through the glittered trees’ reaches,
a gazebo crackles into sight.
Children in their prime, sunbathers, a wistful portraitist
encircle it carelessly:
a leisured chimney; the billows of life.
The foliage escapes into the river,
purplish, palpitating, cyclic creases
receive the dewy notes.
Kayaks licking acacia-gum-edged
ripples sputter and slip
through reverberations
of leveled white-water terraces.
Blackcurrants in clotted cream
slide on the plush lips of a young passerby.
The 8 above a doorway
dances motionless, silent in my periphery;
“Nicolas Cage just sold the spot”
pops from unknown lungs
inside the Circus crowd.

Unacknowledged, half-proud
hands built the Roman baths
alone, closed-in by such grace,
forgotten, then as now.
I wander these ancestral lanes
more or less alone, the same.
JM Jan 2013
You are not here.
I can not touch you.
I can no longer walk between
the two peonies on my way to
your porch.
The peonies are there, but it is no longer
your house.
How many times did I mow that lawn?  
Keep it tight to the tree,
round and round the peonies.
Good boy J.J.
God how I hated that nickname.

I see you now,
at your desk in the corner,
pall mall burning
in your shoe shaped ashtray,
crossword puzzle folded neatly
and your glasses half on your nose.

You were the toughest woman I know.

" Was ist los, Wer ist da?"

"It's me Gram"

I'd come around the corner and you would look at me over your glasses.
I could always tell what I was gonna get from you by the looks on your face.  
None of us have poker faces.

Even if I got the head shake of disapproval, there was always a hint of a smile, a smirk.
I know I was your favorite.
I got away with ******.
  
In your grey stuccoed rooms
I found my sexuality,
I tried to end my life,
I cried,
I ******,
I watched others battle until bloodied
and
I fought many
of my own battles
in front of your fireplace.
I saw a family blossom,
unfolding layer after layer
of beauty,
death,
secrets
and joy.

I saw strong men crumble in your dining room.

Countless were the times I would hang around on the fringes of conversations,
unobtrusive, but ever observant I was.
I learned so much from your phone calls, your conversations.

I think of when I have been the happiest
and it was when I was being tucked in by you
up in the king room.

My belly full,
freshly bathed,
the smell of avon's skin-so-soft,
clean sheets
and the softest pillows
in the world.
I was safe.
I was loved.

Waking up to
bacon and
french toast and
apple butter and
captain kangaroo and
your creaky stairs,
I have never had it as good as that.
You made the best french toast ever.

And then I got older and taller.
My marks on the measuring wall kept creeping up and up.
I got closer to
uncle mikes and
butch and...
was big jim on there?

I grew into a ****** little teenager,
I went from asking you for candy money,
to concert tshirt money
to bail money.
Through it all, you were there for me.
I would show up,
head down and repentant,
ready for my berating.
I wonder how different my life would have been had you not been around
as long as you were?

That day when my dad
came and took me
when I didn't want to go,
I kept looking back
and crying for you,
You said it always broke your heart, that look.

That was my introduction to manipulation.

It was in your basement
I found the steaming remains of debauchery.
I met most of my demons
for the first time
in the shadows
of the mighty sycamores
on Lincoln Boulevard.

You are not here.
I can not touch you.
You died and we fell apart, all of us.
We barely hang on,
it seems.
Your children squabble and flounder still.
Alliances formed
and broken
and rediscovered again.
Silly, this constant ebb and flow of intimacy.
Blood is thick, right?

We are doing ok though, I promise.
You would be so proud of us, I swear.

Our kids are happy
and we teach them words
like deetdeedles and shoisel.
I still make french toast your way
and Anne's house has the measuring wall.

I still do crosswords,
I love words, because of you.
I write, I  live, thanks to you.

The willow tree is gone
but the peonies are still there.

Ich leibe dich, Gramma.
'The storm is in the air,' she said, and held
Her soft palm to the breeze; and looking up,
Swift sunbeams brush'd the crystal of her eyes,
As swallows leave the skies to skim the brown,
Bright woodland lakes. 'The rain is in the air.
'O Prophet Wind, what hast thou told the rose,
'That suddenly she loosens her red heart,
'And sends long, perfum'd sighs about the place?
'O Prophet Wind, what hast thou told the Swift,
'That from the airy eave, she, shadow-grey,
'Smites the blue pond, and speeds her glancing wing
'Close to the daffodils? What hast thou told small bells,
'And tender buds, that--all unlike the rose--
'They draw green leaves close, close about their *******
'And shrink to sudden slumber? The sycamores
'In ev'ry leaf are eloquent with thee;
'The poplars busy all their silver tongues
'With answ'ring thee, and the round chestnut stirs
'Vastly but softly, at thy prophecies.
'The vines grow dusky with a deeper green--
'And with their tendrils ****** thy passing harp,
'And keep it by brief seconds in their leaves.
'O Prophet Wind, thou tellest of the rain,
'While, jacinth blue, the broad sky folds calm palms,
'Unwitting of all storm, high o'er the land!
'The little grasses and the ruddy heath
'Know of the coming rain; but towards the sun
'The eagle lifts his eyes, and with his wings
'Beats on a sunlight that is never marr'd
'By cloud or mist, shrieks his fierce joy to air
'Ne'er stir'd by stormy pulse.'
'The eagle mine,' I said: 'O I would ride
'His wings like Ganymede, nor ever care
'To drop upon the stormy earth again,--
'But circle star-ward, narrowing my gyres,
'To some great planet of eternal peace.'.
'Nay,' said my wise, young love, 'the eagle falls
'Back to his cliff, swift as a thunder-bolt;
'For there his mate and naked eaglets dwell,
'And there he rends the dove, and joys in all
'The fierce delights of his tempestuous home.
'And tho' the stormy Earth throbs thro' her poles--
'With tempests rocks upon her circling path--
'And bleak, black clouds ****** at her purple hills--
'While mate and eaglets shriek upon the rock--
'The eagle leaves the hylas to its calm,
'Beats the wild storm apart that rings the earth,
'And seeks his eyrie on the wind-dash'd cliff.
'O Prophet Wind! close, close the storm and rain!'

Long sway'd the grasses like a rolling wave
Above an undertow--the mastiff cried;
Low swept the poplars, groaning in their hearts;
And iron-footed stood the gnarl'd oaks,
And brac'd their woody thews against the storm.
Lash'd from the pond, the iv'ry cygnets sought
The carven steps that plung'd into the pool;
The peacocks scream'd and dragg'd forgotten plumes.
On the sheer turf--all shadows subtly died,
In one large shadow sweeping o'er the land;
Bright windows in the ivy blush'd no more;
The ripe, red walls grew pale--the tall vane dim;
Like a swift off'ring to an angry God,
O'erweighted vines shook plum and apricot,
From trembling trellis, and the rose trees pour'd
A red libation of sweet, ripen'd leaves,
On the trim walks. To the high dove-cote set
A stream of silver wings and violet *******,
The hawk-like storm swooping on their track.
'Go,' said my love, 'the storm would whirl me off
'As thistle-down. I'll shelter here--but you--
'You love no storms!' 'Where thou art,' I said,
'Is all the calm I know--wert thou enthron'd
'On the pivot of the winds--or in the maelstrom,
'Thou holdest in thy hand my palm of peace;
'And, like the eagle, I would break the belts
'Of shouting tempests to return to thee,
'Were I above the storm on broad wings.
'Yet no she-eagle thou! a small, white, lily girl
'I clasp and lift and carry from the rain,
'Across the windy lawn.'
With this I wove
Her floating lace about her floating hair,
And crush'd her snowy raiment to my breast,
And while she thought of frowns, but smil'd instead,
And wrote her heart in crimson on her cheeks,
I bounded with her up the breezy slopes,
The storm about us with such airy din,
As of a thousand bugles, that my heart
Took courage in the clamor, and I laid
My lips upon the flow'r of her pink ear,
And said: 'I love thee; give me love again!'
And here she pal'd, love has its dread, and then
She clasp'd its joy and redden'd in its light,
Till all the daffodils I trod were pale
Beside the small flow'r red upon my breast.
And ere the dial on the ***** was pass'd,
Between the last loud bugle of the Wind
And the first silver coinage of the Rain,
Upon my flying hair, there came her kiss,
Gentle and pure upon my face--and thus
Were we betroth'd between the Wind and Rain.
CA Guilfoyle Mar 2016
In spring, green along the river
amid ancestral foothills, we walk deer trails
wild in the woods of scented pine
of silver sycamores, silken barked
stark, they pale against bluest skies
their new leaves green and glistening
we are listening for songbirds, for a language without words
transfixed, through this portal, reborn in this world
warm winds speak sweet and susurrus of spring
melodious they sing, leaving far behind
the cold, the dead of winter.
Elizabeth Ann Feb 2013
Where have you gone, lover of mine?
Where have you been, this unending time?


Have you gone on a train, to a place far away,
Where the mountains sing and the sycamores sway?
Have you taken a boat to an island alone,
Where you sit and you think as you toss a cool stone?
Have you leaped on a plane to see new skies,
Where you watch shining stars with tired, worn eyes?
Have you just walked along roads with rotting old signs,
Where the locals count up your hard liquor fines?


Have you met someone new, sweet, and bright,
Who listens to your stories until late at night?
Have you made a friend that lends a hand,
Who will be by your side in the dirt and sand?
Have you whispered in the ear of a young, new girl,
Who holds your hand and wears soft curls?
Have you remembered your love that waits back at home,
Who cries silent tears, tired and alone?


Have you looked to the sky, the clouds and sun,
When you can't quite remember where you're from?
Have you listened to the sounds calling your soul,
When there in your ears is a gentle, calm lull?
Have you felt the pull of the waves in the sea,
When you stop for a moment and think about me?
Have you come home, if for a second, to look,
When you feel the urge to finish this old story book?


Have you thought of my love, spanning across seas,
What it does to my heart to know you left me?
Have you pondered our stars, our memories within,
What we did when we were close, alone with our sin?
Have you remembered the days of smiles and hands,
What you wrote in those letters that traveled vast lands?
Have you forgotten those moments of tears and sorrow,
What we thought was a time when there was no tomorrow?


So I ask you once more, although you've gone far away,
This question, now old, in my mind will stay,


Where have you gone, lover of mine?
Where have you been, this unending time?
Rivulets of rain run off the
windshield wetting the tires
of my mandatory migraine
on a slick road to Memphis
The hours of tarred time warped
travel my graveyard heart has driven
a pilgrimage to rake away
a few years' worth of leaves
fallen on your ransomed resting place
where we've abandoned
you in solitude under the
cemetery sycamores with all
your carpenter memories
solemnly swearing to think
of you more often

Written by Sara Fielder © May 2015
nicholas ripley Jul 2014
Looking out of the window;
a ribbon of duck-egg-blue sky,
fringed by the sun's late light,
is sandwiched by grey cumulus.

It frames Sycamore tree tops,
red tiled pyramids with their expectant aerials
pointing West, littering clean lines.

It is a mute view;
serried bins wait for the mornings collection,
cars sit dumb, curbed,
their daily commute completed.

Two starlings flit, silent,
and in the far distance a high contrail is picked out
in gold as a thread in blue silk.

For five years this view remains changeably the same;
unspoilt by the entropy of new perspectives.
This is the summer of un-broadcast malcontents,
pacified in Brazilian spectacle. Days simmer here and there.

Soap operas filter through,
made to massage the message
of consume and discard, of holidays and pistons.

And in the mornings, that never come,
we abandon the cars that cannot diverge
from work-honed routes,
taking to the air from Sycamores as Starlings.

June 2014
There was a girl
who danced in the city that night,
that April 22nd,
all along the Charles River.
It was as if one hundred men were watching
or do I mean the one hundred eyes of God?
The yellow patches in the sycamores
glowed like miniature flashlights.
The shadows, the skin of them
were ice cubes that flashed
from the red dress to the roof.
Mile by mile along the Charles she danced
past the benches of lovers,
past the dogs ******* on the benches.
She had on a red, red dress
and there was a small rain
and she lifted her face to it
and thought it part of the river.
And cars and trucks went by
on Memorial Drive.
And the Harvard students in the brick
hallowed houses studied Sappho in cement rooms.
And this Sappho danced on the grass.
and danced and danced and danced.
It was a death dance.
The Larz Anderson bridge wore its lights
and many cars went by,
and a few students strolling under
their Coop umbrellas.
And a black man who asked this Sappho the time,
the time, as if her watch spoke.
Words were turning into grease,
and she said, "Why do you lie to me?"
And the waters of the Charles were beautiful,
sticking out in many colored tongues
and this strange Sappho knew she would enter the lights
and be lit by them and sink into them.
And how the end would come -
it had been foretold to her -
she would aspirate swallowing a fish,
going down with God's first creature
dancing all the way.
On the bridge
between waking and sleeping
I met my father's eyes.

So beautiful and dark,
filled with quiet trouble,
and with tender invention.

Here in this nature park
green branches reach out
to one another, embracing
the air and the sky, touching,
sending chills down each other's
bark and trunk, meeting overhead.

You, my youngest brother, have
our father's eyes, and they are eyes
of pain and tenderness, of caring
every day for our beloved, ailing planet.

Above our heads, just now, down at the bottom
of the road to Ely Ford, sycamores carry thousands
of backlit leaves, each a green window into its own reality.

Who could have known that after so many months of silent solitude,
giving up completely on the illusory version of love,
a new beginning to life would begin as clearly and simply
as the moment when a butterfly, shoulders hunched in the final stages
of imprisonment within its sacred cocoon, knows unswervingly that
this is the day to bust loose, to slowly stretch wet, untried wings,
gingerly begin to flex her coloured, powdery, armature:
learning the way trust in truth and goodness
frees one completely.

*And sheets, and sheets of white light wash over me.
Sheets and sheets of white light wash over me.
©Elisa Maria Argirò
Old dried up and calloused hands
Lined like a sycamores round tree rings
Now with a paintbrush delicate swings
As time runs out of the hourglass sand
Thinking of the metal worn oily tools
Quiet now in the sawmill shoppe
Where they worked and
chiseled and planed nonstop
Asleep in the wooden box on the stool
Claw hammer hands with a lead keel weight
Arthritis pain through the white Bayer pill
Lightness fades and the hard night late
Bereaved when the fingers are permanent still


Written by Sara Fielder © July 2013
Written for a fellow poet that goes by the name of Leafsailor
Unfolding into itself, inviolable
in prosaic self-*******,
a boundless repertoire
of shape yearns forth surreptitiously
from inscrutable amniotes to claim
time as its own:

  Here a thicket
  of sycamores, there a baldaquin
    of pinnate branches, yonder
      a periphery of marigolds, below
        a cacophony of hyraxes, above
    the corpuscle of a lynx, the mid-flight
   jink of a darting swift and moribund
  crawl of a mollusk;

     Hymenoptera coaxing
     their haploid broods into teeming
     life as a cell of the swarm
         and viviparous apes cajoling
         suckling chimerae at the fathomless
         fountainhead of a rosy breast;

       Higher still,
       Cirrus cephalopods traversing
       the trench of sky, dandelions
       hitch-hiking the drift of a barren plains'
       wavering hum on cockchafers'
       forewings and a turbine's
       bombinating pulse, the chattering
       of roots ravenous for depth --

Jittering bangtails the hallowed echoes
of lascivious manes --

   inchoate sprout-hood the daedal
   nonage of towering evergreens --

      the plaintive shrift of elegiac
      redbreasts a goad to silent elation --

A likeness unlike
     (vocabularies of vertiginous blinds)
          (the eyes of ignorance closing)
             (the mouth of the mystery)
                that spurns the truth of tongues

                     is nature naturing.
A somewhat uncharacteristic display of vocabulary. Rather than ostentation, my intent here was to convey the scope of nature in vivid but elusive prose.

Proteus, ever changing to remain fundamentally himself, perfectly embodies nature's unity-in-multiplicity. He evinces a dynamic view of nature espoused by Goethe, and in authentic Platonic thinking. Essentially, the entire web of life is a single organism, and each discrete life but a cell therein.

"Nature naturing" (*natura naturata*) is commonly known as "Spinoza's God".
Maple Mathers May 2016
I sat up in bed, wide awake.

Mere seconds separated my dreams from reality. Yet, consciousness had seized me more effectively than ice water.

I had been caged within sleep, until something ridiculous happened.  

Something ridiculous, and something real.

I sprang from the covers, pulled on a sweater, and burst out the door. All around me was silent. Life, it seemed, was not yet awake.

I took a deep breath, and began running. I ran so fast my surroundings blurred into a pallet of color; the sound, still muted.

My feet flew across the dewy grass.

I imagined myself into smaller, simpler spaces; tucked in with the ghosts. How fast could I run from my dreams? How fast could I run towards reality?

If the grass had soaked my socks, I barely knew. If the wind had serenaded my skin, I remained disembodied. The alexithymia of consciousness.

My thoughts snaked and swerved and collided in my head, but in that stretch of oblivion, a lone inference guided me.

Nothing mattered in the world but one thought.

Wake up, Maple. Wake up.

The House of Addictions was the epithet I chose.

It nestled several blocks from mine, and was the type of estate that demanded normalcy.

Upon reaching the front hedge, I examined the house; two blue paneled stories. I didn’t know what I’d expected, but this wasn’t it.

I coaxed the front door.

Locked.

I circled around to the backyard. The room I sought was on the second level. I ascended the balcony onto the porch; the room’s window stood several feet from where I could stand. There was a vacant flowerbox sitting on a ledge outside the window.

Without question, I clambered onto the deck’s railing and extended my leg into the flower box. It was a long way to fall, but I wasn’t scared. I had no choice. I clung with all my might to the window’s ledge, shifted my weight to the flowerbox leg, and plopped over the other. A scream frozen in my throat. Breathing heavily, a death grip on my perch, I crouched; the box seemed sturdy enough.

I peered through the window.

At this ungodly hour, he was most likely still asleep.

Unless.

The bed was vacated. Did this mean? I closed my eyes, took a breath.

Wake up.

Things like this did not happen – plain and simple.

A minute later, after clambering off the flowerbox and scampering back down the stairs, I rejoined the street, sprinting along with renewed vigor.

The sun glistened on the grass, the morning, ripening. Yet, I heard not the sound of birds chattering on secluded sycamores, nor my feet pattering along the sidewalk. I was immaterial. I was the wind – gliding fluidly towards that which waited.

My body was to be found at a stoplight, punching the button spastically.

But my mind had already arrived, several streets away.

The stoplight changed. I ran. Stores whizzed by, early morning traffic sheathed the street. I had to slow my thoughts, I had to separate from the stark possibilities that incased me.

I’d dreamed of his death; simple, like the twelve forget-me-nots he threw across my floor five years ago. The last expression I saw as he departed still had yet to leave his face.

Although he moved home a year ago, he never really returned.

Wake up.

I veered my course to the left, dodging through traffic, and found the street.

It was there that my mind had arrived.

This avenue was vacated and tranquil, an eclipse of the earlier. And there was that house; green and silent as ever.

Clutching a stitch in my stomach, I dove over the waist high fence and tripped on my own foot. I fell, scraping my elbows on concrete and swearing beneath my breath, but I couldn’t stop. I scrambled to my feet and staggered towards a ground levelled window.

Exhausted, I tripped again. Then several strangled events laced together. First, I tumbled to that window. I held my hands out, expecting to hit glass, but realized too late that it was open. Before that fully registered, I was toppling – headfirst – through the open window. My insides plummeted, muting my scream. I hit the bed with a sharp thump, before it tossed me to the floor.

There, I landed, **** first, mute and sprawling.

While my body congealed, my heart auditioned as drummer, and stars teased my peripheral.

The room materialized as I blinked through confusion. Softy, I sat myself upright.

His eyes were the first thing I saw.

Reality zapped me so hard I almost fell back again; he was alive, I’d woken up.

Then my senses caught up; my elbows cried, my head throbbed, and my breath rekindled in ragged crackles. As if a switch was flicked, I suddenly identified sound; the humming of cars outside, the crisp ticking of a clock, the gurgling of his fish tank. So loud – so distinct. Color sharpened and brightened.

My mind in overdrive.

He was here.

He sat on his bed, alive and well, speechless with alarm.

Oliver was shirtless, lidded only by flannel pants and black gloves. He considered me with bleeding elbows, disheveled hair, and desperate eyes. Then, the shock on his face gave way for a giant grin.

“Come here often?” He inquired. His voice, raspy with morning.

Still panting and shaking, I conjured a smile to match Oliver's.

“You’d think so. . .” I choked.

“And I’d be right, Maple.” He finished. I managed a laugh.

Nothing had changed.
Note: I dreamt about death, and awoke feeling frantic. Although logic confirmed that everything was okay, my intuition said otherwise. To remedy my unease, I channeled that dream into a story. A story I wrote when I was fourteen years old. Seven years later, the same story continues to illustrate my psyche; a story that set the foundation for Pretense (my novel). Herein, you’ll find that story; the origin and epithet of Maple and Oliver Starkweather.
Here goes?

(All poems original Copyright of Eva Denali Will © 2015, 2016)

~
JM Apr 2013
42 since I started to breathe rotting leaves under a November blizzard.
34 since I entered this body that day on the porch.
32 since I understood violence to be an accepted
part of life.

So many years I have carried this burden and I am tired, so tired.

So many sad Novembers.

But it's April now and 29 since I tasted a woman's mouth. 26 since I discovered how it felt to be inside another human, while completely inside myself.

It's April now and I crave the pale round goblets of milky skin these young flowers offer.
New rituals indeed smolder as centuries unfold.

It's only been 12 since I knew I was part of God
and 7 since I started hating us for being so close.

It was last March since I lost faith in you and I haven't stopped breathing shadows.
I am so tired, dearest.
What must I do?
It's April now, the walnut tree is black against the streetlight; the sycamores line the empty boulevard and I can smell the ghosts in the park.

These milky skies and milky thighs burn in
my skull.  January has lost her way
again as everyone forgets about the poets.
It's the poets that get them through a grey December.
We all share the same air, we all breathe
each other.
There is a lone willow tree, in the cradle of the park, bearing your divine name, which can be heard whispered by the ghosts who wander
on this lonely reservoir.

I am pining for dried tea bags and empty dresses as long summer nights bring insects and revelations.
I am your stone gargoyle.
Sand Sep 2013
Our lopsided home
Sandwiches between
Thickets of sycamores
Abandoned and resembling
A surfaced shipwreck
Was swept clean by the floods.

But we craftily smiled
Like pirates up on their luck
Adrenaline sweeping our veins
Pumping us to search for
Any remaining buried treasure
Because in that moment
We realized we were safe.

Rebuilding was rebirth
And this labeled tragedy
Shook up our monotony
Giving us our badly needed
Second chance.
mark john junor Feb 2014
his baby blue buick
and ten gallon cowboy hat
made him the lonesome rodeo star
of Nantucket beach
but it was when he would sit by
the Charles River and play his banjo
for all the kind folk walking in the
summer sunshine hand in hand
walking neath the sycamores
and laughin sweet and free
that boy really shone true and beautiful
his played that banjo like it was part of his soul
it played him like it was alive
together they made such a lonesome sweet sound
that'd chill the hardest heart
he would sing till the summer moon had run its
trail chased by the stars in innocent game
he sang of the girl who had stole his heart
gone to Vegas or some such to be a showgirl
and live the bright lights and cheers
he sang of his mamma who cried for her wayward boy
he sang for the pretty girls
sunning themselves there by the banks of the Charles River
sweet sweet songs carefree and lovin
as he should be
he's there still
if you listen real close to that gentle stirring sound
of the trees in summer breeze
you can hear him sing you a sweet song
just to see you smile
nicholas ripley Jul 2014
Sky hallucinates
a momentary purple;
silhouetting crowns
of the Sycamores hitherto
melded in tenebrous night.
July 2014
JM Jan 2013
Night, a gentle snow.
My sycamores, they dance now.
A secret, they know.
TOD HOWARD HAWKS May 2023
Death, no dearth of hubris,
you took my love away. Now
I lie until I cry and miss your kiss
death took away, your hugs that
kept me warm. Death, I tell you
now you better seek night's
darkness never to be seen, for
if I ever spy your shadow against
rough, brown bark of sycamores,
I'll come toward you with axe in
hand and leave you hacked in
piles of chips under which I'll
slip a match and watch 'til morn
your flames fly so high only
blackbirds can smell your acrid
fumes while I hum tunes of your
black good-byes.

TOD HOWARD HAWKS
JM Jan 2015
I'm not quite sure what did it...

It could have been watching
Mother being beaten
or knowing Father was the one giving the beatings.
It may have been
when it was my turn
for the beatings.

It may have been the first time
I experienced the futility
of existing
here and now,
there and then.

It could have been
the first time I felt an
irrational fear of
climbing under the porch
with all the spiders and dark places,
or the subsequent shame imposed on me
because my little sister was
the one who
saved the stuck kitten.

It might have been the time
I rammed that same sister's head
into the side of the stove
and then threatened retaliation
if she told on me.

It may have been
thinking as a child
I was destined for
mediocrity, even though
I knew I was
born
to be great...

II.
Knee deep in thick muck,
******* and fuckery,
we trudge on and on
and through it all....

III.
Everyone is dying.
Some, quicker than others.
I'm going to
ride this out
for a while...

IV.
Hi
Hey, you look cute

Fat. You look ******* fat poured into that stupid dress. You are not seventeen anymore lady, jesus!*
...

V.
I can hear you breathing while doing yoga;
a slow inhale, pause, controlled exhale.
Your body is a....

VI.
Another ten hour shift
with the crew of ******* *******.
If I wasn't the boss
I'd have cracked some
****** heads
wide open
by now.
These ******* don't
know ****...

VII.
My plants need watering, wilting next to grandmas paintings...

VIII.
So, you think you know me...

VIIII.
Spare parts.
Lots of folks out
there made from spare parts.
Pieces that almost fit.

My knees were laying
around out back somewhere;
they were beaten into place.
They got most of the dimensions
right but the joints are tight...

X.
It takes two weeks for your kisses to reach me,
and two seconds for my blood to fill the empty spaces...

XI.
Wait...just wait. Don't go.
I was only kidding. ****...

XII.
Light. Bouncing all over the place.
Light.
Reflected into you...

XIII.
These giant guardians on the boulevard,
My friends, these tremendous sycamores, have been keeping watch my entire life.
They tried warning me...

XIV.
Two years later and your taste is gone but your smells still linger in the dark folds of memory...

XV.
This is going to be offensive to most.
Inappropriate? Some might say.
I wouldn't...

XVI.
These so called poems from
these so called poets about
cutting yourself and suicide really
can wear a guy out.
My tendency towards empathy and
compassion, tested daily, wears incredibly thin.
I've been there, not my thing, this cutting.
I'd rather burn flesh.
We've all got our thing right?
Except self harm isn't my thing.
Not a thing I do,
just a thing I did.
I wonder if these tortured
souls make it through the
next hour after reading
one after another cry for help.
I wonder if some do it just
for shock value, some just to goad
their creators.
I wonder if I am reading a poem or a
suicide letter.
It's unnerving.
I'm all for suicide; I suggest everyone try it
at least once.

Just quit with the incessant
*******...

XVII.
Cut my throat and leave me to the jackals for
I would rather drown in desert sand
than submit to the will of anyone
I do not
trust...

XVIII.
****** clamps, lead weights.
Paddles, restraints...

XVIIII.
I sat alone,
from nowhere a warm, blue light surrounded me.

**.
Balancing these monkeys on my back with the demons in my mind and...

21.
I smell ******* a mile away *******,
and you stink.
I see you shuckin' and jivin',
be-boppin' around like you are some kind of
badass...

22.
And now there are no flowers on the table and no long, dark hairs on my pillow...
It all makes sense to me...
There’s a silence out in the fields tonight
Where the barley sheaves are stooked,
Their shadows stand in a menacing line
While the wives at home are spooked,
They peer from windows, they peer from doors
And they lock their shutters tight,
There isn’t a man in the valley’s span
For they didn’t come home tonight.

They left their cottages there at dawn
As the sun was on the rise,
Wandered out with their ploughman’s lunch
And rubbed the sleep from their eyes,
They carried their sickles across their backs
Their ******* hooks and their flails,
And who could read took a crumpled book
To read with a half of ale.

They bent their backs to the task ahead
Of reaping the sheaves of grain,
The clouds were billowing overhead
And they said, ‘It looks like rain!’
The sun went in and the sun came out
As the shadows flitted across,
They stooked the sheaves at an angle so
The rain would drain from the crops.

The rain held off ‘til the afternoon
When the men were streaked with sweat,
They sheltered under the Sycamores,
Laid down their tools in the wet,
The wives were busily cleaning homes,
Preparing the worker’s tea,
They didn’t look out to the barley field
‘Til the sun dipped into the sea.

They didn’t look, it was almost dusk
When they noticed something wrong,
The men would usually come back home,
They’d hear them, singing a song,
A silence settled upon the land
And the wives came out to stare,
But nothing moved in the barley field,
The men were just not there.

Their faces white in the pale moonlight
The wives sat still, and stared,
The stooks were seeming to move about
And the women, they were scared,
The stooks lined up in the barley field
Like a pack of hooded ghouls,
And lying right in the midst of them
Was a heap of reaping tools.

There’s a silence out in the fields tonight
Where the barley sheaves are stooked,
Their shadows stand in a menacing line
While the wives at home are spooked,
They peer from windows, they peer from doors
And they lock their shutters tight,
There isn’t a man in the valley’s span
For they didn’t come home tonight.

David Lewis Paget
Robert C Howard Sep 2015
It was summer's last days
along the trail
where the serpentine creek
murmurs and winds
beneath the limestone bridges.

Just beyond the bend
a weary stand of feed corn
awaits the harvester's blades.
An unexpected gust sets
the oaks and sycamores swaying
and a few desiccated leaves
skitter across the path -
harbingers of the impending fall.

In the brush along the trail,
newly morphed Monarchs
flit from purple thistles
to yellow star flowers like
a streak of airborne tigresses.
while honey bees,
cloaked in veils of pollen dust,
quench their thirst with
draughts of goldenrod nectar.

The autumnal equinox
looms just days ahead.
Shadows lengthen as summer sings
its final hymn to the setting sun.
topaz oreilly Sep 2012
The blank pitch is as devoid
as helicopter sycamores
hovering over vacuous brown bags,
broken fingers
that once played the Viola
point to an emptier sky.
With apparent reason
the abated audience channels
sideways,
sadness slipping
the podium long rusted.
JM Jun 2012
Mighty walnut tree,
Flanked by stately sycamores.
Autumns disrobing.
kirklefrance Nov 2013
don't untwist the twisted bro..just follow the flow of the gifted yo..caught in a whirlwind moving to and fro..can't figure this **** out guess we'll never know..opposite movements from where the system will go..krazy as a ***** ******..****,crack,**** persue your needs **** who bleeds..to caught up in religion to see the blood on the leafs..men standing in a circle with blood on their sleeves..discontentment was womans down fall..Adams was Eve's..painting life with a brush under sycamores and behind houses..neighbors are the closest apart from bad breath and halitosis of course the end wouldn't make sense..its the only way to share psychosis
JM Nov 2012
Naked Sycamores,
Vigilant through seasons shift.
Faithful Guardians.
Steven Hutchison Apr 2012
If I could convince you of one thing,
I would convince you that you are worth it.
These arms are much to short and far too weak
to rip through the curtain of time,
but if I could convince you,
I would brush hours with my fingertips
and leave palm prints engraved on the days you didn't feel loved.
Reaching back, up to my elbows in  pools of your story,
sifting through the silt built up at the bottom,
twisting knobs and turning dials
until every time you heard his voice or her voice say
'you will never amount to anything'
instead played back
'you will never stop amounting.'
Spry young saplings, planted at the river's edge,
you will never stop growing.
You will always find strength when you lift your branches to the sky,
be it deep in your roots,
you will stand taller than northern pines,
taller than sycamores that split clouds with their leaves.
Believe me now more than your memories,
you will do so much more than survive.
I would spill this pain I see melted in your eyes.
With all of the righteous fury a sinner can muster,
I would destroy those times you were told
that it's never ok to cry,
that you must live like prisoners inside your own bodies
with emotions covering up the windows more and more each day.
If I could convince you,
I would swallow every steel bar you've ever known,
Giving you back your mother,
Giving you back your father.
I would fill myself with cages
if you would know that you are free.
You are free to live life as you have seen it in the trees.
Stand tall, and drink from the rivers of love
so few are willing to share with you.
In turn, share your rivers with those who also believe.
I would not erase the pain you have suffered,
for I would not dare touch your strength.
I would ask, that when you feel the wind,
like the breath of God, stirring through the trees,
that you would stretch out your branches and weep.
Water the ground that has brought you so far,
embracing every waking moment
that you might never again live in dreams.
If I could convince you of one thing,
Change your mind about time,
showing you that you are both past and present
staring boldly into the future,
I would convince you that you are worth it.
Whatever "it" you could imagine "it" to be,
Know that it will never measure up to your leaves.
Day 8
Christopher Rose Feb 2010
little children sit, basking in the sun
their laughter lights upon the world
holistically calling all pens

dipped with ink to tell
of the glory of God’s grandeur
of His infinitesimal love so great

permeating everything, everywhere, everybody
to the point, that point
where we cannot see but for Him

for by the rivers of Babylon
we take down our harps from the trees;
where once our songs of sadness draped

among the sycamores, pines, and lindens
only our happiness remains
bestowed on us, for us, by God,

for God is love and love is real
so our prayers creeping towards heaven
amidst the priests’ holy incense

are filled with thoughts
of the New Jerusalem through
the smile of a child.
Written for UBC's mission trip to Kenya.
Copyright 2010

— The End —