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"slapstick" poems
I ain’t got no intimate, ain’t got no stiletto heels Ain’t got no Lsd, ain’t got no smack Ain’t got no partners, ain’t got no drill Ain’t got no slapstick, ain’t got no hanky—panky Ain’t got no Lsd, no slot to mount Ain’t got no castrato, ain’t got no crumpet Ain’t got no conjoined twins, ain’t got no nuns or eunuchs Ain’t got no whipcord, ain’t got no adoration Ain’t got no ******** ain’t got no stimulant Ain’t got no ****** Ain’t got no oscillation, no shags No uniform, no parts No smack, no drill No partners, no peccadillo Ain’t got no stimulant Ain’t got no whipcord, no propagators No titbits, no intimate I jabbered, I ain’t got no uniform, no hanky—panky No peccadillo, ain’t copulated till one is blue in the face to have a funny feeling And I ain’t got no ****** Oh, but what have I copulated, oh, what have I copulated Let me tell what I copulated and nobody’s going to enlarge telescopic I got my ***** on my face My extra—sensory perceptions, my knobs My ****** peckers and my ******** I got my stuck—out tongue I got my tentacle, my proboscis My ***** my ******* My thingummies, my cockles of the heart and my posterior I got my *********** I got my thingummies, my talons My ball and socket joints, my forelegs My hooves, my pincers and my snorker Got my crest I got ***** I’ve inseminated cheerleaders I’ve got bottomgremlins and hacksawhoodoo And Mephistophelian juggernauts too like you I got my ***** my pistil My ESP, my knobs My vaginas, my peckers and my ******** I got my stuck-out tongue I got my tentacle, my proboscis My ***** and my ******* My ***** my ***** and my posterior I inseminated my ****** sorbet I got my thingummies, my talons My ball and socket joints, my forelegs My hooves, my pincers and my snorker Got my crest I got my ***** I got my slipperiness, my ***** I got *****
0
Mar 23, 2010
Mar 23, 2010 at 4:29 PM UTC
Ain't Got No – I Got *****
I ain’t got no intimate, ain’t got no stiletto heels Ain’t got no Lsd, ain’t got no smack Ain’t got no partners, ain’t got no drill Ain’t got no slapstick, ain’t got no hanky—panky Ain’t got no Lsd, no slot to mount Ain’t got no castrato, ain’t got no crumpet Ain’t got no conjoined twins, ain’t got no nuns or eunuchs Ain’t got no whipcord, ain’t got no adoration Ain’t got no ******** ain’t got no stimulant Ain’t got no ****** Ain’t got no oscillation, no shags No uniform, no parts No smack, no drill No partners, no peccadillo Ain’t got no stimulant Ain’t got no whipcord, no propagators No titbits, no intimate I jabbered, I ain’t got no uniform, no hanky—panky No peccadillo, ain’t copulated till one is blue in the face to have a funny feeling And I ain’t got no ****** Oh, but what have I copulated, oh, what have I copulated Let me tell what I copulated and nobody’s going to enlarge telescopic I got my ***** on my face My extra—sensory perceptions, my knobs My ****** peckers and my ******** I got my stuck—out tongue I got my tentacle, my proboscis My ***** my ******* My thingummies, my cockles of the heart and my posterior I got my *********** I got my thingummies, my talons My ball and socket joints, my forelegs My hooves, my pincers and my snorker Got my crest I got ***** I’ve inseminated cheerleaders I’ve got bottomgremlins and hacksawhoodoo And Mephistophelian juggernauts too like you I got my ***** my pistil My ESP, my knobs My vaginas, my peckers and my ******** I got my stuck-out tongue I got my tentacle, my proboscis My ***** and my ******* My ***** my ***** and my posterior I inseminated my ****** sorbet I got my thingummies, my talons My ball and socket joints, my forelegs My hooves, my pincers and my snorker Got my crest I got my ***** I got my slipperiness, my ***** I got *****
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51
Charlie Chaplin, set the pace Buster Keaton, old stone face Groucho and the brothers Marx Margaret Dumont for some sparks Harold Lloyd, The Brothers Ritz Did I mention Zazu Pitts? Stan and Ollie, Keystone Cops Chases that just wouldn't stop The Stooges, Larry, Curly, Moe and then theres Shemp and Curly Joe Bing and Bob, and Dean and Jerry Two could sing, while two made merry Bud and Lou and who's on first? Harry Langdon and Charlie Chase I think who is on first base Mabel Normand and Mack Swain Always tied before the train Pie fights, slapstick in black and white This was when we laughed all night Mack Sennet, Roach, and Our Gang Spanky and Alfalfa sang Words were twisted, spun and turned People splashed and others burned Remember back to days of yore To when they had you on the floor Rembember Baby Rose Marie She started at the age of three Many more could make the list For many I know that I missed Make 'em laugh and take a pie Get sprayed with seltzer in the eye Go and watch their films again So comedy will always reign Thank you to the funny folk Who taught us how to take a joke....
0
Mar 5, 2013
Mar 5, 2013 at 11:03 PM UTC
Hollywood Comedy Roll Call
I wonder if they ever heard The noise that people made Watching them up on the screen Until the final credits fade Did anybody tell them Thanks for what you did For just a while you took me back And made me feel just like a kid Once the greasepaint was washed off And the curtains had come down Did they know the magic that they made Still filtered through the town Acting like we wanted to Up there upon the screen They filled the world with laughter You know just what I mean Most of them are gone now Very few that we would know Acetates and ashes Are all they have to show If we took the time to tell them Thank you for the laughter Would they ever hear us... Those who have come after The mantle never passed The best are long now dead The ones who worked in silence With words seen but not said The names are not all famous Some are never known But, we owe them for the laughter In the movies that were shown We'd remember lines that they said And we'd think of them and smile They took us out of where we were If just for a short while Think of your favorite actor Who you watched and always laughed Whether slapstick or through word play They all chose to share their craft I will not list my favorites here The list may never end But, to them I'd just say thank you A message I must send I wonder if the next time Or even the next time after If they would ever hear us tell them Thank you for the laughter
0
Nov 25, 2016
Nov 25, 2016 at 12:20 AM UTC
Thank you for the laughter
after witty humour, which spawned slapstick... slapstick can only spawn the last of the known humours... the offensive type, the 'get me out of this straithjacket of everything's fine apathy,' the ugly humour... rude humour... i take oaths humour... i rather write a swear word to oil up than degrade myself with thesaurus usage humour. why is poetry such a ***** of coding daily activity... who needs poetry if the everyday is intact? atheism didn’t **** god... it merely killed the logic of myth.... atheism is far worse than mythology... it just regurgitates facts to make you submit to them without the necessary philosophical awe of finding them interesting... poetry isn’t dead... it’s a ***** which is worse than death where i come from... there’s ezra with his fountain comparison: ‘i ****** in it... and put pigmenting chlorine in it - you **** in it... streaks of blue... i think that’s called cubism in france.’ did i say alcoholism was engineered by the nazis for the bomb sarcasm? cheap humour you say... ah well slapstick was invented after sarcasam... i heard the new best anti-ageing cream was butter rather than l’oreal - there are too many stages in the differences of women, i quite like the summer spring autumn winter thing going... it’s like this thing that’s happening right now... christian nations censor words... like **** cultish **** of the brothel... and islamic nations invoke words... like kefir (sour milk, not quite youghurt), dawah... adhan salat abraham... one party censors words for excess ***** saying: ‘we don’t like swear words in accomplished spelling, we like dyslexia and **** teen **** graphic...’ sounds about right... the other party says: ‘we hate censoring ***** words, that’s doubly censoring, censor ***** words get more dirt out of it... we invoke the power of arabic to teach koran latin for the knobs!’ problem sorted... we’re all power brokers of spelling / punctuation / arithmetic - that’s what i don’t get, the ratio of the two languages... all you have in the digits A to Z is spelling and punctuation... but what you have in the digits ZERO to NINE is so much more... is grammar a castle that’s keeping certain functions out? in mathematics you have +, x, obelisk, -, square root, etc. but in linguistics you have this permament reminder: SPELL RIGHT FROM WRONG AND RITE FROM THONG. well... ****** me timbers... i think i just spotted a lumberjack chequers tweed jacket.
0
Nov 24, 2015
Nov 24, 2015 at 8:49 PM UTC
a lumberjack chequers tweed jacket
after witty humour, which spawned slapstick... slapstick can only spawn the last of the known humours... the offensive type, the 'get me out of this straithjacket of everything's fine apathy,' the ugly humour... rude humour... i take oaths humour... i rather write a swear word to oil up than degrade myself with thesaurus usage humour. why is poetry such a ***** of coding daily activity... who needs poetry if the everyday is intact? atheism didn’t **** god... it merely killed the logic of myth.... atheism is far worse than mythology... it just regurgitates facts to make you submit to them without the necessary philosophical awe of finding them interesting... poetry isn’t dead... it’s a ***** which is worse than death where i come from... there’s ezra with his fountain comparison: ‘i ****** in it... and put pigmenting chlorine in it - you **** in it... streaks of blue... i think that’s called cubism in france.’ did i say alcoholism was engineered by the nazis for the bomb sarcasm? cheap humour you say... ah well slapstick was invented after sarcasam... i heard the new best anti-ageing cream was butter rather than l’oreal - there are too many stages in the differences of women, i quite like the summer spring autumn winter thing going... it’s like this thing that’s happening right now... christian nations censor words... like **** cultish **** of the brothel... and islamic nations invoke words... like kefir (sour milk, not quite youghurt), dawah... adhan salat abraham... one party censors words for excess ***** saying: ‘we don’t like swear words in accomplished spelling, we like dyslexia and **** teen **** graphic...’ sounds about right... the other party says: ‘we hate censoring ***** words, that’s doubly censoring, censor ***** words get more dirt out of it... we invoke the power of arabic to teach koran latin for the knobs!’ problem sorted... we’re all power brokers of spelling / punctuation / arithmetic - that’s what i don’t get, the ratio of the two languages... all you have in the digits A to Z is spelling and punctuation... but what you have in the digits ZERO to NINE is so much more... is grammar a castle that’s keeping certain functions out? in mathematics you have +, x, obelisk, -, square root, etc. but in linguistics you have this permament reminder: SPELL RIGHT FROM WRONG AND RITE FROM THONG. well... ****** me timbers... i think i just spotted a lumberjack chequers tweed jacket.
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50
and oddly enough, H is the only letter in the alphabet that can accommodate vowels the easiest, and subsequently laughter. well m can too, but it's more of a jolly hmm in between sudden outbursts of h and co. and on Sunday i get to read about a prince moaning quote: 'at home on my arse'... oi oi ***** Harry, where the magnum? call on Clint Klein and head into the eastern woods! 'there be a bowl of spaghetti there waiting for ya' the leprechaun said. ah a job, ah a family, ah George the usurper of attention seeking girlies... 10 years in the army, and then bust, using a Ouija board to stop being employed by McDonald's; but hey! it's Sunday... can't a price have his day?               god, this humour is so cheap                        it's almost gagging                                   for canned laughter,              but it ain't getting any, shame,    and double shame for Fawlty Towers using it, whatnot and what care for all that "famous"                   intelligent humour of the British ballot box,     supposedly... if that **** is intelligent & funny why use                   such horrid precautions (psst... laziness)? slapstick does it for me, means i can be intelligent in other mediums.
0
May 8, 2016
May 8, 2016 at 11:59 AM UTC
H & Ouija (qui oui wee quee)
what we need is more banjo, more djembe, more thunder finger bass guitar -- what we need is less boredom -- less fear of failure, less fear of ******* less Jane Austen. what we need is the electric charge of neurons fire dancing like the night sky of the fourth of july, what we need is to learn the lesson of rivers and runners -- keep up the momentum what we need is more honey, watermelon, sweet potatoes, peanut butter, and coconut oil. more weirdos, more hippies, more punks, more rappers, more poets, if you have something to say we pretty much need you. we need more gin and less gender roles more sin and less slapstick more trees and trampolines and ties between you and I. we don't even need to be human we just need to be sustainable.
0
Sep 24, 2015
Sep 24, 2015 at 8:10 PM UTC
sustainability
I feel like a comic strip hobo With no money for deposit And still I step from slapstick to cement and hope court jester is enough here I have come out of the rain and into your home Drawn to you Though there is no pie in your window No ghostly fingers of your sweet smell beckoning me in You make me feel Like a ghost in a graveyard Praying for a new harmonica inhale and exhale So that this music can sound more like a dance for two A panic waltz for feet trying to match your grace And today Darlin' There is honey between my teeth A sweet sound Our love is backwards Blacklisted An elbow torqued and knuckle gutted dry heave halleluja Arthur Miller would have written a satire about our love I remember our early conversations You said you didn't believe in god I said that he was a fantastic literary device You said though you didn't believe in god that people themselves could be godly I suddenly wondered what you would look like with a jerry curl "Let's not call it godly," I said "What then," you said I don't know I just know that Your eyes are like second winds like Breathcatch memories of highway carjackings where you were the one left on the side of the road The warm summer pillow of your stomach And the peel of my face away from it Is sticky like candy Your stomach is like candy in that way So is my face I can be sweet too Your smile is speechless like the speakers are speechless And the music has stopped and our bodies are still save for your smile That quivers like fire And I am a comic strip hobo With a bandana backpack and not much to offer But I am drawn to you You make me feel like harmonica breath You make my mouth feel like honey
0
Jun 28, 2013
Jun 28, 2013 at 4:34 PM UTC
I am a Comic Strip Hobo
I feel like a comic strip hobo With no money for deposit And still I step from slapstick to cement and hope court jester is enough here I have come out of the rain and into your home Drawn to you Though there is no pie in your window No ghostly fingers of your sweet smell beckoning me in You make me feel Like a ghost in a graveyard Praying for a new harmonica inhale and exhale So that this music can sound more like a dance for two A panic waltz for feet trying to match your grace And today Darlin' There is honey between my teeth A sweet sound Our love is backwards Blacklisted An elbow torqued and knuckle gutted dry heave halleluja Arthur Miller would have written a satire about our love I remember our early conversations You said you didn't believe in god I said that he was a fantastic literary device You said though you didn't believe in god that people themselves could be godly I suddenly wondered what you would look like with a jerry curl "Let's not call it godly," I said "What then," you said I don't know I just know that Your eyes are like second winds like Breathcatch memories of highway carjackings where you were the one left on the side of the road The warm summer pillow of your stomach And the peel of my face away from it Is sticky like candy Your stomach is like candy in that way So is my face I can be sweet too Your smile is speechless like the speakers are speechless And the music has stopped and our bodies are still save for your smile That quivers like fire And I am a comic strip hobo With a bandana backpack and not much to offer But I am drawn to you You make me feel like harmonica breath You make my mouth feel like honey
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56
What I needed Was to be me. The child I am, To give him what he needs. To love, To be loved. To laugh at life's calamity, To slap a thigh at its slapstick. To not get in its way, To not step aside, To be with it. As me. I needed to be me. I need to be me.
0
Nov 5, 2015
Nov 5, 2015 at 7:06 PM UTC
The greatest need.
science has entrenched itself in stating that original humanism is an idiocy, science believes that only scientific humanism can suffice, and original humanism i.e. humanism not schooled in science is a waste of time, man's development watching paint dry, i.e.: i feel dumber writing a poem and not an equation to align to einstein's relativity. the english don't recognise long-term humour, a bit like the polish not able to recognise old school migrants of their mutual organic constituents speaking their tongue, they play it dumb, with statements like huh? what? om? the english are smart, let's not disagree, but their intelligence is short-lived, like their appreciation of humour, quick wit buckle stiletto (meaning an easy girl), they're intelligent in terms of how quickly you colt-drawn a six-shooter into conversation for a pick-me-up, the english have short-term intelligence exercised for humoristic attention, their long-term humour is used in defending democracy... the english have no long-term humour parameters, i'm guessing because of the celts... it's all short-term, i.e.: how quickly can i retort to a joke and choke on a whimsical mushroom that's an umbrella? hence the many innovations... steam engine... the umbilical cord attached to arabia... joke is quick... joking is quicker... tense social parameters of having a drink... laugh it up... drink alone. *they make slapstick damnable and satire exceptional, but their satire requires canned laughter, it's called satire but i call it lazy humour... look what slapstick gave us... charlie chaplin gave birth to adolf ******* ******
0
Feb 20, 2016
Feb 20, 2016 at 3:07 AM UTC
umbilical cord of arabia
science has entrenched itself in stating that original humanism is an idiocy, science believes that only scientific humanism can suffice, and original humanism i.e. humanism not schooled in science is a waste of time, man's development watching paint dry, i.e.: i feel dumber writing a poem and not an equation to align to einstein's relativity. the english don't recognise long-term humour, a bit like the polish not able to recognise old school migrants of their mutual organic constituents speaking their tongue, they play it dumb, with statements like huh? what? om? the english are smart, let's not disagree, but their intelligence is short-lived, like their appreciation of humour, quick wit buckle stiletto (meaning an easy girl), they're intelligent in terms of how quickly you colt-drawn a six-shooter into conversation for a pick-me-up, the english have short-term intelligence exercised for humoristic attention, their long-term humour is used in defending democracy... the english have no long-term humour parameters, i'm guessing because of the celts... it's all short-term, i.e.: how quickly can i retort to a joke and choke on a whimsical mushroom that's an umbrella? hence the many innovations... steam engine... the umbilical cord attached to arabia... joke is quick... joking is quicker... tense social parameters of having a drink... laugh it up... drink alone. *they make slapstick damnable and satire exceptional, but their satire requires canned laughter, it's called satire but i call it lazy humour... look what slapstick gave us... charlie chaplin gave birth to adolf ******* ******
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32
In Room 204 of the Lancaster Motel, I ease myself into the bath. Music plays. It's the kind of pan flute and finger-picked guitar tune you hear over fuzzed out speakers in grocery stores. I don't know the source. The place smells of mildew and cheap coffee and self pleasure and Febreeze. I'm tired. More tired than I've ever been, I think. Do I still have a job? Until I call in to check, I suppose. And I suppose this pocket knife will have to do. I never seem to have a corkscrew on hand when my mood calls for wine. I stab and jimmy the cork until I can pry it loose with my teeth. A few bits of cork float on the surface of the wine. This does not stop me, nor slow me. Pollyanna and I stayed in 206, a detail that calls attention to itself, a detail that longs for a poetic phrase, yet I feel little other than the dull thud of coincidence. I remember asking her before that first time if she thought of *** as a form or erasure or addition. She said both sounded nice. And something in the way she said nice, led me to believe she landed on an unspoken third option.  I no longer had an appetite for *** that evening, but we acted on it to satisfy expectation. She turned down the air conditioner, and we laid there shivering and saying little. She told me not to leave her. I said I wouldn't. I'm in the tub now and the bottle is almost empty and all of this is so selfish and stupid and I'm just doing it for the sake of habit and sad sack poetry and ultimately an "I-Eat-Pussy" consolation fedora in heaven. And I'm self aware but the trajectory spirals against my will. And my life entire burns a little slapstick, so I get outside of myself--watch, enjoy.
0
Nov 5, 2018
Nov 5, 2018 at 9:26 PM UTC
Hanger-On
In Room 204 of the Lancaster Motel, I ease myself into the bath. Music plays. It's the kind of pan flute and finger-picked guitar tune you hear over fuzzed out speakers in grocery stores. I don't know the source. The place smells of mildew and cheap coffee and self pleasure and Febreeze. I'm tired. More tired than I've ever been, I think. Do I still have a job? Until I call in to check, I suppose. And I suppose this pocket knife will have to do. I never seem to have a corkscrew on hand when my mood calls for wine. I stab and jimmy the cork until I can pry it loose with my teeth. A few bits of cork float on the surface of the wine. This does not stop me, nor slow me. Pollyanna and I stayed in 206, a detail that calls attention to itself, a detail that longs for a poetic phrase, yet I feel little other than the dull thud of coincidence. I remember asking her before that first time if she thought of *** as a form or erasure or addition. She said both sounded nice. And something in the way she said nice, led me to believe she landed on an unspoken third option.  I no longer had an appetite for *** that evening, but we acted on it to satisfy expectation. She turned down the air conditioner, and we laid there shivering and saying little. She told me not to leave her. I said I wouldn't. I'm in the tub now and the bottle is almost empty and all of this is so selfish and stupid and I'm just doing it for the sake of habit and sad sack poetry and ultimately an "I-Eat-Pussy" consolation fedora in heaven. And I'm self aware but the trajectory spirals against my will. And my life entire burns a little slapstick, so I get outside of myself--watch, enjoy.
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47
sarcastic humour is intended for your own appreciation, witty humour is intended for others and the hope they can appreciate it, oddly enough when sarcasm is scolded you feel very little concern, but when wit is scolded you do feel a coldness and a sort need to invent something more passing off as intelligence, intelligence needs to be impulsive, blunt, intuitive, it really doesn't need to be pre-prepared worthy of a Shakespeare quote, all those bits of 'life's a stage,' fair enough, but what if life is a gutter? sarcasm only works for the one who speaks it, it's also a cousin of satire addressing politics, wit knows no satire, wit is a proud humour, it's too proud to enter sarcastic remarks in the pig trough of reciting political satire, wit is a form of narcissism in the end, it wants attention, being appreciated: like an anecdote... sarcasm just shoves a boxing glove in your face and says: can you help me forget, or do you want to hear a knock-out? indeed sarcasm doesn't use punchlines like wit, it just uses a mike tyson method of one punch one constellation of fluttering sparrows in Orion in a halo of daze of an opponent: flat like a pancake on the floor, but he or she won't be easily flipped or even count to 10, you'll only have to be content with what sarcasm is: the easiest identifiable method of communicating comedy after slapstick humour of laurel & hardy & (lee) evans.
0
Mar 19, 2016
Mar 19, 2016 at 8:37 PM UTC
laurel & hardy & (lee) evans
They threw boulders at glass house and roasted marshmallows AT the cookouts. MEDIUM RARE. The troglodets, they put on a.show, sang four part harmony in the round in open air. Fred Flinstone dropped in for a cameo and Barney held the door. the show went over pretty well. To three or four encores or more I dont know who sent in the clowns But slapstick ruled the day. The animal act was Kind of wack
0
Jan 6, 2014
Jan 6, 2014 at 2:55 AM UTC
Troglodytes
We are human Walking traumas Left untreated Open wounds Being leeched To treat The wrong fever It is incongruous Being inoculated Against the wrong disease Vaccinated with apathy So we don’t feel The sores that bleed But you have to laugh We are mortal Not merely men Nor women More like All the things Around and in-between Searching Sub-consciously For peace Trying to sustain ourselves While losing Everyone else Crying But you have to laugh We are little boxes of flesh Lego people made to fit together Chipped Scratched Lost and found Each stress tearing at our flesh Rending our skin Like a thresher Building internal and external pressure Till we need release ****** and or emotional But you have to laugh Ready to cry Sometimes We are ready to die Till the brain twitches Till the broken switches Leave you in stiches And you see something strange Irony or absurdity Life twisted in its purity On the verge of exploding Not really knowing But something hits Something fits Presses the right button Slapstick Stupidity Intellectual curiosity Sanity flipped on its heels But you have to laugh A chortle a choking gasp The tension breaks The air whooshes past You have no control You have to laugh The world doesn’t change Much The feelings are still there But with each laugh It gets easier to bare It’s a chemical reaction With endorphins and stuff But I don’t think you care It’s just what you needed To fight off the despair So I say it again you have to laugh
0
Feb 28, 2015
Feb 28, 2015 at 3:43 PM UTC
You Have To Laugh
Crick crack click clap snip snap on the concrete The city is on the move and to stand would be The slapstick comedy of stopping a treadmill. Acceleration animation gravitation from the rotation Apathetic friction that is devil-may-care like your heart Dragged down on the gym floor and the sweaty men laugh. Tick tock nonstop the clock hops and bops away the time Of the day and eternity seems like a fairy tale Because this era is neverneverland faith, we are young. And getting younger, we plan to die naked as we came, Lounging in retirement, the summer that knows no end. But sighing the dying are crying relying upon our move And we move past, this blur of momentum that the city has become, Because stillness is for the hippies and the natives and we are neither. Capitalistic colonial conquering captains of industry we charge Credit or debit because it isn't ours anyways and the bank is moving. Down the street in the heat can't beat the beat of the sweet treat That the homeless remember the memory of the taste of mercy. Like dogs in heat they pant and beg and we shake them off our pantleg Because it is designer and the label buys manhood cheap and sells it high. We split hit and quit and never commit because we spit words like blessing Out when we wash our mouths out every night and every morning Because it is the only way to get the taste out of your mouth when you wake up. As if the jacket I wear can't clothe a man from the cold or sell for more And my closet is lined with the clothes I don't remember to forget about wearing. It is not hate that congregates or abates the rate the weight is pulling me down, But fear of the immensity of impossibility colliding with reality inevitably, Because one man's sacrifice will suffice to pay the price of my vice. Yessir hearts are racing toward the first heart, we are collaborating. That the dying need not remain the dead but know life to the fullest. The poor and the sore need not abhor or war with the rush of the city. Because saints and saviors are not just bedtime stories as long as my life Has the power, no the will, no just the faith, all it needs is faith. The sick have been tricked that their wick runs quick Like crick crack click clack snip snap on the concrete These hearts are moving this city on a hill.
0
Mar 24, 2011
Mar 24, 2011 at 6:28 PM UTC
For the Beatniks
Crick crack click clap snip snap on the concrete The city is on the move and to stand would be The slapstick comedy of stopping a treadmill. Acceleration animation gravitation from the rotation Apathetic friction that is devil-may-care like your heart Dragged down on the gym floor and the sweaty men laugh. Tick tock nonstop the clock hops and bops away the time Of the day and eternity seems like a fairy tale Because this era is neverneverland faith, we are young. And getting younger, we plan to die naked as we came, Lounging in retirement, the summer that knows no end. But sighing the dying are crying relying upon our move And we move past, this blur of momentum that the city has become, Because stillness is for the hippies and the natives and we are neither. Capitalistic colonial conquering captains of industry we charge Credit or debit because it isn't ours anyways and the bank is moving. Down the street in the heat can't beat the beat of the sweet treat That the homeless remember the memory of the taste of mercy. Like dogs in heat they pant and beg and we shake them off our pantleg Because it is designer and the label buys manhood cheap and sells it high. We split hit and quit and never commit because we spit words like blessing Out when we wash our mouths out every night and every morning Because it is the only way to get the taste out of your mouth when you wake up. As if the jacket I wear can't clothe a man from the cold or sell for more And my closet is lined with the clothes I don't remember to forget about wearing. It is not hate that congregates or abates the rate the weight is pulling me down, But fear of the immensity of impossibility colliding with reality inevitably, Because one man's sacrifice will suffice to pay the price of my vice. Yessir hearts are racing toward the first heart, we are collaborating. That the dying need not remain the dead but know life to the fullest. The poor and the sore need not abhor or war with the rush of the city. Because saints and saviors are not just bedtime stories as long as my life Has the power, no the will, no just the faith, all it needs is faith. The sick have been tricked that their wick runs quick Like crick crack click clack snip snap on the concrete These hearts are moving this city on a hill.
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ALL THE WORLD'S A STAGE PEOPLE ACTING AT EVERY PHASE . REGARDLESS OF CASTE , CREED ,COLOUR OR AGE ! ARTISTS CHOOSE THEIR SUBJECTS AND CHARACTERS CREATING MASKED SLAPSTICK'S , OUTRAGEOUS , RIOTOUS ACTORS. ALL THE WORLD'S A STAGE ! AT THE ONSET PLOTS WERE SIMPLE , STRAIGHT AND PREDICTABLE , INTENSELY FOLLOWED BY DISGRACEFUL INTRIGUES , CLEVER TRAPS , FIREWORKS AND SHIPWRECKS  , ANYTHING THAT PROVIDED PRETTY ACTRESSES TO GO HYSTERIC ON STAGE AND POWERFUL HEROS TO NEVER AGE . ALL THE WORLD'S A STAGE ! NOW THE WORLD IS SET ON FIRE , NOT WITHSTANDING NOSTALGIC DESIRE REPLACED WITH DIPLOMATIC DRAMA . MOMENTOUS STUDY OF THEIR PARTS , MELODRAMATIC , GRADED PLAYERS REPLACE ARTISTS WITH NO HEARTS . ALL THE WORLD'S A STAGE ! PACK OF EDUCATED PERFORMERS TURNING INTO PROFESSIONAL TROUPES. NO MORE  EMOTIONS , NO MORE COMEDY . OH ! IT IS SUCH A MALADY . HATRED , COMPETITION AND TRAGIC ENDS , MARK  WORLD'S STAGES WITH THE LATEST TRENDS . ALL THE WORLDS A STAGE  ! POLITICAL FURY , DIPLOMATIC JURY CEASED THE ARTIST WITHIN . THE STAGE IS GRIM ,WITH TEARS ROLLING IN A STREAM. MERE PUPPETS DANCING TO THE TUNES, MAKING DRAMATIC SCENE AFTER SCENE . FUTURE IS AT STAKE UNCLEAR AND UNCLEAN. EACH PLAYING A MIGHTY ROLE , EACH PAYING A HEAFTY PRICE LEFT TO THE MERCY OF THE WISE , CREATING A VERSATILE ATMOSPHERE FOR ACCOLODES TO A DYING ARTIST , BLOGGED WITH FOG AND MIST WITH PEOPLE ACTING AT EVERY PHASE , ALL THE WORLDS A STAGE ! © Mrunalini .D. Nimbalkar
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Apr 13, 2019
Apr 13, 2019 at 10:22 PM UTC
ALL THE WORLD'S A STAGE
Last days hopeless, myxomatosis Ridden like a champion, Diseased then deceased. Rest in peace chief and the secrets you keep. What lies beneath the surface seas is beneath me and beyond comprehension. Did I forget to mention that I could see in the dark? Rip your thesis part and take us back to the start. A sharp dart, stupid, is all it takes Cupid to bring us together in cells and effect the brains nucleus. But these bad habits won't change our tactics; slapstick style remains in the temperance of saints and frustrates until we meet again... Don't lose focus, myoxmatosis. The disease spreads like wildfire, the wildfires spread like disease. RIP please, just rest in peace.
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Jun 25, 2015
Jun 25, 2015 at 4:10 AM UTC
myxomatosis
I felt his ring around my finger Before we’d even touched hands. A meek merchant of charm, He desisted from cheap sentiments And instead borrowed a will of silence From some eastern monastery or other, Citing his affections through silent smiles And a shrug of his shoulders which told me: “I am as baffled by this world as you are, dear. For far too long I have had to lean on one leg Whilst standing, to ease my ache, to wait things out. Come, sit with me.” And so I did. Resplendent white, some archaic sentiment Of false-purity – it bathes me. Washes me of colour, ‘till I’m baked in the reflective glow of sunlight, Rinsed of history, of time, treasures and identity. I’m his now. This full-bodied mirror, she stands so ungainly In her bridal pose. A slapstick siren, a young deer On stilts; A stretch of church floor to hesitate over Upon hatching. She must make it to the sea. In this reflection, I see neither him nor I, But a composite of his kindness, my eyes; Small forget-me-nots of a daisy-chained child And a waysided academic. It’s not my fault, nor his. Our dreams were wasted By fairytales, poisoned by old fortune. No story Succeeded, no narrative complete, ‘till love is resolved, Until love is in place. I felt his ring around my finger Before we’d even touched hands. For, why would I ever care to scale such mountains, In a world he casts so temperate and sure? So with each year that shall pass, From now ‘till some curtained collapse, I shall reduce in my margins, Fragmented elements and forgotten scope; I dissolve unto him, Stagnant upon his solution.
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Nov 25, 2013
Nov 25, 2013 at 11:09 AM UTC
The Qualified Woman
I felt his ring around my finger Before we’d even touched hands. A meek merchant of charm, He desisted from cheap sentiments And instead borrowed a will of silence From some eastern monastery or other, Citing his affections through silent smiles And a shrug of his shoulders which told me: “I am as baffled by this world as you are, dear. For far too long I have had to lean on one leg Whilst standing, to ease my ache, to wait things out. Come, sit with me.” And so I did. Resplendent white, some archaic sentiment Of false-purity – it bathes me. Washes me of colour, ‘till I’m baked in the reflective glow of sunlight, Rinsed of history, of time, treasures and identity. I’m his now. This full-bodied mirror, she stands so ungainly In her bridal pose. A slapstick siren, a young deer On stilts; A stretch of church floor to hesitate over Upon hatching. She must make it to the sea. In this reflection, I see neither him nor I, But a composite of his kindness, my eyes; Small forget-me-nots of a daisy-chained child And a waysided academic. It’s not my fault, nor his. Our dreams were wasted By fairytales, poisoned by old fortune. No story Succeeded, no narrative complete, ‘till love is resolved, Until love is in place. I felt his ring around my finger Before we’d even touched hands. For, why would I ever care to scale such mountains, In a world he casts so temperate and sure? So with each year that shall pass, From now ‘till some curtained collapse, I shall reduce in my margins, Fragmented elements and forgotten scope; I dissolve unto him, Stagnant upon his solution.
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That girl, just a tv show, a comment on equality, Carol Burnett, slapstick extraordinaire, JFK and MLK died so young but touched me, Joe Dimaggio, I wanted to be as a kid, smashing rocks tossed in the air the last inning of the world series imagining, the drama all in my head, so little of the world did I know then, Ghandhi should be my hero, or Lincoln, but in my top ten, are Marge, just a lady I know, who loved animals and people, Pops, my old friend, who has always been there when I needed him, Shakespeare , of course, who I quote , "When a father gives to his son, both laugh; when a son gives to his father, both cry." Albert Einstein who once stated "You can't blame gravity for falling in love." Helen Keller, when I think of her I feel ashamed for complaining, and of course Jesus, and Allah and Moses and Abraham and Aphrodite; Nature and Sky and Wind
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Jul 24, 2016
Jul 24, 2016 at 12:48 AM UTC
a list of my heroes
i know..... infatuation and obsession are... somewhat.... compulsive in need ...and sometimes   misunderstood but... it is writing me inside out this desire to.......  speak in ink laden syllables..... to scribe and etch my self on the synaspes of your brain so that i am ever painted... in the background of your pictures so that my words become... your idiom and phrases so that i appear black... and white .. in film noir or slapstick comedy is this wrong.... is this creepy... this need to be in your blood.. in every drawn breath.. i am not unhinged or crazy there are other things...... but you come to me.. at unbidden times and wrest me..... into this  sojourn on sanities thin, thin cusp walking.... the wire of...... ratiocination... one side... ...sapience... ...the other stupidity..... you are not aware of me... and you... should not be for i am no one...... only a thought upon a poets page harmless.... and imagined oh! but to be free to live life on knife's..... sharp and cutting edge.....
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Apr 2, 2014
Apr 2, 2014 at 1:06 AM UTC
whispers of obsession
i too find the lack of colour in the winter bouquet demeaning, but with so much colour missing, i find the remains of colour much approving, that the remains can be exfoliating, sharpening on the smithy hoof in arthur's sneeze for new years' celebration, and too the sunlight accompanied with beer for the encore of uninhibited laughter at the sorrow of hebrew tonguing h                              &                             a (turned witty that combination did, or slapstick the donkey with mel brooks’ gags shaming adolf chaplin; for care of a freudian couch), as not akin to knitting laughter but simply with index codices make vectors and arrows of fingers turned into eyes... with beer the encore until resolved serious with a track-list of post hippy reflection: beginning with 21st schizoid man (+ mirrors), through *i talk to the wind, epitaph (+ march of no reason) and tomorrow and tomorrow, moonchild (+ the dream and the illusion);* and ending with *the court of the crimson king (+ return of the fire witch, the dance of the puppets).* i once made a tape, odd thing in the 21st century to make tapes for other people with a chance personal reunion, as based on the novel high fidelity by nick hornby... but i did and she said... i walked at 5am through oxford street emptied by an apocalypse, and the song epitaph resonated like birdsong.
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Jan 12, 2016
Jan 12, 2016 at 11:13 AM UTC
beer o'clock
My apologies I never was a very good human I use to know the best ways to waste silence Climb into the sun and dive for time and place True thoughts prevailed and distract an eager mind Smile like slapstick and form a new foundation I suppose we could lose ourselves in these sublime moments Some tools left for mending some words left for reaction Anxiety properly positioned Misplaced an ego artificial in it's hold Lost and fumbled Temporarily found Some creatures can't be helped Claimed this body as your own went to work with your indifferent sabotage I slowly shattered with each new head space Broke me down for spare parts mumbling a need for mending holes self inflicted I watch myself in shambles patchwork for your dark corners Suggestions are plastered new breeds are rendered Remember those days shots called by sanity Boring yet stable safe yet Maddening?
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Oct 24, 2016
Oct 24, 2016 at 3:53 PM UTC
By all means
Snakes with two lines Influence rhymes To be made with drug signs But who cares black man Get them dimes At the expense of our kind Sellout sellout sellout Got our fabric cloned for their form Then call it a new uniform Despite the source not cited They never get indicted Sellout sellout sellout Hit that ticket catch a flick Witness the robbery of our slapstick Our style our jokes our swagger It resonates when they imitate Sellout sellout sellout I don’t blame the man Or the white hand Or the illuminati band Ultimately it’s our folks That spends the cash So we always crash
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Jul 2, 2018
Jul 2, 2018 at 6:11 PM UTC
Black card