--To C. M.


Fountains that frisk and sprinkle
The moss they overspill;
Pools that the breezes crinkle;
The wheel beside the mill,
With its wet, weedy frill;
Wind-shadows in the wheat;
A water-cart in the street;
The fringe of foam that girds
An islet's ferneries;
A green sky's minor thirds--
To live, I think of these!

Of ice and glass the ******,
Pellucid, silver-shrill;
Peaches without a wrinkle;
Cherries and snow at will,
From china bowls that fill
The senses with a sweet
Incuriousness of heat;
A melon's dripping sherds;
Cream-clotted strawberries;
Dusk dairies set with curds--
To live, I think of these!

Vale-lily and periwinkle;
Wet stone-crop on the sill;
The look of leaves a-twinkle
With windlets clear and still;
The feel of a forest rill
That wimples fresh and fleet
About one's naked feet;
The muzzles of drinking herds;
Lush flags and bulrushes;
The chirp of rain-bound birds--
To live, I think of these!

Envoy

Dark aisles, new packs of cards,
Mermaidens' tails, cool swards,
Dawn dews and starlit seas,
White marbles, whiter words--
To live, I think of these!

There once was a man whom the gods didn't love,
And a disagreeable man was he.
He loathed his neighbours, and his neighbours hated him,
And he cursed eternally.

He ****** the sun, and he ****** the stars,
And he blasted the winds in the sky.
He sent to Hell every green, growing thing,
And he raved at the birds as they fly.

His oaths were many, and his range was wide,
He swore in fancy ways;
But his meaning was plain: that no created thing
Was other than a hurt to his gaze.

He dwelt all alone, underneath a leaning hill,
And windows toward the hill there were none,
And on the other side they were white-washed thick,
To keep out every spark of the sun.

When he went to market he walked all the way
Blaspheming at the path he trod.
He cursed at those he bought of, and swore at those he sold to,
By all the names he knew of God.

For his heart was soured in his weary old hide,
And his hopes had curdled in his breast.
His friend had been untrue, and his love had thrown him over
For the chinking money-bags she liked best.

The rats had devoured the contents of his grain-bin,
The deer had trampled on his corn,
His brook had shrivelled in a summer drought,
And his sheep had died unshorn.

His hens wouldn't lay, and his cow broke loose,
And his old horse perished of a colic.
In the loft his wheat-bags were nibbled into holes
By little, glutton mice on a frolic.

So he slowly lost all he ever had,
And the blood in his body dried.
Shrunken and mean he still lived on,
And cursed that future which had lied.

One day he was digging, a ***** or two,
As his aching back could lift,
When he saw something glisten at the bottom of the trench,
And to get it out he made great shift.

So he dug, and he delved, with care and pain,
And the veins in his forehead stood taut.
At the end of an hour, when every bone cracked,
He gathered up what he had sought.

A dim old vase of crusted glass,
Prismed while it lay buried deep.
Shifting reds and greens, like a pigeon's neck,
At the touch of the sun began to leap.

It was dull in the tree-shade, but glowing in the light;
Flashing like an opal-stone,
Carved into a flagon; and the colours glanced and ran,
Where at first there had seemed to be none.

It had handles on each side to bear it up,
And a belly for the gurgling wine.
Its neck was slender, and its mouth was wide,
And its lip was curled and fine.

The old man saw it in the sun's bright stare
And the colours started up through the crust,
And he who had cursed at the yellow sun
Held the flask to it and wiped away the dust.

And he bore the flask to the brightest spot,
Where the shadow of the hill fell clear;
And he turned the flask, and he looked at the flask,
And the sun shone without his sneer.

Then he carried it home, and put it on a shelf,
But it was only grey in the gloom.
So he fetched a pail, and a bit of cloth,
And he went outside with a broom.

And he washed his windows just to let the sun
Lie upon his new-found vase;
And when evening came, he moved it down
And put it on a table near the place

Where a candle fluttered in a draught from the door.
The old man forgot to swear,
Watching its shadow grown a mammoth size,
Dancing in the kitchen there.

He forgot to revile the sun next morning
When he found his vase afire in its light.
And he carried it out of the house that day,
And kept it close beside him until night.

And so it happened from day to day.
The old man fed his life
On the beauty of his vase, on its perfect shape.
And his soul forgot its former strife.

And the village-folk came and begged to see
The flagon which was dug from the ground.
And the old man never thought of an oath, in his joy
At showing what he had found.

One day the master of the village school
Passed him as he stooped at toil,
Hoeing for a bean-row, and at his side
Was the vase, on the turned-up soil.

'My friend,' said the schoolmaster, pompous and kind,
'That's a valuable thing you have there,
But it might get broken out of doors,
It should meet with the utmost care.

What are you doing with it out here?'
'Why, Sir,' said the poor old man,
'I like to have it about, do you see?
To be with it all I can.'

'You will smash it,' said the schoolmaster, sternly right,
'Mark my words and see!'
And he walked away, while the old man looked
At his treasure despondingly.

Then he smiled to himself, for it was his!
He had toiled for it, and now he cared.
Yes! loved its shape, and its subtle, swift hues,
Which his own hard work had bared.

He would carry it round with him everywhere,
As it gave him joy to do.
A fragile vase should not stand in a bean-row!
Who would dare to say so? Who?

Then his heart was rested, and his fears gave way,
And he bent to his *** again. . . .
A clod rolled down, and his foot slipped back,
And he lurched with a cry of pain.

For the blade of the *** crashed into glass,
And the vase fell to iridescent sherds.
The old man's body heaved with slow, dry sobs.
He did not curse, he had no words.

He gathered the fragments, one by one,
And his fingers were cut and torn.
Then he made a hole in the very place
Whence the beautiful vase had been borne.

He covered the hole, and he patted it down,
Then he hobbled to his house and shut the door.
He tore up his coat and nailed it at the windows
That no beam of light should cross the floor.

He sat down in front of the empty hearth,
And he neither ate nor drank.
In three days they found him, dead and cold,
And they said: 'What a queer old crank!'

Unicorn sprinkles,
Daffodils jam,
A little star's twinkle
And some dragon ham.

Some emerald clovers,
A pint of fairy dust,
A handful of stover
And some canned gust.

Teardrops of a Selkie,
Well shaken, not stirred,
The horseshoe of a kelpie,
Late Iron Age sherds.

Some fizzy witchcraft,
One bottle or two,
And maybe a draught
Of love potion too.

"Write fourteen lines on Growing Up, a sonnet,"
the teacher told us. "Don't forget, the rhymes
must make a pattern; I've told you several times.
The subject's easy. You've all got ideas on it."

Who does he think I am? Some second Milton?
Another Shakespeare? An Eliot? A Tennyson?
Compared to theirs, my mind's as dead as venison,
slightly less fresh than over-ripened Stilton.

"A poem's the equivalent in words
of something I once felt," the poet said.
Clues to another's feelings, like the sherds

of ancient pots, or jigsaws in the head.
A few curt words my feelings clearly tell,
one simple sentence: Growing Up is hell.

Horton’s Bend
Dave Davis-2013
Treat the earth well,
It was not given to you by your parents.
It was loaned to you by your children.”
Native American Proverb

Chapter 1
During the early part of the 16th century, the Spanish began their expeditions into the New World in their quest for riches in the form of gold and silver. It was a time of great competition between explorers attempting to be the first to expand the Spanish Empire. Famously Ponce de Leon discovered La Florida in 1533 which allowed geographers and map makers to better outline the coast which de Leon hugged during his travels. His perception that it was an island misled geographers for a number of years. Historic documents do describe a quest for a body of water which was known for a restoration of vigor but the Fountain of Youth was not a focus of de Leon’s. Upon learning of La Florida, further expeditions were made ready. Hernando de Soto’s exploration, which began in the vicinity of present day Tampa Florida in 1539, was a four year journey which provided more information about the strange new continent.
Other expeditions filtered their way into the southeastern United States. Expeditions such Tristan de Luna de Arellano traveled into the interior southeast from 1559 to 1561 including the chiefdom of Coosa in Northwest Georgia and Juan Pardo who led two expeditions into the present day Carolinas are also chronicled.

What a strange world it must have been having stepping into what they must have considered an undeveloped and tangled landscape having been at sea for months prior to their arrival. These new comers were warriors riding into a land of what they considered savages ruled by mighty chiefs. The chiefdoms were purposely distanced apart in order to ensure a semi peaceful relationship with nearby chiefdoms. Each principal chief or cacique lived in areas surrounded by earthen mounds and fortified walls with hand dug moats. These rulers were presented with gifts of corn, exotic materials from foreign lands, and other tributes by their subjects. During the past seventy five years, archaeologists have reconstructed the past life ways of these people through their excavations of village sites and burials. Coupled with the work of dedicated historians, we now have a better understanding of how these native peoples lived and died. We will never fully understand their world.
Theirs was a hermetic world which was provided all that was needed. Respectful of the land and its gift of life giving resources, the native peoples were dependant on the land which figured prominently into their spiritual being. Their needs were meager as they did not desire wealth or the need to satisfy a gluttonous royalty. The principal chief’s rulings were simple and they obeyed without question. He and the other leaders asked only what the earth would provide. Their only loyalty was to the ethereal gods and to the cacique who communicated the will of the Creator. In times of famine or strife, theirs was a community that continued to be self sustained as it had always been from birth to death. They must have considered that dark times had arrived with the new strangers. These interlopers were not here to commune but rather to bring greed and lust to their land.

Native American groups surely were frightened by the sight of an entourage of the bearded new comers. Dressed in quilted shirts with bright colored sashes with tall hip boots, their appearance had to be most curious to the natives. The presence of never before seen animals such as the horses bearing the soldiers were cause enough for the Indians to scatter from their villages. The horsemen wore the heaviest armor consisting of chain mail or if preferred a breastplate of sorts. Their weapons were a long lance in conjunction with a small shield. The foot soldiers wore peaked steel helmets along with quilted shirts armored with small steel plates and were equipped with sharpened steel weapons such as short double edged swords, halberds, and crossbows. Matchlock guns were also a weapon employed by the Spanish explorers. They were close combat weapons which would have to suffice since heavy artillery could not be used in the thick and tangled environment.
The Spanish found the New World to be a land of hardships when they depleted their supplies of foodstuffs between chiefdoms. This land proved not to be a place of abundant riches but rather difficult terrain for pedestrian journey. In order to supplement the Spanish took the stored food supplies that Indians had readied for winter. As Old World warriors, they had no hesitancy to threaten or harm when supplies were needed. Word of their arrival brought both fear and awe to native groups who were duped by the rich lies and gifts of the metal objects that was so foreign to them.
While the devastation of Spanish contact impacted native lives, it should not over shadow the rich history of these people. Prior to contact, they were thought to be involved in the construction of a society emerging from the chiefdom level. Their capability to understand astronomical constants, their ability to sustain an agricultural culture, and the art produced attest to a vibrant society that was merely unfortunate to be caught up in a dynamic European expansion that was inevitable.  
Their story is more than that of European contact as they dealt with pestilence, political instability, drought, and dwindling resources in large communal sites. It comprises a much larger picture from a story long forgotten in a language that will forever remain unknown. History is filled with the tragedies of conquest but this story does not end with the Spanish invasion of peaceful natives. It does not end at all because their spirit was stronger than any intrusion by the strangers. While much suffering has occurred from this contact, there was one group who managed to avoid conflict and quietly retain their heritage. Unfortunately time has left a ragged history with gaps that are not fully understood by those who seek wisdom from the past. No matter. Their intentions regarding history were never as strong as their passion for the land.

On an unknown date during the 16th Century in Northwest Georgia, a group of Spanish invaders made contact with a group of Native Americans who believe in the sacred ground they call home.



Chapter 2
Ronnie King sat on the tailgate of his 4x4 pickup and drained the last of an ice cold Budweiser that had been waiting on him all day. Ronnie kept a cooler full of cold ones for quitting time although he usually just drank the one beer before leaving for home. Working as a foreman on a timber crew, he was soaked in sweat and enjoyed just taking a moment to reflect on a day’s work. He always felt like a man who could tote a chainsaw for eight hours and deal with the elements was a man by God. The sun would be setting soon and he would talk to a few of the boys before they headed to the house. It also gave him time to unwind a little bit and to pick off the ticks that seemed to always be attracted to him. He sure hadn’t forgotten that bout of Rocky Mountain Spotted Fever that had contracted a few years back. He remembered well how dizzy he was that hot afternoon. Some of the boys had chuckled but nobody scoffed at his 107 degree temperature when he was checked into the hospital. Anyways this was the best part of the day and he always got to thinking about his life.

Ronnie loved his job and wondered how others could ever work inside all day. Hell, even if he was paid more he couldn’t really see the benefits of extra cash compared to working out in the woods. More than once he had paid attention to deer signs and had bagged some bucks that were the envy of his fellow workers. It was just a great deal to be outside. Sure he ached pretty good by the end of the week and knew arthritis was in his future but it gave him a great opportunity to do what he really loved: look for Indian sites. Ronnie had been just a boy when he found his first arrowhead down on the floodplain of the Coosa River which ran through his grandfather’s farm. That thrill was one that never got old for the young man. Those who are observant and willing to risk the mud never knew what they would find after a good thunderstorm on a freshly plowed field. As Ronnie grew to be a teenager he already had a collection of artifacts that the local museum drooled over. Other kids that were Ronnie’s age were busy playing football or were involved in some school activity. Ronnie was different and had little interest in neither scholastic nor collegiate pastimes. Once he finished his chores at home,  he headed for the river.

When Ronnie graduated from high school he got a full time job working at Patterson’s Logging. At 18, Ronnie was a tall man with a full beard and was often mistaken for someone much older. He never was a big talker or one to boast. Many at school thought him slow but that was where he fooled them and the teachers too. No reason to give your all since they would expect more anyway. Besides what would he do with trigonometry? He loved the outdoors and spent quiet evenings along the river banks staring at the ground in search of the history that he loved. Teachers didn’t spend much time on how Indians lived during the time that the mounds were being built. He enjoyed books at the library much better than any of the school books. In particular, he loved the book Sun Circles and Human Hands which had wonderful pictures of burials dug up during the WPA days. He did take the time to learn how the Works Progress Administration had been created in the 40’s and created jobs to work on the large dam projects that brought on some of the earliest organized archaeological projects in the United States. At night he would look at Sun Circles and gaze at the pictures of the excavated burials and all the exotic grave goods that had been buried with the interred over 500 years before. The well made pottery vessels had always been one of his favorite artifacts but he had never found a whole ***. Having spent time with different books loaned from the library, Ronnie know the difference between pottery sherds dating to the earlier Woodland Period and those that dated to the later Mound builders or what the archaeologists called the Mississippian Period. He also enjoyed the ornaments and jewelry found in the burials. The designs in the shape of woodpeckers, rattlesnakes, and strange squatting men with eagle claws were carved into shell gorgets that were found around the necks of the nobles of the village. He realized that not all graves contained abundant artifacts as some simply were just a prone or flexed body that must have been a common person. Ronnie knew that there had to be some schools here in the south where you could learn to be a paid archaeologist but who had money to go to college? Besides, they might want him to give up what he found. What right did a museum have to something he had found? No, that didn’t seem right at all.
Patterson’s Logging worked all over a tri-county area and allowed Ronnie access to private property that he could never get permission to walk over. There were a dozen men who worked for Patterson not including Patterson’s boy, Ricky, who had helped Ronnie get hired. Ricky and Ronnie used to do a little cat fishing on weekends. Kicked back with a six pack on a boat ramp, the boys used to fight off the bugs attracted to the lantern glowing bright in the middle of the night. They talked about girls they’d like to get a hold of and wishing they had money for a nice pickup. Ricky’s daddy made pretty good money but most of it was ******* in chainsaws and equipment for keeping the logs steadily flowing to the saw mill. Ronnie never told Ricky but he was **** grateful to be working on a crew at Patterson’s.

A couple of the men who worked for logging outfit were from Cedartown which was located south of Rome. They didn’t speak to anybody very often and pretty much kept to themselves. Ronnie didn’t know them but had heard them called Jarvis and Ladge. The crews had finished logging a section near Armuchee Creek where some county workers had been using bulldozers to prep the area for a bridge project. It was time for lunch so everybody got out their lunchboxes and sack lunches. Jarvis and Ladge ate quickly and headed out to the disturbed area to walk it over. Ronnie had already figured on going out there too but they had beat him to it. He just went ahead and watched them looking for a few minutes. Finally Ronnie headed out and walked around a little distance from them. They glared at him at first but didn’t make a ******* contest out of this patch of dirt. Having walked around staring at the fresh soil for a good ten minutes the three were somewhat close to each other so they stopped and everybody wanted to inspect what the others had found.
Ladge had found a few good sized flint chips and a broken tip of a point. Jarvis looked at him and said “Buddy you ain’t found **** look at this piece of pottery!” He held up a large thick rim sherd which had pinched marks all around the curved rim. “Nice one Jarvis” whistled Ladge. “That’s a Mississippian sherd, Jarvis” offered Ronnie. The others stared at him until Ladge said “Boy this ain’t Mississippi! You in Georgia.” Ronnie didn’t want to be a smart *** to the older men so he said “I been reading in some books on ancient Indians and the pictures showed pottery that looked just like that one that was near 500 years old.” “Huh” Jarvis mumbled “Well what do you think about this bird point?” It was a small triangular point no bigger than a thumbnail made of black flint. Ronnie hesitated a moment and told them “That’s a nice one but you know they didn’t hunt birds with those don’t you?” The men just shrugged and Jarvis said “That’s what I always heard them called……that the Indians used a blow gun and blew them through it”. Ronnie was a little more confident but with a little caution said “That point was used on a bow and arrow…..you know how most points you find have a stem on the bottom end?” Both men nodded with interest. “Well those were used on spears but this type was used on a bow….bout the same time as that sherd you found”

Ronnie thought he might be scoffed at but both men just shrugged and one mumbled “Well I’ll be ******”. Ronnie then realized that Jarvis and Ladge’s interest was just in one upping each other and it was something to do besides talking to the other loggers. “I’d like to look at one of them books you been reading…..I got something I found and want to know more about it.” Ronnie’s interest was peaked and asked “What does it look like?” Jarvis tilted his head a little while looking over at Ladge and said “Just bring that book of yourn’s when you can.” Ronnie took the hint and all three realized it was time to start on the next parcel of the project.
As the work week continued, the three usually sat together and formed a group of their own talking about artifacts away from the others. Ronnie brought one book in but it was from some work over in Alabama and didn’t have what Jarvis was looking for. One Friday after work, Ronnie was about to head home when Jarvis and Ladge asked him to take a ride down to Cedartown and look at their collection. The two had a little cabin out off of Chubb Road with a rusted 49 Ford sitting out front. A metal trash barrel smoldered in the front yard. Ronnie walked in the cabin and had to choke back holding his nose as it reeked of sourness. These two ol’ boys were true bachelors who were not ones to throw out clothes until they fell apart. It was just sometimes they didn’t feel like picking up anything from a pile that had lain in a corner for a couple of weeks. Jarvis walked to a chest of drawers and opened it and asked Ronnie to come take a look. Ronnie looked in the drawer and saw a collection of artifacts typically found in the area. The material ranged from large Savannah River points dating back some 5,000 years to more of what the boys had termed “bird points”. Ronnie picked up a partial *** with check marked stamping and smiled. “This is a nice one….I’ve seen fragments like this on the Oostanaula.” He added “It’s from what is they call the Woodland Period”. Ladge smiled a big toothless smile and proudly proclaimed he had f

You can take away the sun
So it won't shine to give warmth
You can take away the moon
So it won't calm the seas
You can take away the very air I breathe
So I can't draw in breath to live
But Don't take away my poems

You can beat me until purple shows
You can slap me till my skin is raw
You can shoot me in the heart
and rip it to sherds like it was made of paper
But don't take away my poems

My poems are my children
Made from my own mind
Made from my own hands
And even if one might be different from the other
They are still mine
My painful memories
My compliants about life
My sorrows
My joys

You can take away my identity
You can take away my very name
You can even make it that I don't live no more
and waste away in a field where I can't be found
But Don't take away my poems

Hello Destruction . The action or process of causing so much damage to something that it no longer exists or cannot be repaired.
The dark thing that creeps in my dreams to despaired the goals that was purpose for my life .
Creeps in my head and read me lies , keeping me up all night ..
tossing and turning .. tossing and turning because of my gift I see the spiritual..
I see the destruction, hello destruction
give me your name?
How many are you ?
Why me why cause so much damage when I no longer exist..
why keep trying you already ripped me to Sherds you already took my innocence....
you took everything
but my faith,  my purpose
and I know you’re mad because you can’t break what’s left of me
you can’t take some **** that’s not yours
you been here what thousands of years?
You should ******* know this
you know who I am
and you wanna take it
I’ll conquer I’ll ******* destroy you
goodbye destruction.

It is quite balmy here by the bay
dally I may and sand I play
cuddling and puddling into a grainy muddling,
I fray away - in this, a golden day.

The scorching sky-ball rays bequeath
a vermilion wreath on my bones' sheath
doth it burns and churns yet how lovely the terns
whom glance beneath - ruby-me they seeth.

The Gulls flock in a white lustre
within a cluster paced muster
though in such rank, a gap is manque and in that flank
without fluster - I desire to soar in bluster.

To fly amidst the cloudy haze
in fluffed graze and twilight maize
would release the strain and reign of the pain;
from my darkest daze - into the briny bays.

Let tokens of a lost love seep
into the deep where I canst weep
and remnants of swill be fed to Brill by powering will
as such creatures keep - secrets asleep.

Sea currents drift my melted plume
cleansing a hearted tomb of gloom
of broken Sherds whilst girds the birds
fashioning in loom - as I soak in spume.

In praise to the salt queen I exalt a moan
taking in loan a swig from the throne
she clings and stings but I adore summer flings
returning in prone - the blend with my own.

Stumbling now to a neighbouring dune
I swoon and reflect in boon
that sorrow from Algea I borrow, can wait the morrow
wild wraiths be hewn - by this remedial tune.

How illuminate! This majestic bay
where dreams pray and verily splay
that waves of oceans bring notions of emotions;
from burdens' weigh - one escapes by the bay!

A taste, a taste but only just so

A little bit of what I forgot long ago

Amber eyes and a vast smile of light

Brunette and  blond all found in black and white

Diamond stud, golden hue

A female touch for only a few

Days and nights in speaking words

Behind a black glass now broken like sherds

Suspicion ruled my heart with fear

To let a woman draw so near

To me her attention wore a flag of red

I thought I knew what a thing to dread

Quickly she acted like a spirit unbound

Chasing a fox through undiscovered ground

By five to the surface my words made to shore

"You harlet, you liar, you thief, you *****!"

"I shall not allow your adore

You display to me at cost."

My doubts were burning just like bitter frost

Her protest was genuine it truly does seem

So silence, no words, her lips have no seam

So a ghost  impression of a sought after smile

I look and I dream for only a while.

A rent is what it is: a tear, a schism. Who can strike hotter than lightning? Who can stir faster than an electric mixer? Who can displace water without getting wet? Shadows are cast upon walls & trees, yet nobody's more cohesive in their appointed *******. A hole forms above my eye, a portal of enlightenment or a boil. A dangerous rupture threatens bending over to retrieve car keys --- there will be no ice cream cones for anybody now.
   “Would a dead photo of my cat be any
help? I have 6 angles: repose, face up.”
   A cat dead is no use to the live-cat community. They are
live wires: no ball of yarn's sacred. It's Newton's Laws of
Heavenly Bodies, the **** Test {for scarlet fever susceptibility}
& scads of things that keep dead cats thusly.
  Into the salt-sea I bury the remains in large sprinkle: sandy bottom, sand-paper & silica, foam & detergents, the oil what cuts the surface --- the depths of volcanic breaks with sherds of crusty parts. Chicken combs choke the weary, froggy warts & cloven hooves clog craws. John Rockefeller, junior, sleeps with girls. My mind's fettered, culling accusations, massing a cleric's defense.

the deeper, the cuntier, the more dangerous. A rent is what it is: a tear, a schism. Who can strike hotter than lightning? Who can stir faster than an electric mixer? Who can displace water without getting wet? Shadows are cast upon walls & trees, yet nobody's more cohesive in their appointed *******. A hole forms above my eye, a portal of enlightenment or a boil. A dangerous rupture threatens bending over to retrieve car keys --- there will be no ice cream cones for anybody now.
   “Would a dead photo of my cat be any
help? I have 6 angles: repose, face up.”
   A cat dead is no use to the live-cat community. They are
live wires: no ball of yarn's sacred. It's Newton's Laws of
Heavenly Bodies, the **** Test {for scarlet fever susceptibility}
& scads of things that keep dead cats thusly.
  Into the salt-sea I bury the remains in large sprinkle: sandy bottom, sand-paper & silica, foam & detergents, the oil what cuts the surface --- the depths of volcanic breaks with sherds of crusty parts. Chicken combs choke the weary, froggy warts & cloven hooves clog craws. John Rockefeller, junior, sleeps with girls. My mind's fettered, culling accusations, massing a cleric's defense.

birds flapping their wings to **** me off, spring time in Paris: home of the super French. They happen upon all things Frank, they eat, they love, they battle worldly strife & bathe religiously (Sundays). Knuckle down to a night of French knuckling. It's palms up for Jesus, a holy strip of Jerusalem & spaghetti for everyone. Super Joy Hammer French slivers of what wood was, sherds of what glass's become.
   There's universal joy across the solar ellipse, lunar holes
where cheese once lain, mind over splatter, wigs that
cover the back of one's neck.