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Mateuš Conrad Nov 2015
what terrible news, the marx in me said it true, article heading: mental health gets only 1% of council tax...£664 million a year on ****** health... £111 million on tackling obesity. here’s a simpler explanation... c.d. is part of hardware... mp3 is soft-ware... get a scratched c.d. and turn the hardware into software... then put the virus mp3 onto an iPod, which is hardware... then watch the technological virology take over... the host hardware will break, given that the parasitic software is implanted from a sick hardware it was copied from.*

i was redecorating my mother’s living room,
for a handshake and the prize:
don’t interrupt my drinking pattern, woman please!
so i found to ancient scribbles of paint,
but then hid them like a treasure chest...
i also found the vol. no. 2 of kant’s critique of pure reason
under one of the pieces of furniture...
over a year i lost it... blamed everyone i knew...
but in reality the realisation came when i rekindled
the bookmark coordinate:
it took me two conscious years to read heidegger’s opus,
consciously defined by reading poetry on the sly...
with kant i ended my reading with the introduction of hegel:
antonyms of a pure mind - the third conflict between transcendental ideas -
i got the antithesis straight away... mainly because it spoke of freedom...
while the thesis spoke of the laws of nature and 1, 2, 3, 4, 5...
0 central...
it spoke of sequencing of events... it spoke of 1, 2, 3, 4, 5
as paradoxical of 2, 3, 4, 5... and 3, 4, 5 and 4, 5, and 5.
i think i better translate this passage to exemplify the point...
i lost kant for over a year and the **** sizzled...
i kept heidgegger for a year and i came out wondering
why it should take someone 15 years to study aristotle by the man’s suggestion,
so i had myself the alternative:
philosophy begins with awe... well... so does tourism.
let's just say there are corridors at the junction...
we say i almost pickled a cat's paw with wet cinnamon
or ketchup to imprint a paw-print with the gaff quote:
i was here, i found the sound meow inexplicable,
incomprehensible... given the human complications,
i decided to utilise meow with randomisation away
from my superior intuition... whereby the phoneticism
of meow was less than my eyesight and hearing...
so i announced the whiskers and fur and snake-eye in mammal
with a meow... i used meow to communicate with the complex
vowel-consonant reason, but i found my intuition
in rachmaninoff's vocalise wordless song... with my ear against
the radio dreaming away... so said man un-attentive of me...
that i managed to mingle my instinct without the meow
asking for butter... and instead for the daydream...
diva lute diva tangled... diva es lute es flos...
there i was... the cat of abashed baptisms at the fountains of
the baptist with my head wetted...
careless for the dung bag walking partner, or the plaything
i was forced to take interest in... my casual...
fat for keratin, as if fat translated from man unto animal
to ask the boar for the daydream of the conveyor belt
with lost fur and gained fat...
off with my shirt i too graded the follow-up...
as a loss in the tightened woods of winter with the losing shadow
of the shadows of beckoned crowns not adorned in vogue.
but this was only 1912... five years before the revulsion...
before the revolution... five years! spent in the abode of harmonics
by the piano i tried to mistune to write a deathly haunt of presence...
operatic alphabets twisted me into recovering from
the foremost attraction of failure... the neglige of virginity lost
to the public's applause missing...
i too could have vouched a coming back: of spirals away from
the champagne starlight in bouquet crescendos,
for the simple minded aura of perfection - but i vouched
hypnosis as the adequate precursor of staging fright
as the lost composition rekindled into revisionary composition
regained - there too i found the picturesque familiarity
of unsung hilltops regaining strength in the longshanks' heels
as if by deed of achilles in strength regained...
to frighten the lowlands with that glorious fame of
being poisoned by the gratifications of excess in the untrodden path
thus trodden by ear and echo rather than foot,
into the zephyrs of the larynx-ballerinas upon mountain-tops...
thus there, among the content misanthropes -
i too searched orpheus' mirror and prometheus' stone
to be bound to an eternal moment that denied all
other eternal moments and furthered the denial
by not allowing a bullish billion of china
its existential prowess among nations so frequented
by scandinavian description.
EC Pollick Jun 2012
Buttresses flew
too close to the sun.
Icarus repeated.

Monuments based on Ideas.
Prophecies based on Conviction.
Trust in a stated Axiom.


Only last for
as long as
someone believes in them.
Mateuš Conrad Oct 2018
.oh forget Disney H'america... technicolor H'america was the bomb... gentlemen prefer blondes... oh ****... no... the seven year itch... the Rachmaninoff scene... bell, book & candle scene... whoever the genius was behind the technicolor project, outmatched the Disney in 1950s H'america... little town America... big little ****-hole worth of Europe... eddi reader...more like: keep the cats, a woman may desire luxury, but a man a freedom... keep the town, the summit, the fireplace... keep your luxury... just give me the shadow, the sun, the moon, and the road: perpetually greeting me.

oh forget looking
for scapegoats
these days...
full blown schizophrenia,
happening,
all over the anglophone
world...
me?
i'm just looking
at the lampoons...
sorry...
lemmings...
and the English?
top the table in western
world...
they thought they'd be
bailed out by
the H'americans...
good luck rolling
that pin-ball...
not gonna happen...
they have their own ****
to deal with...
   it could have...
but now it will never
work out, no anglophone
alliance bail-out plan...
it's a ******* farce...
it's a bogus in the bogie
in the ******* coalmine...
forget the canary...
   ****... i'm seriously flipping
the coin on phrases...
FDR contra DJT?
  magic!
no... the politicians were always
going to place the card...
the joker... free-fall dance-loose
feet...
         my bet is...
it'll fall flat on its face...
the eastern European Achilles
heel of the europhiles...
that's a supposition,
not a proposition...
                     or thereby, pre-....
but i do love being a spectator
of rare sport...
en masse schizophrenia...
a nation, divided...
             what a load of *******...
the English thought that their
anglophone alliances would
last, would encrust them in
a new globalization mechanism...
even the ******* Icelandic people
think they're European...
what did the English think?
just east of Las Vegas?!
           an island surrounded
by a massive prehistorical lake
"facility"?!
no one is looking for scapegoats
these days,
there's no one to blame...
mea culpa, mea culpa...
    these days?!
everyone is looking for the lampoon
brigade!
- and let me tell you...
mea culpa mea culpa...
no one is looking for a scapegoat
worth kristallnacht;
people are looking
for a lampoon...
     or...
        karmesinrotherznacht,
the night of... broken hearts;
broken, crimson hearts.
There is an inch of sleight in this house – this cold chair,
a burst of cologne clogging a 20 minute stride. The stringent
air tonight blusters deeper than gashing sheens.

The little dryad of dew outside and the cadenza of frogs
after lambaste of rain. Whenever you sing, your voice
communes an immense pain, something unconscious of its
gravity, something that levitates back to momentary ululations

swelling in the grime of times and heady chances. A long stretch
of a day submerged in silence resembling a howl underwater.

There will be many sorrows and they will take form of doves,
assume the skin of the populace. They will come in a volume of
names pressing the linoleumed musk the way the body turns
maneuvering over the saltine, the mattress, juxtaposed to a lover,

a brusque aroma of coffee brushing away the calm demeanor
of the morning, dragging along the weight of its lassitude
towards the sprays of fern opening a dense ornate of forget,

you, in all places that pulse without recall – an obtuse
fish feeling its life in a surge of blue, overtime, finally knowing
    what it means *to sing and drone only words.
Lunar Apr 2015
There were two piano pieces of Rachmaninoff's: Love's Joy and Love's Sorrow. Now she, the musician who lets the instrument cry for her, always chooses to play the latter piece. And he, the musician who seeks to pursue happiness with his instrument, asks her, "Why do you stick to sorrow?"
.
.
.
"So I can get used to it."
inspired by the romance/music anime "Your Lie in April".
Evan Stephens May 2019
Molten web
of keys
& brass tumble
to the ear;
there's cane
sugar burning,
a thick crest
of moon, the
breast of night,
& the piano
is a violent
love, a brace
of stone.

The second
movement
arrives like
a galleon
with sails
of cries
& whispers.
The world
lilts. A scent
of lilacs
in the
hand. The
minor key
move is
devastating.
"I saw the
figure 5
in gold"

Then,
the dusky
iron of the
anvil births
sparks.
Wistful
lace of
yesterday
falters
in the air.
Trumpet
creepers
climb the
black trellis
of evening.
A closing
throb that
speaks:
It was
worth it.
Mike Essig Jan 2016
by Ramond Carver**

You don't know what love is Bukowski said
I'm 51 years old look at me
I'm in love with this young broad
I got it bad but she's hung up too
so it's all right man that's the way it should be
I get in their blood and they can't get me out
They try everything to get away from me
but they all come back in the end
They all came back to me except
the one I planted
I cried over that one
but I cried easy in those days
Don't let me get onto the hard stuff man
I get mean then
I could sit here and drink beer
with you hippies all night
I could drink ten quarts of this beer
and nothing it's like water
But let me get onto the hard stuff
and I'll start throwing people out windows
I'll throw anybody out the window
I've done it
But you don't know what love is
You don't know because you've never
been in love it's that simple
I got this young broad see she's beautiful
She calls me Bukowski
Bukowski she says in this little voice
and I say What
But you don't know what love is
I'm telling you what it is
but you aren't listening
There isn't one of you in this room
would recognize love if it stepped up
and buggered you in the ***
I used to think poetry readings were a copout
Look I'm 51 years old and I've been around
I know they're a copout
but I said to myself Bukowski
starving is even more of a copout
So there you are and nothing is like it should be
That fellow what's his name Galway Kinnell
I saw his picture in a magazine
He has a handsome mug on him
but he's a teacher
Christ can you imagine
But then you're teachers too
here I am insulting you already
No I haven't heard of him
or him either
They're all termites
Maybe it's ego I don't read much anymore
but these people w! ** build
reputations on five or six books
termites
Bukowski she says
Why do you listen to classical music all day
Can't you hear her saying that
Bukowski why do you listen to classical music all day
That surprises you doesn't it
You wouldn't think a crude ******* like me
could listen to classical music all day
Brahms Rachmaninoff Bartok Telemann
**** I couldn't write up here
Too quiet up here too many trees
I like the city that's the place for me
I put on my classical music each morning
and sit down in front of my typewriter
I light a cigar and I smoke it like this see
and I say Bukowski you're a lucky man
Bukowski you've gone through it all
and you're a lucky man
and the blue smoke drifts across the table
and I look out the window onto Delongpre Avenue
and I see people walking up and down the sidewalk
and I puff on the cigar like this
and then I lay the cigar in the ashtray like this and take a deep breath
and I begin to write
Bukowski this is the life I say
it's good to be poor it's good to have hemorrhoids
it's good to be in love
But you don't know what it's like
You don't know what it's like to be in love
If you could see her you'd know what I mean
She thought I'd come up here and get laid
She just knew it
She told me she knew it
**** I'm 51 years old and she's 25
and we're in love and she's jealous
Jesus it's beautiful
she said she'd claw my eyes out if I came up here
and got laid
Now that's love for you
What do any of you know about it
Let me tell you something
I've met men in jail who had more style
than the people who hang around colleges
and go to poetry readings
They're bloodsuckers who come to see
if the poet's socks are *****
or if he smells under the arms
Believe me I won't disappoint em
But I want you to remember this
there's only one poet in this room tonight
only one poet in this town tonight
maybe only one real poet in this country tonight
and that's me
What do any of you know about life
What do any of you know about anything
Which of you here has been fired from a job
or else has beaten up your broad
or else has been beaten up by your broad
I was fired from Sears and Roebuck five times
They'd fire me then hire me back again
I was a stockboy for them when I was 35
and then got canned for stealing cookies
I know what's it like I've been there
I'm 51 years old now and I'm in love
This little broad she says
Bukowski
and I say What and she says
I think you're full of ****
and I say baby you understand me
She's the only broad in the world
man or woman
I'd take that from
But you don't know what love is
They all came back to me in the end too
every one of em came back
except that one I told you about
the one I planted We were together seven years
We used to drink a lot
I see a couple of typers in this room but
I don't see any poets
I'm not surprised
You have to have been in love to write poetry
and you don't know what it is to be in love
that's your trouble
Give me some of that stuff
That's right no ice good
That's good that's just fine
So let's get this show on the road
I know what I said but I'll have just one
That tastes good
Okay then let's go let's get this over with
only afterwards don't anyone stand close
to an open window
Here you see an ******* in action. Raymond Carver was a genius. I'm not the only person to be ambivalent about the Buk. Notice how well he captures the repetitive self-glorification.
Let's make these fingers play,
Across eighty-eight keys of wood and ebony,
In perfect, scale, rhythm and harmony.
Decipher the dots and dashes,
And break all the rules,
once you know all the clashes.

You could learn,
From the masters of this game,
Probably Beethoven,
Who played it with honesty and power;

Or Chopin,
Who played it with delicateness,
And poetry;

Or even Liszt,
Who played without hesitation,
          And to woo women;        
        
Or Rachmaninoff,
Who used his sizely hands,
To the fullest,  
Using clean moves and precision.

There are many masters of this game,
But I promise,
                     It's the only game which will keep you,               
Entertained.

*Till the very end.
Pianists are wonderful people.
Lisztomania!
Third Eye Candy May 2013
the klaxon carols of your grief belie the golden pipes of your madness.
the cherubs embedded in your lost happiness
slip through cracks in your voice. James Joycean.
the fugue, your discord dims, seeps through the gauze
of your field dress. your wound holds the root note
oozing Rorschach ~ Rachmaninoff
jungian etudes allude
to a deep you at the bitter end
gnawing on sweet bones to marrow sip
from the holy grail and -
a humble pagan ***. i greet you at the airport, barefooted.
found you
talking to a cloud
in your blue sky *****. it was shaped
like an anvil cloud in your iris
watched as you forged
lightning bolts -
fit to hinge
heaven's
door.

we had the same flight at two different altitudes.

and i loved you more.
zebra Jan 2017
for some
their sexuality
is intimately tied
to curves and licks of pain
and their own
abject destruction
trussed, ornate
for a brutality
that accentuates
****** lucidity
in the dark caverns
of a perforceive mind
and o so willing body
which
like bruised piano keys
in a triumphant concerto
of ecstasy
aspires
to be played hard
like Rachmaninoff's
beaten ivories
finding immense pleasure
in constant crises
stretched
between the entwined
demand of desire
and the need
for a
a depraved ritual
of exquisite subservience
imposed
by an idyllic master

sweeten the world
my darling
honey machine
industrious slave
bend my beloved
like the weighted ridge pole
are you ready to break
oh princess
of cruel inflictions
that intoxicate
with onerous dark thrills
the sway of your writhe
where pleasure is piqued
by perfect suffering

blood glitter paradise

she beckons
from hells shadowed doorway
enter my love

enter
Mateuš Conrad Nov 2015
the section in question is as mentioned in rachmaninoff’s
vocalise (op. 34 no. 14), first some symbology of numbers
in relation to kant’s thesis:

in a sequence
                                 (end)                                             (beginning)
                                           1, 2, 3, 4, 5, 6, 7, 8, 9, 10

   upon reaching 1 and
subsequently              0,

i find this to be unsatisfactory in terms of the kantian
equation 0 = negation,
unless there be an affirmation of non-negation, the use
of zero would have to take the form of coordinates,
thus the sequence would be as above but it would end
thus: (0, 0, 0) - given that the above sequence can be
seen a linear, given that it might reflect the essence time,
ending the sequence with 0 would only provide
“the end of time,” hence the need to change the whole
sequence ending with the other essence, space - and thus
the loss of negation, given from the beginning (0, 0, 0)
the following sequences are provide:
(1, 1, 1), (2, 2, 2), (3, 3, 3) (x, y, z), etc., which is the affirmation
i was looking for - movement in a three dimensional space,
the only other affirmative possibility is by ending the
sequence with ∞, which is transcendental positivism
aligned with ending the sequence with (0, 0, 0),
and not transcendental negativism of merely using 0;
nonetheless, this is my introductory fascination
as on offshoot of what is about to be translated
(i can't read philosophy in english, hence this translation
comes from a translation of german translated
into polish and now translated into english) -

antonyms of pure reason
the third conflict between transcendental ideas

                     thesis                                                  antithes­is
causality in agreement with the          freedom does not exist, yet
laws of nature isn't the only                 everything in the world happens
causality, from which all                      only according to the laws of
phenomena can be explained               nature.
in the world. for explaining them
it is also necessary to accept the
(self-accomplishing) causality
through freedom.

                    proof                              ­                                 proof
let us accept, that there is no other     accept, that freedom exists in a
causality other than the one in            transcendental understanding of
agreement with the laws of nature;    the word as a particular type of
thus everything, that is happening     causality, according to which
appropriates a preceding state, after  events in the world could take
which its next successive state is         place, namely the ability to begin
not sheltered from a certain rule.        in a way that's absolute of a
                                                              ­    certain state, and also in the
                                                                ­ same way, its series of successive
                                                     ­            *implications.
[February the twenty-seventh]
My hair is unwashed and here is blood in my spit.
There is *** on my shirt, requires care to notice.
I have a headache and took two chewable aspirin.
My hand on my cock!
Five, say, ten cumshot salute!
Ready, Aim, Shoot!

I played with a toothpick, pushed into my gums
whenever the professor looked quizzical.
I pick my nose whenever I'm sitting,
smeared where -I can, -it sticks.
I can feel bits of mud, gravel on scalp
between hairs. Been digging, you see.
Sand in the bed, too. Gets in on the feet.
Feels like ants. I walk in from the site.
I feel armless, a little regretful I started
writing this.

-Took vitamins
-Did reading
-Call parents
-Get sleep

When Carter woke up I hadn't even closed my eyes yet,
had'm locked dead on the grain woman on my screen,
hand beneath the blanket--But oh, how the sun came in.
Carter couldn't move at all. He was sitting on that one.
There.
I knew I was going to die that day, sometime,
did when I opened the shade and Rachmaninoff's
op. 14, №6 You Are Loved By All played. I didn't, now,
but I might have a kidney stone.
Micheal Wolf May 2017
Tonight I was painting my dads garden planters. I built them for him last year. At 85 he is too old to bend down to ground level. So I decided to raise his garden up three feet. Now he has immense pleasure in being able to garden again. While I was painting away listening to music he came out with a cuppa. I was listening to Rachmaninoff. His 2nd piano concerto. I love it. Dad used to play it to us when I was a child. Brings so many good memories back. He stood listening and said that's beautiful who is it. At that point I thought how cruel growing old is. One of his favourite pieces of music and he didn't recognise it. I was about to say come on pops you must know this then I saw the look in his eyes. As though he was in his youth hearing this masterpiece for the very first time. His mind decades in the past. At the end he raved about it. I said what it was and he processed the thoughts and said yes I have it played by the man hinself on an LP. Then tells me John Barry used it in the Movie Somewhere in Time. His brain now full speed ahead.
We have good days and bad days in lifes journey. Dad and I have had to many bad ones of late.
But I learned something from him again tonight. Always remember ..
We are all just somewhere in time.
Use that time wisely.
SCHEDAR Sep 2022
My soul has lift off,
the slow tempo of
my breath suddenly
boundless

My drums perforate
surrounded by a
universal register of
beats and measures
rolled into a mysterious,
melodic constellation

Dashing across the board
my fingers feverishly frisk
for the keys
of
Mozart, Prokofiev,
Rachmaninoff

With hammers and strings
I scale the sounds
of perfection
while properly perched
in front of
Grandma's Pianola
pretending to be
composed
Childhood memories of my Grandmother's player piano
matt nobrains May 2014
I'm a dulled edge,
getting dressed, put on your shoes
and sit on the couch, waiting
for the love of your life to come
walking in through the door, singing.
but she doesnt come,
fate stood you up.
no smiling face to greet you,
no reason to get up, to bathe,
to leave the house,  to cook,
to get angry, to feel anything.
the nights are long and full
of drinking with whoever can pass a
bottle. beer. wine. pouring *****
in the wine. blowing half your check
at the bar one night,  and the
other half the next.
and I keep thinking 'where's she at?'
today I woke up early,
took out the trash,  smoked a cigarette
watched the sun rise for a while,
turned on the radio, they were
playing Rachmaninoff, turned the
radio back off.
let the cat chew on my beard for
a while.
I've done just about everything,
what else is there?
so I drive to the store. grabbed
a little basket and put in
soap, two apples, an onion,
buy the wrong kind of cornmeal.
some kale and mushrooms.
instinctively buy some things the
last one liked (I'm terrified I'll never
be able to break that habit).
drive home put down the bags.
start taking out the contents and
looking at them,
placing them methodically on the
table crowded with paper and
***** dishes and crumpled
beer cans
and I stare at the sink
full of the same
and then I look at the
floor covered in garbage
and finally to the kale in
my hand.
"my god," I said to the kale "this
is how suicides happen."
I put it down, smoke
another cigarette and watch
the tree growing in the
courtyard. it'll be here after I'm
dead, one of the ugly stains
left in my wake.
Onoma Apr 2020
at unevenfall The Usuper snaps

open a stripped black umbrella, anticipating

an ocean of rain.

downed hard, underneath his half-bit face, Bacon's

1946: "Painting".

layed down for the groundswells of buoy bells.

his heavy footed dance discombobulates

the chest of tides, thickened to molasses.

clawing inlets that flash the Stygian

wounds of his sands.
Jamie F Nugent Jun 2016
She thought to herself,
"What if I am tired
Of living in a dream.
What would it be like
To wake up and
Everything stayed as it did seem."
She needed light
For that was the way she dealt,
Though truly she felt
That eyes look more beautiful
In the dark,
For then you can not see
How much they lack a spark.
The more of herself
This moment is taking,
Inside she is surely not making
Anything worth keeping,
Only a future that is breaking.
The thought of this
Always leads to her shaking.
Will they ever come back to this place?
The light shines now on a figure
She swore she could trace,
Which she knows will ruin her heart,
Yet she loves the way it makes it race -
How that beating-heart of hers
Rushed swift like some
Rachmaninoff Concerto,
How that mind of hers,
Waltzed around the room,
Not-knowing where to go,
Into those arms, and just
Linger there like an overnight
Stay at a luxury hotel,
And she will go and come,
Like waves on the naked shore,
Swelling toward tenderness,
The sun is forever orange there-
Now the figure is in focus,
Rushing her off her soles,
She never asked where -

- Lola Rose & Jamie F. Nugent
Write a letter to yourself and where you think you'll be in eight years time,
the therapist told me it would unlock something in me and so I wrote that letter and put it under the clock on the marble mantelpiece.

Today at five forty three it occurred suddenly to me
that the time had come,
so I opened the letter
and read,

you will be listening to Rachmaninoff
or 'jacking off'
still slacking off
and backing away from today

okay
that's where my head was then
incapable of projecting

protected in a cocoon
wrapped tight in darkness
outside the back of but
soon and how the way then
is not now.

I suppose the writing was a good idea
even though
my head was up my rear
and shows me that not
everything is a tragedy
not everything
is about me
but
it should be,
ha
only joking.
Ramona Davis Dec 2019
Anorexic branches of weeping willows
Get played by the wind
A hungry man pushes milk on a trolley
Strolls by corpses for their sins skinned.
All this shines under morning rays of Melancholy.

Soft sounds of Rachmaninoff
Make nature in frames move
Holy is the feeling of freedom
Every escape of mine freedom does approve.
All this shines under morning rays of Melancholy.

Silver collars of workmen
All washed and left to dry
Empty parks and streets get haunted
As years go by.
All this shines under morning rays of Melancholy.

Hordes of suits pour in crimson rooms
Stacked with greed
From floor to roof
Indeed fast they run when they smell the truth.
All this shines under morning rays of Melancholy.

Shadows go around
Green dies and again is reborn
Every year with even less sound than before
Corpses still hang, God wants more

And all this shines
'Till one day it sets on fire
Burnt is the last proud buyer
Melancholy stands still, stopping to admire
Then walks away, She understands;
The world has expired.
Mateuš Conrad Jun 2018
i don't know why this conclusion hasn't arrived...
two outlets: prostitution and cooking...

there i was sitting for a whole day
paralysed by: something's "wrong"
   trying to see how far i could shove my head
up my *** to spot an ostrich...

before?
       amongst other things...
       online publishing?
              bit of a farce, isn't it, considering
the principal of ©...
    namely that, of all html outlets of
self- or otherwise publications,
  wattpad and only wattpad has
    an actual copr. in the code...
namely the inability to ctrl c through
to ctrl p...
        one ******* website!
       among the giants of publishing
which... apparently do not have any,
                        any! copr.!
so much for any prestige being gained
having words printed under:
vanity fair, e.g.

but then i started thinking about dinner,
for a while,
   ****** off 3 times to fine art (Bronzino)
and jada stevens and abella danger and
that's your pop culture, right there...

before thinking about what to cook...
****... haven't cooked a risotto for a while,
i remember my uni. flatmate used
to cook that **** all the time...

    oddly enough i even bought non-alcoholic
wine because i liked its pale colour...

and... some rachmaninoff on the radio...
gently adding the ingredients,
cooking from a butter rather than
olive oil base...
       sometimes simply frying,
but then suffocating the meat under
the lid to add tenderness...
       wondering about the amount of
scrubbed nutmeg...
   the double cream just at the end
or before the chicken broth to allow
the rice to slurp the moisture in?

after...

                  1 hour's worth of cooking
is probably worth 20 hours' worth
talking to a psychiatrist,
       or at least half an hour with a *******...
maybe even less...

     but i'll give it half an hour
considering that's how the "lowest of
the low" sometimes tend to charge...
  like it was ever about stamina,
or looks, or: yeah, sure,
   i really wish i was *******
the *****-types...

                        but an hour's worth of
cooking is probably worth 20+ hours'
worth of talking to a psychiatrist...
         chestnut mushrooms,
pork, just a hint of bacon,
                      definitely parsley rather than
basil...
   autumn theme: basil wouldn't
get past this mixture...

                    if they say that music
sooths even the savage beast,
                   n'ah...
                                cooking...
music these days can actually
    excites the cultivated man and makes
him... a meathead...
   so yeah...
                         you have the ratios.
BELOIT CAFE

by

TOD HOWARD HAWKS



For Vicki Whitaker



Chapter 1

"Two eggs, over easy, double hash browns, and coffee, black," said Sally.

"Got it," said Leo.

Leo was Leo Lottman. He was also a genius, but he never cared about that. He had been the cook at Beloit Cafe for six years. He had gotten the job just after he had graduated from Beloit High School. He was 4' 9" tall, so had to see the whole cafe through the small crack in the right wall.

"Order up," yelled Leo.

Sally came over to pick up the order and took it to her customer. The other waitress was Mildred. Both had been working there for 10 and 12 years respectively.

Both Leo's parents had been killed in a car wreck when he was a junior in high school and had to spend his senior year with his uncle. He easily could have won a scholarship to KU, but having been socially shunned all his growing up, he was content to live a private life.

Leo got a job at the Beloit Cafe as a cook. He also rented the room above the kitchen. He loved classical symphonies and reading books on American history, as well as other subjects. The only person who never shunned him was himself.

Beloit is a small town in north central Kansas with a population of 3,400 citizens. In it is the Kansas Industrial School for Girls. On occasional Sunday afternoons, he had gotten permission to go there and talk to those girls interested in the history of the United States.

"Oatmeal with raisins, buttered white toast, and a large glass of whole milk," yelled Meredith.

"Got it."


Chapter 2

After the Cafe closed, Leo slowly climbed the stairs to his room.

The first thing he did was to put on Rachmaninoff's PIANO CONCERTO #2. Then he was ready to absorb himself in all things American. He had already read Howard Zinn's A PEOPLE'S HISTORY OF THE UNITED STATES OF AMERICA. For example, Leo knew that eight men who became President of the United States also owned slaves themselves. George Washington had owned slaves and Thomas Jefferson, the man who wrote "We the People," owned more than 600 slaves. Now he was exploring and enjoying poems written by American poets.

Take, for example, Frost's MENDING WALL, Leo might say.

"The lines I enjoy most are (1) "Something there is that doesn't love a wall" and (2) "Before I'd build a wall/I'd like to know what I was walling out or walling in."

Provocative, Leo thought.

"Or let's examine Emily Dickinson. She wrote a poem titled "I'm Nobody - Who are you?" I think the title tells everything you need to know who she was, a brilliant, but secluded, woman. Lived virtually her whole life in her bedroom. She wrote often about death, probably because she was slowly dying within. I don't think she was ever loved."

"Walt Whitman--let's take a look at him through his poetry. I think Walt Whitman was the emotional antithesis of Emily Dickinson--wide open, not shut as her bedroom door was. I see Whitman as the first American hippie. After you read I SING THE BODY ELECTRIC, read LEAVES OF GRASS.

Leo was getting sleepy. Who wouldn't be after spending hours on his feet?


Chapter 3

"French toast with maple syrup, two lightly poached eggs, bacon, and a cup of coffee with cream," said Sally.

"Got it."

There seemed to be a lot more people coming in to eat breakface this morning. At 4' 9", Leo could see whichever waitress was leaving an order, but could not see the full cafe, which was why he often looked through the small crack to the right in the wall. In a way, this was a metaphor of his life.

Leo was thinking about what he would talk this coming Sunday afternoon at the Kansas Industrial School for Girls. Probably American history, but he was also thinking about a fellow named Tod Howard Hawks and the many poems of his Leo had read and liked on the Internet.

Among a number of Hawks's poems he liked were SOLITUDE AND GRACE, I WRITE WHEN THE RIVER'S DOWN, and SIMONE, SIMONE,
Leo had read all of Hawks's poems, over a thousand of them, as well as his aphorisms and essays. He had also read his novel, A CHILD FOR AMARANTH, which Hawks had posted on the Internet, which meant people could read it for free. Leo admired Hawks's magnanimity, but he wanted to pick 10 more of Hawks's poems to share with the girls.


SOLITUDE AND GRACE

I will wander
into wilderness
to find myself.
I will leave behind
my accoutrements,
memories of medals,
of past applause
and accolades,
accomplishments that
warranted degrees
and diplomas
portending future
successes. I like
who I am, who
I have become. No,
I love myself, and that
is my greatest achievement,
the acme most men
are blind to as they
mistake wealth for worth.
Most would say
I will be lonely,
but they are wrong,
because I will always be
with my best friend ever,
my real self. And I will
share my joy with
squirrels and rabbits
and deer, with bushes
and broken branches
and brush, with rills
and rivulets and rivers,
with rising and setting
suns and countless
stars coruscating in
night's sky, I will say
prayers to piles of pine
and sycamore limbs
that once were live,
but now make monuments
I worship. I am at one
with all I prize. My eyes,
even when they are closed,
see their beauty. I know
I will be blessed forever.
I lie on my bed, Earth,
and wait to join all
in solitude and grace.


I WRITE WHEN THE RIVER'S DOWN

I write when the river's down,
when the ground's as hard as
a banker's disposition and as
cracked as an old woman's face.
I write when the air is still
and the tired leaves of the
dying elm tree are a mosaic
against the bird-blue sky.
I write when the old bird dog,
Sam, is too tired to chase
rabbits, which is his habit
on temperate days. I write
when horses lie on burnt grass,
when the sun is always high
noon, when hope melts like
yellow butter near the kitchen
window. I write when there
are no cherry pies in the
oven, when heartache comes
like a dust storm in early
morning. I write when the
river's down, and sadness
grows like cockle burs in
my heart.


SIMONE, SIMONE

Simone, Simone,
I'm all alone.
Simone, Simone,
I'm all alone.
Simone, Simone,
please come to me
and bare your breast
for me to rest
my shattered heart
upon a part
so soft and warm.
Simone, Simone,
I'm all alone.
Simone, Simone.


Chapter 4

"Ladies, it's nice to be with you again," said Leo.

"This afternoon, I'd like to talk a bit with all of you about the beginnings of our country. After that, I'd like to share with you some poems written by a very talented fellow.

"Our Constitution of 1787 ratified slavery with the 3/5th Clause, thereby making slavery legal in all 13 nascent states. My question:  How can you reconcile slavery with democracy?  My answer:  You can't. Slavery is anathema. It is immoral. It is repugnant. The child of slavery is racism that permeates our nation today. People whose skin is black are still being discriminated against to this very day. The period from 1890 to 1920 saw more lynchings of Blacks than during any other comparable period. The grotesque fact is that eight men, eight presidents of the United States of America, were slaveholders themselves. George Washington was a slaveholder. Thomas Jefferson, our third president, who wrote the preamble WE THE PEOPLE, owned more than 600 slaves. This is how our "Democracy" got started, which I find repugnant.

"Now I wish to share with you a number of poems written by Tod Howard Hawks."

SOUTHWESTERN KANSAS

When you fly to southwestern Kansas,
you see a different kind of Kansas.
The land is flat,
the sky big and blue.
and the folk, the common folk, well, they get along.
The common folk get along in southwestern Kansas.

On a ranch down near Liberal,
the black night roars
and the wind is wet.
All are happy tonight, for there is rain
and tomorrow the pastures will grow greener.

In the morning when the sun first shines,
the tired hands
with leathered countenances
and gnarled fingers
awake in old houses
made of adobe brick
and slip on their muddy cowboy boots
and faded blue jeans
to began another day of long labor.

On the open prairie made green by rain,
tan and white cattle huddle together
munching on green grass and purple sage.
A new-born calf bawls.
Her mother, a Hereford cow,
is there to care,
and the baby calf ***** her belly full
of mother's milk.

About 60 miles to the north,
and a little to the west,
the sun stands high in a blue sky
dotted with little puffs of white.
At noon in Ulysses,
folk eat at the Coffee Cafe;
Swiss steak, short ribs, or sweetbreads
on Tuesdays
with chocolate cake for dessert.

The folk, the common folk, well, they get along,
the common folk get along in southwestern Kansas.
They got a new high school and a Rexall drug store,
a water tower and a drive-in movie theatre.
They got loads of Purina Chow,
plenty of John Deere combines,
and co-op signs stuck on almost everything.
And they got a main street several blocks long
with a lot of pick-up trucks parked on either side
driven by wheat farmers
with silver-white crew cuts
and narrow string ties.

Things are spread out in southwestern Kansas.
A blanket woven of green, brown, and yellow
patches of earth sown together by miles of barb-wired
fences spread interminably into the horizon.
Occasional, faceless little country towns
distinguished only by imposing grain elevators
spiraling into the sky
like concrete cathedrals
are joined tenuously together by
endless asphalt streaks
and dusty country roads,
pencil-line thin and ruler-straight,
flanked on either side by telephone poles
and wind-blown wires
strung one
after another,
after another
in monotonous succession.

But things, things aren't too bad in southwestern Kansas.
Alfalfa's growing green
and irrigation's coming in.
Rain's been real good
and the cattle market's really strong.
The folk, they got the 1st National on weekdays
and the 1st Methodist in between.
The kids, they got 4-H clubs and scholarships to K-State.
And Ulysses, it's got all the big towns got--
gas, lights, and water.
So the folk, the common folk, well, they get along.
The common folk get along in southwestern Kansas.



THE WAY THAT WINTER COMES AT ME

The way that winter comes at me,
as if a stranger from a side street
cold and dark accosting me. I turn
my collar up. He hollers, "You, there!"
Faster I walk, fear chilling me,
a lamp post but a grey ghost in the fog.
This ****, winter, mugs me. He hits me
in the face with frozen fists. He grabs me,
stabs me in the side with knives
of ice, slices at my heart, the home
of hope. Supine, frost forming on
my brow, I pray to boughs of willow
trees:  pines will sing my elegy. My mind
drifts like snowdrifts:  a mitten lost...
fingers, nose, toes frostbitten...
a lake of isolation...a sleigh with no
horse...a blizzard of insanity.
My blood thaws the frozen ground,
then freezes.



GOTHS AND VISIGOTHS

I read of Visigoths and Dark Ages,
nomadic tribes, enormous rage
toward an empire falling,
fires and fleeing,
a desire for being
eternally at rest.
We walk through the ruins
of our empire romantic,
fires still burning,
a yearning so fierce
it's piercing our hearts.
The Franks and the Vandals
and Visigoths dismantle
the art and the ardor
we knew before the fall.
The walls have all crumbled;
that is all I remember.
The Ostrogoths have dismembered
the love we once shared
a millennium or so ago.
I am leaving the ruins
of my own Middle Ages,
turning the pages
of my own darkened soul.
I am solely my sage now,
trying to engage now
the vestige of happiness
the rest of my life.



A STILL LIFE

Pardon me, sir.
May I borrow
your squalor
for a photograph?

I love
the repetition
of those wrinkles in your brow.
Hold it, please.

The contrast
of your black skin
against the white plaster chipping
is marvelous.

When I
get them developed
I'll send you a print,
They'll look great in my portfolio.

Thank you
and your wife
and your eight kids
for this pose in poverty.


A DEEPER NIGHT

In the night
there is a deeper night,
in sorrow, a deeper sorrow,
in your sorrowful eyes more
sorrowful eyes I descry,
the deep night of your eyes
as I lie beside you, your head,
then your head lying on night's
pillow, deeper than a hollow hole
filled with tender tears as you tell me
of the night, the deeper night of your life,
your hair wet with deeper tears
on night's side of your visage
when you had to leave your son
to save yourself and him, a hurt
the still hurts, a deeper night hurt
you share with me through deep night
sobs, deeper sobs, wetting your checks
and neck and night hair, the hurts
the deeper night hurts that robbed
you of yourself and him, of how you
had to go in order to return, the sinuous
path, convoluted and constrained,
to leave the night to be able to come back
in the day. All I could do was to hold you
and let you sob and shake until you finally
saw the brightest sun in your heart.


MOON OF CHERRIES BLACK

Cherries black by water
flowing, berries blue,
the hue of Father Sky.
Bluffs and buffaloes
a long time ago, the
Great Spirit permeated
land and lives. Eagles
flew in hearts of men;
honest words were spoken then.
No token treaties, no entreaties,
arrows flew like truth to hearts
on antelopes. No interlopers,
no antebellum prairie schooners,
no sooner had they come than
bison hooves were no longer
heard. They herded red men
and women and children like
chattel. Wild dogs knew better.


SILVER SPOONS

Some people love their silver moons,
China closets in velvet rooms,
hand-rubbed walnut round pearls of glass,
antique notions to preserve a past,
while others love their silver moons,
orange sunsets, October tunes of bluebirds
sighing through sunburnt skies,
green fields soft where lovers lie.


IF I COULD MOUNT A MOUNTAIN

If I could mount a mountain
and ride it to the sea,
I'd gather up the waters
to make a bath for thee.
I'd rinse your hair with violets,
your ******* and thighs with myrrh,
and as you rose I'd cover you
with strands purple, silver, gold.
If I could garner galaxies,
I'd make for you a ring
and ring it round your finger
for eternity.  I'd call on all
the continents to make for you
a bed, a majesty of meadows,
white billows for your head.
And underneath the tapestry
God wove on Heaven's loom,
with love and lust I'd plant my
seed in your soft and sacred womb.


THE BUTTERFLY SONG:  A Lullaby for Katie

Tell me why, oh butterfly,
do you fly so high.
Tell me why, oh butterfly,
high up in blue sky.

Tell me, pretty butterfly,
with your wings of gold,
are you as kind and gentle
as I'm always told?

Tell me, golden butterfly,
will you come to me
and light upon my shoulder
to keep me company?

And when night falls, my butterfly,
please let your golden wings
illuminate the darkness
until the bluebird sings.


WHAT DOES IT MEAN TO SUFFER?

What does it mean to suffer?
Is it better to buffer ourselves
from turmoil, or does the oil
of hate and hurt serve some purpose?
Are we animals in some circus,
parading like elephants inelegantly,
passing through wire hoops?
We tire, we droop.
Are we poor men in soup lines,
hoping for salvation,
fed with propitiation?
Our faces show no elation:
they grow ashen.
Shall we cash in the bonds
our mothers never gave us?
Love's dearth has thus enslaved us.
Just put us in our graves and
let us live in Mother Earth.


The girls and Leo had a long, trenchant exchange for almost two hours. Leo found it exhilarating. The girls had never engaged others in their regular classes as they had that Sunday afternoon.


Chapter 5

Leo was listening to the 2nd movement of Beethoven's 7th Symphony while
he was reading about the "TRAIL OF TEARS" and President Andrew Jackson.

We, the white people, were the first immigrants to what became known as the United States of America, Leo thought. All the people and politicians can't see that, right?, pondered Leo. Are they simply dumb, or are they being duplicitous? Actually, Leo thought, this was a genocide of what we now call Native Americans.

The INDIAN REMOVAL ACT was signed in 1830 by President Andrew  Jackson. 60,000 Indians of the "five civilized tribes":  the Cherokee, the Muscogee, the Seminole, the Chickisaw, and the Choctaw nations. Over the course of this diabolical walk from the southeastern states to what is now Oklahoma, it is estimated that 16,700 perished from diseases and murderous conditions, as as well as anti-Indian racism. Those groups that "helped" the Indians keep moving along included the U.S. Army and state militias. Forced displacement, ethnic cleansing, and mass murders, among others, kept these human beings moving westward allowing the United States of America to aggrandize more land west of the Mississippi River.

Leo lay on his bed for a long time. He had finished listening to Beethoven's Seventh Symphony and was now enjoying Dvorak's NEW WORLD SYMPHONY. But the longer he lay there, Leo wondered if Dvorak was dreaming of a new, budding world, or whether he was listening to the preamble to a demonic future. Leo knew the hydrogen bomb was like the atomic bomb, only a thousand times more powerful.


Chapter 6

Leo remembered General Philip Sheridan said in the 1860s "The only good Indian is a dead Indian." Every time Leo saw Hotah come into the Beloit Cafe, Leo thought of Sheridan and almost puked. Hotah, a Lakota Sioux, was a little older than Leo, and over time the two had become friends. Hotah had grown up on the Pine Ridge Indian Reservation, the poorest place in the USA. The drug addiction, alcoholism, and rampant poverty drove Hotah off the reservation, down through Nebraska, and into north-central Kansas where he made for himself a home of sorts for himself in Beloit. What the two had shared was a life of pain and intelligence.

"Leo, hello," said Hotah.

"Hotah, it's good to see you. How have you been?" said Leo. "Just a minute. I have a few more supplies to stock," said Leo.

The Cafe closed at 8 pm. It was 7:45. There would be no more customers. Leo closed the Cafe every evening.

"There, that will do it. Like a cup of coffee?" said Leo.

"Sure," said Hotah.

Leo poured two cups of coffee. "You like your coffee black, right?" asked Leo.

"That's right," said Hotah. Leo drank his coffee with milk. "Pick a table and I'll be with you in just a moment," said Leo.

Hotah picked up the two cups and put them on a table close by, then sat down. Leo joined him.

"I'm thinking I'd like to drive back to the rez and wondered if you'd like to join me," said Hotah.

"I think I could work something out," said Leo.

The Wounded Knee Massacre occurred in the winter of 1890. Hotah's great-grandfather and nearly 300 other Lakota Sioux died in that slaughter. Each year Hotah made a pilgrimage to the cemetery about ten miles east of Pine Ridge to honor his slain great-grandfather.

A ceremony called "Ghost Dance" performed by groups of Lakota Sioux had frightened nearby settlers. A detachment of the U.S. 7th Calvary Regiment confronted almost 300 Lakota Sioux men, women, and children and after a rifle was accidentally fired, the massacre began. Hotah's great-grandfather was killed.

"Do you think we could make the round-trip in a week?" Leo asked Hotah.

"I think we could do that," said Hotah. "My old Honda should get us there and back."

"I've accumulated some vacation time. When do you think you'd like to go?" asked Leo.

"How about next week, say Saturday?" said Hotah.

"Things around here are pretty flexible. I'll ask tomorrow and let you know tomorrow evening," said Leo.

"Great!" said Hotah.


Chapter 7

"Good news, Hotah. Saturday will work fine," said Leo.

Driving from Beloit to Pine Ridge is not like drawing a vertical, straight line. It's a lot of zigs and sags. Hotah had made this trip many times. He could make this trip without a map. Travel time is between 5 to 6 hours. Once they got to the rez, the two could stay with Hotah's relatives, the Brave Bulls.

Saturday morning Leo and Hotah got into Hotah's old Chevy pick-up and headed northwest. A number of small Nebraska towns Hotah and Leo passed through. After crossing I-80, they stopped at a cafe in Philipsburg. Then they traveled through Breadwater, Alliance,  and a number of other small towns until they passed through White Clay, then into Pine Ridge. They had planned on meeting Hotah's older brother, Akecheta, and his two younger sisters, Macha an Whicahpi at Pine Ridge's gas station and convenience store.

Hotah got out of his pick-up, went over and hugged his brother and two sisters, then introduced them to Leo.

"Pleasure to meet you all," said Leo. Akecheta had suggested that everyone come over to his house, relax, chat, then have dinner.

"Well, this is my home," said Akecheta. "Welcome." It was mid-afternoon by now and Hotah and Leo were a bit worn out. They all went inside and found a seat.

"Coke or Seven-Up?" said Akecheta. He took all the orders, went into the kitchen, prepared the drinks, served them, then took a seat. "Here's some chips if you're hungry."

"Glad to have Leo with us. You and Hotah will be staying with me. The girls will be staying with their mom. Our parents are divorced," said Akecheta.

Leo was beginning to unwind. He was used to standing for hours, but not so used to sitting for 5 1/2.

The group was starting to feel quite comfortable with each other. Leo asked the girls which grades they were in and which subjects they were studying. He mentioned that every few weeks or so he met on Sunday afternoons with a group of high-school girls and spoke about different topics. Akecheta, it seemed, was a very good athlete. The Yankees were scouting him.

Turns out, Akecheta also was talented in the kitchen. He excused himself and finished making dinner.

"Anybody hungry?" said Akecheta. "Dinner's ready."

So what was for dinner?

Wasna:  A traditional dish made from dried meat, fat, and berries.
Vegetables and corn:  Wild vegetables such as turnips (timpsila) and corn.
Thahca: Bison meat served as roasted, stewed, or dried.
Frybread.

More than enough for everyone around the table, and delicious.

After dinner, the six sat around and chatted. Hotah and Leo were tired from their day's trip. The next day, the two were going to the Wounded Knee Cemetery. It was time to call it a day. Akecheta took his sisters home. When he returned, he found Hotah and Leo asleep.


Chapter 8

Hotah and Leo got up early. After eating breakfast, they quietly went  outside and got into the pick-up. The morning air was cool.

It would take the two a bit under a half hour to reach the cemetery. There would be no conversation as they headed toward the cemetery. Leo understood this trip was a prayer.

They reached the cemetery. Detritus, not rose petals, greeted Hotha and Leo. It met all who came to this sacred place to remember those who were slaughtered that frigid day--men, women, child--in December, 1890.

Hotha and Leo sat in silence. The spirit of thousands of buffaloes of the past could be felt. No sound but the wind could be heard. Hotha could hear cries, screams from the massacre of a century ago. His tears wet the dry earth.

The sun rose slowly in the blue sky. First Hotha, then Leo, slowly rose to make their way back to the pick-up. Cries and screams slowly abated as they headed home. Neither spoke a word.


Chapter 9

The Badlands were first inhabited 11,000 ago. The Oglala Lakota Sioux originally occupied all of the Badlands;  today they control a small section called the "Stronghold District," still a part of Pine Ridge Indian Reservation.

Hotah and Leo took a number of drives through what is now Badlands National Park. As they drove, they chatted.

"The indigenous peoples have really had it tough," said Leo.

"When we speak English, we call it "genocide," said Hotah.

"All these atrocities...." murmured Leo. "You would think by now that peoples who have superficial differences between them would see them by now as, well, "superficial." Instead, for millennia, peoples who are fundamentally the same find a reason to **** each other. That's crazy, isn't it?"

"I think "crazy" is a sane word to describe the situation you're talking about," said Hotah.

"You know I like to read history. Let's see if I can name a few," said Leo:

"ANCIENT TIMES:  Assyrian Empire (900-600 BCE) known for their brutality against those they conquered;  Roman Empire (27 BCE-476 CE) various atrocities including mass crucifixions and the sacking of cities like Carthage.

"MEDIEVAL TIMES:  Mongol Conquests (1206-1368). The Mongol invasions led by Genghis Khan. Widespread destruction and mass killings;  Crusades (1206-1368). Religious wars. Much loss of lives on both sides.

"EARLY MODERN PERIOD:  Spanish Inquisition:  (1478-1834). Torture and execution of thousands accused of heresy. Transatlantic Slave Trade:  (16th-19th centuries):  Enslavement and transportation of millions of Africans to the America.

19TH CENTURY:  Congo Free State (1885-1908):  Exploitation and atrocities committed by the Belgians under King Leopold II.

20 CENTURY:  Armenian Genocide (1915-1923):  Mass killings of Armenians by the Otttoman Empire;  Holocaust (1941-1945):  Genocide of six million Jews by **** Germany;  Rwandan Genocide (1994):  Mass slaughter of Tutsi by the Hutu majority;  Bosnian Genocide (1992-1995):  Ethnic cleansing and mass killings of Bosniak Muslims by Bosnian Serbs.

21ST CENTURY:  Darfur Genocide (2003-present):  Atrocities committed in the Darfur region of Sudan;  Syrian Civil War (2011-present): Numerous war crimes and atrocities committed by various factions.

"How do you remember all of this, Leo?," said Hotah.

"Photographic memory," said Leo.

For the next few days Hotah, Leo, and Akecheta hung out in the latter's home. It had been a great time, but it was time to head back to Beloit. Hotah and Leo thanked Akecheta for his kindness and generosity, but the old pick-up was waiting patiently.


Chapter 10

Hotah and Leo got home on Saturday.

Leo was scheduled to meet with the girls at the Kansas Industrial School on Sunday. "I need to pick out ten more poems," he thought. Also, he needed to decide on which era of American history he would discuss with the girls.

Leo chose these ten poems by Tod Howard Hawks to read.

WHO WILL BE THE FIRST?

Who will be the first
to volunteer
to be poor, homeless, and hopeless?

Who will be the first
to live
with no love, hope, and will?

Who will be the first
to be
illiterate, ostracized, and forgotten?

Who will be the first
to suffer
enslavement, lynching, and death?

Let me be the first
to say
"This is not right!"

Let me be the first
to believe
"This is not honest!"

Let me be the first
to embrace
what's kind, generous, and caring?

Let me be the first
to love
you. you, and you.



WHAT IF WIND AND WHITE CLOUDS

What if wind and
white clouds blow by
without a sound to be heard.?
What if all hearts and souls
be one without red, yellow,
brown, black and white skins
What if one kiss is a kiss of all?
What if we miss these truths
throughout our hours? What if
love is all that matters as we scatter
through our myriad lives?



WHAT IF A POEM WELLS UP?

What if I sit
in a silent room?
What if I speak
only to myself?
What if I utter
no words? What if
a poem wells up inside
me unconsciously,
no trying need there be.
I think I should type it.


BUT I SHALL HOLD LOVE

For what is the most precious gem?
It is the blue diamond,
but I shall hold love.
And for what is the greatest wealth?
It is to own more than any other,
but I shall hold love.
And for what is the greatest honor?
It is to have all others bow at your feet,
but I shall hold love.
And for what is the greatest glory?
It is for one to be remembered by all forever,
but I shall hold love.



WE HAVE MINED OUR MOUNTAINS

We have mined our mountains,
we have fished our seas,
we have felled our forests,
we have gathered our grains,
but we have not embraced
the infinite energy of our souls,
which is love.



A NATION, A NOTION

A nation, a notion,
Hegemony or honey,
A cruel ruler or a kind mind,
All for one or some for all,
Aggrandize, or wiser still,
Enough for billions,
Gentle hands for a broken heart,
Lavender love to assuage the pain,
Head on your pillow,
Alone in the dark,
No fear as sun rises,
A nation, a notion,
Take some lotion
And spread it
To dissolve
All borders.



TO SHED MY TEARS

I am sitting on the curb in late July between Al's
Barbershop and Harry's Hardware watching ants
making their way to the gutter where they disappear.
Busby, Nebraska is not a big town--in fact, it's not
even a small town--in fact, it's not even a town. It's
three blocks long, but Ethel's Cafe is open for break-
fast and lunch. And most importantly, it's on the
way to the Pine Ridge Indian Reservation located
in the remote southwestern corner of South Dakota
where I'm headed on foot. I've been to Pine Ridge a
number of times. Something calls me there from time
to time. Not sure what it is--kind of like a spiritual
whisper. Only got 23 more miles to get there. I walk
wherever I go--reminds me of Wordsworth's THE
WORLD'S TOO MUCH WITH US. I say I'm going
to Pine Ridge, but actually I'm headed to Wounded
Knee Cemetery, about ten miles east of Pine Ridge,
where so many of the Lakota Sioux men and women
and children were slaughtered, then buried, the
last massacre of indigenous people by the U.S.
Army in 1890. I sit on the ground and cry and cry.
The dry grasses soak up my tears as fast as they
hit the ground.



I WALK MORE SLOWLY NOW

I walk more slowly now.
The miles are longer than they used to be.
I know where I want to go,
but now I forget to turn left and turn right.
Here comes a pretty woman.
I say hello as she passes,
but I hear nothing.
I saw her, but I guess she didn't see me.
I walk by trees and flowers
that used to be green and red
and yellow, but now are grey.
I need to get my glasses fixed,
but I cannot find them.
I miss Shep, my dearest friend ever.
I hear him barking,
but he died a year ago.
I walk more slowly now.



I FEEL SORRY FOR YOU NOW

I used to hate,
but now I love, I
feel sorry for you now.
I feel sorry you
were never loved before.

You who loathe
and discriminate, I
feel sorry for you now.
I feel sorry you
were never loved before.

You who wish
that hell be black, I
feel sorry for you now.
I feel sorry you
were never loved before.

You who'd torture
and even ****. I
feel sorry for you now.
I feel sorry you
were never loved before.

You are humankind,
but still unkind, I
feel sorry for you now.
I feel sorry you
were never loved before.



I AM REALIZED

Life begins at conception.

For a human being to be able to love, she/he must first be loved, usually by
her/his biological parents, other times by her/his surrogate parents. If the newborn is not loved, she/he will suffer great pain, possibly even dying.

Most human beings do not receive the love they need;  thus, they will
unconsciously compensate usually in one or more than three ways:  accrual
of power, not to empower others, but to oppress them;  aggrandizement of
great wealth;  or achievement of fleeting fame.

If, on the other hand, they are loved, they will love all others throughout their lives, realizing their own personhood, which is their innate sacredness. If they are not loved, they will realize one or more of deleterious behaviors.

When all die, those who have realized their real selves will not have to return to Earth to live another life, because their souls have become pure love that bonds with the pure love of infinity, which is reality that has no form, no beginning, no end. They have become enlightened and will be so forever.

Those who did not realize their real selves will need to return to Earth in  new lives unconsciously to make another attempt to attain enlightenment.

Human life is an illusion, but because of love and self-realization, it remains nonetheless paradoxically the path to the reality of eternal love, which is God.

Know truth by untruth.



Chapter 11

Leo had just selected 10 more of Hawks's other poems to share with the girls this coming Sunday afternoon, but he also had to decide which era of American  history he would discuss with them. Finally, he decided on the genocidal period from 1860 to 1890 during which General Philip Sheridan is alleged to have said, "The only good Indian is a dead Indian."

Sunday afternoon came quickly. Leo enjoyed reading the poems to the girls and discussing with them the period from 1860 to 1890. But he was worn out and immediately returned to the Beloit Cafe, walked up the stairs to his room and lay on his bed and fell asleep instantly.

Monday morning, it seemed, also came instantly. By 7 am, Leo was ready to cook, and he did. And it was a long day. Most interestingly, that evening was the first time he saw that lady who came into the Cafe right before it was to close. Even more interesting was that the lady kept coming in every evening around the same time.  

"Have you noticed our new customer," asked Sally.

"Well, I've seen glimpses of her," said Leo.

"The interesting thing about her is that every evening she comes in, she's crying," said Sally.

"Crying?" said Leo.

"Yes," said Sally.

"Has she ever spoken to you, Sally?" asked Leo.

"Not personally, but she always orders the same thing. I think it's Swiss Steak," said Sally.

"That's right. Someone orders Swiss Steak every evening of late. It has to be her," said Leo.

After talking with Sally, Leo walked over to the crack in the right wall to see this mysterious lady. There she was, putting her handkerchief constantly to her eyes. I wonder what's bothering her, thought Leo.

The lady kept coming in every evening at the same time for more than three weeks. Leo kept checking her out every evening. Nothing had changed.

On Thursday evening of the fourth week, Leo did something that he had never done before. After Sally had placed the lady's order--yes, still Swiss Steak--Leo left the kitchen during working hours for the first time and slowly walked over to the table where the lady was sitting.

"I'm Leo Lottman, the cook. I'm concerned about you. Are you OK?" said Leo politely.

The lady was surprised the cook came over to her and asked if she were OK, but internally she appreciated his kindness.

"Your first name is Leo, am I right," the lady asked.

"Yes, you're right," Leo responded.

"It was very kind of you to come over and ask me if I were OK," said the lady. "By the way, my name is Julia."

"I didn't intend to interrupt your dinner, Julia. I haven't even cooked it yet--the Swiss Steak, right?" said Leo.

"My husband was killed in a car wreck," Julia *******.

Leo was stunned. "Oh, my god! I'm so sorry. My parents died in a car wreck when I was in high school," said Leo, his voice quivering. "I had to go live with my uncle. I suppose I need to go cook your Swiss Steak. And, by the way, don't feel you have to rush. I'm the only person working at this time of evening, so when everyone has eaten, I close the Cafe. I enjoyed talking with you, Julia. I hope to see and talk with you again."

"Leo, you're so kind. Your voice warms my heart," said Julia.



Chapter 12

Leo lay on his bed and thought about Julia. Tears and fears, a poem, Leo thought. Leo could relate to those two things. He thought some more. If Julia comes in tomorrow, I want to go over to her table again and just check in, Leo thought. And she is beautiful and nice, thought Leo as he continued to lie on his bed.

Leo had never interacted with a female until this evening. His heart was warmer, too.

He had been listening to Mozart's Symphony #40, which he loved. But as he listened to it this night, this Mozart's symphony sounded even sweeter. He was dreaming, thought Leo, even though he was still awake. And though he had cooked so many Swiss Steaks, Leo was thinking he'd love to cook them every night. Finally, he dozed off.

Morning did not come soon enough. Leo had never felt this way before, but this new morning Leo felt like he had never felt before. There was a spring in his step and a smile on his face. Leo was happy. He had never felt happiness before. There was something in the air that before was never there. This was great stuff, Leo thought...and felt.

Leo was almost running down the steps. He couldn't wait to start cooking. Eggs, hash browns, grits--whatever you want, thought Leo. Sally, one of the two waitresses, saw a different cook, a different Leo, than she had ever seen before.

Service at the Beloit Cafe had always been good, but as this day unfolded, Sally and Mildred had never sensed this level of happiness permeating the Cafe. Nobody spoke out about it, but it was palpable to every customer and staff. What was going on?, everyone thought.

Leo was extraordinary in flipping pancakes and frying bacon. Eggs--anyway you like them. Cereal--any kind you like. Coffee--we have the best. The Beloit Cafe was humming.

This workday was going by fast. The afternoon went by so fast, the staff barely noticed it going by. Leo felt he could run a marathon. Sally and Mildred were talking about seeing a movie together. If there were a dog in the Cafe, it would be running around tables and chairs. It might even have puppies.

Leo had been checking the time all day--about fourteen times. This time when he looked again at the clock, it was the magic moment. It was quarter to 8! And sure enough, Julia walked in and went to her table. As Leo and everyone else knew, there were no other customers coming in this evening and all the staff except Leo were gone. Eureka!  

Leo couldn't wait. After a few moments, Leo walked over to say hello to Julia.

"Good evening, Julia. How are you feeling tonight? I hope better." said Leo.

"Good evening to you. It's nice to see you again. I am feeling better tonight. Thanks for asking," said Julia.

"I'd like to chat with you a bit, but I know you want your Swiss Steak," said Leo.

"Don't worry about the Swiss Steak. It's not going to walk out of the Beloit Cafe," said Julia. "I'd enjoy chatting a bit with you, but tell me if you feel we're going on too long."

"Won't hesitate, but I am now a free man, if you will," said Leo. "My time is NOW my time. Where did you grow up, Julia?"

"I grew up in Steamboat Springs, Colorado. I'm not a great skier, but I do love the mountains," said Julia. "Where did you grow up?"

"I'm a hometown boy. I've lived my entire life in Beloit," said Leo, "But I feel I've been many places and done many things, because I love to read and listen to classical music."

"Oh, that's interesting, because I love classical music, too. Probably because, as a child, I took lessons and learned how to play the violin," said Julia. "Who are your favorite composers?"

"Well, I've listened to a lot of classic music by different composers, but if I wer
e stranded on an island far out to sea, I'd love to be able to listen to the works of Beethoven, Bach, and Mozart," said Leo.

These beautiful chats continued for several weeks.



Chapter 13

After this many chats, both Julia and Leo felt comfortable in each other's company.

Leo had decided to make a proposal of sorts to Julia.

That Monday evening, Julia came into the Cafe and sat down at her table. Leo came over to welcome her.

"Good evening tonight," said Leo. "How has your day been?"

"Just fine, Leo," said Julia. "And how about yours?"

"Well, the first thing I do every day now is to see if we still have enough Swiss Steaks. I have good news for you, Julia. We do!," said Leo.

Julia laughed.

Then Leo laughed, too.

"I have a question for you, Julia. Are you familiar with Beethoven's third symphony, Eroica?", asked Leo.

"Oh, yes, Leo, but I haven't listened to it for quite some time," said Julia.

"In that case, I have an invitation for you. Would you like to come to my room after eating another Swiss Steak and listening to Eroica? I have it," said Leo.

"Oh, that would be great!," said Julia. Julia never found out that Leo's invitation to Julia was the first invitation to a woman in his life.

"Well, I better start cooking your Swiss Steak now," said Leo.

Leo's heart was beating like crazy.



Chapter 14

Leo gave Julia a lot of time for her to eat her Swiss Steak. When he saw that she was finished, Leo walked over to her table.

"Well, Julia, how was your Swiss Steak tonight?" Leo asked.

"It was as good as all my other steaks have been," said Julia.

"That's good to hear," said Leo. "Are you ready to hear some beautiful music?" said Leo.

"I am now ready," said Julia.

"Just follow me," said Leo.

Leo walked across the room, then walked up the stairs to his door.
Before he opened the door and turned around. Are you OK after your hike?" asked Leo.

"I'm eager to listen to beautiful music," said Julia.

"Beautiful music coming right up," said Leo as he opened his door.

"This is my humble abode, Julia. I only have one chair and it's for you," said Leo. "Beethoven's Eroica, one of the masterpieces! Relax and enjoy."

Leo put Eroica on the turn table and turned the record player on. Leo sat on his bed. His heart was not pounding now. It was exuding serenity.

Beautiful music supplants all other feelings. Listening to Eroica was like relaxing in a warm pool. You didn't just listen to it. The music flowed through you. Finally, the music ended.

"That was so beautiful," said Julia. "Thank you, Leo, for sharing that with me."

"My pleasure, Julia," said Leo, then led her downstairs to the exit of the Cafe.

"Thank you, Leo, for brightening my life," said Julia.

"You're more than welcome," said Leo, his heart pounding again.

Julia walked home and Leo went back to his room, then lay on his bed, and before he fell asleep, thought this had been the best evening of his life.



Chapter 15

Leo and Julia continued their relationship. A number of times, Leo asked Julia if she would like to listen to other classical masterpieces. She said she would. After several months, Leo asked Julia if she would like to go out to a fancy restaurant for dinner. She said she would.  After that, they began on the weekends to go see movies. Julia invited Leo over to her home for dinner.
Then Leo and Julia decided to take a week's trip into the Rocky Mountains.
A year later, the two announced to the Cafe's staff they were engaged. A year after that, Julia and Leo got married. And a year after that, Julia gave birth to a baby boy.

In life, you never quite know what's coming next. For Julia and Leo, it was love.
Donall Dempsey Jun 2022
ANY ONE VOWEL OF THE SINGER'S CHOOSING

The photo freezes
us into

this exact
instant.

Yet leaves out
the intense heat.

We locked into this
kiss forever

happening in colour
frozen in B&W.

Curiously there are no
insects in this

photographic world.

Yet so many
on that "then."

We are at once badly
smitten & bitten.

Our friend's song
also is not

captured
as the world stops

for just that
instant.

Her naked voice
stripped of words

her vocalise
tangled amongst

sunlight and leaves.

A fingerprint in purple
paint( added years later )

is not visible
on this

day of days
a thing tangible

as a soul
made visible

in deep purple.

The photo also fails
to convey

your lip's softness

the kiss's smell
of Chardonnay & menthol ciggies.

Sweet sweat
trickling into eyes wide open

our breaths
mingling.

I take in all
the photo elects

to leave
out.

The kiss
hidden now

by death...
...the death of days

and that infamous
famous purple fingerprint.

*

Vocalise, Op. 34, No. 14, is a song by Sergei Rachmaninoff, composed and published in 1915 as the last of his "Fourteen Songs", Op. 34. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.

Ha ha...I just like the phrase...it is the instruction to the singer and I had only heard it sung on an O so my friend was doing A...I...E...U...and Y versions for me! All this singing floating about as the camera goes click in the middle of a kiss and we are trapped in a b&w forever. It was going to be called WHAT THE PHOTO LEAVES OUT but I'm much more pleased with its present title! Singers tend to do "O" versions mostly! Although there is a theremin version!

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