and yes, very much a niche concern, my laptop broke down
   and i'm forced into the box room, albeit not ramped
out with Nabokov's Switzerland lodging:
at a hotel in the Alps catching butterflies and Lolitas -
i've finally matured in my likings -
but let me tell you, it has been painful
adjusting to the upright sitting:
lost the slouch and the quickie
crow-on-a-windowsill with a whiskey
sharpshooter and then a tornado cascade
into the lesser concept of a blank page and that famous
nothing of philosophers... i love the lesser critique
of Heidegger, my grandfather bought me
a 25 volume worths of interest,
and Heidegger stood out foremost,
primarily because of a peculiar surname,
i later learned that he was the German
that would eventually make Wordsworth
pointless in picking up the lyre,
with so many books i had to realise that
i needed a partner akin to walking through
Dante's epic,
              i could have chosen Ovid, but esp.
Horace, but i didn't choose Virgil or Homer,
a blood German peasant... but also
a pheasant, which means auburn peacock...
oh sure, you get familial ties with people
of the world, people who made either their
forenames or surnames akin to the nouns
as familiar as stars chairs and smoked ham rumps...
perfectly akin to everyday familiarity of use...
i wasn't worn in Warsaw or Krakow -
if i were, i probably wouldn't have left the natives,
but living on the outskirts of that great capital
doesn't necessarily impress:
in all honest edict contraction: i feel debased
travelling into London (central), ***** and ******
out my mind...
       i guess this means two more years rereading
Heidegger's being and time
                               after purchasing his ponderings ii - vi
from the years 1931 - 1938;
yes, my family was directly affected by **** Germany,
not in concentration camps, on the frontline,
so why would i be sopping over a **** familiar
in the realm of philosophy?
       a. public intellectuals don't exist in England,
    English doesn't like philosophy,
         proof
                  ?    b. Shakespeare - peer in on shaking
a pear and
                      the dancing of a retired circus bear dancing.
     c. that's Pythagoras, we leave him in the Pascal gambit.
i just think it's a shame that i have this massive
democracy in my room, and i'll end up with something
akin to a Quran -
                              again, why Heidegger?
i don't know, it could have been that Czech Kundera -
     or Kafka, it could have been Seneca,
              but all these writers are city dwellers,
Heidegger was a quasi-villager pseudo-city-dweller,
i find foxes and deer and dead badgers in my little
promenade escapades, also Satanist black masses
with the framework of in excelsior satanis! -
and lightning that strikes but no thunder is heard...
less for the sons of thunder: the 12 hot-air balloons,
it's very much Germanic in Japan with
feng shui or otherwise known in the peninsula as qi
     kee.
                      then there's the **** of the haiku
by the west and me answering: let's make ensō -
smoothed out narratives, ecstatic variation from
     thinking and away from moral decisiveness
in that activity of perpetuated choice-making -
                how clearly thinking extends into narration
rather than the Cartesian
                 precipitation of thought into being -
nope: from thinking into narration
          juiced-up enclosure of "zoological" tightening
with ensō: beefy haikus.
          but what i really find problematic?
the interpretation of Heidegger's concept of dasein
as coupled with ecstasis.... our ex-stasis...
                  with da meaning there
               you can pretend to be "happy" about protests
across the world, and wars and other turbulent
activity...
                   what i am proposing is what Nietzsche
prompted with sum ergo cogito,
         in that the real ecstasis is concerned with being
allocated to a here, and therefore a hesein -
the interpretation posits the ecstasis there
when Heidegger originally posits concern there,
     or as he encodes: "concern"
                       meaning the dittoing puts him in a safety
of the here, it's the ecstasis of not being there,
but here in the present as the ecstasis, and there
     of some abstract venture as being beyond his command
of attributed dynamism of being involved,
for he's not involved. give me an hour and i'll be
in the countryside: we have that weighty countryside mentality,
farmers talking ******* when stacking hay
and laughing with the grammar Nazis when
    people go to the gym but teach their brains
the flab that the brains actually are: primarily spongy fat -
     apart from typos, it's the case
                                           (it is the case that)
   i don't (do not)
                               much concern myself from English
slang of piano (Joanna)
           and the outright **** (Pakistani),
               cos there was no sine                  when people
overacted toward the tan of me swallowing vowels and
replacing them with shortcuts to prop'ah Cockney,
oi oi, ******, bruv! brush up! this bus to school is
mingy with the throng!
                          who ordered the sardines?
        Stendhal is still the love of my life... i can write
enough complexities with Heidegger, but my love
resides with Stendhal... who would have thought
that a film adaptation would make me eager to read the book
(the scarlet & the noir)? Peter Jackson knew, as did J. R. R.
but it comes from the musings,
          once i do the Kantian critique a one over
the missing yawn and what's actually the most underestimated
arithmetics of wording rather than number circus
         or replicas of taxman rubrics:
after enough chemistry, favouring the organic and
later becoming endowed with a palette for Indian cuisine
well: philosophy books are the worded versions
of mathematics in terms of jumping the burning wheels
of 1 + 11 = 12        and          i contemplate
                                            but what's the = and the 12?
it's so ****** open, i could have invited a hundred thieves
to porose a car-boot sale at my house.
but all this, which might seem like self-love,
    it's not about that...the French intellectualise
and have them public because they talk beautifully -
                  the English?
they sing...
                               the Germans are morose and silent...
        the Spanish are simply the onomatopoeias of *******
and the Italians are seen and heard licking their fingers
after enough basil is added to tomatoes...
   i'm still banging on about the apathetic interpretation
of dasein, rather than the ecstatic version popularised
by the scholars...
                                 the version that reads:
if a tree falls in a forest and there's no one to hear it fall,
does it make a sound? that's my interpretation of
dasein / being there / being "there"....
                          a.                          b.
                       concretely            in abstract,
we already know that the abstract of being is nonbeing
or that things are abstracts of nothings with identifiers
of being used, without actually being touched:
i can say that i see a chair without actually having
to sit on it.
                    i was thinking simpler though -
olly murs' heart skips a beat and someone of the major
tracks by one direction...
             when i reference myself to these tracks
i'm being ecstatic, in the dimension of hesein,
                  like da, shortened purposively from the
authentic hier / here in german....
              why am i ecstatic in the here?
   because i don't have to be concerned in the realm of da /
there, where my opinion "might" matter...
                   but really doesn't...
                             which is why i don't understand
this interpretation of dasein meaning ecstasis -
                           or ex status quo....
                                               as already suggested -
our moral obligation toward language is to provoke
a Minotaur to become an architect of our venture in
using language, away from the market place...
into forests, into depths that have no justification
for being imagined, or as such diagnosed as ever being
there and established to planning permission and norms
of established caricatures and cleanly undertaken
shallowing and hollowing out from them being furthered.
i should be sad having trodden such a path
for myself, but i feel a kinship with this German,
come on, what consolidated the Kantian
dichotomy of a priori and a posteriori as in
   or must not philosophy a fortiori poeticize beings?
should not be conversed with from a wholly
anti-intellectual dynamism suggesting a personal
historic aversion of what's otherwise ethnically ******
without suspicion in terms of cultural tact?
again: nothing - which is higher and deeper than nonbeing(s)
(i ensure the ambiguity of the plural, if only
due to the fact that nothing is
    kindred of a definite article - the -
                          and ensures a translation as nonbeing,
while nothing in a quality as in nothingness
            kindred of an indefinite article - a -
         and ensures a translation as nonbeings, the plural,
ambiguity and throng -
   perfect offshoot that's already known as a-
           and -the         with a missing -ism).
yes, language ought to resemble something less
instructional, certainly less capital / monetary,
and more of a preservation of ambiguity and subsequently
myth... or what otherwise concern themselves with
in the hustle and bustle of a public life: integrity,
                                ulterior of the personal sphere of interests:
the person per se;
       and the apéritif (a'per-teeth)?
                 for lack of diacritical insurance, the English
are constantly in need of a tongue-map for waggling it
prop'ah:
                    the Chelsea y'ah
or the Cockney wa'er                - t t t.
                mind you, that's related to the trilling of the R
(originally intended as a trill) and subsequently lost
in the Germanic ethnic cauldron: hark the French and
cipher the English curling the tongue making the R curled
rather than trill - my idiosyncratic fascination aged 8.
  i thought i ought to end this with a thought about
what's a universal maxim in psychiatry
  in England in terms of a standard prognosis:
patient A has lost touch with reality...
      that's the prognosis, the diagnosis: dialectics of Gnostic
teachings? anyway, that's the standard,
that a person has lost touch with reality... what a great swindle!
     y

there was a point in my life
my whole world revolved around you
I could only think of you and I needed you close
every single thing made me think of the memories
we have made together, the smiles and tears we shared.

after a while things had changed
you had changed, or maybe it was me
the people always needed me more than they needed you
it was my way of life to live in my own world and be myself
you were always jealous of it and I never understood why

I became a child of the dark and you choose the light
from that day you looked at me different
no more spark in your eyes, it was disgust.

autumn came
the leaves let go of the tree
they left the save place they called home
and so did you

by: William A. Marshall


I stepped off the world
today,
off the broken streets
that winter has damaged
and municipal assessments
off the political gluttons
and performative marks
off the know-it-alls
and wild dogs roving around
with their ****
noses in the air
it’s not pretty
they cover what they don’t know
so that they look good
I head back down the dark hallway
to get a more primitive angle
off of privileged confidence
they are vulnerable
basic caretakers pursuing opulent corsages
to free them from their anxious quotas
and ******* rules
telling me how to wipe my ***
and how to use baby wipes
jointly acting like they run things
from their phony utilitarian bus stop
and cutting-edge applications
their personal band plays a cheerful tune
in the background
as they search for a bigger
advantage and more likes
even though we all share the same horror
youth is about mistakes
and making money
and choices with one eye here and now
the other eye on prevalent professions
students and maintenance men
bureaucratic puppets and academics
farmers and auditors
sales greasers and coaches
writers and board members
somewhere they end up there
carrying a liability
and it creates a vibration in my foxhole
but right in here baby
deep down within me
inside my tomb
I transfer to a silent
place away from
rambling rotting fungus
I step off of it
not always methodically
and then back into faults
and louse packs
I can only assume my rock
that sits in my hole immobile
next to the ****** candy wipes
unless I push it up ontic peaks
nonbeing begins to doubt me
and grips part of you so don’t
think that it doesn’t
I cut it with my knife
obliquely
finding unfortunate contagions
and courage down in the vault of silence
it is there or it isn’t
it is what keeps my will interested
far from the ones moving rashly
without it you would leap from bridges
through minefields I remember
a certain detachment
an uneven and sick progression
paperwork and a number with
a D affixed to its file
the ceiling became the nightly norm
this plastic vacuum-packed
wedding gown made of white silk
made weird noises
in the back of my closet
like it was weeping
the kind of dress
only worn once
it smelled like her that closet
retelling me each time
I opened the private door
making fake crinkling sounds
an icon of pure young tenderness
love expense and faith
eventually cooked and burned  
but it is too early
those individuals that gloat in pictures
and dream about their prince
they are busy playing with
their hair and organic shoulder bags
driving around in furnished cars
the uncorrupted ones
constant courses to come and
subsequent interviews
nailed skintight dresses
soon to be colored sweet red
with danger competing
well you had better feel lucky
because when you plunge into
future swamplands
incompetence and repayment
of what to do with it
and how then to
fill up your cup
without spilling it
all over your soul
don’t tell me how
to live my **** life
now is your time
to reason and shake imperfection
interruptions
over and over
those that listen to your intrusiveness
false performances in chic coffee shops
it is not sustainable there
but you play the part to maintain
your chair in the cooperative
you will miss it
neglecting real evil
because you were talking too much
maintaining your image
Bradbury whispers
from the counter,
“You can't make people listen
they have to come round in
their own time wondering
what happened and why
the world blew up around them
it can't last.”
and numbness above nightly cocktails
distracted dub tracks
ultimately attending
hectic personnel meetings
in drenched swamps
spinning with heartless ***** jobs
unconcerned about safe comforts
two things balance them out
people and things
all part of it out there in the world
and they approach like a train
suffering shocks
unemotional images in chambers
some actually never return
from the beatings
but this isn’t the end
this is a commencement
for me
the forecast is water-resistant
they hurry snatching their
body spray and shower gel
on mirrored reflections
that scowl back at them
all alone there
in their glass steeple
family photos
thinking they have nurtured something
more than endless gossip
and ****** strains
much more important now
bent into independence
pausing with the approaching sunrise
as it splashes powerfully
inside their speculations
pride doesn’t care
if you think you are not puffed-up
at all you are
who in the hell are you kidding?
nothing to cling to
essential oilskins and manuscripts
credit problems
and autobiographical *** packed expressions
corner office windows
and diplomas
behind high-back chairs
trying to copy Sunday magazine’s
hottest statement
to fill up their life
a reminder just who the comics are
but it does not register
until that day
when it becomes intolerably vile
beneath wreckage
and burnt ruins
they find his
caring donation
clinched in the saviors grasp
jutting through burning garrisons
there is no truth more senior
than this truth here and now
but they can’t all be imparted
in this culturally planned folklore
I see them
when I am walking away
from the insulated bubble
down the street
like recruits in boot camp
and zealously rich parents
who send their youngsters
with luggage and loans
nearby like idols
salesman explaining things
as they nod like they are approving something
perhaps autonomy
from fathers and mothers
who stand with them astutely contemplating
the whole arrangement
they stare at the marble floor
I observe the run-through
the glittery entertainment
and documented departments
for happy pilgrims
who are insulated
for now

re·li·gion /riˈlijən/  noun
1. the belief in and worship of a superhuman controlling power, esp. a personal God or gods.*


i grew up with no god or religion
never have i meet someone
that wanted to shove a belief
down my throat like hot iron
and told me if i believed
i would be saved

i spent life boundless
by your gods
but found myself roped
dragged in by this undocumented
goddless belief of true love
and soul mates

i spend my days praying
to this undisclosed nonbeing
hoping that one day i will find
this thing they call true love
that will sooth this heartache

I’m from the normal neighborhood,
You’ve got those strange neighbors, who visit you from time to time,
Their names were Fear and Death.

You’ve got those good friends, who live just around the corner,
Their names were Ecstasy and Wonder.

And you’ve got that one best friend, who lives at the other end of town,
His name was Insanity.


I’m from the Future, but also the Past,
Never the Present,
A sliver of time so thin, no being could ever grasp it,
And no nonbeing could ever create or destroy it.


I’m from somewhere I have never traveled.
A place my eyes have never witnessed,
A place only my mind has ever reached.

If you want to go there, too,
Just close your eyes and wait,
Don’t even wait,
Just let it slowly drift in and settle down.

When it does, you won’t even realize,
Just know you will be overwhelmed with joy,
And you won’t even care if Tomorrow begins without you.


I’m from “If you’re wrong, admit it,
If you’re right, shut up.”


I’m from shadows by moonlight,
From fire by love.


And nothing’s gonna change my world, cause
I’m from Across the Universe.

Oh Yorick, you little crunchy skull, tell me, baby,
answer all the questions in "Blowing in the Wind"
on pacifism and what-is/how-to-be a man, please

and then play the piano while I lie on the lid of it
and let's sing the blues about being and nonbeing
and get drunk on scotch, as old as little young me

and the places, faces, and names we've forgotten
all while my rusty-stringed guitar gently weeps,

and geese run in droves over my grave, shivering
up and down my spine as my ears just burn alive

with the sword of death on a frazzled dried string
hangs over our heads to remind us we are young

we must not waste a second of life with "frivolity"

we are young, dead, all roguish,
we are real, but not broken--yet!

In the hearth of all and none,
there stood two-
Who were as one
In the hearth of all and none
There stood two-
who too, where none

Both, like eyes, to a thought not yet thought
The two stood there and were-
And yet at the same time- were not
But one awoke, and in awaking bore thought
And from then on the thought of not,
Was there, and forevermore, all but naught

The other, angered by the thought
Stood and and found his brother awake
And from there the birth of twins
Of blindness and seeing, of knowing and sleeping
He was thought, life, existence and being
He was not, death, nonexistence, nonbeing

And the awoken named himself Palcion, meaning infinite
And from there he ran across the none and brought being
From here to there, he brought what, whos, hows, and wheres
And he named his brother Retisbon, which pertained to limit
And he followed his brother- picking up the things he made and left
All his whats, whos, hows, and wheres- stripping them of being

And then Palcion grew tired, and went to sleep on his brother’s lap,
Retisbon, still awake, guarded his brother in his slumber-
And in his slumber, he stripped all his creations of being
Upon Palcion awakening, Retisbon then grew tired, falling too on his lap
Palcion, then awake, guarded his brother in his slumber-
And in his slumber, he thought to continue to make and make

Retisbon awoke, across his brother now, who then was busy making-
In front of Palcion, all he made, which Retisbon thought of breaking-
He made, he broke- he gave being, and he stripped them of it-
And so the myth of  Palcion the Infinite, and Retisbon of the Limits-
Being made into all, and all soon stripped of being- the first of all natures

And from this came time,
And from that came worlds,
And from there all that will ever be in it.

In my house, the sunlight inhabits all the rooms,
which makes me think that I am someone important.
At the window, I fall into the slumber
of the nonbeing of everything I see.

I have only the sunlight on my face and arms. I am sad,
like a man who never leaves his house,
yet knows we live in a world of stones and trees
and has no use for the hastened moves
we call friendship.

by Constantin Abaluta, from It Might Take Me Years, An Anthology of Poetry

Let me immerse myself in you.
We'll trade sweet nothings and believe them to be true.
I want the full experience;
don't hold anything back.
The concrete to crumble underneath the abstract.
Your pattern overlaid onto my nonbeing.
Can you glimpse the nonthings I can't believe we are seeing?
Incredible vibrations of our bodies in synch.
I want to hear every cell of your wrought body sing,
and swim in the depths of the futures to come.
Right now our two separate souls are but one.

Amidst the wreckage wheels spin in place
The billowing smoke it suffocates
It's just a nightmare
Or at least that's what I'll say
So close your eyes and just drift away

In nonbeing maybe you'll feel whole
When reality doesn't even seem real anymore
& Your dreams and hopes they wash ashore
Distorted and morphed, my amour in the morgue

Find me in the far East with a bow in hand and a tree at my feet and a deer fleeing to the sunrise. I hope to find a way to escape the sun before it overtakes me. The deer seeks light. I seek nonbeing. The tree has been destroyed. The North still governs where I set my feet.

Find me upon layers of ice with an ax in hand and a mammoth at my feet, buried under a million years. I cut through a thousand and then a hundred thousand and then I’m there and my ax is cutting into ancient, frozen blood and my own is flowing and I am dying a million years ago. Snow begins to fall. The million years ago meets the now and I have an adequate grave.

Find me in a casket six feet underground with a rope around my throat in case I escape again. It’s happened twice. This time, when I wake, the rope will secure me and I will not be able to dig myself out. This is good. This is what my family wants. It makes things easier. It’s good.

Find me awake in my casket, hands ****** and lips bloodier. I kiss the silk lining of my coffin and the rope cuts off my breath and my claws cut through the rope and I push forward and wet soil falls into me. It is raining. I escape the graveyard in my white and red and brown suit and I hide in a trash bin before they can find me and **** me and bury me again. This is the eleventh time I’ve escaped. It is the last. My veins are filled with preservative and it is colder and drier but I am alive and that’s all that matters. The sun comes soon. I’m not ready for it.

Find me on desert sands with a rope in hand and a horse nearby, thirsting for the river a mile off. I am mesmerized by an image before me. It shows an island. My mind tells me that the island is where I want to be, so I mount the starving horse and make my way to the island. I am clad in a white and red suit and the horse pales and they call me Death. They call me Death because I scare their children at night and I seek the island that harbors my dreams. I don’t know that the grains of sand beneath the hooves of my horse are lives.

Find me on that island and know that this is my destiny.

my body is melting
into a bath of nonbeing
my body is more,
my body is less

my hero fights my nemesis,
see them there!
they win.

while i am young it fizzles, so bright
and my dreams and muscles drawn tight

the outer layers are yet to be seen
but i will be silenced
by the order
of God.

there's a desolation

that's lost on place--

a distinct body of being

consumed by nonbeing.

the excised Heart of a

mirror.

a thinning air that draws lines

of transparency.

where if one's existence

is reflected--they will never

be seen or heard from again.

===============================
God lives with me in my family of ten, with kids and grandkids,
Faith of being and nonbeing is sharpened daily by active bids

Shadow cast few men to know the life after death as rat and cat
As jewels color reflects the glow of pigmented fireflies and bat

Written by
~~~Jawahar Gupta~~~