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"marquees" poems
There's a Poet who dreams of a Gateway to Heaven Not some cold austere Gate bolted and closed in your face As if to say "Clear off! You're not wanted here anymore" But instead a lovely warm welcoming Gate   A brightly colourful Gate with lots of bunting and ribbons on it And a big banner over the top announcing "Welcome Great Poet" It'd be a bit...a bit like Noddy in Toyland And there'd be all these pretty young girls with bowls in their hands Spreading rose petals on the ground for me to walk upon A beautiful path laid out before me, a carpet of sweet scenting loveliness And there'd be other boys and girls there too strumming lutes and harps Like beautiful critics... singing my praises Inside the Gate it'd be like this wonderful Park With lovely flowers and shrubs and trees With marble fountains and statues and quiet flowing streams With radiant kids and beautiful people and  lovely marquees like as if you were attending some wonderful party or banquet, And then you'd hear a bustle in the hedgerow But it's only a bunch of publishers vying with one another Trying to get my signature on a multi million dollar contract Suddenly ahead of me there'd be this wonderful magnificent throne It'd be offered to me... offered to me as my true place... my true home And then a man would come and he'd humbly bow and kneel before me He'd be offering something to me.... Why! It's the Nobel Prize for Literature I'd smile and say "Ah shucks guys sure I was only doin' a few rhymes... and a few stories".
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Apr 26, 2023
Apr 26, 2023 at 2:55 PM UTC
Gateway to Heaven
There's a Poet who dreams of a Gateway to Heaven Not some cold austere Gate bolted and closed in your face As if to say "Clear off! You're not wanted here anymore" But instead a lovely warm welcoming Gate   A brightly colourful Gate with lots of bunting and ribbons on it And a big banner over the top announcing "Welcome Great Poet" It'd be a bit...a bit like Noddy in Toyland And there'd be all these pretty young girls with bowls in their hands Spreading rose petals on the ground for me to walk upon A beautiful path laid out before me, a carpet of sweet scenting loveliness And there'd be other boys and girls there too strumming lutes and harps Like beautiful critics... singing my praises Inside the Gate it'd be like this wonderful Park With lovely flowers and shrubs and trees With marble fountains and statues and quiet flowing streams With radiant kids and beautiful people and  lovely marquees like as if you were attending some wonderful party or banquet, And then you'd hear a bustle in the hedgerow But it's only a bunch of publishers vying with one another Trying to get my signature on a multi million dollar contract Suddenly ahead of me there'd be this wonderful magnificent throne It'd be offered to me... offered to me as my true place... my true home And then a man would come and he'd humbly bow and kneel before me He'd be offering something to me.... Why! It's the Nobel Prize for Literature I'd smile and say "Ah shucks guys sure I was only doin' a few rhymes... and a few stories".
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26
I am wading out knee deep into the evening's drinks. I let my eyeballs take a dip as my wallet plays the breaker. You'd think the woman had tourettes the way she tries to wink. She flirts no better than the sisters who oft walk god's acre. Maestro, another! A black suit hammers ritzy tusks somewhere across the bar. The waves upon the wires lap across my eardrum's shore. My lonely, daydream doll is finally called off from afar. I'm far too low and far too blitzed to enjoy another bore. Maestro, another! When I recall how we met, I transubstantiate my veins with hopes to find a fertile mound to plough to rude degrees. Too many furrows to recall, but still your name remains. So, still I hunt for lonely moths who dance beneath marquees. Maestro, another! Why does every truth align with all the stars at night only to scatter just as broken glass when morning breaks? Every wholesome oath I swear to cherish all my life melts with every dewdrop my lawn's unkept blades shake.
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Jul 17, 2012
Jul 17, 2012 at 3:05 AM UTC
When I Recall How We Met
I'm a tool pondering skyscapes. Fondling a memory Left behind On sunset marquees. It raced into the horizon like A toad on the road. A neon dream waving farewell. Exploring mindsets: An act in caressing Bloodbath tesseracts. A roundhouse rollercoaster, Spinning at velocity of perfume Hitting nasal perforations. Core memories surface along spine cutlets, No longer intrinsic Doubt. I'm settling for more. Time is a moment Too long to endure. Hindsight is A parson's lake passage; A mad monster yet to be tamed; A grain of salt to a fresh wound made; Moments of grace from a fake great ape. Blue morons slide Into Mormon jovial footsteps. Derided ice forestry into King's cloaked ancestry. A sad fisherman sailing Ceaselessly out to sea. And yet here I am Talking to you, Eyelight through obelisks In hotbox barricades. Hiding behind A past of newspapers. Headline reads 'ONLY DEVINE' 'TRADE REIGN WARNS JEWELS' 'PRINCE THREATENS ECONOMY ... AND CROWN.' Wipe the frown, Draw the sword. Don't be ignored anymore.
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Aug 22, 2017
Aug 22, 2017 at 5:17 PM UTC
Momentary Overture
You and Judith sang in the choir at the Major’s daughter’s wedding and after you walked along to the house and gardens where the reception was being held where there were marquees for food of various kinds and a huge beer tent where there was champagne and beer and wine and soft drinks and lemonade and she said I will never have a wedding like this and she glanced around at the marquees and the people in their fine clothes and large hats and waitresses walking with trays of drink maybe not you said taking two glasses of champagne   from the tray of a passing waitress not with the money my dad gets from farm work she added taking the glass you offered her and sipping and you watched her lips and how they worked the crystal glass and her fingers holding the stem as if it were a gold gem worth more than her father earned in a lifetime but I can always pretend she said and placed her arm under yours and walked you forward over the grass we can always pretend it’s our wedding day and these are our guests and over the way in the entrance of one of the marquees Hill stood with his schoolgirl girlfriend Shirley both supping the bubbly him in his Sunday best and she in a pink and white dress and her blonde hair and stockings and white shoes and you said would we invite Hill and his girlfriend or Tidy and his thick caterpillar eyebrows? she looked over at Hill and pretty Shirley and said we have to be generous when in love and it’s our wedding day and she lay her head on your shoulder and you watched the bride and groom over by the main marquee kissing and embracing and the people around them were cheering and as you both moved on she said where shall we go for our honeymoon? the south of France you said somewhere warm and glancing at the sky it carried a promise of a coming storm.
0
Aug 7, 2012
Aug 7, 2012 at 2:05 PM UTC
JUDITH AND A WEDDING DAY.
You and Judith sang in the choir at the Major’s daughter’s wedding and after you walked along to the house and gardens where the reception was being held where there were marquees for food of various kinds and a huge beer tent where there was champagne and beer and wine and soft drinks and lemonade and she said I will never have a wedding like this and she glanced around at the marquees and the people in their fine clothes and large hats and waitresses walking with trays of drink maybe not you said taking two glasses of champagne   from the tray of a passing waitress not with the money my dad gets from farm work she added taking the glass you offered her and sipping and you watched her lips and how they worked the crystal glass and her fingers holding the stem as if it were a gold gem worth more than her father earned in a lifetime but I can always pretend she said and placed her arm under yours and walked you forward over the grass we can always pretend it’s our wedding day and these are our guests and over the way in the entrance of one of the marquees Hill stood with his schoolgirl girlfriend Shirley both supping the bubbly him in his Sunday best and she in a pink and white dress and her blonde hair and stockings and white shoes and you said would we invite Hill and his girlfriend or Tidy and his thick caterpillar eyebrows? she looked over at Hill and pretty Shirley and said we have to be generous when in love and it’s our wedding day and she lay her head on your shoulder and you watched the bride and groom over by the main marquee kissing and embracing and the people around them were cheering and as you both moved on she said where shall we go for our honeymoon? the south of France you said somewhere warm and glancing at the sky it carried a promise of a coming storm.
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99
Pay phone change 48 hour flights waiting up to hear your voice monastery bells tolling at dusk words that are crisp upon the air war stories told many times over the blur of life on the other side of the window my cold hands kohl rimmed eyes light through blue stained glass lazy lovers nostalgic chord progressions that dress that you never wore watery footprints on the pavement the abandoned shoes on the telephone wire the marquees we'll never remember rose-tipped clouds the way he looked at her, as if it were the first time silhouetted palm trees and thoughts too small to be voiced
0
May 1, 2011
May 1, 2011 at 7:27 PM UTC
January Thoughts
I didn't know you would be here, Tilly's mother said, when she came in and saw us sitting on the sofa together. She stared at Tilly more than me. Benny just popped in to see me as it's my half day off work and we've had a chat, Tilly said. Her mother stared at me; have you offered Benny a drink? She said. No not yet, Tilly said. Well get him one then; I don't suppose he will want to hang around all day waiting for a drink. Tilly got up, and went to the kitchen. I was left alone with her mother, who sat down in her armchair still looking at me. Is it your afternoon off too? She said. No I work in two shifts; I go back to work about 5pm, I said. She looked at the clock on the mantle-shelf which showed 3.25pm. She nodded her head, and looked around the room as if looking for signs we may have been up to something(trusting soul). It is not any young man I would have here with Tilly, you know, I know your mother has brought you up to honour and respect girls, so I am trusting in your case, she said, looking back at me again. I was thinking about Tilly and me up in her room about half hour previously lying next to each other after having had *** a couple of times. That is nice to know, I said, that you trust me. She stared stiffly; her eyes narrowing. It is important that girls appreciate their virginity, she said. I listened out for Tilly; that she'd come back soon, and wouldn't put her foot in it as she nearly did the other time I came around, and her mother interrogated me. What are your prospects where you work? She asked. Prospects? I said. What are the future developments at your place of employment? She said. Upward and ***** I said. She stared at me. I ***** and pull down marquees, I said smiling. She did not smile back: and the future? What are your prospects? I have no idea, I said. She sat forward, and looked towards the kitchen: where has that girl gone? Visiting India to buy it? She said. I smiled; she didn't. After a few minutes, Tilly entered with a tray of cups and saucers for three, and set it down on a small coffee table in the center of the room, and stood up smiling. Done it, she said. You took your time, her mother said, where you been, India? Tilly stopped smiling, and sat next to me. What have you two been doing this afternoon? her mother asked. Talking about our school days, Tilly said. Is that all? Her mother said. Well we did talk about other things too, she said. I mean other than talking, her mother said. Benny kissed me once, Tilly lied. Her mother eyed me: is that all? Well maybe twice, I said. Her mother selected a cup and saucer and sipped from the cup, and stared at Tilly and not me. Virginity is highly prized in our family, her mother said, not until marriage is it to be relinquished, her mother said. I nodded, and Tilly went red.
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Jun 26, 2016
Jun 26, 2016 at 2:32 AM UTC
A WORD TO THE WISE 1965.
I didn't know you would be here, Tilly's mother said, when she came in and saw us sitting on the sofa together. She stared at Tilly more than me. Benny just popped in to see me as it's my half day off work and we've had a chat, Tilly said. Her mother stared at me; have you offered Benny a drink? She said. No not yet, Tilly said. Well get him one then; I don't suppose he will want to hang around all day waiting for a drink. Tilly got up, and went to the kitchen. I was left alone with her mother, who sat down in her armchair still looking at me. Is it your afternoon off too? She said. No I work in two shifts; I go back to work about 5pm, I said. She looked at the clock on the mantle-shelf which showed 3.25pm. She nodded her head, and looked around the room as if looking for signs we may have been up to something(trusting soul). It is not any young man I would have here with Tilly, you know, I know your mother has brought you up to honour and respect girls, so I am trusting in your case, she said, looking back at me again. I was thinking about Tilly and me up in her room about half hour previously lying next to each other after having had *** a couple of times. That is nice to know, I said, that you trust me. She stared stiffly; her eyes narrowing. It is important that girls appreciate their virginity, she said. I listened out for Tilly; that she'd come back soon, and wouldn't put her foot in it as she nearly did the other time I came around, and her mother interrogated me. What are your prospects where you work? She asked. Prospects? I said. What are the future developments at your place of employment? She said. Upward and ***** I said. She stared at me. I ***** and pull down marquees, I said smiling. She did not smile back: and the future? What are your prospects? I have no idea, I said. She sat forward, and looked towards the kitchen: where has that girl gone? Visiting India to buy it? She said. I smiled; she didn't. After a few minutes, Tilly entered with a tray of cups and saucers for three, and set it down on a small coffee table in the center of the room, and stood up smiling. Done it, she said. You took your time, her mother said, where you been, India? Tilly stopped smiling, and sat next to me. What have you two been doing this afternoon? her mother asked. Talking about our school days, Tilly said. Is that all? Her mother said. Well we did talk about other things too, she said. I mean other than talking, her mother said. Benny kissed me once, Tilly lied. Her mother eyed me: is that all? Well maybe twice, I said. Her mother selected a cup and saucer and sipped from the cup, and stared at Tilly and not me. Virginity is highly prized in our family, her mother said, not until marriage is it to be relinquished, her mother said. I nodded, and Tilly went red.
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155
I had forgotten the brilliance of the country night, it's firmament crystal bright, given all those years blinded by the city lights, the screen crawling marquees, the undulating neon, the flashing photon peep parades, the incessant gyre of emergency beacons, the try too hard candle dinners, better a distant star that reminds us who we are than the sun unmoved in one's back yard.
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Feb 12, 2011
Feb 12, 2011 at 11:28 PM UTC
Better a distant star
She looked at me through the bottom of a glass Crystal eyes and wet strawberry lips I looked at her through the bottom of the bottle Seashell dimples and wild dandelion hair A scarlet chest in exchange for a day in her sands Swing set smiles Between blistering footsteps And icy ocean kisses Undressed and drowning at the bottom of her bed Feeling like **** feeling ******* high Serpentine limbs beg me “Stay” Our own little mattress comedy Cast across the plaster in pale light They’re all so ******* domestic She kicks the chair from under me Abrupt masochistic compulsions Baptized in her holy see Smoldering marquees and lascivious repartee Let’s drink every drop of this satanic chablis Until the bottle’s empty Until we’re back at the bottom And you look for me And I look for you
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Jun 30, 2015
Jun 30, 2015 at 10:10 AM UTC
Bottom Out
Don't pray for me, in the back seats of interchangeable cars streaking interchangeable nights from here to the edge of manifest destiny, daydreams of sleeping cities on waking seas, whiskey shots in the crowded western fog, chain smoking deaths of mindfulness, of where it starts and where it ends, of friends pledging reverence to Halle Sellasie in wire framed lenses fogged by the afterthoughts of a failed drug test, by the curves of highways beckoning the sick to leave it all behind forever, while all the freaks in the freak kingdom watch Thompson's wave crash against the pier, waiting for the resurgence, the return of the feeling that shook the streets and forced the living to live, and the streets responded, hushed under the shadow of the marquees: This cannot happen on its own. The fight is not yet over and it never will be. Do not lay your arms to rest until they bury you in the rain. Embrace your human war. Leave your house. Make them hear you
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Dec 15, 2015
Dec 15, 2015 at 1:41 AM UTC
For Old Kentucky Radicals
The whir of the engine In the dark night Marquees blur as the car drives by Night lights flash and fade High on music Lights and sound Feeling alone in a crowded room Bodies all around Alive and loud but without a sound Booming beats Spreading numb Becoming someone I shouldn't become Unraveling in revelry The threads are undone
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Mar 20, 2016
Mar 20, 2016 at 8:52 AM UTC
Losing
This is where I work, I told Tilly. She followed me around the place. It was a Saturday; the place was almost empty. I had come to clear up a few things from the day before. You make marquees? She said. The women do, I just help, then go out helping to put up marquees all over the place, I said. Where abouts have you been? All over the place; did a racing stables the other week, some big wedding, I said. Not our wedding, then Benny? No not ours, I said. Shame, she said. I her showed the area we kept the canvas and ropes. Soft here to lie on, she said, touching a piles of canvas sheets. Guess so, I said. Anyone about? She said. A few not many, I said. Would they look for you if you were missing awhile? Who knows? I said. I'd take you home, but Mum's there today, and she'd only give another inquest into what we may have done the other week, Tilly said. I opened the door and peered out the passage way; all was clear, no one about, I said. She lay down, and I lay beside her. We kissed and hugged, and I touched her thigh, and she began to unbutton my jeans. Benny, Benny, are you around? a voice said from down the passage. I jumped up, and she tidied herself up, and I got up, and opened the door. Yes, you wanted me? I said along the passage. The manager stood in the doorway. Do you know what we did with the order book? I think I saw Joe put it in the green file, I said. Where'd he put it after that? The manager said. God knows, I said, maybe it's in the workshop. I'll look there, he said, and walked off. I went back to Tilly who was now standing in the room against the door. Has he gone? she said. Yes he was looking for the order book. I best go, she said. Ok, I said, and showed her the back way out, and she kissed me, and walked off. See you later, I said. She nodded and I went in. Almost made it, but no big sin.
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Jun 7, 2016
Jun 7, 2016 at 1:26 AM UTC
NO BIG SIN 1965.
This is where I work, I told Tilly. She followed me around the place. It was a Saturday; the place was almost empty. I had come to clear up a few things from the day before. You make marquees? She said. The women do, I just help, then go out helping to put up marquees all over the place, I said. Where abouts have you been? All over the place; did a racing stables the other week, some big wedding, I said. Not our wedding, then Benny? No not ours, I said. Shame, she said. I her showed the area we kept the canvas and ropes. Soft here to lie on, she said, touching a piles of canvas sheets. Guess so, I said. Anyone about? She said. A few not many, I said. Would they look for you if you were missing awhile? Who knows? I said. I'd take you home, but Mum's there today, and she'd only give another inquest into what we may have done the other week, Tilly said. I opened the door and peered out the passage way; all was clear, no one about, I said. She lay down, and I lay beside her. We kissed and hugged, and I touched her thigh, and she began to unbutton my jeans. Benny, Benny, are you around? a voice said from down the passage. I jumped up, and she tidied herself up, and I got up, and opened the door. Yes, you wanted me? I said along the passage. The manager stood in the doorway. Do you know what we did with the order book? I think I saw Joe put it in the green file, I said. Where'd he put it after that? The manager said. God knows, I said, maybe it's in the workshop. I'll look there, he said, and walked off. I went back to Tilly who was now standing in the room against the door. Has he gone? she said. Yes he was looking for the order book. I best go, she said. Ok, I said, and showed her the back way out, and she kissed me, and walked off. See you later, I said. She nodded and I went in. Almost made it, but no big sin.
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115
Take me to a miracle I asked of "no one in particular." Give me a philharmonic in the sky And a blazing talking bush. Let me see a virgin’s ghost and a lame man dance a jig. I’d like to catch the show just once before I flee this vale of fears! Then no one in particular chided me called me “vanity’s clown.” Still, I tried to call him out in the realm where words are born. I thought that if I could crack the code of how a vision breaks the void. or how a proud and callous tongue can raise a sanguine humor or how a toddler breaks the silence with his first astounding word, then I'd topple “no one in particular” from his lofty station! But alas I failed to own the source of a solitary thought or word or what it means to care or conjure or why I came to seek a miracle. A hidden voice from nowhere in particular gently slaked my feeble pride, “Surrender to each dawn and dusk; they're all the miracles you need.” December, 2007
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Apr 29, 2015
Apr 29, 2015 at 11:36 PM UTC
Miracles without Marquees
' *squashed cabbage leaves,  crushed petals, broken stems  strewn along grey slush  wind whisks cobbled street,  gravel crunches under  hooves and booted feet  rain-drooped marquees  whisper freshest gossip;  clock tower tolls on the hour* __________✒ ○● °
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Apr 30, 2015
Apr 30, 2015 at 4:31 PM UTC
a glimpse of market day
Next week royalty is coming to our Island just up the road a stones throw to the military cemetery men and lorry loads of seating and marquees have trundled past the window these past weeks. Everyone received an invitation I am told I must have slung it in the bin with all the other bin stuff that comes through the letterbox. The royals will arrive by way of helicopter everyone else will have to catch the ferry, make of that what you will. It will be broadcast on BBC television on Tuesday, if I have got it right. Of course the intrigue will get to me too much for me not to tune in. Its all to do with the Battle Of Jutland, or more correctly all those that lost their lives there. I wonder what all those young men were thinking when they realised that they were about to die.
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May 28, 2016
May 28, 2016 at 7:40 AM UTC
about to die