Back out of all this now too much for us,
Back in a time made simple by the loss
Of detail, burned, dissolved, and broken off
Like graveyard marble sculpture in the weather,
There is a house that is no more a house
Upon a farm that is no more a farm
And in a town that is no more a town.
The road there, if you’ll let a guide direct you
Who only has at heart your getting lost,
May seem as if it should have been a quarry—
Great monolithic knees the former town
Long since gave up pretense of keeping covered.
And there’s a story in a book about it:
Besides the wear of iron wagon wheels
The ledges show lines ruled southeast-northwest,
The chisel work of an enormous Glacier
That braced his feet against the Arctic Pole.
You must not mind a certain coolness from him
Still said to haunt this side of Panther Mountain.
Nor need you mind the serial ordeal
Of being watched from forty cellar holes
As if by eye pairs out of forty firkins.
As for the woods’ excitement over you
That sends light rustle rushes to their leaves,
Charge that to upstart inexperience.
Where were they all not twenty years ago?
They think too much of having shaded out
A few old pecker-fretted apple trees.
Make yourself up a cheering song of how
Someone’s road home from work this once was,
Who may be just ahead of you on foot
Or creaking with a buggy load of grain.
The height of the adventure is the height
Of country where two village cultures faded
Into each other. Both of them are lost.
And if you’re lost enough to find yourself
By now, pull in your ladder road behind you
And put a sign up CLOSED to all but me.
Then make yourself at home. The only field
Now left’s no bigger than a harness gall.
First there’s the children’s house of make-believe,
Some shattered dishes underneath a pine,
The playthings in the playhouse of the children.
Weep for what little things could make them glad.
Then for the house that is no more a house,
But only a belilaced cellar hole,
Now slowly closing like a dent in dough.
This was no playhouse but a house in earnest.
Your destination and your destiny’s
A brook that was the water of the house,
Cold as a spring as yet so near its source,
Too lofty and original to rage.
(We know the valley streams that when aroused
Will leave their tatters hung on barb and thorn.)
I have kept hidden in the instep arch
Of an old cedar at the waterside
A broken drinking goblet like the Grail
Under a spell so the wrong ones can’t find it,
So can’t get saved, as Saint Mark says they mustn’t.
(I stole the goblet from the children’s playhouse.)
Here are your waters and your watering place.
Drink and be whole again beyond confusion.

1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!

Alone, I sit with my feet
propped in front of the flames.
Heat pushes along the curve of my instep.
Bug spray coats my legs and arms, stickier
than sweat, which flows like raindrops down the back
of my neck, pools in the valley between my *******.
Even the air feels too warm in my lungs.

Games and night walks do not appeal
to me as I sit in stifling confinement without
a cool breeze to whisper relief.  Suffering the fire pit’s front
row seat wins over stretching my lips into insincere
smiles, watching, but absent, while
my friends talk of a life
I try to forget.

Snickers buzz up to my ears.
I lean my head back
as a whole pitcher
showers me with
arctic salvation.

THERE is a queen in China, or maybe it's in Spain,
And birthdays and holidays such praises can be heard
Of her unblemished lineaments, a whiteness with no
stain,
That she might be that sprightly girl trodden by a
bird;
And there's a score of duchesses, surpassing woma-
kind,
Or who have found a painter to make them so for pay
And smooth out stain and blemish with the elegance
of his mind:
I knew a phoenix in my youth, so let them have their
day.
The young men every night applaud their Gaby's
laughing eye,
And Ruth St.  Denis had more charm although she had
poor luck;
From nineteen hundred nine or ten, Pavlova's had the
cry
And there's a player in the States who gathers up her
cloak
And flings herself out of the room when Juliet would
be bride
With all a woman's passion, a child's imperious way,
And there are -- but no matter if there are scores beside:
I knew a phoenix in my youth, so let them have their
day.
There's Margaret and Marjorie and Dorothy and Nan,
A Daphne and a Mary who live in privacy;
One's had her fill of lovers, another's had but one,
Another boasts, "I pick and choose and have but two
or three.'
If head and limb have beauty and the instep's high and
light
They can spread out what sail they please for all I have
to say,
Be but the breakers of men's hearts or engines of
delight:
I knew a phoenix in my youth, so let them have their
day.
There'll be that crowd, that barbarous crowd, through
all the centuries,
And who can say but some young belle may walk and
talk men wild
Who is my beauty's equal, though that my heart denies,
But not the exact likeness, the simplicity of a child,
And that proud look as though she had gazed into the
burning sun,
And all the shapely body no tittle gone astray.
I mourn for that most lonely thing; and yet God's will
be done:
I knew a phoenix in my youth, so let them have their
day.

As if he had been poured
in tar, he lies
on a pillow of turf
and seems to weep

the black river of himself.
The grain of his wrists
is like bog oak,
the ball of his heel

like a basalt egg.
His instep has shrunk
cold as a swan’s foot
or a wet swamp root.

His hips are the ridge
and purse of a mussel,
his spine an eel arrested
under a glisten of mud.

The head lifts,
the chin is a visor
raised above the vent
of his slashed throat

that has tanned and toughened.
The cured wound
opens inwards to a dark
elderberry place.

Who will say ‘corpse’
to his vivid cast?
Who will say ‘body’
to his opaque repose?

And his rusted hair,
a mat unlikely
as a foetus’s.
I first saw his twisted face

in a photograph,
a head and shoulder
out of the peat,
bruised like a forceps baby,

but now he lies
perfected in my memory,
down to the red horn
of his nails,

hung in the scales
with beauty and atrocity:
with the Dying Gaul
too strictly compassed

on his shield,
with the actual weight
of each hooded victim,
slashed and dumped.

Just because they have disappeared
does not mean that
i'm clutter-free.

It's a cluster-free, a clusterfuck of ******* insanity.

My uncle left right after
my Grampa's funeral,
split like a chicken's *****,
"he's in the airforce
or some other human-processing factory,"
Ma would say to me.

My aunt mable,
dipped out
dripped out two kids
then split
like a pillsbury biscuit.

My aunt pat's mom,
left Aunt pat on Aunt FLo's doorstep,
in the sole of her instep,
stepped out on a kid
and a husband
with a left shoe,
the right one
was left behind.

My pops
was forced out,
I saw him drag Ma
through the halls,
saw him whip her face in
with the brass-end
of a leather belt,
everybody's face was leathery
when the cops came in.

There is a litany of disappearing faces
in my family picture, a litany
of the disappeared
who reappear
over thanksgiving and christmas dinners,
when we wax nostalgiac
or hurt
over turkey,
gravy,
and biscuits.

Over love
and how many are missing.

Anthea bade me tie her shoe;
I did ; and kissed the instep too:
And would have kissed unto her knee,
Had not her blush rebuked me.

My long two-pointed ladder’s sticking through a tree
Toward heaven still.
And there’s a barrel that I didn’t fill
Beside it, and there may be two or three
Apples I didn’t pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples; I am drowsing off.
I cannot shake the shimmer from my sight
I got from looking through a pane of glass
I skimmed this morning from the water-trough,
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and reappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
And I keep hearing from the cellar-bin
That rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking; I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall,
For all
That struck the earth,
No matter if not bruised, or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it’s like his
Long sleep, as I describe its coming on,
Or just some human sleep.

sweeping over, under
streams me into humble yearning me you me
cosmic accident renamed
in fullness found, an instant birth rebirth along excitement's wonderment

why is it that those lines you share exact
the very beat my being was before i knew it as it is?
those words are tender arrows
painful tips of beauty shone

these lips have given that eternal kiss before
your instep scent instilled from lung to spinal arch
roots can spiral chaos of this love for all
i care, there is no end to order forming you me you

a bright flame to crystallize in time, shatter lust beneath our nails

endless endless vibrant moan, i hear you once again
beneath the grass the union hums
a sameness of delight in sameness seeded by another unknown love
when perhaps we were of other forms
and spiraled in a sun akin to throbbing star remembered there

It was just a little test for myself
Sometimes I like to do that, throw little challenges here and there
I wanted to see if I could do what most girls fail at
I wondered if I could spend the night with the cutest guy in school and not get attached
A little drugs, a little drinking, the rest of the night together making memories he wouldn't remember

But I woke up in the morning and left, freaking out
I picked up my clothes and tried to put them on silently so I wouldn't wake him up
I didn't want him to be angry
He truly does have the most beautiful face I've ever seen
Before I snuck out the door left ajar,
I peeked back at him
I'd never seen his hair product-less and messy like that
I'd never seen his face so far away, thousands of miles in dreams and thoughts
This man who drank and swore and didn't seem to have any soul at all
Then looked to me like a beautiful, vulnerable child

I knew I had to get out before the feelings came so I ditched that room as fast as possible
I hopped over unconscious bodies still recovering from the haze of the previous night's party
I finally found an empty recliner
And dozed off

I woke up two hours later in a fright
I was in a room full of people I didn't even like
Why did I go to that party anyway
Those were not my people
Drugs and drinking were not my thing
Oh, now I remember
It was his birthday party
He who held me like a baby after a night of acts that would make any mother cringe
I knew this recliner was a bad idea and wondered if there was any way I could get back in bed with that beautiful boy
I knew I'd always regret it if I didn't

I opened the door as silently as possible
and crawled back under those thick white sheets
I tried to lay as far away as possible,
because people who don't have feelings for each other do not need to hold each other more than necessary
And he had none for me
And I could not have feelings for him
Just when I felt a hollow sadness strike
He reached out his foot and placed it adjacent to mine, a small gesture
I let his instep match mine and sighed inexorably with content
This little touch filled me with a happiness I'd never known
No feelings though, remember?
I chased that thought away and let my other foot get tangled up in his
My legs followed and soon we were cuddled up again
I peeked at him again and saw a trace of a smile on that (hungover and half-asleep, but beautiful) face
I wanted to kiss him but I wasn't sure if that was allowed
So I just pressed my smile against his arm
We laid there forever it seemed

Eventually though, he held me out at arms length and leaned away from me and began to cough
He coughed a few times and apologized,
then coughed just a few more
Then he went back to sleep

I can't explain the way I felt when those coughs hit him
I wanted to reach out and hold him
I know he smokes way too much
But I felt like it was my fault his lungs weren't perfect
I wanted to protect him from all things bad like coughing
All the signs were there before, now that I look back
But that's the exact moment when I knew feelings were going to be a problem

Vernarth passed his house, opening his skylight, he soon felt that his parents were fighting, being able to realize that those aggressive words came from generational hindrances that anticipated the luminous tubular Omega, in the global level split from its lower part, (ω) above and it happens at the beginning of a beginning based on the end of a beginning a thousand times more than a threshold based on hundreds, appropriate from the metric unit of the numeral Myriaz = ten thousand, three times more than the Falangists, one thousand less than the Peltasts and three thousand less than the horsemen, total thirty-seven thousand less than the fighting forces in Gaugamela out of a total of forty-seven thousand, under the myriad Myriaz of Falangists undermined by their Xifos in the area of the right instep of each man faithful under his command, before facing the Achaemenides. Being Omega and Micrón in the warlike primer of their cause, within the prophetic in all necropolis of tiny omega (ω), towards an Omega that reaffirmed the upright hand in Saint John the Apostle to rewrite the Apocalypse twice, being the same one but with the voice of Vernarth commanding the ten thousand Falangists, who made up the inter-generational gaps, but of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride chloride, at solid angles of Ω, in what was Virgo institutionum / Oarion-entity that was intruded by the projections and leaks that converged on the strut of the omphalos of his celestial father dealing in frequency and bleeding of immortality, becoming from a helper to the planes of subconscious reprogramming and perspective. With his arms raised, and in each hand a sword raised to pierce the vanishing point, between the spaces that were assigned, under the solid projection, from an observer that inhibits ad limit the biomass in all the masses of aqueous filter and lumens, towards the throne of the angelic guardian of avant-guard by the stereotype and the sclerosis of Zeus in dissociated physicality, even though it is an amorphous entity and with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in his humanoid apocalypse transfigured from a solid point in Hyperdisis as a direct escape settlement to Oarion, towards a conical vestige surface in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse.

Vernarth distracted the emeritus stars in the corner of his room and in the convexality of the points of his celestial parents in conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from his common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions as a culmination of imagination and apparent angles, viewed from any point the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth sang with Sophocles in choruses after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing the hemo-verses with his own blood, which traveled meters and that shrunk from the anti-verses, scarring their declaimed intra-breath, in choruses that only the wind clarifies of what precedes and happens towards suffering, in the metrics of the Areimos chorus that lectured anti-verses, which they tried to ****** from his hands to Sophocles, in the immortality that refined him by abandoning him in sub-units. With masks and mythical cycles he mixed the metaphorical facsimile of the momentum of separation of friendship with him, seeing it in an episode of his works, and instead of Vernarth's transcript, sheltering origins of volatilization in his choirs, converted into physical waves of a dramatic order -oracular. Gods re-transformed into divination and futuristic germination, who hid asleep and forgotten in a time of subconsciousness of the Selenite heritage, felt in Colossi of signs of parliamentary, where the oracle leans on the lines of the vibrational words and how they cough their " páthis ”in the place that speaks the language dissociated from the heart nucleus. In misguided divination, the oracular mantic brought the cold of solitude and the heat of fire that divines the forests on laurels of oracular daphnomancy, towards the ironies that banish the degrading systematized of frantic nervous suffering, burning in defaults of neurasthenia, before an omega elixir and neuro-analysis, given the ontogenetic passions, before cutting the nasal protrusion that crosses the fallopian tube, for the healing by fragmenting with the smell the existence of other genetic amphibologies of myth-genia, and that bifurcate the challenge of anger and disappointment of taking him with him in this suffering, taken from smell to disenchantment after thousands of unfortunate lunations against the tósigo that fills with appetite and perfidious reptile, on who walks on our destiny without knowing who it is that creeps.
Vernarth omega sets himself up as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein on the alert of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography of ancients traveling in disintegrated emotionality and ****** Hellenic neurotransmission, “Two men omega in omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure for tripartite meso-form and roughing of routine Alzheimer's losses, lost in routines of the sympathetic and para-sympathetic, with the probability of loss of Hellenic gray matter; that is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours and hours of vehemence, with brightened dangers of reliving umpteenth times in the twilight of omega, transcript and biological bend towards the man heavy with anguish, and more distant in all the lacerated ones that have mutilated or almost mutilated the conversion of the sternocleidomastoid, crushing the shoulders and the magical healing on the nasal sinuses, which strangle the pains in the face of selective suffering, indicative of rational martyrdom and temporary unhappiness in " extreme combat of dissatisfaction ”, allowing to channel resilient neurons that transit towards the neck for reasons that not even the neck understands, lobbing as it is not foreshadowed, neither in oracle, nor in its frustrating focal matter.
Vernarth, was already narrowing on the tracóntero Eurídice, to save his pains, deposed in terms that would renew anti economies of supplying unsustainable liquefactions and synaptic melts, extra energized of molds of purely natural law of the eyebrows and lunation that rests in the inter millennium, beating with ecstasy in the Buddhist Suttas, and in the adaptation of the flesh in the hypersonic fissures of the Metelmi and in the attachments that still beat on the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and cuts it over the Sutta or sermon that imitated the lunation to the compass, making this a sabotage of redemption and anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overestimating the tricks of the same utilitarian tragedy, defeating itself in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of joy.
From here Vernarth opens the gates of hell, eight hundred times going mad with omega value, which by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and in a body-only Asleep of omega concavity, superimposed on golden transfinite chests, which rearrange the natural numerals with those of transfinite ordinal omega, but on frictionless wheels of other omegas that break the recirculation rules on Alpha, on supra Omega levels like Parados -Estásimos- Episode and paradigmatic Exodus Vernarth-Omega.

Prologue Omega I:

Once upon a time, amidst the rain of clouds full of drama, in a time that was of the oriented regime of the Subacal of Betelgeuse and Aorion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternating event of imprisoning past and future in an episode of the present act. The expectant was curious about the retouched makeup and superlative consonant of the drama, in a disembodied place, but with a good narrative source to bring it to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Isimous.

Párodo I: "For the submissive words in the proscenium of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames by unequal numbers, peoned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers
and Dionysian dances holding on to the Pufios; in Baquiana and ceremonial liturgy near Vernarth, taking every seven minutes a glass of animadversion, in the tasting of his little finger, which screamed of organic pimping, together with the dancers raising one arm and directing the palm towards the sky, while the other remained down with the palm facing the ground; in this position that was already like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter and from autumn to winter in fifteen times agreed with Sophocles, hanging from the third to last towards the entrance with his trembling voice desalted..., swallowing in his own tragedy)

Esthasimo II: "Through the right half body, Vernarth intoned what his laterality exposed him in harsh gloom, as Hera brandished oats and sweets clouds over his existentialism, which in the homily liturgy personified the stasis, in between coral bearing his hands enraged with tragic passion in his frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes of stirring up "

(Vernarth says: “submitted to parts that are not its parts because my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as an applauded public are invested, who sentence the opposition of other lesser stars than They cheer what does not shine. The principle of the voice violates the normal parenthesis, which is governed by the omega voice, mocked in a modal by four magistrates, in the martyrdom of an idea of the procession, each one wearing his toga of super deprivation, before me that I will not be the one who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of the judgment, of him that they annul the first, the coryphaeus directs his promenade from the countryside on his Alikanto Horse"

(Vernarth says: “I have instantiated the steps that in the future my chestnut crossed with you if I am to sing with a sorrowful voice, no choir will be able to follow me when you are no longer there. However, I have to guide what personifies who more than a thousand miles carries with him the chandelier that opens the light of your gazapa gaze... "

Alikanto wailing says: "From the luster of your heartbeats, I dazzled the jailer from your ribs, for the preference of those who take you even further in stormy prose pro-agonist"

Exodus I: “Sometimes the endings smell like lavender fields, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the afternoon dialogues with their twilight, as well as stanzas that smell of anointing of lavenders, separated into syllables and tonic that arch my charm, not to say that I was anointed with Lavender as a child "
(In fifteen times, and syllables and rakes, they are sterilized in the sentences of their paragraphs, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the stasis that never purged the omission of the syllable that is not proscenium or trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

beneath   her   feet
   her   most  daring
   feet
   that  traversed
   the murky waters
   of    dawn, past  mountainsides
  of  prayers,   stallions  the blackest mare
   love combined,  daresay   silence   annuls
   the    noise   of heart   and the  shadow
   casts its  darkest immaterial   stone

beneath    her   feet
    her  most  daring
    feet
    the    dead    continue
 ­   to   bury the   living
   and the    living    excites
    the    demanded hue   of another   blue
     to hold close   into the   sky
     whose    also    darling   feet   dangle
     much    like     water’s    fervent  collapse
    mantling   the   rivers,    miles you have
   walked   without     images    of I

beneath her    feet
   her most   beautiful    feet
    we   go   wind  by   wind in   excess
    of    days
    in   the night’s   blackest   dress    soiled
  by     light    is inmost    dance   instep,
     curated   from   machineries
   beneath her feet
    your     feet    I    adore
  which   bony prominences    hurdle
   me     weak,    ruined,
where    I    lay  
is   always  the   cradle    of   Earth
   your    feet and   I beneath
  them,   emerging   from   the  possible   life
    of    leaves   in   birdflight,

beneath    your    feet
    your     cold    feet,   unrelenting
on    the    unkind    tomb   of   my body
      your   swift   drop    of    feet,  their
superfluous   coming-and-going
   love    landing    on my  body – trampled,   weighed down
  beneath   your    feet,
    your    most darling    feet.

Usque incorruptibiles aeternum vivet in aeternum
                                         (356-323 B.C.)

The Regressive Legend tells that this good piece of muscular meat and brain too, was born to write his entire story dying with the blood of Etruscan Steeds, each one had golden piercings on the internal hanging of their six paranasal sinuses, to seal life by this blood-tightness. Franciscan timeless swordsman, so that with his last four molars it would give way to amalgamated crystalline light and overflowing from the gums of the period that soaked blood in the equestrian fields. With which from the ventral turbinate he would be in the first row giving pendency to the Troops of the Great Darius, from where his Alikanto Horse, dressed in degrading dust, changed his Etruria marble saddles with his paranasal attributions, and his brain roots of the hypothalamus pillar who gave them super alchemical excitements and compulsions, super powerful attack to arrive at Tel Gomel 7 days before, supported by the elixir of the Fires of the reinforced steel legs of his Alikanto, with whose entity they came out in droves looking like when they ran at great speeds pretending to be more than a thousand equine Etruscans escaping from the Culture of the Vulture war in a rectilinear scourge of speed in an inordinate trajectory by the Gaugamela tapestries.

Vernath; in one of their lives he was aware of broker comments. Along the long avenues there were countless soldiers who had taken possession of their regression! Many spoke loudly through the pavilions of their stateless conscience. After putting their good feeling of great good sufficiency, they called to him to loud voice which with little will he could hear. Then he heard himself say saying ...; They talked about me? Sooner or later I will be with my therapist, she says that before going to her office she was already dictating to approach her great Christus Martial test in Gaugamela. From the six strings of his devotional he came, taken with both hands with great force, to bend from the eyelids of his intruding Sibyl, to travel through the minimum must of the Solstice to reach the point of apogee closest to his epic, which I rescued with Eternal Life an obese arm from wars won by the peaceful Death, in the Way of oblique perpetrated committed soldiers that from Mosul swept him swirling with high bravery mounted in his Alikanto, before arriving at the low meadow forest of the Lid.

If it was a boy ... it was a Man. If he was a Man ... he was an offender of the fortress. If he was leisurely unfolded he always carried his sword, he never left it. Even his reconciling dreamed would be damaged if he deported him from his daily Christian offices. Vernath, is a living survivor precedent to the resurrected Alexander the Great, after 323 BC .. But when they breathed the same glorious air, both looking at each other, brandished cutting the sharp rudeness that divided them with the 6 Golden swords, from 6 angles of strategic fords to die. several times to challenge the pain that surpasses all life the golden strings with blood "Hexachordia Caelestialis Mortuorum", From the musical scale of agony of the sheep plains that are prey to the melodies of the scythes strengthened by the fear of the trembling of the charismatic migrant .

Vernarth was raised as befits a Greek prince, with heroic tales from Joshua de Piedra's epic poetry. He was part of a culture that demanded that great men despise personal danger and take risks to gain experience. His genealogical ancestors came from Sudpichi, near the Talamitense / Chile reign.
He also received teachings from Kalavrita's Etrestles himself in philosophy and science (Kometerium Messolonghi / Editorial Palibrio - Bloomington USA). Since childhood he was a charming guest for the guests of the court. Etrestles was named their teacher, largely to control recklessness and aggressiveness by at least tempering them with more philosophical and civilized values, far from all insomniac excess.
In this he did not achieve complete success, because his obstinacy led him to run around the world barefoot and without clothes. Vernath, far from obeying his parents. He would go out at night and chase the Moon pregnant with pale Solar light on foot to attack it and tame its silver enclosure on its Etruscan steeds, exuding the naused locked in its loopholes.

He learned a great deal from his tutor and became a highly scholarly man watching for Messolonghi and a keeper of the confines of the Kalavrita macro heavens. But he remained essentially the brave boy who spat too blasphemous atomic alcohol on the Cyclops, who wanted to be Hercules surrounded by himself without parallel. Alexander's inspiration was Etrestles; Homer's accounts of his exploits inspired Vernath in his general attitude of putting his books beyond his memoirs and bibliographic insights.

It is likely that he was seen as a brand new version of the classic Greek heroes with divine blood in SudPichi ..., good piece of muscular meat and brain. To a large extent, this was true more than her own Sibyl lying in her lived regression in the decadent heights of Gaugamela's flushed proximity.

Vernath was an extremely aggressive commander who considered any type of defensive preparation as a sign of weakness, so he dared to speak out in opposition to Saint Augustine; The personality of Saint Augustine of Hippo was iron and it took very hard anvils to forge it, attributing to her apathy not to proceed with the courage of the great Maker, for her encyclopedic fervor and scientific rigor. Perhaps in cowardice, for not facing the mysteries of the word of the present Gods. He was therefore encouraged, rather than dismayed, when the Persian army rallied behind the Gránico river, forcing him to stun across it in front of his predicted opposition, like a sovereign crusader. It is the cross of the plain that in oblique route, can rescind the old word task of the ritual punishment of the sacrilegious Pharisee death that lacks.
Vernath with more than 180,000 faithful followers, declared that the ******* did not have confidence in the victory of the greatest affront, and they counted on the pronounced banks of the river to restrain the intensity of their attack enough so that the Persian cavalry defeated him by accumulating centimeters, to gain deadly meters. He launched his cavalry across the river at the point where the enemy seemed strongest brooding, degraded soldier, and after a fierce skirmish he succeeded in driving the Persian cavalry absent from twilight elixir value alongside the extermination of the voiceless I neither sing nor sing.
The second Persian line expired, the Greek mercenaries, held firm, but was slaughtered in less than five variations of the Sun as a declaring manifesto. Depleted of jubilant water resources, the Granicus established the moral dominance of Vernath's army over his enemies and forced Darius to adopt an even more attitude. Local populations Halicamaso, a nearby port moved their lines more than 5 kilometers in their retreat retreated, before the victorious siege since he was awarded by the natural immensities of the forests of Sudpichi, together with his beloved father Bernardolipo, after consonating suspicious corners from the Osho Tarot, when he drew his sword and upright lunge on the first card, on the instep of the undefeated and naive ignorant warrior, versed strenuous mercenary.

Streetlights' orange glow
against smaller other-color lights
-- the buzzing background
of florescent light of a gym,

glowing bright blue tops
of emergency call buttons--
they overlap against my feet;
absurdly bare on sidewalk.

I wonder about sidewalk's
accidental mosaics
and compare them
to my instep pores.

I sit on the bush's bulwark
facing the few trees who've
gifted me ever-misplaced
and fallen honey locust,

fallen into the cracks, the split
of sidewalk of this one to the next;
I dig fingernails against their cement
to pull each yellow leaf individually

placing temporal halos around my arches
and crowning the tips of my toes.

Antiphon Benedictus II / Sybilla Herophile

The wide influence of history was automated in rituals; it would indicate a bibliographical time rather than secular. The antiphons will take us through the hallelujah of eternal times and along the path of the Spring of Castalia. In singularity will be Delphic Herófila, primordial of Delphi prophesying Trojan conflicts. By reinterpreting her priesthood, she leads us to the Templar Adyton, which can be reinterpreted in a Christian way in the classical antiquity of this antiphon. Being able to be captive, she looked serious and wise, visionary and with customary strange gestures, for an abnormal state of Young Sybilla woman who was later supplanted by older fortune tellers.

The Antiphon Benedictus says: “Herophila you were plagiarized and ridiculed by a heterodoxy that knows rituals and sacred cares, the Pneuma that emerged from the cracks upset your incongruities, which settled on the millennial pedestal in Macedonian territorial geographies, uniting with Alexander the Great, recirculating in Sibylline centers and dividing the doors of Sober Hell, towards epiphanies of the cult of light, and of the sacred pairs of wisdom.

The discussion took place in front of those who surrounded the perimeter of the Antiphon; there was Vernarth and Saint John the Theologian. For decades the twilights have not made the red blood cells of the Cassotis iridescent, which defied a hydrographic competition, for the purpose of desembalming the bodies of the Falangists that emerged from the Temenos of Patmos; secular space for the auditoriums of the antiphon. With ornamental fictitious oracles envisioning the inadvisable opening of opposing eyes towards a Mysta or Mystírio Eleusino, so that finally, given the toxicity of Mercury's sulfide, they would emancipate themselves by making objections to the hypothesis of ruddy post-mortem symbols, which the braves of Tel Gomel, when appearing outside the extinct topic, so that the Benedictus songs would button their navels, which was the only thing that united them to the Sybillas who came from the expropriated ethics, and from the Cinnabar outpatient clinics for long periods providing life in the quantum of Mercurial Ambrosia. Being this preferably housed in the skulls of the V (Fifth courtyard of Helleniká, but this time with eschatology of the Koumeterium of Messolonghi). Eurydice is associated with an exhumation in front of the alerted and emitted effluvia of the Herophile after the Zygastron, which shone from a canvas and that Borker preserved from the Laurel Woods, in a sycalyptic horizon of the equinoctial Aftó of the Kaitelka Cetacean, which nitrated oxides from the eastern vertical, on its back, spauto shredding with purple carbonates towards the Rubicunda del Tinctorium, and from the rhizome that hydrated the enervated and dispersed drops that remained from the convulsion of the Metelmi wind, and shaking the fin that came from this Balaenidae specimen Mysticete, in casuistry of a whale with Down syndrome, but with prodigious psychic powers.

The Cinnabar wandered through the clothes of Tel Gomel's disembalmed ones, who colored themselves with sulfur mercury and revived from the oracles of Herófila, who woke up early with Eurydice validated by her Orphic impetus like no one else. The specific parts were tints of vital signs and epidermis shoots that trembled through the epiphyses of the tibiae that decanted arthritic through the femurs, and that rose with timid muscular masses, until they reached the instep where the celestial holes of Vernarth appeared, that he struck each one of his faithful with his Xifos sword, to bleed a bronze chalice for their reduced movements, stacked on crossed legs with dejected cheekbones that fell on their feet.

Reddish spots on his jaws and on his forearm they were transposed with red salvific footprints of Eurydice that he brought from Charon, but that expressly limited them in the posterior scapula that came arriving from the fifth courtyard of Messolonghi completely stiff in black. The muscular insertion was made of pale ocher, and the Cinnabar was elemented to verticalize the involuntary bodies of the earthquake, before the controversy of the makeup of their resurrection, after an outfit that they had never used before, pigmented by an antiseptic oracle of Herófila, which already insisted to compensate with war shrouds the size of the Benedictus that self-shod the iron suns, and that buried fangs of light and life in their facials, moving in the nervous of the trigeminal towards the ethmoid, causing rales of stimuli feminoids, for the enthronement of the women present in the only atrium of the Mandragoron. Thus they remained in multi-partial stages of the psalm that revived them, to go to meet the Hegemon Alexander the Great, who emerged synchronously from Larnax, from an eruption that uttered the greatest insults of political clarity, in the fierce agonies of his perforated lung. Parasites were sprinkled like empathic germs of Hellenism, conferring Masken resurrection, beyond the curtain or canopy that separated them in Persepolis..., returning from the Indus, for the funeral that would pass through the departure of Hephaestus. Rigor-mortis buried a soul overheating in pulmonary contusion, after a feverish respite, and re sulphating in the rhetorics of Plato and Aristotle.

The Sybillas no longer menstruated on the tripod, the Pythoness in their prehistoric eagerness was conceived twice cyclical, which were reconverted into prehistoric female raptures that confirmed the exo-red blood cells of the menstrual torment, to become reconverted Christian goddesses who were doubly buried in one past joined to the other, and that they were about to precede the next past-present, on an oak that supported them, clinging to them to bear the pain that never existed.

My debt bubble has been de-leveraged & I'll fight with guns plastic
'cause in my life defensive maneuvers have been necessarily drastic
when my crooked, fist-fightin' limbs distend Michael J. Fox spastic
Hurry pops the time for peace has degraded into a campaign drastic
as it's off to Wales where Woody, Keef & Charlie have gassed ****
like Churchill planned for Bonn as he thunk toxic gas was fantastic
& normal like switching toothpaste with a gummy resin tree mastic
that's tacky enough to entrap a brown flea but not a ******, fast tick
on Hillary Clinton's saddle-sore ***'s ****-itchy crack iconoclastic
that forces epidemical ****-casting directresses to brutally cast sick
& crippled X-muffers in dramas that are heterophobic & bombastic
& contra-contrary to the T.N.T. needed to nucleate *** & blast hick
to decree '64 as bein' the year of producer Loke Wan Tho's last flick
I am stirred by murmurs of kittens that have daily purred but my fat
cats never bought never sold never used a toilet never spoke a word
as hairy cats are ecstatic to lick hanging parts that are thickly furred
& drenched in muco-pus, river mud, alkaline residue or mouse ****
that's added for spice with green duck gut, snake nose & rotted bird
to commonize felinicidal fare in stitch with farmerettes heatin' curd
to nourish ol' Jimmy Carter robotoid #14 whose death was deferred
to push puppet Lin Forbes Burnham as David Rockefeller preferred
makes recipes valid for McDonald's grinding men into meat absurd
& the cries of ***** smashing periodic squeals into groans unheard
by moon-friendly babes whose quims rest salmon-pink & uninjured
in aspections physico-social via spirographical methods unpictured
regarding cotomaster vulgaris or second-place placers placing third
with ears & belly buttons clogged by **** & blood-shot eyes blurred
Oh **** Kiki Ebsen, let's love forever the dead Larry, Moe & Curly
& their lower Australian counterparts: the scuzzy Fairy, ** & Girly
who gulp milk with hens' eggs knowing that not 1 dairy foe is burly
as I wanna see H.P.V. vaccine-pricking-swine Rick Perry goin' surly
like Squiggy might've on Garry Marshall's show Laverne & Shirley
starring Cindy Williams & Penny Marshall whose teeth ain't pearly,
& who in heels & padded bra passes as the twin of Jo Anne Worley
in 1963 when cream was in glass bottles & menopause started early
enough for Lee Oswald before The Eye Shadows backed Merle Lee
Disney destroyed maternal worries with furnace asphyxiants of gas,
proving that lungs full of carbon monoxide fumes ain't going to last
to see '39 as '38 wafted by in a whiff of monoxidized demise so fast
for those who cartoonize the near-future, animate God's distant past
so as to demand that Rabbi Shimon's Apocalypse tribes be amassed
to pike the head of Charlie Watts as El Shaddai can never be sassed
before a Satanical/congregational flock of U.S.'s pornocratical cast
conjuring underneath a devilishly-****** act's pornographical blast
framed as merry mix-ups the queerest of collusions that flabbergast
regardless of America's oldest race-baitin' ******'s homosexual past
as a Georgia state assembly guy whom toothless ****** outclassed
Whilst masonical N.A.S.A. creates super-speed planets between us,
nobody cares that our 500,000 mile-per-hour sun is paced by Venus
in aether squattin' like California smog in a stab wound of bean pus
that'll render mucho mas gorier the spit-stained walls of a clean bus
driven off the Sunshine Skyway Bridge by a *****-lovin' mean cuss
who aped a weakling diving from tin panels pitched via a lean truss
that constricts **** lard into prime cream corn to make a queen fuss
The costumes of the Gestapo & American cops are black not 'cause
I like hanging out with lynch mobs & ******* ****** in my shack
& writing Bible corollaries after rammin' enemas up my ****** tract
in repugnance to ***-wipe Zbigniew Brzezinski of the Warsaw Pact
as it is Russia's Crimean annexation of 2014 that he's denied as fact
I curl these 10 toes under so they don't get, by a machete, hacked &
I don't date angry Mafia assassins so as to keep from bein' whacked
whilst the pardoning integrity of demi-god mafiosos governs intact,
as sanctity is conferred knowing which cops by the mob are backed
through underworld graft to ensure pig police are doggedly tracked,
framed, extorted, beat up, spiritually broken & emotionally cracked
haunting dank alleys with the hapless citizens they had blackjacked
whose id acuity gave sway to id injury that caused 'em to be sacked
by politicians placed in places as these are places a mob has hacked
with paid-pain-placebo politicos la cosa nostra has placidly backed
& licked, tucked, hocked, blacked, ticked, socked, cocked & tacked
or redacted, corrected, misdirected, uncooked, rooked & shellacked
plus heckled, freckled, prickled, pickled, trickled, kicked & stacked
Las lebianas de T.V. sexcite & thrill as no low caliber gun ever will
on the battlefields of Vietnam where John Kerry liked to run & ****,
before porkin' John Heinz's Satanical widow in a billion-dollar deal
He couldn't kick his habit each mornin' of taking a birth-control pill
or attending parties of talk-show-maggot Donahue to cop a free feel
after crappin' into pizza boxes to implement Lucifer's masonic weal
I forget not from which side my ****, neck-breaking horse I mount:
hormones coursing, **** strap is tight! What in hell am I on about?
I swoon in love, dance over matches, feel *****, steadily lose count
Her cane, her walker, her wheel chair & support hose, quack-quack,
only prove what gigolos have always known, wealthy hags kick ***
in post-menopausal slump on cruise ships ******* apes for a laugh
up my you-know-what that is a big outlet 25 inches north of my calf
whilst allopathic veterinary cat medicine increases misery @ % 7½
because me no understand a tiny bit God's need for famine & wrath
against dullards whose algebra is more mathematic than basic math
that lets me hog-call the glossy-white pig Kathie Lee Gifford: Kath'
after she aborted 3 kiddies under the bridge on the coat hanger path
Many thrillin' Christian facts have just come to light with a colorful
computer-generated face of Lord Jesus, thank God He is very white
so that we may crucify the black Jesus theory without a ****** fight
that'd be the death-kiss for chimps chimping ghetto-ebonics at night
I care for you like a foreign **** with lots of cars in his huge car lot
I know that kitty-soft quims like yours ain't never wholesale bought
I just want to part your pink ******* in bed or on any army cot
I wanna probe the core of your womanhood like your mama taught:
Cousin Jethro, Uncle Jed, André from U.P.S. & that ****** she shot
in cop-crazed self defense as she feared for her personal safety a lot
'cause her husband had to **** Iraqi children in Iraq where he fought
toilet-strain that queered his insane brain giving him queer-brain rot
that bruised his belly button, above primal glands, with a blood clot
big enough to slow Chris Reeve's gallopin' horse to a paralyzed trot
that'd split the greasy 3 hairs on the cue ball of governor Rick Scott
who's a leg-shaving maniac, less frigidly warm than moderately hot
when he enjoys vein-popping-**** straining on his golden **** ***
where-from he farts that it's legal Agenda 21's new-world-order plot
Love me wet, like you loved ****** loving freak Jacques Cousteau
who drowned 350,000 Unitarians via Aqua-Lung, Don't'cha know?
Ah Satan sees Natasha while she'll step on no pets to see juice flow
along direct paths between points A & B, as would fly a sober crow
34 minutes late for an egg-layin' contest & house-cat-skinning show
that we bird-lovin' farts must look up to the sky from hot hell below
where evaporated diarrhea fills Carnation milk cans in a ****** flow
over irradiated breakfast cereal that radiates a healthful, green glow
that'll thaw **** ice & hypothermic ***** on banana cones of snow
I'm better off than dead, not better often dead, Totie Fields, you liar
I won't skate to Ohio whilst my **** is on fire with ****-love desire
Excuse me while I limp to hell, as my leg was pared just after a fire
that makes me hobble to hell after cooking in Gandhi's funeral pyre
The sweet nectar of rector Hector of the Catholic sector gives sway
to conjecture in the Protestant vector as his carotid artery neck tore
The new nectar of Hector rector of the Catholic sector gave sway to
conjecture with an elector of vector 7 as his carotid artery neck tore
As his carotid artery neck tore, a new nectar of rector Hector de the
Catholic sector gave sway to conjecture with an elector of X vector
As his real pecks & neck tore, black neck tar of rector Hector of the
Catholical sector prefecture shot a letcher, a selector & an inspector
With specks of neck gore, the tarry sect tar of trekked-for Hector of
papal facture could catch more than lure ***** ***** on a tech floor
This violent gothical life moved me into a filthy hermit's hut where
it keeps my ***** mouth shut, the limited movement in my left nut
This stupefyin' gothical life dug me into a buried hermit's rut where
it's kept my ***** mouth shut, the poor functionality of my left nut
has kept 666 donkey gobs shut, the campy dysfunctions of a walnut
It's kept my ***** mouth shut, the bad functionality of my hind gut
It keeps my ***** mouth shut, the limited movement in my left nut
It slams my ***** mouth shut, the fun moments of my lard-*** ****
Your pocked *** are 2 flabby people I haven't wanted to meet again
while I'm busy in bee-stung-hive land eating carp bowel & shark fin

DON'T TOUCH MY *** BECAUSE I'M A LESBIAN FOREVER
& ever & no man'll change it because, ****-wise, I'm lesbian-clever
I'll block you soon forever & blacken your eyes & hide your toupée
because I hate you more queerly than prissy Obama hates being gay
with Michael, as he expresses himself better durin' lactation classes
among the hammer-happy Hillary crowd & Bill's ****-****** *****  
that only worsen clownish ***** dunked by red-sock-ducked passes
through to the prostate in lucky, ancient Hugh Hefner ****** sasses
Eddie Money, Johnny Paycheck & Johnny Cash in 32 papal masses
Lord God, let us gaily promote family-oriented regional voter fraud
for a shiksa of the Red Sea whose **** & *** push a solid boater ***
I cocked hitchings to my petcock like a whinin' Alfred Hitchcock in
anticipation of 18 quacked ribs via unpatented Owl **** ***** Sock
as sinus infections purpled nasal-mucopus excreta into an itch pock
Let me scratch your lard *** in peace, a piece of ***, girly hot ridge,
on the farm with lazy Keith, smart-aleck Danny & Shirley Partridge
who refuses to follow hygienical protocols including hand sanitizer
as your glad, toothless Kentuckian chews via a manned-clan incisor
On blood-drenched sheets you scarf Jiff extra crunchy peanut butter forever & want me to love you for it after hurlin' chunky in a gutter
But I got more complex self-respect than blind respect that's simple
for your cheese-spewing-mucopus-heavy-acne-cystical *** pimple
that made Walker McDonald chuck his walker for a steel gimp pole
so that he could pole vault over Bruce Jenner's scrod & shrimp stall
Deeply from the cockpit of my ******'s messy shore I proclaim that
this itchy crack is a filthy treasure by my big ****** ****'s measure
'cause from it venereal-diseased Johns derive lots of carnal pleasure
until their ureters swell shut & good currents of ***** ain't ****-sure
fewer than 6 inches from the **** uretero-pelvic junction's fist core
where M.L.K., junior scratched deeply his pustulating ****** fissure
Shut up hard-*** **** I can buy & sell you whenever I ******* want
Sit there whilst I pray for guidance or I'll kick you for your defiance
Hi, my name's Kandy and I work in a cat house with mucho ******
who are girlfriends of mine plagued by ulcerative, syphilitical sores
made weepy by salts of the briny deep below Jacmel's ocean shores
Insane James Whitmore claims grit poor as he blames **** for what
shames *** sore after eating fried porridge that defied proper storage
Wherever condominiums are posh the battle is delirium vs.delusion
that illustratively eliminates an elusively-shrill illusion of a colossal
cerebral cortex calamity countering cranial, ****-clinching contusion
The gay estrogen king kept his **** well with agents anthelmintical
till he was killed by the girly estrogen king with pills antiparasitical
Algeria, Algeria, I despise you worser than **** films from Nigeria
made by queer-bait crotch crickets afflicted with advanced progeria
that they got from white-phosphorus-bombed kids of peaceful Syria
where Moslemical love thaws the icy hearts of ******* from Siberia
who ran over the Caucasus via Spain's Portuguese peninsula, Iberia
I'm doubly excited about Intact ******* Day I think I am I am sure,
'cause I got a dark cookie doll in raunchy eastern Mexico to live for
which's why the suicidal jump of Evelyn McHale was not vehicular
in traffic flow manual guides, as the crashed car was her stone floor
Commanding Lieutenant William Bligh was the victim of cowardly
mutiny by Acting Lieutenant Fletcher Christian, two years after His
Majesty's Armed Vessel Bounty did sail, 'cause sweaty-palmed freak
Fletch Christian snagged his mutinous, ripped ****** on a bent nail
Don't let's not, not let's don't count on doubt, unsounded into Jersey
where stinking **** #26 is officiously & officially known as **** Z
who'll scrape, bow, prostrate like a girl whose knees shake in curtsy
who'll scrape & prostrate like a lesbian whose **** shakes in curtsy
Look Santa Claus, my purpled *****' knobs are Christ-like & sharp
like push buttons of a dead angel's gaily-strummed, gay-baited harp
Wing Chun my *** up the center line & I'll hide beneath a tarp after
I call first dibs from a toilet, dharma & karma & catfishes kiss carp
I call first dibs from a toilet, dharma & karma & catfish kisses carp
I call first dibs on the toilet! It's daffy dharma over karma or vicky-
verky. Wing Chun my *** up the center line where jerks chaw jerky
I sank to the bottom of your love bucket like mice winning at bingo
for being ******* to cherry wood while houndin' a kid-killin' dingo
Your clingy love has done much to set me free since you lopped off
2 of your straight front limbs to become a crippled, double amputee
during a Jesus-dead Christmas like I don't like it in an ulcerated sea
under the current of a skinny, barbiturated Johnny Cash over for tea
as calculated gastrical absorption rates rate as constants minus a fee
that transmogrifies my sleek, **** **** into the bulbous *** of a bee
what pendulates & undulates below the bend of my lonely left knee
in relation to fly-papered catch-alls & bug zappers in my family tree
where 1 ape wrangler wrangles triangular angles, bangles, spangles
for Christmas like I don't like it because my ******* on ice dangles
whilst fearin' for Winston Smith as to when caged rats/mice fangs'll
avulse eyes & gnaw on his tongue, before weaving nests in his lung
that shall really make it tricky to sing sing-songs he ain't never sung
that'll make it hard to gaily sing sing-songs he ain't never gaily sung
Merry Christmas nice Santa Claus, happy birthday & prepare to die
'cause when it comes to murdering fat men, I'm not the least bit shy
around dippy/daffy ***** too dried out to give it that old college try
outside college because I am the same age while they are a lot older
with bruised head, dented instep, hammer toe & arthritical shoulder
that goes up when I slip down a hill that's got many a loose boulder
to crush Miss Austria even though I once angrily warned & told her
of what's in for tall chicks runnin' ledges in acts dangerously bolder
for beauty queens long in the tooth & **** babes significantly older
whose hottest movements render homely ***** withdrawn & colder
than the homosexy boy-toy lover of Obama pickaninny Eric Holder
from whom I've hid in 32 Kenyan files a blatantly-fraudulent folder
of cheery, cherry Christ Masses reamin' the beheld's queer beholder

Crash, bang, wallop
She collided with the shelf
A free standing unit
Until she grabbed it to steady herself

Down did it topple
Raining glass on her head
Sending everything flying
Through the air, what a mess!

Wine glasses, flutes, tumblers
And a vase
All hit the deck
And smashed into shards

Oh, what a racket
And a mess to behold
The nincompoop just stood there
And couldn’t be consoled

But it’s no use crying
Over spilt milk
And in her inebriated state
The thought of cleaning did she jilt

Drunk and disorderly
She sent herself to bed
Knowing that tomorrow
She’d have a thumping head

So leaving shattered
glass
All over the floor
Off did she teeter
To think about it no more

In the afternoon
When at last she awoke
The carpet was glistening
As if covered in snow

It shone and it sparkled
Like a night of a thousands stars
She wondered what’d occurred
Until her memory was jarred

By treading barefoot
Onto a sizeable piece of glass
That tore into her instep
Causing her to curse

Jumping up and down
With stinging, bleeding feet
She surveyed the considerable damage
Shocked at the scene

Of all her lovely glassware
Lying broken on the floor
A shattered picture frame
A teacup that was no more

Oops, thought she
What a flaming disaster
I’d better get a shovel
And hoover up straight after

And so she did
And all was fine
Apart from the ****
Which would heal in time

The moral of this story
Is nail your shelves down
And don’t put glass atop them
If you’re a drunken clown.

done over this afternoon I only have one image
and about you were many other surly things

all wrapped in the sudden heat of happening
through the clear eye of a diaphanous world.

inmost spring of an unreachable bud,
a raw material for hurt kept in the after-hour

of a dwindled morning charged to dark
moving with precise instep

rummaging for completion
underneath an untamed sky

left for claim but not entirely as to be free,
no remnant of the hour’s expensive thrill

where I do not find you in me,
as I am still down on your able ghost

pinning it down to where it will never
meet its breakable place:

a wondrous dawn, or the fever of Maytime afternoon,
  in your most excellent clothes

or else it was simply desire

concerning yours truly
poor righteous leftist sole.

Attempting nightly ritual
nsync with sole and
instep of beat
January second 11:33
two thousand twenty two
footwear equipped with
custom made cleat
proudly standing tall
(think) as an elite
able, eager, and ready
to sprint skyhigh fleet
ting into netherlands
(towering well over
other wiry contestants,
hence exception to

maximum height waved
outrageous illegitimate forfeit
chore blithely Atlas shrugged off),
the fountain head
whereby marathoner Olympian
amidst godly pantheon did greet,
then melted starter blocks
competitors crouched tigerlike
deftly gunning generating barreling heat
fast as greased lightning
Achilles catapulted courtesy blur,
zee mister (oak kay)
tree - man, i.e. helpmeet,
he roundly squared off
accompanied by his wifely entreat
for sakes Pete.

Thus situated, positioned, and finagled
husbandry duty obliging the misses,
no matter she kick started
(think thrashing outsize toddler)
childish task deemed
markedly cockameemie design,
subsequently these little feet (mine)
stood stolid upon bedroom floor
she did man date me,

supplicating, necessitating,
imploring, and decrying divine
intercession, cuz thee mademoiselle
did authoritatively assign,
thee mister getting mine
handy dandy grip upon her supine
corpulent physique
outstretched leaden legs
awaiting (the missus)

salute perfect sign
to commence powerfully
prying and pulling
first straight then nine
tee degrees practically pulling
footloose and eventually
detaching fancy free
thunder thighs, what strong
amazing anatomical design

nearly defying might
of super rich a$$ a nein
bird brainer heron
an ill eagle cro-magnon scheme
to untie clodhoppers
snug as a bug in a rug,
whence laces unknotted free
and clear whirled,
wide webbed formerly tangled skein
fo shoe more intolerable
than swallowing quinine.