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irinia Oct 2014
The nature of infinity is this: That everything has its
Own Vortex, and when once a traveller thro' Eternity
Has pass'd that Vortex, he perceives it roll back behind
His path, into a globe itself infolding like a sun,
Or like a moon, or like a universe of starry majesty,
While he keeps onwards in his wondrous journey on the earth,
Or like a human form, a friend with whom he liv'd benevolent.
As the eye of man views both the east & west encompassing
Its vortex, and the north & south with all their starry host,
Also the rising sun & setting moon he views surrounding
His corn-fields and his valleys of five hundred acres square,
Thus is the earth one infinite plane, and not as apparent
To the weak traveller confin'd beneath the moony shade.
Thus is the heaven a vortex pass'd already, and the earth
A vortex not yet pass'd by the traveller thro' Eternity.

from The Illuminated Prophetic Books  **Milton
I like to think about the infinite as a quality.  For sure it is something that can be felt. Another manifestation of energy perhaps.
So every man has his infinite in his finite :)  What do you think?
WendyStarry Eyes Apr 2019
SILENCE GOLDEN
°•°TRAINS THE BRAIN
-------KEEPING TURBULENCE
))))))))>FROM UNFOLDING<
GUIDING THE BEHOLDEN
TO A STATE OF TRANQUILITY CHOSEN
°•°•°•~PEACE FOREVER INFOLDING~●
Daniello Mar 2012
I don’t recognize you, but you’ve returned, oh it
must be you. No one else comes here but you.

Do you remember this music?

Kaleidoscopically gemmed it repeats, perhaps too
delicately—a quiet, tinkling knell, fishtailing through the
glimmering rain—mauve—soft-soaping the soil to darker clumps
beneath—soppy—slowly sinking so pretty, yet
terrifying now you’ve stepped into and through each
silted deepness, holding time.

This music begs you still—it has not stopped begging since—
to step further inside the wet loam (You clutch time now.)
To press down on it, in it, and listen tender the key you touched in
life between moments. It’s the reason you’ve returned.

You won’t, it’s not music, this feels like a baby’s head you’re on, you
cringe. About to cry.

Again, I’m sorry, but you have to—you have to feel it
scarily give a little. Feel it sink, infolding inside-out through its
thin pleura overflowing, always overflowing with the visceral
sap of everything on it—(I mean really everything.)—this
glistening ick, this frog-soil—moist, sickly cloying, susceptible
almost to light. And breathing.

It’s about to give out under your feet.

And kaleidoscopically gemmed it repeats, can you hear it?

Yes, you could be stepping on all their naked lungs, but there’s
nothing to fear, it’s an eternal field of their lungs—pink and gasping—
and that’s all there is here.  

Feel with your foot, like me. Is it alive? Or is it life? Listen, it
bleats a note. Why so sweet if, by touching it, we’ve made it drip
first truth from its tongue, look!—the blood of its eyes’ red
rivulets. Of its heart. The slightest breach it was. Barely an
opening

I’m sorry. I don’t mean to force you. If I was only me, I’d
leave it be, so it could spare us the look at the inner red that yokes
flesh to spirit. But you arrived here, and—listen, now it’s been
done, do not close your eyes.

You didn’t want to see this, I know—the sticky gum or muck that
licks over the fibrous bridges. Keeps them glued down and
invisible in the other world. It is all much better when the mucilage
does not ooze out. When the form is skin-tight, because that’s how
it works best. Without you probing its pores.

But now do you see, probing its pores, what you may find?
Look. Now do you see why the music has begged you?

What rests underneath there—what you may find in that dark
indigo clay which the shamans dug and pressed over their
blackened eyes in the night-trances—glows transparent somehow.
In pulses. Like Aurelia, the silver moon jelly.

Now it is just within your reach.

Light would pour to the other side, and their mouths would stiffen
with several infinite unintelligible syllables remaining stuck there
under their tongues. As it poured, they felt their blood replaced
in a surge with veinless essence, which sustained in its flow
through them something of precarious beauty—ascending, swirling
itself in air, then back into again, again returning to the home of homes
within them.  

The silver-moon-jelly-clay is continuously poised on the tip
(of not being clay).
About to break into splendor, into finally birth-giving of real breath.
Of meaning to breath, and to breathing.

This is what feeds, unknowing to them in that world, their field of lungs.
But you will know instantly when you feel it, that by feeling
(in feeling)
you have really always known.

Did you reach for it? Did you feel it in that second? You did not, I see
(you were so close!)
for now we’ve passed the origin symmetry and are sinking up! Going
deeply back up through the sticky goop with red glue in our hair,
through the moist-frog-ick-soil, choking dirt again, squishing loam
with our heads, shooting upward like falling, hearing lungs, and now
out, atop the surface again, in this bare garden that grows only under.

The skies above, still mauve, and the rain lips quietly the same
melody which, kaleidoscopically gemmed, repeats. It was all as quick as
nothing.

And, as I look at you, I see you’ve already forgotten
everything.

And now you’re leaving me! Fading back through the spectral
break in the clouds, whoever you were. Whoever it is you became.

I did honestly believe this was to be that one moment when, together,
we’d finally get to touch it. Press it like real sun to our blackened
eyes. I cannot tell you, it has felt like the one each time.

But I know to wait. I can wait. In this world I keep fluttering hope
in my hand. And you, whoever you’ll be, will return here.
You always do.
Do you ever remember why?
It’s because, when you leave through the clouds to go back to
that world, you are still. Always.
Clutching time.
Daniello Mar 2012
I begin to write and immediately
as if obeying an immemorial pact
the earth pulls away for me.
Shows me her full body—veined,
scarred, demure, ashamed. Too
pitifully beautiful in her naked
cringe and tuck of her legs. The
meaning of brutal honesty. Waits
as if expecting to be scourged but
shaking my head I gesture
no. In light darkness, sketch
true martyrdom.

It is nightfalling. That is what it is.            
Like hands, interlocking,
spoken as ashen clay infolding
to a dome their clasp over a flame,
covering it. To hold—not extinguish—
and if extinguished to travel on
in smoke. It is that. That covering
over the flame, the capturing of all
warmth and light from all that is
around. I try to get above, over,
around. Before I slip into bed.

To cup over the flame
my self, my life, this hour. And her.
Try to round all as home
or hearth above the nomadic flame
that mocks what I gesture, and shakes
vigorously its own vacuum.
As if heaving in rib-tickled laughter:
Who do you think you are!
laughing, doubling over, cracking
its sides.

But I do not forget my hands.
I do not regret my hands.
What they can do, above a flame.
In light darkness of mine, I can laugh too
and write—above, over, around
and she, relax her trembling skin.
Norman Crane Sep 2020
A spiralling ascent
Along the world's edge
Sweatdrops fall
To a below without sunlight
Boot dust
Llamas labour under supply packs
Hoof beat lantern dance
Shadows cast on the cliff face
Distorted we loom
Above the mute fog of humanity
Summitous
Awash in the final dawn
The old Inca smiling sprouts his knife
Ancient tapestral landscape
Exhales into us
Curvously infolding
The old Inca holds out his hands
The knife cuts horizontally
Reality opens like a book upon a tabletop
There, he says,
Pointing to the infinite space between where the sky in the past met the land
Timespace lies like a discarded washcloth
And we see dimly through the mists—
There, he says,
Pizarro could not follow us,
And we see dimly through the mists—
The neon lights of
Neoqusqo
Ronni McIntosh Jul 2014
Sister-love, I cannot say how it should

move alone, though all else with it imparts

upon two.

These two beings from the same growth,

molding each other lovingly so that

they might see more clearly

themselves.

Earth-love, for what else should I love but you.

The one, being so generous in all causation

and particulates,

becomes mother and executioner to all at once,

unending.

Friend-love, laughing joyous rapture.

You cannot know me for all my secrets,

but why should it matter? I do not learn

your own.

The only rubric enough for this profession,

is silence without companionship.

Food-love**, oh you speak pleasantries to my body.

Such a tactile energy, emmersive motions!

life

recycled and recycled and recycled, as it was

once for you as well, ever infolding in on itself

in perfect ingestion.

Our movements have fed each-other, in such a

base and satisfying way!
aurora kastanias Oct 2017
That feared long avoided kiss infolding
memories of sentiments rebuilt, to acquire
stability evading chances of tears revolving
from the past once more eligible to provoke,
sorrow in the eyes of he who closes them as I
hesitantly surrender to the warmth of his lips.
Ken Pepiton Mar 2020
Truth or dare, dare, always dare, truth be known

you know, be free makin', the
ingredient of ever

we all share. So dare, the truth can never lie,

and you know good from evil,

right, y' good t' go.

Leap into ever after now as if this has value,

ab
out- about time, we nail about right on, about

as a pre-position for trans any thing, mogrification, f'sure,

about is impossible to point at without

observational bias confirmation and cognotible gnosis snot

dripping into a realm after logos, it's

complicated con carne and

more layers of logical

thought, all sifted and sorted, so here

we find no reason for war... and no fear of dying.

How freeing...

Just
about (adv., prep.)
Middle English aboute, from Old English abutan (adv., prep.),
earlier onbutan 
"on the outside of; around the circumference of, enveloping;
in the vicinity of, near;
hither and thither, from place to place,"
also
"with a rotating or spinning motion,"
in late Old English
"near in time, number, degree, etc., approximately;"
a compound or contraction of 
on (see on; also see a- (1))
+ be "by" (see by)
+ utan "outside," from ut (see out (adv.)). right... you knew it, not me.

About time means many things you may imagine,

all save the absense of good, actual tasted, tested, verified good,

all are possible - even probable - at a given point

about, is a miss, almost all the time.

who jah gonna call h'laf weardan? Hey, Sue, boy, Sioux, we concile

we are near in aptitude to our fathers who were wage slaves
in one nation,
under God's flag with all the battle ribbons, all the ribbons furl

url rhymes bettern world, furl a flutter fly, swear alliegaince to this sky

we got by, hell t' pay, hell we paid, we got by

the rest remaining is ours and mr. hicks's peace on earth.
this is that bubble of being.
As it evolved from the peaceful kingdom over and over,
infolding the american dream to this
on a more galactic scale.

Out there,
liars prosperity
don't disturb the true
heirs of the wind, in the end.
Is free will determined to make a fool of me?
Ammerikkka we're appealing
To your truest heart
The Conscious,
A revolution is infolding

Your land is
Is cold full of hatred
War on the minority
Masses walking for
Real freedom
We aren't savages
We rewriting the
True story.

All is One
As the Sun rises
In our lives
The Soul of a
People desperate
For all to Hear
Our cries
Watching and
Waiting on God
"GoTell it on the
Mountain" like
Baldwin said
We've articulated our position
As the Victim
Time for
Love's Vaccination
Into your greed filled veins
Our skin is not a sin.

We done Historiography
Lie and tell us to our
Faces we're less than
God's own Kings and Queens
Royalty runs throughout
Our D.N.A.
The imprint of
The Source Almighty
Masculine and Feminine
9 to the Ether
With No substitution.

Our Story is unfolding
All Life is Matter
Carbon copyright of Righteousness
Factors of dark and light
Star dust to Universal matter
Cutting thru your dogmatic
Chatter of divisions and classes
With clear lenses gazing into
The future Human
Evolution.

Gaia is our home
mother to All
Hatred in Amerikkka no longer
It's called Love's Patience
Sending racism to the depth of
Hell
While we Raise Heaven
As above so below
Thy Will Be Done
Above and beyond false
Religious and Political
Agendas.

Question why you're separated
Contaminated systems
The water is filthy like
Amerikkkas violence and lies
Who's God is Lady Liberty
Really trusting
Rothschild or Builder burghs?

Feeding us brain washed
Religion with pimps
As the preachers
I gotta pay for my
Salvation Again
And Again with my
Soul and skin?
That's double jeopardy
That's twice you've
Tried
"We the People".

Ammerikkka you
Enslaved us but we
Forgave you Gracefully
Building all your
Edifices
Even faithfully  tithing taxes
Exploited by Capitalism's ism's
Like regentrification
Let's not forget
You created reservations and
Ghetto Slums and
"The War on Drugs"

Still consider my bloodline
Unworthy of a Promise

We are not *******
We're Philosophers
Still writing Emerald Tablets
For our children's children
Children Children
Prayers form Pyramids
We're setting out
To make living Legacies
Can't Erase Obama
Out of History
Time to pay up
No more insufficient funds
From the Founding
Father's Constitution
King said it
Poetry demands it
We fact check you
Americkkka
Because we dream
And still have
Hope in
Your Faithful Promises
To Be
"America",
"Home of Brave
Land of The Free"

Kevin Guru© 2016
Black Lives do Matter

— The End —