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Kuzhur Wilson Sep 2013
My poetry, which knew it was
the cry of a lonely bird
on a solitary tree
in my village,
asked Spring its name.

Spring began to speak –

The fruit laden Vayyankatha, her thorny pangs, hijab-wearing  Guf, her minarets, Thondi  blushing red with kisses,  her moist lips, orphaned Adalodakam, Nellippuli in a polka dotted dress, Pulivakawaiting for the breeze, Anjili   head towards the south, yawning Cherupuuna, Pera with the names of grandmas scribbled on her leaves, Ilantha blowing into the hearth, Ilapongu rubbing his eyes, Irippa, Atha laughing noisily,Cholavenga in tattered clothes, Irumbakam, Padappa catching his breath after running, Pattipunna wagging his tail, bare footed Pattuthali, Thekku the noblest among them, Thekkotta, Neervalam  recollecting her last birth, Neeraal, sobbing Neelakkadambu, Pathimukam, lazy thanal murikku, Karimaruthu, Karinkura, Asttumayil, Velladevaram, Kattukadukka, the gluttonous Badam, amnesiac Vazhanna, boredVarachi, Nangmaila, Eucalyptuswith a sprained back, viscous red Rakthachandanam, saffron robed Rudraksham, Vakka, Vanchi,  Parangimaavu nostalgic of his ancestral home, Vari, Nedunaar, Marotti with a hundred offsprings, Malangara, Malampunna ,Nenmeni Vaka trying his luck in a lottery, Nelli with a sour smile.

Kadaplaavu doing sketches with leaves, Kari straying from the queue, Kattuthuvara buying things on credit, Kattutheyila boiling over, Kattupunna with a pus-oozing sore, Kumkumam putting a bindi on her forehead, starving Ventheku, Vellakadambu making a missed call, Kattadi standing aloof, her feeble hands,  flowering Ilanji, her fragrant trunk, sighing Aalmaram, Pachavattil, Pachilamaram  gossiping with the chameleon, Panachi,Pamparakumbil, Kadambu memories adorning her head, Kudamaram carrying provisions for the home,  Punnappa,Poongu, gray hairedChuruli, Chuvannakil  singing a folk song, dark skinned Vattil, Kulaku, Karinjaaval, sozzled Pamparam, Chorappayir, njama, Njaaval  tempting the birds, Njaara, Alasippooscratching his palm, Ashokam  humming a sad song.

Ezhilampala chewing on a masala paan, Peenaari wearing a tie, Peelivaka, Pulichakka with a broken leg, Pezhu demanding his wages, Kumbil, Kurangaadi, Kasukka with a dislocated elbow,Valiyakaara, Vallabham, Chavandi, stunning Chinnakil , Chittal with a failed brake, Vidana, Sheemappanji, the loan shark Odukku, Oda  on musth,fatherless Kadakonna, childlessShimshapa, Sindooram with a flushed face, Karinthakara singing the thannaaro, Vellappayir high on grass, Poothilanji showing off her blossoms, sour faced Kudampuli.

Wet in the rain Kulamaavu, Kudamaavu circling around himself, Pari from the netherworld,Poopathiri in a priest’s robe,  Poochakadambu on all fours, Kulappunna covered in a blanket, Kundalappala checking his astro forecast, Pachotti, ******* Perumaram, Perumbal  thinking of the sea, phlegm clogged Anathondi, Anakkotti, Cheruthuvara, Ilavangam, Thanni,naughty Thirukkalli,  Karappongu, embracing Kattadi, Thudali, Thelli, Kara, Malayathi,Malavirinji, shameless Kashumaavu,mud slinging Karuka, Vedinal, suicide prone Attumaruthu,Attuvanchi  who glides on the stream like a fallen shadow.

Mandaram  dressed in white, Vanna, brazen Mahagani, Karivelam doing the accounts,Jakarantha, Koombala, friendless Koovalam, Kattukamuku with his hands around friends, Kolli, Paruva,Krishnanaal with a crooked smile, Cocoa with no one to turn to, Cork,Palakapayyani, Pavizhamalli wearing necklace and bangles, a lonely Mazhamaram, Mangium, Mathalam exposing her *******, Chemmaram, Pashakottamaram, Malavembu, tearful Chamatha, Vatta, Vattakoombitired of running around, smoking Pine, Porippovanam, Kaaluvnthatherakam, Thembaavu, grinningDantaputri, Narivenga, Navathi, grumbling Mazhukkanjiram,Arayanjili,  Arayal playing a game with the wind.

Choola kissing the sizzling wind, Arinelli, Maavu reciting sadly the poem Mampazham,  Chandana vembu, Peraal stretching its back, Pulivaaka, Unnam, Naythanbakam,Karpooram in a slow glow, Naaykumbil, trumpeting Pongu, outcast Pottavaaka, bursting Poriyal, vagabond Ponthavaaka, Plaavu lost in some thought, Pootham  head covered , Ethappana  greening while yellowing, Manjadi, Mullanvenga, Mullilam lifting his dhoti to expose his genitals, Mullilavu hopping around, Moongappezhu, Neermaruthu saying enough is enough, withered Neermathalam ,Moottikkay, Ithi, Ithiyaal, Vella velam, Kalppayir, Kallar, Majakkadambu singing a lullaby, Choondappana wary of fish bones.

Stooping Punna, Matti scared of her big brother, Paarijaatham watching the midnight movie, Paalakal, Paali,Paarakam doing cartwheels, Viri, Athi showing off  her seeds,Ampazhammassaging his chest, Ayani inlove with her son, Manjakkonna, Manjamandaram in search of something, Chullithi with eyes closed, Kallilavu like an oozing rock, Malamandaram eyeing the vultures,Velleetti cursing the thunder, Venga,Veppu, Vraali, Akil, sighing Acacia,Balsa, Blanka, Beedimaram with a rattling cough,  Agasthi, Cherukonna with a sheepish smile, Kambali, woundedNagamaram.

Pathiri, touching his forehead to the ground, his eyes heavenward, Ankolam ruined by debts,Kattumarotti, Kundalappala, Aattumaruthu,Poovam, Erumanaakku, Karingotta, Vediplaavu his salary still unpaid, Venmurikku, Manjanaathi, Manimaruthu jolted awake, Mathagirivembu, Karaanjili  escorting his daughter, Karakongu,Karappongu, Ilippa on her way back, Ooravu half-awake after a dream and with a sucker smile, Ennappana about to immolate himself, fattened  Ennappine,Azhantha waiting for someone, Chorapatri with a cracked head,Sheemappoola,Poovankara, Malampuli, Puli with sharpened stakes.

Obese Theettipplaavu,Malambongu, Chorimathimurikku, Irippa bailing out his friend, Irumbakamwho lost his job, Kunkumappoo, Karinthaali, Scoot, Rose Kadambu, Aamathali, Aarampuli,Attilippucaught in the crowd, Irul  blessed by the elders, Vellavatti, whistling Mula, Kattukonna in a hat, Kaniiram learning the alphabets, broker Cheru,Kattuchembakam exposing his arm pit,Thandidiyan, Neeroli, Ezhachembakam waiting for her bus, Karimbana in a newly constructed house, Karivenga,Karivali writing a poem, Ungu in a baby frock, Udi, Plasha, Elamaruthupromising to meet later, Chembakam dying to hug.

Vellakil who bathes the kids, Vellavaaka who forgot his umbrella, Attuthekku who failed the exam, lustful Aattunochi,Malanthudali with her legs spread, Malanthengu with chest ****** up,Malamanchadi who is learning to count, Malambarathi exposing her *******, intoxicated Aval, Arana reciting the poem Karuna, insane Alakku who dashes off to the temple, Cheru who cannot stop washing clothes, Kudappana ready to elope, irreligious Jaathi, Silver Oak laughing boisterously, Kattuveppu waiting for the kids, Sumami ******* on a toffee, annoyed Parappoola,frightened Pinar, Ithi stopping her ears at swear words, Ithiyal with lots of smiles, Kovidaram with music in his mind, Ilakkali showing her belly, blossoming Ilavu, Chadachi who ***** sadistically, cool fingered Chandanam.

dominating Charakkonna, office going Cheelanthi, Gulgulu glued to Kochu channel, Gulmohur with dyed hair, Irul with a fuming face, early rising Kanikonna, Kanala who has a sound sleep, Karingali  who pees standing, Kambakam with an ***** *****, Kallavi  beseeching to stuff her up, Karanjili  quivering in lust, calm Karaal, Kaari who hums while *******, Kaavalam who naps after the toil,Thannimaram showing off her petals, Thambakam kissing the ****, Thellipayar savouring a *****,Neerkurunda in post-****** languor, Malaya breastfeeding her kid, bullying Kathi, mad hat Eetti,Cheeni  not remembering his mom,  Kunnivaka showing his gums, Kuppamanja who laughs in sleep, Othalanga swallowing poison, blooming Poovarasu.

Spring went on,
reeling off names to me.
The rain the sun the wind and the cold
Rolled in one after the other.
Spring kept pulling out
names from its memory.

People got scared of
my poetry gone wild.
They stopped passing that way.

A snake goes slithering away.
A hare finds its own path and dashes away.
A poothankiri, from a bush, flies away.



(Trans from Malayalam by Ra Sh)
1.      Mampazham (Ripe Mango) is the title of a famouspoem by Vyloppilli.
2.      Karuna (Compassion) is the title of a long poemby Kumaran Asan.
3.      Poothankiri – A white headed babbler.
4.      Thanaaro - An obscene devotional song.
Kanyadaan hua jab pura, Aaya samay vidayi ka
Hashi khushi sab kaam hua tha, Saari rashmm adaai ka
Beti ke uss kaatar swar ne , Baabul ko jhakjhor dia
Puch rahi thi papa tumne, Kya sach-much me chodd dia

Apne aangan ki phulwari, Mujhko sada kaha tumne
Mere rone ko pal bhar bhi, Bilkul nahi saha tumne
Kya iss aangan ke kone me, Mera kuch asthan nahi
Ab mere rone ka papa, Tumko bilkul dhyan nahi

Dekho antim baar dehri, Log mujhhe pujwaate hai
Aakar ke papa inko kyu, Aap nahi dhamkate hai
Nahi rokte chacha taau, Bhaiya se v aas nahi
Aisi bhi kya nishthurta hai, Koi aata paas nahi

Beti ki baato ko sun ke, Pita nahi rah saka khada
Umadd pade ankho se aanshu, Badahawas sa daud pada
Kaatar bichia si wah beti, Lipat pita se rotii thi
Jaise yaado ke akshar wah, Ashru bindu se dhoti thi

Maa ko laga god se koi, Maano sab kuch cheen chala
Phool sabhi ghar ki phoolwari se koi jyo been chala
Chota bhai bhi kone me, Baitha biatha subak raha
Usko kaun karega chup ab, Wah kone me dubak raha

Beti ke jaane par ghar ne, Jaane kya kya khoya hai
Kabhi naa rone wala baap bhi, Phoot-Phoot kar roya hai ............
Copyright© Shashank K Dwivedi
Website :- www.skdisro.weebly.com
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judy smith Nov 2015
In June this year, designer Masaba Gupta and film producer Madhu Mantena had the quietest of civil ceremonies. It was only when she took to Twitter the next day to talk about the court registry that most people heard of it. It was a move most unorthodox, for a leading fashion designer, especially one who counts several Bollywood actors among her close friends.

At the time, she also announced “a Caribbean wedding in November”.

The destination wedding isn’t happening. But that’s not to deprive us of a grand, four-day affair, the sort that has the most coveted guest list, and is followed with the keenest interest. It will start on November 19, with the bridal showers, will continue with the mehendi on November 20, the sangeet on November 21 and a gala reception on Sunday, (November 22). Expect the works, and guest lists that boast of Bollywood A-listers (Shahid and Mira Kapoor, and Sonam Kapoor are close friends, just so you know).

In short, it sounds like any other grand Indian celebrity wedding. Except, this is Masaba Gupta we’re talking about. As we catch up with her, we get the sense that she’s approached the whole thing with the same minimalism and quirkiness with which she approaches fashion. “A lot of people are invited,” she tells us, “But I’m not going around and talking about my wedding designer or my lipstick, so on and so forth.”

Unlike most Indian brides, she’s not even fretting over the big day, or days, as it were. “When I was growing up, I always saw brides around me under tremendous stress. The pressure to dress a certain way, wear a certain amount of jewellery and make-up... I saw how uncomfortable it was. So I decided that, if I do get married, I’ll be someone who puts comfort first, and then looks at her options for cut, colour, embroidery or jewellery,” says Gupta.

So, in case you do find yourself invited (otherwise, there’s always Instagram), don’t be surprised to see the most relaxed bride, dressed so comfortably that she’d be the envy of any married Indian woman. The idea, she says, is that a bride should “dress in a way that she can interact with people and have a good time herself.”

She’s also taken charge of the whole thing, and planned a non-fussy, non-extravagant celebration. “For me, three vacations is more value-for-money than a mandap with diamonds on it.”

True to her word, for her sangeet and reception, Gupta is ditching the norm of heavily designed lehengas and saris. “I didn’t go into that heavy, couture, bridal space. And I’m the kind of designer who wears works of other designers,” she says. So, her trousseau will have outfits by several other leading designers. “There are a few people who are great at doing certain things. Anamika [Khanna] is great at reception outfits. I can do a cool, quirky mehendi outfit. For a sangeet, somebody more in the Manish Arora or Shivan and Narresh kind of space,” she says.

The designer who’s always stood apart also seems keen to set an example. By not conforming to rules, Gupta wants to make a point. “I do want it to be about comfort, but I also want to change things up a bit. I want to set an example and say that you don’t need to wear a certain colour, a certain type of maang tika; your hair doesn’t have to look a particular way,” says the young designer.

Ask her if this is the (unconventional) dream wedding come true, and she laughs. “I never had a dream wedding. I’ve never visualised anything except clothes. Certainly not an elaborate wedding setup. See, I just don’t want to starve at my wedding. So, my dream wedding is one where I get to eat a meal while everyone else enjoys themselves as well.”

Masaba’s five-point guide to a chilled-out wedding

1) Get people to help out. If you try and look at every detail, you’re going to have a hard time. You may have a great input, but get people to do it for you.

2)People think you should shop for jewellery and clothes much in advance, but I think it should be done as close to the wedding as possible. You’ll have the latest stuff, and your taste might change over time. It’s best done around the wedding, so you don’t regret what you’ve bought.

3) Shoes are important. Make sure you’re in comfortable heels or flats, so you can survive the night.

4) Always test the make-up artist. Don’t just do a demo and leave it; test it through the day. See how the make-up behaves over a few hours, then you’ll know what it will actually be like, because it takes a couple of hours for make-up to set.

5) Receptions should start becoming more informal. You shouldn’t have to have the couple on stage smiling through the evening. I’ve heard of brides getting locked jaws. It’s absolute torture.

How to be the unconventional groom

• Fusion looks work well. If you’re wearing a Jodhpuri or a bandhgala, team it up with Jodhpuri pants. For men who are slimmer, suits do wonders.

• If you wish to be quirky and know you can carry it off, team dhoti pants and a shirt with a really formal blazer and a brooch.


• I love the cropped, ankle-length formal pants men are wearing now. It’s great for a reception.

• You don’t need to wear laced up shoes. Wear a nice slip-on in patent leather or a printed pair of shoes that stand out. So, you can make the whole look black and white, and have a nice pop shoe and make that the focus.

• Don’t be afraid of colours at your wedding. Get over navy blue, black or maroon. On a darker man, a haldi yellow kurta will look fantastic when teamed with an off-white or cream churidar. Even a soft pink in raw silk — it has a silver-pink shine — looks lovely.

How to be the ‘in vogue’ bride

• We’re seeing a lot of shapewear backs. Instead of the flared lehenga, women are opting for the fishtail cuts. Girls are also wearing shararas with big flares that almost look like a lehenga.

• Brides are going minimal. Go for less embellishment, and lighter lehengas.

• The dupatta is being ditched. Either that, or it’s attached. Much easier to handle.

• The choli is becoming more modest. People are wearing longer lengths, which are more fitted; the ‘60s style kurtas with shararas are also in. There’s more focus on the body and shape.

• I’m hoping the anarkali has died. It’s the worst of the lot. And it’s not very flattering. If you’re very skinny and tall, it works for you. If you’re short, you look like you’re lost in your outfit.

• Ditch the trail. At the end of the night, it’s a rag. It’s been stepped on and is *****.

read more:www.marieaustralia.com/mermaid-trumpet-formal-dresses

www.marieaustralia.com/cheap-formal-dresses
Neelesh Chandola Oct 2017
A child wakes up , to mosquito bites,
and Christ-on-a-bike-it’s-diwali , the fiesta of lights.
the welcome vibes of halcyon tarried
as hugs and gifts and smiles are carried,
and waving her wrinkles mid-air ,daadi
says today! god , to his land was ferried.

Afar, the bronze herald of worship time,
the temple bell goes off in a celestial chime.
and cometh the priest , for the fire-ritual,
line my pockets now , come on , be spiritual.
but duh! your dhoti hast no pockets , saintly dummy;
tsk.. fret ye not , for it goes straight into my tummy.

mid-morning now , and mummy’s high-strung;
‘dust it well and dust it thorough and dust it till you burst a lung’.
‘garam pakode’ !! cries papa in his croaking tenor ,
‘but one by one’ and now he begins with the manners.
mummy is the last one , picking over the bones,
she always has been , for what a family she owns.

A muezzin somewhere cries the holy decree
heads bow down and a pigeon flies free,
from the onion dome , below the staccato claps
‘Ooparwala ! … ‘ the muezzin gasps ,
and ‘Ooparwala!.. ‘ a crowd chants in tow ,
and ‘Oops ! … ‘ the bird sheds it’s something and *****
soars high , and takes a bow .

hey presto! the night has come.
the moonless night of the homecoming lord.
sweetmeats and sugars and syrups and us ,
laddu-barfi , well , that strikes a chord .

Lakshmi , her owl , the glutton god with his mouse ,
revered an’ pleased an’ fed an’ flattered ,
and coaxed never to leave the house
while out there , bombs and crackers burst and batter.

The witch’s hour already , and the man ain’t home yet
the lord is home , to get things straight,
while the men all out on a greedy conquest;
pennies on the dollar , unwavering faith still,
for the beckoning bait .

A child wakes up , to mosquito bites
gone now is the carnival of lights.
a goddess fled , a father bled
a child scrapes off the waxy remains ,
the leftovers of candles ,pains, and no gains.
Seated beside you in a bicycle rickshaw,
eventide of your last New Delhi day
gathering itself all around us.

Silk from my sari encircles my head,
shoulders warmed by a winter shawl.
Your heavy beige mantle and dhoti,
frame a man as tall as a tree, at least to me.

There is no need for words.

I may have been singing a bhajan to you,
just quietly, as shop lights came on
in the deepening blue.

Perfection finds us in the briefest of moments.

Wherever you are now, timelessness
governs friendships formed
in the Land of the Veda.
©Elisa Maria Argiro
MdAsadullah Nov 2014
As I sauntered on banks of Yamuna at night.
I saw a man old, bent, with stick in dhoti white.
Tardily, step by step as he came nearer to me.
With joy I smiled as our own beloved Bapu was he.

With tears in my eyes I asked, ' Bapu you are still alive! ,
those three bullets holed your chest, how did you survive?
What happened to you? Where were you all these days?
What you ate? How you lived? Now where do you stay?

Condition of your beloved land is deteriorating day by day.
Countrymen have left your path, they have gone astray.
Your image, your killers are trying to malign and degrade.
Berating your ways, encouraging means which you forbade.

******'s advocates on chariots are traversing Nation's length.
Day by day Fascism is gaining ground , gaining strength.
Disguised as followers of Sri Ram, deeds of Ravan they do.
Riots and killings are frequent, women and minors are targeted too.

Terrorism nourishing on terrorism, cruelty at its worst.
Targeting anyone, anywhere, time and again bombs burst.
Once a land of peace, land of sufism, land of saints,
now ******. Innocent souls being killed without restraint.

Regionalism is being encouraged and taking roots.
Unity of the Nation selfish politicians reduce and dilute.
Corruption is increasing everywhere and in all spheres
Even highest office of respect could not keep itself clear '

Passing his hand over my head he smiled and said '
I am just a spirit, long ago my weak body was dead.
Daily with expectation I rise and daily with despair I die
Daily my hope is shattered and daily with grief I sigh

They may have killed me but now I live in numerous hearts
They may write me down in history yet my message will dart.
See this flag, colour saffron is dear to me, colour green I love.
between them is colour white, colour of peace, colour of dove.

Nation divided in three hurts me more than bullets three
From casteism and regionlism country should be free.
Communalism should not be allowed to raise its ugly head.
With sword of constitution Fascism we need to behead '

Three sound disturbed the calm, beloved Bapu fell on the ground
I went to help but Bapu vanished with words 'Hey Ram' echoing around
Determined that this time his innocent blood will not go waste.
I collected his non-violent blood in my pen like ink with haste.
An old man clad in orthodox Indian Attire
Entered my bed room. His Pure and white
Dhoti was steeped in blood.
I asked him who he was. He said, ‘I won
Independence for you and Like Jesus
I shed holy blood to purify the Indians”
I asked him the reason for his coming
He said, “I want to establish a political party’
I said, “Your party and you will utterly be defeated”
He asked,” Do Indians forget my sacrifices and me”
“No. We have great respect for you and we remember
You in national festivals and in elections”
But we will not like you to come to power”
Why? He quite surprisingly asked.
“You always plead for truth, non-violence and honesty
And fight against liquor and corruption.
The Indians are really fed up with your principles.
Even your staunchest disciples will not vote for you”
I said and the vision disappeared most dejectedly.
I woke up from my dream wondering where
He had gone .I felt very sorry for the old man
Riddhima Jun 2018
Thirty three years Alexander lived
Shakespeare wrote his tragedies
the teacher near our house
...in dhoti turned twice
still ***** with yesterday's mud
goes for another regret
what am I doing?

The play was staged
clowns and faces with paint
their age twenty
The man next door
his face well known
for the cycle he drew across the world
where am I here?
The lunatic
in house arrest wants to breathe
showing the foolish thumb
to people on lanes
but what am I doing?

What am I doing? Doing what? Doing what ?
Till half past three into the night
the question haunts my ribs
A inadequate path, oozing with men flood
but all headless clouds
Am I one in them?
All my life I have been placing this head
The weared out head of mine
In one body
in another
Trying to look into the mirror
On which body does this head of mine
look like me
the word dhoti used in this poem is a garment worn by male Hindus, consisting of a piece of material tied around the waist and extending to cover most of the legs.
Ksjpari Feb 2018
When all the world is a giant burden,

Banerji sir, my colleague, a true SST Allen.

“Maan ki bat Modi ke Sath; rest other shun,”,

Says always my friend Banarji, never stun

Or stagger or startle, never remains barren.

Best friend who teaches Dhruvi and others Balkan,

Or India with psychology, without an apron.

Kenil, Hari, Bhavin, Shivani had some unban;

With Favourite dish of Dada, a fish; talks on Patan,

Sings hymns, buzzes about Mahakali one.

Says, “Your age is less than my profession.”

Scolds us, “Worst batch of year” – a Pun?

He is Bangali babu, wears dhoti, kurta even,

Talks about SST, and about doors wide open.

He is a Brahman, takes plausible action,

Wearing a chevron, is our Divine’s lion.

Meshwa, Diya, and Pitambar are clearly won,

With Aryan, Harsh, Nupur, Dishal and billion.

Let it be Shakespeare or Keats or Byron

He is through with all, has a great fortune.

Appreciates my Monorhyme and region

Never keeps quiet, but is pure bullion.

Dear to my students, Esha, Jeet or Rohan.

Prosper a lot is my wish, Oh! Aaron!
Friend, divine, teacher
judy smith Oct 2016
Designer Mandira Wirk gave actress Nimrat Kaur a regal look when she showcased her New Royals collection at Amazon India Fashion Week on Saturday.

Wirk showed 20 ensembles, including Kaur’s ivory drape concept sari with just a zipper, panelled gown with mother of pearls and dori work paired with a sheer cape.

“Her collection is so pretty and feminine,” said Kaur. “I love her clothes. This collection is called the New Royals... it’s bringing pretty back, beautifully enhancing the female body form. It makes you feel so light and pretty.”

Panelled anarkalis, jackets and capes, crop tops, jumpsuits and tapered trousers appeared alongside designer’s signature drape saris and dhoti pants.

Wirk, in a beautiful off-shoulder powder pink dress, said: “I wanted to get pretty back to the runway. It is pretty feminine, wearable and an extremely versatile collection.

“I have done lots of pastels...lot of capes, sleeves. So basically a very feminine and romantic collection.”

The range saw a heavy use modern details like wide pockets and deep waistbands paired with layers of French knots.Read more at:http://www.marieaustralia.com/plus-size-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Keerthi Sep 2019
Cropped lands replaced with concrete slabs
stomping on the chance of life,
cries over the dried sky and cracked earth
died in the drone of city life,
Red dust clung to his dhoti
migrating with him to the lush city
only to be swept away to the curb,
his feet traced the streets
soles and soul with holes
inflicted with pain,
anger filled the hungry stomach
only to burn some more.
HAPPY GANDHI JAYANTI.

An attorney at law, honest, with plenty of self- respect, today was born.

Tried he to assure all his countrymen would get cothes, water n corn.

But his main aim was to drive away the Brits n to Mother India, a free status adorn

Picked he, "Satya-Ahimsa" to achieve it; but she was often ripped off n torn;

In spite of the many difficulties, Gandhiji got her Independence; that he had, for Her sworn

His three piece suit he gave up; thereafter only a dhoti he had worn.

Thanks to the sacrifices of many many "senanis", on  15th Aug we saw, an independent morn.

Armin Dutia Motashaw
Vanita vats Sep 26
Two days were left
For my marriage
Every one was busy

Relatives were talking
They were joking

Some were cooking
Ready for feeding

Dustbin was full
I took the bin
Went to clear the tin

Suddenly I stopped
One life was breathing
On the heap of dumping

Too weak to walk
In state of gasping

I went back running
Brought a basket of canning
With a cotton clothing

To give cushion
To a young puppy

My relatives disagreed  for keeping
If it died
It might bring misfortune
"Throw it out
From where you brought"

My mother said nothing
I fed the life drop by drop
With a dropper

Till evening to our surprise
It came out from basket
It was moving

At night
It went to its bamboo house
We covered it with soft piece of cotton dhoti
To keep it warm
In that winter night

I checked twice
During that night
It was sleeping right

At early morning
I tried to take it out
But it was motion less
And breathing less

Every one told
To dump the body in dumping place

But how could I?
I was mother for one day

We buried not in hurried
In the soil
With few prayers
To make soul free
To rest in peace

— The End —