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Thou know'st my praise of nature most sincere,
And that my raptures are not conjur'd up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern'd
The distant plough slow moving, and beside
His lab'ring team, that swerv'd not from the track,
The sturdy swain diminish'd to a boy!
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along its sinuous course
Delighted. There, fast rooted in his bank,
Stand, never overlook'd, our fav'rite elms,
That screen the herdsman's solitary hut;
While far beyond, and overthwart the stream
That, as with molten glass, inlays the vale,
The sloping land recedes into the clouds;
Displaying on its varied side the grace
Of hedge-row beauties numberless, square tow'r,
Tall spire, from which the sound of cheerful bells
Just undulates upon the list'ning ear,
Groves, heaths and smoking villages remote.
Scenes must be beautiful, which, daily view'd,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years.
Praise justly due to those that I describe....


But though true worth and virtue, in the mild
And genial soil of cultivated life,
Thrive most, and may perhaps thrive only there,
Yet not in cities oft: in proud and gay
And gain-devoted cities. Thither flow,
As to a common and most noisome sewer,
The dregs and feculence of every land.
In cities foul example on most minds
Begets its likeness. Rank abundance breeds
In gross and pamper'd cities sloth and lust,
And wantonness and gluttonous excess.
In cities vice is hidden with most ease,
Or seen with least reproach; and virtue, taught
By frequent lapse, can hope no triumph there
Beyond th' achievement of successful flight.
I do confess them nurseries of the arts,
In which they flourish most; where, in the beams
Of warm encouragement, and in the eye
Of public note, they reach their perfect size.
Such London is, by taste and wealth proclaim'd
The fairest capital of all the world,
By riot and incontinence the worst.
There, touch'd by Reynolds, a dull blank becomes
A lucid mirror, in which Nature sees
All her reflected features. Bacon there
Gives more than female beauty to a stone,
And Chatham's eloquence to marble lips....


God made the country, and man made the town.
What wonder then that health and virtue, gifts
That can alone make sweet the bitter draught
That life holds out to all, should most abound
And least be threaten'd in the fields and groves?
Possess ye therefore, ye who, borne about
In chariots and sedans, know no fatigue
But that of idleness, and taste no scenes
But such as art contrives, possess ye still
Your element; there only ye can shine,
There only minds like yours can do no harm.
Our groves were planted to console at noon
The pensive wand'rer in their shades. At eve
The moonbeam, sliding softly in between
The sleeping leaves, is all the light they wish,
Birds warbling all the music. We can spare
The splendour of your lamps, they but eclipse
Our softer satellite. Your songs confound
Our more harmonious notes: the thrush departs
Scared, and th' offended nightingale is mute.
There is a public mischief in your mirth;
It plagues your country. Folly such as yours,
Grac'd with a sword, and worthier of a fan,
Has made, which enemies could ne'er have done,
Our arch of empire, steadfast but for you,
A mutilated structure, soon to fall.
Frieda P Apr 2014
Fed upon your metaphors
        like a zombie's lust for blood
howl'd at the moon in your
            verbose verbiage's alliteration
piece by piece, like Frankenstein's
              monster you conjur'd me whole
  ****** out the guts and laid me
         flat in ghostly passages twisted cravings
  dwelling 'tween light and darkness
         assimilated in your inky draft
   dancing amuck within your tangled webs
       just the other side of nightmare's exposure
drinking in the sea of your heaving tidal steamers
           punch drunk in phantasmal's obsession
high voltage flipped me over like an abstract
               Dali painting's w*e
  I come away ghastly satiated,
              macabre though it may seem
  thrills and spills in every tempting morsel
            of affecting poetry's sinful appetite
...

Thou know'st my praise of nature most sincere,
And that my raptures are not conjur'd up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern'd
The distant plough slow moving, and beside
His lab'ring team, that swerv'd not from the track,
The sturdy swain diminish'd to a boy!
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along its sinuous course
Delighted. There, fast rooted in his bank,
Stand, never overlook'd, our fav'rite elms,
That screen the herdsman's solitary hut;
While far beyond, and overthwart the stream
That, as with molten glass, inlays the vale,
The sloping land recedes into the clouds;
Displaying on its varied side the grace
Of hedge-row beauties numberless, square tow'r,
Tall spire, from which the sound of cheerful bells
Just undulates upon the list'ning ear,
Groves, heaths and smoking villages remote.
Scenes must be beautiful, which, daily view'd,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years.
Praise justly due to those that I describe.

...

But though true worth and virtue, in the mild
And genial soil of cultivated life,
Thrive most, and may perhaps thrive only there,
Yet not in cities oft: in proud and gay
And gain-devoted cities. Thither flow,
As to a common and most noisome sewer,
The dregs and feculence of every land.
In cities foul example on most minds
Begets its likeness. Rank abundance breeds
In gross and pamper'd cities sloth and lust,
And wantonness and gluttonous excess.
In cities vice is hidden with most ease,
Or seen with least reproach; and virtue, taught
By frequent lapse, can hope no triumph there
Beyond th' achievement of successful flight.
I do confess them nurseries of the arts,
In which they flourish most; where, in the beams
Of warm encouragement, and in the eye
Of public note, they reach their perfect size.
Such London is, by taste and wealth proclaim'd
The fairest capital of all the world,
By riot and incontinence the worst.
There, touch'd by Reynolds, a dull blank becomes
A lucid mirror, in which Nature sees
All her reflected features. Bacon there
Gives more than female beauty to a stone,
And Chatham's eloquence to marble lips.

...

God made the country, and man made the town.
What wonder then that health and virtue, gifts
That can alone make sweet the bitter draught
That life holds out to all, should most abound
And least be threaten'd in the fields and groves?
Possess ye therefore, ye who, borne about
In chariots and sedans, know no fatigue
But that of idleness, and taste no scenes
But such as art contrives, possess ye still
Your element; there only ye can shine,
There only minds like yours can do no harm.
Our groves were planted to console at noon
The pensive wand'rer in their shades. At eve
The moonbeam, sliding softly in between
The sleeping leaves, is all the light they wish,
Birds warbling all the music. We can spare
The splendour of your lamps, they but eclipse
Our softer satellite. Your songs confound
Our more harmonious notes: the thrush departs
Scared, and th' offended nightingale is mute.
There is a public mischief in your mirth;
It plagues your country. Folly such as yours,
Has made, which enemies could ne'er have done,
Our arch of empire, steadfast but for you,
A mutilated structure, soon to fall.
When deep indigo night
Releases magickal stars from the sky
And tenderly brushes them upon
Your mischievous smiles ~


Herself's stroked by this peculiar
View; then little naughty thoughts start
To conjur an irresistible wish borne inside her
*****: "You ~witty man~ deserve one lovely
Kiss on the left cheek." Then another one!


A kiss that's rarely seen ~ a soft one ~
A passionate one! Juicy, yummy charm ~
Resembling a wanton scented humidity
On the beautiful cherry blossoms day ~
On the other one. Right now!


Then at last our lips are lit; as wild
Woods strawberries ~sweet taste~ comes after
They bathe in the warmest sunshine rays.


Waiting to be consumed with
Adoration and gratitude. We are a gift! ~
To one Another. . . I hide bluntly in each
Others Love; and so do you.


We ~lost within our eyes~
Diving to unknown and unrevealed
Dephts, levitating above mysterious
Corners of shadows and light. . .
Only our souls know of.


At last, my love!
We humm, my heart is yours ~
Mesmerized; your heart is wide ~
We kiss, we breathe, oh my!*


To live, to dream a thousand times
And never forget: to live ~to love!
Imagined by
Impeccable Space
Poetic love
Connor Oct 2016
I (fabrication)

Arthur Quincy folds his arms together
Sensing that interfering desire again!

Cant shake this fugue
Or forget the bad stuff he used to take/
Its a lingering presence/

The residual ash in his eyes blinking coffins & dazzling premonitions to the other smalltown poets writing in
Their kitchens to the sound of
Wheatgrass dancing outside in June and
A vacuum's warm considerate hum
From upstairs.

Post office on strike and
Cars being made with straw MAN he thinks
What happened here???
The day crossed out with faulty watches
And parkbench *** fantasies
& the crude laughing regular here
Sipping his tea
Wondering if he'll ever be as much a hit with the ladies as he was in the 1970s

Former beggarman Quincy lays himself out in an empty parking lot feeling invulnerable to the snow

As it collects over his shirt he whistles a happy tune from a date he went on before

The great sourness shelled him out of
Social fulfillment.

Now he keeps to himself
Making stories out of his bedroom and
Crying
crying for
His first love &
The laundry place shut down now wheres he gonna go/

Old Quincy used to smoke expensive tobacco but has since decided to save it for whenever he remarries. Or a brilliant morning where the neighbor sleeps in so he can sleep in too.

The view from his window is a continous rotation of wet crows who peer in and for a brief moment see the man's hands to his head making sure his hair hasn't fallen off yet..
House walls heavy with age
expose themselves occasionally
With an after image of past inhabitors,
The essence of their dry lips
Or olive cotton sweaters hanging from a rocking chair,
The enthusiasm of a corner lamp
Unappreciated by all
Past and present.

II (veteran romantic)

Arthur Quincy shelters his mind from strange ideas
Or conspiracy he hasn't "lost it" yet at least!

He has a hobby of painting the active society and
Expresses mood as colorful clouds
Floating out the skull of us to
Blend in an energy pollinating the
Deli and antique shop and yoga studio
V A P O R
to be swallowed by accident and catch the empathic disease of the
Depressed and jubilant simultaneous,
Makes easy living confusing and
Impossible to achieve in an absolute way!
He carries this belief
When interacting with others
Arthur Quincy understands
That balance is key to fulfillment
(so far as his life is concerned)

However, hardly anyone has seem him laugh and so assumes he doesn't have the ability to.
In reality he saves his joy and holds it to lift his lungs from despairing all day long to be released
Late afternoon in the comfort of home
As a display of feral bellows and supernatural ecstasy. This seems somewhat overromantic and exaggerated but someone has claimed to have had the rare pleasure of witnessing it!

Arthur calls the same address once a week, an anonymous voice speaks from the line opposite and while mysterious
It is clear he adores this voice. He adores the unacted subtlety and passion in this voice.
He smiles when he hears this voice which is simply enough.

Nearby those naive poets use Arthur as a muse sometimes too directly
Often referencing rumors of his hermetic life
Or retreating into his headspace
Unrealistically blowing his experiences into fable
And turning even his stirless sleep into a fabulous fruitbasket of language.

On the surface he appears forlorn and
Bitter with the winter gradually molding to his skin. Like anyone can tell you he has felt this before! Haven't you? But through all the stories and impossibilities of Arthur he is reserved in his
Knowing of important things. He is reserved in revealing that he not only knows how music sounds but where music comes from. He never reads the newspaper out of habit to feel in-the-know. He never lies about his feelings or his intentions.
Arthur exists in the
Glow of himself
And persists on breathing the glow of the street,
He is a wordless poet and veteran romantic.

III (funeral)

One day Arthur passed away a few weeks from Thanksgiving.
His name put on the paper he never read
And examined by a young girl
Who was only hearing of him now.

"Arthur C. Quincy/ 73/ passed away this Saturday. To be remembered as a quiet and misunderstood man envigored with the lightness only percieved by a rare and special few"

This description came as a surprise to those who knew Quincy as the claustrophic and uninteresting grump
Who's sidewalk idlings were unexplained and strangely hostile.

He saw the sky and its shifting canvas,
He saw the distant cats leaned on balconies impressed with the daytime ambiguity in firestations and libraries.
He would conjur a grin
From the passive conversation between a mother and her son.
He once saw two strangers fall for each other on the bus! A conjoined sun had bloomed between them.

Just a few attended the funeral. Upon inspection of his house following Arthur's death, someone found a will left for Helen Ashbury. A 55 year old woman who lived a three day drive away in Michigan..An identity to his weekly telephone fantasy!
It assumed all of his belongings to her, among them a military grade flashlight with his carved initials, a photograph of his time as a lumberer signed to "Peter! All the best in Costa Rica" and a copy of W.C Williams collected poems. Where folded on page 206 as part of the poem "Orchestra" was highlighted

"I love you. My heart is
innocent.
         And this is the first day of the world!"

Eventually Helen Ashbury received the news of Arthurs passing, as well as these things.
At the sight of the poem she wept,
the man she only knew through a voice after years of correspondence.
Upon being questioned she refused to explain their meeting in the first place. That was a special time, a time which the public would misinterpret or slander with rumor.
While Arthur wasn't widely loved in the town during his life, he was a popular topic from death on. As more information came out! Serving in world war II and his companionship with a parisian ***,
Who shared the wonder of the rooftop and spoke on the value of tea as a food replacement.
He once met a girl there at a dance and in a show electrified with lust they moved to Lucienne Boyer without the knowledge of who would win the war.
He had a son with her, Who resided in France most of his life as Quincy regrettably
Abandoned their situation to
Pursue other things, in his journal he admits his wish to have connected with him more, referring to his leaving as the worst mistake in his life.
All of this masked behind his firm neutrality. His walk lacking suggestion and his wrist without the delicacy of a painter (not that people knew he painted and so didn't pay attention to anything like that)

He was buried by noon. Some say his son was at the funeral. People gave their partings, and Helen wanted so badly to say goodbye to him. Instead left with his curios and his infinite voice.

IV (i'll be around)

The following year at a yard sale Helen came across a series of musty and used records. In the stack of them was a Cab Calloway compilation. Nestled in his desperate wailings and hi-de-** was the track "I'll Be Around" a slow and patient song that Arthur sang to her once. She recalled that night with ease, and felt her shoulders sink at the thought.
The album was $4, on the drive home she watched the trees shake with the wind, their leaves transluscently pale at the angle she was going. She could feel a weight there in her chest. The weight of him, of his heart supposing itself onto hers magnetically. She rolled down the windows and let the wind surround her, blowing her blonde hair back and forcing her to squint a little.

"I love you. My heart is innocent"

she recalled the poem he left for her. Of course not written by him but it felt as deeply personal as if he had.

"-and this is the first day of the world!"

Helen lifted a cigarette out from her purse. The drag extinguishing immediately as it's trail left the car. A bewilderment slowly consumed her.
nightwatch
moon shadows
toss
moon tides
turn
what time is it
nightwatch
flip the pillow
tuck it here
tuck it there
nightwatch
creep quietly to the couch
to read until
night sounds conjur
a mystery . . .
images fade
welcome the dream
dogs barks
why do we have dogs
check the nightwatch
daybreak
sigh
what compells the day so quickly
when there has only been a
nightwatch
We have our insomniac routines.  This is mine.
E B Sep 2015
"Do you see the sky?" I asked
as I waited for a response.

I waited,
and waited
and waited.

I realized that there wouldn't be one,
because the conversationalist
I speak to
(in my head)
has left.

The sun sets to the north of the mountains,
if you're standing in the front yard it's hard to see.

But I see it when I dream,
when I think of happier things,
I wonder why I feel so distant,

I wonder why when I pull my irises back into the socket where they sleep.

"Do you see the sky?" I asked
You responded, finally,

with the most dismal response one could conjur

"that I do."

When all I wanted,
was to share it with you.
Olga Valerevna Jan 2016
We're not as much apart as we are broken to the core
The blood upon my hands is somehow covered up in yours
And if I turn to water you will never want to drink
Then let me be forsaken by the thoughts in which I sink
I told you all my secrets both in person and in soul
But I can't be responsible for where you long to go
It's only in the stillness that I conjure up the words  
To tell you that I loved you in a way I wasn't sure
I've asked the time to grant us more than we could ever bear
So I would have a chance to make it up to you, I swear
The past cannot be changed and so the future goes astray
but I don't want to tempt you to just walk the other way
For I can bathe in showers that are hotter than you make
But if you fall asleep then I'm the only one awake
What am I to you?
Gaius C Jan 2015
That feeling, everyone says is a lie,
could I write it away, how come
you, too, found it this way---
some passing storm to be chased away,
a temporal destruction, playing behemoth
to my thoughts--- but, the blood on the walls
speaks of a painting,  a kind portrait, doing
nothing but well, not lying and conniving, but
for some good with me striving.

That face grinned, as I fell, but my heart no difference from love
could tell,
my love wishes us eternal, thinks the chance supernal, and i know
no doom, she could spell.

What will it take for these walls to collapse, the melting turns,
of an imbibed night,
A warm veil , of hazy write, or some harder conjur to hide my soul from plain sight--- I once thought, from love they might, but their frames nothing but lies would invite, now false windows of false horizons fill my heart, and these false images start my plight.

Deceitful suns in my sight, they fell, and i wished on every dying light,
as the world ended, fell to the chagrin of skies
I thought of you, and waited, like i always do,
I threw up one last kite

She's not coming but she might
I watched my hope battle the air like sand,
and truth tattered my joy, and charred my last strands,
I awoke.

I started towards the hallway, but left to the truth of night,
going to place, I passed everywhere we'd been
not done, thought i've done it before i cant make it private
to become a poet all you need is time
conjur up some words and put them in to rhyme
you can make a love poem of or something you have done
maybe one of humor giving people fun

dosent matter what you write it is up to you
to become a poet this is what you do
you can reach the world with the words you wrote
as around the internet your poems begin to float.

making many friends while along the way
you can read there words and what they have to say
poetry as power and can reach the whole world  through
they can see the words that are wrote by you.
Little Wren Oct 2017
I put on arcade fire and smoke and try to conjur the exact point in time
I became this way.
Right when it all rusted down and snapped and changed everything
inside of me.
I was formed from the salt of an ocean side town.
Rivulets of moon and star caked to the sound of waves,
pallid scape of sands.
It took all I had to not be washed away every night
fantasizing of forgotten wreckage with my soul plummeted deep
never to be recovered
That town stood quavering
listening to the winds change and the insects shift
as if we were all sitting on our last breath of air
From that acquiescence it takes moments like these
to recall how I broke
How I became the sad little girl,
How every granule of salt is still clinging
to the inside of my eyelids,
Asking me to sleep
So I can dream of things out of existence
That make more sense
Than this.
Alicia S Azahar Aug 2019
I see you, but I’m unsure if you’re aware,
That same look you’re giving her, was once the same look you gave me,
Your eyes close in on her beauty, captivated by her essence,
You gaze at her for one second too long, and are suddenly caught off guard by my glare,
You pause for a moment, trying to conjur up a clever excuse as to why your eyes were fixated in that direction,
Unsure of your approach, you swiftly turn your head calculating any vantage point you can find,
Hesitating for a brief moment, you pause to gather your thoughts,
Your tongue is heavy, words stuck to the roof of your mouth like sap on a tree,
You take a deep breath, allowing the air to cool your nostrils,
But before your premeditated words can spew out over your lying lips,
They are cut off instantly by my mine,
“She’s beautiful isn’t she?”
Caution warns you to dismiss my statement,
A huge lump forms at the back of your throat, but you’re reluctant to swallow it,
You want to agree with me, but past arguments urge you to tread lightly,
“She’s okay, not better looking than you!”
I laugh, but not in an amusing way,
I’m disgusted by your dishonesty, embodied by cowardice,
You never could be honest with me, as much as you wanted to you just couldn’t,
My eyes search yours with disappointment, but then suddenly I look away,
Your hand reaches for mine, but I angrily ****** it back; hurt, broken, jealous,
Regret sadly escapes your lips, gently brushing my ears,
I revert back to those words you’ve declared to me over the years in my head, but why can’t I believe them right now?
This one critical moment when I need to believe them the most, fall on deaf ears,
Uncertainty showering down on me, drowning my assurance,
And in this moment I realize I’m insecure.

— The End —