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"chekhov" poems
Wild rose, aggressive usurper, relentless conqueror of attention, quarrels wants to make me jelous, pretends  she is nothing but poetry distilled, stops at every table and whispers: "He is hard prose, the syntax, I can't grasp" Unmindful of sly looks from various corners, that in fact suggest, I had good riddance, I am concerned about the clutter on my desk, that escaped my notice during the days I was in that chasm I was deeply in to Dostoevsky, my cleansing ritual on such occasions: the Russian masters when she passed my cubicle she spies Chekhov lying on my table, waiting his turn "The lady with the lapdog"* she reads aloud, with suspicion would she ever understand, what Dostoevsky to me, would have told?
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Aug 16, 2013
Aug 16, 2013 at 12:06 PM UTC
The Woman with a Lap Dog
Chekhov and Murakami came to me in short spurts of memory; as if the life of a keyboard was a retro invention sinking the ancient sea bona fidelis. Temper Fidelis and sorry larks wish upon the galoshes you wore to repeated proms instigated in large moral distances between burning barns (it's a dangerous hobby). Starved for trapped frogs with claws and violence was a question answered in blood so two wrongs made a state of nothingness free of wrong or right (***you nihilistic ***** she suggested a better drink to pick at Starbucks: 'a flaming frappucino at 140 degrees.' (what are you, some angry Russian aristocrat contemptuous of an English wife T-minus a decade ? )close-bracket) God is sick of two things: my continued and addicted references to Judaeo-Christianity and the dragged sympathy of humanity for his lost son ("it's been 2013 years for Chrissake") you melt on me like a strange evening spent with a stick of butter self improvement 46% complete
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Oct 4, 2013
Oct 4, 2013 at 5:19 PM UTC
seminar (or, Chekhov and Murakami)
Chekhov and Murakami came to me in short spurts of memory; as if the life of a keyboard was a retro invention sinking the ancient sea bona fidelis. Temper Fidelis and sorry larks wish upon the galoshes you wore to repeated proms instigated in large moral distances between burning barns (it's a dangerous hobby). Starved for trapped frogs with claws and violence was a question answered in blood so two wrongs made a state of nothingness free of wrong or right (***you nihilistic ***** she suggested a better drink to pick at Starbucks: 'a flaming frappucino at 140 degrees.' (what are you, some angry Russian aristocrat contemptuous of an English wife T-minus a decade ? )close-bracket) God is sick of two things: my continued and addicted references to Judaeo-Christianity and the dragged sympathy of humanity for his lost son ("it's been 2013 years for Chrissake") you melt on me like a strange evening spent with a stick of butter self improvement 46% complete
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Jun 27, 2013
Jun 27, 2013 at 2:06 PM UTC
seminar (or, Chekhov and Murakami)
I'm watching an old Soviet movie one without English subtitles the whole day it hasn't stopped raining the opening shots are of a foggy seafront, a lone figure walking a guy on a bicycle holding a puppy riding past someone leaning on the corner of a house in which the light suddenly comes on & a couple appear later on, a budding romance between two holidaymakers in this, the Crimea slow-paced, this movie reminds me of an Aki Kaurismaki & I want to share it with the world & muse on how the Crimea saw Pushkin, Chekhov, Mayakovsky amongst others visiting it's shores the whole day it hasn't stopped raining & I don't know if I feel even more English now or Russian or whether it's all just a trick
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Jul 26, 2015
Jul 26, 2015 at 3:35 PM UTC
Movie
The internal battle..eternal....(one from the vault) Lucifer and Jehovah dancing some mad bossa nova While angels on horse backs fought devils with black jacks The white dove of peace had surrendered his lease So God ripped off his wings.. he no longer sings Then the Devil ripped out his heart so it could end at the start. Wagner and Chopin got frightened.. ..and off they ran. But Beethoven and Bach were sat in the park Composing arias to fight Hells hot fires. While Chekhov and Handel burned coramandel But the smoke from that pyre stank like a byre. Socrates was sat dispensing the ethics Hippocrates swore while dishing out medics The Muses were musing one or two were enthusing Oooh look.. the good against sinner Let's go down the bookies and have a bet on the winner. Cometh the day cometh the morn Cometh the hour cometh the dawn. Here is Joshua blowing his horn And here comes Gabriel but all that he meets Are the countless dead lining up on the streets And the wounded and deathbound far far below I feel sorry for Gabriel I wish he could go. But Picasso arrives and cries My God it's my Guernica I'll do a pastiche Oh F*ck it he says and has a pastis (or two) Then Pollack turns up totally ****** Picks up a paint and says what I have missed? What a fantastic sight.. angels flashing demons crashing The hounds of Hell with teeth a gnashing Then Neptune arrives astride his watery chariot Scything through Demons and sat beside Judas Iscariot Mermen and mermaids mercilessly slayed By Beelzebubs prototypes Those that live in the black nights. But as the dawn breaks God knows what it takes So he sends for his legions calls out to all regions Take arms and do battle Till we hears Satans death rattle. And the heavens rip asunder to the sound of the thunder. Satan rings on Hells bell.. tells them all is not well Then disappears from our sight as if he's turned off the light. Then I awake with a start knowing that I've been a part Of something vast something grand A spiritual war being fought in this land I am alive and I shall survive. PRAISE BE.
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Feb 6, 2013
Feb 6, 2013 at 9:08 AM UTC
The internal battle..eternal
The internal battle..eternal....(one from the vault) Lucifer and Jehovah dancing some mad bossa nova While angels on horse backs fought devils with black jacks The white dove of peace had surrendered his lease So God ripped off his wings.. he no longer sings Then the Devil ripped out his heart so it could end at the start. Wagner and Chopin got frightened.. ..and off they ran. But Beethoven and Bach were sat in the park Composing arias to fight Hells hot fires. While Chekhov and Handel burned coramandel But the smoke from that pyre stank like a byre. Socrates was sat dispensing the ethics Hippocrates swore while dishing out medics The Muses were musing one or two were enthusing Oooh look.. the good against sinner Let's go down the bookies and have a bet on the winner. Cometh the day cometh the morn Cometh the hour cometh the dawn. Here is Joshua blowing his horn And here comes Gabriel but all that he meets Are the countless dead lining up on the streets And the wounded and deathbound far far below I feel sorry for Gabriel I wish he could go. But Picasso arrives and cries My God it's my Guernica I'll do a pastiche Oh F*ck it he says and has a pastis (or two) Then Pollack turns up totally ****** Picks up a paint and says what I have missed? What a fantastic sight.. angels flashing demons crashing The hounds of Hell with teeth a gnashing Then Neptune arrives astride his watery chariot Scything through Demons and sat beside Judas Iscariot Mermen and mermaids mercilessly slayed By Beelzebubs prototypes Those that live in the black nights. But as the dawn breaks God knows what it takes So he sends for his legions calls out to all regions Take arms and do battle Till we hears Satans death rattle. And the heavens rip asunder to the sound of the thunder. Satan rings on Hells bell.. tells them all is not well Then disappears from our sight as if he's turned off the light. Then I awake with a start knowing that I've been a part Of something vast something grand A spiritual war being fought in this land I am alive and I shall survive. PRAISE BE.
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48
~I remember... ~For my two sisters Future lovers Are not knocking on my doors, No line ups Around the corner Of my house; The ladder to my window Lies injured On yellow Lawn Not nurtured, Down bellow. On the Queen Anne arm chair Ashes of my Fabulous years, Wireless affairs, No strings Unattached To my violin. Sketches in the **** Of lovers past Are shivering, Longing for my tapestries, Trying, in vain, to hide Under sad sepia. Portraits, I promised To paint To Dorian Gray. May still age Given just a little More time. On the stage I, Manon Lescaut, die, Only sixteen - Poor Knight De Grieux Just another year, please, That I have not for sale Anymore. Pastels and aquarelles Turned monochrome; Chronos Doesn't stop here For a single moment - Walks all over. In the middle of my chaos 23/7 (What's an hour glass Or more?), Sleeps Master Behemoth. His fur coat Once luxurious black Has specks of grey, One white whisker; So are three of my hair. Wise Sybilla? I don't think so. It's not what It used to be, my Master Let's go out To the open Let's breathe, Let's see new cats. On the chopping block, Let's lose our heads Let's get lost. Let's elope together The weather Should be Just rainy-fine For the Requiem, For the funeral. Tree Sisters gone To the Cherry Orchard, Uncle Vanya, again, Left alone on the estate. Seagull, before rain Flies over my head For the last time. Author Notes Two of my sisters are gone already. Anton Pavlovich Chekhov's plays: Three Sisters Cherry Orchard Uncle Vanya Seagull ...To name just a few. Manon Lescaut by Abbe Prevost, two operas as well, one by Puccini, one by Esprit Auber. "A woman like Manon can have more than one lover."  The Picture of Dorian Gray - Oscar Wilde
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Oct 14, 2010
Oct 14, 2010 at 2:07 PM UTC
Cherry Orchard
~I remember... ~For my two sisters Future lovers Are not knocking on my doors, No line ups Around the corner Of my house; The ladder to my window Lies injured On yellow Lawn Not nurtured, Down bellow. On the Queen Anne arm chair Ashes of my Fabulous years, Wireless affairs, No strings Unattached To my violin. Sketches in the **** Of lovers past Are shivering, Longing for my tapestries, Trying, in vain, to hide Under sad sepia. Portraits, I promised To paint To Dorian Gray. May still age Given just a little More time. On the stage I, Manon Lescaut, die, Only sixteen - Poor Knight De Grieux Just another year, please, That I have not for sale Anymore. Pastels and aquarelles Turned monochrome; Chronos Doesn't stop here For a single moment - Walks all over. In the middle of my chaos 23/7 (What's an hour glass Or more?), Sleeps Master Behemoth. His fur coat Once luxurious black Has specks of grey, One white whisker; So are three of my hair. Wise Sybilla? I don't think so. It's not what It used to be, my Master Let's go out To the open Let's breathe, Let's see new cats. On the chopping block, Let's lose our heads Let's get lost. Let's elope together The weather Should be Just rainy-fine For the Requiem, For the funeral. Tree Sisters gone To the Cherry Orchard, Uncle Vanya, again, Left alone on the estate. Seagull, before rain Flies over my head For the last time. Author Notes Two of my sisters are gone already. Anton Pavlovich Chekhov's plays: Three Sisters Cherry Orchard Uncle Vanya Seagull ...To name just a few. Manon Lescaut by Abbe Prevost, two operas as well, one by Puccini, one by Esprit Auber. "A woman like Manon can have more than one lover."  The Picture of Dorian Gray - Oscar Wilde
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90
V. the ballad of briseis my heart is of the flesh of figs, and that which i cannot touch: grainy sweet garnet nectar pretty to behold but easy to bruise no god shall speak for me, briseis for this fig-heart, like the heart of man craves art as it does god and though i know you not by name, but only pseudonym: blood, words, and love, we are kindred souls i'd like to believe that we are cut of the same cloth hewn of the same mound of clay (or cast into the same iron, i suppose for we became one another's anchor the day we met) i once told you, my dear briseis, that if you taught me symbiosis i would teach you love for you found pragma in philosophy cold markov's blankets freud's ego, plato's cave whereas i found pragma in alchemy's poetry chekhov's gun freud's neurotics, plato's human it means nothing. the alchemy lies beyond the chemicals, beyond the seed and the egg, beyond our festivals of atonement, beyond my prima materia and your unfulfilled magnum opus it lies in simple interdependence, the oceans, the heavens, the forests, the deserts, the storms, the famines, the herds of wildebeest, the colonies of ants, the beady dew on the spider web and the purling river shallows, our acrid mouths yearning for mother's milk, the boy who makes us cry at night, the fiery logs roaring against the cold air, the hoot-owls and the faces on the wall (our skeletons never did stay in the closet) bathed in that slow, hideous wonder those interplays of love and symbiosis as i drown and die in reverie once more pray that the stakes may be forever higher that i find those eternal elysian fields so long as our achilles lives to fight again we are more alike, than you or i would ever dare to admit, briseis so humor this fig-heart: hold me and tell me that it'll be all right
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Jan 19, 2021
Jan 19, 2021 at 11:57 PM UTC
iliad, a poem | no. 5
V. the ballad of briseis my heart is of the flesh of figs, and that which i cannot touch: grainy sweet garnet nectar pretty to behold but easy to bruise no god shall speak for me, briseis for this fig-heart, like the heart of man craves art as it does god and though i know you not by name, but only pseudonym: blood, words, and love, we are kindred souls i'd like to believe that we are cut of the same cloth hewn of the same mound of clay (or cast into the same iron, i suppose for we became one another's anchor the day we met) i once told you, my dear briseis, that if you taught me symbiosis i would teach you love for you found pragma in philosophy cold markov's blankets freud's ego, plato's cave whereas i found pragma in alchemy's poetry chekhov's gun freud's neurotics, plato's human it means nothing. the alchemy lies beyond the chemicals, beyond the seed and the egg, beyond our festivals of atonement, beyond my prima materia and your unfulfilled magnum opus it lies in simple interdependence, the oceans, the heavens, the forests, the deserts, the storms, the famines, the herds of wildebeest, the colonies of ants, the beady dew on the spider web and the purling river shallows, our acrid mouths yearning for mother's milk, the boy who makes us cry at night, the fiery logs roaring against the cold air, the hoot-owls and the faces on the wall (our skeletons never did stay in the closet) bathed in that slow, hideous wonder those interplays of love and symbiosis as i drown and die in reverie once more pray that the stakes may be forever higher that i find those eternal elysian fields so long as our achilles lives to fight again we are more alike, than you or i would ever dare to admit, briseis so humor this fig-heart: hold me and tell me that it'll be all right
Continue reading...
66
And she reads Chekhov in the bathtub thinking that 19th century Russia must have been visually interesting, but literarily dull, writing overstuffed with description and repetition. It's pungent perfume pleasant at first, but soon overbearing. She never made it through Anna K. either, and only conquered Ilyich for academics sake. Swimming in the long winded, emotional descriptions, all she could think, was of what Northern ancestor decided all Russians should go by three names and what cunning linguist adored 'V' and 'Y' to such extent that he proclaimed they should be used as much as humanly possible. A popularized,  sadistic joke for a younger brother with a speech impediment.
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Jan 5, 2014
Jan 5, 2014 at 9:28 PM UTC
Chekhov in the Bathtub
i have come to discern a great breach a chasm that stands between apprehension of the world and the world itself like some character in a play by Chekhov, perpetually seeking answers yet, offering no truths... as an eternal madness, a seeking, ever seeking, yet accomplishing neither end nor resolution a tune, played almost to conclusion, missing that final chord, so that we see, that life has, tampered... (as grief enters, stage right) "line please..."
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Nov 17, 2011
Nov 17, 2011 at 10:38 AM UTC
the unexpected frost has killed the cherry blossoms
Everyone is anxious For Chekhov’s gun is still on the wall It has not been fired And we are soon approaching the next act What do they wait for? A provocation?! Dear college age white boy (Not unlike myself) Your pseudo-nihilism bores them We all know these things are just for show Besides we see how much of an elitist you are And how little you understand the words you are saying If Nietzsche’s life were recast You’d be the man beating the Turin Horse Why does he say such things? Does he understand the human mind, the human condition?! We all wait for the collapse to come And all of its children to return home For we are already all aliens to each other And we know what sweet flowers can grow from ashes If life is to be a garden I intend to be a worm Does he really mean that? We can see in his eyes he is not convinced How long have we been going in these circles? Or is it true that I am unique in this regard alone? Every philosopher Every poet Every self perpetuating artist has their bag of tricks I have whatever I can pillage Everything that can be said Has already been said He am going back into the gallery And drawing mustaches on all the faces And as the audience leaves Chekhov’s gun remains untouched, suspended by a thread And this time only There are no deeper meanings
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Aug 30, 2018
Aug 30, 2018 at 2:11 PM UTC
A Genealogy of Corals
Anaphora I feel for you Anaphora I like you Anaphora I met you at a party Anaphora I didn't think you'd remember me but Anaphora I found out you did when you asked about Anaphora I had told you about Anaphora I remember you wanted to know Anaphora I think there may have been something Anaphora I something deeper at play but Anaphora I'm not quite sure Anaphora I may look like I have it all, but a large part of me remains underdeveloped, I'm not sure how to map out the chart of my feelings, if you remember me now, please Anaphora I say something, please reach out again over Anaphora I over that black void and find me, alive, waiting patiently by the phone for your ring, Anaphora I or your words to save from doubt Anna Foura, I feel trapped, like some protagonist from an old Russian book, probably approved by Chekhov, I lie in wait playing dissonant jazz and idle daydreaming, I miss you ana Foura I feel for you anaphora.
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Aug 4, 2022
Aug 4, 2022 at 1:23 PM UTC
Epistrophy
and suddenly i was in tears the shock set in like the sun sets down like a gun left on a table waiting for Chekhov's cue the sickness crawled in and the tears trickled out as i came to the fact that i was completely alone
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Apr 13, 2013
Apr 13, 2013 at 2:24 PM UTC
Chekhov's cue
He rubs me raw Not with his hands No, not anymore Not as often But with his words From the outside, in The tears coat my eyes Its the middle of class Yet my thoughts aren't on Chekhov But on how close the day is to done Which terrifies me more than It probably should
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Oct 20, 2014
Oct 20, 2014 at 2:17 PM UTC
Raw
Pavlov must be getting old; His ears keep ringing and he's can't stop, Can't stop his own spit-up drooling self. His dog isn't as well trained as he thought, But Pavlov has run off the pages and fallen out of energy To do anything but listen to a worse bark than bite His dog is chasing Schrödinger's cat, he thinks, But he can't go to the window to check, can't go to see That perhaps he's only hunting his own tail And down the hall, Aesop is telling stories to no one, His words floating across creaky floor board seas While Occam simply bleeds out in the bathtub. And Plato, in his man-cave, watches the tv flicker light and shadow While he wonders about the world he'll never know, Wonders about the ****** dog that won't stop barking. And Pandora is coming to collect her matchbox rent, Tears still in her eyes from a deck stacked against her, I guess 'cause Chekhov never loved her. He's holding a gun to his head, eyes clenched tight, He's wrestling with his own existence, Challenging the story his god has written. And Achilles is tripping on his own feet, And Montezuma has plugged the lavatory again While Maxwell bashes in another skull. And Pavlov must be getting old; His ears keep ringing and he's can't stop, Can't stop his own spit-up drooling self. And down the hall, Schrödinger still can't find that **** cat.
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Sep 28, 2016
Sep 28, 2016 at 4:49 PM UTC
Thin Walls in Apt. 4D
Hard to put into words the extent of grief. No cavalry of relief in sight coming over the hill. You, my son, those last days, so ill. Unlike you, you soldier like in life's fight. Death took you unaware that night and again the day after. No present mirth, no laughter, no Shakespearean drama set in tow, no Chekhov way with words, no Ibsen dark talk, just this, these words, and a blown from palm kiss. Silent words: we love and miss.
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Aug 24, 2014
Aug 24, 2014 at 2:10 AM UTC
LOVE AND MISS.
I wasn’t crying. I was hydrating my grief from the inside out. He said, “You’re not dramatic. Just detailed.” I said, “You’re not cruel. Just consistent.” We called that a compromise. (or else a hostage negotiation.) There’s glitter in my carpet from a party I threw to prove I wasn’t waiting on him. I wore white. Not bridal, but still white enough to make someone feel guilty. I lit sparklers like sirens, toasted survival. Nobody clapped. I collect apologies I don’t want, write scripts for confrontations that end in standing ovations, then lose the footage in a hardware crash I secretly caused. I take the stairs two at a time, just to feel something chase me. I text “I’m fine :)” like it’s a safe word— to keep the spiral polite. I rehearse the voicemail he never left like it’s Chekhov. Like if I say it right, the gun goes off and I disappear beautifully. At the end of the dream, he’s always wearing my hoodie— saying something tender, just slightly too late. And I wake up with eyelashes on my wrists, thinking— Maybe I am the problem. But God— you should’ve seen the poems.
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Apr 23, 2025
Apr 23, 2025 at 9:45 AM UTC
You Should’ve Seen the Poems
I read lots of Russian lit (in translation, of course) while in Viet-Nam I understood poor, young Raskolnikov And read all I found by Anton Chekhov Remembered nothing about Bulgakhov Heard naughty whispers about Nabokov Thrilled to the Cossacks in old Sholokov And then I learned about Kalashnikov – This, I decided, is where I get off! Moc Hoa (pronounced something like “mock wah”) is a now-prosperous town on the Song Vam Co Tay near the border with Cambodia.  In 1970 it was rather down at the heels and was a center of military activity, including mercenaries presumably controlled by the C.I.A.
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Mar 24, 2018
Mar 24, 2018 at 5:28 PM UTC
Russians in Moc Hoa (a Russia series, 61)
Dostoyevsky lies above Chekhov The yellowed pages of Marquez Stands aside in sad mood With hundred years of solitude From the bearded Tolstoy Peeps out an innocent boy For a small piece of land Just enough to rest in peace It's all a wildly strange mix Where Tintin rules over Asterix Hawking confuses the soul With time's history and blackhole On a pedestal Shakespeare loses might His musty volumes half eaten by termite Tagore not yet ready to lose his vigour Shines upon eyes with portly figure There's astronomy, history, magic and science Rubbing shoulders with morality and conscience Neatly stacked one upon the other Mostly crumbling by time's weather Ill preserved and not anymore read Muddled words lost in the head. But I only admire the tidying woman Who labours hard does the best she can Arrange them to restore their old glories If by chance someone reopens the stories.
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Mar 17, 2024
Mar 17, 2024 at 4:21 AM UTC
The Glorious