Childhood was the greatest time for Timothy, and he remembers it that way. No disposition on the fact that his parents divorced when he was eight. Just old enough to develop a mental connection with the idea of a union. So when he was ten, his father remarried, moved to a farm in the southeast, and tried living off the land. The topic of an ecological environment had hit the internet heavier than global warming hit the ice caps. And everyone was pursuing happiness with steep drops in city living, and an up swing in rural living.
Timothy's mom refused to believe it though. She wrote about such cultural climates, the invasion of neo-british pop boy bands, the decline of football, and the hippie lifestyle clawing its way back up the columns of big city papers. So when the recession hit, and it suddenly became cool to dress like a homeless person, she saw the disgust, moved overseas and focused on the world-political spectrum.
“Societal fads be ******! I'm going to do something that actually matters.” And she did.
Timothy Glasser, age 82 looks back on that moment with pride.
“There was a sense that she had the ***** to change the world. With Russia building up Imperial popularity, it was cool to be big. America was on the decline by the word of all the heavy-hitter magazines.
“That was when I started to take my life serious. She had shown me all the would-be Bob Dylans, Lennons, Hunter S. Thompsons. She would say, 'These kids have all the brass words of a ****** who can bite down ******* the world, but they don't have the actual brass. Men who are not recognized for what they've done have the brass. Hell, women have ten more pounds of that kind of brass!'
'I would laugh, but she was serious. I think she thought I was too masculine to understand what she was saying.”
When Timothy's father moved him and his little sister, Sunni Glasser out to the backwater community of Oggta-Cornelius, there was a certain relief in his demeanor. In a matter of months the country way of living had worn down his impatience to a sluggish pace.
“Greg was my father's name. He's been raised in a similar place in the Midwest, but the slowness of that life got to him in his teens so he left for the city. I guess when he met my step-mom he found the good ol' girl that he'd been trying to cling to since he left home. And it was Sunni's choice to come with us. She always had the same kind of 'brass' Mom had, but there was a closeness she shared with Dad that adventure couldn't break. It's a **** shame too. But once the slow pace of the backwater hit Sunni, she rebelled. It was a catastrophe to watch her and Dad argue over the most petty things you've ever seen. The way our step-mom, Claire would fold clothes or how early she had to wake up in the morning for school. Five o'clock, five days a week, and sometimes Dad would wake her on Saturday just to punish her for talking back. There was always blood in the water.”
Timothy's face settles, his lower lip curls, and his eyelids clinch for a moment before he changes his position in his chair.
“Is everything okay, Timothy?” I ask.
There is a pause, almost as if he is reliving what he was just describing.
“**** has always been real, you've been fantasizing.” I hear him say. He refuses to look at me, let alone answer my question.
“Mr. Glasser?” I ask again.
He exhales suddenly, eyes watery, and lets out a sigh.
“Let's talk about Sunni. I never really talk about her much, and I think now is a good time. Don't you?”
I nod in agreement and try to give him a smile.
He still refuses to look me in the eye.
“When Sunni was in first grade, she was beginning to prove to be a bit of a handful. There was a small patch of corn out back. Maybe half an acre Dad keep for us to put up for the winter. Sunni was about seven years old around this time and she had the idea to make crop circles. Now I was out with my friends, played football in those days so I didn't have the time to be home all the time. Dad and Claire kept themselves busy with the work about the place, so Sunni got bored real fast. One day during the summer, Dad went to the store to get some groceries. A friend of his came up to him and said, 'I was up in the plane yesterday and I saw something strange in your cornfield. Like some kind of crop circle. Weird ain't it?'
“This rattled my Dad's brain for a few minutes until he got home and saw the two-by-four with rope tied to either end of the thing. Sunni was staring at the clouds and Dad walked over to her, and yanked her up off the grass. 'What are you doing flattening my corn for? Don't you know that's goin' to save us money in the long run?” She just stared at him. Not dumbfounded, just intrigued.
“That was kind of the starting point of their bickering. She had blonde hair running to the base of her skull brushed down neatly. A subtle blush in her cheek from the sun. And she always wore a dress, especially if it had sunflowers on it. She brought life to that house.
“On her tenth birthday, Mom sent her a touch screen phone, an iPhone, I think it was called with a two-year contract. It was so long ago minor facts like that seem to hang on for no reason.”
Timothy shuffles in his chair. Then clears his throat.
“Would you like to take a break, Timothy?” I ask him.
“I ignored most of the arguments Sunni and dad had after I graduated high school. As soon as fall semester started at Cornelius College I fled the backwater and started by life near the OceanFront. Oggta-Cornelius was divided into two sections: the Backwater and OceanFront. And like a sports rivalry there was always trash talk about the tax bracket you were in or how much you worked. After the first few weeks for sneaking into bars and partying on campus, the fun died down because of the arrests. I almost got caught twice, but my sixth sense for trouble tingled at just the right time. When the middle of the semester hit I was over-booked with mid-terms and reading assignments. I actually lived in my dorm then. Never really left the place. And soon fall semester was over. Nothing worth mentioning now. Sunni and I texted often, but she had become a brat and I wanted alone time to learn what I'd read. For everything literary to go beyond just test and quizzes.
“But right towards the end of the semester, one morning I was walking to an early exam and on the ground was a kid, a little older than me lying there looking up at the sky. I had the urge to walk up and ask him what he was doing, but it felt too rude so I left him. I kept walking and heard a voice call back to me, 'Hey, guy.' I turned around, 'Yeah you, come here.'
“I walked up to him, he motioned for me to kneel beside him.
'What day is it?
I told him it was a Monday.
'Really? Wow, must've fell out watching the stars with this gir--'
He reached to his other side, feeling for a body, but no one was there. He never broke eye contact with me.
'Well, with his lovely imaginary girlfriend I have. Her name's Elsie. She's a charm.'
I helped him up and he left without much of a goodbye. A disrespectful mysteriousness. And I didn't see him again till the weather warmed up in the spring semester. Which was a repeat of the fall.”
Timothy asks me for some water. I started to feel like I'm one of his grandkids. How far in the trunk of memories is he going for this information?
“Thank you. Now the next time I saw Alan was in a smoking gazebo along a walking path on campus.
'Hey, guy!” he shouted, getting my attention. I walked back to the gazebo, coughing as the smoke roughhoused it's way into my lungs. He had those circular shades on, like the one John Lennon wore back in the day. A tie around his head, a light blue button up shirt that hung loose off his think frame. His hair was long and parted, and he sported a straggly red and black beard.
'Top of the morning, ta ya.' he said, putting out a cigarette on the tray. I opened my mouth, but all that came out was coughing.
'Course, the Irish don't really say that. It's actually quite racist, but I'm half Irish so no skin of my knuckles. I'm a mutt.'
“He smiled with such pomp. The arrogance was so natural, it fit him like his face. Other people around him were having conversations about Samuel Beckett, John Irving, Stephen King, and Jimmy Hendrix tripping acid together in the great T.A.R.D.I.S. in the sky. I remember laughing at that. They were all smiling at the ludicrous actuality of it happening. And it was late evening.
'Stay! Be silly and merry with us!” he shouted. I held my breath and sat down. I never made it to the rest of my classes that afternoon or for the next week. Alan and I chilled in my dorm, burned incense and plotted a protest. The whole time I was telling him he had to be literal with the cause. It couldn't be just because the college bookstore sold shot glasses, but confiscated any paraphernalia they found in the dorms.
'*******,I say. It's hypocritical and a scam. Like police pulling you over for going two-miles over the limit because they need to feed their kids. It's a Darwin rip-off.'
“Later that week he took my phone while I was sleeping, got my number, and Sunni's too. He never asked if he could come over after that night. He just did.
'I thought it was cool since we had a good time.'
"I didn't know what to say so I let it continue. His reason for stealing Sunni's number still baffles me. He said he thought she was a girl I was into. She was my sister, he was right in his own way. It was a while before he ever texted her.
“The next time I saw him he told me, 'I feel like a clockwork man running on thousands of gallons of caffeine.' I laughed at him and told him to stop reading Burgess.”
I stop Timothy for a moment. “Anthony Burgess? The author of A Clockwork Orange?” He nods and goes back to the story.
“You know, with the Second Cold War flaring up again I don't think it's wise to be worrying about an old man like me. This has been a century of second fillings. There are still Hipsters running about. This makes me feel no better. I want to go home.”
“Alright Mr. Glasser, but can we reschedule? I need to finish this article.” As he rises out of the chair, he agrees and goes for his coat.
“One more question, Mr. Glasser. Can you give me another quote from Alan? A bit of closing for this bit?
He turns around and looks me in the eye for the first time since the beginning of the interview. He squints his eyes at me and says, “When we would hang out at the gazebo where we actually met for the first time, and after that week I got back in the habit of going to class and doing my work. As I would leave I'd say, 'Alright man, I'm off to class, to learn and stuff.' He'd moan about it, and say, 'Look at him now, growing old and dying young.' Behind that same pompous grin."

We writers are insane.
All of us.
We revel in our own sad mess
While picking green grapes
Off the wallpaper,
Smecking away like mad
At the wondrous juices
Of the imaginary, judicial
Forbidden Fruit.

We, like Hemingway,
Take our scotch in the morning
And our gin at night
And try with brutal, lashing effort
To make it through
Everything in-between.

We have put ourselves in shoes
We will never be able to walk in.
We must walk miles as
Linguists, as
Assassins, as
Outsiders, as
victims, as
AIDS sufferers, as
Brutalizers of women.
We must deal with their pain
As if it were housed in our own entity of being.

J.D. Salinger wrote that
His literary son, Holden,
Wore a “people-shooting” hat and
Made it **** clear that he suffered from wild
And erratic fits of overwhelming depression.
Writing from a bunker
Far from his wife, kids and home,
His stories sparked ****** in the hearts
Of already oppressed men
With “people-shooting” hats of their own.
We must toil with language;
Put it in the corner,
Love it, hate it,
Shift it and slave daily with it.
We must lose hours upon hours upon
Days of sleep
Before we find ourselves
Dangerously asleep at the wheel in front of us
In order to make the slightest change in our regular ways.
Even then,
Our handwriting only becomes sloppier
And our words,
Only fiercer.

Kaysen, alone in a psych ward
With women who slept around and
Tried to maul each other,
Wrote diligently
To try to release the the demon
Boiling the very blood inside her veins.
But demons do not disappear easily
And unfortunately,
Neither do the tortuous memories.

Even today,
They attempt to label me
With words of the disturbed.
Anxiety
Floods my synapses and neurons.
Depression
Happily urinates on my serotonin levels.
I bring myself to write
The effigy of the ******
Day by day
As my pen scratches paper
And the doctors expect razor to scratch skin
Though it never has
And never will.

Writers are psychos.
We all are.
We remain the mad, psychotic, literate monsters
Who worm our ways
Into your head.
We nestle beside your dreams and fantasies,
Waiting to strike
And tear them apart or,
If you’re lucky,
Build them up.
A woman writer named Sylvia
Once put her head in the oven
Because the writer-demons were driving her to madness
And they wouldn’t leave her be.

Handling us is a torture
Only the most eloquent and experienced reader
Could enjoy.

Love Always,
Salinger and
Plath and
Kesey and
Vonnegut and
Burgess and
King and
Sandburg and
Snicket and
Hemingway and
Palahniuk and
Kaysen and
Gaimen and
Green and
Trumbo and…

Holtry.

1.
Before I knew he had.
His flight trailed off into a Utah
Sunrise. He left behind a little strand
Of thought, and, in a cramped, amber room that saw
Long talks of topics that soon thinned grey,
A set of dog-eared books has been put down.
Books that brought nearer to my thought his own,
While Interstate-5 grated the ground.

2.
He must have, as the plane touched the runway,
Felt the dawn’s shudder fracture his young bones,
His thoughts turning to those dog-eared days;
The seemingly endless months full of groans,
As they should have been, being spent alone;
And that set of books, at least it would seem,
Ignited the wick on which our passions gleam.

3.
These six years past since they took him away
Held minutes like a needle in plied dust.
There’s something in the spring that brings decay:
The outward beauty of the world just
Clouds the mind’s loss within the spinning gust
That all the blooming flowers usher in.
Then the rain comes...

4.
As the 5’s scratch cracks up the drying earth,
I recall Nietzsche, Guevara, Burgess:
Men who’d not anticipated births
Inside my brother and I like cypress
Trees, evergreen and coniferous, we
Drop seeds year-round. The setting Utah sun,
Barely audible, gasps in the copse.
He’s with me now. What’s done is done.

before I knew he had.
His flight trailed off into a Utah
sunrise. He left behind a little strand
of thought, and, in a cramped, amber room that saw
long talks of topics that soon thinned grey,
a set of dog-eared books has been put down.
Books that brought nearer to my thought his own,
while somewhere Interstate-5 grates ‘cross the ground.

I sleep there still, although I left for good.
That house to this day asks me where he was.
Their smiles, the little comfort that they could
give, were emptier than their words. Often
I feel the vague pulse of their ragged stares –
torn, threadbare they unravel in the air
to mask their faces: that inner decree
which shades the truth. Where and how’d they ever grow wrong?

He must have, as the plane touched the runway,
felt the dawn’s shudder fracture his young bones,
his thoughts turning to those dog-earing days.
The seemingly endless months full of groans,
as they should have been, being spent alone.
And that set of books, at least it would seem,
ignited the wick on which our passions gleam –
slate-grey regards.

These six years past since they took him away
held minutes like a needle in plied dust.
There’s something in the spring that brings decay
here. The outward beauty of the world just
clouds the mind’s loss within the spinning gust
that all the blooming flowers usher in.
Then the rain comes –
in spitters and spats it spins the spire.
When gone the white-wick’s still on fire.

As the 5’s scratch cracks up the drying earth,
I recall Nietzsche, Guevara, Burgess.
Famed men who’d not anticipated births
inside my brother and I like cypress
trees, evergreen and coniferous we
drop seeds year-round. The setting Utah sun,
barely audible, gasps in the copse.
He’s with me now. What’s done is done.

Pamela, I suppose,
Has taken one too many lines
And has given birth to a child
With a few extra mental arms and legs.
Green trees and
Vietnamese agent orange
Fell into her lungs a bit early
As she painted her portraits
And found her ideal of love in mine.
Women, I’ve found,
Have quite the strange way
Of making change.
We can’t all be  Elizabeth Stantons
And Sylvia Plaths.
We can’t all be the bra-burners,
The Vietnam-Veteran spitters
That this generation of tetosterone-enticers
Has emerged from.
Pamela, like so many other long-haired,
Nail-painted beauties before her,
Lost herself in an opus of *******
And promiscuity
That brought her down
To a level terribly under
Those of substantial criminals.
As Burgess wrote, “You were not
Put on this Earth just
To get in touch
With God.”
Pamela, I suppose,
Failed at just the same,
Became a Russian spy
And illuminated a flame of displeasing energy
In the heart of my breathless being.

In the land of Coleridge and his Ancient Mariner,
    In a time of coal fires, wooden boats and horsepower,
There is a story of the Lynmouth Lifeboat Louisa
    And the night horse and man over 13 miles pulled her.

Two of the afternoon clock struck a chime,
    On January 12th, 1899.
The wind howled and the sea it roared,
    Flooding ports and railways, taking off windows and doors.
The ship, Forest Hall, with masts a three
    Was being towed up Bristol Channel with a crew of 15.
Bound for Liverpool, at St. David’s Head she cast off,
    But the wind, it blew stronger and the waters grew rough.
Suddenly the cable grew taught and then snapped,
    The tugboat immediately came about to get back.
For over an hour they tried to re-fix the line
    But the storm was upon them, they had run out of time.
Captain Uliss made haste to anchor at bay
    But another obstacle was thrown in their way.
The rudder of the Forest Hall was broken by a squall,
    To the mercy of Poseidon and ****** they were all.
The ships’ anchor dragged, no purchase it found
    The ship was headed for Exmoor’s rough ground
At 6:33pm a telegraph was sent
    From Porlock to Lynmouth the Postmaster went
“Large vessel. Distress. Offshore Porlock”
    Five minutes later the first signal rocket went off
Out into the pounding rain they ran
    Those lifeboatmen and locals to lend them a hand
The waves loomed over the watch tower on the pier,
    Then crashed down in fury which deafened the ear
“Tis hopeless” the Coxswain, Jack Crocombe, said he
    “ain’t a crew in the service who could launch safely”
“From a more sheltered station we’ll call a new boat”
    And to the post-office they went, to send a telegraph out
Tap, tap, tap on the Morse key he pressed
    But nothing was happening, there was no line left
Blown down by the storm, and all hope with it,
    “The duty is ours, but we cannot fulfil it”.


Part 2:
“The duty is ours, it’s us or nobody” he shouts
    “it can’t never be nobody, go we must”
The protests did start, and questions did fall,
    But the Coxswain had an answer to silence them all
“Now, I know that we can’t launch her from ‘ere”
    “but it’s thirteen miles to Porlock Weir”
The voices were shouting, no one knew what to do
    But the Second Coxswain’s voice carried on through
“Jack, we’ll need ‘osses, every ‘oss can be spared”
    “if we got enough power, we’ll get her there”
The choice had been made, the die had been cast,
    The crew had a plan, a solution at last
Around came the Lifeboat Louisa, so grand
    Standing 34ft long and 7ft wide on land
3.5 tonnes was her unladen mass
    The add thirteen crew, oars, rigging and two masts
The shafts had been fitted to the carriage with ease,
    Rarely used but kept in the boathouse for needs
The horses were hitched, the carriage coupled on.
    In total, the train was one hundred and thirty foot long
“Right then” said the Coxswain “let’s be off”
    “up Countisbury Hill!” but as soon as they started, they stopped.
The horses did not pull together as a team,
    The wheels were stuck in the parapet, of the bridge over the stream
In minutes it was fixed, and it started again
    This time all horses were pulling the same.
Up Countisbury hill, they walked on and on,
    Until they reached open ground, then the protection was gone
The rain thundered down; the wind raged again
    Still the team kept on going, the pace slow and same.
All of a sudden, the carriage plunged to the right,
    A four-foot wheel came off, then rolled out of sight
“There’s a wheel off!” the cry rang “get them scotches under!”
    It was the front offside wheel that was causing this blunder
Nearly forty minutes it took to replace the wheel
    Still the great storm refused to heel
But then they were off, nearly conquered the hill
    But many more challenges faced them still.
The Blue Ball Inn marks Countisbury Hill peak
    And hot cocoa and brandy helped restore the weak.
Now they pressed on, ten miles to go.
    They were making good progress but painfully slow.


Part 3:
The rain had stopped, the lamps shone bright,
    This brave crew continued through the night.
The party had by now reached Ashton Lane
    Where their troubles soon were to begin again
On this narrow road, the walls were strong and thick
    Impassable for the carriage, but Coxswain Jack had a trick
“We’ll pull the boat through the lane on the skids”
    “The carriage can go o’er the moors with the kids”
So once again horse and train were detached
    A new plan at work, only recently hatched
Eight horses pulled the carriage away,
    Leaving ten to continue to Porlock Bay.
The boat was pulled down Ashton Lane
    Later, all men agreed this was the worst part of the way.
Mud underneath, and walls closing in
    Barely inches to move and soaked to the skin
Boast, horses and carriage finally together again
    Made their way onwards, leaving the lane
Half past one, on that stormy black morn
    County Gate was passed, conversation was born
The crew started talking, spirits, they grew
    But a challenge was coming and this they all knew
Porlock Hill was coming their way,
    Navigating this death path was tricky even in the day.


Part 4:
Porlock Hill, as the locals say
    Is the devil incarnate come night or day
But the brave men from Lynmouth at the top they stopped
    Safety chains, drag ropes and skid pans were fitted against the clock
Four horses at the front to control the bends
    Ten at the back plus men to see this through to the end
Down the twists and turns the crawled
    On the drag ropes and harnesses, man and horse hauled
Round the last corner “We’ve done it!” “We’re down!”
    Sighs let out, smiles put on, it was an inspiring sound
Then all at once, morale took a plunge down,
    As they stared at the entrance to Porlock Town.
Old Widow Washford had a cottage this end,
    It would be impossible for the carriage to round the bend
The wall of the garden would have to come down
    So, the crew started trying to widen the ground
“What are ye thinking at this time o’ night?”
    “How dare ye start bangin! Gave me a fright”
Old Widow Washford’s head poked through the door
    Was there no end to the troubles faced on this moor?
Once again, the Coxswain had the answer and said
    “Don’t worry, we’re just widening the road dear. Go back to bed”
The old woman was dressed and out in a flash
    Shouting encouragement, soon the wall was hashed.
Six inches more, they needed to pass
    The corner of the cottage came off at last.
Five of the clock struck the morning chime,
    For most people here, that was rising time.
Out of the town, and past the Ship Inn
    The last part of their journey was soon to begin.


Part 5:
Half past five when they reached Porlock Weir
    They were soon stopped by people when drew near.
“You can’t go no further” the Anchor Hotel Landlord said
    “the road’s gone, Jack, to the beach, nothing’s left”
Only half a mile stood ‘tween the crew and their goal
    They would not let this stop them, oh no.
The top road they took, almost as narrow as Ashton Lane
    An exercise none of them wanted to repeat again.
The train drew on, till they reached a tree
    An old Laburnum standing between them and the sea.
Down it came and then back on their way
    The light was beginning to turn night to day.
The boat reached the beach, the flares had been lit,
    The ****** poised with their oars, ready to hit.
Holding the stop, Second Coxswain yelled “HAUL”
    And down shot the Louisa, into the squall
The oars struck together, through the roaring sea
    Sails hoisted, oars beating, wind blowing hatefully.

It was on the morning Friday 13th January,
    That Lifeboat Louisa of Lynmouth launched at Porlock from Countisbury.
Ten and a half hours, over thirteen miles
    This crew and their boat had endured many trails
The Forest Hall was reach, her crew all safe
    Back to the mainland they made at pace.


Jack Crocombe, George Richards, Charles Crick, Richard Burgess,
    Richard Ridler, David Crocombe, Bertram Pennicott, William Jarvis.
George Rawle, William Richards and John Ward
    John Riddler, E.J. Peddar and Richard Moore.

All of them crew members on that historic day
    And for this they are remembered in every way.


But I give my thanks to the crew mate who gave this story to me,
    My Great Great Grandfather, Lynmouth Lifeboatman
        William Sellick Pugsley.


Sophie J Pugsley
Great Great Granddaughter of crewmate William Pugsley of the Lynmouth Lifeboat Service.

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Replica Bunnies grow to be sexually develop fully from between 16-24 weeks old.

Baby bunnies or even 'kits' are delivered right after 30-33 times carrying a child and kitten dimension varies from 4-12.

To protect yourself from mis-mothering or perhaps desertion, the particular nest area mustn't be troubled as well as the small packages ought not to be dealt with right up until they're weaned about 7-8 many days of aging.

Nuking Rabbits usually are abundant breeders and attention should be come to stay clear of undesired litters. Neutering not merely helps prevent unnecessary matings, but in addition can make the two really does in addition to cash less territorial along with intense. On top of that, is equipped with an incredibly high-risk connected with developing uterine tumours if not neutered.

Money will be castrated via in relation to 5 many months of age. A general pain relievers is provided along with either ****** are usually removed from an incision made around the *******.


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That climbing ratitude
In nightly interlude
And moral turpitude
Eats all the birdy-food

(I haven’t thought up an appropriate amphimacer [yes, I had to look that up] “ude” rhyme for the destruction of a bird feeder, but if I do it will go here)

Thus shows his gratitude
Oh! What an attitude!
I speak with acritude
Thus ends this platitude





For the true adventures of Billy Possum, see Thornton W. Burgess’ wonderful Mother West Wind stories.

Thanks to L.B. for a correction - Mr. B's possum is Billy, not Johnny.  No wonder Billy sometimes hisses!

The only light on is the bug zapper.
It's ultra violet
Is ultra violent
As Burgess might say.
You're here with me
Quivering, we lay
between a ***** sheet
Until our eyes meet
Then I know you're leaving
Me for the ultra violet light
I didn't really fight
I just watched you flutter
Clumsily charmed you mutter,
"Why can't I stay away from death?"

Then I stabbed the bug zapper
All vengeful and full of tears.
Now, there are no lights on.

I once fell upward into the Sun,

...the warmth that it supplied.

Skin-tanned and tingling a triumphant feeling,

...pores of my form they cried.

I felt the heat and heard the roaring as the orange punched through my lids...

It sapped my will, took it out of me, took away all that I could give,

I opened my eyes and she smiled at me and pointed at our kids.

I joined in laughter from taunting thoughts while Panis cried along in jest,

...we fructifying day of love effusive halls burgess.

The titmouse, finch and chickadee and a lonely swallow,

then butterflies, the moon and bees came to our hidden hollow,

...along with the nightly grotto.

We found ourselves part of the stars placed in the magic show.

Then round the tree love as we go,

...for as in life; you never know.

There is no more first- class lady than Sally in
“The third watch”, the actor Sudduth (1)
Didn’t let one down, Daniel (2) and Bosco (3) at once if
You like they are ready to be in SWAT!
And now about the Police of Chicago—
How charismatic is Henry Voight (4),
As I see it the film is the super- saga,
Leroy (5), Dawson, Olinsky, Atwater (6)
Lived in this state, I’ll admire as Kevin: “Yow, Bro!”
This film is more smart than “Harry Potter”,
Kim and Erin (7)  are better than Monroe (8).  
“Southland” is also full of copes
They would serve as examples to ours
(This film placed itself at the head of TOPs):
Shawn, Regina, Lucy, Salinger—at last.
{2019}

(1) Skipp Sudduth (born in 1956)
(2) Coby Bell (born in 1975) acts Davis in the serial “The third watch”.
(3) Jason Wiles takes Davis’ part.
(4) The actor Jason Bex in  Henry’s role.
(5) Leroy Brown is from Croce’s song “Bad, bad  Leroy Brown”.
(6) John Seda (born in 1970) is in Antonio Dawson’s role; Elias Koteas is in Elwin Olinsky’s role and La Royce Hawkins (born in 1988) is in Kevin Atwater’s role.
(7) Marina Squerciati (born in 1984) is in  Kim Burgess’ role and Sophia Bush (born in 1984) is in Erin Lindsay’s role.
(8) Marilyn Monroe (1926- 1962).
(9) Shawn Hatosy (born in 1975) is in the detective Sammy’s role, Regina King (born in 1971) is in Lydia Adams’ role, Luci Liu (born in 1968) is in  the  role of the policewoman Jessica and Michael MacGrady (born in 1960) is in Daniel Salinger’s role.

* * *
Посвящается актёрам сериалов
«Третья смена», «Южная
территория», «Полиция Чикаго»
Нет класснее Салли в «Третьей смене» –
Ведь не подкачал актёр Саддат(1)!
Дэвиса(2) и Боско(3) не заменят –
Хоть сейчас они готовы в SWAT!
А теперь – к «Полиции Чикаго» –
Как харизматичен Генри Войт(4)!
Этот фильм, по-моему, супер-сага:
В этом штате в песне жил Лерой(5)!
Доусон, Олински и Этуотер(6) –
Восхищусь как Кевин: «Йоу, Бро!» –
Лучше этот фильм, чем «Гарри Поттер»,
Ким и Эрин(7) круче, чем Монро(8)!
В «Саутленде» тоже много копов,
Кто пошли бы нынешним в пример
(Этот фильм возглавил списки ТОПов):
Шон, Реджина, Люси, Салингер(9)!
{10.04.2019}

1.Скипп Саддат (р. 1956);
2. Роль Дэвиса в сериале «Третья смена» исполняет Коби Белл
(р. 1975);
3. Роль патрульного Боско играет Джейсон Уайлз (р. 1970);
4. Роль Генри «Хэнка» Войта исполняет актёр Джейсон Бех (р.
1960);
5. Лерой Браун из песни Джима Крока «Bad, Bad Leroy Brown»;
6. Джон Седа (р. 1970) в роли Антонио Доусона, Элиас Котеас
(р. 1961) в роли Элвина Олински и Ларойс Хоукинс (р. 1988) в роли
Кевина Этуотера;
7. Марина Скверсьяти (р. 1984) в роли Ким Бёрджес и София
Буш (р. 1984) в роли Эрин Линдсей;
8. Мэрилин Монро (1926 – 1962 гг.);
9. Шон Хэтоси (р. 1975) в роли детектива Сэмми, Реджина Кинг
(р. 1971) в роли Лидии Адамс, Люси Лью (р. 1968) в роли полицейского
Джессики и Майкл МакГрэйди (р. 1960) в роли Дэниэла Салингера.

Is there no understanding of history today
Are we going into a real Clockwork Orange
Why do we as people, have to repeat and believe
We repeat the worst historical times; blaming them on cycles
Cycles that we create in the name of anything, but the truth
We believe whatever feels right to our own personal thoughts
Beliefs, that are created out of misunderstood words and actions
Why, oh why, can't we ever learn
Why can't we do the right and truthful thing...?

Nobody was injured during this BRAIN RANT!!!
Agree or not...  I don't give a sh}¥
Not really true because this made me cry
Well not cry.  I just laughed so hard I cried
Just can't take the craziness without a little BRAIN RANT!
Sorry....  No, I'm not.  Felt good!

“It's funny how the colors of the real world only seem really real when you watch them on a screen.”
― anthony burgess, A Clockwork Orange

Brian Hill - 2019 # 200

". . .THE WONDROUS ARCHITECTURE OF THE WORLDE. . . ."

I laugh
the road over the Hog's Back
closed because....it melted

was the sun ever so
back in your day
eh Kit?

and what do I read
Mr. Marlowe?
why words, Kit, words

that word magician
Dr. Burgess he presumes
to bring you back

to life again
and so it seems
I see your blood Kit

streaming in the firmament
nay only a Deptford sunset
dragged screaming from memory

your blood upon the page Kit...
mere cherry juice it
stains the words

and so to Deptford I
do go
thanks to Madame Remembrance

I a poor
purveyor of poetry
clutching at words

and here
a great reckoning
not  in a little room

but on a lost street
staining the scene
a sickly yellow

and so enough
of Prologue...
Act 1 begins

a smiling ruffian
see his knife smiles too
the blade eager for blood

alas I
in so much pain I
have no fear of death

indeed would welcome
the flicked knife
if it would release me

from my life
a man prepared
to die if it be so

"Come live with me and be
my love..." I doth quote
in my best Passionate Shepard

"Wot?" he wots
scared of my insouciance
the ghost of Marlowe by my side

ahhh he the very villian
a scar from eye to smile
he aims to do the same to me

"Where, rogue... did
they get thee?" I mock
"VILLIANS 'R' US?"

Marlowe's ghost laughs
"Aye lad...aye lad
to him!"

"Only one of us..."
I warn my hellhound
"....will come out of this alive!"

I pause for effect
"And I'm afraid
it won't be( hee hee ) thee!"

I take a determined step
towards my would-be
now trembling killer

who all this wordage
being too much for him
he flees

ahhh the glint of words
defeats the glint of steel
he my would-be-not-to-be-death

"What God or Feend, or spirit of the earth,
Or Monster turned to manly shape
Or of what mould or mettle he be made...?"

I declaim to an audience
of cats and cans and
other streetly filth

I...I. . .unable to
find the next line
and so I etc., etc., etc.

and once more
I am of Guildford yet again
30 years or more away

and there melts a road
upon the Hog's Back
and I laugh to be alive

"Doth teach vs all to have aspyring mindes:
Our soules, whose faculties can comprehend
The wondrous architecture of the worlde.."

Collaborate with Society, By Chris.
                  In the world of our benefactors or such, others calling
                        Others collaborators.  As if such a term were,
                             Shameful.
                            I ask you, what greater endeavor exists than
                                That of collaboration?
                            For example in our current unparalleled enterprise
                               Refusal to collaborate is simply a refusal to grow
                                Which some insistence on suicide if you will.
                                       Did the lungfish refuse to breathe air?
                                              It did not,  
                                    It crept forth boldly while its brethren
                                                            rema­ined in the
                                             Blackest ocean abyss.  
                                     With lidless eye forever staring at the dark.      
                                         Ignorant, is it not? Doomed despite their
                                                       internal vigilance.          
                                            ­ Would we model ourselves on the
                                                                ­trilobite?
                                        Would that mean all accomplishments of
                                                       humanity
                                         Could fade, nothing more than a layer of
                                                     broken,
                                          Plastic shards, thinly strewn across a fossil
                                     Bed, sandwiched between a burgess shell, and
                                              Eons worth of mud? In order to
                       Be true to our nature and our destiny, we must aspire
                                                 to
                            Greater things we have outgrown our cradle.
                    It is feudal to cry for mother’s milk when our true
                                        sustenance
                        Await us, Among the stars!  Therefore I say yes! I am
  a collaborator! We all must collaborate, willingly, eagerly, if we
                 expect to
              Reap the benefits of unification. And reap we shall!  Civic
       deeds do not go unrewarded,  and contrary wise complicity
                          with people's cause  will
      Not go unpunished. So please, be wise… Be safe, be aware.
              We have plunged humanity into free-fall...
Now, is the moment to redeem ourselves.

©  Chris .B 2017

Well, okay, it’s out there in the back yard
Where on display you’ll see: old boonie hats
Uncool, but good when working in the heat
And cotton khakis from the discount store

Just washed, and drying in the summer sun
Admired by every Merry Little Breeze 1
Skivvies and socks sewn in Cambodia
And work shirts stitched together in Viet-Nam

Nothing by Versace or Calvin Klein
Just old clothes drying on the old clothes line


1 Thornton W. Burgess’ Mother West Wind stories

". . .THE WONDROUS ARCHITECTURE OF THE WORLDE. . "

I laugh
the road over the Hog's Back
closed because....it melted

was the sun ever so
back in your day
eh Kit?

and what do I read
Mr. Marlowe?
why words, Kit, words

that word magician
Dr. Burgess he presumes
to bring you back

to life again
and so it seems
I see your blood Kit

streaming in the firmament
nay only a Deptford sunset
dragged screaming from memory

your blood upon the page Kit...
mere cherry juice it
stains the words

and so to Deptford I
do go
thanks to Madame Remembrance

I a poor
purveyor of poetry
clutching at words

and here
a great reckoning
not  in a little room

but on a lost street
staining the scene
a sickly yellow

and so enough
of Prologue...
Act 1 begins

a smiling ruffian
see his knife smiles too
the blade eager for blood

alas I
in so much pain I
have no fear of death

indeed would welcome
the flicked knife
if it would release me

from my life
a man prepared
to die if it be so

"Come live with me and be
my love..." I doth quote
in my best Passionate Shepard

"Wot?" he wots
scared of my insouciance
the ghost of Marlowe by my side

ahhh he the very villian
a scar from eye to smile
he aims to do the same to me

"Where, rogue... did
they get thee?" I mock
"VILLIANS 'R' US?"

Marlowe's ghost laughs
"Aye lad...aye lad
to him!"

"Only one of us..."
I warn my hellhound
"....will come out of this alive!"

I pause for effect
"And I'm afraid
it won't be( hee hee ) thee!"

I take a determined step
towards my would-be
now trembling killer

who all this wordage
being too much for him
he flees

ahhh the glint of words
defeats the glint of steel
he my would-be-not-to-be-death

"What God or Feend, or spirit of the earth,
Or Monster turned to manly shape
Or of what mould or mettle he be made...?"

I declaim to an audience
of cats and cans and
other streetly filth

I...I. . .unable to
find the next line
and so I etc., etc., etc.

and once more
I am of Guildford yet again
30 years or more away

and there melts a road
upon the Hog's Back
and I laugh to be alive

"Doth teach vs all to have aspyring mindes:
Our soules, whose faculties can comprehend
The wondrous architecture of the worlde.."

And so as the vicious street punks and the droog crews make merry in the modern cities of ultra fashion, so I dress to impress and clash in the streets.

Hammer and Brass knuckle, chains and living by the switchblade life.

Speeding lights and Burgess printed the method.

Savage young punks.

Sword duel for honor long gone out the window now, guns are for the classless, if you have a hate-on for someone, fist to fist or blade to blade, bat to bat and blood to blood. Look em the eye if you want to shed some flesh.

Bowler hats and commando boots, canes, bats, bruises and blood.

Real flash horrorshow, savage young punks, the dreams of youth wasted on the violence of wide eyed children, children of the digital era who grew up as latchkey kids, who grew up feeling isolated and had no healthy outlet for that anger.

Anger is an energy, the birth of the atomic bomb.

The homegrown domestic terrorist.

Suddenly violence seems less romantic and street gang fights for respect and turf turn to stray bullets raining down across the nation, homes and schools, churches and weddings.

We still love our violence.

Years ago before one of my friends was married or had children we hung out a lot and were best friends. I visited her at her apartment one evening to socialize. She had her other best friend there too and the three of us ordered a pizza.

When they delivered the pizza they brought the wrong kind of pizza so we ended up getting an additional free pizza because they delivered another pizza free of charge. Now that is a good pizza place.

After eating lots of pizza we had some drinks and our conversation at one point shifted to the subject of Batman. Someone asked, "What is the name of the actor that played the Penguin in the original version of Batman?"

For some reason no one could remember the name. All three of us took turns trying to remember the actor's name but no one could remember the name . Several different names were suggested but none of the names were correct.

All three of us were laughing our butts off because we were blurting out all tbese different names of actors but none of them were the correct name. The name escaped all three of us and it seemed to be on the tip of my tongue but I couldn't get to it.

I remember at one point in desperation to spit it out and come to a conclusion I blurted out, "Cloris Leachman!?" which is actually a female actress.

We had fun that night and our conversation was on many different topics but several times during the evening it shifted back to the guessing of the actor's name that played the penguin in the original Batman. The night ended without anyone figuring out or remembering the actor's name.

I went home that night and went to bed. I woke up at 3 a.m. in the morning and sat up in bed for a moment and whispered "Burgess Meredith." Then I promptly went back to sleep.

It seems that even while sleeping , in the back of my mind I was working on the missing information that was causing such a dilemma.

Over the years I have done this type of thing again and again quietly to myself when trying to find an answer or solution to a problem often much weightier and more significant than the remembering of an actor's name.

Pizza Night
By Lynn Guevrekian