1
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their
parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

2
Houses and rooms are full of perfumes, the shelves are crowded with
perfumes,
I breathe the fragrance myself and know it and like it,
The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the
distillation, it is odorless,
It is for my mouth forever, I am in love with it,
I will go to the bank by the wood and become undisguised and naked,
I am mad for it to be in contact with me.

The smoke of my own breath,
Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and
vine,
My respiration and inspiration, the beating of my heart, the passing
of blood and air through my lungs,
The sniff of green leaves and dry leaves, and of the shore and
dark-color’d sea-rocks, and of hay in the barn,

The sound of the belch’d words of my voice loos’d to the eddies of
the wind,
A few light kisses, a few embraces, a reaching around of arms,
The play of shine and shade on the trees as the supple boughs wag,
The delight alone or in the rush of the streets, or along the fields
and hill-sides,
The feeling of health, the full-noon trill, the song of me rising
from bed and meeting the sun.

Have you reckon’d a thousand acres much? have you reckon’d the
earth much?
Have you practis’d so long to learn to read?
Have you felt so proud to get at the meaning of poems?

Stop this day and night with me and you shall possess the origin of
all poems,
You shall possess the good of the earth and sun, (there are millions
of suns left,)
You shall no longer take things at second or third hand, nor look
through the eyes of the dead, nor feed on the spectres in
books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.

3
I have heard what the talkers were talking, the talk of the
beginning and the end,
But I do not talk of the beginning or the end.

There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.

Urge and urge and urge,
Always the procreant urge of the world.

Out of the dimness opposite equals advance, always substance and
increase, always ***,
Always a knit of identity, always distinction, always a breed of
life.
To elaborate is no avail, learn’d and unlearn’d feel that it is so.

Sure as the most certain sure, plumb in the uprights, well
entretied, braced in the beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery here we stand.

Clear and sweet is my soul, and clear and sweet is all that is not
my soul.

Lack one lacks both, and the unseen is proved by the seen,
Till that becomes unseen and receives proof in its turn.

Showing the best and dividing it from the worst age vexes age,
Knowing the perfect fitness and equanimity of things, while they
discuss I am silent, and go bathe and admire myself.

Welcome is every ***** and attribute of me, and of any man hearty
and clean,
Not an inch nor a particle of an inch is vile, and none shall be
less familiar than the rest.

I am satisfied - I see, dance, laugh, sing;
As the hugging and loving bed-fellow sleeps at my side through the
night, and withdraws at the peep of the day with stealthy
tread,
Leaving me baskets cover’d with white towels swelling the house with
their plenty,
Shall I postpone my acceptation and realization and scream at my
eyes,
That they turn from gazing after and down the road,
And forthwith cipher and show me to a cent,
Exactly the value of one and exactly the value of two, and which is
ahead?

4
Trippers and askers surround me,
People I meet, the effect upon me of my early life or the ward and
city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old
and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss
or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news,
the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself.

Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is *****, or bends an arm on an impalpable certain rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.

Backward I see in my own days where I sweated through fog with
linguists and contenders,
I have no mockings or arguments, I witness and wait.

5
I believe in you my soul, the other I am must not abase itself to
you,
And you must not be abased to the other.

Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want, not custom or lecture, not
even the best,
Only the lull I like, the hum of your valved voice.

I mind how once we lay such a transparent summer morning,
How you settled your head athwart my hips and gently turn’d over
upon me,
And parted the shirt from my *****-bone, and plunged your tongue
to my bare-stript heart,
And reach’d till you felt my beard, and reach’d till you held my
feet.

Swiftly arose and spread around me the peace and knowledge that pass
all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers, and the women
my sisters and lovers,
And that a kelson of the creation is love,
And limitless are leaves stiff or drooping in the fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap’d stones, elder, mullein and
poke-****.

6
A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more
than he.

I guess it must be the flag of my disposition, out of hopeful green
stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner’s name someway in the corners, that we may see
and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the
vegetation.

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the ******* of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers’ laps,
And here you are the mothers’ laps.

This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for
nothing.

I wish I could translate the hints about the dead young men and
women,
And the hints about old men and mothers, and the offspring taken
soon out of their laps.

What do you think has become of the young and old men?
And what do you think has become of the women and children?

They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas’d the moment life appear’d.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.

7
Has any one supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know
it.

I pass death with the dying and birth with the new-wash’d babe, and
am not contain’d between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of an earth,
I am the mate and companion of people, all just as immortal and
fathomless as myself,
(They do not know how immortal, but I know.)

Every kind for itself and its own, for me mine male and female,
For me those that have been boys and that love women,
For me the man that is proud and feels how it stings to be slighted,
For me the sweet-heart and the old maid, for me mothers and the
mothers of mothers,
For me lips that have smiled, eyes that have shed tears,
For me children and the begetters of children.

Undrape! you are not guilty to me, nor stale nor discarded,
I see through the broadcloth and gingham whether or no,
And am around, tenacious, acquisitive, tireless, and cannot be
shaken away.

8
The little one sleeps in its cradle,
I lift the gauze and look a long time, and silently brush away flies
with my hand.

The youngster and the red-faced girl turn aside up the bushy hill,
I peeringly view them from the top.

The suicide sprawls on the ****** floor of the bedroom,
I witness the corpse with its dabbled hair, I note where the pistol
has fallen.

The blab of the pave, tires of carts, sluff of boot-soles, talk of
the promenaders,
The heavy omnibus, the driver with his interrogating thumb, the
clank of the shod horses on the granite floor,
The snow-sleighs, clinking, shouted jokes, pelts of snow-*****,
The hurrahs for popular favorites, the fury of rous’d mobs,
The flap of the curtain’d litter, a sick man inside borne to the
hospital,
The meeting of enemies, the sudden oath, the blows and fall,
The excited crowd, the policeman with his star quickly working his
passage to the centre of the crowd,
The impassive stones that receive and return so many echoes,
What groans of over-fed or half-starv’d who fall sunstruck or in
fits,
What exclamations of women taken suddenly who hurry home and
give birth to babes,
What living and buried speech is always vibrating here, what howls
restrain’d by decorum,
Arrests of criminals, slights, adulterous offers made, acceptances,
rejections with convex lips,
I mind them or the show or resonance of them-I come and I depart.

9
The big doors of the country barn stand open and ready,
The dried grass of the harvest-time loads the slow-drawn wagon,
The clear light plays on the brown gray and green intertinged,
The armfuls are pack’d to the sagging mow.

I am there, I help, I came stretch’d atop of the load,
I felt its soft jolts, one leg reclined on the other,
I jump from the cross-beams and seize the clover and timothy,
And roll head over heels and tangle my hair full of wisps.

10
Alone far in the wilds and mountains I hunt,
Wandering amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-****’d game,
Falling asleep on the gather’d leaves with my dog and gun by my
side.

The Yankee clipper is under her sky-sails, she cuts the sparkle
and scud,
My eyes settle the land, I bend at her prow or shout joyously from
the deck.

The boatmen and clam-diggers arose early and stopt for me,
I tuck’d my trowser-ends in my boots and went and had a good time;
You should have been with us that day round the chowder-kettle.

I saw the marriage of the trapper in the open air in the far west,
the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly smoking,
they had moccasins to their feet and large thick blankets
hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins, his
luxuriant beard and curls protected his neck, he held his bride
by the hand,
She had long eyelashes, her head was bare, her coarse straight locks
descended upon her voluptuous limbs and reach’d to her
feet.

The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the woodpile,
Through the swung half-door of the kitchen I saw him limpsy and
weak,
And went where he sat on a log and led him in and assured him,
And brought water and fill’d a tub for his sweated body and bruis’d
feet,
And gave him a room that enter’d from my own, and gave him some
coarse clean clothes,
And remember perfectly well his revolving eyes and his awkwardness,
And remember putting piasters on the galls of his neck and ankles;
He staid with me a week before he was recuperated and pass’d north,
I had him sit next me at table, my fire-lock lean’d in the corner.

11
Twenty-eight young men bathe by the shore,
Twenty-eight young men and all so friendly;
Twenty-eight years of womanly life and all so lonesome.

She owns the fine house by the rise of the bank,
She hides handsome and richly drest aft the blinds of the window.

Which of the young men does she like the best?
Ah the homeliest of them is beautiful to her.

Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock still in your room.

Dancing and laughing along the beach came the twenty-ninth
bather,
The rest did not see her, but she saw them and loved them.

The beards of the young men glisten’d with wet, it ran from their
long hair,
Little streams pass’d all over their bodies.

An unseen hand also pass’d over their bodies,
It descended tremblingly from their temples and ribs.

The young men float on their backs, their white bellies bulge to the
sun, they do not ask who seizes fast to them,
They do not know who puffs and declines with pendant and bending
arch,
They do not think whom they ***** with spray.

12
The butcher-boy puts off his killing-clothes, or sharpens his knife
at the stall in the market,
I loiter enjoying his repartee and his shuffle and break-down.

Blacksmiths with grimed and hairy chests environ the anvil,
Each has his main-sledge, they are all out, there is a great heat in
the fire.

From the cinder-strew’d threshold I follow their movements,
The lithe sheer of their waists plays even with their massive arms,
Overhand the hammers swing, overhand so slow, overhand so sure,
They do not hasten, each man hits in his place.

13
The ***** holds firmly the reins of his four horses, the block swags
underneath on its tied-over chain,
The ***** that drives the long dray of the stone-yard, steady and
tall he stands pois’d on one leg on the string-piece,
His blue shirt exposes his ample neck and breast and loosens over
his hip-band,
His glance is calm and commanding, he tosses the slouch of his hat
away from his forehead,
The sun falls on his crispy hair and mustache, falls on the black of
his polish’d and perfect limbs.

I behold the picturesque giant and love him, and I do not stop
there,
I go with the team also.

In me the caresser of life wherever moving, backward as well as
forward sluing,
To niches aside and junior bending, not a person or object missing,
Absorbing all to myself and for this song.

Oxen that rattle the yoke and chain or halt in the leafy shade, what
is that you express in your eyes?
It seems to me more than all the print I have read in my life.

My tread scares the wood-drake and wood-duck on my distant and
day-long ramble,
They rise together, they slowly circle around.

I believe in those wing’d purposes,
And acknowledge red, yellow, white, playing within me,
And consider green and violet and the tufted crown i

to the young privateer.
the captain kidd & his bought n’ taut gang of holy bluffs.
they bribe and imbibe and swoon on the dock-way looking for a quest or two or three
to dream and bury their doubloons in island guts like little mysteries. little sundowns
over a rixdollar indian ocean.
let them take a turn.
destined to mutate from private to pirate, the kidd, like blackened rotten wood.
******* frigates.

the ship:
with her bob and sway. she is, the adventure.
& her song is calling out for a rapturous few,
for men ready to die on the highwater mark by glory or fire or dead glorious sun.
so they put her brass and bough to seafaring days,
the sweet galleon, barely wet, yet
completely riffed to voyage.
she is
from the shores of london. built. designed to kick 14 knots under a full sail blast.
& she will bite.

she’s in calm waters.
the kidd savvy toothed and butterscotched, he awaits the big show,
engorged to set forth the play like wily ocean dervish &
they do.
they do proceed with benefactors coined and crunched on postulations of pirate death &
pirate gold. reclaimed honor as they say. the hunt for pirate teeth.

& with official pass and parchment, high-throne approved,
king ***** III stamp & sealed,
this voyage is.
this voyage is and forever was, hereby charted, to recover said stolen goods.
to reclaim thy warrior vanity &/or vengeance.
to noble this **** with pinched loaf, like now.
set sail. now.
1696.

“**** them navy yachts at greenwich, the thames be ours, boys.”
slap *** and flick thumb toward those armada sons,
& as tribute
smoke balsam herbs on the starboard side for the mother she and the father be.
but for this slight,
this dishonorable silly ****,
one third of adventure’s men are pressed into service of the crown.

[continue.]

the adventuresome few, petty crew and crows.
steal the heart and mother-meat of a french ship. steal everything onboard.
steal the ship itself.
& on her way to new york, new boon, pure and entered into the new world.  
there are new men bought in the american port,
good men and odd men of long criminal legacy.
a small black vicious quartermaster. he’ll do.
a murderous preacher gripped by stars and celestial patterns. he speaks spanish. he’ll do.
another type of holy man and a wild drinker too, embattled by demons on the port side. sure.
plus the dock-boys destined to **** for fruits of exploration.
this is the way of the son of a gun.

the boatmen jockeyed. she is
the adventure
prancing the vertebrae of atlantic and beyond. cape of good hope, she
breathes easy out here on the wide tide and float.
out here on the vast blue this. she
evolves
out here. loves out here.

pirates.
the hunt for pirates or the lack thereof. she leaks.
she rasps into the years on. and on.
the kaleidoscope hallucinations of sun and moon, sun and moon, and moon and sun
forever.
the strait of bab-el-mandeb.
& there
she plunges into darkness, into the stars seen from and through a periscope formed
by ancient hominid lineage.
seen but untouched,
in dreams. the kidd, reluctantly lime, admits to his madness.
madagascar.

malaria and cholera and hell break the boat by the throat.
& thrash.
to be organic is to be ruled by a shadow, or entropy.
the mouth of a red sea.
one third of the men will die here.
simply as insects crushed and brushed off deck and into to her great spate of agua,
the mother gush.
her earth.
body.
father,
hear his whispers in the mirage.
the ancient mariner, the ancient holy ghost riming down there.

in destitution.
in a rough and soggy life squeezed and making men weird or violent or both be ******.
the kidd goes cold to hot sweating noxious.
turns pirate himself
out of sheer hunger.
out of sheer need to eat.
sets the boys like dogs upon a frigate of east india company men,
or french *****. either/or/or/either/or.
he & the boys are in a madness swirl of sun and heavy guts.
cuts to spill blood
or gold. this tender bit.
lip bit
& tested.

captain kidd fractures the skull of a deckhand named moore,
for bad attitude and giggles. moore gets death.
chisel on the deck.
& to think we are all troubled by some primal trauma.
some dumb thing called death, that is.
men starving, men dying, men falling in the vast black that is that eternal void.
dream of women and riches in the meantime.
fortunes.
1698.

savage kidd, cool kidd, cool spit
off the edge. to think of the once soulful idea of these paradise days
& trip.
savage to cool.
the two divine modes of a survived man.
a ghoul man, or aging man.
& to keep control of his crew kidd sets them upon the quedagh merchant;
a 400 ton armenian hulk chalk full of gold, silver, satins, and muslin. ‘tis *****.
renames her: the adventure prize.

madness quenched for now.
charmed for now
& on the horizon are fragrant times. blissful distance.
but robert culliford,
with his mocha frigate. this man, this suave pirate lord, his vengeance act.
he had stolen kidd’s ship years back, &
the captain opts to cut his throat.
take the mocha.
keep calm & carry on.
to paradise.
to dream of her cool warm beaches and fruit forever, peacefully thinking.
so that night they two drink together in good health, and in the morning
most of the men defect to this other man, this other ship, culliford.
other dream,
other captain of true buccaneer effect.
act 3:

13 remain in the galley firm.
this is the house adventure.
& she is burnt alive three days later for rot and ill repair.
but she was fun,
& a *****.
a stitch of old woodwork given-in
& crackling with the eyes of her crew seen in fire.

kidd steps the pond to caribbean times with the adventure prize, toad toxins
& high on the jungled shore.
he trades that colossus, flips her for a sloop and seven little chests of gold.
little bellies.
the island-gut doubloons to bury.
dream, remember?

but the men-of-war are after him now. the privateers & hunters & devil’s dogs.
the men he once was.
men of marked death.
& he is now some pirate, some forthright bandit
settled to **** or be killed.
some sad kid.

first: buries that treasure up the coast of america.
oak island rig.
cherry rocks of the maine bank and *****-trapped pit.
the hunted.
they catch him on an inlet ****, and sail back
to london to be tried for crimes against the crown.
the high court of admirality.
1701.

they hoist and gibbet his body with worn chains above the river.
not for piracy, but for ******.
the ****** of that strange deckhand moore and his giggle.
kidd’s bones
suspended there for three or more years at the mouth of the thames,
as warning
to the perverse travails of a criminal lifestyle on the highwater pond.

l'm like Venice,
every night ,
full of cheerful lanterns that boatmen carry.
l'm like Venice.
you're like the water that every midnight,
when all  the boatmen are asleep,
is awake and talks to me.

Ulysses slept in the cloister upon an undressed bullock’s hide, on
the top of which he threw several skins of the sheep the suitors had
eaten, and Eurynome threw a cloak over him after he had laid himself
down. There, then, Ulysses lay wakefully brooding upon the way in
which he should **** the suitors; and by and by, the women who had
been in the habit of misconducting themselves with them, left the
house giggling and laughing with one another. This made Ulysses very
angry, and he doubted whether to get up and **** every single one of
them then and there, or to let them sleep one more and last time
with the suitors. His heart growled within him, and as a ***** with
puppies growls and shows her teeth when she sees a stranger, so did
his heart growl with anger at the evil deeds that were being done: but
he beat his breast and said, “Heart, be still, you had worse than this
to bear on the day when the terrible Cyclops ate your brave
companions; yet you bore it in silence till your cunning got you
safe out of the cave, though you made sure of being killed.”
  Thus he chided with his heart, and checked it into endurance, but he
tossed about as one who turns a paunch full of blood and fat in
front of a hot fire, doing it first on one side and then on the other,
that he may get it cooked as soon as possible, even so did he turn
himself about from side to side, thinking all the time how, single
handed as he was, he should contrive to **** so large a body of men as
the wicked suitors. But by and by Minerva came down from heaven in the
likeness of a woman, and hovered over his head saying, “My poor
unhappy man, why do you lie awake in this way? This is your house:
your wife is safe inside it, and so is your son who is just such a
young man as any father may be proud of.”
  “Goddess,” answered Ulysses, “all that you have said is true, but
I am in some doubt as to how I shall be able to **** these wicked
suitors single handed, seeing what a number of them there always
are. And there is this further difficulty, which is still more
considerable. Supposing that with Jove’s and your assistance I succeed
in killing them, I must ask you to consider where I am to escape to
from their avengers when it is all over.”
  “For shame,” replied Minerva, “why, any one else would trust a worse
ally than myself, even though that ally were only a mortal and less
wise than I am. Am I not a goddess, and have I not protected you
throughout in all your troubles? I tell you plainly that even though
there were fifty bands of men surrounding us and eager to **** us, you
should take all their sheep and cattle, and drive them away with
you. But go to sleep; it is a very bad thing to lie awake all night,
and you shall be out of your troubles before long.”
  As she spoke she shed sleep over his eyes, and then went back to
Olympus.
  While Ulysses was thus yielding himself to a very deep slumber
that eased the burden of his sorrows, his admirable wife awoke, and
sitting up in her bed began to cry. When she had relieved herself by
weeping she prayed to Diana saying, “Great Goddess Diana, daughter
of Jove, drive an arrow into my heart and slay me; or let some
whirlwind ****** me up and bear me through paths of darkness till it
drop me into the mouths of overflowing Oceanus, as it did the
daughters of Pandareus. The daughters of Pandareus lost their father
and mother, for the gods killed them, so they were left orphans. But
Venus took care of them, and fed them on cheese, honey, and sweet
wine. Juno taught them to excel all women in beauty of form and
understanding; Diana gave them an imposing presence, and Minerva
endowed them with every kind of accomplishment; but one day when Venus
had gone up to Olympus to see Jove about getting them married (for
well does he know both what shall happen and what not happen to
every one) the storm winds came and spirited them away to become
handmaids to the dread Erinyes. Even so I wish that the gods who
live in heaven would hide me from mortal sight, or that fair Diana
might strike me, for I would fain go even beneath the sad earth if I
might do so still looking towards Ulysses only, and without having
to yield myself to a worse man than he was. Besides, no matter how
much people may grieve by day, they can put up with it so long as they
can sleep at night, for when the eyes are closed in slumber people
forget good and ill alike; whereas my misery haunts me even in my
dreams. This very night methought there was one lying by my side who
was like Ulysses as he was when he went away with his host, and I
rejoiced, for I believed that it was no dream, but the very truth
itself.”
  On this the day broke, but Ulysses heard the sound of her weeping,
and it puzzled him, for it seemed as though she already knew him and
was by his side. Then he gathered up the cloak and the fleeces on
which he had lain, and set them on a seat in the cloister, but he took
the bullock’s hide out into the open. He lifted up his hands to
heaven, and prayed, saying “Father Jove, since you have seen fit to
bring me over land and sea to my own home after all the afflictions
you have laid upon me, give me a sign out of the mouth of some one
or other of those who are now waking within the house, and let me have
another sign of some kind from outside.”
  Thus did he pray. Jove heard his prayer and forthwith thundered high
up among the from the splendour of Olympus, and Ulysses was glad
when he heard it. At the same time within the house, a miller-woman
from hard by in the mill room lifted up her voice and gave him another
sign. There were twelve miller-women whose business it was to grind
wheat and barley which are the staff of life. The others had ground
their task and had gone to take their rest, but this one had not yet
finished, for she was not so strong as they were, and when she heard
the thunder she stopped grinding and gave the sign to her master.
“Father Jove,” said she, “you who rule over heaven and earth, you have
thundered from a clear sky without so much as a cloud in it, and
this means something for somebody; grant the prayer, then, of me
your poor servant who calls upon you, and let this be the very last
day that the suitors dine in the house of Ulysses. They have worn me
out with the labour of grinding meal for them, and I hope they may
never have another dinner anywhere at all.”
  Ulysses was glad when he heard the omens conveyed to him by the
woman’s speech, and by the thunder, for he knew they meant that he
should avenge himself on the suitors.
  Then the other maids in the house rose and lit the fire on the
hearth; Telemachus also rose and put on his clothes. He girded his
sword about his shoulder, bound his sandals on his comely feet, and
took a doughty spear with a point of sharpened bronze; then he went to
the threshold of the cloister and said to Euryclea, “Nurse, did you
make the stranger comfortable both as regards bed and board, or did
you let him shift for himself?—for my mother, good woman though she
is, has a way of paying great attention to second-rate people, and
of neglecting others who are in reality much better men.”
  “Do not find fault child,” said Euryclea, “when there is no one to
find fault with. The stranger sat and drank his wine as long as he
liked: your mother did ask him if he would take any more bread and
he said he would not. When he wanted to go to bed she told the
servants to make one for him, but he said he was re such wretched
outcast that he would not sleep on a bed and under blankets; he
insisted on having an undressed bullock’s hide and some sheepskins put
for him in the cloister and I threw a cloak over him myself.”
  Then Telemachus went out of the court to the place where the
Achaeans were meeting in assembly; he had his spear in his hand, and
he was not alone, for his two dogs went with him. But Euryclea
called the maids and said, “Come, wake up; set about sweeping the
cloisters and sprinkling them with water to lay the dust; put the
covers on the seats; wipe down the tables, some of you, with a wet
sponge; clean out the mixing-jugs and the cups, and for water from the
fountain at once; the suitors will be here directly; they will be here
early, for it is a feast day.”
  Thus did she speak, and they did even as she had said: twenty of
them went to the fountain for water, and the others set themselves
busily to work about the house. The men who were in attendance on
the suitors also came up and began chopping firewood. By and by the
women returned from the fountain, and the swineherd came after them
with the three best pigs he could pick out. These he let feed about
the premises, and then he said good-humouredly to Ulysses,
“Stranger, are the suitors treating you any better now, or are they as
insolent as ever?”
  “May heaven,” answered Ulysses, “requite to them the wickedness with
which they deal high-handedly in another man’s house without any sense
of shame.”
  Thus did they converse; meanwhile Melanthius the goatherd came up,
for he too was bringing in his best goats for the suitors’ dinner; and
he had two shepherds with him. They tied the goats up under the
gatehouse, and then Melanthius began gibing at Ulysses. “Are you still
here, stranger,” said he, “to pester people by begging about the
house? Why can you not go elsewhere? You and I shall not come to an
understanding before we have given each other a taste of our fists.
You beg without any sense of decency: are there not feasts elsewhere
among the Achaeans, as well as here?”
  Ulysses made no answer, but bowed his head and brooded. Then a third
man, Philoetius, joined them, who was bringing in a barren heifer
and some goats. These were brought over by the boatmen who are there
to take people over when any one comes to them. So Philoetius made his
heifer and his goats secure under the gatehouse, and then went up to
the swineherd. “Who, Swineherd,” said he, “is this stranger that is
lately come here? Is he one of your men? What is his family? Where
does he come from? Poor fellow, he looks as if he had been some
great man, but the gods give sorrow to whom they will—even to kings
if it so pleases them
  As he spoke he went up to Ulysses and saluted him with his right
hand; “Good day to you, father stranger,” said he, “you seem to be
very poorly off now, but I hope you will have better times by and
by. Father Jove, of all gods you are the most malicious. We are your
own children, yet you show us no mercy in all our misery and
afflictions. A sweat came over me when I saw this man, and my eyes
filled with tears, for he reminds me of Ulysses, who I fear is going
about in just such rags as this man’s are, if indeed he is still among
the living. If he is already dead and in the house of Hades, then,
alas! for my good master, who made me his stockman when I was quite
young among the Cephallenians, and now his cattle are countless; no
one could have done better with them than I have, for they have bred
like ears of corn; nevertheless I have to keep bringing them in for
others to eat, who take no heed of his son though he is in the
house, and fear not the wrath of heaven, but are already eager to
divide Ulysses’ property among them because he has been away so
long. I have often thought—only it would not be right while his son
is living—of going off with the cattle to some foreign country; bad
as this would be, it is still harder to stay here and be ill-treated
about other people’s herds. My position is intolerable, and I should
long since have run away and put myself under the protection of some
other chief, only that I believe my poor master will yet return, and
send all these suitors flying out of the house.”
  “Stockman,” answered Ulysses, “you seem to be a very well-disposed
person, and I can see that you are a man of sense. Therefore I will
tell you, and will confirm my words with an oath: by Jove, the chief
of all gods, and by that hearth of Ulysses to which I am now come,
Ulysses shall return before you leave this place, and if you are so
minded you shall see him killing the suitors who are now masters
here.”
  “If Jove were to bring this to pass,” replied the stockman, “you
should see how I would do my very utmost to help him.”
  And in like manner Eumaeus prayed that Ulysses might return home.
  Thus did they converse. Meanwhile the suitors were hatching a plot
to ****** Telemachus: but a bird flew near them on their left hand—an
eagle with a dove in its talons. On this Amphinomus said, “My friends,
this plot of ours to ****** Telemachus will not succeed; let us go
to dinner instead.”
  The others assented, so they went inside and laid their cloaks on
the benches and seats. They sacrificed the sheep, goats, pigs, and the
heifer, and when the inward meats were cooked they served them
round. They mixed the wine in the mixing-bowls, and the swineherd gave
every man his cup, while Philoetius handed round the bread in the
breadbaskets, and Melanthius poured them out their wine. Then they
laid their hands upon the good things that were before them.
  Telemachus purposely made Ulysses sit in the part of the cloister
that was paved with stone; he gave him a shabby-looking seat at a
little table to himself, and had his portion of the inward meats
brought to him, with his wine in a gold cup. “Sit there,” said he,
“and drink your wine among the great people. I will put a stop to
the gibes and blows of the suitors, for this is no public house, but
belongs to Ulysses, and has passed from him to me. Therefore, suitors,
keep your hands and your tongues to yourselves, or there will be
mischief.”
  The suitors bit their lips, and marvelled at the boldness of his
speech; then Antinous said, “We do not like such language but we
will put up with it, for Telemachus is threatening us in good earnest.
If Jove had let us we should have put a stop to his brave talk ere
now.”
  Thus spoke Antinous, but Telemachus heeded him not. Meanwhile the
heralds were bringing the holy hecatomb through the city, and the
Achaeans gathered under the shady grove of Apollo.
  Then they roasted the outer meat, drew it off the spits, gave
every man his portion, and feasted to their hearts’ content; those who
waited at table gave Ulysses exactly the same portion as the others
had, for Telemachus had told them to do so.
  But Minerva would not let the suitors for one moment drop their
insolence, for she wanted Ulysses to become still more bitter
against them. Now there happened to be among them a ribald fellow,
whose name was Ctesippus, and who came from Same. This man,
confident in his great wealth, was paying court to the wife of
Ulysses, and said to the suitors, “Hear what I have to say. The
stranger has already had as large a portion as any one else; this is
well, for it is not right nor reasonable to ill-treat any guest of
Telemachus who comes here. I will, however, make him a present on my
own account, that he may have something to give to the bath-woman,
or to some other of Ulysses’ servants.”
  As he spoke he picked up a heifer’s foot from the meat-basket in
which it lay, and threw it at Ulysses, but Ulysses turned his head a
little aside, and avoided it, smiling grimly Sardinian fashion as he
did so, and it hit the wall, not him. On this Telemachus spoke
fiercely to Ctesippus, “It is a good thing for you,” said he, “that
the stranger turned his head so that you missed him. If you had hit
him I should have run you through with my spear, and your father would
have had to see about getting you buried rather than married in this
house. So let me have no more unseemly behaviour from any of you,
for I am grown up now to the knowledge of good and evil and understand
what is going on, instead of being the child that I have been
heretofore. I have long seen you killing my sheep and making free with
my corn and wine: I have put up with this, for one man is no match for
many, but do me no further violence. Still, if you wish to **** me,
**** me; I would far rather die than see such disgraceful scenes day
after day—guests insulted, and men dragging the women servants
about the house in

Lily pads floating.
Darkness deep; moon veiled this night.
Boatmen dance, geese sleep.

On late the by-lanes one night,
unusual spot I green, a bottle
like any, but for words, may be,

on the label printed:
'Old wine. Hamlin. Best before: the future'

Scarred, the mouth, to fire
a rocket used, ringing in a day
when celebrating, a hero,
Goliaths thumped by a David new.

Hope, on the horizon, the word rising.

Threw it away, almost I, when
reversed comes, rolled up a parchment,
by ash burned, from the *******, a part:
a mix strange of clippings and retort.

Marked, astonished, the date, I: was it
from today, even of TV, a listings part;

'...mesmerized by the language of hope';
'Parks fill up as people gather to celebrate';
'Our democracy is alive and how'.

Of proportions messianic, news frothing
how new born, a leader is. Familiar all :
myself now, from one such, returning.

But curious, written, the words indeed:
'Monuments wear and rivers thin,
as boatmen sing the evening song,
miracle-workers and peddlers of
honey and mead, pipers at the gates
of dawn, not men of mettle and deed'

Of a piper, suddenly, as in a fantasy
a song, and heard I, helpless, wails
of mothers, a hundred .

Strained, to read, further my eye,
when tore up the piece;
Broke up green, a bottle on the street.

(In which good fellowship between Russians and Americans is probably not advanced)

Start the Evinrude – pull!
Grandpa’s Evinrude – pull!

Where is my sunblock? Where!
Over by the sodas – there!

Start the Evinrude – pull!
It won’t start, Dad – %^&!

Where is my +^% phone? Where!
There by your fishing hat - There!

Start the Evinrude – pull!
Grandpa’s Evinrude – pull!

Watch those tree stumps! Where?
&%#ing tree stumps! @#$!

Start the Evinrude – pull!
Grandpa’s Evinrude – pull!

Drift to that cove, now – there!
Cut the engine, now – shhhh!

Where are them fish, then - $#@%!
They ain’t here, Dad – *&^%!

Start the Evinrude – pull!
Grandpa’s Evinrude – &#%&!

*(Chorus fades as the sun sets over Tovarisch Bubba’s Bait, Beer, ‘n’ Borscht)

I see an army of boatmen of bowmen of old men stretching way back into time,
on the Thames and the Rhine a long line of troops.
The Crimea's not here I shout in disgust but my words turn to dust
as I knew that they must.
Recouping some strength and at length, I go searching the files which file past me,for miles I am searching,a lost little urchin looking for Captain John Kyle.
And in some style he appears from somewhere in the rear and lends me his ear for a while,
I complain,
you're at it again and they're going to war,I don't understand,can you tell me what for?
'Orders',says he,'I know not or care why,I joined this army to do or to die'
Then the line carried on until the troops were all gone and somewhere on the Somme another rose smiled.

Howling fowls cease to be
while grey boatmen
chapped on ends
worry about where their women
back on land
choose to lay.

Forever basking in eternal light?
If heaven exists, may I find it.
Not in any hurry.
A slow meander ,
Down the stream of life as it flows.
To figure out my direction.
Most extreme pleasure may be found.
One day eh!
Can be sensed in the joints of aching bones.
Of standing upright garden gnomes.
Standing guard over pond life.
Water boatmen skit the film.
They're making a movie.
Winter's subject maybe skating on ice.
Don't see them much in winter time.
Summer's theirs and also mine.
The night is creeping in.
Darkness catching up.
It's cold.
I am too.
The weather is changing.
Been all over the news.
Life on Earth is almost hell.
Throwing coins into a wishing well.
They don't come true.
Just leave me broke.
Fried eggs on toast, too skint for yolk.
Hell yes, I'm cold and tired.
Still writing, trying to joke.
Livvi

words came as i walked the lane with you,
watched the swallows. thinking i will write
them down back home. leaned on the bridge a while
boatmen dancing.

where have the years gone?

words lost.

radio news .

gaza.

sbm.

the evidence is here.



the water boatmen, long tailed

****, the state of the tide,

other misdemeanors.



i dreamed of japan, woke

assunder, messages

broke.



i made a bottle, then

the witnesses came.



it was quiet day in the studio.





sbm.

Up to Tennessee, back down to Florida,
The land of bright and free. Shoot through
Alabama. The land that's mine. The land
That's yours. Back to Mississippi, to see the
Bright billed birds. Down then to the ocean
South-new orleans. Where the captains are
The boatmen, and the sailors set you free. A pipe
Of tobacco, a sail down to go. Rolling dice to
Tijuana, down to mexico.

There upon the foamy waters
boats rock with silent ease
all about reflects the sky
forget me not blue
stretches the miles.
Hushed I watch the majesty
of simple lives
Under the toil of the sun
boatmen sing their nets ashore
shimmering with life
as though the dawn itself were caught
within
a single bell, chimes skylark sweet
keeping time with the rhythm of all.
Calling home calloused hands
to pretty parlours
where rest and the devil take hold.

Angry waves stirring up the seas
Ships as boats tossed such as these
The Sea Gods establishing their wrath
The boats have very little time to escape in a raft
The seas in all their fury
A boatmen’s watery grave as a bury
The darken moon only knew
The overcast skies in what would be a slew
A lonely lighthouse turning with every mount
The spotlight being signalized with every count
Boat maneuvering through raging waters
A circular affect being like quarters
The raging storm nothing more than a storm
It’s mainly a message in who controls being the norm.

Fate has a hand In who we are and choices push us from the shore. on boats of dreams or rafts of weeds. Life gives each soul what it needs. Be it a problem to solve or wings to dream.

There in your little streets
Or the drained narrow passages
"Gush before pay"
Cried a labourer seeking wages
Along the uninhabited rye
Or down the isolated alleys
Those tough boatmen
Still ferry
Corner of highways
Or a traffic jam
Rushing in a great haste
As they move for a hope
To enlighten the griefs
Of others..
They don't walk steps
They take progressive leaps..

I go to the woods,
The woods go and I see them going, I’ve gone
to the forests of my home since autumnal glow is high in season,
these are holy, golden days and the leaves are blushing in the brook,
but the pond’s gone dry from no rain, it’s all muck. There are no fish and there never were any, but
snapping turtles, bullfrogs with eyes that peek above the surface, water boatmen that skit the glassy surface of the pond avert my eyes. When I was younger, I caught tadpoles in a mesh net and I let them go. Now we have forgotten each other.

Tough green shoots erupt from the soft earth, choking the softer crab grasses, there is blood and lambs in the high days of their short lives, rambling in the pastures of youth.

The pond is blanketed in duckweed, in the sunlit clearing of eleven cottonwoods.

late-summer sunset
day still bathed in red radiance
boatmen wait for catch