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"annuls" poems
THE noon was as a crystal bowl The red wine mantled through; Around it like a Viking's beard The red-gold hazes blew, As tho' he quaffed the ruddy draught While swift his galley flew. This mighty Viking was the Night; He sailed about the earth, And called the merry harvest-time To sing him songs of mirth; And all on earth or in the sea To melody gave birth. The valleys of the earth were full To rocky lip and brim With golden grain that shone and sang When woods were still and dim, A little song from sheaf to sheaf- Sweet Plenty's cradle-hymn. O gallant were the high tree-tops, And gay the strain they sang! And cheerfully the moon-lit hills Their echo-music rang! And what so proud and what so loud As was the ocean's clang! But O the little humming song That sang among the sheaves! 'Twas grander than the airy march That rattled thro' the leaves, And prouder, louder, than the deep, Bold clanging of the waves: 'The lives of men, the lives of men With every sheaf are bound! We are the blessing which annuls The curse upon the ground! And he who reaps the Golden Grain The Golden Love hath found.'
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A Harvest Song
922 Those who have been in the Grave the longest— Those who begin Today— Equally perish from our Practise— Death is the other way— Foot of the Bold did least attempt it— It—is the White Exploit— Once to achieve, annuls the power Once to communicate—
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Those who have been in the Grave the longest
Some wise men have said, That the universe Is made of strings, tiny, Which vibrate in dimensions ten. Six extra dimensions than The usual three of space And the fourth, which is assessed Using a pendulum Oscillating in nothingness. Strings, like the ones of a guitar, Playing different notes And different symphonies Bosons, fermions, electrons And gravitons to name a few. This annuls racism among sub-atomics Since ultimately they're all threads. Or do you think, a boson Is superior to a fermion 'cause it swings in a different plane Or because one of them is called The God Particle? Strings, oscillating like The alternation of seasons Strings, like the thread of relationship Which stretches and swings Between its highs and lows Strings, oscillating like The advancing and receding waves All we could be is a painting, A hologram, simple 3D information On a two dimensional plane Living our lives and executing functions As the painter intended us to. All we are, are threads Arranged in a particular fashion All we are is a bunch of strings!
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Dec 29, 2014
Dec 29, 2014 at 7:37 AM UTC
String Theory - All we are is a bunch of strings!
some of us walk insistently, instinctively, and instantly to and upon the edged path, this physical nexus & abstract mental locus, a cliffside enticing rock strewn trail, drawn of men, by men, for men (yes, men are people too, still) enthralling views, down to the riverside, where eyes intuit the beauteous aroma of precious precocious precarious precipices and the near-stench of mortality amidst wafting scents of inane undesirable need,   hints of destruction, or, alternating eager relief, like a ****** infused, instant attractiveness, making weakness in the knees, all too real, trembling with a delicious accented edge of a fresh, familiar scent, fresh baked bread, an all enveloping consumption need now! to crave what we fear, to fear what we crave our cravings are craven, this twisted sense, annuls our common sensibility, yet, titillates our pleasured imagined relief, releases, our unsated, even better, our insatiable curiosity to tremble, an entire body enjoined by vibrato~ enticing tremulations, shaken and stirred, this danger choice releases something primordial, escape? a reckless wrecking so deeply designed, it has its very own designation…death wish multitudes of easy choices afforded my senses, and by accident, all mine chosen, all nearby, I travel the esplanade près de the East River, where even if calm is the sole visiblilty, undercurrents and the unpredictable passage of container wakes and the larger freighters will hand you down, so easy, to become parcel to a littered river bottom of centuries’ artifacts but even more tempting, the balcony, a hop, skip and a jump unlocked, mere ten steps, no need for a running start why it’s the “height of convenience,” he ruefully winces, and not even any TSA lines or inconveniencing “conveniences” Why this calamity seems so desperately desirable, Why this unabrogated feat so featured, nay, even feted in our hot? cold? bloodstream “Why just men? *I don't know, Perhaps, it is all I know.*”
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Dec 5, 2023
Dec 5, 2023 at 5:42 PM UTC
Men & Heights. (A Companion Piece to “Do You Know Why Men Cry in the Bathroom”)
some of us walk insistently, instinctively, and instantly to and upon the edged path, this physical nexus & abstract mental locus, a cliffside enticing rock strewn trail, drawn of men, by men, for men (yes, men are people too, still) enthralling views, down to the riverside, where eyes intuit the beauteous aroma of precious precocious precarious precipices and the near-stench of mortality amidst wafting scents of inane undesirable need,   hints of destruction, or, alternating eager relief, like a ****** infused, instant attractiveness, making weakness in the knees, all too real, trembling with a delicious accented edge of a fresh, familiar scent, fresh baked bread, an all enveloping consumption need now! to crave what we fear, to fear what we crave our cravings are craven, this twisted sense, annuls our common sensibility, yet, titillates our pleasured imagined relief, releases, our unsated, even better, our insatiable curiosity to tremble, an entire body enjoined by vibrato~ enticing tremulations, shaken and stirred, this danger choice releases something primordial, escape? a reckless wrecking so deeply designed, it has its very own designation…death wish multitudes of easy choices afforded my senses, and by accident, all mine chosen, all nearby, I travel the esplanade près de the East River, where even if calm is the sole visiblilty, undercurrents and the unpredictable passage of container wakes and the larger freighters will hand you down, so easy, to become parcel to a littered river bottom of centuries’ artifacts but even more tempting, the balcony, a hop, skip and a jump unlocked, mere ten steps, no need for a running start why it’s the “height of convenience,” he ruefully winces, and not even any TSA lines or inconveniencing “conveniences” Why this calamity seems so desperately desirable, Why this unabrogated feat so featured, nay, even feted in our hot? cold? bloodstream “Why just men? *I don't know, Perhaps, it is all I know.*”
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358 If any sink, assure that this, now standing— Failed like Themselves—and conscious that it rose— Grew by the Fact, and not the Understanding How Weakness passed—or Force—arose— Tell that the Worst, is easy in a Moment— Dread, but the Whizzing, before the Ball— When the Ball enters, enters Silence— Dying—annuls the power to ****
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If any sink, assure that this, now standing
capitulation is on the English sides mind their brand of cricket has been of an awful kind this ashes series our Australian side blew them away as they had a very stylish form of play the bowling and batting of the Australian team has wrecked the English lads winning dream our lads didn't put a foot wrong on the wicket they were a class act at playing the game of cricket the last match in the series is on to-day and the Australians will most certainly be making hay at this stage they've got the English struggling they've not got enough fire power in their batting after the lunch break we'll have the English all out they'll be wearing the odd ****** pout they've not prepared well in any facet of the game which has been a terrible shame the annuls of cricket shall record England's loss and speak glowingly of the Australian teams gloss the 2013-2014 ashes series a series of capitulation where the English didn't play well against our nation
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Jan 3, 2014
Jan 3, 2014 at 8:20 PM UTC
Capitulation(Sports Poem)
beneath   her   feet    her   most  daring    feet    that  traversed    the murky waters    of    dawn, past  mountainsides   of  prayers,   stallions  the blackest mare    love combined,  daresay   silence   annuls    the    noise   of heart   and the  shadow    casts its  darkest immaterial   stone beneath    her   feet     her  most  daring     feet     the    dead    continue     to   bury the   living    and the    living    excites     the    demanded hue   of another   blue      to hold close   into the   sky      whose    also    darling   feet   dangle      much    like     water’s    fervent  collapse     mantling   the   rivers,    miles you have    walked   without     images    of I beneath her    feet    her most   beautiful    feet     we   go   wind  by   wind in   excess     of    days     in   the night’s   blackest   dress    soiled   by     light    is inmost    dance   instep,      curated   from   machineries    beneath her feet     your     feet    I    adore   which   bony prominences    hurdle    me     weak,    ruined, where    I    lay   is   always  the   cradle    of   Earth    your    feet and   I beneath   them,   emerging   from   the  possible   life     of    leaves   in   birdflight, beneath    your    feet     your     cold    feet,   unrelenting on    the    unkind    tomb   of   my body       your   swift   drop    of    feet,  their superfluous   coming-and-going    love    landing    on my  body – trampled,   weighed down   beneath   your    feet,     your    most darling    feet.
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Mar 25, 2016
Mar 25, 2016 at 4:25 AM UTC
Beneath Her Feet
beneath   her   feet    her   most  daring    feet    that  traversed    the murky waters    of    dawn, past  mountainsides   of  prayers,   stallions  the blackest mare    love combined,  daresay   silence   annuls    the    noise   of heart   and the  shadow    casts its  darkest immaterial   stone beneath    her   feet     her  most  daring     feet     the    dead    continue     to   bury the   living    and the    living    excites     the    demanded hue   of another   blue      to hold close   into the   sky      whose    also    darling   feet   dangle      much    like     water’s    fervent  collapse     mantling   the   rivers,    miles you have    walked   without     images    of I beneath her    feet    her most   beautiful    feet     we   go   wind  by   wind in   excess     of    days     in   the night’s   blackest   dress    soiled   by     light    is inmost    dance   instep,      curated   from   machineries    beneath her feet     your     feet    I    adore   which   bony prominences    hurdle    me     weak,    ruined, where    I    lay   is   always  the   cradle    of   Earth    your    feet and   I beneath   them,   emerging   from   the  possible   life     of    leaves   in   birdflight, beneath    your    feet     your     cold    feet,   unrelenting on    the    unkind    tomb   of   my body       your   swift   drop    of    feet,  their superfluous   coming-and-going    love    landing    on my  body – trampled,   weighed down   beneath   your    feet,     your    most darling    feet.
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Whose dreary face now becomes warmth – an ash turning into a single drop of water I love and I have – and I know that when she looks she does not. Nothing moves the bird of her dawn but her. Proletariats sing of steel in the night and I deaden within their homes. Whose dreary face now becomes the steady light on the porch – a thigh, or a river, turning into a single gasp of song. I love and I have – and I know that when she sings she does not. Her silence moves the moon deep within its womb and annuls. Each moment in her shoes, she is absent, and I taste the pale death of her precise waist, her sharp tongue having me curved when enough was said when empty was sure. I know whose face I am talking to, but knows not what day has escaped me. The possible: to bring her so small in my hand, and invent her this fate, to be unclenching like water and virile like stone. I know the singular act of her likeness is born out of my lack: there is a spring-clean image traipsing the water. I must chase where it streams, and its origins not my own. The city borders us two as we are demanded by the daily: the smell of a home shoals me a satiny sob. Still the marvelous sky, a knife, if not referring to me, the cut lily that is the Sun. Whose dreary face now becomes a store, commerce, becomes the silver of hills, becomes the gray assault of an old cathedral, becomes the surety of a transaction and then becomes wind chiming through cities. Becomes inquiry between I love and I have – becomes dearth and is proud. Nothing will stop the train arriving: when thirsty for a glimpse like mine a fountain or a singular wave from an opened window, she passes – and does not look for me.
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Jun 9, 2016
Jun 9, 2016 at 3:21 AM UTC
Song
Whose dreary face now becomes warmth – an ash turning into a single drop of water I love and I have – and I know that when she looks she does not. Nothing moves the bird of her dawn but her. Proletariats sing of steel in the night and I deaden within their homes. Whose dreary face now becomes the steady light on the porch – a thigh, or a river, turning into a single gasp of song. I love and I have – and I know that when she sings she does not. Her silence moves the moon deep within its womb and annuls. Each moment in her shoes, she is absent, and I taste the pale death of her precise waist, her sharp tongue having me curved when enough was said when empty was sure. I know whose face I am talking to, but knows not what day has escaped me. The possible: to bring her so small in my hand, and invent her this fate, to be unclenching like water and virile like stone. I know the singular act of her likeness is born out of my lack: there is a spring-clean image traipsing the water. I must chase where it streams, and its origins not my own. The city borders us two as we are demanded by the daily: the smell of a home shoals me a satiny sob. Still the marvelous sky, a knife, if not referring to me, the cut lily that is the Sun. Whose dreary face now becomes a store, commerce, becomes the silver of hills, becomes the gray assault of an old cathedral, becomes the surety of a transaction and then becomes wind chiming through cities. Becomes inquiry between I love and I have – becomes dearth and is proud. Nothing will stop the train arriving: when thirsty for a glimpse like mine a fountain or a singular wave from an opened window, she passes – and does not look for me.
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31
/ rivers pulse this house as if activity, predictable. leave this body just like that. and heave the emptiness from the thrum of the streets just like that the stars delineate an axis tilted by my means to live under frail coruscations. take this house, take the rivers with you, all the more my body anything other than my blunder. take even, these tiny and immediate currents as i hear this is how it is to be delivered from grace and expanse. you are what this truancy is trying to undo as you were by mine before -- this is how it feels to be moved and sidled again and again this river that you carry me across and left with details none can supply. there is resolve in this, even when I am taken aback, which certain things are left crossed and wronged, and how you keep the place guarded, possessed by light -- how it wholly hurts, this invented life all mine / 1 What is to break if not another word for impossibility, or another phrase as palliative for suffering each other 2 What is so sure of it to arrive in the densest minute, say when if already out of sight, I implore you to unlearn my body 3 This and the deep and hollow end of it. Visage voyeurs as if the past is just next door sleeping with my woman, laughs and then cuts open to free itself from a slammed door and mosey on. 4 As statement to refute my coming into, I am already accomplished. Turn this day opaque. Lens to the world my found imperative of what was given, a knife to stalk a heart so difficult as if known to me as a path home, or unearthed bus tickets from Longos to Tabang. Say when it rains, forgive me. I remember still. 5 To believe in touch and its memory is obligation. The way I see this, a palimpsest. I attempt to discover something, witnessing myself pass mirrors, body found as if rivers do drift me to the brink of a high noon wishing to swing downstream the words I have no use for, if not documents of haloed hours. 6 I passed by your house. Silence annuls azure skies. Balustrades gone. They took everything down evenly to the last inch of paint, balmy this oblivion only for me, catatonic is this peace as my hands lift a piece of the soul to shred. The day burns like a forest in my hand.
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May 15, 2016
May 15, 2016 at 8:18 PM UTC
What counts as hurt
/ rivers pulse this house as if activity, predictable. leave this body just like that. and heave the emptiness from the thrum of the streets just like that the stars delineate an axis tilted by my means to live under frail coruscations. take this house, take the rivers with you, all the more my body anything other than my blunder. take even, these tiny and immediate currents as i hear this is how it is to be delivered from grace and expanse. you are what this truancy is trying to undo as you were by mine before -- this is how it feels to be moved and sidled again and again this river that you carry me across and left with details none can supply. there is resolve in this, even when I am taken aback, which certain things are left crossed and wronged, and how you keep the place guarded, possessed by light -- how it wholly hurts, this invented life all mine / 1 What is to break if not another word for impossibility, or another phrase as palliative for suffering each other 2 What is so sure of it to arrive in the densest minute, say when if already out of sight, I implore you to unlearn my body 3 This and the deep and hollow end of it. Visage voyeurs as if the past is just next door sleeping with my woman, laughs and then cuts open to free itself from a slammed door and mosey on. 4 As statement to refute my coming into, I am already accomplished. Turn this day opaque. Lens to the world my found imperative of what was given, a knife to stalk a heart so difficult as if known to me as a path home, or unearthed bus tickets from Longos to Tabang. Say when it rains, forgive me. I remember still. 5 To believe in touch and its memory is obligation. The way I see this, a palimpsest. I attempt to discover something, witnessing myself pass mirrors, body found as if rivers do drift me to the brink of a high noon wishing to swing downstream the words I have no use for, if not documents of haloed hours. 6 I passed by your house. Silence annuls azure skies. Balustrades gone. They took everything down evenly to the last inch of paint, balmy this oblivion only for me, catatonic is this peace as my hands lift a piece of the soul to shred. The day burns like a forest in my hand.
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61
torrid love gnawing at the withers of my reason for a horse. my kingdom for a kindness now in flames and my youth a dream, teetering on the north of my age, and the edge of my night, the night i found in love. from the belly of a wave in the heart of a maze i ascend having slain a thousand crow to feather my black thing and take ingenious wing before the searing nay of the sun annuls melting the fledgling and keeping the sky. from below, i know above and go home.
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Oct 3, 2014
Oct 3, 2014 at 8:01 AM UTC
ICARUS AT NIGHT
One may wonder; What is it like to die? To crumble like Pompeii, Fall like a dynasty, Recede Into the frost-windowed annuls of time, Like some forgotten journal With words written in blood And bound with human skin. I can feel my heart Beating in my chest, Beating in my breast. Too many nights have drowned me in insomnia, In waking dreams, In visions of mountains And rainswept forests, In my memory of the curve Of your chin Or the subtle tint of rose in your lips. I sleep now; Sleep properly. (most of the time). When I am not plagued by my injuries Or by the nebula, Oh, by that nebula of stars And words And thoughts That I have fallen victim to Oh so many times.
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Apr 1, 2015
Apr 1, 2015 at 4:51 PM UTC
Black
how i wish to hurry back to arms, hurtling bearing me into the hollow of hand full of hours rearing me prolongations of wordlessness — bell-jar, your lip, smashed into concrete, my lip. bleeding, your lip, quenching the tractable beast, my lip. silence annuls, your lip leaving the noise in me borderless, my lip, wanting it more than how dead trees desire autumn light, your lip left nocturnal, pulse dare drunkenly away, slovenly from the ground, my lip i cannot have it anymore.
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Oct 21, 2015
Oct 21, 2015 at 12:54 AM UTC
Bell Jar