Tiare Tahiti

MAMUA, when our laughter ends,
And hearts and bodies, brown as white,
Are dust about the doors of friends,
Or scent ablowing down the night,
Then, oh! then, the wise agree,
Comes our immortality.
Mamua, there waits a land
Hard for us to understand.
Out of time, beyond the sun,
All are one in Paradise,
You and Pupure are one,
And Tau, and the ungainly wise.
There the Eternals are, and there
The Good, the Lovely, and the True,
And Types, whose earthly copies were
The foolish broken things we knew;
There is the Face, whose ghosts we are;
The real, the never-setting Star;
And the Flower, of which we love
Faint and fading shadows here;
Never a tear, but only Grief;
Dance, but not the limbs that move;
Songs in Song shall disappear;
Instead of lovers, Love shall be;
For hearts, Immutability;
And there, on the Ideal Reef,
Thunders the Everlasting Sea!
And my laughter, and my pain,
Shall home to the Eternal Brain.
And all lovely things, they say,
Meet in Loveliness again;
Miri's laugh, Teipo's feet,
And the hands of Matua,
Stars and sunlight there shall meet,
Coral's hues and rainbows there,
And Teura's braided hair;
And with the starred 'tiare's' white,
And white birds in the dark ravine,
And 'flamboyants' ablaze at night,
And jewels, and evening's after-green,
And dawns of pearl and gold and red,
Mamua, your lovelier head!
And there'll no more be one who dreams
Under the ferns, of crumbling stuff,
Eyes of illusion, mouth that seems,
All time-entangled human love.
And you'll no longer swing and sway
Divinely down the scented shade,
Where feet to Ambulation fade,
And moons are lost in endless Day.
How shall we wind these wreaths of ours,
Where there are neither heads nor flowers?
Oh, Heaven's Heaven! -- - but we'll be missing
The palms, and sunlight, and the south;
And there's an end, I think, of kissing,
When our mouths are one with Mouth. . . .
'Tau here', Mamua,
Crown the hair, and come away!
Hear the calling of the moon,
And the whispering scents that stray
About the idle warm lagoon.
Hasten, hand in human hand,
Down the dark, the flowered way,
Along the whiteness of the sand,
And in the water's soft caress,
Wash the mind of foolishness,
Mamua, until the day.
Spend the glittering moonlight there
Pursuing down the soundless deep
Limbs that gleam and shadowy hair,
Or floating lazy, half-asleep.
Dive and double and follow after,
Snare in flowers, and kiss, and call,
With lips that fade, and human laughter
And faces individual,
Well this side of Paradise! . . .
There's little comfort in the wise.

Rupert Brooke, Papeete, February 1914


. The Great Lover

I HAVE been so great a lover: filled my days
So proudly with the splendour of Love's praise,
The pain, the calm, and the astonishment,
Desire illimitable, and still content,
And all dear names men use, to cheat despair,
For the perplexed and viewless streams that bear
Our hearts at random down the dark of life.
Now, ere the unthinking silence on that strife
Steals down, I would cheat drowsy Death so far,
My night shall be remembered for a star
That outshone all the suns of all men's days.
Shall I not crown them with immortal praise
Whom I have loved, who have given me, dared with me
High secrets, and in darkness knelt to see
The inenarrable godhead of delight?
Love is a flame; -- - we have beaconed the world's night.
A city: -- - and we have built it, these and I.
An emperor: -- - we have taught the world to die.
So, for their sakes I loved, ere I go hence,
And the high cause of Love's magnificence,
And to keep loyalties young, I'll write those names
Golden for ever, eagles, crying flames,
And set them as a banner, that men may know,
To dare the generations, burn, and blow
Out on the wind of Time, shining and streaming. . . .
These I have loved:
                            White plates and cups, clean-gleaming,
Ringed with blue lines; and feathery, færy dust;
Wet roofs, beneath the lamp-light; the strong crust
Of friendly bread; and many-tasting food;
Rainbows; and the blue bitter smoke of wood;
And radiant raindrops couching in cool flowers;
And flowers themselves, that sway through sunny hours,
Dreaming of moths that drink them under the moon;
Then, the cool kindliness of sheets, that soon
Smooth away trouble; and the rough male kiss
Of blankets; grainy wood; live hair that is
Shining and free; blue-massing clouds; the keen
Unpassioned beauty of a great machine;
The benison of hot water; furs to touch;
The good smell of old clothes; and other such -- -
The comfortable smell of friendly fingers,
Hair's fragrance, and the musty reek that lingers
About dead leaves and last year's ferns. . . .
                            Dear names,
And thousand other throng to me! Royal flames;
Sweet water's dimpling laugh from tap or spring;
Holes in the ground; and voices that do sing;
Voices in laughter, too; and body's pain,
Soon turned to peace; and the deep-panting train;
Firm sands; the little dulling edge of foam
That browns and dwindles as the wave goes home;
And washen stones, gay for an hour; the cold
Graveness of iron; moist black earthen mould;
Sleep; and high places; footprints in the dew;
And oaks; and brown horse-chestnuts, glossy-new;
And new-peeled sticks; and shining pools on grass; -- -
All these have been my loves. And these shall pass,
Whatever passes not, in the great hour,
Nor all my passion, all my prayers, have power
To hold them with me through the gate of Death.
They'll play deserter, turn with the traitor breath,
Break the high bond we made, and sell Love's trust
And sacramented covenant to the dust.
---- Oh, never a doubt but, somewhere, I shall wake,
And give what's left of love again, and make
New friends, now strangers. . . .
                            But the best I've known,
Stays here, and changes, breaks, grows old, is blown
About the winds of the world, and fades from brains
Of living men, and dies.
                            Nothing remains.
O dear my loves, O faithless, once again
This one last gift I give: that after men
Shall know, and later lovers, far-removed,
Praise you, "All these were lovely"; say, "He loved."

Rupert Brooke, Mataiea, 1914


. Heaven

FISH (fly-replete, in depth of June,
Dawdling away their wat'ry noon)
Ponder deep wisdom, dark or clear,
Each secret fishy hope or fear.
Fish say, they have their Stream and Pond;
But is there anything Beyond?
This life cannot be All, they swear,
For how unpleasant, if it were!
One may not doubt that, somehow, Good
Shall come of Water and of Mud;
And, sure, the reverent eye must see
A Purpose in Liquidity.
We darkly know, by Faith we cry,
The future is not Wholly Dry.
Mud unto mud! -- - Death eddies near -- -
Not here the appointed End, not here!
But somewhere, beyond Space and Time.
Is wetter water, slimier slime!
And there (they trust) there swimmeth One
Who swam ere rivers were begun,
Immense, of fishy form and mind,
Squamous, omnipotent, and kind;
And under that Almighty Fin,
The littlest fish may enter in.
Oh! never fly conceals a hook,
Fish say, in the Eternal Brook,
But more than mundane weeds are there,
And mud, celestially fair;
Fat caterpillars drift around,
And Paradisal grubs are found;
Unfading moths, immortal flies,
And the worm that never dies.
And in that Heaven of all their wish,
There shall be no more land, say fish.


. There's Wisdom in Women

"OH LOVE is fair, and love is rare;" my dear one she said,
"But love goes lightly over." I bowed her foolish head,
And kissed her hair and laughed at her. Such a child was she;
So new to love, so true to love, and she spoke so bitterly.
But there's wisdom in women, of more than they have known,
And thoughts go blowing through them, are wiser than their own,
Or how should my dear one, being ignorant and young,
Have cried on love so bitterly, with so true a tongue?


. A Memory (From a sonnet-sequence)

SOMEWHILE before the dawn I rose, and stept
Softly along the dim way to your room,
And found you sleeping in the quiet gloom,
And holiness about you as you slept.
I knelt there; till your waking fingers crept
About my head, and held it. I had rest
Unhoped this side of Heaven, beneath your breast.
I knelt a long time, still; nor even wept.
It was great wrong you did me; and for gain
Of that poor moment's kindliness, and ease,
And sleepy mother-comfort!
                            Child, you know
How easily love leaps out to dreams like these,
Who has seen them true. And love that's wakened so
Takes all too long to lay asleep again.

Rupert Brooke, Waikiki, October 1913


. One Day

TODAY I have been happy. All the day
I held the memory of you, and wove
Its laughter with the dancing light o' the spray,
And sowed the sky with tiny clouds of love,
And sent you following the white waves of sea,
And crowned your head with fancies, nothing worth,
Stray buds from that old dust of misery,
Being glad with a new foolish quiet mirth.
So lightly I played with those dark memories,
Just as a child, beneath the summer skies,
Plays hour by hour with a strange shining stone,
For which (he knows not) towns were fire of old,
And love has been betrayed, and ****** done,
And great kings turned to a little bitter mould.

Rupert Brooke, The Pacific, October 1913


. Waikiki

WARM perfumes like a breath from vine and tree
      Drift down the darkness. Plangent, hidden from eyes
      Somewhere an 'eukaleli' thrills and cries
And stabs with pain the night's brown savagery.
And dark scents whisper; and dim waves creep to me,
      Gleam like a woman's hair, stretch out, and rise;
      And new stars burn into the ancient skies,
Over the murmurous soft Hawaian sea.
And I recall, lose, grasp, forget again,
      And still remember, a tale I have heard, or known,
An empty tale, of idleness and pain,
      Of two that loved -- - or did not love -- - and one
Whose perplexed heart did evil, foolishly,
A long while since, and by some other sea.

Rupert Brooke, Waikiki, 1913



OTHER POEMS

The Busy Heart

NOW that we've done our best and worst, and parted,
      I would fill my mind with thoughts that will not rend.
(O heart, I do not dare go empty-hearted)
      I'll think of Love in books, Love without end;
Women with child, content; and old men sleeping;
      And wet strong ploughlands, scarred for certain grain;
And babes that weep, and so forget their weeping;
      And the young heavens, forgetful after rain;
And evening hush, broken by homing wings;
      And Song's nobility, and Wisdom holy,
That live, we dead. I would think of a thousand things,
      Lovely and durable, and taste them slowly,
One after one, like tasting a sweet food.
I have need to busy my heart with quietude.


. Love

LOVE is a breach in the walls, a broken gate,
      Where that comes in that shall not go again;
Love sells the proud heart's citadel to Fate.
      They have known shame, who love unloved. Even then,
When two mouths, thirsty each for each, find slaking,
      And agony's forgot, and hushed the crying
Of credulous hearts, in heaven -- - such are but taking
      Their own poor dreams within their arms, and lying
Each in his lonely night, each with a ghost.
      Some share that night. But they know love grows colder,
Grows false and dull, that was sweet lies at most.
      Astonishment is no more in hand or shoulder,
But darkens, and dies out from kiss to kiss.
All this is love; and all love is but this.


. Unfortunate

HEART, you are restless as a paper scrap
      That's tossed down dusty pavements by the wind;
      Saying, "She is most wise, patient and kind.
Between the small hands folded in her lap
Surely a shamed head may bow down at length,
      And find forgiveness where the shadows stir
About her lips, and wisdom in her strength,
      Peace in her peace. Come to her, come to her!" . . .
She will not care. She'll smile to see me come,
      So that I think all Heaven in flower to fold me.
      She'll give me all I ask, kiss me and hold me,
           And open wide upon that holy air
The gates of peace, and take my tiredness home,
           Kinder than God. But, heart, she will not care.


. The Chilterns

YOUR hands, my dear, adorable,
      Your lips of tenderness
-- Oh, I've loved you faithfully and well,
      Three years, or a bit less.
      It wasn't a success.
Thank God, that's done! and I'll take the road,
      Quit of my youth and you,
The Roman road to Wendover
      By Tring and Lilley Hoo,
      As a free man may do.
For youth goes over, the joys that fly,
      The tears that follow fast;
And the dirtiest things we do must lie
      Forgotten at the last;
      Even Love goes past.
What's left behind I shall not find,
      The splendour and the pain;
The splash of sun, the shouting wind,
      And the brave sting of rain,
      I may not meet again.
But the years, that take the best away,
      Give something in the end;
And a better friend than love have they,
      For none to mar or mend,
      That have themselves to friend.
I shall desire and I shall find
      The best of my desires;
The autumn road, the mellow wind
      That soothes the darkening shires.
      And laughter, and inn-fires.
White mist about the black hedgerows,
      The slumbering Midland plain,
The silence where the clover grows,
      And the dead leaves in the lane,
      Certainly, these remain.
And I shall find some girl perhaps,
      And a better one than you,
With eyes as wise, but kindlier,
      And lips as soft, but true.
      And I daresay she will do.


. Home

I CAME back late and tired last night
      Into my little room,
To the long chair and the firelight
      And comfortable gloom.
But as I entered softly in
      I saw a woman there,
The line of neck and cheek and chin,
      The darkness of her hair,
The form of one I did not know
      Sitting in my chair.
I stood a moment fierce and still,
      Watching her neck and hair.
I made a step to her; and saw
      That there was no one there.
It was some trick of the firelight
      That made me see her there.
It was a chance of shade and light
      And the cushion in the chair.
Oh, all you happy over the earth,
      That night, how could I sleep?
I lay and watched the lonely gloom;
      And watched the moonlight creep
From wall to basin, round the room,
      All night I could not sleep.



. Beauty and Beauty

WHEN Beauty and Beauty meet
      All naked, fair to fair,
The earth is crying-sweet,
      And scattering-bright the air,
Eddying, dizzying, closing round,
      With soft and drunken laughter;
Veiling all that may befall
      After -- - after -- -
Where Beauty and Beauty met,
      Earth's still a-tremble there,
And winds are scented yet,
      And memory-soft the air,
Bosoming, folding glints of light,
      And shreds of shadowy laughter;
Not the tears that fill the years
      After -- - after -- -


. The Way That Lovers Use

THE way that lovers use is this;
      They bow, catch hands, with never a word,
And their lips meet, and they do kiss,
      -- - So I have heard.
They queerly find some healing so,
      And strange attainment in the touch;
There is a secret lovers know,
      -- - I have read as much.
And theirs no longer joy nor smart,
      Changing or ending, night or day;
But mouth to mouth, and heart on heart,
      -- - So lovers say.


1908 - 1911

Sonnet: "Oh! Death will find me, long before I tire"

OH! DEATH will find me, long before I tire
Of watching you; and swing me suddenly
Into the shade and loneliness and mire
Of the last land! There, waiting patiently,
One day, I think, I'll feel a cool wind blowing,
See a slow light across the Stygian tide,
And hear the Dead about me stir, unknowing,
And tremble. And I shall know that you have died,
And watch you, a broad-browed and smiling dream,
Pass, light as ever, through the lightless host,
Quietly ponder, start, and sway, and gleam -- -
Most individual and bewildering ghost! -- -
And turn, and toss your brown delightful head
Amusedly, among the ancient Dead.


. Sonnet: "I said I splendidly loved you; it's not true"

I SAID I splendidly loved you; it's not true.
Such long swift tides stir not a land-locked sea.
On gods or fools the high risk falls -- - on you -- -
The clean clear bitter-sweet that's not for me.
Love soars from earth to ecstasies unwist.
Love is flung Lucifer-like from Heaven to Hell.
But -- - there are wanderers in the middle mist,
Who cry for sh

It is in the midst of cruel December
That cynicism springs forth
Lush, verdant and fruitful.

As people sit
Firmly fastened in front of computers and televisions,
    Their pale, two-dimensional illumination
    A vicious imitation of the golden glow
    Of which we have been deprived,
The trite uniqueness of each falling flake
Is regarded with the same appreciation
Held by a prisoner for the peculiarities of each bar of his cell
While mercantile endorsements
Perform their annual joyless Yuletide jig
Complete with sullenly cheery music.

Indifference plods with a purpose across the pavement
On feet uncomfortably shoved into boots
And sometimes wielding a shovel.

My own feet angrily railed against the bus-stop sidewalk
On this particular day.

I forfeited the ice-block bench on this occasion,
Preferring to crush my feet into the ground
Than to risk cryogenesis by the unfriendly seat.

I was waiting for the next vessel to drift in on a tide of noxious diesel
And take me home
So that I could put cables through my ears
And stare blankly into a vividly opaque window;
Fingers performing a well-choreographed dance
While I wrap myself in warm, gas-heated euthanasia.

As the bench reclined behind me,
She sat down upon it like a ghost.
Slight and spritish.
Silky black strands dance in brave escape
From their woolen armour
And guard green isles floating on white seas.

Where have I seen her?
This person so maddeningly, forgettably familiar?

A breath of persimmon and greenery.

She extends forth a creamy hand.
The snow eats the vibrant blood as it leaks from her wrist.

Seized by panic,
I leap from my station,
A lifesaving scarf in my hand.

Hers presses to my chest.
Her pale-sunrise lips move to my ear.

"Wait and see." She says.
"Read between the drear to find what you seek:
"That which you remember and yet have forgotten."
The vital stream returns to its tributary by a volition of its own.

Did I faint at this surreality?
Did I go into shock by it and return to my abode in an ****** ambulation?
Did it take place at all?
I awoke at home, seated in my parlour
And watered by the melted rime.

For weeks after,
I would, with expectation and intrigue,
Await her arrival at the same stop,
Search for the silky black strands playing in the crowd,
I even sought her in vain through my nocturnal oneiric haze.

Indeed, she must have been a spectre,
Either of our world or that of my brain.

Nevertheless, this I know is true:
I did feel her gentle hand against my panicked heart
And her delicate voice still echoes in my ears.

It is Spring now, and still my memory of her persists
As does my recollection what she had to tell me.
Her whisper is in the snow-melt water
And her eyes cry joyful tears from icicles.

I’m a construct; piece-wise and bilateral
Anointed by half pieces parted from wise souls
Who sojourned to two-states America in uncertainty
Bore fruit, and I’m part of the four.


As fourth, I am the neoteny of the family
I’m this fleshy symmetry
Can barely keep track
Must remind, crafted in his Immortal Geometry.


So I must grin and bear it
It goes so fast, I remember bits and pieces
Far from wise, before neo-belief
I match left and right but inwardly, I’m not so wisely pieced.


It didn’t take long, my journey, though certainly short, by peaceable ambulation
From where I’ve been, people I’ve met with this inner asymmetry
I want to fix them; with my black hammer and white nail
With my grey, pulpy, heart.
Yet I don’t have the means.
Now I just don’t have it, I need to amble over with mine
My beloved two wise figures of geometry, please understand this
There’s more than the framer of hand or eye, our hearts form imperfect amalgam.

Morning. Diffuse light
through frost painted panes
xylophone alarm quantifies reticent consciousness

warm sheets a Siren Song
or ****** Lotus beckoning
to stay in comfort and familiarity

crawling to a vertical orientation
jerking into up-right ambulation
the still tepid bed implores you to stay

Dredging subconscious anxieties
nebulous worries swirl; full blown gale
Lightning fears & thunderous uncertainty flash behind groggy eyes

Backhanded ocular rub
quells queasy qualms
life is ineffably uncertain

But there’s excitement in ambiguity
satisfaction in resolution
interest in intrigue

invariable inevitability
only begets; stagnation, complacency,
boredom & apathy  

Uncertainty is positive, perhaps
a necessity even  
but then again the bed is still warm

Check it!

Mind State Subliminal's

Never Ridicule the Individual

there Journey is of a different school

I find myself at the pinnacle
the point of which is so critical

It's a mind state That isn't physical

mental obstacles I often leap.

then find myself tied to Marry Poppins feet

I see the world and its obscurities are out of reach

I hide in pits of insecurities I guess I'm obsolete

Will I forever have cold feet? or will my motions cause friction, the conception of heat

My perception is keep, moving and keep trying, trying is just dying

an act of the weak.

Let's smash all beliefs and DO! then keep applying pressure to these modern hands

For my body is made of fuel and metallic cans.

How often does passion stand if where it lands is on a slant?

It doesn't, it slips and slides then collides with motions that stride

is this what keeps us alive? the ambulation of vibes, the infatuation to strive, dive and keep swimming

I'm satisfied by this life I keep living

My perception is interception I catch it all than digest it.

I consume all even though it may be septic

let theses words I eat pierce my inner intestines.

I left leftovers for my contestants,

I'm lethal like needles to a vain,

this game will leave you breathless.

I'll never do it for the fame or chains or a fancy neckless

Flow is too raw. cause havoc I'm too reckless.

You can catch me at the bottom pit, be spitting the hottest ****

I'm that hip hop-otimuous

That's no name anonymous.

Your frame is just picture-less

I hope you can picture this

and in the 12th my teacher grade tenderly grabbed my wrist
and said
what is this
and
I said
me
But
that was the wrong answer
he wanted me to say
my —-wrist
he wanted me to say my
MINE

He wanted me to take ownership
of my body
he wanted to acknowledge
Or
He wanted me to acknowledge
that I was
An inside
of a body
And
Not a body
He wanted
Me to think what I just
“mistakenly”
called “me” was just a vessel
To hold “me”
That is it was lent to me and would return
from whence it came
that I was barely or merely or some other kind of “erely” visiting
and
that me and mine were different when it came to body

Such a kindness and autono-motive restoration to remind a person that they are
More
That they are not their looks
or their actions
Or even potential ambulation
I know what he offered me was a kindness

I declined
I said no in my own way
If you’re wondering
What I said was “you are what you eat”

I still don’t know what I meant
If I meant

and I’ll ozymandius myself
If I claim to be more than this

I am crumbling, but I will stand tall on these broken feet

As soon as I can fix my posture

i have not seen it in the
surge of the next moment. it arrived like a letter from complete anonymity to the familiar gape in the doorstep.

i wish sometimes, now that i am
full with age yet none the wiser,
i were a bottle of wine sitting in hermetic space, where no breaths could go in and out of, as disconsolate light trudges the finite spaces its fingers like a taut grip to a gun, able to drain completely of its poisons.

i have you in my blood
and sometimes its immortality
coils into morbid contortions.
a rally of aches, scraping the sinews well and accurate, paring them of their pretensions, this kinship.

i have you in my mind
and sometimes when the impetus
galvanizes me into stolid incitations, my voice lifts and then vanishes into its shy desolations and without sound,
i pass through the deluge of
all this - of i being you,
and you, being me.

i have you sometimes in my eyes,
when these two brown planets
  wax in their postulations,
nebulae of emotions explode
into tiny aggregations and now,
  i am a lone star in its celestial ambulation through protruding shards of our battlements.

i have you in this warm fount
  and sometimes, like a dog
choosing its memory, i sometimes
wish to forget my station and elude its equanimities and only have in my dull mind, where all
  the bones are kept and
  guard them in the midnight where they shape themselves into
   massive morphemes digging deeper to soft skin and mangled, looking
down on me like a prey caught in a hawk's periphery and lunged at,
  where all aches are awakened
with recalcitrance, casting
  me away from my own tenancies.

i have not seen this in the
coming of the next moment -
we were firstly, laughing at
the smallness of things, sharing
light and other affectations,
until we came in the way
of our trains and closed their
  stations, looking for
a place to go now, anywhere

   but home.

We tell our children not to wander in the woods,
never to stop or enter the cottage with
the peppermint scent and gingerbread façade
for a naked witch is sleeping inside.

Beware the milk weeping from an axe handle outside,
the tingling inside that stretches from heart to toes
that neither sinks nor swims if tied with heavy stones,
the ointment on your back that makes you feel flight.

If you are sickened by the scent of roasting meat
kissing your nostrils, we tell them, do not enter there.
If she gazes at you and you see her reflection in the frosted panes,
hear her voice sweetly echo in the glittering fireflies of night, turn away.

Better to crush her bones to paste and use them to mason your new house
less you close your eyes and she be on top in your dream bed,
her pointed ******* caressing down, her black familiar nearby,
we tell them, never noticing the rancid butter on the neighbor’s sill.

If she smiles and you dream the image of a child inside her,
especially after barren decades of hope, many more watching her
tying knots at the end of your bed, muttering an unknown language,
do not ever let her in, we repeatedly tell them.

If she smiles and you see a frown, cast her out, we tell them.
If she marries you in heart and soul and never gets engaged,
If she weeps at the sight of every child in ambulation,
If she takes on the face of Norma Desmond, she is an evil thing.

If she lives in air, fire, ice and water, sees planets in the day;
Insists on walking when old and frail and fragile with age;
looks intently at every small thing, do not let her hair
touch your cross lest she curse you with an unhappy life.

Check your children’s hair lest there be witch powder there.
Beware their nightmares lest they be witch’s dreams.
They may be be-spelled if they struggle with things
greater than themselves, especially those you believe.

if they have contrary opinions, want to tour strange cities,
plea for mercy for the poor soul exiled on death row,
give a drink to a thirsty man, cry for the forever war,
they are surely bewitched and need to feel the switch.

Watch your children lest they slip the things they want
but can not afford into their gloves and pockets
for they are part of her infernal coven and it is time
to collect them together, find the matches and burn the wood.

she dreams of a feeling
feather-light floating

circular, orbital, a revolution
of aimless ambulation

in her palms, the world
dusted by light and warmth

a language of incantations,
an exchange of soft prayers

her very atoms awakening
flourishing in the existential

Petals fell and floated in the periphery of his awareness
Punctuated only by the suns patterned sabbatical from the adulation of the city streets and it's blissful nomads.
Gradually it would return in season
An undercurrent of mechanical drone resurrected the daydreamer from his quiescent musings
From his sidewalk monastery he observed the passing urban crawl like one who keeps vigil over the dead
With the stoicism of a fisherman the lolling stream carried the bustle beyond even his cast net of sardonic speculation  
His line of consciousness being temporarily tugged by a branch's ballet in the sunlight, hieroglyphics hidden in a line of brick, or the sparrows who sang deep but happy secrets
Theirs were acts of beauty hidden only by the world's unwillingness to see them
He was content like this
To be irretrievably lost within the labyrinth of his own thoughts
He felt he was a hermit
The keeper of a long forgotten secret
A mime who's silent art was solitude
It was almost comical wasn't it?
The figure a cold stone gargoyle atop his palisade
Scowling at the street below
At flower petal Charybdis and screeching Scylla
His odyssey internal and unknown to passers-by
Save for what could be conveyed by the cigarettes' soliloquy
The clown allowed himself to be swept away by philosophical inquisition and poetic sophistry
What persisted was the wish that it was quieter
That for an afternoon he could be spared the automobiles
He took another drag and tried to find solace
One of the metal demiurges parked portside of his wrought iron Quebec, and he noted the petals caught in the grooves of the wheel
Some held on amidst the ambulation
Others fell the fall of mortally wounded heroes and where caressed by the whispering air
He speculated that perhaps truth and love and beauty could be like these
They were supple beings of nature, or monoliths who inspired awe with their mystery
The modern world would keep them like relics of a former time
It would permit them to exist so long as they did not impede progress
They were relegated to the status of a ****** or an indentured servant
Even their necessary and incumbent pulchritude seemed sapped from them
Like a diadem above a trash heap
A gold ring in a pigs snout
They could for a brief moment decorate the vehicles, the sidewalks, dryad like in his own mop of hair
They may even be carried along by them
Until duty to the god of utility would shirk them off
They could not be allowed to stop the hymn to immolation which emanated from the streets
Lest they give respite to the crusade of endless noise
These foreign gods denied their creation the temptation to joy and inward reflection
The punishment for this was metropolitan purgatory
The two drachmae owed the ferryman were harmony and patience
So it goes
What goodness could come from all this hum drum
What great acts of love, beauty, or courage could brunch inspire in these terrestrial wanderers
It was hard to imagine Gilgamesh as a bartender, even harder to posit Jesus as a CEO
It was time to go
His own impending appointment resuscitated him from his afternoon of little death
He left the cafe and walked blissfully fettered unto new distractions