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"alder" poems
Forth into the forest straightway All alone walked Hiawatha Proudly, with his bow and arrows, And the birds sang round him, o’er him, “Do not shoot us, Hiawatha!” Sang the robin, the Opechee, Sang the blue bird, the Owaissa, “Do not shoot us, Hiawatha!” Up the oak tree, close beside him, Sprang the squirrel, Adjidaumo, In and out among the branches, Coughed and chattered from the oak tree, Laughed, and said between his laughing, “Do not shoot me, Hiawatha!” And the rabbit from his pathway Leaped aside, and at a distance Sat ***** upon his haunches, Half in fear and half in frolic, Saying to the little hunter, “Do not shoot me, Hiawatha!” But he heeded not, nor heard them, For his thoughts were with the red deer; On their tracks his eyes were fastened, Leading downward to the river, To the ford across the river, And as one in slumber walked he, Hidden in the alder bushes. There he waited till the deer came, Till he saw two antlers lifted, Saw two eyes look from the thicket, Saw two nostrils point to windward, And a deer came down the pathway, Flecked with leafy light and shadow. And his heart within him fluttered, Trembled like the leaves above him, Like the birch-leaf palpitated, As the deer came down the pathway. Then, upon one knee uprising, Hiawatha aimed an arrow; Scarce a twig moved with his motion, Scarce a leaf was stirred or rustled, But the wary roebuck started, Stamped with all his hoofs together, Listened with one foot uplifted, Leaped as if to meet the arrow; Ah! the singing, fatal arrow, Like a wasp it buzzed and stung him! Dead he lay there in the forest, By the ford across the river; Beat his timid heart no longer, But the heart of Hiawatha Throbbed and shouted and exulted, As he bore the red deer homeward, And Iagoo and Nokomis Hailed his coming with applauses. From the red deer’s hide Nokomis Made a cloak for Hiawatha, From the red deer’s flesh Nokomis Made a banquet in his honor. All the village came and feasted, All the guests praised Hiawatha, Called him Strong-heart, Soan-ge-taha! Called him Loon-Heart, Mahn-go-taysee!
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9.2k
Hiawatha’s Hunting
Forth into the forest straightway All alone walked Hiawatha Proudly, with his bow and arrows, And the birds sang round him, o’er him, “Do not shoot us, Hiawatha!” Sang the robin, the Opechee, Sang the blue bird, the Owaissa, “Do not shoot us, Hiawatha!” Up the oak tree, close beside him, Sprang the squirrel, Adjidaumo, In and out among the branches, Coughed and chattered from the oak tree, Laughed, and said between his laughing, “Do not shoot me, Hiawatha!” And the rabbit from his pathway Leaped aside, and at a distance Sat ***** upon his haunches, Half in fear and half in frolic, Saying to the little hunter, “Do not shoot me, Hiawatha!” But he heeded not, nor heard them, For his thoughts were with the red deer; On their tracks his eyes were fastened, Leading downward to the river, To the ford across the river, And as one in slumber walked he, Hidden in the alder bushes. There he waited till the deer came, Till he saw two antlers lifted, Saw two eyes look from the thicket, Saw two nostrils point to windward, And a deer came down the pathway, Flecked with leafy light and shadow. And his heart within him fluttered, Trembled like the leaves above him, Like the birch-leaf palpitated, As the deer came down the pathway. Then, upon one knee uprising, Hiawatha aimed an arrow; Scarce a twig moved with his motion, Scarce a leaf was stirred or rustled, But the wary roebuck started, Stamped with all his hoofs together, Listened with one foot uplifted, Leaped as if to meet the arrow; Ah! the singing, fatal arrow, Like a wasp it buzzed and stung him! Dead he lay there in the forest, By the ford across the river; Beat his timid heart no longer, But the heart of Hiawatha Throbbed and shouted and exulted, As he bore the red deer homeward, And Iagoo and Nokomis Hailed his coming with applauses. From the red deer’s hide Nokomis Made a cloak for Hiawatha, From the red deer’s flesh Nokomis Made a banquet in his honor. All the village came and feasted, All the guests praised Hiawatha, Called him Strong-heart, Soan-ge-taha! Called him Loon-Heart, Mahn-go-taysee!
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63
Flow down, cold rivulet, to the sea, Thy tribute wave deliver: No more by thee my steps shall be, For ever and for ever. Flow, softly flow, by lawn and lea, A rivulet then a river: Nowhere by thee my steps shall be For ever and for ever. But here will sigh thine alder tree And here thine aspen shiver; And here by thee will hum the bee, For ever and for ever. A thousand suns will stream on thee, A thousand moons will quiver; But not by thee my steps shall be, For ever and for ever.
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A Farewell
A rowan like a lipsticked girl. Between the by-road and the main road Alder trees at a wet and dripping distance Stand off among the rushes. There are the mud-flowers of dialect And the immortelles of perfect pitch And that moment when the bird sings very close To the music of what happens.
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5.2k
Song
Perch on their water perch hung in the clear Bann River Near the clay bank in alder dapple and waver, Perch they called ‘grunts’, little flood-slubs, runty and ready, I saw and I see in the river’s glorified body That is passable through, but they’re bluntly holding the pass, Under the water-roof, over the bottom, adoze On the current, against it, all muscle and slur In the finland of perch, the fenland of alder, on air That is water, on carpets of Bann stream, on hold In the everything flows and steady go of the world.
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4.4k
The Perch
In the long journey out of the self, There are many detours, washed-out interrupted raw places Where the shale slides dangerously And the back wheels hang almost over the edge At the sudden veering, the moment of turning. Better to hug close, wary of rubble and falling stones. The arroyo cracking the road, the wind-bitten buttes, the canyons, Creeks swollen in midsummer from the flash-flood roaring into the narrow valley. Reeds beaten flat by wind and rain, Grey from the long winter, burnt at the base in late summer. -- Or the path narrowing, Winding upward toward the stream with its sharp stones, The upland of alder and birchtrees, Through the swamp alive with quicksand, The way blocked at last by a fallen fir-tree, The thickets darkening, The ravines ugly.
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2.6k
Journey into the Interior
When the sun goes down I have my first drink standing in the yard, talking to my neighbor about the alder tree rising between our houses, a lowly tree that prospered from our steady inattention and shot up quick as a **** to tower over our rooftops, where it now brandishes a rich, luxuriant crown. Should we cut it down? Neither of us wants to -- we agree that we like the flourishing branches, shade like thick woods. We don't say it, studying our tree in silence, but we know that if the roots get into the foundations we've got real trouble. John goes back inside. Nothing to be done in summer -- not to those heavy branches. I balance my empty glass on top of a fence post. In the quiet early dark, those peaceful minutes before dinner, I bend down to the flower beds I love and pull a few weeds -- something I've meant to do all day.
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2.4k
Tree
On a slow train out of the Savannah’s sudden exile, the sunlight swallows me, a calligraphy of days, hours, minuets, now inscribed on my limbs, syntax gives over to a dry, dry sound, and parched, the aftertaste of sloe gin inhabits my ribs, the lay of bones, a labyrinth of absence, and this velvet ache at my wrists, a pure burning, burning the memory red, words swell and crumble with a kiss, what absence, Soul of Winter, what absence is this, spreading over roadmaps, soliloquies, nights stretch into mornings, always mornings, as my fingertips pull daylight from an orange in dream alphabets that soon dwindle to vowels, the word, harbour, bends the old alder beyond what it can bear, so many ways, you say, to live like a prisoner, at home, the rooms are all windswept, reckless chairs overturned , abandoned in this, the evening’s parable, love is no more than a syllable in a bottle of shattered blue glass, a poem written on the underside of a child’s teacup, their jump ropes curl like adders at our feet, the thread from where I dangle in doorways and twilight, as I bide time, perilous over train tracks, your fingers trace tally marks along my vertebrae, the hollows darkening in a pathos of blue rheumatism, and in the carnivorous tremor of my body breaking like the spine of a book, the paper gone pink at the edges, like azaleas and bruises, erosion, after all is the altar of the body, and there are scars beneath my temple, and this ache, still, in my wrists, unbearable when it rains, ghosts inhabit my lungs, wrung from the silence of shut windows, eternal clotheslines and linen span for miles across the Savannah, and the early frost is at last, calling me home....
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Jan 10, 2013
Jan 10, 2013 at 5:11 PM UTC
Scars Beneath
On a slow train out of the Savannah’s sudden exile, the sunlight swallows me, a calligraphy of days, hours, minuets, now inscribed on my limbs, syntax gives over to a dry, dry sound, and parched, the aftertaste of sloe gin inhabits my ribs, the lay of bones, a labyrinth of absence, and this velvet ache at my wrists, a pure burning, burning the memory red, words swell and crumble with a kiss, what absence, Soul of Winter, what absence is this, spreading over roadmaps, soliloquies, nights stretch into mornings, always mornings, as my fingertips pull daylight from an orange in dream alphabets that soon dwindle to vowels, the word, harbour, bends the old alder beyond what it can bear, so many ways, you say, to live like a prisoner, at home, the rooms are all windswept, reckless chairs overturned , abandoned in this, the evening’s parable, love is no more than a syllable in a bottle of shattered blue glass, a poem written on the underside of a child’s teacup, their jump ropes curl like adders at our feet, the thread from where I dangle in doorways and twilight, as I bide time, perilous over train tracks, your fingers trace tally marks along my vertebrae, the hollows darkening in a pathos of blue rheumatism, and in the carnivorous tremor of my body breaking like the spine of a book, the paper gone pink at the edges, like azaleas and bruises, erosion, after all is the altar of the body, and there are scars beneath my temple, and this ache, still, in my wrists, unbearable when it rains, ghosts inhabit my lungs, wrung from the silence of shut windows, eternal clotheslines and linen span for miles across the Savannah, and the early frost is at last, calling me home....
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54
Little thinks, in the field, yon red-cloaked clown, Of thee, from the hill-top looking down; And the heifer, that lows in the upland farm, Far-heard, lows not thine ear to charm; The sexton tolling the bell at noon, Dreams not that great Napoleon Stops his horse, and lists with delight, Whilst his files sweep round yon Alpine height; Nor knowest thou what argument Thy life to thy neighbor's creed has lent: All are needed by each one, Nothing is fair or good alone. I thought the sparrow's note from heaven, Singing at dawn on the alder bough; I brought him home in his nest at even;— He sings the song, but it pleases not now; For I did not bring home the river and sky; He sang to my ear; they sang to my eye. The delicate shells lay on the shore; The bubbles of the latest wave Fresh pearls to their enamel gave; And the bellowing of the savage sea Greeted their safe escape to me; I wiped away the weeds and foam, And fetched my sea-born treasures home; But the poor, unsightly, noisome things Had left their beauty on the shore With the sun, and the sand, and the wild uproar. The lover watched his graceful maid As 'mid the ****** train she strayed, Nor knew her beauty's best attire Was woven still by the snow-white quire; At last she came to his hermitage, Like the bird from the woodlands to the cage,— The gay enchantment was undone, A gentle wife, but fairy none. Then I said, "I covet Truth; Beauty is unripe childhood's cheat,— I leave it behind with the games of youth." As I spoke, beneath my feet The ground-pine curled its pretty wreath, Running over the club-moss burrs; I inhaled the violet's breath; Around me stood the oaks and firs; Pine cones and acorns lay on the ground; Above me soared the eternal sky, Full of light and deity; Again I saw, again I heard, The rolling river, the morning bird;— Beauty through my senses stole, I yielded myself to the perfect whole.
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2.2k
Each And All
Little thinks, in the field, yon red-cloaked clown, Of thee, from the hill-top looking down; And the heifer, that lows in the upland farm, Far-heard, lows not thine ear to charm; The sexton tolling the bell at noon, Dreams not that great Napoleon Stops his horse, and lists with delight, Whilst his files sweep round yon Alpine height; Nor knowest thou what argument Thy life to thy neighbor's creed has lent: All are needed by each one, Nothing is fair or good alone. I thought the sparrow's note from heaven, Singing at dawn on the alder bough; I brought him home in his nest at even;— He sings the song, but it pleases not now; For I did not bring home the river and sky; He sang to my ear; they sang to my eye. The delicate shells lay on the shore; The bubbles of the latest wave Fresh pearls to their enamel gave; And the bellowing of the savage sea Greeted their safe escape to me; I wiped away the weeds and foam, And fetched my sea-born treasures home; But the poor, unsightly, noisome things Had left their beauty on the shore With the sun, and the sand, and the wild uproar. The lover watched his graceful maid As 'mid the ****** train she strayed, Nor knew her beauty's best attire Was woven still by the snow-white quire; At last she came to his hermitage, Like the bird from the woodlands to the cage,— The gay enchantment was undone, A gentle wife, but fairy none. Then I said, "I covet Truth; Beauty is unripe childhood's cheat,— I leave it behind with the games of youth." As I spoke, beneath my feet The ground-pine curled its pretty wreath, Running over the club-moss burrs; I inhaled the violet's breath; Around me stood the oaks and firs; Pine cones and acorns lay on the ground; Above me soared the eternal sky, Full of light and deity; Again I saw, again I heard, The rolling river, the morning bird;— Beauty through my senses stole, I yielded myself to the perfect whole.
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51
I. LONELINESS Her Word One ought not to have to care So much as you and I Care when the birds come round the house To seem to say good-bye; Or care so much when they come back With whatever it is they sing; The truth being we are as much Too glad for the one thing As we are too sad for the other here— With birds that fill their ******* But with each other and themselves And their built or driven nests. II. HOUSE FEAR Always—I tell you this they learned— Always at night when they returned To the lonely house from far away To lamps unlighted and fire gone gray, They learned to rattle the lock and key To give whatever might chance to be Warning and time to be off in flight: And preferring the out- to the in-door night, They. learned to leave the house-door wide Until they had lit the lamp inside. III. THE SMILE Her Word I didn’t like the way he went away. That smile! It never came of being gay. Still he smiled—did you see him?—I was sure! Perhaps because we gave him only bread And the wretch knew from that that we were poor. Perhaps because he let us give instead Of seizing from us as he might have seized. Perhaps he mocked at us for being wed, Or being very young (and he was pleased To have a vision of us old and dead). I wonder how far down the road he’s got. He’s watching from the woods as like as not. IV. THE OFT-REPEATED DREAM She had no saying dark enough For the dark pine that kept Forever trying the window-latch Of the room where they slept. The tireless but ineffectual hands That with every futile pass Made the great tree seem as a little bird Before the mystery of glass! It never had been inside the room, And only one of the two Was afraid in an oft-repeated dream Of what the tree might do. V. THE IMPULSE It was too lonely for her there, And too wild, And since there were but two of them, And no child, And work was little in the house, She was free, And followed where he furrowed field, Or felled tree. She rested on a log and tossed The fresh chips, With a song only to herself On her lips. And once she went to break a bough Of black alder. She strayed so far she scarcely heard. When he called her— And didn’t answer— didn’t speak— Or return. She stood, and then she ran and hid In the fern. He never found her, though he looked Everywhere, And he asked at her mother’s house Was she there. Sudden and swift and light as that The ties gave, And he learned of finalities Besides the grave.
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1.8k
The Hill Wife
I. LONELINESS Her Word One ought not to have to care So much as you and I Care when the birds come round the house To seem to say good-bye; Or care so much when they come back With whatever it is they sing; The truth being we are as much Too glad for the one thing As we are too sad for the other here— With birds that fill their ******* But with each other and themselves And their built or driven nests. II. HOUSE FEAR Always—I tell you this they learned— Always at night when they returned To the lonely house from far away To lamps unlighted and fire gone gray, They learned to rattle the lock and key To give whatever might chance to be Warning and time to be off in flight: And preferring the out- to the in-door night, They. learned to leave the house-door wide Until they had lit the lamp inside. III. THE SMILE Her Word I didn’t like the way he went away. That smile! It never came of being gay. Still he smiled—did you see him?—I was sure! Perhaps because we gave him only bread And the wretch knew from that that we were poor. Perhaps because he let us give instead Of seizing from us as he might have seized. Perhaps he mocked at us for being wed, Or being very young (and he was pleased To have a vision of us old and dead). I wonder how far down the road he’s got. He’s watching from the woods as like as not. IV. THE OFT-REPEATED DREAM She had no saying dark enough For the dark pine that kept Forever trying the window-latch Of the room where they slept. The tireless but ineffectual hands That with every futile pass Made the great tree seem as a little bird Before the mystery of glass! It never had been inside the room, And only one of the two Was afraid in an oft-repeated dream Of what the tree might do. V. THE IMPULSE It was too lonely for her there, And too wild, And since there were but two of them, And no child, And work was little in the house, She was free, And followed where he furrowed field, Or felled tree. She rested on a log and tossed The fresh chips, With a song only to herself On her lips. And once she went to break a bough Of black alder. She strayed so far she scarcely heard. When he called her— And didn’t answer— didn’t speak— Or return. She stood, and then she ran and hid In the fern. He never found her, though he looked Everywhere, And he asked at her mother’s house Was she there. Sudden and swift and light as that The ties gave, And he learned of finalities Besides the grave.
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81
On a bright and sunny day On the 18th of May An earthquake resulted in a landslide That unleashed a massive force brewing inside The eruption removed the upper 1,300 feet The magma chamber burst- rock & gas blown at supersonic speed Within 8 miles, all was instantly wrecked With a shockwave so big, what could one expect? As the north slope collapsed down All life forms began to drown Every tree in sight swept away 19 miles outward; a ruinous ashtray Silence breaks as ash falls like snow The once mature landscape now just an embryo What had become a lifeless terrain, Now shows us what 35 years can attain. After the volcanic cataclysm Biological legacies determine the pace of new ecosystems The following colonizers proceed: Lupines, pearly everlasting, alder shrubs, and fireweed. The coniferous forest was replaced The deciduous Alder trees won the race The new forest attracts grasshoppers, birds, and ants Larks, gophers, sparrows and deer mice take a chance Out of 256 species alive prior to the eruption, 86 are now in production 20% of the surface is covered with grass and legumes Struggling young trees that endeavor to bloom Ecological gaps begin to fill Strong ecosystems form, production is uphill. Elk arrives to munch on grass and bark The thick forests attract birds, like larks. Fallen logs create nutrients and feed biofilm to the lake Floating ecosystems now have plenty resources to take Elevation affects the rate of recovery reports. The higher the colder, which means the growing season is short. The loss of trees means more room for sun As the lake warms up, there’s increased production More insects and bigger fish, like rainbow trout Salamanders are scarce now, not many about. Lupines deserve their own stanza, those purple legumes. They help make a pumice landscape suitable for others to bloom. Lupines create essential nutrients the pumice is low on Other plants are thankful for the rare space to grow on. All this information hopefully to inspire, Life pulls through in situations most dire. Mount Saint Helens’ destructive wake is seen clearly today, The eruption that obliterated had also paved a way.
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May 18, 2022
May 18, 2022 at 11:31 AM UTC
Re-vegetation of Mt. St. Helens
On a bright and sunny day On the 18th of May An earthquake resulted in a landslide That unleashed a massive force brewing inside The eruption removed the upper 1,300 feet The magma chamber burst- rock & gas blown at supersonic speed Within 8 miles, all was instantly wrecked With a shockwave so big, what could one expect? As the north slope collapsed down All life forms began to drown Every tree in sight swept away 19 miles outward; a ruinous ashtray Silence breaks as ash falls like snow The once mature landscape now just an embryo What had become a lifeless terrain, Now shows us what 35 years can attain. After the volcanic cataclysm Biological legacies determine the pace of new ecosystems The following colonizers proceed: Lupines, pearly everlasting, alder shrubs, and fireweed. The coniferous forest was replaced The deciduous Alder trees won the race The new forest attracts grasshoppers, birds, and ants Larks, gophers, sparrows and deer mice take a chance Out of 256 species alive prior to the eruption, 86 are now in production 20% of the surface is covered with grass and legumes Struggling young trees that endeavor to bloom Ecological gaps begin to fill Strong ecosystems form, production is uphill. Elk arrives to munch on grass and bark The thick forests attract birds, like larks. Fallen logs create nutrients and feed biofilm to the lake Floating ecosystems now have plenty resources to take Elevation affects the rate of recovery reports. The higher the colder, which means the growing season is short. The loss of trees means more room for sun As the lake warms up, there’s increased production More insects and bigger fish, like rainbow trout Salamanders are scarce now, not many about. Lupines deserve their own stanza, those purple legumes. They help make a pumice landscape suitable for others to bloom. Lupines create essential nutrients the pumice is low on Other plants are thankful for the rare space to grow on. All this information hopefully to inspire, Life pulls through in situations most dire. Mount Saint Helens’ destructive wake is seen clearly today, The eruption that obliterated had also paved a way.
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48
He carves words he has spoken Of promises unbroken whispering into the dark Chiselling delicately into her bones With tobacco juice to bring out the tones Quietly engraving symbols and psalms Living for the night Working through to the light Communing only through dreams In daylight she's secure Inside a white Alder tree Protected and respected Her spirit flies free
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Jul 16, 2019
Jul 16, 2019 at 3:36 PM UTC
Willem
The water had fallen. And then it rose. And finally, it was green again. And it was as I descended into the river bed, through the streams and bramble, beneath the lush green canopy, that my peace came back. It was wild and alive. And it would fill my soul to be there. The rich smell of the soil, like something primordial and sweet, set my memories into motion. With each step I followed my history backwards, eager for the lessons that the rain and wind would bring. And I thought about what was and what is now. And I recalled so many who had once wandered these wild ways with me before. Those that have begun to tend their own gradens. Rows of flowers, orchards, roses, and ivy (trained to grow along ivory latice, like castle walls). Each thing in its place. Watered. Nurtured. Painstakingly cared for and thriving. But not you. You are still the winding creek, filled with life and lined with secrets. Ready to rush with fury and beauty at a moments notice. You are the tall cane and alder making a canopy thick enough to halt the light. You are the seep willow and the cottonwoods drinking the river bottom directly in to your soul. You are the raven caw. The calling falcon. The cooing dove. The scream of the hawk. The sound of the sky in every brush stroke note of your voice. You are the thick brush that touches each bank, powerful and unruly, like bookends to sacred wisdom. You are the mighty things. The ring of mountians encapsulating the horizon. The clouds that lay with silent fury. The crashing lighting and the echoing thunder. The deep and silent woods. You are not the garden. And I prefer you wild.
0
Jan 21, 2017
Jan 21, 2017 at 12:37 PM UTC
Wild
The water had fallen. And then it rose. And finally, it was green again. And it was as I descended into the river bed, through the streams and bramble, beneath the lush green canopy, that my peace came back. It was wild and alive. And it would fill my soul to be there. The rich smell of the soil, like something primordial and sweet, set my memories into motion. With each step I followed my history backwards, eager for the lessons that the rain and wind would bring. And I thought about what was and what is now. And I recalled so many who had once wandered these wild ways with me before. Those that have begun to tend their own gradens. Rows of flowers, orchards, roses, and ivy (trained to grow along ivory latice, like castle walls). Each thing in its place. Watered. Nurtured. Painstakingly cared for and thriving. But not you. You are still the winding creek, filled with life and lined with secrets. Ready to rush with fury and beauty at a moments notice. You are the tall cane and alder making a canopy thick enough to halt the light. You are the seep willow and the cottonwoods drinking the river bottom directly in to your soul. You are the raven caw. The calling falcon. The cooing dove. The scream of the hawk. The sound of the sky in every brush stroke note of your voice. You are the thick brush that touches each bank, powerful and unruly, like bookends to sacred wisdom. You are the mighty things. The ring of mountians encapsulating the horizon. The clouds that lay with silent fury. The crashing lighting and the echoing thunder. The deep and silent woods. You are not the garden. And I prefer you wild.
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27
Blue haze is in the air at dusk Wet dew descends on grass, Sunset’s red striations touch Horizon’s clouds of glass A heavy silence permeates With the settling of the day, And clouds of starlings flock to roost With nightfall underway. The homestead paddock’s horses All graze quietly in the gloom As evening light turns purple red To a distant blackbird’s tune. A golden leafage carpetry Is spread across the road And the farmer trudges through it homeward bound, beneath his load. The cottage lights are glowing gold As daylight dwindles now. The softly spiraled chimney smoke, The lowing of the cow, The leafless alder branches Stretching to a sky of stars As the chill of late Autumnal Celebrates the birth of Mars. Marshalg In the Autumn leaves Victoria Park Tunnel 24 April 2010
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Apr 23, 2010
Apr 23, 2010 at 5:04 PM UTC
Autumnal
Reticent, morning hides behind boles of alder, the air escaping his lungs Calcifies in my chest. A caustic mist mists Over the rivers pane. Thick White trails into fine liquid Black, interring the slight, torn body. Orange sky-swell Washes incandescent green: Dark sienna burns A path to the waters scorched White stone. The wood Holds no sympathy: alacritous calls knife the sorrowful heart.
0
Mar 9, 2012
Mar 9, 2012 at 9:24 PM UTC
Oliver James.
Is it just me Or is it just four bottles of beer Or is it just the picky, pock, patchy Thawed and re-frozen Left-over snow Or the starry sky A hint of Northern Lights With the beautiful s-bend of the river Willow and alder as skeletons Scribbled against the winter meadow With river-washed flotsam Caught along the fence-line The big trout in midstream under the bridge In daylight behind her rock And why not still so now? Or is it just peculiar - That while to every horizon the stars fall to Earth As secrets on countless tongues - That the word on my lips Is your name
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Mar 4, 2011
Mar 4, 2011 at 10:39 AM UTC
Just Me
With the sun at it's peak, the dew from the morning's fog began to trickle off the leaves, soaking into the ornamental indigo bulbs, decorating the shrubs with an inedible elegance. Standing tall and gently swaying, a near by alder tries to hug a lamp pole or help it stand, with the ferns sturdy, reaching at it's feet. Branches stretch themselves out as if to say, "Good Afternoon" to the squirrels and humming blue jays making their way back home, bringing donations found under- neath the soil that breathes life to all.
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Feb 18, 2018
Feb 18, 2018 at 10:56 PM UTC
mothernature
Don't be scared, little thought! I saw you, keeking out from behind some triviality Reluctant to disturb me (you could see I was tired), but please, don't go, don't go! I think we've met before?  Some years ago When I was less careless with my time And slower to retreat along well trodden paths. I'm afraid I'm not the host I was, but wait - at least remind me of your name? Are you a vanished love, Neither finished nor fulfilled? Are you the speechless schoolboy view From the summit of Ben Alder, won By twenty miles of peat bog and scree? (No wonder you feel a stranger here In front of my T.V!) Are you a question to which comfort was not the answer? Oh please wait, I nearly have it! You're a song, begun but forgotten? You're something I meant to say to someone, once You're a friend, a parent - a reason For loving this great wide world Don't go - don't leave me here with Simon Cowell, cheap wine And no momentum!
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Nov 24, 2010
Nov 24, 2010 at 1:48 AM UTC
The Thought
I am my father Not metaphorically though I carved myself from a block of Alder I am my own Gepetto I am the prince of my kingdom This entire homeland of the unsteady Where I can be proud I am from Set to inherit all that I have already This hurts me more than it does you. Damn my faults, I run into the forgiving arms of the long-lost ego, the prodigal id So, you can spare me your false alarms I’ve known nothing else since I was a kid I’ll put myself in a home when I reach old age I hope to relive my youth through my own life I don’t want to see me make the same mistakes I made I’m sharpening a knife with a knife I have handed down to myself all I have learned I’ve worked for all my respect I’ve earned This hurts me more than it does you. The hardest ways, are the ways I’ve learned I played with fire and I got burned This hurts me more than it does you. I’ve seen your world and I know it turned I have the things you should have yearned This hurts me more than it does you. I am an amazing thing that you just spurned I waited and waited and you never returned This hurts me more than it does you. I am aware of things you never discerned Tell me why you aren’t concerned This hurts me more than it does you. …And that’s what makes me better than you.
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Jan 2, 2013
Jan 2, 2013 at 12:14 PM UTC
Last Stone Thrown
Whispers of clouds brought to life From a child's observant hand, Tied firmly with twine To mine Are puddles now, Unfathomably deep and yet Impenetrable, As a windowpane in a lamplit room facing the glossy Liquid tar of the night, And sometimes I see the sky And sometimes I believe I can see the bottom And sometimes I see my own face staring back up at me, Tinted grey, Wrinkled by age or the tiny footsteps of waterbugs That have found solace in the stagnant water, And my eyes are glassy and unfocused And my nose is crooked, And I am tempted to take a tiny cup And drink from that tepid pool Dip by dip Until the water has drained And the bottom is no longer an elusive phantom Masked by a pallid imitation Of the life that breathes before it, And the waterbugs and their skittering legs Are all inside me Where they bounce around in my warm skin So I, Too, May remember how it feels to be alive, But the dirt under my fingernails And the husks peeling from my shoulders And the tendril roots anchoring downward from my toes Craft, In their chthonic shelter - A suffocating darkness of soil That strips the eyes and lungs of their familiar needs - Some lyric That sings of a new desire And an emanating warmth that reprimands my very body For being so naïve, To think that it May whither away Should the sun set on one Summer day's Dusky glow (So reminiscent of the afternoons Where you would grip my fingers and guide me through The ins and outs Of ravenous caterpillar holes Bitten into the leaves Of the alder trees, Never allowing me to forget How you despised their aberrant bodies, "Freaks of the natural world," And I would tell To closed-off ears Stories of transformation And the butterfly that fed On the ugliness of a fat insect And turned it into romance) So I abstain From my brackish libation And sit back, With my dusty hand, Burnt from the grip of the string, Pressed to my parched throat, My stale reflection retreating over the edge Of the pond, And, From my new perch, See, The sliver of the Moon, In her own reflection, A promise, Of the Sun that approaches on his handsome chariot, And wait, For the return of day And, A new face To wash Ashore in the tide.
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Mar 4, 2011
Mar 4, 2011 at 3:51 PM UTC
Untitled (Waterbugs)
Whispers of clouds brought to life From a child's observant hand, Tied firmly with twine To mine Are puddles now, Unfathomably deep and yet Impenetrable, As a windowpane in a lamplit room facing the glossy Liquid tar of the night, And sometimes I see the sky And sometimes I believe I can see the bottom And sometimes I see my own face staring back up at me, Tinted grey, Wrinkled by age or the tiny footsteps of waterbugs That have found solace in the stagnant water, And my eyes are glassy and unfocused And my nose is crooked, And I am tempted to take a tiny cup And drink from that tepid pool Dip by dip Until the water has drained And the bottom is no longer an elusive phantom Masked by a pallid imitation Of the life that breathes before it, And the waterbugs and their skittering legs Are all inside me Where they bounce around in my warm skin So I, Too, May remember how it feels to be alive, But the dirt under my fingernails And the husks peeling from my shoulders And the tendril roots anchoring downward from my toes Craft, In their chthonic shelter - A suffocating darkness of soil That strips the eyes and lungs of their familiar needs - Some lyric That sings of a new desire And an emanating warmth that reprimands my very body For being so naïve, To think that it May whither away Should the sun set on one Summer day's Dusky glow (So reminiscent of the afternoons Where you would grip my fingers and guide me through The ins and outs Of ravenous caterpillar holes Bitten into the leaves Of the alder trees, Never allowing me to forget How you despised their aberrant bodies, "Freaks of the natural world," And I would tell To closed-off ears Stories of transformation And the butterfly that fed On the ugliness of a fat insect And turned it into romance) So I abstain From my brackish libation And sit back, With my dusty hand, Burnt from the grip of the string, Pressed to my parched throat, My stale reflection retreating over the edge Of the pond, And, From my new perch, See, The sliver of the Moon, In her own reflection, A promise, Of the Sun that approaches on his handsome chariot, And wait, For the return of day And, A new face To wash Ashore in the tide.
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81
Getting older is not an illusion nor is it a common fact. Adulthood doesn't come with a specific age, and childhood doesn't either. I feel old. I'm not. But I feel like the blood in my veins have run for decades - and my skin have protected my flesh for about a lifetime. My eyes have seen what there is to see, and my mouth tasted what there is to taste. My veins have carried my blood whit everything possible alderdom er ikke en alder
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Jan 14, 2015
Jan 14, 2015 at 5:21 PM UTC
Old
Song and Dance Hot hot hot Watch out **** Oh yea Dark Star!!! Your Love Like a Sax Wooing Ripe Lips **** You're  my Hot Devil ...--
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Jul 5, 2016
Jul 5, 2016 at 11:21 PM UTC
Naughty Alder
In a wood thick with wild flowers and fern I first saw you Hidden inside a caterpillar skin wriggling to get out I watched as you twisted free from your pupa unfolding your wonderfully coloured cape as the wind picked you up and carries you from flower to flower nectar still dripping from you tongue The wind rose again as you perched on the branch of an Alder tree I watched as you slipped out of your cape slid down the trunk to dance on a fairy ring I’m sure you smiled at me as you ran home down your fairy path I've been back many times I do believe in fairies
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Aug 1, 2015
Aug 1, 2015 at 8:05 AM UTC
*Clap your hands if you believe in fairies*
Bubbles of talk and understanding laughter rise and fall - A warmth of people in the orange light. Some places lend themselves to parables, As here - in Severn-circled Shrewsbury by night. Present friends make links to older times; The words that are your living to make live Trace the sinews of their journeys to a Younger name of where we live and love - An Alder Hill- Place of meeting and of meaning Under sheltering green where words and lives Were shared. We inherit now in human glow Of present conversation, a river's-depth of memories flowing here. The Alder trees live on. Their ghostly roots And branches now the passages and shuts That tell the light-dark-light of life, With newer voices echoing their questions, truths and fears. And some to find a way together, whatever Distances prevail, to meet upon a day – your day. While still the opal swans glide silent, knowing, On the night time shadows of the Severn. Seeing, saying all, if only we could hear.
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Oct 27, 2013
Oct 27, 2013 at 5:31 PM UTC
SHREWSBURY ON THE 22nd.