the day near finished and
the night aglet as if day;
what came first -
cliff richard's devil woman
(chicken) or the eagles'
witchy woman (egg)?
cockerel via ****** already took
the opera seat, and the soprano
slit open the larynx of the castrato...
just so the chandelier and windows
shattered in practice...
if your poetry isn't musical, not rhyming,
just write about music,
that's what bukowski conveyed...
make poetry an interest in music,
don't make it this trollop-cod-whipped-****
self-interest... if you can't sing because
an elephant stomped on your ear
or you never had enough money to buy a saxophone,
don't make complex musicology of symphonies
cute with "adoration" using the rhyming technique,
forget it, it's not cute, it's damnable...
true virtue isn't afraid of critique...
write about what you love so i can look it up
and share it, don't write self-love walking sticks
of decrepit fidelity of marathon runners
that wheeze out after the 100th meter in
goldfish dollops of addictive lungs gulping for
breath... no technique in poetry will ever be music
in terms of actual music...
ever heard tenacious d's one note song?
most poetry sounds like that:
sound
around
orange peel
foot massage that turned into zest of extra
sound
around
a tambourine tabernacle
with st. thomas ******* a rib cage
kangaroo pouch
****'s ouch
five multipliers mono
*******
softy
doughnut
peach;
'***** where's the cream?!'
'oh boy it's coming, coming with the flying scotsman's
steam;
choo choo!'
puff up you puffing puffin *******!
well, i was always going to be an extension of her
doing the triceps choo choo dangle motion;
morph into a church bell uvula
morph into a church bell uvula...
of a-ding-along-for-a-ding-**** of st. ursula's
interpretation of english police officers
deviation from the standard:
'allo 'allo 'allo.... n'est-ce pas pas ce comme ce?