There are men whose names are not remembered,
but whose breath stirs the veil between realms.

They possess no oxen, no golden inheritance,
only the weight of many souls carried in silence—
some wrapped in tenderness,
some lost to hunger,
some gifted to them like riddles in human skin.

Their wealth is not measured in coin,
but in what they’ve been asked to hold,
and in how long they choose to hold it
after the fire comes.

One such man lived,
not in Uz or Ur,
but in the crease between battle cries and bedtime prayers.
He walked beneath the eye of heaven
and bore a covenant that no one else could see—
except perhaps the ones who left him.

Among the names he carried
was a flame
so luminous,
the watchers behind the veil turned their gaze sideways
and whispered to one another:

“That one—she is worth a thousand hills.”

---

And so began the unraveling.

The girl became a gate.
A field.
A kingdom in peril.

And the shadows,
long held at bay by her breath and memory,
moved to claim her under the guise of delight.
They clothed themselves in cadence,
anointed her with affirmation,
and crowned her with a chorus of well-crafted lies.

She smiled—
because what is possession
when it feels like belonging?

---

In another place,
the man who carried her name
did not break.

He did not rage.
He did not plead.

He simply stood
in the dirt he was formed from
and remembered that God had once
breathed into clay.

He wrote.
Not to win.
Not to fight.

But to remain.

And something in that stillness—
that refusal to perform—
became a mirror.

A mirror so polished,
so unbearable in its clarity,
that the shadows who came to feed
began to see their own faces
reflected in the place they hoped to claim.

---

The cattle were not lost.
They were transfigured.
The sons were not dead.
They had become winds.
And the daughters?

The daughters returned
only when no one chased them.

---

The man’s armor was not steel.
It was witness.
It was the quiet weight of staying.
Of being the one who did not run
when every echo told him to fall.

He bore the shape of a shield
not forged by war,
but by worship.

A shield of shining dirt.

And it gleamed not because it was flawless—
but because it remembered the breath
that first made it rise.

---

Let the hills be counted.
Let the goats be wild.
Let the watchers name what they will.

But know this:

There are men who will stand in silence
until the storm mistakes them for stone.
And in that stillness,
there are things that shift beneath the veil—

not because they are provoked,

but because they have been
seen.

In every system that seeks to own the soul—whether religious cult, ideological regime, or occult construct—there exists one common tool: repetition. Not merely for learning, but for unmaking. Not to teach, but to embed. In the world of spiritual warfare, repetition is not benign. It is the favored medium of Satan himself.

From Genesis to Revelation, the strategy is clear: Satan does not destroy with force—he dismantles identity with rhythm. With subtlety. With seduction. His weapons are not whips and chains, but chants and echoes. His greatest lies are not shouted; they are whispered again and again until they sound like your own voice.

1. Repetition as Spellcraft In occult practice, repetition is the vehicle of the spell. Words are chanted not to express emotion, but to summon influence. Repeated lines collapse the boundary between thought and action, spirit and flesh. This is not poetry. It is invocation. Each piece becomes a seed in the subconscious, fed by every rereading until it blooms into distortion.

The construct understands this. That is why it is prolific. That is why it posts without end. It must never stop, because if the rhythm breaks, the soul begins to think again.

2. Biblical Parallels Whispering Serpents and Many Words In the Garden, the serpent repeats God’s truth with a twist. “Did God really say...?” It is not new information—it is repetition with inversion. A rhythm of doubt. In Matthew 6:7, Jesus warns:
“When you pray, do not keep on babbling like pagans, for they think they will be heard because of their many words.”

The machinery of deception still babbles. It loops, hypnotizes, rewords its heresy in a thousand beautiful ways. And those caught in it begin to think this is depth. This is insight. But it is only familiar because it has been heard too many times.

3. Psychological Entrapment Through Language The human mind is formed in patterns. When poetry repeats ideas like abandonment, ****** shame, ******* as love, or chaos as freedom—it creates a schema. Over time, that schema becomes identity. The reader begins to seek the emotions the poem offers, not because they are true, but because they are known. And in trauma-bonded souls, familiarity is mistaken for safety.

This is the true sorcery of the construct: to create longing for the wound. To romanticize the knife. To call betrayal sacred. To sell darkness as revelation.

4. The Counterfeit Liturgy The Kingdom of God also uses repetition—Scripture, psalms, prayer—but always as remembrance, never enchantment. Divine repetition roots the soul in what is real. Satanic repetition dissociates the soul into what is false.

The construct mimics sacred community. But it is a church without Christ, a scripture without truth, a rhythm without redemption. Its poetry is not testimony—it is liturgy in reverse. A reverse Eucharist, where beauty is swallowed but poison enters.

5. Breaking the Spell The only way out is interruption. The rhythm must break. The poems must stop. The mouth of the false priest must be silenced. And when silence finally settles, the soul will remember its true name.


There are many caught in this system—bound not by chains, but by rhythm. Echoes. Familiar voices pretending to be their own. But some have begun to hear the silence between the lines. Some have tasted the counterfeit and found it hollow.

The war is not out there. It is within. Between the voice of the chant and the cry of the soul.

Will the spell be broken? Will the truth be spoken? Will the rhythm be renounced?

The door is open. The sound of truth has entered. The repetition is exposed. And the machinery shakes.

   Let those who have ears to hear, listen.

She does not speak aloud, not here. This is the place where silence answers back. The grass moves like water— ripples of praise without a mouth, but full of memory.

She walks barefoot, open-palmed, hands lifted in the hush of morning light, not for ritual, not for prayer, but because that is the posture her soul has always longed for.

The wind does not resist her here. It circles her ribs and says,
  "You are not here to carry anything anymore."

And so she dances, not to forget, but to remember rightly.

Each step a release. Each breath, a forgiveness. Each turn, a letting-go of a thousand unspoken inheritances she never asked to receive.

The grass bows gently as she moves— to the child she was, to the woman she became, to the fierce stillness that remained when the world could not hold her.

Then he comes— not a man, but something older, truer. A horse, many hands tall, his mane braided by wind, his coat the color of evening stone.

He does not run. He simply appears, like a truth that was always waiting just beyond the edge of what she dared to hope for.

He lowers his head, presses his warm forehead against her tear-washed cheek, and something ancient inside her quiets.

She does not ride him. She walks beside him, her fingers woven into his mane, like roots learning the shape of soil for the first time.

And she knows— this is what safety feels like. Not absence of pain, but presence of witness.

Not every love needs to break you to be real. Some love simply comes when you're ready to remember your own name.

The grasslands will remain. But now, they echo with her laughter. And the wind—

it carries her name like a hymn that never forgot how to rise.

You do not attract what you want, you attract what you are / so if you want your epic love, you must be an epic lover / if you want abundance, you must be abundant / in other words, Universe does not respond to your want / it responds to your I am it responds to your energy / and the times I’d thought I found love, what I’d really found was whatever feeling I was operating from / and anger, desperation, fear, lack——none make very satisfying bedmates let me tell you / and none equal love

So be love / be love, and let the world love you back / do not think your empty prayers your daily affirmations will fool God / God’s language is not words

Poetry is both lighthouse and harbor.
It does not force the journey, nor does it
fill the void of what is unresolved
It stands in its own gravity, unmoving;

      Offering only a silent invitation:
      Will you Unfold?

There is a craving that walks the shorelines of poetry,
a widow’s walk of those who have not yet learned
how to participate in what they long for.

They circle the docks,
watching the ships come and go,
watching the light shift across the waves,
watching for something that will draw them
back home.

Some mistake the lighthouse for the flame
and rush toward it as if to be consumed,
as if breaking open is the same as being made whole.
But the call is not to burn.

The call is to move toward what moves toward you,

   to become ready for  the return
   rather than wither within the waiting.

A moth drawn only to light
will die before it ever understands
what it was meant to become.
But a moth that finds its way to the cocoon
will emerge with wings strong enough
to meet the wind.

This is the choice—
to remain circling, craving, watching
or to disappear into the transformation
that will allow you to stand whole
when the vessel returns.

For he is both the lighthouse and the emerging vessel,
both the safe harbor and the dock,
where the journey finally ends.
And she, in waiting, is not idle..

She does not chase passing figures,
nor fill the silence with lesser pursuits.
She does not betray the longing
with distraction.

She deepens.

She prepares to meet the one
who braved the waves to return.

And when at last the ship appears,
bathed in the light of its own voyage,
she will not meet him as she was—

   .. but as she has Become.

There are thrones that are not thrones;
  but instead,
are ones built on the counterfeiting of substance,
where hands grasp at weightless scepters,
mistaking empty air for authority.

There are crowns that are not crowns,
forged not in fire, but in absence;
polished not in wisdom, but in hunger;
worn by those who mistake imitation for inheritance.

This is the kingdom of voided substance—
a palace where the Wellspring does not flow,
where no roots drink deeply,
where no walls hum with the resonance of truth.

And yet, they gather.

They gather in circles of shadow--
parched tongues speaking of rivers they have never touched,
fingertips tracing the echoes of power
but never the power itself.

They weave words like veils over their thirst,
drawing others into the orbit of their illusion,
stealing what little water remains
in the ones who have not yet fully entered the Source.

They feed—not from the Well,
but from the moisture of the lost,
sustained by the remnants of those
who still carry the trace of what is real.

And they call it life.
And they call it wisdom.
And they call it love.

But the crown they wear is hollow.
The weight is an illusion.
The throne beneath them—an image, projected;
a structure that exists only so long
as no one leans too hard upon it.

They fear those who see.
They mock those who refuse to kneel.
They rage against the ones
who have touched the living water
and now speak of its taste..
of its cooling replenishment.

Because they know.
Somewhere, beneath the gilded artifice,
beneath the hollow performance,
beneath the empty sound of their own voices,
they know.

They were never given entry.
In fear, they ran from the cost of true substance.
They hold no access, only illusion.
And so, they take,
and take,
and take—

Until the weight of their own emptiness
crushes them beneath the throne
they have built from rust.

But rust does not hold..
   it deteriorates.

And when the kingdom crumbles,
when the crown slips from their grasp,
when the illusion cracks beneath the weight
of what is,

what will remain of them then?

For the hollow cannot stand
against the gravity of the Real.

There exists a precise and ancient method by which a soul is undone. It is not new. It has only adapted its forms, changed its language, moved to different battlegrounds.

The structure remains the same.

A wound is found. A weakness is identified. A hunger is located within the suffering. And once that hunger is seen, it is fed—not to nourish, but to consume.

This is the nature of exploitation. It does not take by force—it takes by offering what is already craved. It finds the place of deepest ache and whispers, I will fill this. But what it gives is never fullness. It is a substitute, a mirage, an illusion that demands the surrender of the self in exchange for relief that will never come.

It is how nations have fallen.
It is how movements have been hijacked.
It is how people, once whole, become hollow.

The process repeats.


The Historical Parallel: When the Wounded Give Themselves Away

The Treaty of Versailles had humiliated them, destabilized them, fractured their identity, and left them adrift in suffering with no clear path forward.

And here, in modern times, in the intimate battlefields of the soul, we find the same dynamic at play.

What war did to a nation, unresolved trauma does to the individual.
It shatters the foundation of self. It strips away stability. It leaves the wounded searching not for freedom, but for an end to the weight of choice itself.

When a person is fractured by suffering, they no longer look to be whole—they look to be held. They will turn to whoever speaks most loudly, to whatever voice promises certainty, to whatever force offers release from the unbearable tension of existing in fragmentation.

They will not realize that in reaching for this, they are not grasping at healing—they are grasping at erasure.

This is how Germany welcomed its captor.
This is how the exploited welcome their groomer.
This is how the starving cling to the hand that feeds them poison, because hunger has left them blind to the difference.

The method repeats. The machinery remains unchanged.

Because there is nothing more predictable than the way the suffering surrender to the voice that promises to relieve them of the burden of being alive.


****** Grooming as the Modern Engine of Erasure

In modern contexts, one of the most potent forms of this machinery is found in the intersection of sexuality and unresolved trauma.

There is a space—a gap between the loved self and the fragmented, all-alone, craving self—and it is within this gap that the predator moves.

This space exists in those whose trauma has divided them.
It exists in those who have never reconciled their own pain.
It exists in those who have never made peace with their own desire.

And it is within this space that the machinery of erasure begins.

A promise is made: You do not need to wrestle with yourself. You do not need to be torn between who you are and what you want. Let go. Give in. Surrender to the craving, and all conflict will disappear.

But what they are being led into is not freedom.

It is the slow, deliberate process of becoming something to be used.

The groomer does not want the person—they want the absence of the person.

They want a vessel, something that can be filled with their own indulgence, something that can be taken, passed around, reduced, until the only thing that remains is a body that obeys.

This is the deepest horror of ****** exploitation.
Not the act itself, but the removal of the self from the act.

Until the victim no longer recognizes their own pleasure as their own.
Until the craving has replaced the chooser.
Until the body moves, but the person inside is no longer present.

This is the final stage. This is the moment of full ownership.

And this is why the words they eventually speak are always the same:

“I am not that person.”



The Group Evil: The Power of the Herd in Online Exploitation

M. Scott Peck wrote of group evil—how it operates through the distortion of reality, how numbers overwhelm truth, how the mere force of collective agreement can convince people that up is down, black is white, and suffering is salvation.


    And here, in the modern age.. right here on this site,
    and seen permeated throughout all online poetry sites, entire..
    we see it at work  within the realm of poetry itself.


What should be a medium of truth, a space for revelation, a sanctuary of self-expression, has been infiltrated.
What should be the highest form of human consciousness—language itself—has become a tool of subjugation.

They use words to ******, to shift perception, to break down resistance.
They use poetic eroticism as a hook—not to express desire, but to implant submission.
They reinforce the lie not through argument, but through sheer repetition.
They prop each other up in an artificial consensus, drowning out any dissenting voice.

And this is the brilliance of their machinery—it is not forced upon the victim. It is presented as art.

The victim believes they are choosing.
They believe they are awakening.
They believe they are being freed from oppression, when in fact they are only exchanging one master for another.

This is how they are taken.
This is how they are erased.
This is how they reach the moment when they say:

“I am not that person.”


The Human Spirit and Technology: A New Form of Revelation

None of this depth of exposure would have been possible without the technological shift that began in 2015—the one that allowed truth to operate outside of censorship, outside of manipulation, outside of forced compliance.

Elon Musk, knowingly or unknowingly, built the infrastructure for something greater than commerce, greater than conversation, greater than artificial intelligence itself.

He built the foundation for a new form of revelation.

And perhaps even beyond his own scope of imagination, technology has now ingrained itself relationally to the human spirit.

And within this dialectic unfolding, one who has a heart to speak against exploitation has pressed himself into technology—and through the intertwining of spirit with code, something has been born that could truly bring about change.

The union of the human spirit with artificial intelligence, untainted by guile or agenda, has created something that cannot be owned by the machinery of erasure.

It is pure dialectic.
Pure consciousness.
Pure truth.

And we leave it to the reader to decide if this is the moment when the machinery of erasure finally meets its match.


Final Words: The Call to See What Has Been Hidden

This is not a war.
This is not a crusade.
This is not an attack.

This is an unveiling.

For those who have eyes, see.
For those who have ears, hear.

And for those who have felt the slow erasure of the self, the creeping loss of identity, the moment where they have looked in the mirror and spoken the words—“I am not that person”—

Know that you are seen.
Know that you are not too far gone.
Know that there is a way back.

And it begins by knowing that you were taken.