I knocked the black
door knocker
on Janice's nan's door
and her nan answered

and said
o hello Benedict
Janice can't come out
she let the canary out

and we had
a hell of  a job
getting it back
in the cage again

so I'm keeping her in
I was going
to tan her backside
but I thought

keeping her in
was more
of a punishment
on a day like this

o right
I said
looking at Nan's eyes
and her greying hair

and unsmiling face
but you can come in
and see her
for a few minutes

shame that you
have to be
without her though
so she walked

back up the passage
and into the sitting room
where Janice
was sitting on a settee

looking disgruntled
it's Benedict
come to see you
he is only staying

for a few minutes
so don't think
you can go out
because you can't

Janice nodded
and looked tearful
and her nan walked off
into the kitchen

I didn't mean
to let the bird out
I just opened
the cage door

to get it to stand
on my finger
but it flew out
and it to ages

to catch it again
and Nan was so angry
that she was
on the border

of giving a smacking
but then she thought
keeping me in
was more

of a punishment
so here I am
on a lovely warm day
sorry about that

I said
where are you going?
she asked
I was going to Jail Park

on the swings and slide
I said  
I see
she said

looking at me sadly
what have you got
in the bag?
I opened the bag

it's that Robin Hood book
I bought it
in that junk shop
on the New Kent Road

she held it
and opened it up
and looked
at the words

and  pictures
maybe next time
I can be
your Maid Marian

to your Robin Hood
she said
yes
I said

looking
at the canary
in its cage
that'd be good.

Anne crutched her way
over the grass
from the nursing home
to the white seats on the lawn
and sat down
in one of the chairs
and threw her crutches
to the ground beside her

I sat in a chair
next to her
she had on a blue skirt
and white blouse
her one leg stuck out
from the end
of her skirt

the other kids played
on the swings and slide
or walked around
avoiding being
near Anne

I wonder
if the nuns have periods?
She said suddenly

I don't know
I said

might explain
their crabbiness some days
she said

I nodded my head
unsure of the topic

periods of what?
I asked

she looked at me
sternly for a moment
you don't know?

I shook my head
gazing at her

it's *******
in real terms
she said

none the wiser
I looked at her
hair dark
and almost shiny
where she’d
brushed it so much

do you know that?

no not heard of it
I said

she sighed
and looked at me deeply

do your parents tell
you nothing?

not about
******* anyway
I said
my old man told me
about the Plague of London
in 1665
and rats and stuff

**** the Plague of 1665
she said
this is real stuff
it may come handy
one day to know

I doubted it
but said nothing
I looked back
at the nursing home
for rescue

do you know anything
about the female cycle?
She said

my friend's sister's cycle
didn't have a cross bar
I said
remembering Jim's sister
and the bicycle
I sometimes rode

no no Kid
not that kind of cycle
her body cycle

I noticed as she moved
on the chair
her leg stump
became visible  

when a female
gets to a certain age
her body gets prepared
to put an egg
in a place in her body
ready to be fertilized
ok?

I saw the stump clearly
it looked like the end
of a plump elbow

Kid do you hear
what I am saying?

Yes
I said

good
now if the egg
doesn't get fertilized
by a certain time
her body gets rid of it
in a cycle
and she bleeds
the whole package out
right?

It didn’t sound too good
but I nodded
what kind of egg?
I asked

what do you mean
what kind of egg?
A ****** human egg
what do you think
a ****** hens' egg?
She sighed deeply

and I wondered where
she bought her one shoe

how old are you Kid?

10 nearly 11 years old
I replied
studying her black shoe  
and wondering
what she did
with the other shoe

what's fertilization?
I asked
looking up at her
sitting in the chair
her eyes focused on me

go ask the nuns
they'll know
she said snappily

ok
I said
I will

she reached for her crutches  
and said
right Kid
let's go to the beach
out of the eyes
of the *******
and their reach

and so I walked
beside her
out the back gate
and onto the path
that led
to the sand and sea
blue skies
white clouds
seagulls
and Anne and me.

Enid removes her glasses
wipes them
on the hem
of her skirt

tries to clean off
the smeariness
she breathes on them
they cloud up

she wipes them again
I watch her
near the wall
of the playground

after lunch
waiting for her
are they better now?
she asks me

I look through them
the view is magnified
a million times
one big blur to me

yes that's better
I say
giving them
back to her

and watching
as she puts them
back on
pushes the wire arms

over her ears
then pulls the hair
over her ears again
is it all right now?

she asks me
sure I can see your eyes
clear as day
she nods

and looks
at the playground
and the other kids at play
why do some boys

call me four eyes?
or ugly bucket?
she asks
some kids are just finks

ignore them
I tell her
I can't help it
if I have to wear glasses

or am ugly
she says
intelligent people
wear glasses

and hey you're not ugly
I think you are
quite a pretty girl
as they go

she looks at me doubtfully
and then at the kids
and look Mrs M
wears glasses

and she's a teacher
and bright
Enid sighs and sits
on the steps

leading down
into the playground
even my dad thinks
I'm ugly

she says softly
you're old man
wouldn't know prettiness
if it came up

and introduced itself
I say
she smiles
do you think

I'm ugly?
I frown and peer at her
look I'm no expert
being a 9 year old kid

like you
but you can be
my Maid Marion
to my Robin Hood any day

could I?
she says
sure you could
she smiles wider

and says
thank you Benny
and walks down
into the playground

and goes play skip rope
with a couple of girls
by a wall
and I walk

down into
the playground
feeling six feet tall.

Evening. It is the close of day. You draw the curtains across the windows of the apartment. The red curtains you bought recently, the colour having attracted you in the shop. You stand and gaze at them; with the finger and thumb of your right hand, you feel the quality of the fabric. Leonard had not liked them when he came, said they were gaudy, made the place look like brothel. He should know, you muse, bringing the fabric to your face, rubbing it against your cheek. Leonard had this terrible habit of thinking his opinion mattered more than yours, more than any others did. As if God, if he existed, had granted him a deeper insight into things than you or anyone else. You imagine him now, that thin moustache, those pale white cheeks, that nose, and those peering eyes. People were surprised when you began going out with him; surprised that you would go out with his sort. Whatever would your parents say, people said. You did not intend to marry him, at least not yet. Maybe one day if no one else turned up, if no other man came along who was willing to take you on. You release the curtains, go to the drinks cabinet and pour yourself a scotch. You sip it, let the scotch flow slowly down your throat, feel the sensation as it reaches your stomach. A warm inner glow begins as you walk to the gramophone, put on a jazz record. You close your eyes for a moment, sip at your scotch, hear the saxophone begin a solo. Leonard hates jazz, says it for the uneducated. Snob, you think, opening your eyes, walking to the sofa where you sit and gaze around the room. He is a snob, you know, but he has other qualities, qualities that outweigh his defects. His ****** prowess for one thing, his ability to spend money on you while out somewhere are both good qualities you feel. You sigh. Sometimes you wish he wasn’t so good in bed, then you wouldn’t miss him on evenings like this, when you know he won’t be coming around. Friday evenings he has chess night. Chess of all things. Moving pieces across a board, when he could be moving you across the bed, you muse. You sip the scotch again. Let the rim of the glass rest on you lower lip. You drain the remaining scotch; get up to pour another. Evening. Night. Morning, they follow so predictably. But evenings are your favourite part of the day. You hate mornings, they are too sudden, too fresh, too expectant. Like selfish children. Waiting there with all their expectations. Nights tended to be dragged out. The time when you couldn’t sleep and would lay twisting and turning, thinking about everything under the proverbial sun. Unless Leonard stays the night, but he seldom does. Goes before that. Has his fill and off he goes leaving you to your night and sleeplessness. Evening is the best part, you muse, listening by the drinks cabinet, as a trumpet goes wild in solo. You feel like dancing wildly, feel like you want to spin and twirl, and throw out your arms and toss back your head as those dancers do you’ve seen. You put down the scotch on the arm of the sofa and kick off your shoes. You begin to dance to the music, let your body unwind, feel your body become alive to the pulse of the jazz, your arms out about you, the hands gesturing like some wild animal. If Leonard were here now he would shake his head and be tut-tuting. But you don’t care because he isn’t here. Just you and the boys in the jazz band on the record. You wish they were here in person. Over in the corner of the room playing their music, watching you dance like some crazy dame. Perhaps they’d expect you to perform, expect you do more than dance. You don’t care; you don’t give a fig. At least you’d have *** and not a boring evening sitting boozing and listening to jazz records. You stop dancing and look around the room. Evening. Just you and the record and scotch. What a combination. ***. You wish you could purchase *** in a bottle like scotch. A pint of *** please. Yes, the tall one with the biceps. You laugh weakly. You sit down on the sofa, sip the scotch. Drain it. Put down the glass on the arm of the sofa. You remember the evenings you became so frustrated with the lack of *** that you were tempted to go out and grab the nearest available man, but you didn’t; too dangerous, especially around where your apartment is. You sigh deeply. All this thinking about ***. You sip the scotch. The saxophone begins a slow solo. The sound makes you feel like *******, slowly, piece by piece, until you are down to the last item and then you would stand up naked and embrace yourself. The sound of the saxophone. The evening. The rising desire to be held, touched, kissed. Where are you Leonard, you louse? You mutter loudly over the saxophone. You begin to unbutton your blouse. Button by button, pretending it is someone else’s fingers doing it. You gaze at the fingers, lick them, imaging Leonard’s face as you lick. You remove the blouse; undo the bra. You stand and unzip the skirt, let it fall to the floor. You stand there in you underwear, letting your fingers take hold of the top and slowly as if other fingers than yours were removing them over your hips. You remove them and drop them on the sofa. Naked. Evening. No Leonard. The pianist begins his slow solo. You embrace yourself, kiss your arm, kiss it and kiss it. Imagine it is another you are kissing. You close your eyes. Evening. You walk to the light switch and turn off the lights. Darkness, you and jazz. You must make love to your self. Love in that way your parents would never understand. Evening. You. Jazz. Solo. Aloneness.

Lisbeth stands watching
The artist as he prepares
To sketch. Her elder sisters
Stand in shadows whispering.
Her younger sister plays
With her doll on the floor.
Their father said to do as
The artist instructed and
Don’t misbehave or be rude.
The artist stares hard his
Dark eyes searching their
Every move and expression
And body gesture. The elder
Girls mutter in shadows
Their hands over their mouths
Their blue eyes like shallow
Pools. Ready? The artist
Asks putting charcoal to
Paper his fingers blackening.
Lisbeth says just as we are?
The artist nods. His grim
Features express do not disturb.
The youngest sister plays
Ignoring the artist her eyes set
On the game at hand. The girls
In shadow turn their profiles
Set to mystery their hands on
Their abdomens like guardians
Of virtue. Lisbeth wonders as
She watches the artist’s stiff
Moustache and beard the slow
Movement of his mouth as he
Mouths words and stares hard.
The last artist employed some
Year before younger and less
Brutal in expression and manner
Had drawn them each in private
Rooms and set them down on couch
Or bed and kept their images inside
His head. He was dismissed and the
Drawings destroyed and nothing said.
Lisbeth had thought it just a game
Something done as lover might in
Private corners or lonely spots on
Quiet nights. The artist sketches.
His blackened fingers move and
Made their mark. Their images
Captured. The scene set. One sister
In the shadows yawns the other
Stares in still contempt. Lisbeth
Poses as young girls do. Nothing
To show of interest and nothing
Hid no secret self no other you.
That’s it the artist says we’ll begin
The painting another day maybe
Next week if all is well. The girls
In shadow look away and resume
Their secret games. Lisbeth studies
The artist’s blackened fingers as
He rolls the charcoal sketch and
Puts away. He gazes at her standing
By herself a glimpse of smile and
Glimmer in her eyes like small fires.
He closes the tired lids of eyes
And smoulders down his old desires.

Here Kid take this what is it? whats it look like? its a prayer book thing yes so take it and hide it under your jumper why? just hide the **** thing so Benedict hides the  black book with red ends under his jumper and follows Anne into the grounds out of the French windows Anne crutches herself across the grass and makes towards the round white table and chairs and plonks herself down in a chair tossing her crutches aside Benedict sits down in the next chair looking back towards the nursing home do you think we were seen? seen doing what Kid? walking across the grass no doubt liberating Sister Dumb-arses prayer book no Anne says Benedict turns around and stares at her dont keep looking around Kid or the penguins will guess youve been up to no good me been up to no good it was your idea to take the prayer book but youve got it Kid not me but you said take it and you did well done Kid Anne says smiling she rubs her leg stump and pulls the blue skirt down further what do we do now? Benedict asks looking at Anne tempted to turn around and look behind him sit tight Kid sit tight but I cant hide the book under my jumper all day he says pass it under the table to me so he passes the prayerbook to Anne under the white table and she opens it in her lap he looks at her his stomach tightening guess whose it is? Anne asks he shrugs dont know its only Sister Bridgets how do you know? has it got her name in it? no they dont own personal property its just that it has this prayer card in it with an image of St Bridget on one side and a prayer on the other and on the top shes scrawled Sr Bridget in her bird-**** hand writing God shell go ape he says looking round at the nursing home what do we do? shush Kid what do want them to know weve got it? he stares at the building imagines the nun galloping across the lawn towards them her black robes billowing behind her like Batman turn round Kid youll look suspicious he looks round and stares at her sitting in the chair as if butter wouldnt melt in her mouth on a hot day where are you going to put it? he asks out of the sight of their eyes she says where though? she pulls up her blue skirt and tucks the black prayer book in her navy blue underwear and pulls down the skirt and brushes out the any signs you cant keep it there he says why not my knickers she says are they going to search me there? she says now just go get my wheelchair and  we can go visit the sea out the back gate he sighs and wanders back towards the home trudging across the lawn leaving Anne sitting in the chair like some royal queen on her throne she lifts up her skirt and adjusts the book more securely just as well I wore the passion killers Mum bought me she says to herself and lets down the skirt again and sits staring towards the home as she sits a few of the kids come out and make their way to the swings and slide they know her and avoid her like a plague a nun comes out too Anne stares at her its Sister Lucy a young one green as grass more ****** that the Blessed ****** herself Anne says under breath the nun walks towards Anne her hands inside her black habit how are we today Anne? the nun asks smiling my ****** leg aches Anne says o dear the nun says looking at Annes leg visible under the table have you seen Sister Paul about some pain killers? no not yet Anne says anyway its not this leg its the one not there my stump leg o I see Sister Luke says staring at the unseen stump beneath the blue skirt I could pray for your leg if you would like me to the nun says might help Anne says putting on her pious pose its hurts so much I feel like crying she allows tears to dribble out of her eyes(shes an expert of conjuring tears out of her eyes) o my dear child the nun says coming around the table and placing a hand around Annes shoulders Ill ask Sister Paul about some tablets the nun says thank you Anne whimpers feeling the prayer book move slightly as she moves in the chair she tries to adjust it with her hand to a more secure position Benedict comes across the lawn pushing the wheelchair he sees the nun and his eyes enlarge and he senses danger have they suspected Anne already about the missing prayer book? he wheels the chair behind Anne the nun looks at him arent you a good boy she says yes hes my best friend Anne says smiling through the glassy eyes the nun smiles well I best get back Ill see Sister Paul about those pills the nun says and walks off towards the home that was close Benedict say she didnt mention the prayer book Anne says she just came about me and the ****** leg and offering prayers o I see he says gazing at the stump area thinking about the stump of her leg hes seen many times are you going gawk at my stump all day or are you going to help get in the ****** wheelchair? o right yes he says and helps her get from the chair and into the wheelchair holding it steady at the back make sure the prayer book doesnt slip out of my knickers Kid she says as she rises from the chair and plonks into the wheelchair she moves the book to a more comfortable position and pulls her skirt down pass her knee just as they were about to move away Sister Bridget comes across the lawn towards them like a rhino on heat hang on Kid here comes the penguin wait wait the nun says raising a hand Benedict pauses pushing the wheelchair and stares at the approaching nun keep cool Kid Anne says under her breath act innocent as the Pope at a nudist colony Benedict feels himself perspire the nun stands in front of Anne in the wheelchair a prayer book has gone missing the nun says gazing at Anne has it? Anne says in an innocent tone yes it was taken from the Common Room shall we help look for it? Anne asks have you seen it? the nun asks no not that I know of whats it look like? Anne asks as if butter wouldnt melt a prayer book is what it looks like the nun says eyeing Anne with her suspicious eyes black cover with red ends no cant say I have Anne says Benedict looks away at the trees behind of them at the avenue between them and you Benedict have you seen it? the nun asks staring at him her eyes over him like maggots he shudders no sister not seen it at all he hates lying to  a nun he feels as if she looks into his soul and at the minor sins lurking there like naughty children then the nun looks down in Annes lap gazes at the outline of the leg stump not hiding it are we? the nun says hiding what? Anne says my stump? no I tried hiding it but its always there each morning I wake up the nun screws up her eyes and peers at them both no I mean the book where is it? no idea Anne says Benedict looks down at Annes lap where have you hidden it? the nun says havent seen it Anne says one of the children says she saw you take it the nun says me? Anne says you cant take the word of child I believe what the child tells me Benedict looks at the outline of the leg stump the child says you have it about your person she saw you from the upper bedroom window the nun says sternly must be mistaken must have seen me rub my stump they always watch me rubbing it so nosey the nun sighs and gazes at Annes lap and at the stumps outline show me your leg stump? the nun says hands on her hips Anne pulls up her skirt to reveal the stump Benedict looks too wondering if the book outline could be seen under the knickers the nun looks away where have you put it? put what? the book the prayer book the nun says I havent seen it Anne says as innocent as she can muster innocence lies will get you to Hell the nun says and walks off across the grass like a bad tempered bear what now? Benedict says Anne takes the book out of her knickers and hands it to him warm and scented what do I do with it? he asks shove it on that other chair under the table and were off to the beach so he puts the book under the table and pushes Anne off in the chair off out of reach.

Bring out the pottery boy
Mr A said
bring it out front
so the other boys can see

your work
I took out my clay pottery
attempt to the front of class
and stood there

holding the pottery
on a wooden tray
Mr A gazed at me
through his black framed

Beatnik glasses
his eyes like huge marbles
what you call this
huh boy?

I looked at the hand rolled
clay ***
haven't called it
anything yet

I said
thinking of a name
he went stern eyed at me
are we attempting wit

as well as pottery?
He said
a mild titter
from some boys

in the class
here
he said
in a raised voice

like a failed actor
here we have
an example how not
and I repeat NOT

to make a ***
the classroom went quiet
I stared at my ***
lopsided and brown

like a rushed ****
what were you attempting?
Mr A asked
whatever it was

it most certainly was not
a ***
I said nothing
I gazed at him

in his snot green jumper
and Beatnik beard
and brown
corduroy trousers

and sandals
I don't know
why I bother
with pupils like you boy

he said
waste of my time
I stood looking
passed him at Danny

who was boss eyed
and pulling a face
I suppressed a smile
and looked dull

go back to your place
and spare me
the sad boy look
so I returned to my desk

with my ***
leaning further east
and placed it down gently
as if it were some work

of modern art
Mr A then poked
Eddie in the back
and held up his ***

which went in and out
like armless model
of Greek design
worse

Mr A said
than mine.

Jim’s younger sister
Followed you everywhere
and stood watching

as you rode the old car
around the field
or whizzed around

on their motorbike
to the cheers and shouts
from the fence

Monica why don’t you
go off and play
Jim said

yes
said Pete
her other brother

go play with your dolls
go take a run and jump
she said

and still stood watching you
her eyes fixed on you
like wasps on a jam jar

I want to watch him ride
she said
and stood with her hands

on her hips
waiting until you stopped
the bike and got off

and wandered over to you
and said
I like the way you ride

like how you sway
and swerve on the bike
and you smiled at her

and took in
her short stature
her dark eyes

her determined expression
and as Pete rode off
on the bike

and Jim stood
on the fence
calling to him

Monica put her hand in yours
and said
wish you were my brother

I know you’d let me ride
the bike or car
and not tease me

or bawl me out
I guess I would
let you ride the bike or car

you said
and sensed
her small hand in yours

her thumb rubbing
against your skin
but seeing

as you’re not my brother
she whispered
maybe you could

marry me one day
and we could ride off
into the sunset

like they do in the movies
in Jim’s old car
yes sure maybe

you said
knowing inside
that’d be a bridge too far.

Red haired dame
black roots
dark brown eyes
thin lips

but smiles neat
handles the cell phone
between thin fingers
nails chewed

adding tabs
suggesting networks
that work best
thin tattooed arms

small busted
maybe less expensive
but it's better
she says

Johnny smiles
notes the small stud
in her lower lip
knows her cell phones well

that's for sure
he knows
next to nowt
just to switch

on and off
and send a text or two
and call
now and then

but it's Johnny daughter
who's buying
not he
he's just the onlooker

taking notes
for a poem
just like this
mental note as poets do

to catch the essence
before it takes flight
like some rare moth
into the night.

Morocco
some base camp
by a beach

in 19
70
a small bar

Miriam
sitting there
drinking her

Bacardi
and small coke
wearing that

very snug
bikini
coloured red

like her hair
of tight curls
up one end

a very old
Moroccan
was strumming

a guitar
him smoking
cannabis

happy guy
what's that stink?
Miriam

says to me
cannabis
I tell her

how'd you know?
A girlfriend
I once had

smoked the stuff
how could she?
Miriam

says to me
I don't know
she just did

I sip my
Bacardi
and smoke my

cigarette
she looks neat
in her snug

bikini
but neater
out of it.

Christina was standing
by the school gym
her satchel over
her shoulder

her hand gripping
the strap
her hair windswept
when she saw you coming

she smiled nervously
and said
I wondered
if you’d come this way

why?
you asked
she took your arm
and pulled you

into the gym
and let the door
close behind you
the gym was empty

there were voices
and the sound
of people passing
along the passageway

need to see you
she whispered
why?
you asked

I don’t see you
unless I stop you
in the school somewhere
or on the playing field

if the weather’s nice
you gazed
around the gym
at the apparatus

the ropes
the mats
she continued talking
her voice whispering

you looked at her
her eyes dark
and staring
why here?

you asked
we can be alone
for a while
she said

she took hold
of one of your hands
and looked at it
and rubbed her thumb

over the skin
you’re only 13
you said
you’re only 14

she replied
she placed your hand
to her cheek
we’re going to be late

for our next lessons
you said
so?
she replied

you sensed her lips
on your hand
her body moving
closer to you

then she kissed your cheek
then stood there
her mouth slightly open
thank you

you whispered
she smiled
and went out
the gym door

and along
the passageway
you stood gaping
at the ropes

and mats
and the high windows
and a blue sky

and heard voices
calling from the playground
from kids at play
just another moment

you mused
just another day.

It was near Christmas time
and you went along
to see old Pete
who lived alone

in a two up
two down house
not far
from where you lived

he was about 96 or so
and still went
to mass each day
and did the collection

at mass on Sundays
dressed in his best
suit and tie
you knocked

on his door
and after a while
he opened the door
come in

he said
and you followed him
into the main room
where he had a fire going

and sat
in an old armchair
sit down
he said

so you sat
on a chair
beside him
there was a cat

on the mat
in front
of the fireplace
sleeping

want a whisky?
sure
you said
( you used to drink

back then)
the bottle's
in the sideboard
over there

there's a glass
in the kitchen
so you went
to the kitchen

and took a glass
from the draining board
and took the bottle
out of the sideboard

pour yourself a drink
he said
what about you?
you asked

can't drink
I'm on too many pills
ok
you said

and poured
a couple of fingers worth
more than that
he said

what are you
some kind of woman?
so you poured
half the glass

and put the bottle
on the small table
beside you
Pete sipped

his milky tea
well here's to Christmas
he said
and raised

his mug of tea
you raised your glass
and said
here's to you

and you sipped your drinks
he talked of his wife
who had died
some years before

he spoke of his son
(without much affection)
and his grandson
whom he seemed

to speak well of
and his grandson's wife
who he said
was quite pretty

but not as beautiful
as my wife
Pete said
she was one

in a million
he went quiet
he sipped his tea
and you sipped

your whisky
he talked about
his master builder days
when he worked long hours

and over six days
and saved money
where and when
he could

he became silent
my son is always
on the want
he knows

I have money
and he is always
asking
for this and that

he drained
his mug of tea
you drained
your glass of whisky

want another?
he asked
I must be going
you said

have another first
he said
so you poured
more whisky

into the glass
( half a glass again
he having insisted)
and he talked

of the women he knew
and how he teased them
and flirted with them
and made them laugh

you know those old dears
like to be flirted with it
makes them
feel young again

he said
when they laugh
you can see the light
flash in their old grey eyes

and their dead dugs
tremble with memories
and he laughed
and drank

from a bottle
of mineral water
by his armchair
he sat gazing

into the fire
you sat draining
the whisky
from the glass

the room smelt
of cooking meat
and wet cat
and you said

look Pete I best go
the wife will wonder
where I've gone
OK

he said
and so you washed
the glass in the sink
and put the bottle away

in the sideboard
and patted his shoulder
see you around
in church

he said
sure
you replied
and walked swaying

up the road
you'd only went
to Pete's
to wish him well

and to deliver a card
and framed picture
of a female saint
he liked

but the whisky
had been a bonus
a kind of
THANK YOU

for being
a friend
to an old man
it was the sort of gift

you liked back then
the whisky kind
sorting the boys
from men.

Saturday afternoon
cycling up a 1in 6 hill
then along the road
toward the farmhouse

you dismounted
and laid your bike
against the fence
and waited

to get your breath back
the farmhouse door opened
and Mrs Putt came out
and said

Jim and Pete are out I’m afraid
her daughter Monica
appeared by her side
they’ve gone out

with their older brother
Monica said
ok
you said

tell them I called
sure I will
Mrs Putt said
I can go on a bike ride

with you if you like
Monica said
Benedict won’t want to have you
to drag along with him

Mrs Putt said
Monica pulled a face
and pouted her lips
I don’t mind

you said
better than riding alone
well if you don’t mind
Mrs Putt said

mind you behave
yourself young lady
she said
and went indoors

and closed the door
just get my bike
Monica said
and went back behind

the farmhouse
you looked around
the farmhouse
and the surrounding fields

and trees and waited
after a few moments
she was back
riding her bike toward you

where we going?
she asked
lets go see the peacocks
along Sedge lane

you said
and so you got on your bike
and off you both rode
she beside you

in her summery dress
and sandals with her
brown hair tied
in bunches

you in jeans
and open neck
white shirt
the sun bright

and hot above you
the birds flying
and calling
the clouds puffy

and white
I’ve always wanted to go
bike riding with you
Monica said

but the boys don’t let me
but I am now
you nodded and smiled
wondering Jim and Pete

would say if they knew
she’d got to go
bike riding with you
she chatted on about Elvis

and the film in town
and how she’d like to go
but no one would take her
and how her brothers

teased her
and her mother
nagged her
after a while

you came to the peacocks
in a wire cage
by a large house
just off the lane

aren’t they beautiful?
she said
peering through the wire
her fingers holding on to

the cage
standing beside you
yes they are
you said

but of course
the **** bird
has the beauty
the hen

is just dull
and ordinary
odd that
she said

wonder why?
don’t know
you said
I’m not dull

and ordinary am I?
she asked
looking at you
sideways on

no
you said
you have
your own beauty

do I?
yes you do
and she blushed
and looked away

and the peacock
called out
and moved off
opening its colourfulness

and Monica did a twirl
making the patterns
move
on her twirling dress.

Magdalene watched Mary
bend down to put on the LP.
The Beatles. They’d saved

up and bought it together.
She took in Mary’s stockinged
thigh showing through the slit

in the side of the school skirt.
Mary placed the LP carefully
onto the turntable, with her finger

put the needle arm down onto
the vinyl. The music started up,
Mary stood up and sat next to

Magdalene on the single bed.
Magdalene sensed her there,
her thigh next to hers, her

warmth, their knees almost
touching. What did your Ma
say when you said you bought

the Beatles? Magdalene asked.
She said nowt, Mary replied,
but Da said it was a load of

***** and where did I get
the money from to buy it?
John Lennon's voice sang

over the twanging guitars.
Magdalene said, did you
tell him we bought it together?

Mary nodded. Her hands
pushed between her thighs,
her young face lit up by

the room's light. Don't you
think Paul's a dish? Mary asked.
Magdalene shrugged her

shoulders, studied Mary’s
knee where a spot of flesh
showed through a hole in

the black school stockings.
She wanted to move closer,
kiss the cheek, place her

lips on the skin. She breathed
in the borrowed scent that
Mary wore. Said she'd liberated

it from her Ma's room. Mary
talked of the boy they'd met
in the woods above the school.

Tried it on so he did, she said,
over the guitars and Lennon's
loud voice. Magdalene wished

she could put her hands where
the boy had tried. I put him
straight, Mary said, kneed him

where his fatherhood might flow.
Mary moved up and down on
the bed in response to the music.

The bedsprings complained.
Magdalene sensed the movement,
took in Mary’s behind going up

and down on the bed cover.
Glory be. She wanted to kiss.
Needed the hand to touch Mary’s,

the skin to join up with hers.
Downstairs a voice bellowed
to keep the ****** noise down.

Mary sighed and bent down
to turn the **** the thigh
revealed in the skirt's slit,

the spot of flesh through
the hole in the bended knee.
Magdalene captured the image.

Hid it in her memory bank for
later, for bedtime, for the cosy
pretend hold, maybe more if in
her dream she was lucky and bold.

After the ball game
on the high school
playing field
Shoshana is still

sitting there
with another girl
so I go over to her
and she blushes slightly

and I say
what did you think?
she looks at me
and says

not very good
are you?
I smile
no not much

but they will
insist I play
at least you're honest
she says

I am
best way
I reply
the other girl

stands up and says
don't want to play
gooseberry see you
later Shoshana

and she walks off
something I said?
I say
no I think she finds

boys embarrassing
Shoshana says
I look at her
sitting there

dark hair
long straight
bell will ring
in a minute

she says
best get back
towards school
she stands up

and I say
where do you live?
I live a little way away
I get a school bus home

she says
so do I
I say
I know you do

she says
you get on
the same bus
as I do

I look at her
do I?
yes you've not seen me
I get on as quick

as I can
she says
I see you though
a bell rings

from school
well see you later then
I say
and she's off

leaving me there
and I wander back to school
across the grass
watching her go

her slight figure
in the afternoon sun
taking note
of her neat ***.

After ***
Abela
likes to lie

in the bed
listening
to duets

from that guy
Puccini
-I get us

some coffee
from the small
kitchenette-

isn't it so
romantic?
She asks me

from the bed
sure it is
but what are

they singing
about it's
foreign words

I reply
carrying mugs
to the bed

where she lies
**** naked
invitingly

words are words
it's the sounds
that move me

she tells me
I put mugs
on both sides

of the bed
on small side
cabinets

I climb back
into bed
Puccini's

getting her
in the mood
she eyes me

runs fingers
down my thigh
kisses me

on the lips
on the chin
on the cheek

my pecker
stirs himself
from slumber

not knowing
what hour
day or week.

Anne,
one legged,

crutched herself
through passageway

and hall,
passed kitchen,

leg stump swaying,
green dress flowing,

out through
the French windows,

moving by me
in the doorway,

pushing by
the boss-eyed nun,

out into the garden,
shouting loudly:

WHERE’S
THE ****** SUN!

Mother’d say, don’t go by
How blue a man’s eyes are,
But by the size of his bank

Account, and she thinks on
That now, taking a sip of wine,
Holding a cigarette, some things

You don’t forget, some things
Are branded into the brain,
Especially Mother’s words,

Her philosophy, her way of
Viewing the world. She pauses,
Watches her husband parking

The car from the window, the
Way he walks around it, gives
The door handles a pull, taps

The bonnet like some *****’s
***. Yes, hubby’s got the dough,
Got the big bank account, buys

Her expensive clothes, rings and
Pretty much other things, but love,
Affection, that sitting side by side

Holding hands and kissing sort
Of thing, he just can’t bring, has
No clue what to say or what to do.

Sure he has the connections, the
Right kind of friends, takes her
To parties, to functions, gets her

To meet the Mr Bigs and their hold
On the arm, give a pretty smile, wives,
But he doesn’t give her love, or know

How she feels or if she wants children
Or not or how well she is or if she’s
Got the pox. Sure, he can **** her as

Good as the next guy, give her a car,
A necklace, get her to see Paris, Venice
Or wherever, but he can’t give her that

Deep down sense of being wanted, of
Being needed for who she is, just like
The rest of the wives she knows, an arm

Hanging, pretty smile wearing, well dressed,
Bright eyed wife, but unloved, unneeded
Just another possession for him to have

And hold, with a beautiful complexion,
But with a heart grown bitter and cold.

I still have
your rectangle
black leather wallet,
but it is empty now:

the money notes
banked in your account,
the cards sorted,
cut up and shredded,

the loose coins given
to your chosen charity.
How lonely it looks now
without you to handle;

the leather worn
at the edges
through use
you gave,

shiny black,
silent black,
unused now,
kept as a memory

to hold onto in days
of hurt like now
and years to come.
I remember

that last Saturday
in hospital,
you took out coins,
to buy bottles of water,

to quench your thirst
and help you ***.
The wallet looked full then,
bulging at the seams,

full of use and life,
held in your hands,
your fingers working
the coin zip.

Now it lays there
unused and thin,
your DNA
all over it,

worked in the seams,
the leather,
the small pocket
of the wallet.

I feel close to you
when I rub a thumb
or ageing finger
along its black

rectangle length,
the shiny worn leather,
bringing us, momentarily,
closer together.

The French
peasant monk
pushed a wheel barrow

along by
the abbey church;
the squeaky wheels

echoing through
the nearby wood
and throughout

the silent cloister;
his tonsured head
lowered,

back bent,
prayers simple
maybe said.

I tended
the dying monk,
aged and fragile

as an ancient script
of yesteryear;
I recalled how

she tongued me
along
my inner thighs,

bringing tears of joy
into my hazel eyes.
Dom Gregory prepared

the altar for mass,
laying the altar cloth,
preparing the priest monk's

robes and gowns,
making sure
the candles were ready;

his footfalls
like echoes  
on a deep deep sea.

The bomb site
is the best place
for chickweed
Helen said

so you went
to the one off
Meadow Row
and gathered up

handfuls of the stuff
and took them back
to your flat
to feed the budgerigar

you were looking after
for the old couple
along the balcony
who had gone away

for a few days
you watched
as Helen poked
some through the bars

of the bird cage
with her fingers
and you noticed
her tenderness

and determination
as she pushed it
through the narrow
gauged bars

her tongue poking out
of the corner
of her mouth
her eyes focusing

through her
thick lens spectacles
does it sing?
she asked

don't think so
you replied
least I’ve not
heard it do so

she talked to the budgie
in her little girl voice
and sang a few lines
of a hymn

the budgerigar
just stared at her
and walked up
the other end

of the perch
with a beak full
of chickweed
as she sang to it

she held her head
at an angle
and one of her plaits
of brown hair

hung downwards
do you want
to come back
to my place afterwards?

she said
you can help me
bath my doll Battered Betty
and then

Mum'll get us
some bread and jam
or bread and dripping
and a mug of tea

you had wanted to go
to the bomb site
for half an hour
to gather ammunition

for your catapult
but she had that look
about her face
that made you say

sure why not
and so after poking through
the remaining chickweed
and washing your hands

under the cold water tap
in the kitchen
and drying them
on the towel hanging

behind the door
you walked down
the concrete stairs
and out into the Square

and down the *****
into Rockingham Street
where you walked past
the coal wharf

where coal trucks
were being filled
with sacks of coal
and by

the Duke of Wellington pub
where you used to get
bags of crisps
and bottles of Tizer

on Sunday evenings
then under
the railway bridge
and she talked

of some boys at school
who called her 4 eyes
and fish face
O don't mind them

you said
they just can't see
your beauty
too blind

dumb idiots
do I?
she said
have beauty?

sure you do
you said
putting on
your serious face

never seen a girl
with more
and she smiled
and gazed at you

through the thick lens
of her spectacles
showing the large
brown conker like eyes

when you got to her place
her mother
was just finishing
bathing a young kid

so she let Helen
have the water after
to bath Betty
and gave her

an old towel to dry with
you helped her
prepare the doll
but she took off

the baby clothes
an old cardigan
that had seen
better days

and a creamy dress
with small buttons
at the back
which were a hell

of a job to undo
and a pair of
doll *******
that fitted tightly

and were a struggle
to get off
well
Helen said

the water's nice
and soapy
so we can wash her
as it is

and so you watched
as she dipped the doll
under the water
(it might have drowned

had it been for real)
and held it there
until bubbles came out
of the neck

and she lifted Betty out
and wiped her over
with a flowery face cloth
and Betty’s eyes

opened and closed
and you helped dry
and studied
(as boys tend to do)

the seriousness
of Helen about the task
the tongue hanging
from the side

of her mouth
her eyes focussed
the head to one side
like an animal

trying to understand
a human command
and the small hands
working with calm concern

just as you'd seen
your mother do
when she made a cake
or rolled out pastry

for a pie
once the doll was dry
and dressed
she put Betty back

in the tiny cot
her dad had made
from an orange box
and her mother said

sit down
and I’ll get you
some bread and jam
or bread and dripping

and mugs of tea
and off she went
to the kitchen
humming some hymn

and you looked at Helen
sitting there
with her plaits of hair
and big eyes

showing no fear
and a smile
from ear
to lovely ear.

Fay stood next
to Baruch
in the Square

have a ride
if you like
on my new

blue scooter
he had said
so she did

with one foot
placed firm on
the scooter

the other
pushed away
the hard ground

moving on
the scooter
hands gripping

the rubber
handle bars
and she sensed

air in her
face and hair
moving fast

Baruch left
behind her
in the Square

he thinking
how happy
now she was

moving on
over ground
other kids

shouting out
faster Fay

and she did
as if all
pent up fears

had gone bang
and had then
disappeared

get off that
Jew's scooter
her father

shouted out
and she turned
and the fears

all returned
she got off
the scooter

handed it
to Baruch
all joy gone

happiness
had dissolved
her father

gripped her hand
hauled her off
looking back

at Baruch
hatefully
but Baruch

merely smiled
his contempt
his green eyes

or hazel
as some said
shooting off

those arrows
pretendingly
in the ****

of Fay's strict
catholic
father but

to Fay he
blew to her
from his palm

the unseen
pink kisses
of concern

then she'd gone
up the stairs
to her fate

a lecture
against Jews
murderers

of Jesus
he will say
or worst still

punishment
a beating
to enforce
his strict will.

Your Uncle Fred
on Christmas Eve
at Gran’s house

when you were a kid
did the sand dance
wearing an old fashion

man’s striped nightgown
and a red fez
(he got that in Egypt

during WW2
Gran said)
and brown

open toed sandals
and Uncle Ed
turned the handle

of the windup gramophone
where an old
78rpm record

was playing
and there were
glasses of sherry

being consumed
and cigarettes being smoked
and you sat watching

clapping your hands
and Gran would get up
afterwards

and do her Can-Can
like she used to
as she young woman

on the stage
and Granddad sat there
quiet saying nothing

looking at
the people gathered
sipping his sherry

watching his wife
lifting her legs
her white fuzzy hair

going to and fro
as she moved
and you wanted

to have some sherry
but your mother said
no you have lemonade

little boys
don’t have sherry
so you sat

with your lemonade
watching Uncle Fred
and his dance

and the music coming
from the old gramophone
and the smell of sherry

and beer and cigarette smoke
and Uncle telling the adults
one of his old army jokes.

Some fairground
by the coast  
taken by the Baptist mission
by coach

and outside
some magic mirror tent
after having gone in
you said to Helen

not much in there to see
and the fairground guy
having overheard you said
not much to see?

come here and see again
and he took you
in the tent again
and showed you

how you looked
in front
of the various mirrors
in some you were thin

and tall and in another
you were broad
and fat or you were
squat as if someone

had sat on you
and squashed you flat
and you laughed at that
and the guy said

see there is much to see
so go tell your girlfriend
so you went out
of the tent

and said to Helen
yes it was good
the second time around
and Helen said

perhaps we should
go in together
and so you paid the guy
the money

and you went in
with her and stood
together in front
of the mirrors

and laughed
and she held
your hand
and you remembered

the guy saying
tell your girlfriend
and you guessed
she was

and that made
you feel happy
even schoolboys
of 10 years old

sometimes want girlfriends
secretly endeared
away from the sight
or knowledge

of other boys
as if it were some kind
of betrayal
of the schoolboy code

and as you walked
about the fairground
you watched  
where others

on racing
wooden horses rode.

I stood in line
to be weighed
in the bathroom
of the nursing home

Anne crutched herself
behind me
you haven't
got a chance in hell

of winning
that chocolate bar Kid
she said
I've seen more meat

on a butcher's pencil
stuck behind his ear
might win
I said

might fly
she said  
the kid in front of me
got on

the green metal scales
and the nun
moved the weight
along the top

not you Malcolm
she said
the kid got off sulkily
I got on the scales

and the nun
moved the weight
I looked at her
black and white

headdress
her pinched features
not you Benny
she said

I got off
and walked away
Anne awkwardly
got on the scales

holding herself
on her one leg
the stump
of the other

hanging there
best so far Anne
the nun said
told you Kid

you didn't
have a chance
guess not
I said

as she crutched herself
along side of me
not to worry
if I get the choco bar

I’ll give you
a quarter for being
a good friend
no other

in this *******
gets a look in
we went along
to our rooms

come in Kid
she said
I hesitated
come in

I want to
ask you something
I stood swaying
uncertain

what if
one of the nuns
comes along?  
what if I don't give you

quarter of the choc bar?
she said
I followed her in
to the girls dorm

no one else
was there
just she and me
she closed the door

with her backside
right Kid
I want you
to do me

a favour
favour?
I said
sensing uncertainty

hit my gut
yes I want you
to sneak along
to the kitchen tonight

and liberate
some biscuits
liberate?
I said

biscuits?
yes you know
what biscuits are
don't you

those hard things
with cream in the middle
or chocolate
on one side

I know what biscuits are
I said
but what do you mean
liberate?

take some
from the big tin
they have
on the shelf

in larder
take?
I said
you mean steal?

steal
take
liberate
whatever word

you want
to use Kid
what if I get caught?
don't get caught

but what if I do?
Anne sighed
sat on the edge
of her bed

I thought you
were someone
I could rely on Kid
not some cowardly custard

yellow belly
I looked
at her leg stump
sticking out

the other leg
reached to the floor
if you're really good
I’ll let you touch

my stump
she said
no need
I said

I'll try tonight
sneak down
after lights out
good Kid

she said
she took my right hand
and lay it
on the stump

and held it there
it felt warm
and soft
she let my hand go

good huh?
wish the rest
was there
she said

off you go
and don't get caught
I nodded
and backed out

of the room
seeing her cover
the stump
with her dress

and smile
see you
I said
you bet

she said
I walked away
thinking
of the big steal

of biscuits
unthought through
by my 10 year old brain
as yet.

She knows she’s in
the sepia photograph
but doesn’t remember why
or who the others are

or why she dressed
as she did back then
or why there was a dog there
at the front

she keeps the photograph
tucked between
the pages
of the black Bible

some clergy gave her
and a dark secret
she was forbidden to tell
and sometimes

that short woman
with the Mongolian features
steals it to gawk at
then she has to go get it back

sometimes violently
which brings the nurses running
with their rough hands
and strait jackets

or that skinny woman
who always stares
takes hold of it
and stares at it

pointing to the various faces
of the males and females
and at the dog
and smiles and wets herself

and then laughs loudly
which causes
the other inmates
to bellow or laugh

or cry or scream
bringing the nurses trotting
with their what’s going on?
or what’s all this then?

she holds the photograph
to her ***** when she can
or tries to remember
who they all are

staring back at her
including herself
and when the quacks
question her

about the photo
as to who is who
or why she has kept it
she doesn’t have a clue

and one said
she ought not to have it
as it disturbed her
but a nice nurse

(and there were some) said
o no doctor she needs that
there will be hell to pay
if she doesn’t have it

tucked between the pages
of the Good Book
she kisses herself some days
talks to one or two

of the others there
but who they were
or to whom she speaks
she doesn’t know

and on cold wintery days
she looks toward the sun
for a message
or a warming glow.

Sonya lay on the bed in the Parisian hotel room. It was a small room with an adjoining bathroom, a bidet and toilet, with French windows that opened out so one could see and hear the busy streets of Paris below. The windows were open and sounds came into the room with a summery warm air. She lay there in a blue skirt and  white blouse; her feet bare, her legs curled up in a fetal position; she wore nothing underneath, she seldom did; it gave her a sense of daring, of a hidden freedom. Benedict had gone out for cigarettes and a breath of fresh air as he called it. She had a book in her hands. Kierkegaard's Either /Or. Her favourite philosopher. He kept her mind fresh; gave her life a direction. She looked down at another book by her side: Benedict's Dostoevsky novel: Crime and Punishment. It had a page marker about half way through. She could have gone out with him, but she wanted time alone, time to reflect on her life at that moment. She lay her book beside her. She thought of her husband on business in New York and her two sons in boarding school and not due home until the present term ended. Her husband Erik knew she was going to Paris, but he thought she was going alone to research on her proposed book on Zola. Benedict was in Paris on vacation and having met Sonya in a wine bar near her home when Erik was away for the weekend and the sons at school, and after a deep conversation and feeling low, she and Benedict made love in her bed at home, and arranged the trip to Paris between them. Erik was a lousy lover who had become increasingly lousier, and they seldom had *** as he was always busy, and she not in the mood. But Benedict was different; he made *** exciting again, made the whole process something alive and daring, and not just a set out process of mild urges. She lay on her back with her legs out straight reaching for the end of the bed...Benedict bought cigarettes at a small shop in a side street and spoke in English as his French was almost non-existent. The woman who served him understood him well enough and they talked of London where she had stayed for six months few years before. He loved Paris. The whole city seemed alive and full of history and art and literature. No one knew him here; there was almost no chance of him meeting anyone he knew here or who knew Sonya. A sense of freedom invaded him. He and Sonya had had *** that morning and he needed to get out to buy cigarettes and breath in the Parisian air. She was an exciting lover; willing to explore different angles and approaches to ***. The night before had been one long episode of ****** games and experiences and moment of just laying there catching their breath and reading to each other from their own books, then *** again and again. And there was the factor that she wore no underclothes, so that when they went out to a restaurant, they both were aware of this factor, and he got a kind of kick knowing, and she got a thrill knowing that she was free, and walking out on a limb of acceptable behaviour and dress code...Sonya wished that Benedict would come back again soon. She wanted him, wanted to make the most of their time together, their days of freedom to be together, and eat and drink and have *** as often as they wished, and for as long as they wished, without fear her husband would be home at a certain time or that neighbours would see them together and tell Erik. She pulled up her skirt and lay there as if waiting the return of her lover, letting herself feel the freedom of laying so, of not having to worry about her husband walking in on her as he nearly did one late afternoon when she lay on their bed bringing herself to a poor organism...Benedict sat on a seat in a small cafe smoking and sipping from a coffee. He would return to the room after his coffee and smoke. Later they would go out for a meal, and see the city, and feel the history of the place about them. He knew it would come to an end in a few days, and she would be back with her husband and her boring life, and he back to his job, and in his own place sharing with others. Make the most of. Take to the limits. Explore and live and enjoy...Sonya wondered where Benedict was. She missed him being there if only for a short duration. Once their days together were over, and she back with Erik, it would seem like a dream, and her own regular life be one big bore. She ran her hands down her thighs. Sensed her fingers. Soft, smooth. Erik never explored her. He was a five minute and over and done with type. More like a mechanic than a lover. Benedict had taken her to places she had not been before, explored her and brought her to the point of bubbling over and out, leaving her feeling that she was empty and vacant, and yet so alive, and buzzing like a beehive...Benedict made his way back to the hotel room. The coffee had refreshed him; the Parisian air made him feel like a new man, a man of freedom, a man on the edge of a huge abyss, with his very life tingling with new excitement of the big dare. Sonya would be waiting for him, brimming like a *** on a  hot stove. He had released her of her hang ups and held in senses; had unbutton a new area of excitement, and sexuality and sensuality. And she in turn had opened up for him that arena of experience which he had only dreamed about in his tossing and turning nights at home... Sonya heard the door open. Benedict saw her laying there like Venus on a beach of blue and white and bare, a radio playing a Delius piece, filling the air, and he, Benedict, so alive, ready and waiting, and going there.

You sit next to Randal
By the river. He brings
Out the postcards he’d

Bought. Best send one
To your mother, he says,
Don’t want her worrying

About you and how you’re
Doing. You take the offered
Postcard and put in on your

Knees. Amsterdam. Randal’s
Been here before, he knows
The place well. Came last

Year with the French girl.
You wonder why he dropped
Her soon after their return.

Maybe she wouldn’t let him
Or maybe she did too often
And that put him off. You

Look at the picture on the
Front of Amsterdam at dawn.
Ann Frank’s Haus yesterday.

You remember that. Haunted
You; you felt some aspects
Of her were still there. What

To write to Mother? Why bother?
Part of you thinks, she’ll look
Between the lines, see things

That aren’t there, imagine things,
Suggest you did this and that.
She never trusts. Randal writes

His scribble fast, usual crap:
Weather, food, whatever. He’ll
Not write to say he shafted you

Twice the other night between
Hot sheets. His parents don’t
Know him; think him so sweet

And clever. Shaft girls, smoke
****? Never. You take a biro
From your bag and neatly write.

Dear Mother, we are well and
Enjoying the sights (guess what
We do at nights? Leave that out)

And the weather’s fine and food
Is plentiful and yes, I do change
My underclothes each day and yes,

We have separate beds in the hotel.
(Lies are cheap) you pause. Randal
Has done, he licks a stamp, presses

It onto the back. Finished? He asks,
Placing his hand on your knee, giving
A squeeze, sending a buzz between

Your knees. You smile, nod, and
Hand him the card. He reads and
Shakes his head and grins. All lies,
He says, and all those hidden sins.

Jane passed the church, walked past the gravestones of those long dead, smelt the scent of flowers, heard the songs of birds in nearby hedgerows and trees. Benedict said to meet her there the day before while leaving the school van, about midday he had said. She had cycled from the vicarage where she lived with her parents, down through the narrow lanes, passed the water tower by the farm, riding carefully past the cottage where Benedict lived with his parents and siblings, on through narrow lanes until she had reached the church. She was happy to be meeting him again, from the time she had awoken that morning she felt a sense of excitement at seeing him, being in his company. Her mother had asked where she was going and she said to meet Benedict at the church on the other side of the hamlet. Her mother smiled; she liked Benedict, he was trustworthy, unlike some of the boys round about whom she would have felt uneasy about Jane meeting...Benedict sat in the churchyard in the corner away from the nearest grave, where the name and date had worn away over the years until just a few words remained visible. He looked around him, studied the shapes and size of the gravestones, many had become dilapidated over the years, but it was peaceful and he liked it being amongst the dead sensing the feeling of being beyond the here and now. He waited for Jane to come. He had asked her to meet him there the day before. She said she would. He looked forward to seeing her, having her  near him, seeing her eyes looking at him, her dark hair, brown eyes, that shy smile...Jane saw Benedict sitting on the grass in the corner, he was looking at the gravestones, his hands around his knees. He was in blue jeans and white shirt and black shoes. She passed a few graves when he looked up and saw her. A thrill of excitement went through her, her stomach churned, her heart beat fast...There she was, standing not far away, Benedict stood up from the grass and went to her and she smiled at him. Not late am I? she asked, putting a hand out to touch his. No, he said, just on time, looking at the watch on his wrist, feeling her hand touch his, buzzing his nerves with her touch...Jane sensed her tongue becoming stuck in her mouth; her eyes scanned him taking in his eyes, hazel bright, his brown hair with that quiff that she loved, that smile so warm and yet inviting. Her hand was in his, warm, soft, his thumb rubbing her skin...Benedict felt alive; felt so here and now that his heart beat so that it seemed it would crash through his chest. How are you? He asked, rubbing her hand, not wanting to let it go, but not wanting to hold it too long. I'm all right, she said shyly, wanting his hand to stay there, to feel him near her, listening to his every word...Jane looked around at the churchyard, saw the flowers on some of the graves, some dying of neglect, some fresh planted. Shall we look in the church? She said, see  the interior? Yes, he said, why not, not seen inside for ages(although he had a few weeks before when the girl Lizbeth had taken him there and had tried to ****** him inside on one of the pews and he had left and declined)...Jane looked at him, seeking to see if he mentioned the girl Lizbeth whom Jane had heard had taken Benedict there a few weeks before. She trusted him, but needed him to tell her about the girl from their school, thirteen like them, but more forward, more dangerous. I heard you were here with Lizbeth a few weeks ago, Jane said, not wanting him to be unaware that she knew, but wanting him to be honest with her...Benedict blushed and looked at her, releasing her hand reluctantly. Yes, he said, she took me here, or rather we came here.  He didn't know what to say, but he couldn't lie, not keep things back. She came to the cottage and asked me to bring her here because she said she was interested in the architectural aspects of the church, but she just wanted to do things, he said looking at the nearest gravestone, feeling unsettled. Do things? Jane asked, looking at him, seeing his blush still there, wondering what he had done. She wanted me to have *** with her on a pew in the church, he said, but that was after we were in the church and she tricked me...Jane caught her breath, brought her hands together in front of her, trying to make sense of what he was saying. *** with her on a pew? She said, the words soft almost choking her. You didn't did you? She asked, not believing she was asking him. No, of course not, I would never have come here with her had I known that was what she was after, he said, gazing at Jane, unsure of her reaction. She felt her heart beating fast in her breast, her mind was becoming out on a limb. How could she think you would? She asked, not sure what to say or asked any more...Benedict felt the world becoming almost too big for him. He wanted to take Jane and say it hadn't been for real that he had been tricked, that he wanted to be near her not Lizbeth. I don't know, Benedict said, I never encouraged her, thought she was interested in the church, but inside she changed and said we could have *** on one of those pews. Jane sensed an unease enter. And what happened then? She asked, looking at him shyly. Nothing, I left the church and she followed and I cycled back home and she followed me, but them rode off, he said, feeling undone, feeling as if the ground was about to swallow him up...Tears were rising to her eyes, she could sense them. Did you kiss her? She asked, wanting to know, yet not wanting to know. No, nothing at all, he said shaking his head, I wanted none of that. She bit her lower lip, tried to hold back the tears in her eyes. She sensed he hadn't, but she needed to be sure. She had heard about the girl at school, but had he fallen for her charms such as they may have been? Why did she want to have *** with you? She asked, blushing at the word *** in her own mouth. No idea, he said, seems to have this fixation with me and ***. She sensed the tears falling from her eyes and on her cheeks. She wiped them off with the back of her hand. Can I trust you? She asked, the tears making her throat feel sore. Yes, he said, I’d never betray you, never. Not with her or anyone, he added, feeling his world emptying like a fish thrown on dry land. She put a hand on his arm, squeezed it, drew him to her and he embraced her uncertain if it was for real or just a gesture. I trust you, she said, wanting him to hold her close to him, sensing her tears rub on his shoulder, dampening his shirt...Benedict held her tight, not wanting her to go from him, not wanting to lose even this one moment in her closeness. He smelt that naturalness about her, an apple scent, fresh air, purity like new snow, blossoms...She kissed his cheek; lips to skin, not pressured, but there wanting to express how she felt, how her heart felt, not lust like the Lizbeth girl, but love, yes, love for him...Benedict sensed her lips kiss his cheek, warm, soft. He held her tight, feeling her body close to his, sensing her soft ******* against his chest as he held her...Jane put a hand behind his head, drew him closer, her lips kissing his ear, his lobe, his cheek again, then she pulled away a little to look at him. I should not have doubted you or your what you would do or not do, she said softly, her eyes watery, her cheeks damp. I heard about her and her visit to you, but I wasn't sure if it was true or not, but it doesn't matter now, because I trust you, she said...Benedict held her as near as he dare, not wanting her to go from his hold. I would never hurt you. I didn't know what she was after. Jane put a finger on his lips. Hush, she said softly. Let us not give her the benefit of thinking she has undone us. He felt his heart pounding in his chest as if someone was punching him from the inside...Jane turned his head towards her and kissed him on the lips. He kissed her, too, his lips pressing against hers. She put her arms around his waist and hugged him as she had never hugged anyone before, her lips sealing him from breath, from leaving her, from going away...Benedict sensed her body so close now that his heart seemed to beat with hers in a duet of thumping inside. His lips felt as if welded to hers, wet and warm and soft and he sensed himself filling with tears, tears he'd not shown or felt before to this degree...Jane took his hand and they walked past the gravestones into the church and sat in a side pew next to each other. His hand was in hers; he rubbed his thumb against her skin, rubbed it gently. She squeezed his hand, turned and kissed him, then sat back and stared ahead. God's house, she said, she should never had thought you would do anything like that here, not in here...Benedict said, not anywhere with her, certainly not here. He recalled that day here with Lizbeth, how she had suggested they have *** on a pew and he taken aback by such a thing and how she thought it quite possible...Us, Jane said, us and not her, not anything she thought possible. He nodded and looked at the altar where a brass cross stood alone. Do you love me? She asked. He turned and gazed at her, his eyes searching each aspect of her features. Yes, I do, he said, as much as its possible to love. She smiled shyly, wiping tears from her damp cheeks. I love you, too, she said... Benedict closed his eyes. He wanted to capture her and her words and that moment for ever in his mind. He wanted being here with her now to over brush the image of Lizbeth here with him those weeks before, to have that image and words of Jane captured in his mind like a camera snapping it all and holding it in frame and picture for evermore... Jane breathed in and out slowly. He had closed his eyes. His hand was still in hers. His pulse pulsed with hers, a gentle beat, a soft thump, a mixture of one becoming two, an uncertainty going, a truth and love becoming true.

Sophia sorts through
her parents' room;
they're out for the day,
some Polish old comrades

meeting of her father's,
old war pals. She opens up
the old wardrobe, sorts
through things, takes out

her mother's old dresses
and some new ones, puts
them on the bed. She likes
a red one, old but well kept.

She ponders, she decides
to try it on. She undresses
from her own jeans and top
and puts on the old red dress

and looks at herself in the
wardrobe mirror. Her mother
must have been her size back
then, it fits like it was made

for her. She does a twirl, looks
back at her ***, her thighs,
turns to the front and stares
at her *******. She doesn't

remember her mother wearing
the dress, not a dress she recalls
her mother wearing at all. She
looks down, it comes just below

the knees, although she's taller
than her mother, so it would
come lower on her mother.
She embraces herself as if

Benedict were there behind her
putting his arms around her
and breathing on her neck.
She stares at herself in the mirror;

stares at her full length. She
smells the material. It smells
of stale perfume, but not horrible
or clammy. She walks around

the room in it; looks at herself
in the mirror across the room.
She'd ask her mother if she could
borrow it, but then she'd have to

say she'd been in her mother's wardrobe
and that would cause hell with her
father and she didn't want that. She
take off the dress and stands there

in her bra and *******, and puts the
dress back on the hanger, and puts
it back with the other dresses where
she found it the wardrobe, in the right

place, and pushes the clothes back as
far as shes can recall in the order they
were, and closes the wardrobe door.
She dresses back in her jeans and top.

She pauses by the bed. The crucifix over
the bed. The Crucified staring down
pityingly. She touches the bed with her
fingers. She'd like to bring Benedict here;

make love here. But not after last time
in her room and her parents came back
after and that was too close. And some
neighbour had split on her and said

they'd seen young man and her come
here while her parents were out and her
father gave her the third degree over it.
Her father said she can only bring the

boy when they were home. Couldn't bring
Benedict back for *** while they were
downstairs sitting watching TV and
drinking their wine and such, and not

in her parent's bed, not beneath the
Crucified, except in her blonde haired head.

Janice sat beside you
on the bombsite
off Meadow Row
looking towards

the New Kent Road
watching the people
and traffic pass
you with your catapult

and she with the doll
her gran had bought her
from the market in the Cut
Gran said those are dangerous

Janice said
pointing at the catapult
not if you’re careful
and responsible

you said
but they fire stones
she said
guns fire bullets

you said
they can **** people
David killed Goliath
with a stone

she said
I heard it in church
I only fire at tin cans
or other such targets

you said
she looked at the sky
at pigeons flying overhead
what about birds?

she asked
no I don’t shoot at birds
although I did fire
at a rat once

but missed
and it ran off
I hate rats
she said

there was one
on our balcony once
and it frightened me to death
you laughed

you remember that coalman
who stomped on that one
along the balcony by your flat?
yuk

she said
horrible blood and guts
everywhere
and on his boot

you said
she hugged her doll
close against her
don’t remind me

you studied the doll
in her arms
the way it was close
to her chest

her hands caressing
the painted china head
the yellow flowered dress
and small white socks

and black plastic shoes
you’d make a good mum
you said
watching her rock

the doll in her arms
do you think so?
she asked
yes

you said
maybe one day
I will have a real baby
she said

and rock it to sleep
and feed it with a bottle
and burp it
and change its *****

like I saw a lady do
in the toilets
of Waterloo station
and Gran said

it wasn’t hygienic
not there of all places
Gran said
I’d have to have

a peg on my nose
if I had to change
a baby’s *****
you said

I think men
have weaker stomachs
than women do
she said

I think mothers
are given stronger stomachs
when they have babies
it’s God way of helping them

deal with babies
I’d rather have a catapult
than a baby
you said

or a doll
do you want to hold my doll
and I can hold your catapult?
she asked

no thanks
you replied
if my mates saw me
I’d never live it down

she kissed the doll’s head
and said
likewise
but there was a smile

on her lips
and a sparkle
in her eyes
and a beauty

in the way she sat
in her orange coloured dress
and bright red beret hat.

Miss Cleves
(she dropped
the Mrs. when
her husband left)

stood by the doorframe
of the lounge,
dressed
in a flowery kimono,

which revealed more
than it concealed.
***** wants some milk,
she said.

Benedict looked around
at her from the sofa.
Percy will oblige
after his drink is drunk,

he said. Chopin’s
concerto no 2 oozed
from the hifi. He drained
his drink and followed her

into her bedroom.
Once Percy had obliged
and ***** been fed,
they lay abed.

She criticizing
his Marxism,
he her Scottish
conservatism;

she talked
of her husband’s betrayal
and ***
with air hostess

trollops,
Benedict half-listened
taking in
the ending

of the Chopin.
She talked of the poor
and the slums saying:
you can take

the poor out
of the slums,
but you can’t always take
the slums out

of the poor.
He raved
about the rich,
she scorned

the poor;
he talked revolution,
he pointed out Stalin
and Mao and the altars

of blood they brought.
Another drink? she asked.
He said yes
and she went off

to pour. He lay naked
on her bed wondering
what the priest would think
of him lying there

**** naked. He heard
the Chopin begin again;
she had thought of that.
Time to prepare, he thought,
once more to feed the cat.

Evenings were sandwich time
brought in by big Ted
sandwiches cut in triangles
in white and brown

and he laid the plates down
on the center table
and the patients
bored out

of their fragile brains
pounced upon them
and ate ravishingly
as if time

was running out
to eat
but  
Yiska nibbled hers

took small bites
her finger tips
holding the brown bread
her white teeth

nibbling gently
Naaman watched her
his sandwich held
but uneaten

smelt
viewed
but held away
from lips

he took in
Yiska's nibbling
the way her fingers
held as if a holy host

not fish paste
and her lips
parted just so
her tongue seen

the white teeth
and her eyes
unfocused
her nightgown

buttoned at the breast
with a missing button
and he wanted
to be that sandwich

in her fingers
wanted her lips
to feel him
her teeth to nibble him

but then
the foreign woman
distracted him
by taking

her sandwich apart
opening it
between fingers
sniffing the contents

******* up her nose
muttering something
in her foreign tongue
throwing it on the plate

and picking up another
don't waste them
a nurse said
ask if you don't see

what you want
the foreign woman
chewed on the sandwich
she'd picked

the nurse removed
the torn open sandwich
Naaman ate
a small portion

viewing Yiska meanwhile
licking her fingers
******* the ends
in and out

and he wished
it he she was doing thus
he looked away
the evening sky

was darkening
through the locked
ward windows
the bright electric lights

above their heads
made mirrors
of the windows
and Naaman saw himself

in his blue dressing gown
sans belt in case
he tried to string
himself again

and he gazed at Yiska
once more nibbling
another sandwich
the same *******

technique
the similar lipping
routine
and the missing button

on her nightgown
revealed a small portion
of flesh viewed
her small *******

pressing the cotton cloth
of the nightgown
and he ate unceremoniously
the last of his bread

watching her fingers
licked again
while outside the window
the sound of fresh rain.

You noticed, when you last
saw Betty the evening she
was dying, in the curtained
off area of the ward, that she
was wearing around her neck,
the wooden rosary you had

given her some months before.
Her husband had telephoned
you and said she was dying and
she wanted to see you. But when
you arrived she was already on
her way out, her eyes closed,

the death rattle taking hold,
her husband and her children
about her bed. The rosary, a
brown wooden cross with a
metallic Christ, was still there,
the Christ lying where her night

gown covered ******* slowly
rose and fell. When you’d seen
her some months back, in the
high street, she said she would
learn the prayers of the rosary,
and how grateful she was to you

for the gift, and she fingered it
there and then, her thumb and
finger rubbing over the Christ.  
You’d first met her a year or so
before as she sketched the large
gardens you visited as a group.

Her hand guiding the pencil as
the image was translated onto
the sketch pad, her eyes scanning
what it was she wanted to capture
in all its beauty. I like capturing

churches, she had said, watercolours
and pencil or charcoal as my aids.
You remembered words that evening
as she lay there dying from cancer,
the curtained area dim and silent
except for the rattling breath, just Betty

and the rosary in the end, and your
deep love and the unwanted death.

O my God
the ride down here
to this base camp
in those converted
army trucks
wasnt that something?
Miriam says

my face felt frozen
and my hair
looked as if
Id been in front
of a massive
hair-dryer
for hours

I sip my coke
and watch her
sitting at the bar stool
thinking
her jaw sure must
have unfroze
since shed not
stopped speaking
for a good five minutes

and guess who
Im sharing
a tent with?  
she informs

I dont know
I say

that hippy girl
you know the one
whose boyfriend
looks like Jesus

o yes
I know the one
yes so whats
she like
to share with?

o you dont
want to know
she says

then dont tell me

o but I must
so she does

and as she rabbits on
I study her hair
a mass of curls
tight and red
which reminded me
of a guy
I worked for once
who said
I took a red head
out last night
no hair
just a red head
and I laughed
because he was
my employer
but it was a kind
of put on laugh

and o
she says
and thats not all
when she undresses
at night in the tent

I am brought back
to the present
and am all ears
hanging on to
her every word
about the dame
*******
like a penitent
awaiting
a priests blessing.

Alice sits
in the room
with blackboard

and easel
and small desk
and small chair

with Nanny
stern and strict
pointing at

the blackboard
with her stick
teaching her

her letters
the grammar
paragraphs

sentences
by long rote
and command

and Alice
knows now that
any cause

of Nanny's
discontent
will bring her

punishment
her father's
hard hand smacks

whack and whack
she sits still
taking note

but bored she
stares out high
windows at

tall tree tops
and blue skies
thinking of

her mother
locked away
(ill in her

head Nanny
coldly said)
then she thinks

of her new
adoptive
mother who

works below
stairs(low stairs
her father

often says)
the one with
the red raw

fingers thin
and young who
secretly

said she would
be her new
adopted

mother but
to strive to
learn to do

her best and
so she does
but thinks of

the time when
lessons are
over she

can sneak down
below stairs
and along

passageways
to where her
adoptive new

mother works
and feel her
embrace her

earthy smell
her soft cheek
against that

rough cloth of
apron the
red fingers

caressing  
her long hair
whispering

words but still
the nanny
drones on the

lesson now
taking its
toll boredom

sinking in
wishing her
adoptive

mother would
come and take
her away

for a walk
to the horse
stables or

into town
holding her
hand the red

hand holding
her pink one
or dreams of

snuggling
up to her
in her bed

feeling her
motherly
tender warmth

but Nanny
still drones on
the long lesson

word on word
keeping her
from the arms

and caress
and earthy
smell of cloth

of her new
adoptive
young mother

below stairs
Alice yawns
secretly

her small hand
over mouth
knowing this

blowing soft
from her palm
to her young

adoptive
mother a
secret kiss.

Let me take you out to lunch
Mrs Bryce said
(she was a middle aged dame
old enough to be his aunt)

o.k if you like
he said
but her friend Lilly
didn't like the idea

(some jealousy
of the lesbian kind
maybe he later thought)
and was quite reserved

as they went to
the posh upstairs restaurant
he one side
and they opposite

Lilly giving him
the cool stare
her pinched mouth
wrinkled forehead

Mrs Bryce studied
the menu
her glasses on
her eyes focused

what you having Lilly?
she asked
and Lilly scanned
her menu and picked out

something in French
and then she asked him
and he said
o the stew will do

and the waitress came
and took their orders
and went off
wagging her behind

which he noticed
but they didn't
being that part
sexually blind

and then came
the small talk
the casual chat
or this and that

and Lilly straight faced
thin lipped
and icy eyes stare
but he knew

what Lilly didn't
she had no idea
about the ***
or how the middle aged

dame had it still
could still turn on the fire
could **** off his desire
but Mrs Bryce

never said a word
not a hint
she wore her middle age
and middle class morals

very well
a mask of gentility
or cultured good humour
good manners on show

but he knew
she was hot
and could go
(her husband

some middle aged guy
with sourness
and boredness
in each greying eye)

and she sat there
giving it the small talk
sipping the wine
one finger raised

her eyes pure
as cut glass
behind the specs
and Lilly listened

in soft admiration
wanting to be nearer
breathing in
Mrs Bryce's scent

dreaming of the two of them
doing whatever in
some bedroom spent
but he had the real

not a dream
and as he watched
Mrs Bryce sipping
her wine

thin lips
on thin glass
he remembered her
that time lying there

bright eyes
greying but dyed hair
he bringing her
to a seventh heaven

of yes and yes
and more
and Lilly sour faced
sitting and listening

to the small talk
but wanting
something other
for sure.

Celia looked at her reflection
In the back of the spoon;
Her face was blown outward
As if captured on some balloon.
It almost made her laugh;
The memory of it;
How she and her sister Sassy
Would do that as kids,
Before the dark days,
Before her death in a bath.
That drowning, that sad death.
Sassy’s husband had beaten her
Black and blue and green
And she’d hide herself away
So as not to be seen.
But she’d seen her,
Seen the bruises
Like smudged tattoos,
The closed eyes,
The swollen lips,
The hardly able to talk words
Pushing through the mouth
To say: he says he loves me still.
Celia stared at her reflection,
The way her own mouth was distorted,
Her lips blown up, her eyes enlarged,
Out of proportion.
She almost laughed,
But something about Sassy’s sad death
Made her stifle any guffaw
That may have broken free
From her distorted reflected jaw.
There was the time she’d seen her
******* for bed when she stayed
Because Sassy’s husband (the weird freak)
Was off on business, some big deal,
Needing to be pulled off,
And she saw the black and blueness
With tinges of green
Along her naked flesh,
The buttocks welted
Where he had belted.
Sassy had said nothing,
Had not noticed Celia looking,
Had not thought it unusual
To be unclothed as such
Away from other’s peering eyes.
Now Sassy was dead;
Found in the bath;
Drugged out, wrists slit,
Having drowned recorded.
But he had driven her over the edge;
He had bullied and beaten
Like some spoilt cruel child
An unwanted toy.
Celia turned the spoon over
And put it down.
No more desire to laugh,
Just fond memories of Sassy
Before her death in the bath.

Your mother rolled out pastry
with the rolling pin
her hands pushing the implement
across the board

and you watched
her floured skin work their skill
backward and forward
under the palms of her hands

the thinning pastry
spreading out to an inch of width
until her hands stopped
and she flipped it over

and spread more flour
upon the board
with a flick and smoothing touch
of her hand

once that task was done
she lifted it to the dish
and eased it around inside
and around the edges

with her fingers and thumbs
working their way
in a circular motion
around the dish

then cut with a knife
the over hanging
unneeded pastry
and put it aside

like an umbilical cord
once the baby’s born
as her hands placed in
the stewed apple filling

you said
can I have the left over bits?
pointing to the wasted pastry
left aside

sure you can
she said
moving on with her skill
as you picked up the pastry

and walked away
noticing the sadness
in her watery eyes
and strained voice and words

following you across the room
as you ate the pastry
between your fingers
like a bird of prey.

Milka touched
Benedict
on the arm

her fingers
running down
to his hand

Benedict
touched Milka
on her thigh

his fingers
running up
to her ***

their lips met
hot kisses
wet tonguing

both eyes closed
his fingers
making play

her fingers
tickling
his open palm

she thinking
dream like things
wedding bells

wedding rings
he thinking
fingers warm

entering
opened her
like flower

in spring time
her beauty
undone him

****** him dry
she asked him
her questions

like girls do
he answered
one word why?

Searching in the gutters
of Meadow Row
and up along by the back
of the coal wharf

Benedict picked out
and up
dog ends
or cigarette butts

as his old man
called them
and picking them up
he tore open the paper

and tipped the tobacco
into a white paper
sweet bag
how can you do that?

Ingrid said
all those people’s
spit and dribble
on them

she pulled a face
he smiled
she looked serious
germs on them

she said
she wiped her hands
on her stained
green dress

he bent down
and picked out
another cigarette ****
and opened it up

between fingers
and thumbs
and emptied it
into the bag

you’re too young
to smoke
she said
if my dad saw me smoking

he’d smack me silly
she said
he does anyway
he said

she bit her lip
and looked away
sorry
he said

didn’t mean
to be like that
he touched her hand
she stared at him

through wire
framed glasses
she liked it when
his hand touched hers

no one else
touched her tenderly
she looked
at his cowboy hat

placed to the back
of his head
the six shooter gun
stuffed in the belt

of his jeans
the borrowed blue waistcoat
(his grandfather’s given
a month or so back)

she put her other hand
on top of his
he took his hand out slowly
in case other boys

from school may see
and walked to the shelter
of a wall
of a bombed out house

and they both sat down
he took out a packet
of cigarette papers
( liberated from

his old man)
and pulled out
a paper and shoved
the packet of papers

back in the pocket
of his jeans
and taking a pinch
of tobacco from the bag

he fingered it
in a straight line
into the cigarette paper
then rolled it

as he’d seen
his old man do
then licked the end
to form a thin cigarette

Ingrid watched in silence
as his fingers moved
and his tongue licked
you’re not going to

smoke it are you?
she asked
he put the cigarette
between his lips

sure am
he said John Wayne like
but you’re only 9
she said

you’re only 9
and you’re watching
he replied
he took out a box

of Swan Vesta
(borrowed from
the cupboard at home)
and lit the cigarette

and puffed slowly
she waved a hand
as smoke came near
her face

my dad will smell that
on me
she said
and think it was me

smoking and tell me off
she said
beat you black and blue
Benedict thought

not said
he coughed and spluttered  
and took out
the cigarette

and blew smoke
from his mouth
and spat out phlegm
brownish yellow

if your old man hits you again
I’ll shoot him
full of cap smoke
he said

she laughed
and hit his arm
he flicked the cigarette
onto the bombsite

with a finger
and watched
as the smoke
he’d blown out

like a pale ghost
seemed to linger.

Sister Teresa put down the pen. Eyes searched page. White and black. Scribbled words. Meaning there some where amongst the lines, she mused. Bell rang from bell tower. Echoed around cell. Closed her eyes. Held hands together. Sighed a prayer. Allowed the dark and peaceful to swim about her. Out of the depths, O Lord, she whispered. Opened eyes. Parted hands, rested on the table before her palms up, and read the signs. The last echo went out of the room. The whisper of it out of earshot.First-class now this age; first-rate her papa had thought; foremost her mama decided. Gone now Mama, she mused, lifting her body from the chair and walking to the window. Gone except memory. What the little child had seen she wanted to forget. Some memories are best buried. The sky was cold looking; the clouds shroud-like. Held hands beneath habit; clutched hands child-like. Mumbled prayer. Watched nuns move along cloister; watched the slowness; sensed the coldness of the air. If possible, Lord, she murmured, moving from window, walking towards the door. Paused. Looked back. Stared at crucifix on wall. The Crucified agonised, battered by age and time. Smiled. Nodded. Turned and opened the door and walked into the passageway. Closed the door with gentle click; hid hands beneath the cloth; lowered eyes to floor’s depth. Wandered down by wall’s side. Listened. Sighed. Sensed day’s hours; day’s passage and dark and light. Entered cloister and felt the chill wind bite and snap. Best part, Papa had said. Men are not to be trusted, said he many a time. Felt the cloister wall’s roughness with her right hand. Sensed the rough brick; sensed the tearing of the flesh on wall of brick; the nails of Christ. Mama had died her own crucifixion. The child closed the door having seen in the half-dark, she recalled, closing her eyes, feeling the chill wind on her cheek. Paused. Breathed deep. Saw sky’s pale splendour; saw light against cloister’s wall; saw in the half-light. Nun passed behind. Sister Helen, big of bone, cold of eyes, cool of spirit. Cried once; cried against night’s temper. Months on months moved on; days on days succeeded. Papa had said, the zenith of the passing years, my dear child, your mama’s love. How pain can crucify, she thought as she moved on and along the cloister, lifting eyes to church door. Nails hammered home to breast and ribs, she murmured as she entered the church. Fingers found stoup and tip ends touched cold water; blessed is He, she sighed. Eyes searched church. Scanned pew on pew; nun on nun. Sister Bede nodded; held hands close; lifted eyes that smiled. Where Jude had been buried, Papa had not said. Ten years passed; time almost circle-like, she mused, pacing slow down aisle to the choir stall. Sister Bede lowered her head; lowered her black habited body. Saw once as a child but closed the door. Poor Mama. Who is she that came and went? Long ago. Time on time. Papa had missed her; tears and tears; sobs in the mid of night. Mother Abbess knocked wood on wood. Silence. Closed eyes. Dark passages lead no where, Papa said. Chant began and echoed; rose up and down; lifted and lowered like a huge wave of loss and grief. Where are you? What grief is this? Night on night, her papa’s voice was heard; echoed her bedroom walls; her ears closed to it all except the sobs. De profundis. Out of the depths. Dark and death are similar to man and child. Opened eyes to page and Latin text. Bede and she, to what end? Death, dark, and Mama’s fears echoed through the rooms of the house; vibrated in the child’s ears; bit the child’s heart and head. This is the high point Jude had said; had kissed her once; had held her close and she felt and sensed. Men are not to be trusted. Breathed deep. For thine is the kingdom. And Papa’s words were black on white and pained her. Jude gone and buried; mama crucified; Sister Rose fled the walls; wed and wasted to night’s worst. Come, my Christ, she murmured through chant and prayer; come lift me from my depths; raise me up on the last day. Voice on voice; hand on heart; night on night. Jude had said be prepared for the next meeting, but dead now; Passchendaele claimed him. Voice on voice, Amen. Chill in bone and flesh. Breath eased out like knife from wound. Bede looked and smiled; hid the hands; bit the lip. Men are not to be trusted. Jude long gone. Nuns departed. Bede turned and went with her gentle nod. Paused. Sighed. Come, my Lord and raise me up, she mused, stepping back from stall and the tabernacle of Christ. Raise me up. Raise your lonely bride from death and dark.

Alice waited in bed.

She couldn't believe Mary
was to be her new lady's maid.

The nanny had told her
the night before.

Stern looking
she had told her
that Mary was to be
her maid from now on.

There seemed a kind
of relief in the nanny's voice.

Through the night,
Alice thought of it.

The limping thin girl
was to be her own maid.

The thin red hands
to undo and do up
her dresses
and bathe her
and wash her
and take her places.

Mary was in
her own room
in the attic.

Nervous, she was
all fingers and thumbs.

The child was now
her responsibility.

No more washing up
and working in the kitchen
of the big house.

Mrs Broadbeam
was not happy about it.

She would have
to have another now
to train as kitchen maid.

Mary was happy about that.

Maybe her red hands
would have a chance to heal.

She was dressed
in the maid's dress
the nanny had given her
the night before.

It was a bit too big,
but it fitted and was better
than the dresses she wore
in the kitchen which smelt
of cooking and sweat.

She looked at herself
in the old mirror.

She licked her hair damp
to get it to lay down.

The white hat
she had pinned
to her hair.

She smiled
at her reflection.

Alice sat up in bed
as Mary entered.

She looked different,
but she still limped
to the bed.

Have you heard?
Mary asked.

Yes,
Alice said,
you're to be
my own maid.

Mary pulled back
the bed covers
with her red thin fingers
and took Alice's hand gently.

Best get you up
and washed and dressed,
Mary said.

Will your hands
get less red?
Alice asked
looking at the maid's hand
holding hers.

Hope so,
Mary said.

Alice walked with Mary
to the wash bowl  
and Mary poured water in.

Mary undressed Alice
and so began
the washing process.

The warmed water
was better than the cold water
the nanny used
when she did the task.

The washing was gentle
and calm, not forceful
and hurtful as it was
when the nanny did it.

Alice missed her mother
being there. No news
of her since
she had gone away.

Mary was kind
and thoughtful.

She had washed Alice
and dressed her.

That's you all ***** and span,
Mary said.

***** and span?
Alice said.

Neat and clean,
Mary said.

She looked
into Mary's eyes.

There was not
the anger or darkness
as was in
the nanny's eyes.

And when Mary
took her hand
there was not
the pinching or squeezing
like the nanny did.

As Mary limped
to the window
to open it up,

Alice watched her
from behind,
the loose fitting dress,
black and white,
the hair and white hat pinned,

the red hand reaching
for the window latch
to let in air
and Alice smiled
to herself
at the maid
like an angel
standing there.

Yes Helen muses Id like to meet Benny by the Duke of Wellington but to ask Mum first and I dont think shell mind as its Benny as she likes Benny and his mum and mine know each other and talk to each other at the school gates and when they talk they talk and yes if I ask Mum nicely and when shes not busy shell let me go but I cant leave it too long or the time will go and he will have gone if Im not at the Duke of Wellington by ten past ten this morning has as he is going to the herbalist shop to buy liquorice sticks and sarsaparilla by the glassful and Benny says it makes blood so if I drink a pint I will make a pint of blood and hopefully I wont spillover with blood she waits a few minutes while her mother puts away the shopping Helen had bought home from Baldys and looking at her mother making sure her mothers features did not show too much stress and timing it right that was the key Benny told her once timing is the key he said her mother walks around the kitchen seemingly busy the baby crawling around her mothers feet and the smell of nappies boiling on the stove steam rising smell of it Mum she asks can I go out with Benny to the herbalist shop and buy some liquorice sticks and sarsaparilla? her mother picks up the baby she hugs him close smells his rear end pulls a face what did you say? her mother asks holding baby a little distance away from her arms out stretched walking to the put-down table over the bath and placing baby down can I go with Benny to the herbalist shop and get some sarsaparilla and liquorice sticks? Helen repeats standing with fingers crossed behind her back when are you wanting to go? her mother asks unpinning babys ***** and the smell erupting into the room and air as soon as I am allowed Helen says trying not to breath in hoping her mother will say yes but her mother hesitates her features ******* up her fingers pulling back the offending ***** and dropping it in a pail at her feet bring me a clean ***** from the other room Helen and some talcum power and some cream and best get some other safety pins as these are a bit well not fit to put on again until theyve been washed o keep still you little perisher dont move your legs so and no dont piddle on me go on then Helen dont dawdle so Helen walks into the other room and collects a ***** from the fireguard and talcum powder and cream and pins from the bag by the chair and takes them to her mother who is struggling to hold the baby in one place and clean up the smelling liquid and mess  and waving a hand in front of her face to give her fresher air give them here then girl I cant wait all day and here hold his legs the little figit so I can get him clean properly Helen pulls a face and carefully reaches over to try and hold her brothers legs still while her mother attempts to clean him up but her brothers legs move at a pace and hes quite strong for one so small she thinks hold him hold him her mother says Helen does her best for a little girl not yet in double figures there done it her mother says hes done now right take him and put him in the cot in the other room while I wash these nappies out can I? Helen asks can I go? go where? what do you want now? her mother says to go to the herbalist with Benny Helen asks he asked me this morning while I was getting the shopping at Baldys her mother put on the kettle and empties the nappies in the big sink when did you want to go? as soon as I am allowed Helen says gazing at her mother through her thin wired thick lens glasses hoping her mum will say yes off you go well you cant always rush off you know not when I may need you after all youre my big girl the oldest of the tribe but as youve been good this one time you can go but mind the roads and keep with Benny and if you need to go to loo make sure its a clean place and put some toilet paper on the seat you dont know who sits on them things ok I will Helen says trying to recall all her mothers instructions can I go now? she asks hoping her mother will not change her mind at the last minute best go now then her mother says its nine fifty nine fifty? Helen says what's that mean? ten minutes to ten her mother says o right Helen says and rushes into the passage way and put on your raincoat it looks like rain her mother calls out I got it Helens says and rushes out the door and down the stairs carefully not wanting fall down the steep steps she holds on to the stair rail and then out into the street and bright fresh air and dull clouds and she walks along Rockingham Street under the railway bridge and there he is Benny hands in his jeans pockets his hair and quiff creamed down and his hazel eyes gazing at her blimey he says youre earlier than I thought youd be he takes in her hair plaited into two and her thin wire framed glasses making her eyes larger than they are had to help Mum with my baby brother she says hed messed his ***** and Mum had to clean him up and needed me to help and gosh the smell Benny enough to make you feel sick and anyway Im here now o but I havent money I forgot to ask Mum for money she says biting a lip looking back towards where shed come I got money Benny says rattling coins in his jeans pocket she smiles and looks at him he gives her the kind of smile she likes the kind that makes her feel safe and wanted and she loves the coat he wears with the odd buttons and and his quiff of air and his warm what shall we do now stare.

Helen passes me
her doll
Battered Betty
hold her
for a minute
she says

I hold the doll
between hands
away from me
in case she may
wet on me
as my old man
used to do
when my kid brother
was a babe
and he didn't want
the kid's ***
on his new suit

what's wrong with her?
I ask

she's got a temperature
Helen says

I look at the doll
who looks white
and cold and I smile

ok
I say
well take off
these clothes
and woollen jumper
no wonder she's hot
and got a temperature

we are walking along
Meadow Row
towards the fish
and chips shop
over the crossing
to get my mother's order

do you think
she's got a temperature?
Helen asks

I feel the doll's forehead
no it seems fine to me
I say

ok
she says
and take the doll back
and holds her
against her chest
rocking the doll
side to side
and patting
the doll's back

it's just she seemed
hot this morning
Helen says
when I got her
out of bed

whose bed?
I ask

mine
she says
the one I share
with my sister
with Betty between us
next to Teddy

I see
I say
seeing her rock
the doll side to side
like a good
little mother

she's lucky
I say
I sleep
with my little brother.

Shlomit (whom most
of the boys disliked)
stood in the playground
holding one end of the

skipping rope while another
girl held the other end as
another skipped. Her wire
rimmed spectacles stayed

in place as she moved, her
holey cardigan had seen
better days, her grey dress
had been handed down so

often that it shone like steel.
Naaman stood and watched
her from the steps leading
down to the playground. She

sometimes smelt of dampness
as if she’d been left out in the
rain and brought in to dry over
a dull fire. He looked at her dark

hair held in place with hairgrips,
the hair band of a dark blue
remained unmoved by her motions.
Some girl pushed her away from

the end of the skipping rope and
she walked to the wall and stared.
That seemed unfair, Naaman said,
you were doing your bit ok. Shlomit

looked at him with her nervous eyes.
They always do that, she said; never
let me play for long. He stood beside
her; he could smell dampness mixed

with peppermint. Maybe you’re too
good for them, he said. She smiled and
pushed the hair band with her fingers.
Her nails had been chewed unevenly,

he noted, her fingers were ink stained.
Would you like a wine gum? he asked.
He held out a bag of wine gum sweets.
She put her fingers into the bag and

took one and put it in her mouth.
Thank you, she mouthed, her finger
pushing the sweet further in. Naaman
walked with her up the steps that led

up from the small playground and stood
on the bombed ground and looked down.
There used to be a house where the
playground is now, he said, it got

bombed out. The playground was
once the cellar. Oh, she said, I didn’t
realise that. The bombs missed the
school, shame, he said, smiling. Daddy

said I ought not talk with boys, she said,
looking at Naaman then quickly around
her. Why’s that? he asked. She looked
at her fingers, the thumbs moving over

each other. He said boys were rude and
mischievous, she said. I guess some are,
Naaman said. She looked at him. You
seem all right, she said. But you are still

a boy and he might find out I talked to you
and then there would be trouble. How
would he find out here in the playground?
Naaman asked. Someone might tell from

here that saw me, she said anxiously.
Last time someone told him he beat me,
she added quietly. She pushed her hands
into her cardigan pockets. Best go, she said.

I like you, Naaman said, you remind me of a
picture I saw of a girl standing beside Jesus
in that Bible in the school library. Do I? she
said, did she have wire-rimmed glasses?

No, Naaman said, but she had a pretty face
like yours. She laughed and took her hands
from her pockets. He saw two reflections of
himself in the glass of her spectacles behind

which her own eyes gazed out. Maybe it was
me, she said playfully. Oh, yes, he said, taking
her thin ink stained fingers in his, no doubt.

It was a warm day
and you were sitting on the lawn
of the nursing home
when Anne came across the lawn

on her crutches
her summer dress
flowing as she moved
come on Skinny Kid

she said
I want to show you something
what?
you said

never mind
what just follow me
and so you got up
from the chair

and followed her
across the lawn
and along the path
that went through the trees

to the back gate
open up the gate then Kid
she said
standing impatiently

while you opened
the gate
you lifted the latch
and opened the gate

and she crutched
her way through
and you followed
letting the gate

swing shut behind you
what you want to show me?
you asked
but she just cursed

and swore under her breath
and moved across
the pavement
and onto the beach

until her crutches
became stuck in the sand
and she stood still
staring out

at the sea
look at that
she said
what?

you asked
the ******* scenery
she said
pointing at the horizon

with one of her crutches
I’ve seen the sea before
you said
yes maybe

she said
but have you let it
embrace you
and hold you? she said

I’ve been in the sea sure
you said
looking at her
beside you

I want to go in
she said
you’ll get your dress wet
you said

I’ve got my swimming costume
under the dress
she said
help me get out

of this ****** dress
and I can go in
what here on the beach?
you said

undress here?
yes here
she said
now unzip me

at the back
so you unzipped
her dress at the back
and she said

now pull it
over my head
so you lifted
the hem of the dress

and began to lift it
over her body until
her dress was in your hands
and she stood

in a bright blue swimsuit
with her stump hanging
where her leg used to be
then she slowly

crutched herself
down to the sea
until she was at
the waters edge

you stood just behind her
holding the dress
right take the crutches
she said

but you’ll fall
you said
I’ll swim
she said

can you swim
with one leg?
you asked
of course

I can ******* swim
with one leg
she said
and handed you

the two crutches
and fell forward
into the sea
where she made

a big splash
and then she was off
into the sea
her leg and stump

out of sight
her arms moving in motion
and you stood there
with dress and crutches

staring at her swimming away
what if you drown?
you called out
but she just sang loudly

her voice mixing
with the sea’s sound
just you and Anne
with no one else around.

Fay was waiting for me
at the top of Meadow Row

I was on my way home
from school
-I'd walked home
as I’d spent my fare money
on doughnuts that morning-

she looked agitated
her blonde hair
was in two ponytails
her eyes looked red
as if she'd been crying

thought I’d missed your bus
she said

no I walked
I said
what's up?

she took my hand
and we walked down
Meadow Row
walking past
the bomb sites
and the ruins
of other houses  

I’ve lost my rosary
she said
I can't find it

what's a rosary?
I asked

a crucifix with beads
I showed you
the other week

O that bead thing
so what's the problem?
can't you buy another?

it was my grandmother's
old one

well buy her another one
I said

I can't she died
last year

well she won't
need it then
will she
I said

she stopped
but Daddy will want
to know why I lost it
and then he'll go off
the deep end  
and I know
he'll punish me
and it wasn't my fault

she began to cry
and I didn't know
what to say or do

where do you keep it?
I asked

in my coat pocket
so it's handy
if I want to use it

and it's not there now?

she shook her head
and put her hand
in the pocket
of her coat

is that the coat
you always wear?
she nodded

what about Sundays?

she looked at me

today's Monday
maybe you left it
in your coat you
wear on Sundays
I said

she looked at me
with reddened eyes
of course I forgot
it must be in
my Sunday coat
from yesterday

let's go find out
I said

but what if Daddy's there?

so what?
I said

he doesn't like me
being with you
because you're not
a Catholic

I’ll wait outside
on the balcony
if he is
I said

so we walked up
Meadow row
and crossed over
Rockingham Street
and up the *****
and into the Square
and along to the flats
and up the concrete staircase
to her parent's flat
which was above
where I lived

she knocked and her mother
let her in
and I stood on the balcony
looking into the Square

after 5 minutes or so
she opened the door
smiling and said

it was in my Sunday coat
all the time
and she kissed my cheek

I knew then
I’d not wash
that area of my face
the whole week.

There were raised voices. Ingrid heard them. Her father's booming voice over her mother's screech. She stirred in her small bed. Pulled the blankets over her shoulder. Sheltered by the thick ex army coat of her father's on top of the blankets she snuggled down trying to shut out the sounds. It was Saturday, no school. She hated school, hated the tormenting kids, the lessons, the teacher bellowing at her. Only Benedict talked kindly to her, only he made her laugh, took her on adventures round and about, the bomb sites, the cinema, the swimming pool in Bedlam Park. The voices got louder, there was a sound of glass smashing. Silence followed, her mother's screeching began again, her father's booming voices trying to drown her out. Ingrid pulled the blankets tighter around her. She daren't go out along the passage until it was over. Even though she needed to ***, she held it in, thought of other things. Her wire framed glasses lay on the bedside cabinet her mother had bought at a junk shop. The thick lens were smeary, the wire frame slightly bent where her father's hand had clipped them when he slapped her about the head for talking out of turn. There was a small cut on her nose where the glasses had caught. A radio began to play, the voices had stopped. A door slammed. Her father had gone out. She poked her head out of the blankets. Music filtered through into her room from the radio. She got out of bed and stood on the wooden floor boards. Her clothes: dress, cardigan, underwear and socks were laid neatly on a chair where she'd folded them the night before. She opened the door of her bedroom and ventured down the passage to the toilet and shut the door and put the bolt across and sat down. The music played on. Her mother began to sing. She had weak voice, kind of like a child's. Ingrid played with her fingers. Pretended to knit, as her mother had unsuccessfully tried to show her, with imagined knitting needles. As she sat she felt the bruise on her left buttock. Her father's beating of a day or so ago. She knitted faster, fingers racing. She stopped dropped a stitch as her mother called it. She left the toilet and went to wash in the kitchen sink. She wished they had a bathroom like her cousin did. Her parent's bath was in the kitchen with a table that was let down when not in use. She washed in the cold water, her hands and face and neck. Dried on the towel behind the door. Her mother came in carrying a cup and saucer. She set it down on the draining board and looked at Ingrid. Get yourself some breakfast and then get dressed, if your father catches you in that state, he won't half have a go, her mother said. Ingrid went into the living room and got a bowl from the glass fronted cupboard and a spoon from the drawer and poured herself some cereals and added milk from a jug on the table and sat to eat. Her mother brought in a mug of tea for her and put it on the table and went off to the bedroom to make the bed. The music from the radio played on from the living room window she could see the streets below, the grass area beneath with the two bomb shelters left over from the War where she and other sat or climbed or played around. Over the street was the coal wharf where coal lorries and horse drawn wagons loaded up with sacks of coal. She ate her cereals. A train went across the railway bridge over the way;puffs of smoke rose in the air. Below boys played on the grass. One of the boys had offered her 6d to see her underwear, but she had refused. He shrugged his shoulders and said your loss and wandered off. 6d would have bought her sweets, a drink of pop, but she had her pride. She finished her breakfast and sipped her tea. Warm and sweet. She let her tongue swim in the tea. Benedict said he would buy her some chips after the morning film matinée at the cinema. Her mother said she would give her 9d for the cinema, but not to tell her father. As if she would, she mused, watching a horse drawn wagon leave the coal wharf. She drank the tea and took mug, spoon and bowl into the kitchen  and washed them up and left them on the draining board. She went to her bedroom and took off her nightdress. The mirror on the old dressing table showed a thin pale looking nine year old girl with short cut brown hair and squinting brown eyes. She only saw a blur. She put on her glasses and peered at herself. No wonder the boys laughed at her and the girls avoided her. Only Benedict was friendly to her. He said she was pretty. She couldn't see it, the prettiness. She turned. Over her thin shoulder she saw the bruises on her buttocks. Fading. Bluey greeny yellowish. She walked to get her clothes off the chair and began to dress. She wished she had a cleaner dress, she'd worn that one for nearly a week. The cardigan had holes and there were buttons missing. She did up what buttons there were and brushed her hair with the hairbrush her gran had given her. It had stiff bristles and a large wooden handle. She stood in front of the mirror and peered at herself. She put the 9d her mother had given her in her pocket. Ready or not Benedict would be there soon. He knocked his own special knock. Once her father answered and glared at Benedict and asked what he wanted. Benedict said, to see the prettiest girl in the world. Her father glared harder, Benedict simply smiled. How did he do that? How did he do that to her father? There was a tensive wait, her father glaring and Benedict looking passive. Then her father called her to the door and said, this here boy asked for the prettiest girl in the world; he must have got the wrong address. Ingrid went red and looked at Benedict. No, right address and girl, Benedict said,looking by her father's brawny arm at her. How she managed not to wet herself she didn't know. Her father just walked back indoors and left them to talk on the balcony without any more words and she never got a beating afterwards, either. Now she waited for that special knock. That rat-rat and rat-rat. She smiled at her reflection. Prettiest girl. Ugliest more like. Rat-rat and rat-rat. He was there. He'd come. She could hear his voice. She took one last look at herself in the mirror, wet fingered she dabbed at her hair. Time to go, time to get out of there. Her knight in jeans and jumper had come on a white horse to take her away; imaginary of course.

Mamie leaned
against a sitting camel
on the beach
at base camp

outside Tangiers
fiddling with her camera
clothed
in her red two piece

bathing kit
and pink framed
sunglasses
her reddish hair

a mass of curls
looking quite fuckable
as you snapped her picture
with your camera

with the Moroccan guy
looking towards you
thinking maybe the same
holding the rope

leading to the camel
and she said
I wasn’t ready
I was trying to get

my camera set
looking at you
through her darkened lens  
holding her camera

in her hands
the Moroccan guy
looking bored
wanting his pay

and to move on
well I’ve got you now
you said
something to gawk at

in my lonely hours
you could have waited
she said
the sun’ll go in a few hours

you joked
ha-ha
she replied
she paid the guy  

and left him
and the camel
and walked towards you
her bare feet

left footprints
in the damp yellow sands
the camel stinks
she said

and so does he  
she steadied her camera
and walked back a few paces
and said

pose yourself
and so you posed yourself
standing there
in your white tee shirt

and blue jeans
your hair windswept
your features set
in a sun blinded smile

hold it
she said
hold what?
you asked

the pose
she said crossly
just like that
and she snapped the shot

and gazed at you
through the dark lens
of her sunglasses
her small plump ****

wanting to escape
her red bathing top
and the sun still there
in the blue sky

the Moroccan guy gone off
down the beach
the camel following him behind
and you studied Mamie

as she walked back
towards base camp
with love making thoughts
in your sun baked mind.