That last time in Brighton
Back in 1980 was a dead

Lost. The old haunts seemed
Changed, the restaurants

Closed or changed hands,
The seafront less friendly,

Less romantic, the glamour
Gone, all high dreams spent.

Pity really we ever went.
But we did, you at least,

Trying to bring it back to life
That old love, that closeness,

That cold-night rush-to-coast
By train romance, that last

Time just memory, being put
To rest, I guess. Even that crap

Hotel had closed down where
We made love on those *****

Weekends, where one midday,
We unconcerned about that

Office block across the way,
With office workers, maybe

Spying, as we had *** that day.
Yes, the last time in Brighton

Was a lost cause; even the sad
Photographs we had taken there

Showed the dead love in faces
And eyes. The clicking camera,
Someone once said, never lies.

Janice holds
on her small
open hand

the yellow
canary
I watch it

standing there
on her palm
seemingly

not trying
to fly off
it talks words

she tells me
standing there
red beret

perched on top
of blonde hair
-I knew that

I'd heard it
taught it words
while Janice

was not there
in the room
naughty words-

but sometimes
Janice says
it utters

naughty words
and Gran says
who taught that

canary
such bad words?
not me Gran

I tell her
must be that
previous

owner's fault
I guess so
her gran says

I keep stumn
put on my
good boy face

saint like gaze
falling from
God's good grace.

Mamie leaned
against a sitting camel
on the beach
at base camp

outside Tangiers
fiddling with her camera
clothed
in her red two piece

bathing kit
and pink framed
sunglasses
her reddish hair

a mass of curls
looking quite fuckable
as you snapped her picture
with your camera

with the Moroccan guy
looking towards you
thinking maybe the same
holding the rope

leading to the camel
and she said
I wasn’t ready
I was trying to get

my camera set
looking at you
through her darkened lens  
holding her camera

in her hands
the Moroccan guy
looking bored
wanting his pay

and to move on
well I’ve got you now
you said
something to gawk at

in my lonely hours
you could have waited
she said
the sun’ll go in a few hours

you joked
ha-ha
she replied
she paid the guy  

and left him
and the camel
and walked towards you
her bare feet

left footprints
in the damp yellow sands
the camel stinks
she said

and so does he  
she steadied her camera
and walked back a few paces
and said

pose yourself
and so you posed yourself
standing there
in your white tee shirt

and blue jeans
your hair windswept
your features set
in a sun blinded smile

hold it
she said
hold what?
you asked

the pose
she said crossly
just like that
and she snapped the shot

and gazed at you
through the dark lens
of her sunglasses
her small plump ****

wanting to escape
her red bathing top
and the sun still there
in the blue sky

the Moroccan guy gone off
down the beach
the camel following him behind
and you studied Mamie

as she walked back
towards base camp
with love making thoughts
in your sun baked mind.

What's that
on your collar Sutcliffe?
O’Brien said

you got some
amorous sweet girl Eddie?
Danny D said

what is it?
I can't see
Eddie said

lipstick
I said
red stuff

where where?
he said
pulling at his white
shirt collar
with the red lipstick mark

he opened his shirt collar
and pulled it downward
how'd that get there?
he asked

your cousin still
staying with you
is she Eddie?
Danny said smiling

no not her
not that bucktooth *****
Eddie said
it must have been
my mum
she insists on
kissing me
before school

can't bring herself
to kiss your spotty skin
so kisses your collar
Danny said

she must have missed
Eddie said
how do I get it off?

who with?
O’Brien said
I ask that question myself
who's the lucky girl

what you talking about?
Sutcliffe said
how do I get
the lipstick off?

God knows
Danny said

soak it salt maybe
I said

but now
how now?
Eddie said

we walked on
toward school
Eddie rubbing
at his collar
with a greying handkerchief

that's the last time
she's going to kiss me
Eddie said

the red lipstick had smeared
more like a stain

it's worse now
I said
looks like a wound

thanks
he said thanks

you did it
not me
I said

what am I going to do?
can't go to school
like this

go home and change then
O’Brien said

I can't my mum's
gone to work
he looked at us
all tearfully

it's just lipstick Sutcliffe
no one's going to care
Danny said

of course they will
he said  
especially Thompson
you know what he's like
he'll have out front
for a right pasting
if he sees me

come back to my place
I said
my Mum'll put it
into soak
and you can wear
one of mine

you'll be late
Danny said

you go on
I said
we'll get a bus
we can make it
if we run

O’Brien looked at me
you're all heart Benny
all heart

so Eddie and I
ran back to my place
and he took off his shirt
which my mother
put in soak
and he wore
one of mine
and off we rushed
to school on the 78 bus  

Eddie all wide eyed
and I saw Fay
going to school
with her swaying hips
and blonde hair
and all I could do
was give
a keen eyed stare.

I seem to have inherited
your Che Guevara tee shirt,
red and black,
with the huge
Legends lettering
and portrait,
black on red.

Washed and folded,
I gave it a squeeze,
and held it to my chest
(wanting you back,
my son, and all the rest).

Sometimes I think
we shared the same heroes,
similar, more similar
than I ever thought before,
reflected in the tee shirts
you bought and wore.

I am still making
my way through
your Augusten
Burroughs books,
the humour, insight
and images raised,
have humoured me
at a time I need,
from dark thoughts,
guilts, on my time
and mind, like maggots
they have fed and feed.

I did think
I would talk to you
the following day,
before the coma,
the silence of you
contrasting the ever
sounding machines,
the dials, the lights,
and that, and other
images, keep me
from sleep at nights,
(hence the need
of the sleep
inducing pill).

I seem to have inherited
the black and red
Che Guevara tee shirt
you used to wear,
and when I hold it
against my cheek,
I imagine,
for short moments,
that you are
still there.

It was the boys’ bath night
and you had bathed
and were drying yourself

with the white towel
they had given you
when the bathroom door flew open

and Anne stood there one-legged
in her pink flowered nightdress
perching on her crutches like a hawk

her eyes bright and dark
a smile lingering on her lips
well ****** me

she said
what a sight
for a girl’s lovesick eyes

and she entered the bathroom
and pushed the door shut
behind her with her bottom

almost uncrutching herself
in the process
you pulled the towel

tight around you
and stared at her
it’s the boys’ bath night

you muttered
girls aren’t allowed in
while boys bath

she moved over
to the mirror
and gazed at herself

you’re right
she said
I’m not a boy

I’m a tight titted girl
and she laughed
and crutched herself

over towards you
making you flatten yourself
against the wall

gripping the towel with one hand
and holding her back
with the other

and she leaned down
and kiss the back of your hand
then looked you deep in the eyes

what have you got hidden
behind that towelling skirt then?  
she said

and you gripped the towel tighter
with both hands
and she menacingly moved

one hand cautiously towards the towel
her armpits gripping
the crutches tightly

as she moved
you shouldn’t be in here
you said

I’m not in there yet
she laughed and grabbed
the towel away with a force

that took her and the towel
toppling to the bathroom floor
where she lay

like an overturned beetle
you stood naked
your hands covering

what your father
called your toolbox
gazing down at her struggling

to get up
well don’t just stand there
like a prize parrot

help pick me up
she said
and so with one hand covering

you knelt down to help lift her up
but then she pulled you
down beside her

and laughed
and her laughter echoed
around the walls

but then she paused
and put a hand
over her mouth

hearing Sister Bridget’s
nearby footsteps
and noisy calls.

Lizbeth holds the dress against her. It's new, her mother had bought it for her. The cloth is smooth and soft, but she doesn't like it. She looks at the dress in the mirror inside the wardrobe. She puts the dress down on the bed and takes off the dress she is wearing and lets it drop to the floor, kicks it out of the way. She picks the new dress off of the bed and put it on and pulls at the hem to pull it down fully. She twirls, looking at the dress and how it looks as she twirls. The colour's all wrong; the hang of it she loathes. It falls beneath her knees; too far below. She lifts the dress until it comes above her knees. She twirls again. If only Benedict was here, see muses, if only his eyes were here looking beside me. She lifts the dress higher and smiles. Mother would never approve of that length. She lets the dress drop to the given length. Boring. The material is old fashioned, she thinks, ******* it, pulling at the hem. The dress she pointed out to her mother while shopping in Midhurst was shorter and more colourful and didn't have silly bows at the back. Her mother didn't like it. It would make you look like a ****, her mother had said, like one of those tarts on that pop music show prancing around semi-dressed. She hadn't thought her mother had watched the 6.5 Special Show, but she had. She twirls again and looks in the mirror for any saving details of the dress, but there aren't any. The dress is drab and she will not wear it; she'll put it at the back of the wardrobe and forget it's there. She takes it off and lets it fall to the floor and stamps on it, then kicks it away. She sighs and gazes at herself in the mirror in underclothes and bra. Where is Benedict when you want him? She muses, putting her hands on her hips. Probably on the farm; working in the milk sheds weighing the milk or clearing out the cowsheds, as he did on weekends or after school. She had managed to get him to this room once while her parents were out, but it was to no avail and nothing happened. Her mother is downstairs preparing lunch; she can hear the pots and pans being used; a radio playing some classical stuff. She picks up her old dress and puts it back on. The new dress she hangs on a hanger and puts it at the back of her wardrobe and shuts the door. The old dress, black with red flowers, is becoming small and tight. It reaches just above her knees now and her mother said it was not decent to wear any more, but she wears it and loves it, even if it is tight and holds her firm. She walks the length of her room like a model, swaying her hips, hand held aloft, head tilted. She flops onto her bed and throws out her arms and looks at the ceiling. To think she had Benedict here on this bed that time and nothing happened; God how frustrating. There is plenty of time to think of boys, her mother had said, you're just thirteen, why when I was your age I was playing with dolls and skipping with a rope. Lizbeth hadn't played with her dolls for years; her skipping rope was at the bottom of the wardrobe unused. She sits up and looks at her room. The record player is on the floor by the window; an LP of the Everly Brothers in on the turntable; the sleeve is on the floor next to a cup and saucer, partially covered by soiled underclothes. She was a lazy girl, her mother said, too lazy for her own good. Her father(when he was home at all) said nothing much except how far he had travelled and how many orders he had managed to obtain. A girl at school( in a higher class) had given her a book with illustrations about *** with orders not to let other see it. She had gone through the book umpteen times(mostly gawking at the photos and illustrations) and trying to put into practice what she had read there. The book is at the bottom of the wardrobe in a brown paper bag tied with string( just in case her mother snooped around.) She wants *** with Benedict. She has tried to get him to perform many times, but he is reluctant, makes excuses. She doesn't want other boys. She wants one boy. Benedict. The book has an illustration what the boy has to do and the girl also. She has studied it so many times it is printed on her mind. There is also other illustrations about other things which she finds a bit distasteful. If her mother ever found the book, there would be hell to pay(providing her mother didn't drop with shock). She sighs. Closes her eyes. Embraces herself. Kisses her arms; pretends it is him, his lips kissing. She opens her eyes and stares; he is not there; he is missing.

Alice stands
in the room
by the stairs,
at the end
of the house;
the low end,
servant's end,
Father said,
don't go there,
but she does.

She goes down
the back stairs,
down long dark
passageways,
watching staff
in their world,
the kitchen,
scullery,
the wash room,
other rooms.

And this room.
She watches
the thin maid
called Mary
ironing.

Why're you here?
Mary asks.

To see you,
Alice says.

Why see me?
Mary asks.

I love you,
Alice  says.

Mary frowns.
You shouldn't
use those words,
Mary says
turning round.

Alice stands
her small hands
in pockets
of her blue
pinafore.

But I do,
I love you.

Why is that?
Mary asks.

You are kind
like Mother
used to be
before she
had to leave.

Mary heard,
rumours spread,
the mother
had to leave,
had problems
in the head,
locked away
so they say,
for a year
and a day.

She'll be back,
Mary says.

Alice sighs,
I love you,
I want you
to stand in
for Mother,
between us,
Alice says.

Mary sits
on a chair,
flushes red,
between us
I can be
I suppose,
Mary says.

Uncertain
of her pledge
she gazes
at the child
standing there.

Need a hug,
Alice says,
motherly.

Mary feels
at a lost
what to do.

Can I sit
on your lap?
Alice asks.

Mary nods
and opens
her thin arms.

Alice walks
to Mary
and climbs up
on her lap,
lays her head
on Mary's
silky *******,
smells apples
and green soap.

Mary hugs
her closer,
kisses on
the child's head.

Love you, too,
Mary says.

Our secret,
Alice says,
none must know.

None will know,
Mary says,
just we two.

Nanny's voice
echoes down
the passage
Best go now,
Mary says,
learn for me
at lessons,
do your best,
my daughter
adopted.

Alice nods,
kisses quick,
then goes up
the back stairs
out of sight.

Seen Alice?
Nanny asks.

Not at all,
Mary lies,
sees the dark
cruel eyes
scan the room.

She'll be pained
if she's caught
down this end,
Nanny says.

Then she gone,
her black skirt
swishing loud,
the black shoes
going click,
clack, click, clack.

Mary gives
a rude sign
with fingers
behind fat
Nanny's back.

All through double science Sheila thought about the boy shed seen go by that mid-morning break not that hed looked at her too much or responded to her shy smile but she thought of him even to the degree of inking in his name on her small palm John scribbled there in black smudgy ink and she thought he had looked at her he seemed to look at her the way he had turned his head indicated to her at that time that he had and the science teacher talked of something to do with gases and she copied what he had written on the board into her exercise book in her minute scribble with her head to one side has she did while writing her arm at an angle her small hand gripping the pen in an odd fashion he had smiled yes she was sure John had smiled as she had smiled she sighed softly her eyes lifted to the blackboard to take note of what was written her hands scribbled her mind wanted to think of the boy with the quiff of hair the smile yes yes he had smiled and she wanted to stand up and say HE SMILED AT ME as loudly as she could but she never would she was not that type of girl a elbow nudged her the girl next to her nudged her and nodded towards the blackboard the teacher was pointing out something and asked her a question and Sheila had not heard him ask her the teacher was staring towards her expectantly she blushed sorry Sir didnt hear the question she muttered looking at the board and then at the teacher who seemed put out then listen girl listen he said then pointing to another to answer the question he repeated and Sheila still blushing looked at the girl next door and shrugged her thin shoulders the girl looked at her blankly and looked away she looked ta the blackboard and read it through slowly as she could taking note what had been written about gases and she stifled a yawn and looked back at the exercise book and what she had written in her scribbled handwriting she looked at the inner page where she had scribble John and drew a heart-shape with an arrow through it she held the page open just enough for her to see it then opened the book to wait for further instruction regarding gases the teacher walked along in front of the class pointing to the blackboard and indicating a diagram he had drawn Sheila wondered if the boy allow her to hang around with him after all she had seen other girls walk round with the boys either in groups or singly why couldnt she? she asked herself sitting up and staring out of the windows at the grass and the blue of sky over the way and what if he said yes how would she feel then would she walk with him or would she feel too shy to  and then all of a sudden she panicked what if he wanted to kiss her as shed other boys do with girls actually kiss on the lips sort of thing and shed never ever kissed a boy before not even her brother Bert a panicky feeling crept into her stomach what then? what if he wanted to kiss her a piece of chalk pinged onto the desk in front of her and the girl next to her elbowed her again SHEILA are you with us today? the teacher asked bellowing her name out of frustration she nodded and blushed again have you been listening? he asked yes Sir she said what did I ask? he said she stared at him blood pumped through body as if she was on fire and she shrugged as words wouldnt come see me after class he said and walked along the front of the class and asked another a boy with his hand raised she watched the teacher and listened to what he was saying about gases and types of gases and the affects and effects and so on and she felt the need to yawn but put her hand over her mouth and let it out secretly as softly as she could she smelt her palm then gazed at the word John scribbled there and with her lips kissed the inked name as if it was he she kissed her lips on his and she felt spittle on her palm and wanted to leave it there so she could pretend it was his spittle and not hers she looked up at the teacher and tried to give the impression of paying attention to his every word the boy had his hand up again as a question was asked and the teacher nodded and smiled then just as she prepared herself for any potential question that may come her way-God forbid- a bell rang for the end of the lesson and a sense of release flowed through her despite having to have stay and see the teacher afterwards there was a movement of books being put into bags and chairs being moved and voices and talking and the slow moving of bodies towards the door but the teacher was eyeing her as she moved towards him her book tucked away in her bag her palm clenched into a loose fist to hide the scribbled John in her palm she stood before the teachers desk and he stared at her sternly Sheila have you something on your mind? she shook her head feeling the need at that moment almost suddenly to urinate well you certainly were not paying attention to the lesson were you? he asked something worrying you? he asked she was going to say something but she didnt know what to say she couldnt say she was thinking of a boy and about if or not he was going to want to kiss her so she said nothing just shrugged her thin shoulders and gave a vacant expression-an expression her mother said indicated a near death experience-you must pay attention the teacher said I am paid to teach you as well as the others the sciences and I feel it is my duty to do my best to do that do you understand? she nodded taking note of the leather patches on the elbows of his jacket brown and sewn on maybe she thought by his wife or mother now please listen Sheila or youll get behind with the lessons Ok? she nodded and he dismissed her and she walked towards the door wondering if the boy would be on the playing field during lunch recess and if she had the nerve to ask him if she could hang around with him and if he would want to kiss her and o my God she thought panicking what if he did and she blushed at the thought and moved along the corridor amongst moving throng of other kids on their way to lunch or home and a bite to eat and she stood thinking of the boy gazing at her black shoed feet.

The rosary slips
between fingers,
pushed by thumb,
prayers said, saying,

praying. The nun
feels cramp in her
thigh, ache of knee.
Bell to ring, light

through crack in
shutters, seeps.
Like that time in
Paris. Young then,

bells from some
church, he saying,
we must visit the
Sacre Coeur. Did,

too, later, their hands
holding, thoughts
of love. That thin
sliver of light through

cracks in that shutter.
He beside her, body
warm, hands folded
between his thighs,

prayer like. Pater
Noster, thumb moves
beads, skin on wood.
And he said, Paris is

built on the bones of
the dead, he looking
straight into her eyes,
dark eyes, pools of

smooth liquid passion.
The bell rings, Matins,
she thumbs away the
last bead, prayers said,

on flight to her God.
Knees ache, thigh crampy,
she rubs to ease. He
rubbed like that, her

thigh, his hands, warm
and slowly. Rubs slowly
now, she and her hand,
to ease. Pain, what is

it for? Questions, answers,
always there. Coinage,
pain, to pay back, debt
for sins, hers, others,

here, in Purgatory. She
ceases to rub, puts rosary
down, lets it hang from
her belt as she walks from

her cell(room) along passage,
down stairs, not to rush, said
Sister Hugh, not to rush.
She holds up the hem so

as not to rub. Into the cloister,
early morning light just
about to come over the
high walls. Chill, touches,

hands, fingers, bend, open,
bend. He showed her this
trick with a coin, his hand
open, the coin there, then

he closed and opened, and
it had gone, vanished, had
mouth open, and he laughed.
Never did show how was

done, have faith, he said
laughing. The cloister, walls
high, church tower, red bricks,
flower garden around below

the walls. Silence. She learnt
that, not easy being a woman,
tongue still, interior silence,
also, Sister Josephine said,

inner silence. Harder to keep,
the inner voice hushed. She
passes the statue of Our Lady,
flowers, prayer papers, pieces,

tucked in crannies, under flower,
vases. Santa Maria audi nos.
He was coming to her, took
her in his arms and kissed her

lips, that cold morning after
the party, Paris, art, music,
it was all there. She enters
the church, puts fingers into

stoup, blessed water, makes
sigh of cross from head to
breast to breast. Sunlight seeps
through glass windows, stone

flag floor, cold, shiny, smooth.
His lips on hers, flesh on flesh,
tongue touching tongue. Long
ago, best forget, let it go. She

sits in her choir stall, takes up
breviary, thumbs through pages.
Prayer pieces of paper, many
requests sent. This one's mother

has cancer, deadly, her prayers
requested for recovery. Not
impossible, faith says so. But
she doubts, always the doubt.

She'll pray, ask, request, ask
God, for supplicants request,
but God knows best. He sees all.
Knows all. Knows me, she

thinks, better than I know myself.
Cogito ergo sum, Descartes said,
and he said it,too. He in his
pyjamas, so ****, uttering the

Descartes, hands open. I think,
there, I am, he said, I am,(naked)
therefore, I think. He laughed.
Other nuns enter, take their place

in choir stalls, sound of sandals
on wood, books being opened,
prayers whispered. Bells ring,
Mother Abbess, enters, all lower

head. Where did he go after
having *** with you? she never
did know, not then, some things
best not known. O Lord open

my lips. Shut down my thoughts.
She makes the sign of the cross.
Finger, *******, from
forehead to breast to breast.

Smells, air, fresh, stale, bodies,
old wood and stone, she standing,
praying, all together, all alone.

Yehudit stood
by the window
of the bedroom
looking out

at the garden below
Baruch  lay
on the bed
taking in

her figure
standing there
after having
made love

in his bed
I like your apple orchard
she said
the blossom

makes it
so beautiful
not as beautiful
as you

he said
taking in
her nakedness
the sunlight touching

her profile
she smiled
the blossom
is more beautiful

than I am
she said
come back to bed
he said

she turned
and walked back
to the bed
and lay beside him

I’ll have to go soon
she said
your mother
will be returning

from her work soon
he watched her eyes
the flush
about her skin

I know
he said
guess we best
get dressed

and I’ll walk you
back home
she kissed him
and he caressed her

and she ran a hand
along his thigh
shame we have to go
she said

he kissed her
and said
can't risk being here
when Mother returns

or she'll put
2 +2 and come up
with 5
Yehudit sighed

and moved off
the bed
and began to dress
into her underclothes

and orange flower
patterned dress
he got up
and began to get dressed

looking at her nakedness
disappear into clothes
the memory
of their love making

fresh in his mind
her apple scent
her body supple
her peasant look

her simplicity
the kissing
the holding
the bodies interacting

ready?
he asked
she nodded
and they went down

the stairs
and out the back door
and along the path
by the apple orchard

and out the back gate
into the woods
there was birdsong
and a warm air

and smell of the farm  
beyond the woods
back to work tomorrow
she said

my half day
spent making love
they kissed
and he walked her

through the woods
to her house
along the small road
at the edge of the field

by the farmed land
he holding her
peasant
warm hand.

Delia
once seduced

the house maid
in half term

home from school
some posh place

where she had
with success

oft bedded
the new young

maths teacher
whose glasses

thin wired
she took off

before ***
in her room

for extra
tuition

(her father
from his fat

wallet paid
for extra

maths not ***)
then after

leaving school
and the young

maths teacher
(sad female)

and having
bedded her

young cousin's
French nanny

she went to
some college

to study
the cello

and music
she had ***

the first day
with the thin

trumpeter
on the floor

above her
a girl with

luscious lips
and dark eyes

who after
a good ****

could play like
Miles Davis  

so cool that
Delia

would play her
cello ****

like lovers
embracing

she and her
instrument

then have ***
to the sound

of Coltrane's
saxophone

and the girls'
******

wanting more
sighs and moans.

There's roundabouts
and bumper-cars
and a big wheel
and a coconut stall
Ingrid said

and a rifle range
I said
I won a goldfish
in a plastic bag
here once
on the rifle range

we were at the fairground
on the bomb site
by Meadow Row

bright lights
and noise
and laughter
and people shouting
and girls screaming
and music blaring
out of speakers

she was excited
to be there
her brown eyes
lit up
like fireworks
her brown hair
pinned back
at the sides
with hair grips

got to have a go
on the big wheel
she said

I want to go on
the coconut stall
I said
have you money?

yes
she said
2/-

your old man
give it to you?

no my uncle
gave it me

why's that?
I asked
as we gazed
around the fair

I do things for him
she said
as we approached
the big wheel
can't say what
it's out secret
my uncle said

I nodded grimly
and we climbed
on board
the big wheel together

and off it went
up in the evening sky
the Elephant and Castle
beneath us

our flats visible
because the Square lights
were on

the area was like
it had been bombed
over night
rather than
about 15 years
before

look at that
she said
pointing

and I followed her finger
and saw the horizon
of lights
and it was like
an explosion
of brightness
which brightened up
this best of all nights.

Miss Maitland went
to the fancy dress party
dressed as a nun

Benedict went clothed
as a priest(Church
of England kind)

which made her
even more inaccessible
than before he thought

seeing her enter the hall
in her black and white habit
and that face

which echoed purity
her small slim fingers
raised as if to bless

those present
which included the host
dressed as the Devil in red

Miss Maitland walked
to the bar and ordered
a lemonade and gin

is that wise?
said the barman with a grin
she laughed

and he poured anyway
Benedict nodded
and she smiled

then talked to another
clothed as a monk
and laughed

and Benedict's hopes
(whatever they
may have been)

were he concluded
sunk
he sipped his beer

and walked and sat down
gazing at her
standing there

all her best bits
covered up
her tight ****

and delightful behind
gone from sight
now the Devil

was chatting her up
his tail hanging
from behind

his fingers holding
a red wine
Benedict sipped more

of his beer
saw her wander off
to talk with some girl

dressed
as a gangster's moll
right down to the 1920s

cloth of dress
and cut of hat
Benedict didn't fancy her

and that was that
he just wanted
Miss Maitland

sans her habit
of black and white
he liked her in her

tight jeans and top
with her fair hair
flowing free

or held back
in a pony tail
walking up and down

the aisle of the shop
serving customers
wiggling her behind

as she went talking
in her middle class prose
giving Benedict

a studious stare
and he studying her
thinking of his bed

at home
with him and her
lying there.

Memory of your mother
rolling pastry
and you watching

her hands
and the rolling pin
and the way the pastry

was pushed down
and out
and then she took

the pastry
and put it over a dish
and spooned in

the cooked beef
and onions
and then placed another

rolled out piece
of pastry on top
and forked down

the edges of the pastry
and she said
do you want

the end clippings?
and you said
sure why not

and she gave you
the clipped off pasty
raw in your hands

and you began to eat  
noticing how red
and raw and worn

her fingers
and hands were
and how tired

her eyes looked
and wiping hair
from her eyes

with the back
of her floured hand
she pushed out a sigh

and you saw there
how a thousand dreams
of young girls die.

At school
Moorcraft said
about joining
the boy scouts with him

(the only scouts
you were interested in
were those who rode
ahead of the cavalry

in western films
and who got themselves
scalped by Injuns)
but he went on

about how they taught you
to tie knots
and light fires
with two sticks

of wood
and how to sing songs
around a camp fire
and be a good kid

and do Bob a Job
for old ladies
and he went on about it
quite a bit

and so you said
ok pick me up later
and so after teatime
of bread and jam

and a mug of tea
and biscuit
you went with Moorcraft
to the church hall

where the scouts met
and this tall scouts master
in short trousers
and hairy legs

and glasses
took you off
to join the rest
and introduced you both

and some kid
showed you how
to tie these knots
and climb ropes

and how to set up
a tent and make camp
and so on
until some kid

pushed you off
the ropes
and you pushed him back
and he punched you

on the shoulder
and you hit him
on the jaw
and then you were both

on the floor
and the good kids
were saying oh and gosh
and crowding round

until the scout master came
and asked what
was going on
and that good scouts

didn’t fight
and threw you out
of the hall
leaving Moorcraft behind

tying knots
and climbing ropes
but you didn’t  
give a fig at all

and Moorcraft still in there
not knowing why
and you walked home alone
under an evening sky.

The peacocks were behind wire
the sun warm
cloudless sky
and Monica had ridden

beside you on her bike
knowing her brothers
were out with the older brother

you not knowing had gone
to the farm house
to meet them
o they’re out

their mother said
didn’t they tell you?
no they‘d not

you walked to your bike
and got on
where you going?
Monica asked

don’t know now
you replied
I can ride with you

wherever you decide
she said
her mother
hands on hips said

don’t go bothering Benedict
he doesn’t want no girl
hanging on his tails

he don’t mind
Monica said
looking at you
her big eyes pleading

don’t mind if she comes
you said
giving the mother

a smile
if you’re sure
she said
and walked back

toward the farmhouse
her backside moving
side to side

in her flowery dress
and you watched
until she had gone
sure you don’t mind

me coming?
no I don’t mind
you said

where we going then?
the peacocks again
o I like them
she said

climbing her bike
foot on the pedal
ready for the push off

her sandals open toed
bare feet
the off white skirt
contrasted

with the mauve top
her hair dragged
into a bow

at the back
ready?
sure am
and you rode off

along the track
from the farmhouse
into the lane

between trees
and hedgerows
she followed at your side
keeping up

her eyes seeming
on fire
her hands gripping

the handlebar
white and pink
and the small fingers
holding on for dear life

her legs up and down
pedalling
you felt the wind

in your hair
through the open neck
of your white shirt
pushing down

the jean covered legs
up and down
the lane narrowed

then widened
there they are
she called
the peacocks

she dismounted
and laid her bike
against a tree

and ran to the wire fence
and peered through
you put your bike
by the hedge

and walked over
to where she stood peering
her eyes bright

and fiery
how comes the *****
are bright and colourful
but the hens are so dull?

she asked
that’s how it is
in the bird world

you said
hens are just dull
I’m not dull
she said

holding the wire
with her fingers
making noises

at the birds
am I?
she said
looking at you

beside her
no you’re not
you said

nothing dull
about you at all
I’m like a peacock
she said

bright and beautiful
aren’t I?
sure you are

you said
you peered
at the strutting peacock
nearest the wire

out of the corner
of your eye
you saw Monica

nose inches
from the wire
call to the bird
her lips pursed

and opening
and closing
her arms soft

and reaching up
I’m a peacock bird
she said
her arms in motion

like wings
her hands flopping
above her head

her feet in dance
stepping
and dancing in turn
you watched her dance

and twirl
Jim and Pete’s sister
the peacock girl.

Christina
was by the tuck shop
in the school corridor
in mid morning recess

don't eat
too many sweets
I said
got to watch

your figure
she was with
other girls
who giggled

I thought you watched
my figure anyway
she said smiling
of course

I said
she bought
a couple of Wagon Wheels
and she left

the girls there
and walked with me
along the corridor
bought one for you

she said
I took it
and said
thank you

we walked further down
until we came
to the gym
and sneaked in

one of the doors
it was empty
so we sat
on the one

of the benches
by the wall
didn't have time
for breakfast this morning

she said
my mother
was in one
of her moods

and I couldn't
put up
with her moans
so I came to school

early so now
I’m hungry
well have
this Wagon Wheel back

I don't need it
I said
no you have it
she said

why was your mother
in a mood?
I asked
she said my room

was untidy
and that I do nothing
about the house
and is it

and don't you?
I asked
it is
she said

and I don't
so she gets
all moody and moans
Christina bit

into the Wagon Wheel
and I ate mine
sunlight poured
into the high windows

of the gym
making patterns
on the floor
voices from outside

echoed
around the walls
after we had eaten
our sweets

she said
we have time
to kiss don't we?
I guess so

I said
she leaned in
and kissed my lips
and I kissed hers

putting my arms
around her waist
just then
a prefect came in

one of the doors
and saw us
and said
what are you doing

in here?
you should be out
in the playground
or on the sports field

not in here
so we sighed
and went out
of the gym

and along
the corridor
the prefect shouting
at us from behind

our backs
but the kiss
still lingered
on my lips

warm wet and soft
and the prefect
didn't feel that
I bet.

It was still there
the old outhouse
on the edge
of the woods,

he saw, making
his way around it,
his eyes scanning
each part, each

memory soaked
into the wood
grown old.
He opened the door

and peered in.
The smell faded
through lack of use.
Cobwebs still hung there,

spiders raced
across the ground.
No other sound.
Memories stirred.

He and she had ***
here once; door locked
against the world,
against the nosey neighbours,

her parents, the night wind
and bright moon’s glow.
He can smell her scent still,
that smell she had,

fresh apples and hay.
He walked about
the small space,
his footsteps moved

over where once they lay.
Not planned, out of the passion
of that meeting, kissing
and holding, young flesh

stirred and the need
to be satisfied.
He leaned down
and put his fingers

across the ground,
rubbed where once
her buttocks rested,
her legs wide, her eyes

in shade of the semi dark,
her body captured
his juices in the passion’s tide.
Long since gone

she to some other place
that one night of ***
ingrained in his mind
and on the ground

and outhouse walls of wood.
He’d love to see her
here again and **** her
once more if he could.

You must practice, Yochana's mother says, you need to have the Schubert off better. Yochana moves her thin fingers over the keyboard, eyeing the music-sheet on the piano stand. Her mother walks behind her, eyes on her fingers' movement. Angela said some boy pays you attention, the mother says, focusing on the fingers, how they seem too stiff. What boy? Yochana says, pausing her playing, please to stop, eyeing her mother, thinking on the boy Benedict, the kiss he gave her on the cheek. Angela spoke of some boy at school in your class, the mother says, and play on, your fingers are stiff while playing. There is no boy, Yochana says, lying, but trying to do a professional job at it, but not that good as her eyes give her away, proceeding to get her fingers playing over the keyboard once again, bring the Schubert back to life. Then Angela is either mistaken or lying are you saying? Her mother says. Yochana says nothing, wondering how much Angela had said, and how much pressure Mother put her on the poor girl. I've told you about boys, you have no time yet for boys, not while at school at any rate, and it then needs to be the right boy, and I cannot see there being that kind of boy at that school, the mother says slowly, but with emphasis on the word -right boy-, and still the firmness in the way of speech. Yochana comes to the end of the Schubert piece and puts her hands in her lap. She sits stiff. She hears her mother breathing, pacing behind her. Still too stiff in playing, she says, and this boy and I assume there is a boy or Angela would not have mentioned one and I do hope you are not taking to the art of deception, Yochana, as you do not have that skill to any great degree. Yochana turns and looks at her mother. Just a boy in class and it's nothing, she says, never going to mention the kiss on the cheek, she thinks, eyeing her mother's eyes. And what is he up to, this boy? Nothing, just a boy in class who stare sat me. And why does he stare at you? Have you been encouraging the boy to stare? Yochana shakes her head. Her dark hair moves from side to side. Of course not, she says, seeing Benedict near her in her mind. So why does he stare? the mother asks, leaning over Yochana, her hands each side of the piano-stall on which Yochana sits. Maybe he likes to stare at me. Don't be flippant, the mother says, Angela says he seems too friendly with you. Too friendly? Yochana senses herself blush and tries to add distraction by turning and playing a few bars of Beethoven, he's just a boy who stares and jokes. Then discourage him, the mother says firmly, or I will write to the Head and complain. I do discourage him as best I can, she lies, bringing the Beethoven along fiercely. A slap drives her hands from the keyboard and into her lap where she digs them deep between her thin thighs. Don't try and distract me my girl or you will  be pushing me to my limits and you know what that means, the mother says. Yochana looks down at the keyboard, senses the sting of pain on her hands. She nods. I will ask Angela to keep an eye on this boy and you it seems. Angela and her big mouth, Yochana muses, looking at the motionless keyboard, black and white keys. She sees Benedict kissing her again on her cheek just out of the blue that day. It was sudden. Smack on the cheek. Damp, warm. He standing there smiling. She stirred up, but pretending not to be. Understand me? Her mother says, turning Yochana around to face her, gazing into her daughters eyes, through the thin wired framed glasses. Yes, I understand, she says, trying not to look at her mother, attempting to hide her tears coming, the sting of hands. Then go to your room and focus on the English work, otherwise you will get behind with that and you will need that if you are to make anything of yourself at that school, her mother says, standing back allowing room for her daughter to rise up from the piano stall and move. Yochana walks away from the piano looking away from her mother, her eyes watery. And remember, girl, you are only fourteen not twenty one, still a child, the mother says at her daughter disappearing back. Yochana says nothing, but walks out of the music room and up the stairs, one foot climbing after the other in a slow determined fashion. She knows what her mother is implying. She remembers how strict her mother can be. She walks to her room, opens the door and enters, closing the door behind her and leans against it. Tears fill her eyes. Angela's big mouth. No doubt innocently said. Mother pushing it. Squeezing all she could out of the dim girl until it had all she needed. I'll see Angela and have a word. Keep it quiet. Mouth shut. Or I'm for it, I'll tell her, Yochana  says to herself, moving away from the door and picking up the English grammar and lies on the bed. That sort of boy. That kind of school. Was Benedict that kind of boy? What kind was he? She didn't know. Not her mother's idea of a right type of boy. Kiss on the cheek. She felt her cheek where she recalls he kissed her. Fingers feel there. The sting in her hand is still there as she moves her fingers. She puts the English grammar book beside her on the bed and closes her eyes, pushing out tears. She places a hand to her cheek. Rubs it. Takes the fingers from her cheek and puts the fingertips to her lips and kisses, then slowly blows the invisible kisses towards the window, hoping to God her mother doesn't see the invisible kisses flyby and go.

Some one has destroyed
the robin’s nest
and stolen the eggs
Jane said

she leaned
into the hedgerow
beneath the streamlet
and parted the branches

her voice choked
as her fingers poked
about the damaged nest
you stood watching

behind her
over her shoulder
watching her fingers move
who’d do such a thing?

you asked
all gone
not an egg left
she said

in saddened tone
you leaned near her
smelt lavender water
she wore

her dark hair
pinned back
with metal grips
why destroy?

she said
why steal?
you sensed her sadness
felt her ache

and how
it would feel
she withdrew her hands
and wiped them

on her dull grey dress
and looked along the lane
and back at you again
who would do such things?

you asked
she looked at the hedgerow
that now concealed
the damaged nest

and said
father says
such are humankind
that seek and take

and leave all fouled
and lost and leave
to nature or to God
to mend and count

the cost
I saw the nest and eggs
last time we came
you said

the beauty of the eggs
and nest made neat
Jane walked on
along the lane

and you walked
beside her
her dull grey dress
swaying as he walked

her hand reached out
for yours
her fingers slim
unpainted nails

her thumb rubbed
against your hand’s skin
the sky
watercolour blue

with puffs of white
just the countryside
sans eggs and nest
and Jane and you.

Elaine folds
and unfolds
a flowered

handkerchief
in her lap
in the bus

(the school bus)
her sister
beside her

talking to
her best friend
Elaine knows

the boy John
sits near by
she can see

him if she
leans over
the seat top

but she sits
where she is
feeling down

and depressed
she'll tell John
when she can

what they say
the others
Old Frumpy

they call her
her hand smooths
the flowered

handkerchief
in her lap
corners neat

edges straight
it is John's
handkerchief

he gave it
when she cried
the last time

it was clean
and unused
when he gave

smelt of soap
and fresh air
it absorbed

her wet tears
when held there
and John said

at that time
the kiss was
meant to show

what I feel
and she can
(if she sits

quietly)
feel it still
on her lips.

Fenola watched
as Eileen bathed.
She took in
the hand

moving
the lathered sponge
over the contours
of the body,

moving between ****
like some
venture ship of old,
moving down

the belly,
beneath the soapy water
to the pleasure dome,
then out again

around the neck
and under chin,
then whole body
over once again.  

She knew that body well,
each inch of flesh,
each orifice,
each smell,

each loving touch.
Even the thought
pleased her
overmuch.  

Eileen looked over
where Fenola sat,
on stool,
in bathrobe,

with feet
on mat.
Come on in,
she said,

room enough for two,
you rub my back,
I’ll rub yours
and other places too.

Fenola thought awhile,
took in her eyes
that gazed,
the smile

that spread,
the memory
of the afternoon
in bed,

the positions held
and played,
the *** ensuing.
Eileen pointed

to the soapy bath,
come in,
she said
with **** laugh.

Fenola stood up
from the stool,
disrobed,
set it aside,

stepped in the bath
and sat down,
the water engulfing.
Somewhere

from the other room,
Ravel played
from hifi speakers,
Bolero

or some such piece,
the sound touching
the bathroom walls
with steam and scent.

The girls rubbed
and scrubbed
and laughed
in soapy water,

each one
like a siren
of the sea
or Neptune’s daughter.

The RICKARD'S coach arrived at the seafront the sight of the sea and waves and seagulls in flight and sounds of sea and gulls and waves on shore and Janice waited in the coach seat beside Benedict both gazing out at the view listening to the gospellers talking about the day and the plans ahead and one of them with one eye said not to wander off but to stay with the group and before we get off the coach make sure you are with someone it's easy to get lost on your own so stay with some one all day or a group of others he said his voice a drone to Benedict who looked at the sea and the gulls and also there is a fairground to visit One Eye said but stay with a person and do not wander off with anyone you do not know and the rides are paid for so no need to pay any money out he said the children on the coach buzzed like bees with excitement but Benedict sat and watched the beach the families the ice cream van the fish and chip shop the shop selling buckets and spades and whirly things that go around and around in the wind and so on but before we leave the coach we need to say a prayer and thank God for this day and for the weather and the sunshine and for the gospel church members who paid towards this day out for you One Eye said there was a silence and lowering of heads and closing of eyes and One Eye said a prayer and was ended with a loud AMEN which echoed the coach and maybe along the beach Benedict  waited until the the kids got off the coach one by one then he and Janice moved down the aisle as One Eye and another gospeller counted them off Janice straightened her red beret and Benedict followed her out onto the seafront pavement and sniffed the air and listened to the sounds of sea and gulls stay together a gospeller said to them we will Janice said excitedly taking hold of Benedict’s hand and squeezing it where can we go? she asked the fairground rides are over there the gospeller said pointing over to the side and we will meet for lunch at one pm meet here I’ve told the others and we will keep an eye out for you ok Janice said Benedict and she walked towards the fairground where there was a loud sound of machines going around and voices and screams and laughter and shouts they went in and walked around the various rides and stalls and Benedict said where shall we start? I don't know Janice said there is so much to go on and do but Benedict had his eye on the motorbike rides where small motorbikes could be ridden around a circular track I’m going on that he said looks a bit scary Janice said releasing his hand wait here for me then or ride on something else less scary he told her no I’ll stay with you she said and followed him onto the side of the track where a man was organizing the rides and kids want to ride on the back or on your own? the man said to Janice who looked uncertain I’ll ride behind him she told the man and climbed on the back of the motorbike Benedict was sitting on she put her arms around Benedict’s waist and held on tight then they were off around the track and at a given speed and around and around they went Benedict over taking other kids on motorbikes and now and then being overtaken by others then it was over and the time set finished and they got off and went on a number of other rides and stalls and kept together until it was nearly one pm and a gospeller said got to meet for lunch now and they followed the other kids back to the coach and waited until all had arrived and then they set off for a restaurant where a meal had been organised by the gospel church in advance and they all sat down and Benedict and Janice sat in two seats together and Janice said that was good I haven't enjoyed myself so much in years  and that motorbike ride was scary but I did enjoyed it after all and Benedict let her talk because she was good at it and he watched her how her red beret moved as she turned or shook her head in her excitement and her eyes bright as stars and her hands clapped and her fingers moved and he just listened smiling and nodding and he said maybe we can sit on the beach after lunch or go in the sea and paddle and see if there are any ***** or dead fish left by the tide O she said will there be? and will the ***** bite? and I best go to the loo as I think I’ll wee myself with excitement other wise and she walked across to one of the gospellers and asked and they pointed to a door at the back and Benedict watched her go and listened to the other kids and people around talking and laughing and thought of home in London and wondered what his mother was doing and should he take her back a gift out of the money she gave him if there was a shop that sold things he could buy he would if he could find something he thought she might like just as Janice returned a waitress brought the meals around and laid them on the table in front of them fish and chips O good Janice  said I like them I wonder if they caught the fish around here in this sea do you think they did Benny? do you? I expect so Benedict said although he didn't know and hadn't thought of where the fish had come from apart from the sea some place he liked it when she asked him questions as if he knew everything when he knew he didn't but it made him feel good and he looked at her and felt happy her being there with her red beret and fair hair and she like him was eight years old or more and she living with her gran and he not knowing what happened to her mum and dad and never asked thinking it best not to ask and he living with his parents and sister and brother in London and so different from the seaside with the sounds and smells so different and fresh and she talked of the beach and maybe paddling if they went in the sea he with her in case she slipped in and drowned and she didn't want to do that and of course he would he said and they ate the fish and chips and he looked out at the sea over the way and sensed her near him and was enjoying the seaside day.

Ingrid sports a black eye;
she looks like a panda.

She said she walked
into a door;
she doesn't lie
convincingly.

I know her old man;
I passed him
on the stairs of the flats;
his beady eyes
drinking me in,
giving me the cold glare,
the cold shoulder.

We walk through the Square,
off to the shops.

What happened to your eye?
I ask again,
studying the black
and slightly green;
walking beside her,
passing the milkman
and his horse drawn cart,
the horse wearing
a nosebag of food,
ignoring us.

I walked into
the bedroom door,
she says,
knowing I don't
believe her,
looking sheepish,
knowing
I guess the truth.

What have you got
to get at the shops?
I ask.

She shows me a list
on a scrap of paper,
pencil scribbled,
in her small right hand
a handful of coins.

I passed your old man
on the stairs yesterday,
I tell her,
gave him my
Wyatt Earp stare,  
I say, he didn't care.

I note her hair
is unbrushed,
her green patterned dress
unwashed.

We cross Rockingham Street
into Harper Road.

I talked too much,
Dad said,
she confesses,
he said I yak and yak.

We pass the paper shop
and go on
to the grocer shop.

I say,
if I had your old man
in the sights
of my six-shooter gun
I'd fire a cap
up his ***;
she sniggers;
people stare at us
as we pass.

Push me
through the avenue of trees

Anne said
I’m ******* with the kids

asking how I lost my leg
and so you pushed

the wheelchair
along the avenue

out of sight of others
away from their childish chatters

and ball games
and cries of want and woes

go on you skinny ****
push push

she muttered
and you pushed on the handles

with all your might
over the dry grass

and she rocked
up and down

and side to side
until she bellowed

this will do small fellow
rest me here

and you let go
of the handles

and puffed for breath
and looked at her

sitting there
in the wheelchair

with her bright eyes
and black hair

and she pulled
your hand towards her

and laid it on her one leg
and said

that’s your reward
for pushing me

and she rubbed your hand
over the red skirt

the soft texture
warming the skin

you watched her hand
holding yours

her other hand holding
the side of the chair

sensing her softness
beneath the hardness

and brashness
but saying nothing

just taking in
the sensations and newness

and she said
just as well Matron

hasn’t seen this
or it’d give her

such a flush
and she laughed

and let go of your hand
and your hand lingered

over her thigh
like a bird set free

waiting to take
to the sky.

Yiska wants to take Benny home with her after school and whisk him past her mother and up to her room but she knows her mother would watch her like a hawk especially if she had Benny in tow and would ask her all sorts of questions and where do you think you are going with him? but she can dream about it dream she has brought him home and as she passes her mother in the kitchen her mother in one of her dark moods preparing dinner she climbs the stairs slowly imagining Benny is behind her walking up the stairs probably watching her legs or her *** his eyes glued but she doesn't know so she imagines he is and when she gets to the top of the stairs she pauses on the landing and looks down the stairs and waits listening to the radio her mother has just turned on some classical stuff she pauses there pretending Benny has stopped her and has put his arms around her waist and has laid his hands on her *** and she believes she can feel it his hands his fingers moving but it's in the head in her imagination but no harm in pretending so she lingers there for a short duration looking along the landing wrapping her own arms about herself kissing her shoulder don't forget to change out of your school uniform her mother calls out from below stairs I won't she calls back hugging herself extra tight patting her own *** with a hand as she hoped he would do if he were there and they were standing where she is now and put your ***** blouse in the linen basket her mother calls up ok she calls back unhugging herself walking along the landing walking past her parent's room tempted to peek in wondering if she should just a quick glimpse she stops outside her parent's room and opens the door quietly and peers inside imagining she has Benny beside her and she's showing him inside at the big double bed the tallboy the dressing table where her mother has all her make up and perfumes and drugs for her depression and hairbrushes and the mirror facing her and she says to herself-and the imagined Benny- nice bed what you reckon? make a good bed to do it in? the room smells of perfume of all kinds and a scent of bodies and staleness she is tempted to go lay on the bed and feel it beneath her and makes out they are doing things him beside her touching her and she kisses him and he putting his hand along her thigh and make sure you fold up your school skirt and jumper I don't want it just thrown anywhere her mother calls up to her from downstairs she closes the door to her parent's room and says loudly down the stairs I will fold them up and walks to her own room taking Benny’s imagined hand in hers and enters her own room and closes the door behind her and looks around the room as if through his eyes her mother has been in here and tidied up put things away picked up stuff from the floor taken away the tea plate she'd left there the night before and the soiled linen she'd let drop by the bed she stands there and sighs a window is open to let in air-breath of fresh air her mother calls it-the curtains flap in the breeze sounds from neighbours in their gardens kids from down the street she goes to the window and closes it and looks out at the surrounding area making out Benny’s still behind her his arms around her waist his lips kissing her neck she closes the curtains and stares around the room focusing on her single bed with its pink flowery cover her mother bought her Teddy Bear  now ageing by her pillow not that big she says over her shoulder to the pretend Benny but we could still do it if we're careful she whispers to herself she sits on the bed and stares at her Teddy some nights he is Benny and she hugs him and kisses him and has him next to her as she settles down but Teddy's a lousy lover he does nothing and says nothing she sits the make believe Benny next to her on the bed imagines his hand is tapping the bed be ok Benny says using her voice she stands up and begins to take off her school jumper unbuttoning the green buttons and pulling off and dropping it on the bed then unties the green patterned tie and takes it off and tosses it over her shoulder she sighs closes her eyes you unbutton the blouse she tells the make believe Benny and her fingers unbutton the blouse one by one slowly and once it is unbuttoned she lets his fingers-hers really- take it off of her body and drop it onto the floor what do you think? she asks him shall l take off the skirt or you? her fingers unzip the zip and pulls it down and once loose the skirt falls to the floor and she kicks it across the room and stands there eyes closed pretending he is studying her in her small bra and ******* she waits for his words his comments what are you doing there? and why are the clothes scattered all over the place her mother says from the open door Yiska opens her eyes and stares at her mother standing sullen faced by her bedroom door day dreaming Yiska says about what? her mother asks picking up the school skirt from the floor and folding it neatly and gazing at her daughter stern eyed just day dreaming Yiska says watching her mother putting the clothes in a pile and picking the ***** blouse from the floor and holding the soiled linen in her hands this room was tidy why untidy it? her mother says sorry wasn't thinking Yiska says glad her mother couldn't read her thoughts or see the imagined Benny kissing her neck and whose right hand was fondling her right *** because if she could she'd have a fit.

Lizbeth stood in front
of the tall mirror
inside her mother's wardrobe  

she was wearing
a short black dress
her hair was tied
in a bun at the back

I stood watching her
uncertain why
we were in her parents' bedroom
and why she was *******
her mother’s clothes
hanging on hangers inside

I looked around the room
a big bed made tidily
a chest of drawers  
a built in cupboard
a picture on the wall
opposite the bed
of some country scene
and above the bed
a huge crucifix
made from wood
with a plaster Christ

look at this one
Lizbeth said

I looked at her hand
taking out a long red dress
she held it up
then put in front of herself
and turned to face me

what do you think?

it's a bit gaudy
I said

shall I try it on?

no I can see
what it would
look like on you
I said

she sniffed it
she must bathe
in **** scent
Lizbeth said

she did a spin
holding the dress
against her
how do I look in it?

she's taller than you
it'll fit her better
I said

not so sure
Lizbeth said
hold this

I held the dress in my hand
she unzipped her black dress
at the back
and pulled the black dress
over her head
and stood there
in a white bra and *******

give it here
she said
and taking the dress
she put it on
her own black dress
was on the floor
here zip me up
at the back
she said

I zipped her up
at the back
watching the straps
of the white bra disappear
as I zipped her up

she turned on the spot
and looked at herself
in the tall mirror

well? how do I look now?

well at least
it's longer
than your own black dress
I said

it came to her ankles
she looked down at it
yes too ****** long
she said
unzip me Benny
she said

I unzipped her
seeing the strap
of the white bra
come back into view

she pulled the dress
over her head
and put it back
on the hanger

she stood there
in bra and *******
how do I look now?

undressed
I said

do you like me
like this?

I feel kind of
uncomfortable
you standing like that
I said

why do you feel
uncomfortable?

what if your parents
come home now
and see you like this
and me here with you
and you in your underclothes?

she smiled
guess they'll feel
uncomfortable then
she said

I picked up her black dress
best out it on
I said

now?

yes now

my parent's bed is over there
all made up and fresh
and waiting for us
she said sexily

I stood holding
the black dress in my hand
where are your parents?

out some place

when will they be back?

don't know

best get your dress on
and out of their room
I said

what about my room?
the bed's smaller
and unmade
and the room's untidy
but we can still
do it there?

I heard voices from downstairs
is that them back?
I said in a low voice

Lizbeth pulled a face
**** me yes
let's get to my room
and so she put
the red dress back
in the wardrobe
and shut it up

and we rushed across
the landing to her room
and shut the door
behind us

I looked around her room
it was as she said
untidy
the bed unmade
books
LPs
soiled washing
over the floor
and the curtains unopened

that was kind of close
she said

yes
I said

downstairs the voices
were loud
and a row seemed
to be going on
but Lizbeth seemed unconcerned
standing there
in her white *******
and bra
holding the black dress
gazing towards
the unmade bed

but I had other problems
swimming around
inside my teenage head.

Milka sat on the grass outside the farmhouse. It was a warm day and insects buzzed the air. Benny had just gone off on his bike; she hadn't wanted him to go, but he had  to be some place else and he had ridden off. Her mother had arrived and was carrying bags of shopping from the boot of the car into the house. She gave Milka a look as if to say: You could help, but said nothing, hoping that a look would indicate the need, but Milka looked back at the road hoping Benny would return to her. Although they'd had *** in her bed-while her mother was out shopping- she felt she needed him still, as if the *** had not been enough, as if her appetite was bottomless. The mother disappeared inside the house, then came out again to the car for more bags. You could help rather than sit there looking into space, her mother said. Milka got up from the grass and made her way over to the boot of the car and picked out two of the lighter bags and carried them behind her mother into the house and placed them on the kitchen table. Anything else? Milka said. Her mother looked at her and saw the stance of her daughter and how reluctant she seemed to be of any real use and shook her head. No, wouldn't want to put you out in anyway, the mother said. I can help if you want me to, Milka said. Make me a drink of tea, then, her mother said. Milka filled the kettle with water and put it on the stove and lit up the stove with a match, then put three spoonfuls of tea into the teapot. She took two cups and saucers from the cupboard and laid them on the top. Her mother put away the groceries and then sat down at the table and  watched her daughter going about the task of tea making. What have you been doing while I’ve been shopping? Her mother asked, you were in bed when I left. Milka looked at her mother. The kettle began to boil. She said, got up and washed and dressed and ate breakfast. Her mother's eyes scanned her. That all? Her mother said. Had she seen Benny along the road? Had she passed him? She gazed at her mother for any clues or maybe a hint as if her mother was testing her. Benny came for a while, Milka said, he's just gone. I know, I saw him along the road riding his bike, her mother said, he waved. The two females looked at each other for a few moments in silence. What did you do? Her mother asked. Questions and questions. As if she suspected. She looked at her mother's face. Took in the eyes. I showed him the baby piglets, Milka said, he thinks they're cute. She had shown him the piglets just before he'd left. After the ***. After the *** and while she was still damp and yet still hungry for it. He's a good boy, her mother said, I like him. I know you do. If only you were younger. Milka nodded and looked at the kettle boiling and whistling away on the stove. She put the hot water in the teapot and stirred the tea-leaves around with a spoon. He'd make a good farm helper, her mother said, shame he's otherwise engaged in that nursery work. Milka poured two cup of tea and added milk and sugar. She took both cups in saucers to the table and sat down. He has worked on a farm he told me, Milka said, when he was thirteen helping out after school. Her mother smiled. And sipped her tea. It'd be good if he worked here, her mother said, on the farm. Yes, you'd like that wouldn't you, having him about the place so you could fuss over him, wishing you were younger, wishing you were a girl again. Ask him, Milka said, knowing he wouldn't, knowing he was happy where he was. I will next time I see him, her mother said. Milka sipped the tea. She still felt damp and sticky. She'd go up and wash down later. She watched her mother sipping tea, looking at the table, thinking. If only you knew what we did earlier, you'd not think him so good. She moved her bottom on the chair, to get comfortable. The image of Benny in her bed was still stuck there in her head. Her arms around his waist. He entering her. She sighed. Her mother looked up at her. What’s up with you? She asked, studying her daughter closely. Stomach pains, Milka said, the first thing that came up in her head. Her mother studied her. Can't believe you're that age, her mother said, don't seem long ago you were pushing a dolls pram around the place. I'm fifteen and have the week coming up, Milka said, pulling a face. When I was your age I’d started work, her mother said. I will when I leave school in July, Milka said, secretly rubbing herself below. Time flies, her mother said, draining her cup of tea, must get on with the housework. She stared at Milka. You can help by tidying your bed and your room, she said. The bed. She had tidied it a bit after the ****** acts, but it may need proper seeing to. Yes, I'll do it when I've drunk my tea, she said, hoping her mother wouldn't venture in her room before her, hoping she'd not see any signs. Make sure you do. I've never seen such an untidy room, her mother said. If she'd seen it earlier it was a right mess. Seen us. At it.  She blushed. Her mother had gone. She felt herself redden in the face. What if she had returned early? What if she had opened the door? Her heart missed a beat. It seemed too surreal to think about. Where was Benny now? Seventeen and at work for two years and she wants him here working? If she knew. She went to the window and peered out. It was warm out and the sky was a brighter blue.

Your mother
stood over
the washtub
the steam rising upward

she poked the boiling wash
with what she called
her copper stick
pushing it down

and around now and then
wiping sweat
from her brow
and you stood watching

seeing her push
the washing down
with the stick
as if she were a good pirate

plunging with a sword
the bad pirates
from some skull
and crossbones ship

and when she lifted the stick
water fell back down
like grey watery blood
what’s for dinner today?

you asked
it’ll have to be cold meat
and beans and mash
as it’s washday

and I still
have much to do
she said
and yes it was Monday

and Tuesday was stew
and so you left her
with the washing
and imaginary pirates

and the steam
and heat
and went out to play
in the Square with Jim

then along under
the railway bridge
to meet Helen
with Battered Betty her doll

and take a walk
to the Neptune’s
fish & chip shop
for 6d worth of chips

and held Helen’s hand
on the way back
to the Square
then to that place

under the railway bridge
and kissed and left her there.

Those are Bullfinch’s eggs
Jane said
pointing at
the 5 eggs

in a nest
hidden in a hedge  
and as she pointed
you imagined

that some god
modelled all female fingers
on that before you
how the nail was set

so perfectly
on the finger’s tip
the colour pinkish white
the skin almost blending in

we mustn’t disturb
she added
or the mother bird
will fly away

and not return
oh right
you said
gazing at the eggs

once her finger
had been removed
from the hedge
you studied

the pale blue eggs
speckled there
and sensed her presence
near your cheek

the lavender
that she wore
the way her hair dark
coming to her shoulders

was tied back
from her face
some collect them
Jane said

and pierce the top
and bottom
and blow through the contents
and have them on display

do they?
you said
seeing the sad expression
she wore

why is that?
you asked
she stood back
from the hedgerow

and looking at you
with her dark eyes
said
because they must have

they have to collect
what is there
for all to see
they must just have

for themselves alone
the May sun
was shining warm
and she took your hand

in hers and walked
you on along the lane
the small stream running
by the lane’s edge

her grey skirt
and white blouse
and white socks
giving her a plain look

but her eyes lit up
and she smiled again
and you wanted
at that moment

as she held your hand
for that hour
to be there forever
not to be lost

thinking you knew then
the depth of love
and not its loss
of that

and feeling sense
and not the cost.

Hazel wants to put off going home, she
Loves Paris, and being with her maid Dunne
Has somehow made it seem to her that much

More enjoyable, much more than she thought
When she started out from London, but each
Day now, each moment, seems to bring her to

A closeness she has never had with a
Maid before. She watches now as Dunne sits
Beside her outside the restaurant on

The Champs Elysees, the way she holds the
Cup, the head to one side, the eyes focused,
So aware. The clothes she had bought her for

The trip to Paris fit her well, and she
Looks after them as if she were afraid
They might spoil in the noonday sun, folds them

At night so precisely, so carefully.
Hazel sips her coffee, the noon sunshine
Warms her. Dunne examines the menu, tries

To understand the French written there, her
Finger running down the list. Hazel wants
To place her hand over Dunne’s, feel it, sense

The life there in the pulse. When Dunne helped her
Bath the night before, her hands were so soft,
So gentle, her attention to detail,

Her touch. Hazel sighs. Less of a maid now,
At least she sees her less so, seems more a
Companion, yes, that’s it, she says to

Herself, companion. The word seems odd
In her mouth, like saying Doris instead
Of Dunne. A class thing, she assumes, that seems

To separate, putting people into
Different boxes. Dunne sips her coffee
And looks at Hazel. The eyes seem to drink

Her in. Hazel shyly smiles. If her friend
Margaret had not let her down at the
Last moment she would not have brought Dunne; she’d

Have made love to her Margaret in the bed
At night rather than lie there watching Dunne
And listening to her breathing. Yet she’s

Glad now that Margaret hadn’t come, the
Relationship had grown stale. Now there is
Dunne. Fresh, alive, sitting there beside her,

Just a few inches away, bringing a
New dimension to her life, and pushing
To the back of her mind, the desire

Awaking there, a want, and muttering
Silently to herself, looking into
Dunne’s eyes, help me to resist, gazing at

The lips, wanting to touch and to be kissed.

Yehudit lay on her stomach,
chin propped on her hands,
staring over the pond, she
called their lake. Ducks were

there, floating like small boats
on the water’s skin. Naaman
lay beside her his head leaning
on his hand. Last time they had

laid there they had just made
love in the dense woods behind.
Early evening that had been,
moonbeams played on the

surface of the water, the night
cool. She had been concerned
of her mother’s rebuke because
of the lateness. The *** would

have been beyond her mother’s
grasp. You used to fish here, she
said, turning to look at him. I got
bored, he said. I used to swim here

as a child, she said, until one of
the gamekeepers saw me and
informed my father. What did
your mother say to that? he asked.

Father didn’t tell her, he told me
not to swim there again. I missed
that then, he said, smiling. Yes, you
did, she said. It was hot that summer,

I wanted to cool down.  Maybe it
was like a baptism? he said. In the
****? she said. Maybe it was a new
kind of baptism, he said. It nothing

like that. It was innocent fun, she said.
He touched her hand by the pond’s
edge. Her fingers squeezed his. Her eyes
smiled. The sunlight filtered through the

branches overhead, glimpses of blue sky
reflected on the water. That evening we
made love back there, you said you loved
me, she said, did you mean that? Yes, of

course, he said. It was special to me, she
said, not just the making of love of you
and me, but the evening and the moon
and the stars and the smell of you and me

and the flowery smell of it all. He watched
as a duck took off from the pond, its wings
outspread, breaking the air, and she looking
at the pond’s surface with her far away stare.

Tessa stirred, lifted her head from the pink pillow, saw bright daylight coming through the gap in the yellow curtains. What day is it? Saturday. Good. No rush. Can lay here for a while. She laid her head down again. She felt beside her with her hand. No one there. Good. Sometimes she invited a man back if he seemed ok and she liked him enough. Obviously, last night she’d not met anyone worth the coming back with. Just as well. She wasn’t in the mood for waiting on them over a breakfast table; talking about the previous night, what it had been like for him or sometimes for her if she had brought back a girl. No one. Just empty space. Although Teddy was there. His one ear was smooth; his fur was thin and sparse. She brought him to her lips, kissed his small head. Hello, Teddy. His glass eye seemed to gaze back at her; the button eye was darker, unseeing. Poor Teddy. Battered and worn. We’ve been together now for…how long? Twenty years? She laid him beside her; kissed his nose. He lay there looking at the white ceiling. Silence. Not a great conversationalist was Teddy. He’d not said a word in all the years they’d been together. Although as a child, she thought he had, would talk with him, play games with him, told him all her secrets and worries. Moreover, of course, he had witnessed things, seen her play with her dolls, with men, the occasional girl, and seen her with all kinds. She brooded for a moment; let the idea of what he may have seen swim around her mind. She had become so used to him being there in her bedroom that she’d given no thought to what he may have seen over the years. Good God. He’d seen all that, never said a word, or moaned or complained or judged her. Too many did that; judged her. But never Teddy. She turned her head, kissed his furry cheek. He didn’t always lie on her bed, when she had company she put him in the armchair in the corner, or on the dressing table by the window. Once one of the men she’d brought back has tossed Teddy across the room, she had become cross, swore at the man, picked up Teddy, kissed his brow, cuddled him against her cheek, told the man to go, leave her because if he could do that to her Teddy he might do it to her. The man shook his head, left thinking her slightly touched, ******* up one of his eyes as if he thought she had lost the plot. Maybe she had, she didn’t care. Teddy had seen her as a little girl, seen her cousin creep into her room, seen him climbed into her bed and do things to her, seen her squirm, seen his hand over her mouth, heard his threats. She hadn’t thought about that; hadn’t given it any thought until now. Remember that, Teddy? He threatened me with all kinds of things if I told anyone what he did. What a *******; what a creep. He’s married now, Teddy; got kids of his own. Poor things. Makes you think. She sat up in bed, stared at the daylight through the gap in the curtains. She got out of bed, sat on the end looking at the wall. Never said a word. Never told anyone, except Teddy; she’d told him. Everything. How it felt; how she felt; how ***** it had made her feel. Teddy listened; never judged. Always there with that look about him, that wise gaze. She sighed. If she saw her cousin now, she said nothing, just stared at him and he stared at her, a knowing look on his fat face. She looked back at Teddy in bed, saw his gaze on her, saw his uncritical gaze. She loved that about him. Loved that look. Breakfast, Teddy? Like I used to make you? She mused on her efforts to get him to eat his breakfast as a child, but he never did. You were awful at eating your breakfast. Mother told me not to give you any, but I always did; always gave you some of mine. It made Father cross, made his face become all stern and cross looking, and he threatened once to throw you out when we moved from that old house to the new one. But I hid you so he couldn’t. You saw him when he spanked me; heard my cries. Mother never came or said anything, but you were always there; I am sure I heard you say you loved me, would always be there for me. She nodded her head. Sighed. The strong silent type was Teddy. Always there. With his one glass eye, his balding fur, his one ear. Haven’t seen them for years now, the parents. They’re in Oxford; I’m here in New York. An ocean between us. Miles and miles. We’re here, Teddy, you and me. Just the two of us. Just us, this apartment, the paintings on the walls, the jazz on the CD player, our secrets, all our own secrets. Just us. Just you and me. Eh, Teddy? Eh? Silence. Teddy, the strong silent type and me the mouthy *****. What a couple. What a pair. Me here, you there. She laughed, looked at Teddy’s moon shaped smile, the smile was always there, a welcome smile, a smile to warm her, to tell her she was good, she was loved. Yes, loved; wanted for whom she was inside, not for what she said or did or didn’t do. Just you and me, Teddy. Just you and me.

Can't find
your Jimi Hendrix
tee-shirt;

I liked it
when you wore it
last year;

the whole 60s image
fitted you well,
your laid back stance,

the beard, moustache,
the humour sharp,
but not unkind.

We looked
for the Hendrix
tee-shirt everywhere,

but couldn't find.
You were my Stoic
philosopher;

I thought you
immortal
to a degree,

the one
who would outlast
us all,

be the one
to arrange us
from this

mortal coil,
but you went first,
death stole you twice,

the second time
for good,
the final kiss

and goodbye,
my son,
watching you die.

Along the lane
towards Diddling
you stopped

and looked
at the church
on the horizon

between
the hedgerows
beneath

the blue
and white
clouded sky

Jane
stood next to you
her hand

holding yours
the softness
of her skin

against yours
her dark hair
tied

by a green ribbon
one of my favourite sights
she said

the church
becoming
more visible

the closer you get
her voice disturbed
birdsong

from the hedgerows
a blue ***
took flight

the flutter
of small wings
we never had hedgerows

in London
you said
no blue *** birds

no wide fields
or Downs
just streets

and houses
and pavement
and grass

around our flats
where pigeons
or sparrows

settled
for thrown out
bread

from windows above
Jane gazed at you
her dark eyes

focusing
I’d hate that
she said

I love my countryside
and fields
and birds

and open sky
she sniffed
the air

and you walked on
along the lane
she pointed out

wildflowers
and hedgerow plants
and talked

of the farmhand
who died
when his tractor

turned over
in a field
and the first time

she remembered
visiting
the small church

and her father
holding her high
above his head

so she could see
the expanse
of the Downs

and you listened
to her words
the language

holding you
and drawing you in
her lips opening

and closing
her summer dress
moving

as she walked
her sandaled feet
treading the lane

you wanted
to captured it all
to recall it

years later
all over
again.

We sit by the river
on the grassy bank
our bikes parked by trees

Milka says
no ***
Auntie Flo's come

I look at the water
who's she?
I say

she looks at me darkly
my bad week
she says

I look at her
is that why you
were so long
coming down
this morning
while your mother
was giving me
the works?

What do you mean
the works?
She says moodily

you know
tea and biscuits
offering me stuff
being nice
talking warmly
walking quite seductively
across the room
I say

so while I was having
to bathe myself clean
and stuff
she was coming on
to you?

That's a bit strong
just being nice to me
I reply

she fancies you I bet
if she wasn't
so ancient
she'd be at your door
Milka says

jealous of
your mother?
I say  

no annoyed that she
has the nerve
and with you
for encouraging her
you should take pity
on her not
encourage her
Milka says

she pouts her lips
and stares ahead
at the flowing river

I just sat there
didn't have to
encourage her
the tea was nice
and the biscuits
quite scrumptious
I say

aren't I nice
and scrumptious?
She asks
turning and gazing
at me

shame about Auntie
I say
and it is such
a lovely day
and the grass
is quite tall over there
and well that's it
I guess

yes it is
she says
so make the most
of me as I am
and be nice

she kisses me
and we lay down
on the grass
and make the most
of what we have
and curse Auntie's arrival
and she thinks
of what may have been
and I think of her
and try to keep
my thoughts
quite clean.

Brighton
that last time
late August
1980

treading
the familiar streets
looking
for the lost love

you drained
looking
for the way out
she

holding on
to what was left
walking along
by the beach

remembering old times
especially
the first time
in evening’s glow

of moon’s light
and heart’s hold
knowing all that
is bereft

even the old restaurants
have gone
or closed
their doors

you sensing
the emptiness
the slipping away
of the love

she clutching
at straws
of familiar places
and old time

memories
even places
where once
you’d stood

embracing
and kissing
now hollow
with that

secret love
missing
street after street
passing hotels

you’d made love in
and slept
the night
and laid in bed

now shallow palaces
with empty rooms
instead
she thinking

something could
be saved
you knowing
all is dead.

Tucking Dostoyevsky’s
Crime and Punishment
into the bedside cabinet
of the cheap

Paris hotel
having cleaned
the greasy sink
and bidet

you walked out
on the street
breathing in
the Parisian air

smelling the perfume
of the restaurants
on the side walks
seeing the sights

taking photographs
as memoirs
drinking the wines
and beers

and that fish
with eyes still there
putting you off
you tried to get out

of the cheap cafe
but paid for the meal
you couldn’t eat
the fish eye

gazing up at you
dead eye
battered fish
and the Left Bank

and night
and you taking in
the sights and lights
and those ******

sitting in windows
like gifts
to have wrapped
but not take home

or the **** films
you never
went to see
in those cinemas

you just walked by
or the Eiffel Tower day
right to the top
the view splendid

the sight historical
or those rides
on the Metro
riding the wrong carriages

looking out
for the train inspector
pretending to be Aussies
giving it the yak

and later
in your hotel room
taking out
Dostoyevsky

and entering
the Russian world
of ****** and deceit  
and being followed

you imagined
by the detective
looking out
onto the Parisian street

from the open window
of your room
gazing at street corners
and shadows  

or remembering
that French girl
in the cafe
who served you

with bright eyes
black and white dress
and white apron
the fine long legs

and wiggling behind
recalling the old priest
who once said
too much ***
will make you blind.

What would
your mother say
Sutcliffe

if you caught her
at it
with your old man?

O'Brien said
Davis chuckled
into his sleeve

at what?
Sutcliffe asked
giving

his blue eyed stare
having it off
O'Brien said

you noticed prefects
at the school gate
ready to haul off

those who were late
having what off?
Suttcliffe said

eyes larger
his blonde
cropped hair

convict style
*** ***
you stupid *******

O'Brien said
running his
ink stained hand

over Eddie's head
Davis lowered his gaze
at the school gate

you eyed
the tall prefect
with acne

and a pretend
moustache
who stared you back

with evil stare
o'
Eddie said

I see what you mean
o she'd slap me silly
if I saw that

you all went through
the school gate
just on time

not a moment late
wondering how silly
Suttcliffe could get

and how often
he'd seen
or when

or where
and when
you looked back

the acne prefect
still gave
his evil stare.

Abela
doesn't like
Schopenhauer
she finds him
depressing

why read him?
she asks me

I like him
he gives me
another
perspective
of the world

but why him?
who told you
about him?

some old dame
I once ******
talked of him

might have guessed
Abela said
who was she?

just a friend
I once had
I tell her

she's quiet
sips white wine
looks around
the street scene
around us
sitting in
the café

she's musing
quite deeply
as dame's do
of other
dames I’ve had

was she good?
she asks me

an ex-nun
I reply

an ex-nun?
she echoes

as a girl
not right now
I tell her

she's silent
sips her wine

Dubrovnik
has its charm

I sip beer
smoke my smoke
read my book
of old man
Schopenhauer

Abela
purred last night
like a cat
after ***
I like that.

She has sunshine
in her hair,
like sun
on fields of corn.

I walk there,
brushing my fingers
through the softness.
She welcomes me in,

in I swim
through the waves
of her love;
she is my siren,

I, a drowning ******.
Her lips are as fruit,
I am upon them
as a child greedy

for sustenance;
her moistness
embraces me.
Her thighs are ocean-like,

I bathe as one
needing salvation,
ablutions to a new end,
will this release

the dead me
or mend?

Dawn breaks. Sliver of light
through shutters, wakes Sister
Blaise, stirs her from sleep.
Bell rings. Chimes loud.

She sits up, legs over the
side of the bed. Bare feet,
wooden floor. Coldness bites.
Rubs arms, legs. Crosses

herself with middle digit,
in nomine Patris. Bright light
through shutters slices into
floor. Prayer said she rises

from her bed. Thoughts race
through her head. Drab night
gown, grey, long. She walks
to the enamel bowl, pours

cold water, washes face and
neck and hands. Et Filii, et
Spiritus Sancti. Lets water
run through fingers. Wash

me whiter. The Christ on
the wall hangs there in His
silence. Picture of Christ on
her desk, hands out stretched.

She runs water through her
fingers, wet, cold. Wash me,
cleanse me. She dries her
hands on the old white towel,

rubbing dry fingers, hands,
face and neck. Uncle used to.
Pushes thoughts of him away,
they slip back in place, eel like.

Uncle used to touch. Bless me
Father. She folds the towel,
places it neatly at the foot
of her bed. She removes the

nightgown. Dresses in her habit.
White and black. Mother said
nothing. Silence and the turning
of the head. Finger pressed

against lips. Dressed, she sets
about her cell. Tidying, sorting,
bed making. Uncle used to touch
her. For I have sinned. She opens

the shutters, lets light in, opens
the windows, fresh air, birdsong,
slight breeze. Father used to beat.
The Christ hanging from the cross

on the wall is silent. Nailed hands,
hands curled. She has kissed the
nailed feet. Now she stares at the
turned head, turned slightly to one

side, crown of thorns, wood carved.
Sister Clare is in the cloister. She
watches her walk. She stops. Looks
into the cloister Garth. Flowers

growing, neat rows, large bushes.
Mother said nothing. Beatings.
Lies told about Uncle he said.
Sent to bed, no supper. The sun

is warm, light on head. She walks
from the window and stands in
front of the crucifix. His hands
curled, nailed, old nails, pins.  

Feet one on top of the other, nailed
in place. She kisses His feet.
Presses soft lips. Uncle used
to touch, said our secret, sin

to tell, little girl. She presses
lips to His feet. Mother weak,
said nothing, dying now, cancer,
pain, hurts. Father dead. Never

make old bones he said. Proved
right. She closes her eyes. Touches
His legs, runs finger along. Stiff,
cold, smooth. Uncle did; she never

told again. Father displeased, the
beating pleased. The bell rings again.
Echoes along cloister. She crosses
herself with middle digit. A bird sings.

Wind moves branches by window,
He calls, must leave, must go.

Matilda listens to make sure they’ve gone out knowing Mr Doozie the cat is licking his milk the slurping sound fills the now silent room but she has to be sure her aunt and uncle have gone she can’t allow Moses to come in by the backdoor until they’re long gone and in the town buying and selling their wares she places her hands on her head and closes her eyes to focus her listening to close out Mr Doozie’s sounds the saucer of milk being pushed across the floor the purring but she cannot hear them now cannot hear their voices can’t hear Auntie’s whines and Uncle’s bellows can’t smell Uncle’s pipe or the aroma of his farts or Auntie’s sour body odour and sniffs the air and puts one leg up on the chair and lets the skirt fall back revealing her fine thigh and underwear something for Moses to see and get excited about not that he needs any encouragement  especially after the last time he came around when her aunt and uncle had gone off for the day to market on the old bus and Moses had sneaked in the back door his eyes peering around the door and she saying They’ve gone out you can come in and he did and while Mr Doozie sat on the end of the bed watching disinterestedly Moses had kissed her all over her body and after games of foreplay he’d entered her with subtleness and moved in a slow motion so that the bed only moved and rattled slightly and did not disturbed Mr Doozie and they had only just dressed and was letting Moses out the back door when Auntie came in the front door followed by Uncle with his arms laden with shopping and moaning about the prices and the shop girls and how there is no manners anymore and she feeling Moses’ ***** easing down her thigh and stood there with her innocent stare but this time Moses would need to be quicker as they had only gone to town and wouldn’t be long and if they returned earlier and caught her and Moses undressed and ******* with Mr Doozie sitting watching she doesn’t know what they’d say or do although knowing Uncle he’d chase off Moses with his walking stick and tan her hide until she cried and cried but Moses hasn’t come and she listens out hushing Mr Doozie with a shush shush and scratches her thigh and strains her ears was that him? She sighs opening her eyes sitting up looking towards the door waiting anticipating feeling the body’s urge the body’s need wanting Moses to come through the door and hurry with her up the stairs followed no doubt by Mr Doozie and quickly ******* and into her bed and setting aside the kissing and messing get on with the ******* but the door remains closed the room is almost silent apart from Mr Doozie’s licking and purring and the soft tick tocking of the grandfather clock and her heart thumping boom boom boom boom like a small drum all around the room and inside her head and she disappointed frustrated with no *** with Moses just a small empty bed.

Cows mooed. Birds bubbled in a nearby hedgerow. Butterflies fluttered by. A Gatekeeper, Jane said, pointing to a butterfly fluttering by. Benedict watched as the butterfly fluttered along ahead of them. Wasn't sure, he said. He caught her out of the corner of his eye. Dark hair, let loose, shoulder length; blue flowered dress short sleeved. I ought not to say whom you can see and whom you can't, she said, pausing by the hedgerow, looking up the narrow road leading to the small church, if you want to see that Lizbeth girl it's up to you, she added. Benedict looked at her. She comes looking for me; I don't go looking for her, he said. Her eyes looked at him: dark eyes, warm, searching, honest-to-God eyes. What does she want with you? Jane asked. A sound of a tractor in the distant field. Whatever it is she won't get it, he said, eyeing her lips, how they part slightly, her teeth, small but even. She seemed hooked on you, Jane said. She looked at Benedict's quiff of brown hair, his hazel eyes. Guess she is. He tries to push thoughts of Lizbeth ******* in her room a few months ago and how she wanted him to have *** with her and he didn't want to and didn't. Much to her annoyance. He pictures her body semi-undressed, her bed waiting for them. He couldn't. Jane frowned. I had a word with her in the girl's toilet at school, Jane said, she showed no shame in wanting to have *** with you; I couldn't believe any girl could just do that. Benedict sighed. Some can and do, he said, I didn't want to and so didn't. She seemed relieved to hear that and walked on and he walked on beside her.  Why didn't you? She asked, have *** with her? He thought before answering, didn't want to say the wrong thing. He heard the cows mooing louder as they walked up towards the church lane. I wouldn't, not just out of lust, he said. If you loved her would you? She asked. He didn't love Lizbeth, he liked her for reasons he couldn't quite fathom, but it wasn't love. Don't think so, he answered. She was quiet and they walked on up the narrow lane. A blackbird flew over their heads. The smell of flowers was strong. Cow dung from the farm was as strong. He studied Jane's hand near his: slim, fingers narrow, neat nails. Do you love her? Jane asked. No, he replied. He wanted to say he loved her, loved Jane, but it was a big statement to say and he didn't want just to blurt it out. They entered the churchyard. The small church was nearby. Lizbeth had been here with him twice or so. Once suggesting they have *** on one of the church pews. Narrow wooden pews. Would she have? He asked himself as he and Jane walked past old tombstones. He guessed she would, but he couldn't, not there, not anywhere. Jane paused by a grave. He was a tractor driver who died when his tractor fell on top of him, Jane said, pointing at the grave. It looked new: new stone, fresh dug earth, flowers. O my God, he said, how sad. Yes, it is, she said. His wife and children had to leave the tied cottage afterwards. Benedict caught her perfume as she leaned near him. He couldn't identify the flower smell. He couldn’t imagine her wanting him to have *** with her anywhere. Yet, oddly he felt he could with her, but he knew she wouldn't so it was safe to think it. But not like Lizbeth who was gagging for it-to use her expression-, but out of a love feeling, maybe. No, he couldn't imagine Jane doing such. What did you think when that Lizbeth girl brought you here? Jane asked. Thought she was just going to show me around the church; she said she was interested in the architecture, he said. She lies good, Jane said. He nodded. They walked on around the church, walked past other graves, older, moss covered stones. Were you tempted to have *** with her on one of the pews? Jane asked. Of course not, he replied, looking straight at her. Never dawned on me that she'd want such a thing. How could she even suppose you would? Jane said. Because she wanted to, she imagined I must want it, too, he said. But on a church pew? She said, her voice having tones of disbelief. He sighed. I know and when I said people might come in she said serves them right for coming in, he said, trying to recollect her words exactly, but couldn't. Jane opened the small wooden door of the church and they entered. It was cool. The walls were white painted. The windows were painted with religious figures. This is God's house, Jane said, she shouldn't have even thought of such a thing. Benedict looked at the altar end. A small crucifix stood on an altar table with a white cloth on it. He looked at the side pews. He tried to find the one he sat in with Lizbeth and she suggested having *** there. It made him go cold thinking of it. Jane walked to the altar end and sniffed. Incense from Sunday, she said. He smelt it too. He smelt her perfume more. She was close to him now. Her body was inches from his. His body tingled. He knew he loved her. He wanted to say so; wanted to say it loudly to her, but it was the wrong place. He looked at her body encased in the dress. Slim, narrow, her ******* were small, but tight. She was curved. He looked away. He knew he ought not to think of her in that way, least not here. Let's sit and pray, she said, and walked into one of the side pews and sat down. He sat next to her, pushing thoughts of Lizbeth from his mind. Keeping the image of her lifting her skirt and showing him a glimpse of her thigh from his mind. Jane had closed her eyes in prayer. She was a parson's daughter; prayer was natural to her as breathing. He closed his eyes. Smelt her perfume mingled with incense. How did one pray at a time like this? He thought, pushing Lizbeth's thigh from his inner eye.

Janice adjusts
the red beret
on her fair hair
and pulls at the hem
of her dress
as she sits
on the wooden seat
of the swing
in the park.

I sit on the swing
next to her,
ready to kick off,
my feet on the tarmac,
my eyes glued on her.

She winces.

Gran spanked me last night
for saying
that four letter word
you taught me.

You weren't supposed
to tell your gran.

You never said
not to tell;
I didn't know
what it meant.

Sorry,
I should have
told you.

(I didn't know,
but I don't tell her that).

She pushes off
with her feet
and she's air borne;
her sandalled feet
high in the air
as the swing goes backward
then forward.

I push off, too,
holding tight
to the steel links
on each side of the swing.

Maybe your gran
should have washed
your mouth out
with soap
instead of a spanking.

I wish she had, too.

My old man's aunt
swears like a trooper;
I used to go
to Sunday tea with her
and her husband
and my Nan used to say:
that's enough
of that language,
there's children present.

What did did she say?

They don't know
what it means,
she used to say;
but Nan'd say, no,
but they might repeat it
to people who do.

And did you?
Janice asks.

No, at least not
if my parents
were around.

I am swinging higher
than her now;
my feet seem to reach
the nearest clouds.

She tries to swing higher,
but I am still higher,
by swinging backward
and forward on the seat
and the holding tight
to steel links each side,
I am up there
with the gods.

Have you ever
been spanked?

I look at her.

Once when I peed
in my toy box
and my cousin
told my mum.

She pulls a face.

How ***** of you.

Yes, I guess;
Mum thought so.

I feel a breeze
in my hair and face
as I ride high,
swinging back and forth
on the swing.

She's beside me
trying hard to reach
as high as I am;
her feet reaching up,
her legs swinging madly;
her body going
backward and forward;
her red beret,
clinging on
for dear life
on her head.

I reach my maximum height;
my feet touching
Heaven's gates
or so seems,
my body going
back and forth
as much as it can.

She’s almost there,
smiling,
the wind riding
through her flowing
fair hair.

You sat with Jane  
on the grass
in the field
beneath the Downs  

she was looking
at the sky
and you
were watching her

her profile
her hair pulled back
in a ponytail
her eyes bright

as new coins
her pale blue dress
and white ankle socks
and brown sandals

she followed a butterfly
fluttering by
a Gatekeeper
she said

where?
you said
there that butterfly
it’s called a Gatekeeper

you turned to watch
the butterfly
she had pointed to
as it fluttered off

down the field
stopping now and then
to land on flowers
I love butterflies

she said
how do you know
all their names?
you asked

I read Daddy’s books
he has a number of books
on butterflies and moths
she said

she lay back
on the grass
and stared
at the sky

you lay down
beside her
your hands
behind your head

she smelt of lavender
you noticed
you breathed it in
let it fill within you

don’t you read books?
she asked
turning to look at you
taking in your white shirt

and blue jeans
I’m reading a book on birds
you said
I bought it in town

the other week
that’s a start
she said smiling
I guess so

you said
I didn’t realize
there were so many kinds
she studied you

as you spoke
resting her head
on her hand
maybe we can go looking

for nests next year
when they begin
to nest again
she said

ok
you said
not to touch though
she said

just to look
birds don’t like
their nests disturbed
in London

we only have sparrows
and pigeons
you said
how boring

she said
you watched
her lips moving
as she spoke

her eyes on you
studying you
I’m glad you’re here
you said

glad to be here
she replied
she touched her fingers
to her lips

and blew you a kiss
and you did likewise
seeing a new world
in her deep dark eyes.

The coach is parked outside the gospel church along Rockingham Street. Brown with a yellow line along the side with the name of the coach company's name: RICKARD'S.

Janice stands next to her grandmother waiting to get on the coach; she's wearing  a flowery dress and a white cardigan and brown sandals. Next to Janice's grandmother is Benedict and his mother and Benedict's younger sister Naomi.  Members of the gospel church who have organized the day out to the seaside are ticking off names from a list.

Weather looks good- the grandmother says, eyeing the sky which is blue as a blackbird's egg.

Benedict's mother looks skyward. - It does, hope it stays that way. Benedict looks at Janice; she smiles shyly. She's wearing the red beret. Her hair looks nice and clean brushed. Sit next to her on the coach.

Wouldn't surprise me if it isn't a little cold by the coast- the grandmother says, looking at Benedict's mother, seeing how tired she looks, the little girl beside her sour faced.

Maybe, hopefully it won't be for their sakes- the mother says, looking at the coach and the tall gospeller with the one eye. - mind you behave, Benny, no mischief.

That goes for you, Janice, no mischief or you'll feel my hand- the grandmother says, her voice menacing, and don't forget to make sure to know where the loo is don't want you wetting yourself.

Janice blushes looks at the pavement-  I always behave, Gran, and yes, I'll find the lavatory once we get there, she says.

One Eye ticks off Janice and Benedict's names; his one eye watching them as they board the coach,and sit by the window, and look out at the grandmother and Benedict's mother and sister. Kids voices; smell of an old coach stink; the window smeary. Janice waves; her grandmother waves back. Benedict waves; his mother waves and smiles, but his sister looks down at the pavement.

One Eye and two other gospellers stand at the front of the coach calling off names and the kids respond in return in a cacophony of voices, then they sit down at the front and the coach starts up. A last minute of hand waving and calling out of goodbyes and the coach  pulls off and away along Rockingham Street.

Well, that's it, just us now- Benedict says, looking out of the window, looking past Janice.

No more bomb sites after this for a few hours- Janice says, no more being made embarrassed by Gran. I know she worries, but I am eight and a half years old, not a baby.

That's the elderly for you- Benedict says, always thinking us babies when we're almost in double figures.

Janice smiles. She looks at Benedict. He's wearing a white shirt and sleeveless jumper with zigzag pattern and blue jeans. He's left his cowboy hat at home; his six-shooter toy gun has been left behind, also. Glad he came; like it when he's near; I feel safe when he's about.

Have you any money?- Benedict asks.

I've  two shillings- she says, Gran said I might need it.

I've got two and six pence- Benedict says, my old man gave me a shilling and my mother gave me one and sixpence.

The coach moves through areas of London Benedict doesn't know. He looks at the passing streets and traffic.

Billie, my canary, has learned new words- Janice says.

What words has he learned? - Benedict asks, looking at Janice's profile; at her well shaped ear, the hair fair and smooth.

Super, pretty and boy- Janice says.

Talking about me, is he?- Benedict says.

No, about himself- Janice says, but who taught him the words neither Gran or I know. Was it you? She asks.

Me? why would I teach him to say those words?- Benedict says. If I was going to teach him words they'd be naughty words.

You haven't have you?- Janice says, or I'll get the blame; Gran thinks I taught Billie those words when I didn't.

Well, I may have said certain words in his presence when I came round the other week- Benedict says.

Was it you who taught him to say Billie without a *****?- Janice says.

Benedict looks down at his hands in his lap. Did he actually say it?- Benedict says.

Janice nods. I got in trouble over that- she says, gran thought I taught him; came close to getting a good smacking, but she thought it over and said she didn't think I would.

So, who does she think taught him?- Benedict asks.

Janice raises her eyebrows. Who do you think?- she says.

So, please don't teach Billie words- Janice says, or I could be for it.

Sorry- he says, looking at her, thought it'd be a laugh.

Gran doesn't share your sense of humour- Janice says. Now she wonders if she ought to let you come around anymore, and I like you coming around. So please don't teach Billie words.

I won't- he says, not a word, not a single word.

She smiles and kisses his cheek. He blushes. What if the other boys on the coach saw that? How would he live it down? Girls and kisses. He's seen it in films at the cinema. Just when a cowboy gets down to the big gun fight some woman comes along and spoils it with that kissing stuff. He's seen Teddy Boys who seem quite tough, spoil that impression when a girl gets all gooey and kisses them.

Janice looks out the window, watches the passing scene. She like it when Benny's there. She doesn't like most boys; they seem rough and tough; seem loud and spotty and smell sweaty, but Benny is different, he's tough in a gentle way, has good manners and that brown quiff of hair and his hazel eyes that seem to look right through her, right into her very heart.

Benedict doesn't think other boys saw the kiss; he sits feeling the slight dampness on his cheek; he doesn't think having a kiss, makes him look weak.

You and Ingrid
bummed a ride
on the back
of the coal truck

the spring holiday underway
Ok
said the coal truck driver
but keep

your heads down
don't want to get
pulled over
by the rozzers

and so you both
climbed in the back
of the truck
settling down

between sacks of coal
covered over
by tarpaulin
with just a slit

for light and air
and you and she
just sitting there
she clothed

in an old green dress
and  cardigan of grey
brown scuffed shoes
and grey socks

you in jeans
and blue shirt
open necked
and sleeveless

patterned jumper
never been
in the back
of a coal truck before

Ingrid said
mustn't get too *****
in case Dad finds out
and leathers me one

you watched
as she sat there
in the semi-dark
gazing out

through the slit
at the thin
aspect of sky
hands on her knees

biting her lip
been once before
with Jimmy
but then it rained

and we got drenched
you said
what did your parents say?
Ingrid asked

nothing much
you replied
Mum moaned a bit
but the old man said nothing

just stared
as he blew smoke
from his cigarette
through his nose

God my dad'd go mad
if I had done that
she said
pulling her knees

together hands
holding on the top
I'd not be able
to sit for a week  

he'd beat me such
she added
moving
with the movement

of the truck
you said nothing
knowing her old man
seeing him often

walking through the Square
swaying with the *****
or seeing her mother
bruised and battered

crossing to the shops
enduring neighbours' whispers
for a while she was silent
looking through the slit

as the sky drifted by
as the truck moved
you swayed
side to side

her shoulder
against yours
her arm touching yours
the smell of wet washing

and of yesterday's dinner
captured on her clothes
seeping in your nose
now and then

she spoke
of this and that
of kids at school
of names called

of hair pulled
and how she liked it
when she saw you
enter school

and your kind words
and helpful ways
and when the driver
pulled off the tarpaulin
to get out sacks of coal
daylight blew out
your eyes
and made you smile

and cheered your hearts
you shared the sandwiches
you'd brought
and bottle of lemonade

factory made
sitting on the truck floor
she nibbling a sandwich
and drinking shyly

from the lemonade bottle
after you'd wiped
the top with the palm
of your hand

her eyes on you
her lips open for words
her knees pressing together
to keep the balance

as the truck
moved on and away
just you and she
on a bright spring day.

The bell from the cloister rang. Echoed around and settled upon nun in bed cosy in blanket against morning’s cold and frost. Stirred. Head raised. Eyes peered into the dawn’s light, sighed, shivered, moved arms against body’s length. Closed eyes. Wished for more sleep. None to have. Bell rang. Time, ladies, please. Time and tide. Stirred again. Lifted head. Sighed. Gazed at bedside table. Clock tick tock, tick tock. Moved to edge of the bed. Feet dangled. Toes wiggled. Hands joined for prayer. Breath stilled. Silence of the room. Bell stopped. Sighed. Breathed air, cold air. Wake up, rise, and shine. Funny words. Tired still. Wished to sleep, but no time. Dangled feet rose and fell. Toes wriggled. Rose from bed and knelt on wooden floor. Hard floor. Cold floor. Polished to a shine floor. Knees slid on smooth surface. Back stiff from straw-stuffed bedding. Sighed. Sister Teresa joined hands. Let fingers touch. Let flesh touch flesh. Sin on sin once maybe. Long ago. Sighed. Opened eyes. Gazed at crucifix on wall above bed. Old Christ, battered by time and grime. Eyes closed image held in mind’s eye. Prayer began. Words searched for amongst the wordless zones. Reaching through darkness for an inch of light. Light upon light. Darkness upon darkness. Who felt this she does not know. None speak except Sister John. Word upon word built. Holy upon holy. Sit here, she’d say. Rest a while. Rest in cloister. Rest on bench by cloister wall. You and she. Her hands old and wrinkled by time and age. Her eyes glassy. Her voice thin and worn, yet warm. Want to be close to warm. Especially in dark cold mornings like this, Teresa mused, lifting head and opening eyes to dawn’s light and cold’s chill in bone and skin. She stood and dressed. Disrobed from nightgown and into habit. Black as death with white wimple of innocence. Laughed softly. Such times. Such times. Harsh serge against soft flesh. Stiff whiteness on skin’s paleness. Sighed. Coughed. Made sign of cross from head to breast to breast. Never to touch, mama said, never let be touched. Words, long ago. Mama is dead. Rest in peace. No mirror. No image of seventeen-year old face or features now. Vanity of vanities. Sighed. Papa said, some men would deceive. Deceived by what? She often asked but none would tell. Ding **** bell. Silence now. Go now. Moved to door and down the cloister to the church and the dawn’s welcome cold and still. Teresa closed door and walked at pace soft and motionless seeming. None shall speak. Sing and chant and raise eyes and maybe a smile briefly, but none shall speak. Nor touch. For none may touch. Not as much as a sleeve felt or breath sensed. Each one an island. Water upon water none shall cross. Teresa sighed. Walked down the steps one by one, not to rush but not to lag sloth-like, lazily or drag wearily. Mother Abbess would know.Knows all. Sensed all. Next to God most feared. Most loved maybe if truth were known. Teresa sighed. Chill of cloister ate at bones and flesh. Nimble walking might ease, but walk as nuns do and cold bites like violent fish. Breathed in the air. The moon still out. Stuck out on a corner bright and white. The sun’s colour fed the dawn’s light. Brightness promised. Warmer weather. Warmer than Sister John. Who knows, Teresa mused, touching the cloister wall for sense of touch. Absence of touch can mean so much, Jude said, years before. Jude’s image faded now. No longer haunting as before. Teresa brushed her finger on the cloister wall. Rough and smooth. Rough and smooth. Men may deceive, papa said. Let none touch, mama advised. Long ago or seeming so. Seventeen-years old and innocent as innocence allowed. Jude laughed, feeling such. Wanting to touch. Over much. Entered church. Cool air. Sense of aloneness. Choir stalls. Smell of incense and polish mixed. Sense upon sense. Smell upon smell. Walked slowly. Genuflected to Christ. High on high. All seeing. Like Mother abbess. But less human. Less human all too human. The Crucified for all to see. Half naked there. Stretched wide arms. Head dangling lifeless or so seeming. Genuflection over moved to place in choir stall, stood, and stared at vacant wall. Brick upon brick. Sounds held. Chants upon chants sang once, held here. Chill in bone and flesh. Breviary held. Pages turned. Find the place and mark it well. Bell pulled sounds now. Nuns enter and gather round. Sister upon sister, elbow near elbow, but none may touch. None touch. None touch.Sister Rose eyes dim searched yours for morning joy. Smiled. Coughed. Awaited tap from Abbess. Smiled. Nodded. Hands held beneath black serge. Wanting to hold something, someone, but none may do so. None may touch. Tap, tap, wood on wood. Chant came as if from the cold air settled on ears. Felt in breast. Sensed and blessed, but none may touch. The sense to sing. The voice raised. The ear tuned. The mouth and lips employed, but none may touch. At least, said Sister Rose, not over much. Not over much. Still air. Cold air. Warmth wanted. Sister John or Sister Rose. None shall touch.