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alice Jun 2014
I take comfort in the familiarity
of it all.
The constant madness;
ringing bells and sounding alarms.

I've seen a lot of things.
I know a lot of things.

I'm a different type of person
than I used to be.

I've seen a woman steal my heart;
watched her love:
F L E E T I N G
She loves you today,
him tomorrow.

The melody strikes the match
and the fire rages on.
Unbeknownst.
Without awares.

I've heard the words:
"Is this too intense for you,
it's okay if it is."
and I've answered:
"...it is,
do it anyway."

The 15 year old girl
on the couch
is high
on her dad's methadone.
I'm withdrawling
and hating her;
insane with abandon.

I've felt a needle puncture
the skin;
watched the snake
appear
and
disappear
into myself.

I am another yourself.
We are
One.

You and Me
we are the same,
different eyes
different lungs
but we share a
soul.

I've learned how to make a fist
and pump it
with a jumprope tied
round my arm.

These things are not useful.
They will not bring you
great fortune.
They are the wasted
thoughts
ideas
and journeys
of my youth.

I've been given another chance.
Not a second one,
just another one.
After being purple;
lifeless;
was the greatest hit
of all.

Sick and sad inside
she slumps against the
hallway
wall.
Feeling nothing
after crying for hours
she finds resolve
in the insults
inside her head.

I take comfort in the familiarity of it all
writing like stories
have no end
as if all the pieces
fit together.

The reality is
they don't.

Hope begets Grace
and Grace is what leads
us through this battle;
Life.

I've seen a lot of things.
I know a lot of things.
They are not useful
but

they are mine.
my mind will at times unexpectedly bubble and spill over without warning or explanation. this is an example of one such time.
alice Jun 2014
She was like a humming bird:
soft, light fleeting-
the perfect escape artist.
Speaking in riddles
that keep you up at night.

Face changer and witch,
she draws you close, holds you so
and then lets go without warning.
You can only get so close,
before she turns her back.
Every time a bit closer,
every time more sting
from the rubber-band of goodbye.

Sinking down further into her sea
she washes over you,
drowning you in the intoxication
of her salt.
She melts in your mouth,
Pixie Stix style;
sweet, but gone
before you can really enjoy the taste.

You press rewind
on your memory:
looking, searching for any glimmer
of her, any flash,
anything to keep her close;
even for only a moment longer.

She wears a mask:
masquerade half-faced,
with feathers and glitter,
ribbons hanging from the left.
She's perfected
this porcelain-painted facade.
Under the disguise
she defies the conception
of beauty.
Thinking her virtue lies
in the mask.
She lies in the mask.

She fades in and out
like the morning fog
over the ocean.
Rushing in
and falling away
once the sun rays hit the water.
The crash enfolds her;
she lets it.

Skin and bone she bleeds
for everyone who ever hurt her,
taking the blade to the skin
she lets them all win.
Playing a loser's hand,
all chips in,
she gives herself over
as payment for who she is.

***** and unworthy;
painfully aware of
her chemical circumstance,
she runs from the torment.
Into a forest of lost time
remaining hidden,
she tries to die
but ever-still;
she remains.
Females are magic. Inspired by the magnificence and madness of the miracle that is, The Woman.
alice Jun 2014
pay no attention for this is only an experiment.
this here is nothing built upon nothing.
 
she doesn't live here anymore,
there is no spark no flash of violence left.
we've all been abadoned by our morality;
generation Rx with no life skills and only pills
as problem sovlers.
isn't God going to show up
now?
or does he pay no attention,
we are only an experiment, only a cheap immitaion
of the real thing.
 
are you the real thing?
real like sand between your toes and
fresh squeezed orange juice.
 
reality sets in as the sky closes in
on us.
a wave of blue through the universe;
we run into ourselves yet fail to recognize.
i know you;
familiar, like heat from a sun burn.
i watch you lean in,
close your eyes; divide the invisible.
i let go your hand as you disipate,
dancing among the kelidescope galaxy,
 
forever changing.
altered.
never to be the same.
 
a generation raised on poison and fumes,
breathing in, breathing in, breathing in
the nothing that will be built upon nothing.
 
we are the experiment.
prepare for lift off;
surgery;
surrender.
 
don't shut your eyes.
this is it.
the real thing.
 
 
 
 
shhh...
don't miss it.
A small representation of the mania in my mind. Stream of consciousness from down the rabbit hole.
Tommy Johnson Jun 2014
Stuff your sorry's in a sack
Everything in moderation

You have arms like noodles
Technology and my bladder hate me


It's better to reign in hell than to serve in heaven

I do as I Please
And that tickles my funny-bone

There is a fine line
Between being a party planner and being a clone

I don't go there as much as I used to

It's hard to get on your good side
When I'm just a walking disaster

Friendship shouldn't be broken by misunderstandings
There is no bliss in ignorance

This is going to get worse before it gets better

Go on with this emotional release
Tell me more about me

Get your lufa
I don't want any part of this

Life is a dream for the dead

Good talk. good luck, goodbye and godspeed
Tommy Johnson Mar 2014
Double edged sword
You gave them your word
Not a necessity
But a possessive desire
Got burnt by the fire
But it felt so good

Doing new things you’ve never done before
Inhibitions released and spirits soar
New trails being blazed and opened doors
Then the question come up, what you really here for?

When they’re happy it’s because they love you
When they’re ***** it’s because they wanna *******
When they’re mad all they wanna do is diss you
And when they’re sorry it’s because you got a shoulder to cry on and sympathetic tissues

And the situations can be reciprocal
As you put each other on that pedestal
You try to fit in each other’s schedule
And be together in the time residual

Sometimes you wanna **** them
Then you look back at the times when
You used to think they might have been heaven sent
And made changes and sacrifices as if every day was Lent

The break up
The make up
The forgiveness ****
All that nonsense for what?

To get your blood boiling
Just part of everyday mortal coiling
Suffer in the pain just toiling
Just forget about it blow it off its just annoying

You talk about kids, a house and a family
During a late night-early morning talk over some coffee
Thinking about the future is interesting
But you can’t predict so just wait and see

Then you got that real drama
Like a ******* soap opera
Know when it’s coming it ain’t ever a shocker
Just keep your mouth shut to keep good karma

Double edged sword
You gave them your word
Not a necessity
But a possessive desire
Got burnt by the fire
But it felt so good

Thinking they’re gonna be the death of you
But it doesn’t matter when it’s just them and you
In bed getting close making moves
Not caring letting loose with nothing to prove

Because you both know about that ***
That it’s just the best
When you ain’t gotta worry what comes next
And all the dramatic and arguments can be put to rest

All the jealousy
Emotionally
Devotionally
Taking its toll you see

Misunderstandings
Demanding
Reprimandings
Seeing where you’re both standing

This whole time I’ve been talking about you and I
You’re the only thing take makes me aware that I’m alive
The reason I survive
Every day with you on my side

So stop with the opposition
I got one mission
No compromising positions
So look me in the eye and listen

I love you
I hate you
I need you
I want you

I don’t know what’ll happen today
And tomorrow’s too far away
We're way past yesterday
I guess what I’m trying to say is

All that matters is you and me
And all that we can ever be
Is loyal and honest to the highest degree
And try to take it one step at a time rationally
And walk hand in hand through our clandestine destiny

Double edge sword
I gave you my word
She got the best of me
I’m no liar
So cut me, slash me
I’d die for her
Tommy Johnson May 2014
I'm not nervous
Fire away
Not too long
But it will be a while
A pity laugh

Unconventional methods of scribbling
I'll tell you again
Symbolic chicken scratch

Compassionate

Stylized specimen
Putting you on

Why do it?
Honest
Full of faith
Going West

State to state
Be sad somewhere else
Alone

Because why not
No one left
Just me
My thoughts

Extinct visions
See the world
Through a spotty car window
Skies, suns, stars, seas

Expand
Reinvent
The charity of the cosmos

I found Quincy Valero
Extrovert
Felonious
Random  

Lets go
Martin Narrod May 2014
Something original. Of newer words, that originate from the pleasure and happiest of timeless incidents. The happenings, back of the park, near a set of restrooms, a pool of clear sea water and a purplish-red starfish. A sea cucumber. Trailing sea lions diving off of a cliff, a vertical display of rocks, moving a millionth of an inch each year. You caught me.  --------

I can't nail it. It happens to me when I sleep, it comes around me, over my shoulders and latches onto my breaths. I'm breathing and it creeps inside of me like a mealworm, I turn to look for it and it disappears again. It lives in a shadow but it is also a shadow of itself. An anomaly, a space for time and the tell of time, its hidden agenda, its positive nature, how it yields itself to prey, how it coos for a sweet smile, runs up to me in mid-day traffic, and kisses me, noon at military time.  ------  

The blessings come. All of them. Laid out on a table in red and white checkerboard, making the eggplant parm and the homemade vinaigrette. Peanut butter chocolate chip vegan cookies. A dandelion necklace that only fits around my wrist. It makes me weep some twenty years ago on a Playskool slide, orange, red, bright. I'm looking around my neck and still it's not there. Every where I want to be, every where I've gone and could go. I should go to California too but all of this...stuff, everywhere, under my legs, in my pockets, the closets tumbling high and low, I haven't had enough to change, and still I am wanting something else. You the same, my shoulders tell me stories, I listen and I fall asleep.  -----  

Sometimes my nerves grow quiet, my words grow- but then they just fall again, skittering in a lull plash of blue-green pond water. The bench I sewed to the ground. A tale of mirth and woe. I cannot call on you, you will not come. Sleeping beauty, blue eyes, blonde hair. I wrestle you in the day to day, the hour to hour. Minutes cannot go by. Pages that turn but I remember everything. My mind will never go.  -----  

Two pink letters in the post today. Maybe neatly placed for you. A fake-tattoo puffin, upper-left hand corner. My hands are empty, they have indecent memories, they write indelible superpowers. I can't go on. I run lake water over my ankles, slowly drift beneath arcing waves and cold grey skies. Half a day blue goes black, night comes and I whisper when the sky goes quiet. Nothing is as serious as this.   ------    


In a white box there are two pairs of shoes and a soft bear. The bear without the name. He doesn't speak to me so I leave him with the sea birds. Put them in a push cart and show them off, I take them here, I take them there. No one asks his name, where he's going, what he's going to do. ------------


Tuesday's are the worst. I count and count and count. I will never forget Tuesday's, twisting like a cuneiform jelly, fingernails spoiling me-meat, breaking the Styx crossing the river Rhine, there is nowhere that I will not go, only for me to cross time. To wait, I really hate waiting. Nothing comes between, I lie to a stranger and they fall in love instantly. I see you on Monday evenings and I want to kiss you gently, the sides of your neck, on the inside of your hand. Where do you go when all the shadows go? ----

Some of me is backwards. The waves shape the sky. A rabbit goes with a fire truck, a blueberry with a cephalopod. Back to the soft wood walls of the cotton luxe room. My legs have never felt so safe, you have never made my teeth so happy. In Russia you touch my face, I see you, a picture of you, any part of your eyes or the things you draw upon and I am instantly in love. I love you, a part of you, all of the parts of you, your soul is the only part of me disconnected. You are the happiest moments of my pleasure. You taste like Tahitian Vanilla and Acai berries. Gold grains hit our shins as we go like great wild horses through the alluvial plains. -----

I cannot count to you. There are no goddesses in numbers. I only have sleep, for you to look me square away into a bliss I have in a picture of the two of us, lost in our faces, our hands wandering each others knees. I sit across from you and I am not close enough. I go closer and I want to be inside of you, all across my limbs expanding our spiritual forms, intertwining in our skins. So I speak, I lay my words gently in front of you so you cross them as you walk our path, back from the sea into a narrow slumber. Sleep is the only place we all can play. You, me, her, her, and I.
Martin Narrod May 2014
Soy
You were totally something else. Like a calm respite overcoming an instance of excitement. Magic and other prime words that can dictate the inarticulate adjectives that was this afternoon. Happiness and pleasure. A coexistence. To coexist. Soy.
Martin Narrod May 2014
It's like this, and then there was total recall. Fast like a safety plan made wrong and then bouncing in and out all the way down the hall. Up through cable cars, Korean fast food market, wet fish, soupy street, concrete cracks filled with crab meat and **** heads. Just a square, a five block, two street, sideways quadrangle, beat of the Tenderloin, hour of the dove. Every one's dead on these loose ends. Hills of the back of her backside, skin of the back of her neck. Rapture is the grave of the sunset, memory is that thing that I said.

No one cans in carnivores, no one runs moves like a shepherd. Sunday, daft as candy, luck in the ways of the prophet. Canon of the blaze of every woman that died today. The sleep setting, the motorcycle bending the hollow, the ravines noisy interlude, up through the rough and the tangles, huddles in a six pack, three or four walking up the block to meet the rest of them.

The skin doesn't fit right, it wears wrong, the shoulders stiff, the masseuse excuses himself. Buckets of flowers hang from the ceiling like stripped cat christmas decorations in suburban mastermind serial killer resort town. Everyone is quiet because they gotta. They move their feet like they were hurrying death into a red volcano, like they were the errand of red from the top bell to the bottom of the town.

I sit on a roof top, baking in the noon day sun. Stripping sticks and stems off the side to sideways, just roasting away, laying, low in the afternoon light. I see a girl with her hands on her skirt, wobbling, scooting a priest card on a periwinkle terra-cotta.  I move my head, turn it upside round to take a better look. No one counts to ten when they see me. The gangster that woke up isn't the gangster that went to sleep last night. My wickedness ended my words mean your bright decay. So I ride the pavement exhausted, burying my coughs in an L-shaped arm
Martin Narrod May 2014
Memory

     is  the birth of cool, it is rapture and ignominious spokesmanship unearthed. Packed into a slatted-wood crate, milking the obsession from cash-toting hands. Freeing itself from your bottom lip while life ticks itself away on a digital stock-exchange display. I am down and you are up, and you save pennies while I search for Chrysanthemums and vanilla-scented candles. Scent is my fifth grade spaceship,
     I hide it in my pocket and take it into the forest when the week is over. Adventure is the part of our story that's caught in between complaining about money and having clean sheets. Tuesday, Thursday, Friday and Sunday my hands mend themselves back from bleach, their crevices cave under bright lights, I go to the garden strip and put dirt on my face, over my shoulders, and on my back. I make a altimeter from an alarm clock, and worry what will happen if your feet should ever touch the ground.
Relief
     is a sarcophagus, the satiny silk chrysalis I weave into invincibility. I make myself a small child with a demon-proof lair, no one comes in, not even you.  I see

     how drugs take out your heart and put you anew, fresh: orange, pink, ultramarine. A wave is a soft gesture for twilight, a slow walk among the greying statue towers, bliss extracted from person to person tedium. How you exclaim about **** music as if your temple home was unfocused by jazz or synth-electro.
     I forgot your room of quiet had no bells, no hope, and no notes of resolve. Tragedy was the desert of your six to sixteen, while I made an opus out of crystal glasses and Cran-Raspberry jars. Then it was the relief, Neptune's hands on your *******, red dots of ecstasy connecting you to a higher vibration. You felt it was time to start exercising. I didn't **** you for modifying your perception of color, degrading in a salt pool- I didn't own your ****** it was just a place I went into to write.
    
    Three years later. I was growing backward, I was sixteen, making you the muse in my doorway, a James Bond goddess unraveling my fingers on her silky skin, except your golden crown was really a turban of snakes, and instead of silk I was groveling underneath you. That was the sweat that Ryan Shultz said I garbled up into two pedestal doves, I aimed by eyes straight at the city of gold, and then inside me shucked out every piece of self-respect and vitrified my spirit, castrating my lips and my tongue for something to come to or come at, he said I lived under pointed stars and that lying isn't a good way to get over past phases of silence.

     A few days ago, it all game back to me, in a random series of songs on an iTunes playlist. One memory from an isolated beach outside a strawberry patch near Santa Cruz, a second, two hands cupped over the ears, my face closing in on her smoothed-out pink bottom lip on an over-exagerated car ride to the San Francisco airport, and the third was the mention of non-vegan banana cupcakes with cream cheese frosting, a birthday I celebrated several years earlier. All of them in the coda.
    
     Verse four unbelievable. It caught me straying from the next stressor at hand. What's next? I move my cold hands from a keyboard versing strange relapse of mind, or I tear out another page, whip across town, and peel stamps onto a postcard to send.
     They were all tails from a memory. A slowing ghost that cooed at me from far away, beating me up and down, pulling my eyes away from a scent I continually tried to remember.
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