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they promise  snow
flurries flake in a
semi-serious way,
blurry haze,
no deposits
sorry, accumulations,
worthy of a ooh! a
blizzard, so reverse
course, back to bed

the lesson relearned
time+time ‘n again
hope for the best,
sacked by safe predicates
sunrise sacked by accumulated greenness, little hope for the sun set to be any better, and I pray to the gods in the vicinity, who congregate when poetry is being written, in order to insert a wordy word word, of their choosing, but I am dizzy with disappointment, lightheaded by the right ugly light, and the only fool I suffer, Is myself, for being the only optimist that the pessimist might actually write a correct forecast
and in conclusion

I proclaim to no one that is nearby,
That weatherman played poker with me
and a deck full of jokers
some sounds and guttural expressions,
unique property of individual & groups,
no, won’t explicate this  
too much further
but…

anyhoo, in the realm of naked laughter ,
undisguised, unhooded,
a modest-ly hand-covered giggle,
primarly but not exclusively,
the propety of the feminine wile,
so much so, a ‘girlish giggle’ needs no
hyphenation, or hydration,
just  imagining grinning
eyes and lips, crinkling
and the ability to easy while
through one’s
nose breathing

well understood it is the
la feminine,
this witty twitty
in the provence, of women,
particularly the younger at heart
who titter with the glee
of reckless uninhibited unlimited
gig-gig-gigl-ling-ling
(N.B. young st heart is an ageless concept)

the Frenchies in their
Frenchified (1)
(alt.; frenchfried) ways
call a giggle, a puff of laughter, (2)
which sounds so modestly ladylike,
but in the US of A, a girl giggle,
a really good GG,
needs not be so demure,
and can possibly extend into a raucous cackling infectious,
yet discreet
uncontrollable belly slapping laugh,
given the kerrect circumstances

love me them GG’s
(2)

giggle: pouffer de rire

(1) see “Billy Budd,” Benjamin Britten composed the opera Billy Budd, and E.M. Forster and Eric Crozier wrote the libretto:
~for Traveler & Jo-

they who read,
he who creates,
and supplies a marvelous word fresh born,
and we celebrate a new word’s

nativity:

+agreeance+

if only I could sing
or even write
with Niagara Falls force
of appreciation
what a miraculous joy,
this original pasta and sauce
of letters
that was never/always
meant to be
conjoined

+that nuanced combo+
of
agreement + happenstance
agreeably
connects my
heart and emotions
in my early morn
period of tallying
all the little steps
morning brings
to verify that
my breathing is good
my heart is open and exposed,
for
all the tears
I’ve already wept in but
a few moments already
in but a
few minutes reading
your new
poems and message
that are so
heart rendering


and I can smile
for the world and I
are in a state of
fulsome
agreeance!
poems are triggering
and can be found in the
reflections hid on your eyes
Nat Lipstadt Dec 4
“the voice of poetry in the conversation of mankind.”

<>
            
“Even nowadays, most of us have speeches from plays and films jangling around our heads, alongside things that have actually been said. Both contribute to what Michael Oakeshott called “the voice of poetry in the conversation of mankind.” Whether in verse or prose, there are some fictional speeches that, once heard, cannot be unheard. You find that you live with them.”
~from~
Things Worth Remembering: Nothing Is Lost Forever
By Douglas Murray 9/8/24
<>

the quote grabs the throat, a two handed grip,
but gentling, to ensure it does not go forgot,
or to the bottom the pile, or just another
never truly born, or premature to die,
guised as a drafty passing breeze,
a tickle too fickle, impersistent,
to be a poem unto itself

my thots impure, for I see, I believe,
that poetry is the conversation in all
we do have,
those that lyric wax when
one of the five big guys,
jive, sensory excited, the whiff, taste,
licks the visionary
of the need to be a completed
exegesis, a work to be telling
told

but I am old, my powers weaken daily,
the resistance training recommended,
by brain muscle, fiercer resisted

so reach for the quill,
blue lined sheet,
a cute puppy looking paper,
up for the “surprise” treat
just for extending a paw,
these humans so ease pleased,
you see,
here comes a poem
bout
poetry being bout every any,
even, the great creator struggling
to put out fresh daily,
new &  improved work,
after a six day historic period,
that demanded a poem-alll-day entity,
entitled as a sabbatical day
of rest.

Here I too rest as well,
too many conversations need starting,
fires requiring verbal refueling,
and my own voice hearing a,
“get up, get out of bed,
drag a comb across your head,”
talk, and plant those newly fallen acorns,
and let the conversations produce
giant oak trees,
and
a plenitude of poems


9/9/24
douglas murray voice of poetry lipstadt
Nat Lipstadt Dec 1
”in tears, may make other organs weep

HenryMaudsley, 19th-century English psychiatrist”
<>
make no mistake,
the essaence of
Sorrow
is everywhere:

within the blood streaming,
in each celled nucleus
it etched, microscopic,
to the tear ducts directly connected,
a microbiome insertion everything

so when love torn,
deserted,
merely mentally homeless,
no direction selected,
the weeping originates in
every limb and *****,
though no pain sensation need be present
or available to be nominated or accounted,
the tears can’t be closed off,

the torrential hurricane unceasing,
and through it comes with a wisp of a
smile attached,
for the flooding in a mirror
now gleaming reflected
and at longingly last,
a true portrait
saved,
for a sorrow vented
is a sorrow
freed
and
a profile
completed
Nat Lipstadt Feb 2015
Feb. 2015

this writ,
content so obvious,
it begs,
why even bother...

Pen Man Ship

this is who you are,
this is your scent, scripted,
the parfume that memory triggers
declarative self-examination passing grades

if pen and paper
are your skin and blood,
then you, man,
ship to shore,
skinned alive,
in poems verbose spill all

ship in ship out,
the glories and the dreads,
expel ink oceans glorious India blue,
rivulets of tributaries,
spillages of what~where,

you are pen
you are man
you are ship

where intersect these routed things,
one is voyage~bound
for parts unknown

the pen be the oar,
and the man, the ship,
and when the sails raised,
the wind never fails,
only there is no
dead reckoning -

for there are no
landmarks observable
when sit~stand
to commence sail~writing

each writ a latitude recorded,
each poem a longitude drawn,
all together, a
body of work,
all together,
your life's coursework
is the captain's log

Pen is the Man is the Ship

in everyday words
he answers
the questions life poses,
in everyday words,
he realizes
the answers he (doesn't) posses,
with each passing poem
the ship, righted,
though the heading
remans unknown
Nat Lipstadt Oct 20
thus concludes a text
from a dear friend whom
I have never met, but this a,
concluding statement is
both convulsing and
uncontained

autumn is a her, a self-selected
gender unique, that picks its
own pronouns, pronunciations,
for women greet us with
warmth+chill skill
combinatory, to
make ordinary
our daily green
reform into
a multi~variable aristocracy of colors,
a forest of expressions,
each a statement leaf,
stating look at me,
I’m transformed, resurrected, disguised,
though essence unchanged, for
I am the possibles of ad
infinitum and I am:
not-nearly as potent
as the sparks of god
within a human being


3:58am
10-20-24
Nat Lipstadt Oct 20
perhaps it is less than great,
maybe a poor mediocre,
but such as it is, is mine,
unique, and it gifts me
easy expression of my
experience, conveying
my excitations, aliving,
freely divining what’s
within and without,
and to exhale said
thoughts and
observations

si so

we can be apart and together,
touch without touching, e v e n
love each other with our e v e r
meeting and that miracle presents
and is a present, this presentation
of my cells impressed upon yours,
thus fashioning newly creative
combinations…

this is what I am thinking,
this is what I am divining,
this is what my reasoning,
permits, encourages, creates
and with your reading this,
cements us in ways unseen
all the b u t s…and hesitation
marks that disconnect us,
are sundered and we are
a forever till reason no longer
matters, or our cells can no
longer divide and recombine
and reproduce our memories,
which are our connective tissues…

nml
3:39am
10-20-24
Are You Ready for a Brain Chip? It’ll Change Your Mind https://www.wsj.com/opinion/are-you-ready-for-a-brain-chip-itll-change-your-mind-technology-baf4a76a?st=H2s8Bo&reflink=article_imessage_share
Nat Lipstadt Oct 19
“What information pertains:
The thought that life could be better
Is woven indelibly
Into our hearts and our brains”
<>
Paul Simon “Train in the Distance”
<>
a songwriter inserts a precise scalpel cut
in the nether part of the brain
where we bury
things we-wish not to recall, but
that particular
poem-scrap-dagger/byte

must remain a permanent
guest on a cruise ship
going around the world that can
never return to your
hailing port

“indelibly”
that which we hope
that cannot be
removed or forgotten
or in a reverse
of a kinda curse,
this hope stabbing
is springing eternal

when I need to be bleak,
quiet on all fronts,
silence the voices
desirous to speak
in tones moving me
from down sided
up, to up and away

that **** thought
life could be better
if f—king only…

is a cut that never
ceases to bleed~leak,
can’t be curettage away,
never healed,
it’s indelible

it’s a saturday morning
bright and chilly
indelibly
incurable
stamped and stampeding
on my mind
that this arctic exploration,
is self-exploitation
and curse my
heart and brain that won’t
accept my explanation
nor my pleading pleas
wet knots of
begging to anyone in particular
to please
leave me alone
&
this is how the week
ends

October 2024
these are the scientific observerations I’ve
witnessed, recorded, tallied and allowed
to impact my judgement

compiled upon my diurnal voyages in the sea of humanity across the cityscape of my birthplace

this not a disclaimer, for I neither disclaim
or claim anyone, as my own, more a clearing
of the chest, that also clarifies the senses, to better observe, interpret and weigh subject to
human biases and frailties, which makes for
better poetry
<>
A women. a mother, beside her a daughter,
of the horribilis annos age of early teenhood,
her face  a dull rose~pink, obvious tear streaked, but what strutk me odd, the mother
sits at a 90 degree angle, face turned down and away

and I suppress my urge to comfort the youth,
that things will by law custom history and
natural law of the philosophers, perforce
she~teen will survive, even prosper, as I speculate what ailment specific has caused them to sit on this bench, by my river shared, and find no comforting by its majesty, it’s current sweeps away the debris of worried fears, returns wisdom perspective,  and all this will pass by my inpressed guarantee upon the air we both share full of
promise

but i am puzzy by the mother, who drapes
not her arm around, nor speaks as if she knows that volumes, pyramids of words have a pointed top, past which they can go no
further

sympathetic for I have comforted many,
and well cognize the tipping point when
the intersection of frustration, exhaustion,
and love succumb to the knowing point,
that only antibiotic soul salve is time,
and the silences of caring even when
unspoken

but I walk past, for in new york city there are
big boundaries one rarely crosses until and
unless invited


as I travel my well worn path on a sunny chilly October day, when one is capable of
delulding oneself that summer gods and
light
and warmth yet exists,

see many; the handsome and the overwhelmed, who move in vacuum tubes
of isolation, observing the First Rule:

Make No Eye Contact!

a safety device to preserve you in a protective bubble of safety from the uncontrollable,
the risks of possibility, for failure has so
many imagined risks, and it is so much easier to imagine the worst, rather than finding tokens of the best humanity can offer

I know this rule well, for my experimentation
includes my walking with an always smiling
face, that ranges from whimsical to fantastical,
but for the little children who give me an unutterable joy, as they explore the world
with no hesitation and are yet unaware of the First Rule, not due to arrive to another decade

once in awhile other observers, see this well,
handsome,well maned, old man with the
fixed smile from the tiniest corner of the nearest eye, and cannot help, but instinctively
return this breach of the lonely peace the
river ample provides

and you tally this reactionary outcome and
well versed in statistical theorem, can safely
report that the frequency of said occurrences
is .01%, with a degree of confidence after numerous walks, that 99% this the best this occurrence that can be obtained

and you ask if this is a poem?

as you ask so often, when I lead
you down this gated garden path of my
envisioning walks, where I pluck  poems,
good footed or bad, from the steady
breeze that whisks away my tears,
from whatever source they be triggered
sorried dad, or glad, joy or the Oy! of pain,

and apologize to old codgers with too much time on their minds, about its failure to be be brief, but grief is never short or  sweet,
and when I'm on my knees still trying
to understand the ticking mechanism
of the human heart, there just never
seems to be enough letters in the alephbet
to say all that needs saying…
after I-deliver a real cup of
strong, no milk to the barely
roused woman, will dandy don
safari hat, binoculars, freshly scrubbed face, attach that grin to my outerwear, go forth and catch one or two stripers, perhaps a catfish, or
a porgy, a smile and even a poem too…


oh,
and yes,
this too, an only love poem
for us all
8:40am 10:/9/twenty four
nyc
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